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Yoonho Lee Portfolio 2012
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YOONHO LEEPORTFOLIO
2012
BOX ANATOMYARCHITECTURAL REPRESENTATION, FALL 2010
TABLEOF
CONTENTS
00177 Core Research+Parking Atrium
003Nansha CoastalGarden Hotel
Lee_Sharpe_TelianHYDROLOGY NETWORK
005TetrahedronBuilding Up
007TheLighting Web
004Manchester UnitedShowroom
002BloomingdaleTrailDream
006Elmer’s Precision Glue
Non-Place, Junkspace and Architecture
Today’s architecture, particularly the architecture based on the economic rules, is tend to lose their national or regional characteristics. To reduce the cost of design or to reduce the construction time, these buildings can be interpreted as one part of supermodern architecture as Marc Auge argues in his essay, From Places to Non-Place. The supermodernisim architecture has changed places to non-places as Auge mentioned. As he points out, highways, airports and big supermarkets are one of the magnificent examples. Textual information is the only thing which leads people to their destination, and without those signs every highway in the world would be same places. Moreover, with very similar plans and layouts all of the big supermarkets became same places regardless their different location. However, people tend to attach emotionally to some of those non-places. They try to find emotional security or stability within the non-places, and start to attach to those place emotionally. For example, people feel some sort of spatial differences in a certain supermarket if it is not the one they used to go. Or, some people tend to go their “familiar” supermarket though the same other store opened in closer distance to their home. This may be explained by people’s emotional attachment or emotional familiar to the space where they have memories. They feel more familiar or more comfortable in the spaces where they have memories. Though supermodern architecture has erased the regional or national characteristics, people have found their own way to distinguish within the supermodern architecture.Different from the Auge’s argument about the non-place, Rem Koolhaas focuses on the negative non-places using a term of “Junkspace.” As he argues throughout the essay, junkspaces have erased architectural form and its materials, and this is the reason why he sees these spaces as junkspaces. Similar to the non-place of Auge, junkspace is also created by the economy-based architecture, the technological development and the globalization. However, these social and technological changes necessarily have brought architectural changes and some of them are quite negative ones. In terms of space and spatial experiences, I believe that these changes are not negative as I argued in the previous response to Auge’s essay. However, in terms of architectural design efforts and its materialization, I also agree with Kool-haas’s argument. There is no form or materials in large box shaped and storage typed buildings. There are only stores, markets, products, brands and advertisements. Then, as future architects, what can we realize or learn from the junkspaces? I believe that Koolhaas is not just introducing juckspaces as negative spaces in contemporary urban context; rather he is trying to people to realize its issues and pos-sibilities of development. If those junkspaces are necessarily created by current economic conditions and globalization, architects and their architectural design should be ready for those spaces. In other words, architects should consider the technological invasion to architecture, and could engage that “juckness “ with their design. If technological media covers architectural forms as advertisement devices, architectural design should correspond to them. I believe the contemporary juckspace will suggest the way toward the next phase of architectural design in this supermodernism.
SAN FRANCISCOby YOONHO LEE
00177 CORE RESEACH+PARKING ATRIUMflavor-taste research institute design projectARCH STUDIO, FALL 2010, UNIVERSITY OF MICHIGAN, INSTRUCTOR : JASON YOUNG
77 INNOVATIVE CORES form a flavor-taste research institute that enhances the possibilities for creative work. Inspired by the fact that a number of great innovations and discoveries actually happened simply by “coincidence,” this project offers 77 entrances into the interior of the building to maximize the possibilities for creative research. This project suggests new relationship between parking spaces and programs to maximize the possibility of coincident meeting between occupants of the program. This is the starting point of an experience of coincident meeting. The site is at Dundee, MI, adjacent to US-23 highway. It is currently not occupied and not used, however Cabela’s, a large hunting retail store, is located next to the site, accounting Michigan’s top tourist attraction with more than 6 million visitors annually. The project calculates 77 parking, 77 cores and 6 million people for infinite possible innovations!
Research Lab Driveway
77 INNOVATIVE CORES form a flavor-taste research institute that enhances the possibilities for creative work. Inspired by the fact that a number of great innova-tions and discoveries actually happened simply by “coincidence,” this project offers 77 entrances into the interior of the building to maximize the possibilities for creative research. This project suggests new relationship between parking spaces and pro-grams to maximize the possibility of coincident meeting between occupants of the program. This is the starting point of an experience of coincident meeting. The site is at Dundee, MI, adjacent to US-23 highway. It is currently not occupied and not used, however Cabela’s, a large hunting retail store, is located next to the site, accounting Michigan’s top tourist attraction with more than 6 million visitors annually. The project calculates 77 parking, 77 cores and 6 million people for infinite possible innovations!
