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Described by the Antiques Trade Gazette as “arguably the most exciting provincial saleroom in the country”, Woolley and Wallis has lived up to that title in recent years with a string of record-breaking sales and notable prices. As one of the leading regional auctioneers, established since 1884, Woolley and Wallis holds around thirty specialist sales a year spread between nine departments headed up by leading experts in their field. The saleroom prides itself on combining a high level of expertise and professionalism, with the friendly attitude and personal service that clients have come to expect from this long-standing family firm.
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WOOLLEY & WaLLisSALISBURY SALEROOMS
Paintings Wednesday 19th March 2014
Pain
ting
sW
OO
LLEY &
Wa
LLis
www.woolleyandwallis.co.uk
Wed
nesday 19th
Ma
rch 2014
Furniture, Works oF Art
1st April 2014Mark Richards +44 (0) 1722 411854 • [email protected] Jim Gale +44 (0) 1722 339161 • [email protected]
silver
29th & 30th April 2014Rupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]
JeWellery
1st May 2014Jonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]
english & europeAn CerAmiCs & glAss
7th May 2014Clare Durham +44 (0) 1722 424507 • [email protected]
AsiAn Art
21st & 22nd May 2014John Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]
pAintings - modern & ContemporAry
4th June 2014Victor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]
Arts & CrAFts
18th June 2014Michael Jeffery +44 (0) 1722 424505 • [email protected]
tribAl Art, Antiquities, Arms & Armour
19th June 2014Will Hobbs +44 (0) 1722 339752 • [email protected] Gemma Bush +44 (0) 1722 339752 • [email protected]
CloCks, WAtChes & sCientiFiC instruments
30th July 2014Richard Price +44 (0) 7741 242421 • [email protected]
Auction Calendar
• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk
Page width 202mm. Use this box to centre artwork! Page width 202mm. Use this box to centre artwork!
Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below
AsiAn Art
John Axford MRICS ASFAV 424506Sophie Lister 424591 Alexandra Doméracki 424506 Freya Yuan 424506
CloCks
Richard Price 07741 242421 Gemma Bush 339752 english & europeAn CerAmiCs & glAss
Clare Durham 424507
Furniture
Mark Richards 411854Jim Gale 339161
JeWellery
Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595
pAintings
Victor Fauvelle 424503Jo Butler 424592
silver
Rupert Slingsby 424501Lucy Chalmers 424594
20th Century design
Michael Jeffery 424505
tribAl Art, Antiquities, Arms & Armour
Will Hobbs 339752 Gemma Bush 339752
vAluAtions For insurAnCe & probAte
Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA
mArketing
Tamzin Corbett 424590
ACCounts
Janice Clift (Office Manager) 424500Ruth Pike 424599
generAl oFFiCe
Linda Garthwaite 424500Pauline West Sharon Ringwood Nicola Young
sAleroom mAnAger
David Jordan 424500
boArd oF direCtors
Paul Viney ASFAV Chairman
John Axford MRICS ASFAV Deputy Chairman
Clive Stewart-Lockhart FRICS FRSA Managing Director
CompAny seCretAry Jim Macarthur CA 424599
AssoCiAte direCtors Janice Clift Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby Clare Durham
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk
Front cover: Lot 494 Back cover: Lot 277This page: Lot 100Overleaf: Lot 347
Viewing TimesSaturday 15th March 10.00am – 1.00pmMonday 17th March 10.00am – 5.30pmTuesday 18th March 10.00am – 4.00pm
Wednesday 19th March 9.00am – 10.45am
Victor Fauvelle Tel: 01722 424503
Jo Butler Tel: 01722 424592
EnquiriEs
Oil Paintings, Watercolours, Prints, Miniatures & Sculpture
Wednesday 19th March 2014 at 11.00am
THE PICTURE DEPARTMENT IS MOVINGPLEASE NOTE THAT PAINTINGS THAT ARE NOT
COLLECTED BEFORE 24TH MARCH WILL NEED TO BE COLLECTED FROM OUR NEW PREMISES AT:
CARTER HOUSE, 6-10 SALT LANE, SALISBURY SP1 1EE
There is no surcharge for using this service
Live Internet bidding via
COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAyS OF THE SALE – FAILURE TO COLLECT WITHIN THIS TIME MAy RESULT IN STORAGE FEES
images, a catalogue word search facility and condition reports are available at
www.woolleyandwallis.co.uk
Catalogue: £12.00 (£15.00 by post)
INDEX
Miniatures
Prints
Private Collection
Sculpture
Oil Paintings
Watercolours
1-34
35-78
79-119
122-135
136-392
393-568
ARTIST’S RESALE RIGHT / DROIT DE SUITE‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details
CITES
λ This symbol indicates that Cites regulations may apply
GLOSSARy OF TERMSPlease refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings
Member of The Society of Fine Art Auctioneers
3
1. English School 18th Century Portraits of a gentleman and Mrs Newton A pair, one inscribed verso Pastel on black paper, oval Each 24.5 x 19cm; 9½ x 7½in (2) £150-250
2. English School c.1800 A gentleman and a lady and child in a landscape A pair, both signed with a monogram PMc? Both watercolour on paper, oval in ebonised frames 125 x 92mm £120-180
3. English School 19th Century A lady standing, three-quarter length, wearing white with a black shawl Oval, 123 x 92mm £150-250
4. English School late 18th Century James 9th Earl of Lauderdale as a boy, wearing a hat Oval in a velvet frame with corner mountings 43 x 35mm £80-120
5. English School 18th Century An officer in uniform Oil on copper, unframed 175 x 148mm £100-150
6. English School 17th Century A gentleman, wearing a lace collar Inscribed 31, possibly later Oil on copper, oval, unframed 47 x 37mm £80-120
MiniATurEs
1
2
3 4
5 6
4
1110
9
8
7
7. λ Horace Hone (1756-1825) John Glendinning of Westport, Co. Mayo Signed with initials Oval in a gilt frame with a hair back 70 x 56mm Brother of Andrew Glendinning, lot 8 £1,000-1,500
8. λ English School early 19th Century Andrew Glendinning of Westport, Co. Mayo, in uniform Oval in a gilt frame with a hair back 74 x 60mm Brother of John Glendinning, lot 7 £150-250
9. λ English School late 18th Century A gentleman, wearing red, head and shoulders Oval, set in a tortoiseshell trinket box 35 x 30mm With a further small portrait of a lady (2) £150-250
10. λ Follower of Henry Bone Charles James Fox, head and shoulders, wearing blue Oval in a scrolling foliate and shell gold bracelet-mounted frame with a glazed locket compartment verso 23 x 20mm £400-600
11. λ James Jennings (act.1763-1793) A naval officer, head and shoulders wearing blue, facing right Signed with initials and dated 1771, oval in a gilt clasp 33 x 28mm £200-300
5
12. λ English School late 18th Century A lady, half length wearing pink, possibly named Manners of Sutton Fronderw Oval in a gold pendant frame 46 x 38mm With another (2) £200-300
13. λ English School early 19th Century John Magrath in uniform on East India Company’s Service, seated Later inscribed verso 100 x 75mm With another of a lady and one of a young man by different hands (3) £100-150
16
151413
12
14. λ English School late 18th Century Ann Lockhart, Lady Miller, head and shoulders Oval in a gilt metal and blue glass frame with a hair back 33 x 28mm £100-150
15. λ English School c.1800 A gentleman in blue; A gentleman in black, both facing right Two, both in oval gilt frames 65 x 54mm and 68 x 53mm With another of a lady signed indistinctly in a rococo style gilt frame (3) £150-250
16. λ English School 19th Century A lady, head and shoulders with a lace collar Oval, in a rectangular ebonised frame 70 x 56mm With 4 others, 2 ladies and 2 gentlemen £80-120
6
17. λ*** Herman (fl 1820-1840) Maria Wilson, half length wearing white Signed and dated 1836 Rectangular, in a red leather case 80 x 75mm £250-350
18. λ Leon Brzezinski (Polish 1809-1865) A lady with a red shawl, half length Signed and dated 1840 93 x 83mm £100-150
19. λ Follower of Thomas Hargreaves A gentleman wearing a blue coat and white stock; A lady wearing white with a yellow shawl A pair, both rectangular in swept frames Each 69 x 55mm (2) £100-150
20. λ English School c.1800 Portraits of the Hughes and Forbes family Seven, all later titled verso, all framed together Each 72 x 60mm £300-500
20
19
1817
7
21. λ English School early 19th century Catherine Magrath and Mary Magrath née Nicholson, both half length, seated Two, both rectangular in ebonised wood frames 92 x 72mm and similar (2) £100-150
22. λ After Jean Baptiste Isabey The Empress Josephine Oval 70 x 57mm With a portrait of the Parsons’ Daughter after Romney by H. Maithe Cooper and 2 further miniature portraits £150-200
23. λ Miss Mabel B. Messer (fl.1910) A bearded gentleman, head and shoulders Signed Oval, in a gilt metal frame 50 x 40mm With 4 further portraits by different hands, some over photographs (5) £80-120
24. A box of 13 framed miniature photographs and prints (13) £100-150
25. English School early 19th Century Silhouettes of a family group including Guy Carleton, Robert Hughes and John Magrath 13, most oval in rectangular ebonised frames 85 x 70mm and similar (13) £150-250
26. Irish School early 19th Century Silhouette of Georgina Sultana Magrath holding a posy on the Plain of Chuckawatee, 1837 22 x 16.5cm with 3 further silhouettes of Robert Hughes of Ely House, Co. Wexford, Georgina Bridget Anne Deborah Butler of Bawn James, New Ross and Sarah McCarty Colclough of Mount Sion, Carlow (4) £100-150
27. English School c.1800 Captain George Urquhart, 66th Regiment Pencil, wash and coloured chalk In a red leather case 90 x 68mm With a small relief portrait and 4 daguerreotypes (6) £80-120
2726
2524
2322
21
8
28. λ M.E.S. c.1900 A young girl, head and shoulders, wearing a white dress Signed with initials Oval, in an ebonised frame 63 x 50mm With a further miniature of a child signed with a monogram E.J.R and dated 1892 (2) £150-250
29. After Thomas Gainsborough Lavinia, the milk maid Watercolour on paper 112 x 83mm £80-120
30. English School early 20th Century A young girl with flowers in her hair Watercolour on paper, circular 102mm £100-150
