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Page 1: Close shot Jordana

CloseupshotOliverporldirecttocameraintimategettingclosertoJordanaNaturalisticlightingrealismgrittyaestheticRomcomteengenrerendezvousbutsubvertsJincontrol

ThairstyleinfluenceofFrenchNewWaveFacialexpressionsmirkingsardonic

Inotstereotypicalloveinterestcharactermeetunderrailwaybridgesecretivebutunromantic

Lensflarenaturalistic indieaestheticTrackingshotofOliver'sjourney sideonflatWesAndersonstyleJ'svoicebecomesnondiegetic losoundbridgeindustrialsettingpanningshotofsteelbarsandsleepers lookslikehe'senteringaprisonLSallowsustoseetheirisolation noonearoundsecretivefurtiveintimidatingAntiromantico insilhouette recognisableiconic profileawkwardgaitgeekyteen

Diegeticsoundoftrainincreasesbuildstoacrescendoas hereacheshisdestinationOpositionedcentrallyWesAndersoninfluencedirectaddress JporCostumeconnoteso'sgeekinessrufflecoatBodylanguageandexpressionsuggestawkwardteenzoomintoacuofOliverwhichcutsto amatchingsnotofJordanaNaturalisticlightingcreatesrealismandcontrastoflightdarkshadowsRealismcontrastwiththestylisedcinematography

CostumeJordanacontrastsOliverinsymbolicredsuggestsdangerandsexualitysheisthefemmefataleAlsolinkswithherpyromaniaRedfingernailsandbagtooironictakeonthefemmefatalechippednailvarnishandcigaretteaddtothegrittyrealismoftheaestheticnotglamorousEditingthecrosscutsfromclassroomtobridgeotoJ combinedwiththeuseofambientsoundreflectO'strepidationJ'sbodylanguageIposeisverydeliberateattempttocreatemelodramaaccentuatetheeventzoominmatchestheshotof0 connection

Costumeo'sbluecoatconnotestheblues ldepressivenaturesharedwithhisfatherItcouldalsosuggesta conservativenatureIncontrastthefieryredofJ'scostumereflecthercharacterandofferacontrastto0aswellaspositioningherinthenarrativeastheobjectofdesireTheindustrialsettingisdrabdepressedagainstwhichJordanastandsoutasvibrantandexcitingLackstheglamourIromanceofHollywoodbutisstillemotionallyengaging

Page 2: Close shot Jordana

InfluenceofFrenchNewwave darkbobbedhairsmokingquirkycharactersunconventionaleditingIjumpcutsrealistsettinglightinghandheld intertextualityinfluenceofusindependentfilmbreakingthefourthwallsuspensionofbeliefdrawingattentiontothefilmmakingprocessdeliberatelyAyoadeisclearlyacinephilegivemethecamera lkneeldown JatypicalofloveinterestdominantassertiveincontrolUnromanticoppositeofgenderexpectations

80scontextattitudestosmokingteenagehabitPosesuggestspowercontrolJordanashowslittleemotioninthefilmstrongindependentcharacterChippednailvarnishaddstothegrittyantiglamouraestheticsuitsthesurroundingsbutalsohassexualconnotationssenseofrebelliousteenattitudesteadycomposurecontrastswithO'snervousperformancehegulpsExaggeratedperformanceaddsmelodramaandalsohumour

EcuSergioLeonelspaghettiwesternstyleConnotes ashowdown confrontationunblinkingassertiveJordanasubvertsthefemaleteenarchetypenotacheerleaderbabeprincessdaddy'sgirlshesmokesswearsbulliesandisapyromaniacshebelittlesOliveratthestartoftheirrelationshipHaircutisquirkyandantiromanticZoomintoEcumatcheso'spreviousshotconnotesaconnectionbetweenthetwoofthemClosenessofthecameraalsocreatesanemotionalconnectionandintimacy

MidovertheshouldershothighangleJ'sdoggingnageover0spectatorpositionedlooking

downemasculated andgettinghisknees

dirty subversionofgenderrolesinromcomteenNaturalisticlightingandgrainyfilmstockreflectdirector'svisualaesthetic athrowbackhomagetoBritishkitchensinklowbudgetdramaNostalgicRepresentationofUKwalesunglamorousindustrialoffbeathumourcreatedbythesituationNarrativeenigmahermotivesareunclearasareheractionsSoundoftrainsdiegeticbuildstension

LowangleovertheshouldershotspectatorpositionedasOliverJordanadominatesandisincontrolmanipulatingOliverbyusinghisfeelingsforhertocontrolhimOliverispresentedas a characterthatcanbebulliedtheschoolnerdarchetypeThisisreinforcedbyhisdufflecoatandbriefcase Incontrast JisrelativelycoolwithherFrenchNewwaveaestheticrebelliousattitudeanddistantfrostyemotionlesspersonalityoppositesattractOcouldbesaidtohaveacoolindieaestheticgeekcoolwhichtiesinwiththeAlexTurnersoundtrack