Massing Development
Vertical Circulation
N-S SECTION
Sectional Model - 3D Printed + Hand Crafted
Ground Level Plan Parking Level Plan
officeserviceoffice
cafe
innovative core
testing lab/perfumary institute
botanicgreenhouse
library
restroom
meeting
laboratory
laboratory
Roof Structure
77 Cores
77 Parking Spot
Circulation
Parking Structure+ Program
offices
perfumary institute
testing lab
cafe & lounge
restroom
research lab
office service station
research lab
innovative core below
perfumary institute& testing lab below
open to below
offices below
N
002BLOOMINGDALE TRAIL DREAM Chicago Public Library project as redeveloping abandoned Bloomingdale TrailARCH STUDIO, WINTER 2010, UNIVERSITY OF MICHIGAN, INSTRUCTOR : JOSH BARD
Since 1872, the Bloomingdale Trail had served a manufacturing district across the Northwest Side of Chicago. Initially, the track is laid at street level. However, as the city grew more congested, a viable way was needed for trains to co-exist with other traffic and it was elevated to current height. By the early 1990s, only one train per week passes through, at no more than 8 miles per hour. A few years later, freight service ceases completely. The site is located in residential and commercial area in the Northwest side of Chi-cago, where the Bloomingdale Trail and the current CTA Blue line crosses. The site is located right next to the Bloomingdale Trail where it meets the CTA blue line. This project suggests a gathering space as a bridge of public and local residents connecting streets and elevated Bloomingdale Trail. The project functions as a public library and extended park from the Trail at the same time to revitalizing the abandoned trail and to provide public gather-ing space.
mass breaking phase1 phase2 phase3
Concept Sketch
phase4 phase5
The library connects the bloomingdale trail and the ground park both internally and externally. The upper level is angled up towards Chicago’s downtown direction creating a a view point. The entrance atrium
Section Model
Administarion Office & Support
Music & Digital
Computing
UP
Auditorium
Meeting
Service
Book Return
Drive Through & Loading
Information & Check out
Exhibition
GROUND FLOOR PLAN SCALE : 1’’ = 20’ 00’’
Opento
below
Opento
below
Open to below
Service
YouthStack
Reading
Study rooms
Reading
Adults Stack
Reading & Exhibition area below
+25’ FLOOR PLAN SCALE : 1’’ = 20’ 00’’
Cafe
Book Store & Reading
+35’ FLOOR PLAN SCALE : 1’’ = 20’ 00’’
+15’ PLAN +25’ PLAN +35’ PLAN
N
003NANSHA COASTAL GARDEN HOTEL5-stars hotel design project in Guangzhou, ChinaARCH STUDIO, FALL 2011, UNIVERSITY OF MICHIGAN, INSTRUCTOR : LARS GRABNERCLIENT : KEYMASTER INTERNATIONAL, CHINALars grabner(Instructor & director), Yoonho Lee, Douglas Sharpe, Benjamin Talian
Massing Diagram Section - Building Up Program into Accomodation Tower
Accomodation Tower
Distributed Program Along Ground
Massing Diagram Plan - Three “Arms” extend from Accommodation Tower.
Constructed Green Path - System of networked paths runs through hotel site.
Two Systems - Green paths break up hotel volumes and provide circulation around hotel spaces.
