7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 1/25
-
a
-- --.
. - _-
Music
Theory
Past
Papers
2014
ABRSM
Grade
5
t.t
.Iq
$iaoY,,7
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 2/25
2 hours
Paper
Grade
5
2014
A
paper
contains
SEVEN
questions,
ALL of which should
be
answered.
vour
answers on
this
paper
-
no others
will
be
accepted.
must
be
written
clearly
and
neatly
-
otherwise marks
may
be
lost.
i
a
t
The
ibllou,ing
extract
begins on the
first
beat of
the bar.
Put in the
missing barJines.
t-
J
N.
F. Bach, Fantasia in,E
minor,
Fk20
(adapted)
TOTAL
MARKS
100
l5
(b)
Look
at the
following
extract
and then answer
the questions
below.
l-rl]Yl
(l)
r
x. S.har*;nka,
Minuetio,
Op.
62
No.
5
tE)
l
A.r
-t
?
B+
I
firi
I
r-t-l-r
(i)
Cive
the technical
names
(e.g.
tonic,
dominant) of
the
two
notes
in
the
left-hand
part marked
A
and
B.
The key is C major.
A
(b,,
1) .....-9.u .*n:.t:::11....x..c
sr.rv nns
diffut
)
o,
B
(
bar 2r .....,..:l-b..
,ll,l.t,:.'.t.:7r/-.
.
(ii)
Describe the chords
marked l-1, lYl
and ffl
as
I,
II, IV
or
V Also
indicate
whether
the
lowest
note
of
the
chord
is the
root
(a),3rd
(b)
oi
5th
(c).
Remember
that
the
key
is
G major
(2)
(2)
\2)
12)
:
.
: :.
::-
:::.i
left-hand
note
of
the extract
so
that
it
sounds
at the
same pitch, but using
-
..'
-
:---
ilernember
to
put in
the
key signature.
(2)
I
l-l
'r
(8 D
gACE,
Tr.
C
EG\
Vur-tt
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 3/25
Describe
fullv
each
of the
numbered
and
bracketed
melodic
intervals
(e
g
maior
2nd)'
J.
S.
Bach,
Cello
Suite
No.4
in
E flat,
BWV
1010
-
t-i- t5l
l0
-,,
rnrervars:
rdwrr6sktt+
t*A.y
Y .
r--+++I
'--u
.',
. oraror-t-uzl--_
-.,
..
l4-->E'
"
) ltr4+oY--ti t-
:--^v
. +
i/
-
,{l
"
Y
--->
r
"
{-\
D--)q
....rxr.nSY-:f:r-::
......
ir.4
...
.
.
.
.
.
. ....
.
I.
.*>'
?
.
s
rYly
O
'\
./
a;W;n
'/{l{h
a
pr,\<cl.
t'+
A
-
L./
These
are
the
actual
sounds
made
by
a
clarinet
in
Bh. Rewrite
the
passage
as
it
would
;;;;;.-i;;ili;ier
to
read,
that
is,
transPose
it
,,p
a
major
2nd
Remember
to
put in
itlJr,"*
t"y
signaiure
and
add
any
necessary
accidentat'
)
aB
L
Y
10
Re1et,
Eine
1)rterlii'ldische
out)et
tiire
,
OP
'
UA
--='==
=
=>
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 4/25
Look
at
this
extract,
u.hich
is
from
Balldde
for flute
and
piano
by
Reinecke,
and
then
answer
the
questions
that
follo$'.
f
rloke
-----=-.--
"-.--'
,-;-=--.---
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 5/25
(i)
Mark clearly
on the
music,
using the
appropriate
capital
Ietter for
identification,
one example
of each of
the
following.
Also give
the bar
number
of each of
t-our
answers,
as shown in
the
answer to
A.
It1
barc
1-5
A a
tie
in
the
flute part
(circle
thg
nates
concerned).
Bar
a tre
rn the
ltute
Dart
lclrcle the
noles
co
'
rh
14).
B in
the
flute
part,
a domindnt
nbl6
in
lhe
n
the
flute
part,
a domindnt
ntit6
in lhe
(
t
key
of
D minor
(circle
the note
concerned).
Bar\... .
C in
the piano part,
a
tonic
chord of
D minor in
, I A
first
in\
ersion
(lb)
(circle the notes
concerned).
Bat ...:.--.{5
)
D
in
the nute pdrt,
a
melodic
interval
oF
an
(
l1
aLrSmented
2nd
{circle
the notes
con.ernedr.
