ESCOM 2017 CONFERENCE PROGRAM 25th Anniversary Edition of the European Society for the Cognitive Sciences of Music (ESCOM) Expressive Interaction with Music 31 July – 4 August 2017, Ghent, Belgium www.escom2017.org
MONDAY31stJuly TUESDAY1stAugust WEDNESDAY2ndAugust THURSDAY3rdAugust FRIDAY4thAugust
9:00-9:30
Registration&Coffee
KEYNOTE:TomFritz-Music-enhancedexperience:
Perception,learning,memory
KEYNOTE:ElviraBrattico-Aestheticempowerment
throughmusic
PLENARYICMPC-ESCOM2018:RichardParncuttandRenee
Timmers
9:30-10:00
Workshops:JukkaLouhivuori&AnnaRitaAddessi10:00-10:30 Conferenceopening
LaureateoftheESCOMYoungResearcherAward:
JanStupacher
LaureateoftheGhentUniversityAward:KathrynEmerson
10:30-10:45KEYNOTE:MartinClayton-Interaction,entrainmentand
musicperformance
Coffee Coffee10:45-11:00
Coffee11:00-11:15
Paperssessions:Gesture&embodimentinperformance,
jazzexpertise,vocalexpression,
musictherapy
Papersessions:Cognition,well-being:Parkinson,consumption,
emotion2
11:15-11:30
Workshops:JukkaLouhivuori,AnnaRitaAddessi,&Godfried-
WillemRaes
11:30-12:00 Papersessions:Amusia,
ensembleperformance1,audio-
visualstimulation,emotion112:00-12:30Lunch Lunch
12:30-13:30
Lunch Lunch13:30-14:00
Papersessions:Perception,brain,(a)synchrony,education&
training
Papersessions:Well-being,
preference&familiarity,gesture
&embodiment214:00-15:30
Papersessions:Gesture&embodiment1,ensemble
performance2,children,
expressiveperformance
15:30-16:30 Postersession1&Coffee Postersession2&Coffee Postersession3&Coffee
16:30-17:00 Papersessions:Memory,
performance,sightreading,
semiotics&politics
Papersessions:Dance,cross-modal&conducting,aesthetic
experience
17:00-18:00
Registration
KeynoteESCOM:JaneGinsborgandJohnSloboda
18:00-18:30
Concert&Reception25years
ESCOM
19:00-19:30
19:30-20:00
Socialdinner&jamsession20:00-21:00
Concert
21:00-22:00
MONDAY31stJuly
17:00-20:00 REGISTRATION[Blandijn-Entrancehall,Groundfloor]
TUESDAY1stAugust
9:00-10:00 REGISTRATION&COFFEE[Blandijn-Entrancehall,Groundfloor]
10:00-10:30 CONFERENCEOPENING:MarcLeman[Blandijn-AuditoriumC]
10:30-11:30 KEYNOTE:MartinClayton-Interaction,entrainmentandmusicperformance[Blandijn-AuditoriumC]
EMOTION1[Blandijn-AuditoriumA]
AUDIO-VISUALSTIMULATION[Blandijn-AuditoriumB]
ENSEMBLEPERFORMANCE1[Blandijn-Room100.072]
AMUSIA[Blandijn-Room110.079]
11:30-12:00Korte,Williamson,&Cerci.‘Playingonautopilot’.Newinsightsonemotionregulationinmusicstudents
Cupellini,Cooperstock,&Belardinelli.Thesoundmotioncontroller:Adistributedsystemforinteractivemusicperformance
Pennill&Timmers.Rehearsalprocessesandstageofperformancepreparationinchamberensembles
Whiteford&Oxenham.Long-termplasticityforpitchandmelodydiscriminationincongenitalamusia
12:00-12:30Parncutt&Sattmann.Musicalchillsasexperientialcorrelatesofadaptivevigilance:Anecological-evolutionarystimulus-responsetheory
Timmers,Macritchie,Schabrun,etal.Theinfluenceofaudio-visualinformationandmotorsimulationonsynchronizationwithaprerecordedco-performer
Vandemoortele,Feyaerts,Reybrouck,etal.Howdomusiciansmanagemelodytransferswhenrehearsingchambermusic?Astudyoftheirgazebehaviour