We began this project with an interest in the vast hydrology and river networks of the PEARL RIVER DELTA. The connections between all the bodies of water are very evident in the image to the left. The project’s urban scheme and development takes its cue from the idea of interconnectedness. Also evident in this image and in the client’s description of the project site’s location is its relative location to several other major urban centers. The site is therefore thought to be a hub for the mega-opolis of the Pearl River Delta region. The site is conceptually an integral part in the network of different systems that move in and out of the Nansha region. THE HOTEL should have a prominent view of the Jiaomen River, have a line of sight with the government building across the water, be a prominent entity at the street level and be at the highest elevation of the site. All of those parameters lead to the consensus that the hotel should be located at the northwestern corner of the site. One final key strategy for the hotel at that location is for easy access from all approaching directions, whether if that is by automobiles, cyclists, or pedestrians who are arriving from the train station or nearby parks – the northwestern corner is simply the most ideal and logical location. One last advantage that this location offers is that the hotel becomes a visible icon to anyone approaching the northwestern corner, including the travelers onboard the elevated train adjacent to the site. THE FAÇADE OF THE BUILDING was an important element that deserved a lot of attention. The climate in Guangzhou has high temperatures and large amounts of annual sunlight, and that means we would need to protect the building from heat gain and reduce the amount of direct sunlight that would penetrate the building. The façade system will protect the building along the east, west and especially on the southern side where sunlight is the most prevalent. The system is described as having a second skin of glazing, which will reflect some sunlight and create a buffer between the outer skin and main building glazing. In that buffer zone, air will circulate from the bottom and be released at the top – this is a method called the “chimney effect”. Additionally, the south facade is angled to be closer to parallel with the solar angle at Summer solstice. This reduces the angle of incident and therefore the direct sunlight that hits the facade.
Main Entrance
Reception
Conference
Admin Office
Swimming Pool
Theater
Outdoor Hot Tub
Roof Garden
Roof Garden
Gym + SportsFacility
Tennis CourtGreen Path
Accomodation
Spa
Kitchen Lundary + Service
Staff Resting + Cafe
Other Services + Mechanical
Accomodation
Luxury Suite
WaitingLounge
Underground ParkingJiaoqian Road
Jiaomen River
Elevated Rail
Bar + Special Restaurant
10 50 100 200m
A
Lee_Sharpe_TelianPARK NETWORKGreen Circulation Lee_Sharpe_TelianCOMMUNITY NETWORK
High-densityResidential
High-densityResidential
High-densityResidential
New Park
Existing River Park
Green ConnectionLee_Sharpe_TelianPEARL RIVER DELTA
NANSHA DISTRICT SITE
HONG KONG
SHENZHEN
GUANGZHOU
MACAU
Water Network of the Delta RiverLee_Sharpe_TelianHYDROLOGY NETWORK
Water Network around the Site Lee_Sharpe_TelianCOMMUNITY NETWORK
High-densityResidential
High-densityResidential
GovernmentBuilding
Water Network Strategy
SECTION A
Service Entrance
Jioamen River
Jiao
qian
Roa
d
Shuangshan Road
Jinzhou River
Plaza Access
Access toRiverside Walk
Access fromJioamen Riverside Walk
Main Entrance
Residential
Residential
Residential
Riverside Walk + Commercial d
istrict
Hotel
Site Master Plan
The decision for the placement of the hotel was based on several recommendations made by the developer, as well as some of our own placement strategies. The hotel should have a prominent view of the Jiaomen River, have a line of sight with the government building across the water, be a prominent entity at the street level and be at the highest elevation of the site. All of those parameters lead to the consensus that the hotel should be located at the northwestern corner of the site. One final key strategy for the hotel at that location is for easy access from all approaching directions, whether if that is by automobiles, cyclists, or pedestrians who are arriving from the train station or nearby parks – the northwestern corner is simply the most ideal and logical location. One last advantage that this location offers is that the hotel becomes a visible icon to anyone approaching the northwestern corner, including the travelers onboard the elevated train adjacent to the site.
10 50 100m
10 50 100m 10 50 100m
Ground Floor Plan Second Floor Third Floor
ACCOMMODATION ROOMS
BAR
HOTEL ADMIN
GUEST BUSINESS SUITES
SPECIALTYRESTAURANT
ACCOMMODATION ROOMS
2ND FLOOR LEVEL
-3.3_SERVICE, KITCHEN
G.L._ENT., BANQUET, SHOPS, AMANITY
+6.6_CONF. FOYER, WAITING, AMANITY
+13.2_RETAURANT, BAR, BUSINESS
+19.8_ACCOMODATION
+73.4_LUXURY SUITES
+80
The façade of the building was an important element that deserved a lot of attention. The climate in Guangzhou has high temperatures and large amounts of annual sunlight, and that means we would need to protect the building from heat gain and reduce the amount of direct sunlight that would penetrate the building. The façade system will protect the building along the east, west and especially on the southern side where sunlight is the most prevalent. The system is described as having a second skin of glazing, which will reflect some sunlight and create a buffer between the outer skin and main building glazing. In that buffer zone, air will circulate from the bottom and be released at the top – this is a method called the “chimney effect”. The façade also includes a metal mesh that exists between the two glazing systems. The reason for this material is to diffuse direct sunlight that would enter into the building. The benefits of having the mesh are to reduce the amount of visible glare within the interior, while also reducing the amount of heat-gain that would normally occur on surfaces such as floors and walls. Additionally, the south facade is angled to be closer to parallel with the solar angle at Summer solstice. This reduces the angle of incident and therefore the direct sunlight that hits the facade.