Ba(..21,/
Instrument
(2)
C
->
D rvr
oi
2r'r
/
6->
ud
.u1[
z,i
t2t
(iD
Rewdte
the
first right-hand piano chord of
the
extract so
that it
sounds at
the
same
Pitch,
but
using
the
tenor
C clef. Remember
to put
in
the
9 q[
and
the
key signature.
q
e f,'", c,b*f*,
.
(4)
(i)
Give
the meaning of:
l0
Adagio
s
i01^.1
clolca
sW?et.9o+
sJf
(flute,
bar
3)
-l
ov
t
e
,.1
(ii)
Name the ornament
in the flute part of
bar
6.
c
rhshpd 4rrt{
(iii)
Describe the time signature
as:
simple or compoun
a
......L.A.1t)..1.i.:: .1 .d.,..v:
duple, triple
or
quadruple
............
It
\olstZ/
(2)
(2)
(2)
(2)
(1)
(1)
(i)
Write
as
a
breve
(double
whole-note)
an enharmonic
equivalent
of
the
last
flute
note of the extract.
(ii)
Answer rRUE
or
FALSE to
each of
the
following
statements:
The
sign
above the last
flute
note of the
extract
(>)
tells
the player
to get
gradually
quieter.
The notes marked f----------l
in
bars 6-7 of
the
flute part folm
the descending
scale
of
D
melodic
minor
(iii)
The
flute
is
a
member
of
the
woodwind Iamily of
orchesiral
instrume.:.
\.:
.
:
clifferent
faIJ|:rly
ol
standard orchestral
instruments
and
state
its
+rr,-/
10
Family
6ross
liaa
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 6/25
t +^
(a)
L
sing.semibre'es
(''hole
notes),
rn,rite
one
octave
ascending
ofthe
harmonic
minor
a0
.-....
lLr.11:lb:eTr."
rhe
gir
en nore.
Do
,roi
use
d ke)
,ig*
tr r;
Uripri'i,;it
;;;;;; l'S
snarp
or tlat
stgns.
V
rhi l\nte
one
o.tuu"_
des""oxog
of
the
major
scale
that
has
the given
key
signature.
Use
semibreves
(i\
hole
notes)
and
begin
on
the
Lonrc.
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 7/25
7 Suggest
suitable
Progressions
for
two
cadences
in
the
foltowing
melody
by
indicatin8
or'"ri
oNe
chord
(i,
ti fv or
V) at
each
of
the places
marked
A-E
You
do not
have
to
indicaie
the
position of
ihe chords,
or
to
state
which
note
is
in
the
bass'
t(l
(u
Shorv
the chords:
ETTHER
(a)
by writing
I,
II etc.
or
any other
recognized
symbols
on the
dotted
lines
below;
oR (b)
by
wdting
notes on
the
staves
tr^NsS
A-
--r
B--
l
C
r
D-
---r
E
-t
B
q
he
rIRST
CADENCE:
SECOND
CADENCE:
iv
"'
hord
D
Chord
E
I
t
Ac
QBp
6Dr
Cr.
Eq
L
a
ty
IL
Chord
A
Chord
B
Chord
C
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 8/25
TheoryPaper
Gradei
2074
B
,/,
'/-
J
I
>o/rl
A
tration
2
houts
paper
contains
SEVEN
questions,
ALL
of
which
should
be
answered.
your
arsiwers
on
this
piper
_
no
olhers
will
be
acceoted-
must
be
written
dearly
and
neatty
_
otherwise
marks
may
be
[ost.
(a)
I-ook
at
the
fo
owing
exkact
and
then
answer
the
questions
below.
Andante
con
moto j
r
TOTAL
MARKS
100
l5
*
tt
a?
*
Alan
Belkf,
viotin
Sonatl
O Copyrlght
Alan Belldn
1979
(ievised
20061
(i)
The
extract
begins
on
the first
beat
of-the
bar
and
contains
some
changes
of time
signature.
Put
in
the
corect
time
signatures
at
the thr""
p1".""
^".t'J..'-
"'-'
(6)
{ii)
Add
the
corect
rest(s)
to
complete
the
last
bar
5
F?
s-P
b
,
Look
at
the
following
extract
and
then
answer
the
questions
below.
in';
*
iJ,.
\=?
grtr
rtV
\
\$1zr
l.
S. Bach,
Adagio
in
G major,
BWV
958
(adapted)
The
extract
begins
on
the
first
beat
of the
bar,
put
in
the
missing
bar-lines.