Pfeifer&Hamann.Congenitalamusiaindizygotictwins:Acasestudy
12:30-14:00 LUNCH[DeBrug]
GESTURE&EMBODIMENT1[Blandijn-AuditoriumA]
ENSEMBLEPERFORMANCE2[Blandijn-AuditoriumB]
CHILDREN[Blandijn-Room100.072]
EXPRESSIVEPERFORMANCE[Blandijn-Room110.079]
14:00-14:30Paschalidou,Clayton,&Eerola.MappingphysicalefforttogestureandsoundduringinteractionswithimaginaryobjectsinHindustanivocalmusic
Seibert.Situatedaspectsofjointmusicperformanceinalongitudinalfieldstudy
DiStefano,Focaroli,Giuliani,etal.Childrenplaywithmusic:Resultsfromaconsonanceanddissonanceperceptionstudy
Li&Timmers.Exploringpianists’conceptsofpianotimbreinexpressivemusicperformance
14:30-15:00 Godøy&Song.Impulse-drivensound-motionobjects
Wöllner&Hohagen.Callandresponse:Musicalandbodilyinteractionsinjamsessions
Bonetti&Costa.Musicalmode,intelligence,andemotional-visual-spatialdimensions:Acomparisonbetweenchildrenandadults
Vaquero,Titov,&Honing.Whatscoremarkingscansayofthesynergybetweenexpressivetimingandloudness
15:00-15:30Reybrouck.Expressionandinteractioninreal-timelistening:Adynamicalandexperientialapproachtomusicalmeaning
Jakubowski,Eerola,Moran,etal.Measuringvisualaspectsofinterpersonalinteractionsinjazzduos:Acomparisonofcomputationalvs.manualannotationmethods
Rabinowitch&Meltzoff.Thepro-socialimpactsofembodiedrhythmicmovementinjointmusicinteractions
PereiraGhiena&Martínez.Expressiveperformanceandinteractionwiththemusicasagent:Dynamiccontoursoftheself-sensedexperience
15:30-16:30 POSTERSESSION1[Blandijn-Floor+1]&COFFEE[Blandijn-Groundfloor]
MEMORY[Blandijn-AuditoriumA]
PERFORMANCE[Blandijn-AuditoriumB]
SIGHTREADING[Blandijn-Room100.072]
SEMIOTICS&POLITICS[Blandijn-Room110.079]
16:30-17:00
Korsmit,Burgoyne,&Honing.Ifyouwannabemylover…AHookdiscoverygametouncoverindividualdifferencesinlong-termmusicalmemory
Smit&Sadakata.Theeffectofhandednessonspatialandmotorrepresentationofpitchpatternsinpianists
Wolfs&Boshuizen.Sight-readingbycellists:Theroleofpositionalknowledge
Wong,Müllensiefen,&Keller.Expressingarchetypesthroughmusic:Amusicalsemioticsapproachtotheencodinganddecodingofarchetypalfigures
17:00-17:30 Janssen,Burgoyne,&Honing.Melodyrecallinfolksongtransmission
Cohen&Bodner.Musicperformanceskills:Facilitatingflowandreducingperformanceanxiety
Herrero,Carriedo,&Corral.Therelationshipbetweensightreadingmusicperformanceandupdatinginworkingmemory:Differencesassociatedtodevelopmentandinstrumentknowledge
Krause,Anglada-Tort,&North.Genderandpopmusiclyrics
17:30-18:00Rainsford,Palmer,Hollins,etal.Unconsciousplagiarisminmusic:Exposureincreasesplagiarisminmusiccomposition
Chang,Kenny,&Burga.ValidationoftheKennyMusicPerformanceAnxietyInventory(K-MPAI)
Huovinen,Ylitalo,&Puurtinen.Theeye-timespan:Stimulus-driveneffectsonlookingaheadinsight-reading
Ziv.Musicandnationalidentity:Theeffectofpatrioticandprotestsongs
18:00-20:00
20:00-21:00 CONCERT:MarcVanrunxtPrototype[DeKrook]
WEDNESDAY2ndAugust
9:00-10:00 KEYNOTE:TomFritz-Music-enhancedexperience:Perception,learning,memory[Blandijn-AuditoriumC]