StormwaterManagement
Green Path
5th Floor 6th Floor 7th Floor 14th Floor
View of the Plaza
Passive Cooling Diagram
004MANCHESTER UNITED SHOWROOM + OFFICEshowroom+marketing office design competition - winning projectOFFICE DESIGN COMPETITION, 2011, GENSLER D.C., Mariela Buendia-Corrochano (design director), Hansoo Kim, Robert Black, Myung Jung, Yoonho Lee
Manchester United Showroom
1
2 35
6
7
8
9
10
11
1213
14
1516
4
Main EntranceReception + ShowroomExecutive Board RoomBreakout AreaLoungeWorkstationsPantry/Catering + Copy AreaOffice (150 sf)StorageExecutive AssistantExecutive Office (600 sf)BathroomT3 telepresence RoomExecutive Conference RoomIT RoomExecutive Suite Entrance
12345678910111213141516
Showroom + Board RoomWork SpaceExecutive Suite
ABC
Main EntranceExecutive Board RoomWorkstations
123
This project is a winning office design competition for the Manchester United U.S. branch in Chevy Chase, Maryland. The main purpose for the office is supporting marketing business of Manchester United in the U.S. and its communication with the main office in the U.K. As the one of the most popular soccer team in the world with its vibrant history, Manchester United estalishes strong sportsmanship and consistent team leadership. And based on thorough researches about the team and its legacy, a shape of traditional soccer ball was choosen as a main concept. The geometries of a soccer ball, pentagon and hexagon, translate to what is unique about Manchester United - vibrant history, robust teamwork, sportsmanship and strong market position. The feature wall of the showroom, developed in the Rhino and Grasshopper, is one of this design translation of the concept. The reception and the showroom, particularly, was one of the important space for spectacular first impression of the client’s visitors and guests.
Showroom + Board RoomWork SpaceExecutive Suite
Option Explicit
‘Scripted by Yoonho Lee for the objects inside of tertrahedron‘Script version 2 Sunday, December 12, 2010
Call Main()Sub Main() Dim arrPts(3)Dim arrTopPtDim arrSrfs(4),arrobjectsrfedge(12),arrobjectsrfs(12)Dim arrObjDim arrmidlines(12), arrobjectlines(12), arrobjectcrv(12), arrcenterlines(4)Dim arrmidpt(6), arrcenterpt(4), arrguidemidpt(12), arrobjectpoints(12)Dim arrmidptonsrf(12)Dim arrlineA, arrlineB, arrlineC, arrlineD, arrlineE, arrlineF, arrlineG, arrlineH, arrlineI, arrlineJDim tetrahedronsrf, centerlines, midlines, midpoints, centerpoint, objectsurfaces, joinedobjectDim kmax, imax, jmax, lmaxDim k : k = 0Dim i : i = 0Dim j : j = 0Dim l : l = 0 arrPts(0) = Rhino.GetPoint(“first point”)arrPts(1) = Rhino.GetPoint(“second point”)arrPts(2) = Rhino.GetPoint(“third point”)arrTopPt = Rhino.GetPoint(“select top point”)
