CloseupshotOliverporldirecttocameraintimategettingclosertoJordanaNaturalisticlightingrealismgrittyaestheticRomcomteengenrerendezvousbutsubvertsJincontrol

ThairstyleinfluenceofFrenchNewWaveFacialexpressionsmirkingsardonic

Inotstereotypicalloveinterestcharactermeetunderrailwaybridgesecretivebutunromantic

Lensflarenaturalistic indieaestheticTrackingshotofOliver'sjourney sideonflatWesAndersonstyleJ'svoicebecomesnondiegetic losoundbridgeindustrialsettingpanningshotofsteelbarsandsleepers lookslikehe'senteringaprisonLSallowsustoseetheirisolation noonearoundsecretivefurtiveintimidatingAntiromantico insilhouette recognisableiconic profileawkwardgaitgeekyteen

Diegeticsoundoftrainincreasesbuildstoacrescendoas hereacheshisdestinationOpositionedcentrallyWesAndersoninfluencedirectaddress JporCostumeconnoteso'sgeekinessrufflecoatBodylanguageandexpressionsuggestawkwardteenzoomintoacuofOliverwhichcutsto amatchingsnotofJordanaNaturalisticlightingcreatesrealismandcontrastoflightdarkshadowsRealismcontrastwiththestylisedcinematography

CostumeJordanacontrastsOliverinsymbolicredsuggestsdangerandsexualitysheisthefemmefataleAlsolinkswithherpyromaniaRedfingernailsandbagtooironictakeonthefemmefatalechippednailvarnishandcigaretteaddtothegrittyrealismoftheaestheticnotglamorousEditingthecrosscutsfromclassroomtobridgeotoJ combinedwiththeuseofambientsoundreflectO'strepidationJ'sbodylanguageIposeisverydeliberateattempttocreatemelodramaaccentuatetheeventzoominmatchestheshotof0 connection

Costumeo'sbluecoatconnotestheblues ldepressivenaturesharedwithhisfatherItcouldalsosuggesta conservativenatureIncontrastthefieryredofJ'scostumereflecthercharacterandofferacontrastto0aswellaspositioningherinthenarrativeastheobjectofdesireTheindustrialsettingisdrabdepressedagainstwhichJordanastandsoutasvibrantandexcitingLackstheglamourIromanceofHollywoodbutisstillemotionallyengaging

InfluenceofFrenchNewwave darkbobbedhairsmokingquirkycharactersunconventionaleditingIjumpcutsrealistsettinglightinghandheld intertextualityinfluenceofusindependentfilmbreakingthefourthwallsuspensionofbeliefdrawingattentiontothefilmmakingprocessdeliberatelyAyoadeisclearlyacinephilegivemethecamera lkneeldown JatypicalofloveinterestdominantassertiveincontrolUnromanticoppositeofgenderexpectations

80scontextattitudestosmokingteenagehabitPosesuggestspowercontrolJordanashowslittleemotioninthefilmstrongindependentcharacterChippednailvarnishaddstothegrittyantiglamouraestheticsuitsthesurroundingsbutalsohassexualconnotationssenseofrebelliousteenattitudesteadycomposurecontrastswithO'snervousperformancehegulpsExaggeratedperformanceaddsmelodramaandalsohumour

EcuSergioLeonelspaghettiwesternstyleConnotes ashowdown confrontationunblinkingassertiveJordanasubvertsthefemaleteenarchetypenotacheerleaderbabeprincessdaddy'sgirlshesmokesswearsbulliesandisapyromaniacshebelittlesOliveratthestartoftheirrelationshipHaircutisquirkyandantiromanticZoomintoEcumatcheso'spreviousshotconnotesaconnectionbetweenthetwoofthemClosenessofthecameraalsocreatesanemotionalconnectionandintimacy

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dirty subversionofgenderrolesinromcomteenNaturalisticlightingandgrainyfilmstockreflectdirector'svisualaesthetic athrowbackhomagetoBritishkitchensinklowbudgetdramaNostalgicRepresentationofUKwalesunglamorousindustrialoffbeathumourcreatedbythesituationNarrativeenigmahermotivesareunclearasareheractionsSoundoftrainsdiegeticbuildstension