10:00-10:30 LAUREATEOFTHEESCOMYOUNGRESEARCHERAWARD:JanStupacher-Gowiththeflow:Subjectivefluencyofperformanceisassociatedwithsensorimotorsynchronizationaccuracy[Blandijn-AuditoriumC]
10:30-11:00 COFFEE[Blandijn-Groundfloor]
GESTURE&EMBODIMENTINPERFORMANCE[Blandijn-AuditoriumA]
MUSICTHERAPY[Blandijn-AuditoriumB]
VOCALEXPRESSION[Blandijn-Room100.072]
JAZZEXPERTISE[Blandijn-Room110.079]
11:00-11:30
Czepiel&Egermann.Consciousandsubconsciousbodymovement:Anexploratorystudyintoexpressiveandtechnicalgesturesinpianoplaying
Foubert,Colling,&DeBacker.Temporalinterpersonalsynchronizationinaccompaniedmusicalimprovisationswithpeoplewithborderlinepersonalitydisorder
Liuni,Ponsot,&Aucouturier.Notsoscaryanymore:Screamingvoicesembeddedinharmoniccontextsaremorepositiveandlessarousing
Jimenez&Kuusi.Jazzmusicians’tuneidentificationfromharmony
11:30-12:00 Coorevits,Maes,&Leman.Gestureinthecommunicationandcontrolofmusicaltiming
Jordan.Assessingthequalityofrelationshipinmusictherapysessionswiththefocusonlanguage
Merrill&Larrouy-Maestri.Featuresofvocalexpressioninsongandspeech:Examinationof‘speechsong’
Wopereis&Stoyanov.Diversityinconceptualizingimprovisationalexpertise
12:00-13:30 LUNCH[DeBrug]
PERCEPTION[Blandijn-AuditoriumA]
BRAIN[Blandijn-AuditoriumB]
(A)SYNCHRONY[Blandijn-Room100.072]
EDUCATION&TRAINING[Blandijn-Room110.079]
13:30-14:00 Aucouturier&Canonne.Ismusicalconsonanceasignalofsocialaffiliation?
Baéz-Ávila,Ávila-Cascajares,&Pérez-Acosta.Comparativeanalysisofbrainactivationintrainedmusiciansduringattentivemotionlesslisteningofregularandirregularrhythmicpatterns
Buhmann,Moens,Lorenzoni,etal.Shiftingthemusicalbeattoinfluencerunningcadence
Wolf,Düvel,&Kopiez.Prevalenceandpredictorsofmusic-relatedneuromythsamongteachersandstudents
14:00-14:30Quiroga,Hansen,Højlund,etal.Perceptualprocessingofacomplexmusicalcontext:Testingamorerealisticmismatchnegativityparadigm
Stolzenburg.Periodicitydetectionbyneuraltransformation
Six,Arens,Demoor,etal.Regularityandasynchronywhentappingtotactile,auditoryandcombinedpulses
Correa.Musicalanalysisandemotions:Acasestudyofateachingandlearningstrategydesignedtopromoteoptimalexperiences
14:30-15:00 Moelants&Vaes.PerceptionoftoneclustersHadley,Novembre,Keller,etal.Simulationinmusicalinteraction:Causalinvolvementofdorsalpremotorcortexinturn-takingaccuracy
vanEgmond&Schaefer.Timingofcuedmovement:Effectsofcuecomplexityandcognitivefunction
O’Neill&Egermann.Doespractisemakeperfect?Aninvestigationontheeffectofthepresenceofotherpeopleonelicitingthedominantresponseinmusicalperformance
15:00-15:30
Metcalfe,Timmers,&Brown.Perceivingemotionfrommusicperformancecues:Studieswithnormal-hearinglistenersandcochlearimplantusers
Cheong,Will,&Lin.Dovocalandinstrumentalprimesaffectwordprocessingdifferently?:AnfMRIstudyontheinfluenceofmelodicprimesonwordprocessinginChinesemusiciansandnon-musicians
Lee,Song,&Kim.InterpersonalentrainmentinSeoulshamansongsanditsimplicationformusicaltimingstructure
Vasconcelos&Pinheiro.Anelectrophysiologicalinvestigationontheroleofmusicaltrainingonspeechprosodyprocessingandsegmentation.