arrSrfs(0) = Rhino.AddSrfPt(array(arrPts(0), arrPts(1), arrPts(2), arrPts(0)))arrSrfs(1) = Rhino.AddSrfPt(array(arrPts(0), arrPts(1), arrTopPt, arrPts(0)))arrSrfs(2) = Rhino.AddSrfPt(array(arrPts(1), arrPts(2), arrTopPt, arrPts(1)))arrSrfs(3) = Rhino.AddSrfPt(array(arrPts(2), arrPts(0), arrTopPt, arrPts(2))) arrmidpt(0) = midptloaded(arrpts(0), arrpts(1), 1,1)arrmidpt(1) = midptloaded(arrpts(1), arrpts(2), 1,1)arrmidpt(2) = midptloaded(arrpts(2), arrpts(0), 1,1)arrmidpt(3) = midptloaded(arrtoppt, arrpts(0), 1,1)arrmidpt(4) = midptloaded(arrtoppt, arrpts(1), 1,1)arrmidpt(5) = midptloaded(arrtoppt, arrpts(2), 1,1) ‘ addlinesarrmidlines(0) = rhino.AddLine(arrmidpt(0),arrpts(2))arrmidlines(1) = rhino.addline(arrmidpt(1),arrpts(0))arrmidlines(2) = rhino.addline(arrmidpt(2),arrpts(1))arrmidlines(3) = rhino.addline(arrmidpt(3),arrpts(2))arrmidlines(4) = rhino.AddLine(arrmidpt(3),arrpts(1))arrmidlines(5) = rhino.addline(arrmidpt(4),arrpts(0))arrmidlines(6) = rhino.addline(arrmidpt(4),arrpts(2))arrmidlines(7) = rhino.AddLine(arrmidpt(5),arrpts(0))arrmidlines(8) = rhino.addline(arrmidpt(5),arrpts(1))arrmidlines(9) = rhino.addline(arrmidpt(0),arrtoppt)arrmidlines(10) = rhino.addline(arrmidpt(1),arrtoppt)arrmidlines(11) = rhino.AddLine(arrmidpt(2),arrtoppt)
midlines = array(arrmidlines(0), arrmidlines(1), arrmidlines(2), arrmidlines(3), arrmidlines(4), arrmidlines(5), arrmidlines(6), arrmidlines(7), arrmidlines(8), arrmidlines(9), arrmidlines(10), arrmidlines(11))
If Not isnull(midlines) Then rhino.ObjectLayer midlines, “guidelines1”End If ‘ midpoint on surfacesarrmidptonsrf(0) = midptloaded(arrmidpt(0), arrpts(2),1,1)arrmidptonsrf(1) = midptloaded(arrmidpt(1), arrpts(0),1,1)arrmidptonsrf(2) = midptloaded(arrmidpt(2),arrpts(1),1,1)
arrmidptonsrf(3) = midptloaded(arrmidpt(3),arrpts(2),1,1)arrmidptonsrf(4) = midptloaded(arrmidpt(3),arrpts(1),1,1)arrmidptonsrf(5) = midptloaded(arrmidpt(4),arrpts(0),1,1) arrmidptonsrf(6) = midptloaded(arrmidpt(4),arrpts(2),1,1)arrmidptonsrf(7) = midptloaded(arrmidpt(5),arrpts(0),1,1)arrmidptonsrf(8) = midptloaded(arrmidpt(5),arrpts(1),1,1) arrmidptonsrf(9) = midptloaded(arrmidpt(0),arrtoppt,1,1)arrmidptonsrf(10) = midptloaded(arrmidpt(1),arrtoppt,1,1)arrmidptonsrf(11) = midptloaded(arrmidpt(2),arrtoppt,1,1)
kmax = 11 For k = 0 To kmax Call rhino.addpoint(arrmidptonsrf(k))Next
‘ objectlinesarrobjectlines(0) = rhino.addline(arrmidptonsrf(0),arrmidptonsrf(1))arrobjectlines(1) = rhino.addline(arrmidptonsrf(1),arrmidptonsrf(2))arrobjectlines(2) = rhino.addline(arrmidptonsrf(2),arrmidptonsrf(0)) arrobjectlines(3) = rhino.addline(arrmidptonsrf(3),arrmidptonsrf(7))arrobjectlines(4) = rhino.addline(arrmidptonsrf(7),arrmidptonsrf(11))arrobjectlines(5) = rhino.addline(arrmidptonsrf(11),arrmidptonsrf(3)) arrobjectlines(6) = rhino.addline(arrmidptonsrf(4),arrmidptonsrf(5))arrobjectlines(7) = rhino.addline(arrmidptonsrf(5),arrmidptonsrf(9))
arrobjectlines(8) = rhino.addline(arrmidptonsrf(9),arrmidptonsrf(4)) arrobjectlines(9) = rhino.addline(arrmidptonsrf(6),arrmidptonsrf(8))arrobjectlines(10) = rhino.addline(arrmidptonsrf(8),arrmidptonsrf(10))arrobjectlines(11) = rhino.addline(arrmidptonsrf(10),arrmidptonsrf(6)) ‘ change layer of tetrahedron tetrahedronsrf = array(arrsrfs(0),arrsrfs(1),arrsrfs(2),arrsrfs(3))
If Not isnull(tetrahedronsrf) Then