LowangleovertheshouldershotspectatorpositionedasOliverJordanadominatesandisincontrolmanipulatingOliverbyusinghisfeelingsforhertocontrolhimOliverispresentedas a characterthatcanbebulliedtheschoolnerdarchetypeThisisreinforcedbyhisdufflecoatandbriefcase Incontrast JisrelativelycoolwithherFrenchNewwaveaestheticrebelliousattitudeanddistantfrostyemotionlesspersonalityoppositesattractOcouldbesaidtohaveacoolindieaestheticgeekcoolwhichtiesinwiththeAlexTurnersoundtrack

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EditingpaceincreasessignificantlywithaseriesofjumpcutsMirrorstheemotionalexcitementandfastgegtabeaatgtf.name ientiaijeardcetdauaMaminangefromthepreviousimbalanceLongshotdrawsspectatorsattentiontotheirsurroundings acombinationofmudrocksbridgearchitectureandgraffitianironicsettingforthearchetypalfirstkisssubvertstheromcomgenreThediegetictrainnoisereachesacrescendoorclimaxreflectingtheclimacticeventofthekisscameramovementaddstotheenergyofthesequence

PolaroidcamerainstantphotosinapredigitalageretrocontextaestheticQuirkylunusualbehaviourtophotographafirstkissJordanaisincontrolagainNoconsentlawarenessthathewasabouttobekissedorhavehisphototakenVoyeuristictheyarebeingwatchedbytwocamerasLaterwelearnthatJisusingo tomakeanexboyfriendjealouscushotcreatesmoreintimacyO'sfacialexpressionofsurpriseiscomicalHekeepshiseyesopensuggestingitwasunexpectedDepthoffocussuggeststhatthesurroundinglocationhavebeenforgottenTrainnoiseassexualimagery

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CloseupshotofthepolaroidphotosfallingtothefloorWillbeusedasevidenceoftheeventabitlikemoderndaysocialmediaoutwitharetrotwistAoyadeis acinephileandthisextendstofilmstockandtheactofcapturingamomentonfilmwhichiswhatJordanahasdonehereTheflashofthebulbisasymbolicuseoflightingastheirintimatemomentisexposedThe80scontextlendsthefilmaninnocenceasitispreinternetandathrowbacktoanostalgicpastbeforemobilephones anageofdiariesandpamphletsrecordsandvitstapes

AswellasexposingthemtheflashofthecameracreateslightingwhichactsasametaphorsymbolicallyOliver'sdrabgreyandblueworldis litupandheescapesthedarknessmomentarily ItlinkstothefireworksfirecrackerspyromaniaofJordanashebringsthelightintoOliver'sdullworldTheEcupositionsthespectatorinthemostintimatemomentyetJordanabreaksthefourthwallasshelooksintothecamerathisismanipulativeassheisusingthedirectmodeofaddressasanactofrevenge

AflashofbrilliantlightandilluminationAkeychangeinthemutedlightingofthescenesofar

ThelensflareaddstotheindieaestheticandcreatesametaphoricalsenseofglowingoranexplosionlikefireworksgoingofforiginallyconsideredamistakelensflareisnowconsideredtoaddrealismandauthenticitypioneeredbyfilmssuchasEasyRiderinthe1960sBacklightingisusedherewhichcreatesa haloeffectaroundthecharactersheadsTheyarelituponfireandhappytheyseemtoglowinthismomentThecameradoesaslow360degreeturnandtheyarepositionedasthecentreoftheworldcombinedwiththescreechingofthetrainitsuggestsaclimax

ThereisaseriesoffreezeframesinquicksuccessionThisexperimentalstyleoffilmmakingowesmoretoFiddenaisenteofingdiegetic'ssiteMortifiedsilence ItsuggeststheworldstandingstillforamomentThesilenceisbrokenbyOliver'snondiegeticvoiceoverLikeatthestartofthefilmheactsas anarratorinthestoryofhislife aselfcentredmelodramaticegocentricsideofhischaracterItalsoromanticesthesaneandsuggestshisliteraryinterests wekissuntilourlipsfeltswollen

Thesequence'saesthetic jumpcutsfreezeframecentralframingnondiegeticroetc requiresasuspensionofdisbelief