31. λ English School early 20th Century A lady, head and shoulders, wearing a white lace dress Oval in a gilt metal frame 75 x 60mm With a further portrait of a lady initialled C.H.T. (2) £100-150
32. λ Eveline Corbould-Ellis (fl.1898-1913) A lady, head and shoulders in a sheer wrap Signed and dated 1911 Oval in a gilt frame 68 x 55mm With a further portrait of a lady in an enamelled gilt metal frame (2) £100-150
32
31
3029
28
9
33. Indian School c.1837 Maharaja Ranjit Singh; Amin Khan: Appa Sahib Three, the first indistinctly signed with initials and inscribed The Maha Raja Ranjit Singh, Prince of Lahore and Cashmere, Lahore, March 1837, framed together All watercolour on paper The first 100 x 97mm and two at 92 x 74mm and similar £250-350
34. Indian School 19th Century Views of India 12, all inscribed in Hindi, and later inscribed verso, in two frames All pen, sepia ink and watercolour All approx. 67 x 120mm (2) List of locations on our website £300-500
34
33
10
35. After Rembrandt Harmensz. van Rijn Six’s Bridge Etching 12 x 20.5cm; 4¾ x 8in £100-150
36. James Collins (act.1713-1724) The North West prospect of the Cathedral of St. Mary, Salisbury Hand coloured engraving 48 x 60cm; 19 x 24in With 7 further smaller, later engravings of Cathedrals after F. Mackenzie (8) £100-150
37. After Robert Dighton Labour in vain - or, Fatty in distress Mezzotint, published by Carington Bowles, 1783 35.5 x 25.5cm; 14 x 10in With a further mezzotint published 1786 by Robert Sayer of The Hearty Good Fellow and one after John Raphael Smith of Miss Macaroni and her Gallant, 1773 (3) £100-200
38. After Jean-Baptiste Le Prince (French 1734-1781) The Russian Dance Grisaille watercolour over aquatint 29.5 x 23cm; 11½ x 9in £100-150
39. After Lemuel Francis Abbott, Golf interest To the Society of Goffers at Blackheath Mezzotint with aquatint by Valentine Green 1790 26 x 39cm; 10¼ x 15¼in £80-120
40. After Pierre Mignard Portrait of Edouard Colbert Engraving by Gerard Edelinck 48.5 x 35.5cm; 19 x 14in £80-120
41. Thomas Daniell (1749-1840) and William Daniell (1769-1837) Views in India from from the second and third sets of Oriental Scenery: The Rock of Tritchinopoly, taken on the River Cauvery; The great bull, an Hindoo idol, at Tanjore; Jag Deo & Warrangur, Hill Forts in the Barramah’l; Ousoor, in the Mysore A set of four, all aquatints, published Dec 1797, Jul 1798, June 2 1802, Aug 1 1802 Each 48 x 65cm; 19 x 25½in (plate size) (4) £150-250
PrinTs
3635
3837
4039
41
11
42. After Lt. Joseph Moore Rangoon views and combined operations in the Birman Empire Group of 15, all coloured aquatints, engraved by George Hunt and published by Kingsbury & Co. c.1825 All approx. 26 x 37cm; 10¼ x 14½in (15) £200-300
43. Luigi Rossini (Italian 1790-1857) Veduta dell Arco di Settimio, Veduta del Campidoglio Romano Two, both hand coloured etchings, published 1820 and 1823, framed as a pair Each 37.5 x 56.5cm; 14¾ x 22¼in and similar (2) £100-200
44. Robert Bowyer (1758-1834) Triumphs of Europe 12 hand coloured aquatints, 4 double bound, published 1815 and 1816 2 at 31 x 52cm; 12 x 20½in and 8 at approx. 26 x 33cm; 10¼ x 13in (10) £400-600
45. Andrew Fisher Bunner (1841-1897) Boats on the canals, Venice Signed by artist and engraver Etching by Thomas Moran 57 x 80cm; 22½ x 31½in £100-150
46. William Powell Frith (1819-1909) Derby Day Signed Engraving by Auguste Blanchard 72 x 131cm; 28¼ x 51½in sheet size £150-250
47. Samuel and Nathaniel Buck (17/18th Century) The South-West prospect of the city of Chichester, 1738 Hand coloured engraving 31 x 81cm; 12¼ x 32in £100-150
48. After Elisabeth Louise Vigée-Le Brun and Charles-Clément Bervic Marie Antoinette; Louis Seize Two, both colour engravings, framed as a pair 44 x 29.5cm; 17¼ x 11½in With a further print titled The Palais Royal Garden Walk £100-150
49. Norman Hirst (1862-1956) after Sir Joshua Reynolds P.R.A. Mrs Stephen Payne-Gallway and her son Mezzotint 37 x 29.5cm; 14½ x 10½in £80-120
4948
47
46
4544
4342
12
53. ‡ Charles Johnson Payne (Snaffles) (1884-1967) Gunners; A Heilan’ lad Two, both with snaffles blindstamp Both hand coloured photographic reproductions 38 x 61cm; 15 x 24in and 43 x 34.5cm; 17 x 13½in (2) £150-250
54. After John Gould and Henry C. Richter Study of kingfishers Colour lithograph 51 x 33cm; 20 x 13in £100-150
55. After Antonio Baratti Histoire Naturele A set of 17, all etchings, 6 hand-coloured and 13 unframed All approx. 35 x 26cm; 13¾ x 10¼in and similar (17) £100-150
56. Spy, Leslie Matthew Ward (1851-1922) Captain Robert Falcon Scott R.N.C.V.O. from Supplement to The World Lithograph 36 x 24cm; 14 x 10¼in with a further 10 spy prints from the same supplement including Lloyd George (11) £100-150
57. Richard Dighton (1795-1880) Duke of Devonshire; Earl of Northumberland and other nobility Nine, all coloured engravings, published 1822/1823 by S.W. Fores of Piccadilly All 29 x 19cm; 11½ x 7½in and similar (9) £100-150
51. Wiliam Lionel Wyllie R.A. (1851-1931) Off the round tower, Portsmouth harbour Signed Etching 19 x 24.5cm; 7½ x 9¾in £250-350
52. John James Audubon (1785-1851) Caprimulgus Carolinensus, Chuck Will’s widow, from Birds of America, plate 52 Hand coloured aquatint, published by R. Havell, 1829 100 x 66cm; 39¼ x 26in (sheet size) £1,200-1,800
565554
53
52
5150
57
50. Wiliam Lionel Wyllie R.A. (1851-1931) Warships in the Grand Harbour, Valetta, Malta Signed Etching 16.5 x 38cm; 6½ x 15in £250-350
13
58. Max Liebermann (German 1847-1935) The garden terrace c.1922 Signed Drypoint etching 20 x 25.5cm; 8 x 10in £1,000-1,500
59. Sir Lawrence Alma-Tadema R.A. O.M. (1836-1912) The favourite poet Signed, also dedicated indistinctly Engraving 34 x 46cm; 13½ x 18in £300-500
60. ‡ James Henry Dowd (1883-1956) Rough day Signed Etching, mounted, unframed 15.5 x 15.5cm; 6 x 6in £300-400
61. ‡ James Henry Dowd (1838-1956) The Xylophone Signed Etching 12.5 x 16cm; 5 x 6¼in £120-180
62. ‡ Eileen Alice Soper (1905-1990) The scooters; Skipping Two, both signed and dated 1923 Both etchings, framed as a pair 12.5 x 18.5cm; 5 x 7¼in and similar (2) £300-500
62
6160
5958
14
63. ‡ Edward Montgomory O’Rorke Dickey (Irish, 1894-1977) The Crowd; The train Two, both signed Both woodcuts 13.5 x 11cm; 5¼ x 4¼in and smaller (2) £100-150
64. ‡ J. Lewis Stant (act.1931-1955) The Pantiles, Tunbridge Wells Signed, titled and dated 1961 Etching 12.5 x 17cm; 5 x 6¾in £80-120
65. Joseph Simpson (1879-1939) Lord Lonsdale Signed Etching 23 x 30cm; 9 x 12in £80-120
66. ‡ Edgar Chahine (French 1874-1947) Mademoiselle Souty Signed Etching 31.5 x 21.5cm; 12¼ x 8½in Provenance: James Connell & Sons, Glasgow £100-200
67. Continental School early 20th Century Nudes and a four poster bed Signed indistinctly Etching 30 x 25cm; 11¾ x 9¾in £60-80
68. ‡ Sir Frank Brangwyn R.A. (1867-1956) Wounded men begging Signed Etching 22 x 16cm; 8 x 5½in £100-150
69. ‡ Henry George Rushbury (1889-1968) St. Mary Le Bow, 1943; St. Martin in the Field, 1944 Two both signed Both etchings 28 x 21cm; 11 x 8½in and 29 x 26cm; 11½ x 10¼in (2) £100-150
70. Cecil Aldin (1870-1935) Canterbury high street Signed Colour lithograph with hand colouring, published by Alfred Bell & Co. 1925 55 x 29cm; 21½ x 11½in plate size £100-150
7069
6867
6665
6463
15
71. ‡ After Sir William Russell Flint R.A., P.R.W.S. Reclining Nude 1 Photographic reproduction, artist’s proof inscribed and annotated with print instructions 42.5 x 67cm; 16¾ x 26½in £80-120
72. Continental School 19/20th Century Still life of a doll and fruit Signed indistinctly Hand coloured linocut 38 x 46cm; 15 x 18in £150-250
73. ‡ Elizabeth Violet Blackadder (b.1931) Beetles and flowerheads Signed and numbered 14/30 Etching 25 x 15cm; 9¾ x 6in (plate size) £100-150
74. After Franciszek Smuglewicz Classical wall decoration Engraving 49 x 52cm; 19¼ x 10½in £80-120
75. ‡ Carel Weight (1908-1997) Allegro Strepitoso Signed, titled and numbered 144/250 Colour lithograph, unframed 51 x 65cm; 20 x 25½in £100-150
76. ‡ Emile Antoine Verpilleux (1888-1964) York Signed Woodcut 35 x 45cm; 13¾ x 17¾in £100-200
77. After Toyohara Kunichika An actor as a Samurai Woodcut 35 x 24cm; 13½ mx 9¼in £100-150
78. After Hokusai, Toyoharu, Hiroshige and others A group of 9 Japanese landscapes and figures All wood cuts, unframed All 20 x 30cm; 8 x 12in (9) £100-150
7877
7675
7473
7271
16
79. Thomas Francis Dicksee (1819-1895) Self portrait Oil on canvas 61 x 51cm; 24 x 20in Provenance: By direct descent from the artist £600-800
80. Sir Frank Dicksee P.R.A. (1853-1928) Portrait of a lady Oil on canvas over pencil, unfinished 51 x 40.5cm; 20 x 16in Provenance: By direct descent from the artist £1,000-1,500
81. Sir Frank Dicksee P.R.A. (1853-1928) The bridge at Lucerne Watercolour 39 x 28cm; 15¼ x 11in Provenance: By direct descent from the artist £400-600
82. After Sir Frank Dicksee P.R.A. (1853-1928) Hesperia Etching on satin by Herbert Dicksee with a remarque of oranges 72 x 44.5cm; 28¼ x 17½in (plate size) Provenance: By descent from the artist £100-150
828180
79
Lots 79 to 119 – Dicksee Family Lots 79 to 119 are works by the remarkable Dicksee family of painters and have been consigned by their direct descendants. The majority are etchings by Herbert Thomas Dicksee, one of the most accomplished painters and etchers of his day. He was well known for his skilfully observed studies of animals, which are still just as fresh today as when they were first published. Herbert’s first cousin was Sir Frank Dicksee P.R.A., and both of their fathers, John Robert Dicksee and Thomas Francis Dicksee respectively and Frank’s sister Margaret were also accomplished painters. Many of Herbert’s etchings depict his own pets, especially his deerhound Sir Brian. He was also a fellow of London Zoo and there he observed the big cats. These prints, mostly unframed, have been kept in a folio for many years and are therefore generally in good condition.