rhino.objectlayer tetrahedronsrf, “tetrahedron” End If
‘ join surfaces of tetraheron Call rhino.unselectAllObjects()Call rhino.SelectObject(arrSrfs(0))Call rhino.SelectObject(arrSrfs(1))Call rhino.SelectObject(arrSrfs(2))Call rhino.SelectObject(arrSrfs(3)) Call Rhino.Command(“_join _enter”) Call rhino.unselectAllObjects()
‘ center point of the area of each surface
arrlineA = array(arrmidpt(0),arrpts(2))arrlineB = array(arrmidpt(1),arrpts(0))arrcenterpt(0) = rhino.LineLineIntersection(arrlineA, arrlineB) arrlineC = array(arrmidpt(2),arrtoppt)arrlineD = array(arrmidpt(3),arrpts(2))arrcenterpt(1) = rhino.LineLineIntersection(arrlineC, arrlineD) arrlineE = array(arrmidpt(0),arrtoppt)arrlineF = array(arrmidpt(3),arrpts(1))arrcenterpt(2) = rhino.LineLineIntersection(arrlineE, arrlineF) arrlineG = array(arrmidpt(1),arrtoppt)arrlineH = array(arrmidpt(5),arrpts(1))arrcenterpt(3) = rhino.LineLineIntersection(arrlineG, arrlineH) imax = 3
For i=0 To imax
If isarray(arrcenterpt(i)) Then rhino.AddPoint arrcenterpt(i) End If Next ‘ add lines for the center of the tetrahedron arrcenterlines(0) = rhino.AddLine(arrtoppt, arrcenterpt(0))arrcenterlines(1) = rhino.AddLine(arrcenterpt(1), arrpts(1))arrcenterlines(2) = rhino.addline(arrcenterpt(2), arrpts(2))arrcenterlines(3) = rhino.addline(arrcenterpt(3), arrpts(0)) centerlines = array(arrcenterlines(0), arrcenterlines(1), arrcenterlines(2), arrcenterlines(3)) If Not isnull(centerlines) Then rhino.ObjectLayer centerlines, “guidelines2” End If ‘ center point of the tetrahedron arrlineI = array(arrtoppt, arrcenterpt(0))arrlineJ = array(arrcenterpt(1), arrpts(1))centerpoint = rhino.LineLineIntersection(arrlineI, arrlineJ) If isarray(centerpoint) Then rhino.AddPoint centerpoint End If ‘objectcurves arrobjectpoints(0) = array(arrmidptonsrf(11), centerpoint, arrmidptonsrf(9))arrobjectpoints(1) = array(arrmidptonsrf(9), centerpoint, arrmidptonsrf(10))arrobjectpoints(2) = array(arrmidptonsrf(10), centerpoint, arrmidptonsrf(11)) arrobjectpoints(3) = array(arrmidptonsrf(7), centerpoint, arrmidptonsrf(5))arrobjectpoints(4) = array(arrmidptonsrf(5), centerpoint, arrmidptonsrf(1))arrobjectpoints(5) = array(arrmidptonsrf(1), centerpoint, arrmidptonsrf(7))
arrobjectpoints(6) = array(arrmidptonsrf(4), centerpoint, arrmidptonsrf(8))arrobjectpoints(7) = array(arrmidptonsrf(8), centerpoint, arrmidptonsrf(2))arrobjectpoints(8) = array(arrmidptonsrf(2), centerpoint, arrmidptonsrf(4)) arrobjectpoints(9) = array(arrmidptonsrf(3), centerpoint, arrmidptonsrf(6))arrobjectpoints(10) = array(arrmidptonsrf(6), centerpoint, arrmidptonsrf(0))arrobjectpoints(11) = array(arrmidptonsrf(0), centerpoint, arrmidptonsrf(3)) jmax = 11 For j=0 To jmax If IsArray(arrobjectpoints(j)) Then
arrobjectcrv(j) = Rhino.AddCurve (arrobjectpoints(j))