:
: a:
:..
r
r)rnaments
matked
A
and
B.
(2)
(2)
C)
(3)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 9/25
2
Descdbe
fully each
o{ the
numbered and
bracketed
melodic inteNals
(e.9.
minor
2nd)'
Reger,
Prelude and
FuSue in
E
minor,
OP.
117
No.3
fu
l
ftl
$,w,nisVnl'
/h'Y'
These are
the
actual
sounds
made
by
a
horn
in E Rewrite
the
passage
as
it would
appear
for
the
player
to read,
that
is, transPose
it
llP
a
Perfect
sth. Do
,?o,
use
a
key signature
but
remember
to put in all
necessary
sharp,
flat or natural
signs.
D f
"d
ixix
d'lndy,
Cha
soll et
danses,
OP
50 (adaPtec
p
_-==::=
nf
o*l
3
r,urzt
Yn
qlLv
3r
/L
onnnnrr,rtpc(',{{h
4
....:......'u-:l
5
(ro
rnpor,rvd
scgr:Y
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 10/25
Look
at this extract,
which
is fuom
a
song
by Schubert,
and then
answer the
questions that follow.
Langsam
1
Soprano
Piailo
(a)
(i)
Mark clearly on
the
music,
using
the aPProPriate
caPital
letter
for
identification,
one
example of
each
of the following.
Also give the
bar number(s)
of each of
vour
answers,
as
shown
in the answer
to A.
Frofl
bqr
6
onwards
A a
tie
in the ght-hand
piano
part.
Bar....?....
B
a
bar
in
which
all
of the
notes
can
be
found in
the key
o
lC
minor.
Bar
..)/..
C
in
the piano
part,
three successive
notes that
form
,
-'L.
partola chromatic s.ale
lcircl2e
notes
concerned).
Barls)
--P.-...;21...
D in the soprano
part, d submediint
note
in
I
the
lev of
A
minor
(circle
the
note
concet^ed\.
Bat
.1.
l=:::r:.e
the
chords
in the
piano part marked
fxl
and
[Y]
as
I,
TI,
IV or V Also indicate
-:.-
=:
ihe
lol\,est note
of
the
chord
is
the
root
(a),
|rd
(b)
or Sth
(c).
The
key
is A
minor.
/ .i,,
\
:r
,/)
\
|
,'/
_
: .'
l0
(2)
(2)
1l
(2)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 11/25
'o
(O
(2)
(b)
(i)
Give
the
m"urlir1S
ofa
1
C
tnJ
rii')
Rewrite
the
last
left-hand
note
o{
the
extract
so
that
it
sounds
at
the
same
Pitch'
but
'-'
rrittg,f,","nor
C
clef
Remember
to Put
in
the
clef
sign
(iii)
Describe
the
time
signature
as:
simple
or
compound
duple,
triPle
or
quadruPle
(c)
(l)
Instrument
(iv) Write
as
a breve
(double
whole-note)
an
enharmonic
equivalent
of
the second
soprano
note
of the
extract
TheextlactiSftomaSongwrittenforsoplano,whichiSthehighest-sounding
"oi.".
di*
in"
"u-e
of
tie
voice
part
w'hich
lies
between
soPrano
and
alto
in
vocal
range.
A^
L
2 Za -
-
t
I
b6ll
0.,"
--......i.l:..'.......
...
.. ...
..
.1.
...
"'
'
/
/
(iii)
Now
name
a
d
ifferent
tafiily
of slaldard
orchestral
instruments
and
state
its
lowest-so{rdirE
member.
\
rd-s
./
Family
...
...........--
/4
'
..''...,...,..'..-,,..,,,.',,''
i
(ii)
Name
a
standard
orchestral
in5trument
that
could
Play
ihe soprano
part
of
Lhe
e\tract
so that
it
sounds
at
ttt"
,,rn"
p"tt'''
inJ
ttate
the
fa;ily
of
instiuments
to
which
it belongs'
Instrument y).9i:n
;- ra'lv :l: :{t:':
'1
/
(2)
(2)
(1)
(1)
(l
Langsam
>
(piano,
bar
10)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 12/25
,
Db
(a)
Write the key signature offive
flats and then
one
octave
descending
of
thernajor
scale
fo
q
with
that key signature.
Use
semibreves
(whole
notes) and begin
on the
tonic.
L
O
(if
*i\
cli
q
(b)
Write
one octave
ascending of the
scale
of
C{
melodic minor. Do
,1ol
use
a
key
signature
but put i
all
necessary
sharp
or flat
signs.