15:30-16:30 POSTERSESSION2[Blandijn-Floor+1]&COFFEE[Blandijn-Groundfloor]
AESTHETICEXPERIENCE[Blandijn-AuditoriumA]
CROSS-MODAL&CONDUCTING[Blandijn-AuditoriumB]
DANCE[Blandijn-Room100.072]
16:30-17:00 Canonne.Listeningto(collective)improvisation
Wang,Keller,&Spence.Thesoundofsalsa:Enhancingtheevaluationofpiquancybymeansofacustomisedcrossmodallycongruentsoundtrack
Howlin,Orgs,&Vicary.Theimpactofsoundtrackcongruencyontheaestheticexperienceofcontemporarydance:Exploringaestheticinteractionintermsofarousalandenjoymentratingsinthreeaudiosettings
17:00-17:30
Kopiez,Wolf,Mütze,etal.Tendencytowardstheaverage?–Theaestheticevaluationofaquantitativelyaveragemusicperformance:AreplicationofRepp’s(1997)study
Maimon,Lami,&Eitan.Cross-modalcorrespondencesoftonalstability
Wen,Bamford,Burger,etal.Music-inducedsynchronyandsocialaffiliationintango
17:30-18:00 Bär,Omigie,&Fischinger.SchöneStellen–Alabstudyonbeautifulpassagesinmusic
Higgs&Furlong.Musiccompositionfordeafandhearingalike:Thesenseensemble,Study#1-Mergingperformancewithclinicalstudytoexaminethecross-modalandintersubjectivenatureofmusicalexperience
Naveda.Musicalmeter,movementandculturalroles:Acomparisonbetweendifferenttypesofmovementresponsestomusic
18:00-18:30
Egermann,Reuben,&McCall.Interactionbetweenaestheticjudgementandemotionalprocessing:Studyingaconcertaudiencelisteningtocontemporarymusic
Oudyk,Livingstone,&Rensink-Hoff.Theroleofexperienceinconductinggestures
Haugen.Investigatingmusicalmeterasshape:TwocasestudiesofBraziliansambaandNorwegiantelespringar
18:30-19:30
19:30-22:00 SOCIALDINNER&JAMSESSION[Parnassus]
THURSDAY3rdAugust
9:00-10:00 KEYNOTE:ElviraBrattico-Aestheticempowermentthroughmusic[Blandijn-AuditoriumC]
10:00-10:30 LAUREATEOFTHEGHENTUNIVERSITYAWARD:KathrynEmerson-Seeingthemusicintheirhands:Howconductors’depictionsshapethemusic[Blandijn-AuditoriumC]
10:30-11:00 COFFEE[Blandijn-Groundfloor]
COGNITION[Blandijn-AuditoriumA]
EMOTION2[Blandijn-AuditoriumB]
WELL-BEING:PARKINSON[Blandijn-Room100.072]
CONSUMPTION[Blandijn-Room110.079]
11:00-11:30Schaefer.Reconsideringcognitiveeffectsofmusiclistening:EvaluatingtheArousal-MoodHypothesisoverthelifespan
Vuoskoski&Eerola.Theenjoymentofsadness-inducingmusicismediatedbyfeelingsofbeingmoved
Rizzonelli.MusicalfeedbackingaittrainingforParkinson’spatients
Herzog,Lepa,Steffens,etal.Predictingmusicalmeaninginaudiobrandingscenarios