End If Next ‘ adding surfaces arrobjectsrfedge(0) = array(arrobjectcrv(0),arrobjectcrv(1),arrobjectcrv(2))arrobjectsrfedge(1) = array(arrobjectcrv(3),arrobjectcrv(5),arrobjectcrv(4))arrobjectsrfedge(2) = array(arrobjectcrv(6),arrobjectcrv(7),arrobjectcrv(8))arrobjectsrfedge(3) = array(arrobjectcrv(9),arrobjectcrv(10),arrobjectcrv(11)) arrobjectsrfedge(4) = array(arrobjectcrv(0),arrobjectlines(7),arrobjectcrv(3),arrobjectlines(4))arrobjectsrfedge(5) = array(arrobjectcrv(1),arrobjectlines(10),arrobjectcrv(6),arrobjectlines(8))arrobjectsrfedge(6) = array(arrobjectcrv(2),arrobjectlines(11),arrobjectcrv(9),arrobjectlines(5)) arrobjectsrfedge(7) = array(arrobjectlines(0),arrobjectcrv(5),arrobjectlines(3),arrobjectcrv(11))arrobjectsrfedge(8) = array(arrobjectlines(6),arrobjectcrv(4),arrobjectlines(1),arrobjectcrv(8))arrobjectsrfedge(9) = array(arrobjectlines(9),arrobjectcrv(10),arrobjectlines(2),arrobjectcrv(7)) lmax = 9 For l=0 To lmax If isarray(arrobjectsrfedge(l)) Then arrobjectsrfs(l) = rhino.AddEdgeSrf (arrobjectsrfedge(l)) End If Next ‘change layer of the object surfaces objectsurfaces = array(arrobjectsrfs(0),arrobjectsrfs(1),arrobjectsrfs(2), arrobjectsrfs(3),arrobjectsrfs(4),arrobjectsrfs(5),arrobjectsrfs(6),arrobjectsrfs(7),arrobjectsrfs(8),arrobjectsrfs(9)) If Not isnull(objectsurfaces) Then rhino.objectlayer objectsurfaces, “objects” End If ‘join object surfaces Call rhino.unselectAllObjects()Call rhino.SelectObject(arrobjectsrfs(0))Call rhino.SelectObject(arrobjectsrfts(1))Call rhino.SelectObject(arrobjectsrfs(2))Call rhino.SelectObject(arrobjectsrfs(3))Call rhino.SelectObject(arrobjectsrfs(4))Call rhino.SelectObject(arrobjectsrfs(5))Call rhino.SelectObject(arrobjectsrfs(6))Call rhino.SelectObject(arrobjectsrfs(7))Call rhino.SelectObject(arrobjectsrfs(8))Call rhino.SelectObject(arrobjectsrfs(9))Call Rhino.Command(“_join _enter”)Call rhino.command(“_flip _enter”)Call rhino.unselectAllObjects()
End Sub
Function Midptloaded(pt1, pt2, load1, load2)
midptloaded = Null MidPtloaded = array((pt1(0)*load1 + pt2(0)*load2) / (load1+load2),_ (pt1(1)*load1 + pt2(1)*load1)/(load1+load2),_ (pt1(2)*load1 + pt2(2)*load1)/(load1+load2))
End Function
005DESIGN COMPUTING, FALL 2010, UNIVERSITY OF MICHIGAN, INSTRUCTOR : GLENN WILCOX
GROWING TETRAHEDRONParametric pavilion design project
00:00 01:00 02:00
04:00 05:00 06:00 08:0003:00 07:00 09:00
3D Printed Model
Using tetrahedron as the basic frame, this project is seeking object which can be developed within the frame. Each surface of the tetrahedron is the basic geometry, and each edge and point are the control factors of the object. First, the centroid of triangular surface is found drawing guide lines on it. And this point also becomes the centroid of area of smaller triangle for the object. Using center point of whole tetrahedron as a control point, curves between the points of smaller triangle is created. Since, each triangle of the object is created based on the surface of the tetrahedron, if tetrahedron is developed with shared surface, the objects’s surfaces are always exactly same. This logic becomes main driving force for the design and was scripted in Monkeyscript for Rhino. The command asks click four points and a tetrahedron and inner structures will be generated based on the frame.