Use semjbreves
(wholie
notes) and begin on
the tonic.
,f
ll
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 13/25
Suggest
suitable
progressions
for two
cadences
in
the following
melody-
by indicating
orvri
oNr chord
(I,
II, IV or V)
at
each
of
the
Places
marked A-E.
You do
not have to
\--
indicate
the
position
of the chords,
or
to
state
which
note
is in the
bass
Show
the chords:
rtrurn
(a)
by
writing
I,
II
etc.
or any other
recognized
symbols on
the
dotted
lines
below;
oR (b)
by
wdting
notes
on the
staves.
B
----------r
r-_
D-'
r
-t
-J)
\,:/'
(9
,/
FIRST
CADENCE:
SECOND
CADENCE:
-[
Chord
A
Chord
B
Chord
C
Chord
D
Chord
E
x
r
i
r
q
*
P
E-_
---
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 14/25
Paper
Grade
5 2014
C
2ltorrs
paper
contains
SEVEN
questions,
ALL
of which should
be answered.
youl
answers on
this papel
-
no others
will be
accepted.
must
be
wdtten
clearly
and
neatly
-
otherwise marks
may be
lost.
(a)
Look
at the
following
extract and then answer the questions
below.
Moderato
TOTAL MARKS
100
t5
C.
P. E. Bach,
Sonaia No. 1, H.30
(adapied)
(i)
The extract
begins on the first beat of the bar. Put in
the missing
barlines.
(ii)
Draw
a
circle
around two
notes next to
each
other
that
are
an augmented 2;{d apart.
l,
(b)
Look
at the following extract and then
answer the questions below.
t2)
Clemenii,
Piano
Sonata, Op.
i3 No.6
(i)
Rewrite
the extract
with
the notes
corectly grouped
(beamed).
(ii)
Cive
the time name
(e.9.
crotchet or
quarter
note) oI the
sryolfest
note
in
the
extract.
,n
t'u,'{,,
;
Y
d2lliiwr
19'l
'
"/
(iii)
l\Tite
as
a breve
(double
whole-note)
an enharmonic
equivalent
of the
first
note
of
the extract.
(5)
(2)
(2)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 15/25
This
passage
is
for SATB choit
witten
in
short
score.
Re$'rite
it
in
oPen score'
Iohn
Bennet,
I
lrngris,
to.oflplanur.
(adaPted)
S
T
B
rr
r
Itr
--ltt-
4'-a1C--J
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 16/25
Look at this
extract,
which is adapted
from a piano
piece by Gurlitt,
and then
answer
the questions
that
follow.
Moderato
1
,-'-t-_..-.m
I'
8r0z
I'or*
L-Xl' l;.t
,\.----
1).-,--
1A
10
'--->/
(iii)
(iv)
\2)
(2)
the
quintuplet
(.EJ)
in bar
3
means
-
^
.
^*
^r-
^J
fivesemiquavers(l6thnotes)inthetimeof............Y'......\.;..'l.ll;:1q..t.....;/....-....
12\
rtrrl}(r,,or2^r),
Name
the written-o",
T1-"*I 1
ijlarked LJ---l).
.......
.. :.....
...
Answer rRUE
or
FALsE
to
this statement:
:.,
,
r r.. /
Ihee\tract
begins
with
an anacrusis
(uPbeat).
ll..Y..r,{..
..
d
----U
^).-z
st"f-i
mf, sche.lznndo
t4
t
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 17/25
(b) (i)
Describe the chords marked l.q.land
fslas I,II,
IV
or
V
Also indicate whether
the
lowest
note
of
the
chord
is the
root
(a),
3rd
(b)
or
5th
(c).
The
key
is
Eb
major.
f
t
68
trFAc
.EAc
L
V€
b
F
1t)
(2)
(2)
(2)
10
Chord
A
(bar
2) ..................1.1.........
,t-
Chord B
(bar
3)
.. ...
...........{.
g-
.......
./:
(2)
(2)
(ii)
YY
(c) (i)
Rewrite the last left-hand chord of bar 4
(marked t)
so
that
it
sounds at the
same
pitch, but using
the
tenor
C
clef.
Remember to
put in
the
clef and
the
key
signature.
tll
(1)
Name
a
standard
orchestral
instrument that
could
play
the
right-hand part of
the
extract
so
that
it
sounds
at
the
same
pitch,
and
state
the
family
of
instruments
to
which
it
belongs.
rnstrumenr ........ J.i''-14........