17
83. Head of a Siberian Tiger Signed Etching, unframed 21.5 x 28cm; 8½ x 11in (plate size) Provenance: By descent from the artist £250-350
84. Head of a lioness Signed Etching, unframed 19 x 24cm; 7½ x 9½in (plate size) £200-300
85. In the reeds, 1928 Signed Etching, unframed 21.5 x 39cm; 8½ x 15¼in (plate size) £200-300
89. The jungle pool Signed Etching, unframed 20 x 30.5cm; 8 x 11¾in (plate size) £120-180
90. The ambush, 1926 Signed Etching, published by Frost & Reed 1926, unframed 34 x 56cm; 13¼ x 22in (plate size) £150-250
Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83
86. Leopard drinking Signed Etching, unframed 21 x 35cm; 8¼ x 13¾in (plate size) £150-250
87. Study of a male lion at rest Signed Etching, unframed 19 x 49cm; 7½ x 19¼in (plate size) £150-250
88. Study of a lioness Signed Etching, published by Frost & Reed 1914, unframed 19 x 48cm; 11½ x 19in (plate size) £150-250
9089
8887
8685
8483
18
91. Idlers Signed Etching, unframed 23 x 53.5cm; 9 x 21in (plate size) £200-300
92. Study of a tiger eating Signed Etching, unframed 19 x 45cm; 7½ x 17¾in (plate size) £200-300
93. Suspense, 1920 Signed Etching, unframed 45.5 x 68.5cm; 18 x 27in (plate size) £200-300
94. A siesta Signed Etching, unframed 18 x 28cm; 7 x 11in (plate size) £150-250
95. Along the ridge, 1927 Signed Etching, unframed 26.5 x 45cm; 10½ x 17¾in (plate size) £150-250
96. A place in the sun, 1924 Signed Etching on vellum, published by Frost & Reed 1924, unframed 36.5 x 56cm; 14¼ x 22in (plate size) £150-250
97. Patience, 1922 Signed Etching on vellum, published by Frost & Reed 1922, unframed 39 x 64cm; 15¼ x 25½in (plate size) £150-250
98. Comrades, 1928 Signed Etching, published by Frost & Reed 1928, unframed 33 x 46cm; 13 x 22in (plate size) £150-250
Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83
9897
9695
9493
9291
19
99. Deerhound, on the moors Signed Etching, unframed 24 x 26.5cm; 9½ x 10½in (plate size) £150-250
100. The prodigal, 1926 Signed Etching on vellum, published by Frost & Reed 1926, unframed 47 x 36cm; 18½ x 14in (plate size) £150-250
101. Footsteps, 1925 Signed Etching on vellum, unframed 37.5 x 55.5cm; 14¾ x 22in (plate size) £150-250
102. Ready, 1928 Signed Etching, published by Frost & Reed 1928, unframed 34 x 54cm; 13¼ x 21in (plate size) £150-250
103. Hope, 1929 Signed Etching, published by Frost & Reed 1929, unframed 29 x 41.5cm; 11½ x 16¼in (plate size) £200-300
104. Forgotten Signed Etching, unframed 29 x 40cm; 11½ x 15¾in (plate size) £150-250
105. Waiting; Study of a Scottish deerhound head Two, both signed Both etchings, unframed 21 x 42.5cm; 8¼ x 16¾in and 15 x 25cm; 6 x 10in (plate size) (2) £120-180
Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83
105
104103
102101
10099
20
106. Onward Signed Etching, unframed 27.5 x 51cm; 11 x 20in (plate size) £200-300
107. Two tigers at a pool, 1930 Signed Etching, unframed 21.5 x 40cm; 9½ x 15¾in (plate size) £200-300
108. Jaguar in moonlight Etching, unframed 18 x 28cm; 7 x 11in (plate size) £150-250
109. Play, 1907 Signed Etching on vellum, published by Frost & Reed 1907, unframed 53.5 x 69cm; 21 x 27in (plate size) £200-300
110. A Bengal tiger Signed Etching, published Frost & Reed 1915, unframed 19 x 35.5cm; 7½ x 14in (plate size) £150-250
111. Lioness on a rocky outcrop Signed Etching, unframed 16 x 25cm; 6¼ x 9¾in (plate size) £100-200
112. Leopard and jungle-fowl, 1920 Signed Etching, unframed 20 x 42.5cm; 8 x 16¾in (plate size) £200-300
113. Against the sky, 1928 Signed Etching, unframed 21 x 40cm; 8¼ x 15¾in (plate size) £150-250
Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83
113112
111110
109108
107106
21
114. Herbert Thomas Dicksee (1862-1942) The bend in the river Signed Etching, unframed 40.5 x 50cm; 16 x 19¾in (plate size) Provenance: By descent from the artist £150-250
115. Herbert Thomas Dicksee (1862-1942) On the threshold Signed Etching, unframed 45.5 x 32xm; 18 x 12½in (plate size) Provenance: By descent from the artist £120-180
116. Sir Frank Dicksee P.R.A. (1853-1928) Elephant folio Illustrated edition of Evangeline by Henry Longfellow India Proof edition of 1000 (no. 128), published by Cassell, Petter, Galpin & Co. 1882 23 bound original photogravures and wood engravings 45 x 35.5cm; 17½ x 14in With a further elephant folio of Othello, The Moor of Venice by William Shakespeare with Twelve Illustrations by Dicksee published Cassell, 1890 (2) £80-100
117. Margaret Isabel Dicksee (1858-1903) The young Mozart Photogravure published 1893 39 x 53cm; 15¼ x 21in Provenance: By direct descent from the artist £100-150
118. Thomas Francis Dicksee (1819-1895) Head of a child Etching Circular 36cm; 14in diameter £100-150
119. Thomas Francis Dicksee (1819-1895) Portrait of Eliza Dicksee (1826-1879), the artist’s wife Coloured chalks on buff paper, oval 50 x 42cm; 19¾ x 16½in Provenance: By direct descent from the artist £100-150
120. A continental walnut metamorphic artist’s easel, 73in (185.5cm) high, 37in (94cm) wide £100-200
121. An Italian carved and pierced wood picture frame c.1800 71.5 x 48.5cm; 28 x 19in rebate size, 67 x 43.5cm; 26½ x 17in sight size £300-500
OTHEr PrOPErTiEs
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122. ‡ Ronald Cameron (b.1930) Ursula Signed, titled and numbered 16/25 Bronzed resin 33cm; 13in high £200-300
123. ‡ Ronald Cameron (b.1930) Rosa Signed, titled and numbered 6/25 Bronzed resin 61.5cm; 24in high £200-300
124. ‡ Ronald Cameron (b.1930) Zara Signed, titled and numbered 18/25 Bronzed resin 40.5cm; 16in high £200-300
125. ‡ Ronald Cameron (b.1930) Fiona Signed, titled and numbered 25/25 Bronzed resin 28.5cm; 11in high £200-300
126. ‡ Ronald Cameron (b.1930) Dancer 2 Signed, titled and numbered 5/25 Bronze on a painted wood base 25.5cm; 10in high £300-500
127. ‡ Ronald Cameron (b.1930) Dancer 2 Signed, titled and numbered 2/7 Bronze on a lacquered base 28cm; 11in high (including base) £300-500
128. ‡ Ronald Cameron (b.1930) Anna Signed, titled and numbered 23/25 Bronze 35.5cm; 14in high £500-700
sCuLPTurE
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128
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129. ‡ Ronald Cameron (b.1930) Carley Signed, titled and numbered A/C 1 Bronze 27cm; 10¾in £400-600
130. ‡ Ronald Cameron (b.1930) Stephanie Signed, titled and numbered 22/25 Bronze 29.5cm; 11½in high £400-600
131. ‡ Ronald Cameron (b.1930) Carol Signed, titled and numbered 25/25 Bronze 27cm; 10½in high £400-600
132. ‡ Ronald Cameron (b.1930) Viola Signed, titled and numbered 20/25 Bronzed resin 24cm; 9½ high x 45cm; 17¾in long £200-300
133. ‡ John Cotter (20th Century) Man saving woman; Hand holding nude Two, both signed, dated 1989 and numbered 1/18 and 7/25 Both patinated resin 53cm; 21in high and 17.5cm; 7in high With a resin nude on a rock by Dr. J. D. Price (3) £100-200
134. ‡ Klara Sever (b.1935) Sultry Awakening Signed and dated 1979 and inscribed Austin Proding Composite on a wood base 55cm; 21½in high including base £100-200
135. ‡ B. B. (20th Century) Nude seated on a rock Signed with initials and butterfly monogram, also numbered 114/450 Bronzed resin 38cm; 15in high £150-250
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136. Circle of Julius Caesar Ibbetson Figures, cattle and donkeys in pastoral scenes A pair, both oil on canvas Each 43 x 53cm; 17 x 21in (2) £1,200-1,800
137. George Morland (1763-1804) Resting beneath a tree Signed and dated 1793 Oil on canvas 56 x 71cm; 22 x 28in £2,000-3,000
138. Follower of Angelica Kauffman An allegorical scene with putti offering apples and a dove Oil on canvas, oval 45 x 57cm; 17¾ x 22½in £1,000-1,500
OiL PAinTings
138137
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139. English School 19th Century Portrait of a lady, half length, wearing black with a lace collar Oil on canvas 76 x 63.5cm; 30 x 25in £700-1,000
140. Circle of Ramsay Richard Reinagle Portrait of a lady wearing a lace veil and gloves, seated half length Oil on canvas 76.5 x 64cm; 30 x 25in £1,500-2,500
141. Attributed to John Hoppner R.A. (1758-1910) Portrait of John Browne of Salperton Park, Gloucester Oil on canvas 76 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter until purchased by the present owner £2,000-3,000
142. English School 18/19th century Portrait of a gentleman thought to be Philip 6th Viscount Wenman ¾ length standing, wearing a blue coat Oil on canvas 100 x 72cm; 39½ x 28¼in £800-1,200
141 142
139 140
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143. English School 18th Century Portrait of a gentleman, head and shoulders Oil on canvas in a period frame 43 x 39cm; 17 x 15¼in £400-600
144. English School 19th Century A country girl in a bonnet Oil on canvas 46 x 37cm; 18 x 14½in £600-800
145. English School early 19th Century Portrait of a gentleman, seated, reading Oil on canvas 23 x 19cm; 9 x 7½in £200-300
146. English School late 18th century Portrait of a gentleman, half length, standing by a pillar, wearing a blue coat Oil on canvas 82 x 64cm; 32¼ x 25¼in £300-500
147. English School 19th Century Portrait of a gentleman, head and shoulders in a blue jacket Oil on canvas 62 x 51cm; 24½ x 20in £100-200
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153. Samuel Woodforde R.A. (1763-1817) A Country Girl Signed and dated 1809 Oil on canvas 76 x 64cm; 30 x 25in Provenance: Private collection, West Country Exhibited: Possibly Royal Academy 1811, no 431 The artist was born at Castle Cary, Somerset in 1763 £1,500-2,500
154. Style of Sir Peter Lely (18th Century) Lady Diana Cooke, wife of Sir Henry Cooke of Wheatley, Yorkshire Oil on canvas 93 x 78cm; 36½ x 30¾in A similar later copy exists by Alexander Glasgow in the Doncaster Museum £1,500-2,500
148. English School, c.1850 Portrait of Richard Pountney, seated half length in a red chair wearing a black coat Oil on canvas, in an ornate pierced gilt composition frame 91.5 x 71.5cm; 36 x 28in £400-600
149. Mark William Langlois (act.1860-1890) The classroom Signed Oil on canvas 53 x 43cm; 21 x 17in £200-300
150. After Jean-Baptiste Greuze A child with an apple Oil on canvas 41 x 36cm; 16 x 14in A copy of the original in the National Gallery £250-350
150A. Circle of John Hoppner R.A. Portrait of Rees Lloyd of Dinas Oil on canvas 76 x 64cm; 30 x 25in £500-700
151. Circle of George Romney Portrait of a gentleman, half length, wearing a green jacket Oil on canvas 76 x 64cm; 30 x 25in £2,000-3,000
152. English School c.1800 Portrait of a lady, wearing white with a red shawl, seated, a landscape beyond Oil on canvas 91 x 71cm; 36 x 28in £1,000-1,500
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155. French School 18/19th Century Cattle watering by a bridge Bears signature Oil on canvas 32 x 40.5cm; 12½ x 16in £200-300
156. Follower of Aert Van Der Neer A moonlit river landscape Oil on panel 50 x 61cm; 19½ x 24in £500-700