11:30-12:00Killingly,Lacherez,&Meuter.Singinginthebrain:Investigatingthecognitivebasisofearworms
Kayser.Facinganewerainstudyingmusic-inducedemotions–Howlettinggoofthestatusquomayhelpseeingtheseeminglyinvisible
Moens,vanNoorden,deWilde,etal.Effectsofadaptive-tempomusic-basedRASforParkinson’sdiseasepatients
Luck.Frompreferencetoconsumption:Howmusicaltasteshapeslisteninghabits
12:00-13:30 LUNCH[DeBrug]
GESTURE&EMBODIMENT2[Blandijn-AuditoriumA]
PREFERENCE&FAMILIARITY[Blandijn-AuditoriumB]
WELL-BEING[Blandijn-Room100.072]
13:30-14:00 Hosken&Ashley.Embodiedresponsestothedrop:Expectationfulfilmentandstrength
Cui,Dederichs,Troje,etal.Characterizationofnewlygainedstatisticalknowledgeofanunfamiliarmusicsystem
Ghilain,Schiaratura,Lesaffre,etal.Musicandmovementsynchronizationinpeoplewithdementia
14:00-14:30Kelkar&Jensenius.Tracingmelodies:Anobservationstudyofhandmovementstovocalphrasesfromdifferentmusicalcultures
vanDitzhuijzen&Schaefer.Theeffectofmusiclisteningonthecognitiveperformanceofolderadults:Doesfamiliaritymatter?
Colgan,Mason,&Paisley.Developingapersonalplaylistappfordementia
14:30-15:00Solberg&Dibben.Break,buildanddrop:Embodiedlisteningasexpressiveinteractionwithelectronicdancemusic
Bötsch,Wirth,Lennicke,etal.Replicationandvalidationofanexperimentalparadigmofmeasuringopenearedness
Moumdjian,Moens,Feys,etal.EffectofmotorentrainmenttoauditorycuesandmusicduringwalkingonqualityofmovementandperceivedfatigueinpersonswithMultipleSclerosis
15:00-15:30 Solberg&Jensenius.Armandheadmovementstomusicalpassagesofelectronicdancemusic
Bannister&Eerola.Musically-inducedchills:Theeffectsof“chillssections”inmusic
15:30-16:30 POSTERSESSION3[Blandijn-Floor+1]&COFFEE[Blandijn-Groundfloor]
16:30-17:00
17:00-18:00 KEYNOTEESCOM:JaneGinsborgandJohnSloboda[Aula]
18:00-22:00 CONCERT&RECEPTION25YEARSESCOM[Aula]
FRIDAY4thAugust9:00-9:30 PLENARY:ICMPC-ESCOM2018byRichardParncuttandReneeTimmers[Blandijn-AuditoriumC]
WORKSHOP1A[Blandijn-Room110.079]
WORKSHOP2A[Blandijn-Room100.072]
9:30-10:45 JukkaLouhivuori:Wearablesinmusiceducationandresearch
AnnaRitaAddessi:Musicalimprovisation,collaborativelearningandMIROR
platform
10:45-11:15 COFFEE[Blandijn-Groundfloor]
WORKSHOP1B[Blandijn-Room110.079]
WORKSHOP2B[Blandijn-Room100.072]
WORKSHOP3[LogosFoundation]
11:15-12:30 JukkaLouhivuori:Wearablesinmusiceducationandresearch
AnnaRitaAddessi:Musicalimprovisation,collaborativelearningandMIROR