... .....
(iii)
Now
state
whether
the
instrument you
named
above is
a
transposing
or
non-transposing
instrument.
n ou
-
+i
r,r nsD
'
. .
. .
. .
.
. . . . . . . . . . . . . .
.
I
.
(2)
3,Vtk
:1
).
1
(bar
5,
right hand
and
bottom left-hand)
l
gm.Ip- 11].d....[).fl,jg]
...i].4..
-7
I+
2
(bar
6, top
and
bottom leIt-hand)
3
(bar
8, top
and
middle left-hand)
t/t
ih
o)
Hh
-z/r
(ii)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 18/25
tr
|
Put
sharps
or
flats
in iiont
of the
notes
that need
them to form
the
scale
of
t0
F: melodic
minor.
Do llo/
use
a
kev
signature.
-
1+
C4
Ot
Y
b
)
Using
semibreves
(whole
notes),
write
one
octave descending
of the
chromatic
scale
that
begins
on the
given
note.
Remember
to put
in all
necessary
sharp, flat
or
nitural
signs.
JuU
rlll
IV.
follon ing
melody
is
written
lor
cor anglais.
Transpose
it
do.r,?
a
perfect
5th,
as it will
at
concert
pitch.
Do ,lol
use
a
key ,ignature
bui remember
to
put in
all necessary
flat
or natural
signs.
Salzedo,
lberian lkryrcL)isatiotls,
Op. 143
l0
O CoPy.iEht Amo.is
Internarional
etc.
tl
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 19/25
Suggest
suitable
progressions for two cadences
in the
following
melody by
indicating
ovi orr chord
(I,
I1,
IV or V) at
each
of
the
places
marked A-E. You
do not have
to
indicate
the
position of
the chords, or to state
which note
is
in
the bass.
Show
the chords:
ETTHER
(a)
by
writing I, II
etc,
or any other
recognized symbols
on
the dofted lines
below;
oR (b)
by
writing notes on the staves.
A-'--------r
B
-r
C
D__
l
E
_______
10
a)
t
c
A
L
LL
|
*
p
LF
"a
Etn
FIRST
CADENCE:
SECOND
CADENCE:
'11
LnorctL
.........,,...,........
&
Chord A
Chord
B
Chord
D
-t
fcEq
I-"rA
-Er-n
o
\/
l"CP
:+
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 20/25
Paper
Grade
5
2014
S
2hours
paper contains
SEVEN
questions,
ALL
of
which
shouldte
answered'
viur
answers
on
this
paper
-
no
others
will
be accepted'
;ritter,
"l'euilv
ut'd tteatly
-
otherwise
marks
may
be
lost'
Look
at the
following
extract,
which
is
for
cello'
and
then
an31a's1
ths
questions
below'
TOTAL
MARKS
100
t5
Cliirc,12
Alb
nt Lea'oes,OP
51
1
Allegretto
ma
non
tloPPo
2
,---=-.
.q> '
firr
fic
t tf
,
rornlhl-9clb,
BJU.,1
&d"srP'V'
",Lb"J'e''
Irdl"
'l-ir.i"rt,..'J1r:"rlrh'l
raddr''lrr\
Id''Ari('
n"p.a.,*A
Ur-
p*-l*"".f
Boos'y
& Ha$
kes
M si'
PubLshers
Ltd'
(a)
The extract
begins
on
the
first
beat
of
the
bar'
Put
in
the
corect
time
siSna-ture
\2.
((
r"i
(
(b)
Give
the
meanin8
of:
/<"
Auesretro
ma
non
t'oppo
..'I.,:1I.9.1
.
.l.l:
I
l'*-t
I
i{
r
o
o u'("t
t'l
.
-,,,/
v(ba,4)
.....0. . 9.n1....1h.s....n.tilt.....s.1r.u:l.g).$""
"
"'("
.t
(c)
Name
the
omament
inbar
2.
:fus-\'i
4
l-{9
"1
{i-:ifl'
t^+1,yK
(d)
Rewrite
the
first two
notes
of
the
extlact
so
that they sound
at
the
same
pitch' but
using
the
tenor
C cle[.
Femember
to
put in
the
key
'ignature'
(4
12
.lt-
g),)
(
(
Complete
the
following
statement:
A11
the
notes
in
bar
3
can
be
found
in
the
scale
of
26
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 21/25
Describe
fully
each
of
the numbered
and bracketed
melodic inten'als
(e.9.
maior
2nd).