Page 3: Close shot Jordana

Intomidshotastheemotionandtensionincreasescamerapansroundtocreateasenseofmovement asensethatthisisleadinggeishatotasietteenanitintifixpedantatisatiatstereotypicallywantstolosehisvirginityThismakeshimvulnerableandlackinginconfidencethesearecharacteristicsheshareswithhisfatherRichardAyoadehasexploredtheawkwardstarpersonain ITcrowdandhisowncomedypersonalitypersonaa signaturestylereminiscentofearlyWoodyAllen

EditingpaceincreasessignificantlywithaseriesofjumpcutsMirrorstheemotionalexcitementandfastgegtabeaatgtf.name ientiaijeardcetdauaMaminangefromthepreviousimbalanceLongshotdrawsspectatorsattentiontotheirsurroundings acombinationofmudrocksbridgearchitectureandgraffitianironicsettingforthearchetypalfirstkisssubvertstheromcomgenreThediegetictrainnoisereachesacrescendoorclimaxreflectingtheclimacticeventofthekisscameramovementaddstotheenergyofthesequence

PolaroidcamerainstantphotosinapredigitalageretrocontextaestheticQuirkylunusualbehaviourtophotographafirstkissJordanaisincontrolagainNoconsentlawarenessthathewasabouttobekissedorhavehisphototakenVoyeuristictheyarebeingwatchedbytwocamerasLaterwelearnthatJisusingo tomakeanexboyfriendjealouscushotcreatesmoreintimacyO'sfacialexpressionofsurpriseiscomicalHekeepshiseyesopensuggestingitwasunexpectedDepthoffocussuggeststhatthesurroundinglocationhavebeenforgottenTrainnoiseassexualimagery

MatchingshotJordanaandOliverarebeingpresentedas apairamatchJordana'shandsarebothcontrollingthesituationOliverismoreorlesspassiveinthissituationakeycharacteristicweseeinhisfathertooThecloseupshotpositionsthespectatorinanintimatedistanceandemotionallyinvolvedAlsoeyelevelshotEditingstyleinfluencedbyFrenchNewwavecinemaAnachievementtriumphforthegeekHehaswontheprize theprincesscharacterofatypicalnarrativehoweveritissubvertedbyhispassivityJ'sdominanceandJ'sulteriormotive

CloseupshotofthepolaroidphotosfallingtothefloorWillbeusedasevidenceoftheeventabitlikemoderndaysocialmediaoutwitharetrotwistAoyadeis acinephileandthisextendstofilmstockandtheactofcapturingamomentonfilmwhichiswhatJordanahasdonehereTheflashofthebulbisasymbolicuseoflightingastheirintimatemomentisexposedThe80scontextlendsthefilmaninnocenceasitispreinternetandathrowbacktoanostalgicpastbeforemobilephones anageofdiariesandpamphletsrecordsandvitstapes

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AswellasexposingthemtheflashofthecameracreateslightingwhichactsasametaphorsymbolicallyOliver'sdrabgreyandblueworldis litupandheescapesthedarknessmomentarily ItlinkstothefireworksfirecrackerspyromaniaofJordanashebringsthelightintoOliver'sdullworldTheEcupositionsthespectatorinthemostintimatemomentyetJordanabreaksthefourthwallasshelooksintothecamerathisismanipulativeassheisusingthedirectmodeofaddressasanactofrevenge

AflashofbrilliantlightandilluminationAkeychangeinthemutedlightingofthescenesofar

ThelensflareaddstotheindieaestheticandcreatesametaphoricalsenseofglowingoranexplosionlikefireworksgoingofforiginallyconsideredamistakelensflareisnowconsideredtoaddrealismandauthenticitypioneeredbyfilmssuchasEasyRiderinthe1960sBacklightingisusedherewhichcreatesa haloeffectaroundthecharactersheadsTheyarelituponfireandhappytheyseemtoglowinthismomentThecameradoesaslow360degreeturnandtheyarepositionedasthecentreoftheworldcombinedwiththescreechingofthetrainitsuggestsaclimax

ThereisaseriesoffreezeframesinquicksuccessionThisexperimentalstyleoffilmmakingowesmoretoFiddenaisenteofingdiegetic'ssiteMortifiedsilence ItsuggeststheworldstandingstillforamomentThesilenceisbrokenbyOliver'snondiegeticvoiceoverLikeatthestartofthefilmheactsas anarratorinthestoryofhislife aselfcentredmelodramaticegocentricsideofhischaracterItalsoromanticesthesaneandsuggestshisliteraryinterests wekissuntilourlipsfeltswollen

Thesequence'saesthetic jumpcutsfreezeframecentralframingnondiegeticroetc requiresasuspensionofdisbelief


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