157. Circle of Theobald Michau Peasants and a herdsman by cottages A pair, both oil on copper Each 17 x 20.5cm; 6½ x 8in (2) £400-600
158. Continental School 18/19th Century Figures by a rocky lakeland shore Oil on canvas 50 x 64cm; 19¾ x 25in £400-600
159. Follower of Hendrik Avercamp Dutch winter landscape with skaters on a river Oil on canvas 86 x 119cm; 34 x 46¾in £300-500
160. H. Reed (19th Century) Foudroyant and HMY Alberta, the last trip of Queen Victoria to Osborne House, Isle of Wight, December 1900 Signed and dated DEC 24th 1902 Oil on board 35 x 66cm; 13¾ x 26in £400-600
161. Georges William Thornley (French 1857-1935) Fishing boats outward bound Signed Oil on canvas 25.5 x 40.5cm; 10 x 16in £300-400
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162. Circle of Arthur Devis A family group, in an interior Oil on canvas, unframed 68.5 x 104cm; 27 x 41in Provenance: Private collection, East Anglia £4,000-6,000
163. Samuel Spode (act.1825-1858) Portrait of Mr. Pinckney mounted on a horse at Stonehenge Signed Oil on canvas 87 x 112cm; 34¼ x 44in £6,000-8,000
163
162
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164. Dutch School 18/19th Century Figures by candle-light Oil on panel 22.5 x 18cm; 9 x 7in £150-200
165. Sir George Hayter (1792-1871) Portrait study of Colonel Samuel White M.P. for Leitrim, Ireland, 1824-1847 Later inscribed verso study for the inclusion in The Great Painting in the National Portrait Gallery - London Oil on board, oval 32 x 28cm; 12½ x 11in The inscription refers to the painting The House of Commons of 1833 £400-600
166. Continental School 19th Century A classical scene Oil on panel 32 x 22cm; 12½ x 8¾in £100-150
167. After Guido Reni Portrait of Beatrice Cenci Annotated with the coat-of-arms of the Colonna family, Rome Oil on canvas 63.5 x 50cm; 25 x 19¾in An 19th century copy of the original in The Palazzo Barbarini, Rome £300-400
168. English School (19th Century) Portrait of a boy Signed indistinctly Charles Me**ci*, dated 1881 and inscribed a three hours study Oil on canvas 59 x 44cm; 23¼ x 17¼in £150-250
169. Dutch School 17th Century and later Portrait of a gentleman Oil on canvas 67 x 52cm; 26¼ x 20½in £200-300
170. Frank Dixon After Joseph Laurentius Dyckmans The Blind Beggar Inscribed and dated 1902 verso Oil on panel 50 x 46cm; 19½ x 18in £200-300
171. W. E. Watkins c.1889 A young girl holding a basket of fruit and wine Signed and dated 1889 Oil on canvas 56 x 46cm; 22 x 18in £300-500
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172. English School 19th Century Portrait of a girl in a red dress, half length, in a landscape Oil on canvas, oval in a carved wood frame 76 x 64cm; 30 x 25in £600-800
173. English School 19th Century Portrait of Henry, 3rd Earl Bathurst (1762-1834) Half length, wearing brown Oil on canvas 64 x 52cm; 25 x 20¼in Provenance: Haile Hall, Cumbria (the Ponsonby home since 1920) from whom purchased by the vendor. Earl Bathurst’s daughter Lady Emily Bathurst married Maj. Gen. Sir Frederick Ponsonby in 1825 £600-800
174. After Hans Holbein Portrait of Desiderius Erasmus (1466-1536) Oil on panel 26.5 x 21cm; 10½ x 8¼in An early copy of the 1523 original by Holbein £1,000-1,500
175. English School 18th Century Portrait of Prince Charles Edward Stuart, the Young Pretender Inscribed faintly on backing panel verso Charles Stuart (Pretender) Oil on canvas laid on panel, oval 27 x 20.5cm; 10½ x 8in £200-300
176. J.G.B. (Mid 19th Century) Windsor Castle from the Copper Horse, at the top of the Long Walk in Windsor Great Park Signed with initials and inscribed Windsor Castle Oil on board 27 x 22cm; 10½ x 8½in £400-600
177. German School 19th Century Portrait of a lady, thought to be the mistress of Goethe Oil on canvas 65 x 54cm; 25½ x 21¼in £500-700
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178. Allessandro La Volpe (Italian, c.1820-1887) Sorrento da Capodimonte Signed, also titled verso Oil on panel, unframed 24.5 x 41cm; 9¾ x 16¼in £300-500
179. Charles Augustus Henry Lutyens (1829-1915) Cattle and sheep in a sunny meadow Oil on canvas 23 x 33cm; 9 x 13in £250-350
180. Daniel Sherrin (1868-1940) Evening by the river Signed Oil on canvas 45 x 65cm; 17¾ x 22½in £300-500
181. John Ducker (19/20th Century) Sunset on the highlands Signed and dated 1921 Oil on canvas 51 x 76cm; 20 x 30in £200-300
182. Phillip Glading (early 20th Century) Figures by a lake Signed Oil on canvas 60.5 x 80cm; 24 x 31½in £80-100
183. English School 19th Century Pastoral scene with London monuments beyond Oil on board 39 x 59cm; 15¼ x 22¾in £300-500
184. English School 19th Century Rural scene with mother by a cottage Oil on panel 31 x 46cm; 12¼ x 18in £100-150
185. Charles Edward Johnson (1832-1913) Sunset Dorsetshire Oil on panel 20 x 30.5cm; 8 x 12in Provenance: Royal Institute of Oil Painters, No. 4 £100-150
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186. George Cole (1810-1883) Evening Signed and titled verso Oil on board 20 x 34cm; 8 x 13¼in £200-300
187. J. T. Worters after Sir Edwin Landseer P.R.A. King Charles spaniels Signed Oil on board 30 x 40cm; 12 x 16in £200-300
188. Charles L. Shaw (act. c.1880-c.1898) A gypsy camp Signed and dated 92 Oil on canvas 51 x 76cm; 20 x 30in £150-250
189. ‡ William McGregor (20th Century) Lake district in summer Signed Oil on canvas 46 x 86cm; 18 x 33in £200-300
190. ‡ William McGregor (20th Century) St. Austell, Cornwall Signed Oil on canvas 46 x 86cm; 18 x 33in Provenance: Frost & Reed, No. 32816 Lewis’s, Manchester, 11/3/1963 £200-300
191. Arthur Batt (1846-1911) Brockenhurst, New Forest, Looking towards Rhinefield Later titled verso and inscribed bought April 1911 Oil on board 19 x 31.5cm; 7½ x 12¼in £100-150
192. John Wallace Tucker (1808-1869) View in the North of Devon Signed, titled and dated 1830 verso Oil on panel, unframed 25 x 33cm; 10 x 13in £300-500
193. English School 19th Century An American man o’ war firing a salute Oil on board 35 x 48cm; 13¾ x 19in £100-150
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195. James Loder of Bath (1784-1860) A chestnut hunter in a stable Signed and dated 1834 Oil on canvas 56 x 71cm; 22 x 28in Provenance: as lot 194 £1,000-1,500
196. *Barker (late 18th Century) Robert Bayley with his horse Signed Oil on canvas 46 x 57cm; 18 x 22½in Provenance: as lot 194 £700-1,000
197. Willem Van de Velde (1633-1707) Shipping off the coast Signed and dated 166* Oil on panel 19 x 35cm; 7½ x 13¾in Provenance: as lot 194 £1,000-1,500
198. Follower of David Roberts A busy continental river scene Bears signature and date Oil on canvas 35 x 48cm; 13¾ x 19in Provenance: as lot 194 £600-800
Lots 194 to 202 – The Property of a Gentleman
195
197
196
198
194194. James Loder of Bath (1784-1860) A gentleman on a hunter Signed and dated 1837 Oil on canvas 56 x 74cm; 22 x 29in
Provenance: Dyrham Park, Bath, the Phayre family of Belgaum, Woking, by descent £2,500-3,500
35
199. Bisson (mid 18th Century) Portrait of Mrs. Goodwin neé Anne Muglesworth Signed and dated indistinctly Oil on canvas 76 x 63cm; 30 x 24¾in Provenance: The Phayre family of Belgaum, Woking, by descent £1,500-2,500
200. Bisson (mid 18th Century) Portrait of Austin Goodwin Signed Oil on canvas, framed as lot 199 76 x 63cm; 30 x 24¾in Provenance: as lot 199 £1,200-1,500
201. English School c.1810 Portrait of a member of the Goodwin family Oil on canvas, oval 76.5 x 60cm; 30 x 24in Provenance: as lot 199 £600-800
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200
202
199
202. Follower of Thomas Gainsborough R.A. Portrait of a Gentleman, from the Goodwin family Oil on canvas 76 x 64cm; 30 x 25in Provenance: as lot 199 £500-800
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203. Alfred Augustus Glendenning, Sen (fl.1861-1903) Lessness Common, Kent Signed and dated 97 Oil on canvas 51 x 80cm; 20 x 31½in £2,000-3,000
204. James Webb (c.1825-1895) A coastal fortress, possibly Bamburgh Castle Signed, also indistinctly signed and titled Castle Northumberland verso possibly by a later hand Oil on panel 25.5 x 38cm; 10 x 15in £1,500-2,500
205. Alfred Pollentine (1836-1890) San Giorgio Maggiore, Venice Signed, also signed and titled verso Oil on canvas 51 x 76cm; 20 x 30in £1,000-1,500
206. Charles Parsons Knight (1829-1897) High summer on the coast Signed Oil on canvas 51 x 76cm; 20 x 30in £1,000-1,500
205 206
204
203
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207. Jane Vivian (act.1869-1877) Scuola Grande di San Marco; The Doge’s Palace, Venice A pair, the first signed Both oil on canvas Each 46 x 81cm; 18 x 32in (2) £4,000-5,000
208. James Salt (1850-1903) Capriccios of Venetian canals Two, both signed Both oil on canvas Each 36 x 61.5cm; 14 x 24in (2) £1,000-1,500
208
207
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209. Abraham Cooper (1787-1868) An Irish red and white setter in a landscape Oil on canvas 46 x 61cm; 18 x 24in Provenance: Bonhams, 03/02/10, lot 176 £2,000-3,000
210. John Emms (1843-1912) Paddy and Ned Signed, titled and dated 1894 Oil on canvas, unframed 29 x 39cm; 11½ x 15½in £1,500-2,000
211. John Emms (1843-1912) Studies of Tricksy A pair, both signed, titled and dated 1903 Both oil on canvas, one framed Each 20.5 x 15cm; 8 x 6in With a further unframed study of a cow in a barn by the same hand (3) £700-1,000
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210
209
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212. ‡ Frances Mabel Hollams (1877-1963) Popalong Signed, titled and dated ‘35 Oil on panel 33 x 45cm; 13 x 17¾in £400-600
213. Manner of Daniel Clowes A hunter in a landscape Bears signature Oil on canvas 46 x 61cm; 18 x 24in £300-500
214. English School 19th Century A spaniel in a landscape Oil on panel, unframed, possibly over a print 25.5 x 33cm; 10 x 13in £100-200
215. John Paul (19th Century) The Racehorse King Victor in the livery of the Queens Own 4th Hussars Signed and dated 1885 Oil on canvas 45 x 60cm; 17¾ x 23¾in King Victor was sire of Vae Victus, dam of Grand National winner, Manifesto £1,000-1,500
216. Circle of James Barenger Four horses in a landscape Oil on paper laid down on panel 30 x 39cm; 11¾ x 15½in £600-800
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214
212
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217. ‡ Jean Michel Laurent (1898-1988) The landing in Tralee Bay Signed Oil on panel 39 x 49cm; 15½ x 19¼in £400-600
218. Alexander Rosell (1859-1922) Good news Signed Oil on canvas 46 x 68.5cm; 18 x 27in £500-700
219. Eugene Petit (French 1839-1886) Pheasant shooting with a spaniel Signed Oil on canvas 54 x 65cm; 21¼ x 25½in £500-700
220. Attributed to Captain Charles Keith Miller (fl.1874-1880) The steamship The Queen, near the Bass Rock, Firth of Forth Oil on canvas 61 x 91cm; 24 x 36in Provenance: Sotheby's 30/5/96, Lot 380 £600-1,000
221. Chinese School early 20th Century Blue Funnel liner S.S. Philoctetes at sea Remains of Hong Kong label verso Oil on linen 41 x 56cm; 16 x 22in £300-500