platform
Godfried-WillemRaes:MusicalinteractionwithRobots
12:30-14:00 LUNCH[DeBrug]
PosterSession1:Tuesday1stAugust PosterSession2:Wednesday2ndAugust PosterSession3:Thursday3rdAugust
1 Vroegh.Ismusicabsorptionadistinct
stateofmind?Ataxometricinvestigation 30 Spangardt&Ruth.Effectsofvocalsinadvertisingsongs 58
Fiedler&Müllensiefen.Musical
trajectoriesandcreativeorientationof
musiclessonsaffectthedevelopmentof
interestin‘music’insecondaryschools’
students
2 Ruth&Spangardt.Productplacementsin
popularmusic 31
Thiesen,Kopiez,Reuter,etal.Constructionandvalidationofnew
assessmentinstrumentsforveryshort
musicalstimuli(„plinks“)
59Ruth.Theinfluenceofattentionandfamiliarityontheeffectsofmusicwith
prosociallyrics
3Groeneveld&Sadakata.Effectofmelodic
representationontheSpeech-to-Song
(STS)illusion32
Cohrdes,Wrzus,&Riediger.Listeningtoself-selectedmusicasmoodregulation
strategy?Interrelatingregulation
motivation,moodchangeand
physiologicalreactivityinvariousages
60
Krause&Davidson.Cross-culturalevidenceforpromotinglife-longmusical
investmentthroughmusiceducation:
Exploringbestpracticeapproaches
4
Anglada-Tort&Müllensiefen.Doesthefluencyofartistsandsongs’names
matter?Theeffectoflinguisticfluencyon
evaluationsofmusic
33Barradas&Sakka.Theeffectoflyricsonmusic-inducedemotions:Acomparisonof
PortugueseandSwedishlisteners61
Bressan,Vets,&Leman.Amultimodal
interactiveinstallationforcollaborative
musicmaking:Frompreservationto
enhanceduserdesign
5
Küssner&Eerola.Thespecialcaseofmusic-inducedvisualimageryandits
correlateswithmusicalskills:Findings
fromanonlinesurvey
34Elvers&Steffens.Motivationalmusic
promotesriskydecision-makingbutnot
theexecutionofaball-throwingtask62
Larrouy-Maestri,Harrison,Walker,etal.Anewtestoftheabilitytodetect
mistuninginrealmusic
6 Siedenburg&Müllensiefen.Modeling
timbresimilarityofshortmusicclips 35 Cenkerová.Pitchproximityvs.tonal
proximityinchordperception 63 Krüger.Gesturalinteractioninajazzjam
session
7Rinne&Huovinen.Expertpianists’stylisticassessmentofmusicalnotation
frombriefglances36
Grimm,Fünderich,&Lange.Howistheperceivedmusicalexpressivityofsingers
affectedbytheirmimicandgestural
interpretation?
64Floridou,Mencke,Caprini,etal.Novelinvoluntarymusicalimagery:Thegenesis
ofatuneinthemind
8 Schurig.Re-performingeverydaylife
throughmusic 37
Herget&Schramm.Familiaritymatters?