CURRENT MARKET SHARE RESEARCH
This survey is conducted on Jan. 18th and 19th, 2011by students of TCAUP College of Architecture, University of
Michigan
Total number of the participants : 166www.surveymonkey.com/s/XZS5CXN
Des
ign
aspe
cts
need
ed to
be
impr
oved
Diff
icul
ty o
f squ
eezi
ng
Adj
usta
bilit
y of
app
lyin
g
Ope
ning
/clo
sing
a c
ap
Mes
sy a
pplic
atio
n
Non
-erg
onom
ic d
esig
n
Non
-aes
thet
ic d
esig
not
her
73%
71%
47%
13%
9% 7% 5%
73% of respondents feels the difficulty of sqeezing71% of respondents want more adjustability of applying glue
Long dry time
Messy application
Nozzle clogs
CONS
54%
36%
9%
Easy application
Very adhesive
Dires quickly
Works onall surfaces
Ease of use
PROS
30%27%
21% 18%
4%
Customer Review - by epinions.com
Considering aspects when purchase
Dryin
g tim
eStr
engt
hEa
se o
f use
Pric
eDr
ying
colo
rNo
n-to
xicde
sign
73%
71%
47%
13%
9% 7% 5%
other 5%
37%
25%21%
6%
6%
Preference
Survey of Architecture Students
Drying time
Strength
Ease of use Price3.9
3.76
3.61
Non-toxic
Design
3.38
3.85 3.38
Overall average
(scale of 5)very satisfied(5)
satisfied(4)neutral(3)
unsatisfied(2)very unsatisfied(1)
Satisfaction Level
For more than sixty years, Elmer’s Glue has been the trusted brand providing outstanding product performance in the classroom, at home, in the workshop and at the craft table. As oppose to its dominent market sharing for child craft market, the survey reseult shows Elmer’s Glue has been lost their market share for adults’ craft and workshops. Starting from the current market share and the limits of Elmer’s Glue, this project suggests its new container design. The main concept for the new container is ergonomic body design and precise application.
006ARCH, WINTER 2011, UNIVERSITY OF MICHIGAN, INSTRUCTOR : TEMAN EVANS
ELMER’S PRECISION GLUEProduct design + marketing + popup architecture project
3D PRINTED MODELEXPLODED AXON
What’s NEW?
Ease of UseNew glue tip provides easy OPEN, CLOSE and ADJUSTABILITY
New tip design provides deeper and easier reachability
Twice longer and 20% more slim top
New slim container provides COMFORTABLE GROP, EASY SQEEZINGand DEEPER RANGE
60% more slim and One inch longer container
Angled tip and curvy body dramatically increase the REACHABILITY and the WORKABILITY
Ergonomic design container
Design Development
And following architecture project is a popup project in city of Ann Arbor, to introduce and to advertise the new Elmer’s Precision Glue. Today, many architectures have a built-in expiration date, and these short-lived architecture is one of events and spectacles. Architecture now follows the fickle pulse of commerce and roles as one of the strongest advertising tools with highly-designed choreography. Considering the long history of Elmer’s, the popup project is designed as a playground for adults to touch people’s childhood memory and to recall their memory related to the old Elmer’s Glue. And that is the moment where new Elmer’s Precision Glue is introduced.
Elmers Glue Popup Architecture
Glue Evolution for Human
PLAYGROUNDforADULTS
N
PLAN
N-S SECTION
Tree HouseRope coursesObstacle coursesTire SwingsBungeesOld Video GamesPinata
.
.
.but,
No KIDS ALLOWED
No Longer Out of Reach !
007LIGHTING STRUCTUREFull scale construction project: Translation of FlowerARCH STUDIO, FALL 2010, UNIVERSITY OF MICHIGAN, INSTRUCTOR : JASON YOUNG
WaterjetMetal SheetBasic Module Grasshopper Sewing + Yarn
Starting with image of flower, this project is developing full scale construction model with architectural and spatial translations. The first step is simplifying and abstracting the image and finding main factors in it. Second phase is drawing basic form as a piece of whole structure. Each piece represents image’s harmony of straight and curvy lines of flowers. Each surface structure is generated by specific attraction points and carefully attached to each other using the Grasshopper and Rhino. A steel is chosen as a material of the surface structure of the final model as an opposite characteristic to flower. Due to the tolerance of steel, the connection methods were studied in various ways. And as an opposite method to cutting process using the Water Jet machine, the steel pieces were carefully connected using yarn. Though the steel has stiffness, each metal piece could not stand by itself and the yarn plays major role of connection and stability of the final model.
Student Exhibit, University of Michigan Fall, 2012
BOX PROJECTIONARCHITECTURAL REPRESENTATION, FALL 2010
iPad interface design city poster _ photograph + painting
a view of Robie House _ collage + painting
a hotel room _ color paper collage
inside is outside is inside ; Crown Hall, IIT _ photograph