222. John Arthur Lomax (1857-1923) A courting couple Strengthened signature, and dated 1900 Oil on canvas, unframed 50 x 81cm; 19½ x 32in £600-800
223. English School 19th Century A hunter and terrier in a stable Signed and dated indistinctly Oil on canvas 44 x 54cm; 17¼ x 21¼in Provenance: Frost & Reed, 1/2/62, No. R4315 £300-400
224. ‡ Vincent Haddelsey (1929-2010) Indian Lancer Signed with initials, also signed, titled, dated 1986 and dedicated on a label verso Oil on board 58 x 56cm; 23 x 22in £300-500
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225. Captain Charles Keith Miller (1836-1907) The steam ship S.S. Warrnambool passing Dover Strait Signed with initials and dated 1893 Oil on canvas 76 x 142.5cm; 30 x 56in Provenance: Sotheby’s 1/4/98, lot 39 £400-600
226. Colonial School 19th Century A rocky coastal scene, possibly in Jamaica Bears signature Oil on canvas laid down on board 44 x 57cm; 17¼ x 22½in £800-1,200
227. Thomas John Ewbank (Scottish fl.1826-1862) The Milkmaid’s Gossip Signed, also signed titled and inscribed verso: A scene on the Oxton Moor Cheshire Oil on canvas 38 x 55cm; 15 x 21¾in £400-600
228. Georgina Lara (act.1840-1880) A busy village scene Oil on canvas 23 x 33cm; 9 x 13in £600-800
229. John Barker (1811-1886) Waiting for master Signed Oil on canvas 61 x 91cm; 24 x 36in £600-800
230. George Mears (fl.1870-1895) H.M.S. Warrior at sea, a lighthouse beyond Signed with initials Oil on canvas 41 x 66cm; 16 x 26in Provenance: Sotheby’s 28/4/99, lot 18 £400-600
230 229
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227
226
225
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231. Dutch School 18th Century Still life of fruit, a corn cob and a beetle Oil on canvas, unframed 51 x 42cm; 20 x 16½in £150-250
232. Felice Auguste Rezia (Italian act.1857-1907) Views of Azzano, Italy A pair, both inscribed Azzano and dated 1885 Both oil on board, unframed Each 27 x 20cm; 10½ x 8in (2) £200-300
233. Scottish School 19th Century Figures in a river landscape A pair, both oil on panel Each 24 x 16cm; 9½ x 6¼in (2) £200-300
234. After J. Pratt Sr. (19th Century) Still life of a squash, grapes and fruit on a ledge Oil on board 56 x 46cm; 22 x 18in An unsigned copy of an original see Bonhams San Francisco 11/5/08 lot 4043 £200-300
235. Arthur H. Davis (fl.1871-1893) At Parkstone near Bournemouth Signed Oil on canvas, unframed 61 x 40.5cm; 24 x 16in £100-150
236. George William Sartorius (1759-1828) Still life of strawberries in a basket and fruit on a ledge Oil on canvas 45 x 34.5cm; 17¾ x 13½in £500-700
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237. Edward Moore (d.1920) Carmarthen Bay Signed and dated ‘87 Oil on canvas 63.5 x 127cm; 25 x 50in £1,500-2,500
238. Charles Leslie (1835-1890) A shepherd and son by a loch in the highlands Signed and dated 1878 Oil on canvas 76.5 x 128cm; 30 x 50½in £800-1,200
239. Arthur John Strutt (1819-1888) A view of Rome from the Villa Mattei Signed Oil on canvas 27 x 61cm; 10½ x 24in £600-800
240. Francois Antoine Leon Fleury (French 1804-1858) Figures near a town on the Rhine Signed indistinctly Oil on canvas 56 x 91cm; 22 x 36in £700-1,000
241. Victor Charles Edouard Adam (French 1868-1938) Steam vessel Rubens leaving Le Havre Signed and dated 1898 Oil on canvas 63 x 93cm; 24¾ x 36½in Provenance: Hampshire Gallery 14/9/90 £300-500
242. English School c.1870 New Grimsby, Tresco, Scilly, from Monument Hill Titled Oil on canvas 46 x 93cm; 18 x 37in £600-800
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243. Chinese School c.1898 The battleship H.M.S. Barfleur on the China station Oil on canvas 44.5 x 59.5cm; 17½ x 23½in Provenance: Christie's 26/5/04, lot 645 £100-150
244. Nam Ting c.1870 A barque under full sail off Hong Kong Oil on linen 46 x 60cm; 18 x 23¼in Provenance: Hampshire Gallery 4/2/03 £400-600
245. J. Lewis (19th Century) The Thames at Richmond Bridge Signed Oil on canvas 40.5 x 61cm; 16 x 24in £400-600
246. J. Lewis (19th Century) Deer in Richmond Park, the Royal Ballet School beyond Signed Oil on canvas, unframed 51 x 76cm; 20 x 30in £300-500
247. J. Lewis (19th Century) Swans on a lily pond Signed Oil on canvas 51 x 76.5cm; 20 x 30in With 2 additional frames (3) £100-150
248. J. Lewis (19th Century) Views of the Thames at Richmond Two, both signed Both oil on canvas 41 x 61cm; 16 x 24in and 25.5 x 38cm; 10 x 15in (2) £100-150
249. J. Lewis (19th Century) Views of the Thames at Richmond Two, one signed Both oil on paper in painted ovals Each 23 x 36cm; 9 x 14in (2) £100-150249
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250. Thomas Jacques Somerscales (1842-1927) A trader off the coast Signed Oil on canvas 33 x 47cm; 13 x 18½in £1,000-1,500
251. David James (1853-1904) Low Tide in a Cornish Bay Signed and dated ‘92, also signed titled and dated verso Oil on canvas 31 x 51cm; 12 x 20in £1,000-1,500
252. Attributed to John Berney Ladbrooke (1803-1879) Figures resting by a track and cottage with cattle by a river Oil on canvas 69 x 84cm; 27 x 33in £1,000-1,500
253. J. Coomans (19th Century) Figures in an extensive landscape Signed, also dated indistinctly Oil on canvas 76 x 127cm; 30 x 50in £1,000-1,500
252 253
251
250
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254. Thomas Worlidge (1700-1766) The legend of St. Catherine Signed Oil on canvas 74 x 53.5cm; 29 x 21in £2,000-3,000
255. A. Mezca* (19/20th Century) Portrait of a lady Signed indistinctly Oil on canvas, in a carved wood frame 42 x 32cm; 16½ x 12½in £600-800
256. Edouard Alexandre Sain (French, 1830-1910) A redhead beauty in profile Oil on canvas 41 x 33cm; 16 x 13in £600-800
257. Continental School 18th Century The serenade Oil on canvas 51 x 64cm; 20 x 25in £700-1,000
258. English School (19th Century) A trumeau mirror with a painted landscape Indistinctly signed with a monogram Oil on canvas 116 x 69cm; 45½ x 27in overall size £400-600
259. Francisco Candela (19th Century) Boats before the Torre del Oro, Seville, Spain Signed Oil on panel, unframed 32 x 18cm; 12½ x 7in £150-250
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257
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254
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260. Albert Dürer Lucas (1828-1918) Still life of orchids on a forest floor Signed and dated 1881 Oil on canvas 61 x 46cm; 24 x 18in £800-1,200
261. Attributed to Albert Dürer Lucas Still life of dahlias and ferns Signed indistinctly Oil on canvas, unframed 51 x 35cm; 20 x 13¾in £200-300
262. Thomas Creswick R.A. (1811-1869) Fishermen by a river Oil on canvas 30.5 x 26cm; 12 x 10in £300-500
263. English School 19th Century Figures by a mill in a wooded river landscape, possibly South Wales Oil on canvas 59 x 47cm; 23¼ x 18½in £200-300
264. R. Percy (19th Century) A cottage in a landscape Signed Oil on canvas 46 x 61cm; 18 x 24in £100-150
265. Sir John Gilbert (1817-1897) finished by Catherine A. Eggar Banks (19th Century) Ploughing in stormy weather Titled and Inscribed on a label verso by Mrs J. Oldham Banks Oil on canvas 77 x 192cm; 30 x 75½in Provenance: Brook Gallery, Wilton, April 2nd 1974 £700-1,000
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266. ‡ Terence Loudon (c.1900-1949) Still life of white summer flowers in a vase Signed Oil on canvas 92 x 71cm; 36 x 28in £700-900
267. ‡ Moricz Góth (Dutch 1873-1944) Still life of summer flowers in a blue vase Signed and dated 1927 Oil on canvas 69 x 53cm; 27 x 21in £300-500
268. ‡ Cathleen S. Mann (1896-1959) A mixed bunch Signed and dated 1947, with a further sketch verso Oil on canvas 76.5 x 64cm; 30 x 25in Provenance: J. Leger & Son, 1948 £400-600
269. ‡ William Arthur Chase (1878-1944) Still life of Nigella and Cow Parsley in a vase Signed Oil on paper 60 x 50cm; 23½ x 19¾in £200-300
270. Marguerite Brun (19/20th Century) Still life of roses in a basket Signed Oil on canvas 54 x 65cm; 21¼ x 25½in £200-300
271. ‡ William Arthur Chase (1878-1944) Still life of roses in a china bowl Signed Oil on canvas 30.5 x 38cm; 12 x 15in £200-300
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272. ‡ Edward Le Bas R.A. (1904-1966) Untitled Oil on canvas laid on board 18 x 25cm; 7 x 10in Provenance: Abbott & Holder Derek Hill Richard Burrows £600-800
273. ‡ Ruskin Spear R.A. (1911-1990) Life Class, c.1948 Oil on board 26 x 35cm; 10¼ x 13¾in Exhibited: New Grafton Gallery, 26/1/78 £800-1,200
274. Dutch School 20th Century Children playing in the sea Signed with a monogram SB Oil on canvas 41 x 61cm; 16 x 24in £150-250
275. ‡ Barrington Bramley (b.1950) The Hireling Shepherd After William Holman Hunt Signed Oil on canvas 110 x 77cm; 43¼ x 30¼in £1,000-1,500
276. Oliver Clare (1953-1927) Primroses and plums on a mossy bank A pair, both oil on canvas Both signed Each 18 x 25.5cm; 7 x 10in (2) £800-1,200
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277. ‡ Frank O. Salisbury (1874-1962) Portrait of Sylvia, daughter of the artist, 1929 Signed Oil on canvas 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Exhibited: Royal Society of Portrait Painters £3,000-5,000
278. ‡ Frank O. Salisbury (1874-1962) The mother’s kiss Signed Oil on canvas, in a carved wood frame 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Exhibited: Coronation Exhibition, 1911, No. 879 Sitters are the artist’s wife and daughter Monica £2,000-3,000
279. ‡ Frank O. Salisbury (1874-1962) The morning Signed Oil on canvas, in a carved wood frame 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Sitters are the artist’s wife and twin daughters, Sylvia and Monica £2,000-3,000
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280. ‡ Frank O. Salisbury (1874-1962) Loch Quoich Signed, titled and dated 1950? Oil on canvas 57 x 70cm; 22½ x 27½in Provenance: By direct descent from the artist £500-800
281. ‡ Frank O. Salisbury (1874-1962) Glen Strathfarrar, Scotland Signed Oil on board 39 x 51cm; 15¼ x 20in Provenance: The Auction Centre, Leyburn, 24 November 1995 £600-800
282. ‡ Frank O. Salisbury (1874-1962) Design for stained glass windows Signed Oil on board, unframed 50.5 x 38cm; 20 x 15in Provenance: By direct descent from the artist £150-250
283. Catherine R. Walton (act.1898-1935) A Church doorway; An orchard with blossoms A pair, both signed Both oil on board Each 21.5 x 13cm; 8½ x 5in (2) £100-200
284. Catherine R. Walton (act.1898-1935) The old banners of the Knights of Bath, Henry VII Chapel, Westminster Abbey Signed Oil on canvas 61 x 40.5cm; 24 x 16in £100-200
285. ‡ Bernard Ninnes (1899-1971) Moorish gateway, Mallorca Signed Oil on board 40.5 x 33cm; 16 x 13in £100-150
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286. H. E. Locke (19/20th Century) The western shore Southampton Signed, also signed, titled and dated 1890 verso Oil on canvas 23 x 30.5cm; 9 x 12in £100-150