Emotionsandassociationstofamiliarand
unfamiliarbackgroundmusicin
ambiguousfilmscenes
65
Caruso,Nijs,&Leman.Musicalgestures
asaninterfaceofperformers’
intentionality:Acasestudyofwestern
embodimentofKarnaticmusic
9 Brown&Krause.Psychologicalpredictorsofengagementinmusicpiracy 38
Wöllner,Albrecht,Hammerschmidt,etal.Slowmotioninfilmsandvideoclips:The
roleofmusiconperceivedduration,
emotionsandeyemovements
66Stirnat.Perceivedspaciousnessinmusic
usingdifferentreproductiontechniques:
Analysisofmusicalcues
10 Ackermann.»Idon’tlikethat!«Dislikedmusicanditsrationales 39 Yörük&Mungan.Statisticalsummary
representationsinmusic-likeperception 67
Phillips,Goldman,&Jackson.Theeffectofhandshapefamiliarityonguitarists’
perceptionsofsoniccongruence:An
alteredauditoryfeedbackstudy
11Asano&Maidhof.Theinfluenceofmeter
onharmonicsyntacticprocessingin
music.AnERPstudy40
D'Amario&Daffern.Interpersonalinteractionofportamentoinsinging
ensembleperformances68
Loaiza.Backtothewild:Socialinteractionsneedanon-individualistic
explanatoryunit
12Chełkowska-Zacharewicz&Janowski.PolishadaptationofGEMS-factor
structureandreliability41
Arman.Rhythmandtrance:From
ShamanismtoSufitraditionand
psychedelicculture69
Trower&Ockelford.Usingzygonictheorytopredictexpectationsinrepeated
melodicstimuli
13
Meissner&Timmers.Youngmusicians’
viewsontheirlearningofexpressive
performancewithinanactionresearch
project
42
Bisesi&Toiviainen.Therelationshipbetweenmusicalstructureandemotionin
classicalpianoscores:Acasestudyonthe
themeofLaFolia
70 Louhivuori,Duman,&Viirret.Newmusicalinterfacesandexpressivity
14Vurma.Glottaladductionandspectralenvelopevariationatsingingdiatonic
scaleswithdifferentdynamicshapings43
Ulor,Jakubowski,&Müllensiefen.Testingtheroleofinvoluntarymusicalimageryin
novelmusiclearning71
Himberg,Förger,Niinisalo,etal.SocialeMotions:Exploringemotionalexpression
andcontagionincontemporarydance
15
Jakubowski,Bashir,Farrugia,etal.Involuntaryvs.voluntarymusical
imagery:Acomparisonoftemporal
precisionandemotionalresponses
44Spieker.IntheZone:Aninteractiveeducationaltechnologybasedon
symmetricalentrainment72 Shukla.Music@work:Roleofbackground
musicontaskperformance
16Loimusalo,Huovinen,&Puurtinen.Pianists’mentalpracticestrategies:A
mixed-methodapproach45
Mendoza&Thompson.Modeling
perceivedsegmentationofbodilygestures
inducedbymusic73
Karnop&Steffens.Howdopersonalitytraitsinfluencetheeffectoflisteningto
sadmusiconinducedmusicalemotions?
17
Greb,Schlotz,&Steffens.Towardsamodelpredictingmusicselectionbehavior
byfunctional,situational,andperson-
relatedfactors
46
Lynch&Bhattacharya.Melodic
expectancyanditscross-modalemotional
primingeffectsondecisionandmemory
tasks
74Egermann,Lepa,Schoenrock,etal.Developmentandevaluationofageneral
attributeinventoryformusicinbranding
18
Emerson&Egermann.Expressivity,embodiment,control:Exploringthe
motivationsforbuildingnewdigital
musicalinstruments
47Saarikallio&Maksimainen.Musicand
picturesasmoodregulation:A
comparativestudy75
Beeston&Summers.Machinelistening:
Theexpressivepotentialof
human+computersystemsinrealrooms
19
Caramia,Romani,&Palmieri.Music
influenceonvisualandmotorcortex:A
synestheticactivityexploredwithevoked
potentials
48Floridou,Peerdeman,&Schaefer.Spontaneousandvoluntarymusical
imageryacrossthelifespan76
Bunte,Jordan,&Busch.Activationofmusicalgender-associationsatprimary
schoolage
20Mullensiefen,Shapiro,Harrison,etal.Musicalabilitiesandacademic