F
Bb
E
gq
s
B}
E
4 ninry.$ /
g
*>A
t.
kv
.. .. .
r.rI.n..i..1.{..........
.....x
Cntntrow
znatJ
lY
?l
?
?j
'{l
These are
the actual
sounds
made
by
a
trumpet in
Bb.
Rewrite the
passage
as
it would
appear for
the
player
to read, that is,
transpose it
llp
a major 2nd.
Remember
to
put
in
the
new
key signature and add
any necessary accidentals.
lrl
/
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 22/25
Look at ihis
extract, which is from a piece for clarinet
(written
here at concert pitch) and piano
by
Hurlstone,
and then answer the questions that follow.
Vivaae
ma
non troppo
Clarinet
Piano
1_
z'-77>
]
P
B
,
?
leggierc
?
\
t
a
t
-,J,
-6t
t?
10
t2)
(2)
tl
f
(e.B.piano,barsy
.....s..1 .{.LnJ.t....LI-{.....111.i,9...9Yff.).u.r.t}.s.(ing..Lc.4.1hn
)'u++o,n
>
(e.s.
craiinet, bar
?) ......0.(.i.11J..
.1119... ilfl
g
...i:tt9ll.0.l$..
... .
...............................
(2)
I lre
t-iplel tt I
I t
in the clarinet
Dart
in
bar
4
'
,
r,./L
medn- three.emiqLravers(lbth
notes)
in thetimeof .......f1...:.1.i.i.i.............
:\
(2)
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 23/25
(b) (D
(c) (i)
Give the technical
names
(e.g.
tonic,
dominant)
of
the
two
notes
in
the
dght-hand piano
part marked A and
B. Remember
that
the
key
is
Bt
major.
',.
,J
A
(bar
3)
.......i1.\.1.(1..'1.'|.1..I........................
(i,
(iii)
Rewrite
the
first
left-hand piano chord of
bar
7
(marked
t)
so
that it
sounds at
the
same
pitch, but using
the
alto
C
clef.
Remember
to put in
the
clef
and
the
key signature.
r
C
L
The extract begins
in
the key of Bl, major.
In
which key does
it
""d?
........].....]l
SY
a-.
I
(n,
(.1)
(:2)
Brbarar
.
..
... .9rr.r..c-............
.
....
{
suy^*tyy'
(ii)
Complete the
following statement:
I
The
clarinet
is
a
member of
the ........N.9. .ttyl..l.4)
.. ...
fr-ily of orchestral
instruments.
(iii)
Now
name
a
different tamily of standard
orchestral
instruments
and
state
its
lowest-sounding
member.
J
F;mirv
bl
0
f
i
lnskumenr
....1U:.1...
...
.. ..
.. ....
....
..
l0
(1)
(l)
29
quarter note) of the srollesf
note in the extract.
den
ile
m'
iaY"l{ r
nu\4
1l
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 24/25
bu
rnelod,c
vtl,
nM
b
E
AD
h
4
at Using
semibreves
(whole
notes),
wdte
one
octave
ascending of the melodic
minot
scale
that begins
on
the givennote.
Do
rof use
a key
si8naturebut put
in
all
necessary
sharp or
flat
signs.
t0
I
J
L,,,..,
(b)
Write
the
key
signature of
four
sharps
and then
one octave
descending of the
maior
;cale
with
that
key signature.
Use semibreves
(whole
notes)
and begin on
the tonic.
f"
Fo
t0
7/23/2019 2014 GRADE 5
http://slidepdf.com/reader/full/2014-grade-5 25/25
suitable
progressions for
two
cadences
in the
fotlowing
melody
by
indicating
orr
chord
(I,
I, IV
or
V) at each of
the
Places
marked A-E.
You do not
have
to
the
position of
the
chords, oi to
state
which note
is
in
the bass.
l0
the chords:
(a)
by writing
1, II etc.
or any other
recognized
symbols on
the
dotted
lines
below;
(b)
by
writing
notes on
the
staves.
C,--
r
3
c
I
r)
=
o
o
-t
(U
m
T
OJ
,
o
-t
o
N
C
s
G)
OJ
o
.D
(,
E
-r
D
\-.rr.qtr\-
FIRST
CADENCE:
SECOND
CADENCE:
Chord
A
Chord
B
Chord
C
Chord
D
Chord
E
Lpl
i\
I
E
b',6
?GBP
'/x
ervsn/sNoabd
EDrtroN
lSBN
973-t-34349-732-0
I