287. British School early 20th Century Indian scene Oil on canvas 36 x 51cm; 14 x 20in £300-500
288. Continental School 20th Century Alpine lakeland view Signed indistinctly T. V******* Oil on canvas 30.5 x 40.5cm; 12 x 16in £100-150
289. Dutch School 19th Century Fishing boats on an estuary Oil on canvas 39 x 61.5cm; 15¼ x 24in £300-400
290. ‡ Charles Lynch (20th Century) Poole Harbour from Shell Bay Signed Oil on canvas board 24.5 x 35cm; 9¾ x 13¾in £100-150
291. ‡ Vera Waddington (1886-1954) Ponte Vecchio, Florence Oil on board 27 x 35cm; 10½ x 13¾in Provenance: The Goupil Gallery £80-120
292. ‡ Clifford Frith (b.1924) The Fair, Harpenden Signed and dated 46 Oil on canvas laid on panel 25 x 40.5cm; 10 x 16in £100-150
293. Follower of Charles Cooper Henderson A stage coach passing Stonehenge Signed indistinctly Oil on canvas 34 x 72cm; 13½ x 28¼in £300-500
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294. ‡ T. Sitch (20th Century) Coastal view of a village with a church Signed Oil on board 27 x 36cm; 10½ x 14in £80-120
295. ‡ Thomas Binney Gibbs (1870-1947) Cattle in a summer landscape Oil on board 30.5 x 40cm; 12 x 16in £200-300
296. Continental School 20th Century View to the mountains Signed indistinctly Oil on canvas 38 x 61cm; 15 x 24in £150-250
297. ‡ Sidney Page (20th Century) French coastal scene Signed Oil on canvas 25.5 x 36cm; 10 x 14in £80-120
298. ‡ Allan Gwynne-Jones (1892-1982) Farmland with moors beyond Signed with initials and dated 1921 Oil on board 25.5 x 36cm; 10 x 14in £400-600
299. ‡ John Ambrose (1931-2010) Westminster Bridge, London Signed OIl on board 30 x 40cm; 12 x 16in £200-300
300. ‡ William Ongley Miller (1883-?) A summer landscape Signed and dated 1949, also inscribed on a label verso Oil on canvas board 57 x 74cm; 22½ x 29in £100-150
301. ‡ E. Gentry (20th Century) Barges Signed, also signed and titled verso Oil on board 44.5 x 58.5cm; 17½ x 23in £120-180301300
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302. ‡ Ludlow (20th Century) Arranging flowers Signed, dated 1956 and inscribed To Joyce Oil on canvas laid on panel 38 x 50 cm; 15 x 19.75in £150-250
303. Robert Fowler (1853-1926) View of Conwy Estuary Signed Oil on canvas 41 x 56cm; 16 x 22in £300-500
304. Frederick Golden Short (1863-1936) Winter tree study Signed Oil on board 16 x 21.5cm; 6¼ x 8½in £150-250
305. English School (20th Century) Coastal scene with boats in harbour Signed with initials A.L. Oil on board 30.5 x 40.5cm; 12 x 16in £150-250
306. Elizabeth Lucy Gabell Smith (1861-1934) Aldbourne Mill Oil on canvas 51 x 61cm; 20 x 24in Exhibited: Royal Academy, 1930 £300-500
307. ‡ Sir Ambrose Elton (1859-1951) Bradford on Avon, a view looking north-west from the top window of the artist’s home, White Hill House Oil on board, unframed 30.5 x 40.5cm; 12 x 16in £100-150
308. ‡ ** Pratella (20th Century) Sunny garden terrace in spring Signed, also signed and dated 1946 on stretcher Oil on canvas 40.5 x 51cm; 16 x 20in £150-250
309. ‡ John Murray-Thomson R.S.A. (1885-1974) Sheep on a hillside in Provence Signed Oil on canvas 46 x 61cm; 18 x 24in £300-500
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310. Arthur Radclyffe Dugmore (American 1870-1955) Mountain landscapes Two, framed as a pair, signed and dated 54 Both oil on canvas board Each 23 x 34cm; 9 x 13¼in With two landscape paintings and a yacht on a calm sea by the same hand (5) £250-350
311. Arthur Radclyffe Dugmore (American 1870-1955) A Kerry Cove (Kenmare Estuary); Kenmare Estuary, County Kerry Two, one signed and dated 54 and also titled on a label verso Both oil on canvas board 23.5 x 33.5cm; 9¼ x 13¼in and similar (2) £250-350
312. Arthur Radclyffe Dugmore (American 1870-1955) A lakeland landscape with snow-capped mountains beyond Signed and dated 52 Oil on canvas, unframed 50.5 x 61cm; 20 x 24in With a further signed oil on board of the Valley of Mount Adoro, Corsica, by the same hand (2) £150-250
313. Arthur Radclyffe Dugmore (American 1870-1955) Spring on the Avon Signed, also signed and titled on a label verso Oil on canvas 30.5 x 46cm; 12 x 18in £150-250
314. Manner of Frank Henry Mason Airship tethered to a warship Inscribed June 7 1921, Machan, Jan to June 1918 verso Oil on board 35 x 25cm; 13¾ x 9¾in £100-200
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315. ‡ Ronald Ossory Dunlop (1894-1973) The Haystack Oil on board 19.5 x 25cm; 7¾ x 9¾in £400-600
316. Barbizon School 19th Century Gleaners in the fields Oil on canvas 36 x 56cm; 14 x 22in £500-700
317. Ivan Skorroff (Russian 19/20th Century) Winter landscape Signed Oil on canvas 51 x 76cm; 20 x 30in £500-700
318. ‡ Leslie Kent (1890-1980) The river at Looe Signed Oil on canvas 51 x 61cm; 20 x 24in £600-800
319. James Paterson (Scottish, 1854-1932) Still life of books, armour, a bust and vase Signed, also signed and inscribed still life verso Oil on canvas 51 x 61cm; 20 x 24in £1,500-2,000
320. ‡ Gladys Maccabe (Irish b.1918) Garden fête Signed, also titled verso Oil on board, unframed 51 x 64.5cm; 20 x 24in £700-1,000
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321. ‡ Beryl Tilley (20th Century) Blue Shadows, Durdle Door Signed and dated 94 Oil on paper 76 x 56cm; 30 x 22in £100-150
322. ‡ Lucien Henri Grandgérard (French, 1880-1970) Le Lever Signed and dated 57 Oil on canvas laid on board 61 x 50cm; 24 x 19¾in Provenance: Frost & Reed 04/05/89, G568 E. Stacy Marks £600-800
323. ‡ Jennifer Maskell-Packer (b.1944) The Bee Man’s youngest daughter Signed with initials and dated 91, also signed, titled and dated verso Oil on canvas 91 x 76cm; 36 x 30in Provenance: Sally Hunter Fine Art, May 1992, No. 5 £300-500
324. After Tom Chadwick Wayside laundry Inscribed on stretcher verso Pinxit Douglas Martin Oil on linen 61 x 51cm; 24 x 20in £100-200
325. ‡ Alfred John Billinghurst (1880-1963) View over Windsor Castle and Richmond; Winter river landscape Two, the second signed Both oil on canvas board 30.5 x 38cm; 12 x 15in and 33 x 43cm; 13 x 17in (2) £200-300
326. ‡ Bernard Finegan Gribble (1873-1962) Poole Quay; The Skylark boatyard, Poole A pair, both signed Both oil on panel 29 x 39.5cm; 11½ x 15½in (2) £500-700
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327. Australian School 20th Century Views of Darwin, Northern Territory, Australia Two, both titled and dated 1946, 1948 verso One oil on board, one on canvas board Each 29 x 39cm; 11½ x 15¼in (2) £150-250
328. Albert J. Hanson (Australian 1866-1914) New South Wales Coast, Australia Signed, also titled verso Oil on panel 20 x 29.5cm; 8 x 11½in With a watercolour of goats under trees signed indistinctly and dated 1910 under mount, probably by the same hand (2) £200-300
329. ‡ A. C. Dalzell (20th Century) Wooded mountain view Signed Oil on canvas 61 x 51cm; 24 x 20in £120-180
330. William Dunn Knox (Australian 1880-1945) On the old diggings Signed Oil on board 24.5 x 33cm; 9½ x 13in £100-150
331. ‡ Ian Strang (1886-1952) London from Hampstead Heath, 1921 Signed, titled and inscribed study for larger oil painting on a label verso Oil on panel 33 x 40cm; 13 x 15½in £300-500
332. ‡ K. M. Lloyd (20th Century) Punting on the river, possibly Cambridge Signed indistinctly Oil on canvas 35.5 x 46cm; 14 x 18in £100-200
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333. ‡ Peter Cosslett (b.1971) Waves on the shore by moonlight Signed Oil on board 41 x 51cm; 16 x 20in Provenance: Triton Gallery £100-200
334. ‡ Rosemary Sarah Welch (b.1946) Shoeing the grey Signed Oil on canvas 46 x 61cm; 18 x 24in £200-300
335. T. Buttler (19th Century) Fishing boats moored off the coast Signed Oil on canvas 38 x 58cm; 15 x 22¾in £200-300
336. ‡ Guy Allan (20th Century) Landscape in Provence Signed and dated 1948 Oil on board 40 x 56cm; 16 x 22in £100-150
337. ‡ John Joseph Bellman (b.1949) Fishing boats in a port Signed Oil on board 42 x 56cm; 16½ x 22in £200-300
338. Waterman (20th Century) Ships in harbour Signed Oil on canvas 30 x 40.5cm; 12 x 16in £100-150
339. ‡ Jacques Kupfermann (1926-1987) Winter landscape Signed and dated 79 Oil on canvas 66 x 76cm; 26 x 30in £100-150
340. ‡ Henry Ruegger (Swiss early 20th Century) View of Geneva Signed Oil on canvas 33 x 46cm; 13 x 18in £100-150340339
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341. French School (20th Century) Reclining nude with a bowl of fruit Oil on canvas 46 x 61cm; 18 x 24in £500-700
342. ‡ John Maclauchlan Milne R.S.A. (1885-1957) Looking towards Ben More Oil on board 27 x 38cm; 10½ x 15in Provenance: Private collection, Edinburgh £600-800
343. ‡ Paul Kerouédan (French 20th Century) Reflets dans le port Signed, also titled verso Oil on board 46 x 54cm; 18 x 21¼in £400-600
344. ‡ Louis Labro-Font (French 1881-1952) Marseille - Bassin de Carénage Signed, also signed, titled and dated 1 Fev. 1928 verso Oil on panel 50 x 65cm; 19¾ x 26in £400-600
345. ‡ Sue Ryder (b.1944) Early evening, Peyton Hall Signed Oil on canvas 96.5 x 71cm; 38 x 28in Exhibited: David Messum, British Figurative Painting Winter 1996, No. 36 £700-1,000
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346. ‡ Jonathan Truss (b.1960) Head of a lion Oil on canvas 45.5 x 35.5cm; 18 x 14in £700-1,000
347. ‡ Jonathan Truss (b.1960) Three giraffes Signed and dated 99 Oil on canvas 40.5 x 76cm; 16 x 30in £700-1,000
348. ‡ Stephen J. Renard (b.1947) Velsheda & Endeavour off Norris Castle, Solent; Velsheda & Endeavour off the Royal Yacht Squadron, Solent A pair, both signed Both oil on panel Each 23 x 32cm; 9 x 13in (2) £2,800-3,200
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349. ‡ Marcel Dyf (French 1899-1985) Pecheurs de grande marée, Bretagne Signed Oil on canvas 47 x 56cm; 18½ x 22in Provenance: Frost & Reed, No. 47204 E. Stacy Marks, 3/8/72, No. 1575 £6,000-8,000
350. ‡ Pierre de Clausade (French 1910-1976) L’eclaircie, Loire Signed Oil on canvas 46 x 55cm; 18 x 21½in Provenance: Frost & Reed, No. 15362 E. Stacy Marks, 4/6/53 No. 15362/D245 £1,000-1,500
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351. Joseph Heiss-Dionysen (Austrian 1894-?) Alpine lakeside town Signed Oil on panel 34 x 33cm; 13¼ x 13in £100-150
352. ‡ Edward Wesson R.I., R.B.A. (1910-1983) Barges at rest Signed Oil on board 25.5 x 26.5cm; 10 x 10½in £350-450
353. ‡ Marie-Ange Gerodez (French 20/21st Century) Provence Signed Oil on canvas 61 x 81cm; 24 x 32in £100-200
354. ‡ English School (20th Century) View over Bingley Oil on canvas laid on board 46 x 71cm; 18 x 28in £200-300
355. ‡ Roy Petley (b.1950) Figures in a poppy field Signed Oil on board 39 x 60cm; 15¼ x 23½in £300-500
356. ‡ Roy Petley (b.1950) Walking home from the beach Signed Oil on board 39 x 59cm; 15¼ x 23¼in £300-500
357. ‡ Roy Petley (b.1950) A picnic by the river Signed Oil on board 54 x 74cm; 21¼ x 29in £400-600
358. ‡ Roy Petley (b.1950) Figures in a park Signed Oil on board 17.5 x 29cm; 7 x 11½in £150-250