achievement–what’sthedifference?49
Parncutt&Reisinger.Accidentalsonoritiesinearlypolyphony:Evidencefor
earlysensitivitytoroughnessand
harmonicity
77
Kaiser,Heimerich,Kierdorf,etal.Investigatingthedevelopmentofjoint
attentionalskillsinearlyontogeny
throughmusicaljointaction
21 VanNoorden,Vargas-Cañas,Bolaños,etal.Sedativesoundandmusiccomputing 50
Crespo,Monte-Ordoño,&Toro.EEGresponsestochangesinconsonanceand
dissonance78
Lorenzoni,VanDyck,&Leman.Ontheeffectofsynchronizedandnon-
synchronizedmusiconrunners’footstrike
impact
22
Bonard&Grandjean.Canmasteryof
musicalgrammarspartiallypredict
perceptionofmusicalexpression?A
cross-culturalstudybetweenwesternand
Indianclassicalmusic
51Fuchs,Knauer,Jüngling,etal.Evaluationofdifferentsonificationmodelsfor
balancetraining79
Sørensen,Petersen,Ross,etal.Anoveltoolformeasuringmusicalabilitiesin
children
23Itaborahy&Naveda.Evaluationofassociationsbetweengenderand
dance/musicmovements52
Pérez-Acosta&Yáñez-Suárez.Cerebralelectricalactivitytriggeredbymusic
imageryandmusicperception:A
comparativeEEGstudy
80 Filippidi&Timmers.Moodregulationand
involuntarymusicalimagery
24
Mooren,Burgoyne,&Honing.Investigatinggroupingbehaviourof
dancersinasilentdiscousingoverhead
videocapture
53Rainsford&Palmer.Thedistinctivenesseffectintherecognitionofmusical
melodies81
Martínez,Pérez,Damesón,etal.Playingwiththephantom:Human-virtual
interactionsinjazzperformance
25Carlson,Burger,&Toiviainen.Genremovementcharacteristicsandpreference
inmusic-inducedmovement54
Martínez,Damesón,Pérez,etal.Participatorysensemakinginjazz
performance:Agents’expressive
alignment
82
Hohagen&Wöllner.Evaluationofmovementsonification:Perceptionof
auditoryandvisualdisplaysofmusical
performancegestures
26 Coorevits&Östersjö.Chunkingandco-articulationinperformanceanalysis 55
Degrave&Dedonder.ValidationofaFrenchtranslationoftheGoldsmiths
MusicalSophisticationIndex,an
instrumenttoassessself-reportedmusical
skillsandbehaviors
83Dell'Anna,Fossarato,Burin,etal.Entrainmentandsharedrepresentations
injointfingertapping
27Busch,Kreutz,Rach,etal.Musical
sophisticationandhealth.Findingsfrom
anonlinesurvey56
Addessi,Anelli,&Maffioli.ChildrendancingwiththeMIROR-Impro:Doesthe
reflexiveinteractionenhancemovement
creativity?
84Addessi.Reflexiveattunementinchild-
childinteractionandchild-machine
interaction:Twocasestudies
28Larrouy-Maestri,Franz,Bégel,etal.Perceptionofbeataccuracyinmusic:
Relativetothetempo?
57Desmet,Lesaffre,Six,etal.Multimodal
analysisofsynchronizationdatafrom
patientswithdementia85
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Info
Addresses of the conference venues
Main conference venue: Campus Blandijnberg, Blandijnberg 2, 9000 Gent
Lunch venue: De Brug, Sint-Pietersnieuwstraat 45, 9000 Gent
Concert venue 1 /08: De Krook, Miriam Makebaplein 1, 9000 Gent
Social d inner venue 2/08: Parnassus, Oude Houtlei 122, 9000 Gent
Clos ing recept ion venue 3/08: Aula, Voldersstraat 9, 9000 Gent
Workshop Musical interact ion with Robots venue 4/08: Logos Foundation, Bomastraat 24, 9000 Gent
Contact numbers of the ESCOM 2017 Organis ing Committee
General ass istance , quest ions , etc . concerning the conference:
+32 474 248 734 AND +32 474 248 713
Emergency contact numbers
UGent emergency number :
+329 264 88 88
Belgian pol ice and emergency number :
101
CONTACT & INFO [email protected] www.escom2017.org www.escom.org