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359. ‡ Deborah Jones (b.1921) Shop fronts and interiors Four, all signed, all titled verso All oil on board 30 x 38cm; 12 x 15in and smaller (4) £400-600
360. English School c.1960s Figures in a sunlit garden Oil on canvas board 62 x 75cm; 24½ x 29½in £100-150
361. ‡ Peter van Gould (20th Century) Boats on the shore Signed with a monogram Oil on canvas, unframed 48 x 61cm; 19 x 24in £80-120
362. ‡ Rosita Marlborough, Duchess of Marlborough (b.1943) Arabella Signed with initials and dated 93 Oil on board 33.5 x 44cm; 13¼ x 17¼in Provenance: Hahn Fine Art dealers, No. 2 1995 £200-300
363. ‡ Walter John Beauvais (1942-1998) The toy boat Signed Oil on board 34 x 24cm; 13½ x 9½in £300-400
364. Continental School (20th Century) Boats in a harbour Oil on canvas 46 x 56cm; 18 x 22in £200-300
365. ‡ Mark Adlington (b.1965) Nude seated Signed with initials and dated 93 Oil on canvas 61 x 51cm; 24 x 20in Provenance: New Grafton Gallery, Barnes, 4/09/97 With an unframed watercolour titled Seduction by Asa G. Schweder (2) £100-150
366. Continental School 20th Century Spanish lady with an urn Signed with initials, bears label verso Oil on canvas 70 x 50cm; 27½ x 19¾in Previously attributed to Van Meegeren £100-150 366365
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367. Chinese School (20th Century) A young girl in a winter landscape Oil on canvas 74 x 76cm; 29 x 30in £300-500
368. ‡ Ernest Pascoe (1922-1996) Waterfront Signed Oil on board 40 x 56cm; 16 x 22in £200-300
369. ‡ Bernard Venables (1907-2001) On the farm Signed Oil on canvas 40.5 x 61cm; 16 x 24in Provenance: Lacewing fine art gallery, Marlborough, 23/7/94 £100-150
370. ‡ Glyn Morgan (Welsh, b.1926) Boats at Walberswick Signed and dated 98 Oil on canvas 61 x 76cm; 24 x 30in £100-150
371. ‡ Glyn Morgan (Welsh, b.1926) View over a hill town Signed verso Oil on canvas 71 x 92cm; 28 x 36in £150-250
372. ‡ Glyn Morgan (Welsh, b.1926) Cottage by a poppy field Signed and dated 02 Oil on canvas 51 x 76.5cm; 20 x 30in £100-150
373. ‡ Albert Barlow (b.1944) Long walk home Signed Acrylic on board 15 x 20cm; 6 x 8in £250-350
374. ‡ S. Mynors (20th Century) A polo player and mount Signed Acrylic on board 54 x 71cm; 21¼ x 28in £200-300
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375. ‡ Baron (20/21st Century) Geese over the reeds Signed Oil on canvas 25.5 x 20cm; 10 x 8in £50-80
376. ‡ Tom Quinn (b.1918) The Architects wife - Gina Signed, also titled verso Oil on board 33 x 16cm; 13 x 10¼in £100-150
377. ‡ C. Herd (20th Century) A nude holding flowers Signed Oil on board 73 x 46cm; 28¾ x 18in £100-200
378. ‡ Binny Mathews (b.1960) Untitled, 1977 Signed verso, also signed on a certificate Oil on canvas 89 x 69cm; 35 x 27in £300-500
379. ‡ Ken Moroney (b.1949) Artists en plein air Signed Oil on board 25.5 x 28cm; 14 x 11in Provenance: Hollywood Road Gallery, Chelsea, 4665 £400-600
380. ‡ Roger Bliss (20th Century) Portraits, landscapes and still lifes Seven, two signed and titled verso All oil on board, unframed 51 x 61cm; 20 x 24in and smaller (7) £100-150
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381. ‡ H. Ellis (20th Century) Setting sail Signed Oil on board 45 x 61cm; 16 x 24in £300-500
382. ‡ Hans Smatlak Barma (1903-1978) Sunset on the peaks Signed Oil on canvas 51 x 65cm; 20 x 25½in £100-150
383. ‡ Carolyn Sergeant (b.1947) ...the leaf, the bud, the flower... Signed with initials and dated 97 Oil on board 24.5 x 33cm; 9½ x 13in Exhibited: Hazlitt, Gooden & Fox, 6-28 May 1999, No. 29 £300-500
384. ‡ Janet Ledger (b.1931) Thames Reach Signed Oil on board 15 x 22.5cm; 6 x 9in £200-300
385. Continental School 20th Century Still life of flowers, fruits and pots Signed and titled indistinctly verso Oil on board 61 x 50cm; 24 x 19¾in £200-300
386. English School 20th Century Fishing hut, Brittany Signed indistinctly verso Oil on board 24 x 19cm; 9½ x 7½in £100-200
387. ‡ Gaynor Elizabeth Bury (1889-1975) Continental garden views Two, both signed and dated 1934 and 1962 Oil on panel and oil on canvas board, in matching frames 26.5 x 35.5cm; 10½ x 14in and similar (2) £100-200
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388. ‡ Gaynor Elizabeth Bury (1889-1975) View of Sark coastline; Coastal views Five, 4 signed and dated 1950s Four watercolour with gouache on board, one oil on board, all unframed 33 x 24cm; 13 x 9½in and similar (5) £80-120
389. ‡ Gaynor Elizabeth Bury (1889-1975) The old Toulon Road, Hyeres; Continental landscapes Seven, most signed and dated 1927/8 and 1949 All gouache or watercolour with gouache on board, unframed All approx. 33 x 24cm; 13 x 9½in (7) £100-200
390. ‡ Gaynor Elizabeth Bury (1889-1975) Continental town views Five, 3 signed and dated 1926, 1927 and 1935 All gouache or gouache and watercolour on board, unframed All approx. 33 x 21.5cm; 13 x 8½in With 4 further landscapes by the same hand (9) £100-200
391. ‡ Gaynor Elizabeth Bury (1889-1975) Garden views Five, one signed and dated 1963 All oil on canvas board, 3 unframed Each 35.5 x 25.5cm; 14 x 10in and similar (5) £100-200
392. ‡ Gaynor Elizabeth Bury (1889-1975) Continental river views; Medieval glass; A lady playing music in an interior Four, one signed and dated 1938 All oil on panel, unframed 35.5 x 27cm; 14 x 10½in and smaller With 5 further sketches by the same hand including 2 portraits (9) £200-300
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393. English School 17/18th Century Portrait of a lady and a gentleman, thought to be the Hope family A pair, both pastel in carved wood frames with crown surmounts Each 55 x 45cm; 21½ x 17¼in (2) Provenance: Hope family, East Anglia £600-800
394. William Osborne Hamilton R.A. (1751-1801) Achilles departing for Troy Watercolour over pencil 19 x 14cm; 7½ x 5½in £300-500
395. John Downman A.R.A. (1750-1824) Portrait of a lady Signed and dated indistinctly Pencil, chalk and watercolour, oval 16.5 x 12cm; 6½ x 4¾in Provenance: Abbott & Holder £400-600
396. Stephen Catterson Smith Sr. (1806-1872) Nude studies Two, both pencil and red chalk 41 x 33cm; 16 x 13in and similar (2) £300-500
WATERCOLOURS
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397. Isaac Cruikshank (Scottish 1756-1811) Breaking the silence; Call again tomorrow A pair, both pen, ink and watercolour 16 x 23cm; 6¼ x 9in and similar (2) £800-1,200
398. George Morosini (Italian/Irish d.1882) Major John Doran of Ely House, Co. Wexford (1782-1866); Robert Doran son of John Doran A pair, both signed Both coloured chalks on buff paper Each 29 x 24cm; 11½ x 9½in (2) £150-250
399. Italian School c.1700 Death of Joseph Red chalk and wash 32 x 29cm; 12½ x 11½in £1,000-1,500
400. J. B. Güct (18th Century) Study of piglets Signed and dated 1786 Pencil and watercolour 24 x 37cm; 9½ x 14½in Provenance: Frost & Reed, 26.6.52, No. *9720 Siegfried Sassoon, given by his son to the current owner £100-150
401. After Guido Reni A 19th Century drawing of Apollo on the Sun Chariot preceded by Dawn Pencil 19 x 45cm; 7½ x 17½in £200-300
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404. Manner of David Cox Harvest scene Bears signature Watercolour 11 x 16.25cm; 4½ x 6½in £100-150
405. William Samuel Howitt (c.1765-1822) Cattle grazing at Easby Abbey, Yorkshire Signed Pen, ink and watercolour 14 x 20.5cm; 5½ x 8in Provenance: Michael Bryan, London £200-300
406. English School early 19th Century Road from Llangolen to Corwen; Tintern Abbey, Monmouthshire A pair, both watercolour Each 40 x 56cm; 16 x 22in (2) £250-350
407. John Varley (1778-1842) A village scene with gateway and church Signed verso Watercolour 22 x 33cm; 8¾ x 13in £200-300
408. Neapolitan School 19/20th Century A paddle steamer Gouache 49 x 79cm; 19¼ x 31in £100-150
409. William Turnbull (Scottish, act.1790-1827) Traveller in a landscape Signed, inscribed Edinr and dated 1794 Watercolour 38 x 56cm; 15 x 22in £150-250
402. Edward Hastings (1781-1861) Salisbury Cathedral in a landscape Signed and dated 1815 verso Watercolour, heightened with white and gum arabic 23 x 35cm; 9 x 13¾in Provenance: Woolley & Wallis 2004 £100-150
403. J. H. Glover (19th Century) Travellers in a Continental mountain river landscape Signed with initials and inscribed, also signed and inscribed on backing board verso Watercolour 38 x 58cm; 15 x 23in £100-150
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410. Samuel Owen (1768/69-1857) Bustling river traffic on a Dutch estuary Watercolour 10 x 15cm; 4 x 5¾in £120-180
411. Attributed to John Middleton Leigh Downs, July 185* Inscribed later, possibly by the artist’s mother Watercolour, in an arched mount 29 x 46cm; 11½ x 18in £200-300
412. Edward Arden/Tucker (c.1847-1910) Alnwick Castle; Warkworth Castle Two, both signed Both watercolour Each 29 x 44.5cm; 11½ x 17½in (2) £150-250
413. Sir Herbert Hughes-Stanton (1870-1937) Hill head from the Solent Signed and dated 1922 Watercolour 26 x 50cm; 10¼ x 19¾in Provenance: The Fine Art Society, March 1962 £200-300
414. George Sidney Shepherd (1784-1862) A country house Signed and dated 1813 Watercolour 40 x 72cm; 16 x 28¼in £150-250
415. François Louis T. Francia (French 1772-1839) Cave at Freshwater, Isle of Wight, c.1806 Signed Watercolour 8 x 16.5cm; 3 x 6½in Provenance: Spink & Son K3/2343 Anthony Reed 1985 £200-300
416. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape nocturne No. 7 Inscribed with device lower right Pastel heightened with white 10 x 13.5cm; 4 x 5¼in Provenance: Nordness Madison, New York £200-300
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417. J. Hardy (19/20th Century) Middle eastern scenes with figures beneath arches A pair, both signed Both gouache over watercolour 75 x 52cm; 29½ x 20½in and smaller (2) £500-800
418. Antonio Maria Fabes y Costa (Spanish 1854-1936) A town from beyond the walls Signed Watercolour 34 x 19cm; 13½ x 7½in £500-700
419. Angelos Giallina (Greek 1857-1939) Greek temples and views Three, one signed All watercolour 23.5 x 35cm; 9¼ x 13¾in and smaller (3) £200-300
420. A. Bransom*** (19/20th Century) Arabs seated in a woodland clearing Signed indistinctly Watercolour with pastel 30 x 44cm; 11¾ x 17¼in £100-150
421. Tony Binder (1868-1944) View of Luxor, Egypt Signed, titled and dated 1924 Watercolour and bodycolour 36 x 54cm; 14 x 21in £150-250
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422. A. Z. (c.1918) Study of a sculpture of a buddha Signed with initials and dated 1918 Watercolour, unframed 24 x 12cm; 9½ x 12¼in £80-120
423. ‡ Frank O. Salisbury (1874-1962) Portrait of His Highness the Maharaja of Patalia [in uniform] Signed and titled Coloured chalks on grey paper 49.5 x 37cm; 19½ x 14½in Provenance: By direct descent from the artist £400-600
424. Indian School 19th and 20th Century Illustrations and genre scenes with calligraphy 10, most pen, ink and gouache, in matching decorative frames 28 x 17.5cm; 11 x 7in and smaller With 4 further illustrations and 2 prints (16) £150-250
425. Chinese School 19th Century Pith paintings of costumes, boats and workers A group of 13, all watercolour 9 x 19cm; 3½ x 7½in and smaller (13) £200-300
426. John Brownrigg Bellasis (1806-1890) Lake on the summit of Mt Abu, Gujarat Pen ink and watercolour 11 x 19cm; 4¼ x 7½in £100-150
427. Indian School 19th Century Ladies in the forest; The loving couple Three, all pen, ink, watercolour and wash over pencil, heightened with gold paint, framed as a set 19 x 14cm; 7½ x 5½in and smaller With 3 further similar scenes by a different hand (6) £200-400
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428. Francis Philip Barraud (1824-1901) Entrance to a quadrangle, possibly Oxford Signed Watercolour 37 x 26cm; 14½ x 10in £100-200
429. Clara Montalba (1842-1939) A sailing ship with the mast down in a busy harbour Signed and dated 79 Watercolour 36 x 25cm; 14 x 10in £250-350
434. English School 19th Century Piccolo Teatro a Pompei; Tempio della Fortuna; Temple in Pompeii Three, the first 2 titled verso All watercolour over an etched line, unframed Each 14 x 20cm; 5½ x 8in (3) £100-150
430. Carl Friedrich Heinrich Werner (German 1808-1894) Corte Vecchia Watercolour 57 x 41.5cm; 21½ x 16¼in £500-700
431. John Cart Burgess (1798-1863) The Abbey gatehouse Bristol Signed and dated 1836 Watercolour with gum arabic 38 x 28cm; 15 x 11in £100-150
432. Patrick Gibson (1782-1829) A loading tower by a lake Watercolour 16 x 11cm; 6¼ x 4¼in Provenance: Sotheby’s, Cornish Torbock sale £150-250
433. Frederick Hawkins Piercy (1830-1891) Stonehenge Signed Watercolour heightened with white 21.5 x 17cm; 8½ x 6¾in Piercy illustrated Route from Liverpool to the Great Salt Lake Valley, 1855 £80-120
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435. Attributed to Myles Birket Foster (1825-1899) Lyme Regis, Dorset; The way to the Beach, Charmouth, Dorset A pair, both signed with a monogram Both watercolour Each 9 x 14cm; 3½ x 5½in £1,000-1,500
436. Gustave Doré (French 1832-1883) Sunset on a mountain fort with sheep and shepherd in the foreground Signed and stamped Watercolour 32 x 51cm; 12½ x 20in £2,000-3,000
437. Wiliam Lionel Wyllie R.A. (1851-1931) Figures on the beach, Normandy Signed Watercolour 14.5 x 44cm; 5¾ x 17¼in £2,000-3,000
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438. Paul Marny (1829-1914) Boats in a Continental town Signed Pen, sepia ink and watercolour 44.5 x 30.5cm; 17½ x 12in £100-200
439. L. Kingsley Kefford (c.1909) Illustrations of Exotic Species of birds from South America and the Caribbean All signed and titled, some dated 1909 All watercolours, mounted, unframed Each approx. 20 x 16cm; 8 x 7in (17) £300-400
440. Frederick James Aldridge (1850-1933) Sailboats on a Venetian lagoon Signed Watercolour 35.5 x 25.5cm; 14 x 10in £150-250
441. Albert Dürer Lucas (1828-1918) Eyemouth, N.B.; Beneventum in Samnium; Black Forest; Untitled Four, all signed, and dated 1903 and 1904, three titled All watercolour with gouache 14 x 20cm; 5½ x 8in and similar (4) £600-1,000
442. William Samuel Howitt (c.1765-1822) Bos Taurus; Bos Zebu from Life in Exeter Change Two, both signed and titled Both watercolour over pencil Each 18.5 x 12.5cm; 7¼ x 5in With 2 further pencil sketches, attributed to Howitt of a tiger and a crocodile (4) £600-800
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443. Ebenezer Wake Cook (1843-1926) Florence from near Fiesole Signed Watercolour 16.5 x 24cm; 6½ x 9½in £400-600
444. ‡ Henry John Sylvester Stannard (1870-1951) Surprise view near Sheffield Signed Watercolour 51 x 71cm; 20 x 28in £600-800
445. Follower of William Callow R.W.S. Busy market in Paris Watercolour 58 x 84cm; 22¾ x 33in £400-600
446. Herbert John Finn (1860-1942) The lower reaches of the Thames Signed and dated 1912 Watercolour 53.5 x 75cm; 21 x 29½in £80-120
447. John Varley (1778-1842) A river crossing Signed and dated 1830 also signed on a label verso Watercolour 8 x 13.5cm; 3¼ x 5¼in £200-300
448. Charles Topham Davidson (1848-1902) North Cornwall Signed Watercolour 30.5 x 47cm; 12 x 18½in £400-600
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449. William Minshall Birchall (1884-1941) Leaving port; A ship of yesterday A pair, both signed and titled, one dated 1929 Both watercolour Each 21.5 x 29cm; 8½ x 11½in (2) £300-500
450. Frank Henry Mason (1876-1965) A busy harbour Signed, also titled indistinctly Watercolour with bodycolour and gum arabic 16.5 x 43cm; 6½ x 17in £200-300
451. ‡ Henry E. Tozer (1864-c.1938) A Thames barge race Signed Watercolour 38 x 68cm; 15 x 26¾in £150-250
452. ‡ John Foster (20th Century) Towards Salute; Dogana, Grand Canal, Venice A pair, both signed Both watercolour over pencil Each 25.5 x 35cm; 10 x 13¾in With a further watercolour of 2 views of Venice by a different hand (3) £120-180
453. William Edward Atkins (1842-1910) H.M.S. Victory and other ships, Portsmouth Signed and dated 1865 Watercolour 26.5 x 45cm; 10½ x 17¾in £200-300
454. English School 19/20th Century On Loch Katrine N.D. Signed indistinctly and titled Watercolour 43 x 73cm; 17 x 28¾in £100-200
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455. William Harris Weatherhead (1843-1903) The Dairy Maid Signed Watercolour 58.5 x 36.5cm; 23 x 14½in £1,000-1,500
456. Edward Killingworth Johnson (1825-1896) A slight shower Signed and dated below mount Watercolour with bodycolour 27 x 20cm; 10½ x 7¾in £300-400
457. Thomas Frederick Mason Sheard (1866-1921) A boy with a catapult on a summer day Signed Watercolour with scratching out 55 x 39cm; 21½ x 15¼in £500-700
458. Charles McArthur (fl.1860-1914) St. Mark’s Square, Venice Signed and dated 1881 Watercolour 64 x 51cm; 25 x 20in £400-600
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459. Henry E. Tozer (1864-c.1938) Making sail Watercolour 30.5 x 48cm; 12 x 19in £250-350
460. Edwin Charles Pascoe-Holman (19/20th Century) Ogwen Falls, N. Wales Signed and titled Watercolour 27 x 38cm; 10½ x 15in £100-200
461. ‡ W. H. Jones (early 20th Century) An elegant lady seated in an interior Signed and dated 29.10.05 Watercolour 18 x 25.5cm; 7 x 10in £100-150
462. Frank Richards (1863-1935) Brownsea Castle, Poole Said to be signed and titled verso Watercolour 44.5 x 68cm; 17½ x 26¾in £200-300
463. Thomas Nicholson Tyndale (1860-1930) Cottages at Woolensbrook, Hertfordshire Signed Watercolour 16 x 22.5cm; 6¼ x 9in £100-150
464. Ferdinand E. Gröne (c.1850-1920) Auckworthy Said to be signed and titled verso Watercolour with bodycolour 24 x 38cm; 9½ x 15in £150-250
465. Charles Wilkinson (fl.1881-1892) An evening street scene, a spire beyond Signed Watercolour 24 x 33cm; 9½ x 13in £100-150
466. ‡ Richard Jack R.A. (1866-1952) Summer in Hyde Park Signed and dated 1913 Watercolour 24 x 33cm; 9½ x 13in £250-350
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467. Walter Follen Bishop (1856-1936) The Ambush Signed and dated 1892 Watercolour 59 x 99.5cm; 23 x 39in £2,000-3,000
468. Robert Thorne Waite (1842-1935) Cornfield near Lewes, Sussex Signed and dated 1906 Watercolour 34 x 42cm; 13¼ x 20½in £300-500
469. ‡ Frank J. Egginton (Irish, 1908-1990) Derryreel, Co. Donegal Signed and dated 74 Watercolour 37 x 53cm; 14½ x 21in £300-500
470. P. Gerard (19th Century) Amphitheatre, Taormina, Sicily Watercolour 40 x 58cm; 15¾ x 22¾in Provenance: Southerans, 1/1/59 £300-500
471. John Fulleylove (1845-1908) The Medici Gardens, Rome Signed, dated 1881 and inscribed Roma Watercolour 18 x 33cm; 7 x 13in £150-250
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470 471
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473. W. J. Ophelia Billinge (early 20th Century) Rustic Signed and dated 1914 Watercolour over pencil on buff paper, circular 28.5cm; 11in diameter £150-250
474. William Henry Hunt (1790-1864) Studying hard Watercolour 33 x 22cm; 13 x 8¾in £200-300
475. ‡ Arthur Wardle (1864-1949) Musquach; Squirrels; Pine Martin Three, one coloured chalks, two pencil, all mounted, unframed 21 x 28cm; 8¼ x 11in and similar (3) £100-150
476. Henry H. Parker (1858-1930) Cattle watering; A girl crossing a bridge A pair, both signed Both watercolour Each 51.5 x 33cm; 20¼ x 13in (2) £100-200
477. ‡ Hirst Walker (1868-1957) A river at dusk Signed Watercolour with bodycolour 43 x 29cm; 17 x 11½in £100-150
478. Thomas Mortimer (19/20th Century) Path through the woods; Trees by the river A pair, one signed Both watercolour with gum arabic and heightened with white 52.5 x 30cm; 20½ x 11¾in (2) £100-200
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476 477
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472. Frederick John Skill (1824-1881) A young girl with a work horse Signed and dated 1874 Watercolour 22 x 15cm; 8½ x 6in £150-200
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479. Robert Anning Bell (1863-1933) And whilst I sing Euphelia’s praise ... from Palgrave’s Golden Treasury Signed Watercolour over crayon 34 x 26.5cm; 13¾ x 10½in £500-700
480. Josph Bouvier (19/20th Century) Sophie Signed and titled Watercolour, in a William Kent style frame 37 x 25.5cm; 14½ x 10in £400-600
481. ‡ John McKirdy Duncan (1866-1945) Head study of a young lady Signed with initials Crayon with chalk 26 x 20cm; 10¼ x 8in £400-600
482. ‡ Jean Droit (French 1884-1961) A lady in evening dress Signed Pencil heightened with red chalk 165 x 120mm £100-150
483. ‡ A. Dudley (20th Century) In days of old Signed Watercolour 36 x 25.5cm; 14 x 10in £500-700
484. David Woodlock (1842-1929) Fetching water Signed Watercolour 24 x 17cm; 9½ x 6¾in £300-500
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485. John Baragwanath King (1864-1939) Afterglow, Dartmoor; The Bridge Two, both signed Both watercolour 28 x 45cm; 11 x 17¾in and 25.5 x 36cm; 10 x 14in (2) £150-250
486. John Baragwanath King (1864-1939) A medley of sailing boats on a calm sea; Sailing boats Two, both signed Both watercolour 26 x 36cm; 10¼ x 14in and 25 x 35cm; 10 x 13¾in (2) £200-300
487. ‡ Edwin Earp (1851-1945) Fishermen and sailboats on a lake at dusk Signed Watercolour 22 x 58.5cm; 8½ x 23in £100-150
488. Charles Frederick Draper (Guernésiais 1840-1910) Sunset over a mountain lake, possibly Guernsey Signed and dated 75 Watercolour 37 x 63.5cm; 14½ x 25in £150-250
489. Frederick John Widgery (1861-1942) A moorland landscape Signed Watercolour with gouache 28 x 46cm; 11 x 18in £200-300
490. Frederick John Widgery (1861-1942) Mouth of the Gannel, Newquay Signed Watercolour with bodycolour 47 x 73cm; 18½ x 25¾in Provenance: Devon and Exeter Exhibition, 1902, No. 136 £200-300
491. Frederick John Widgery (1861-1942) The Doone valley, Exmoor; A moorland landscape Two, both signed, the first titled, dated 91 and numbered 6814 verso Both watercolour with gouache and scratching out 18 x 28cm; 7 x 11in and 18 x 53cm; 7 x 21in (2) £200-300
492. Frederick John Widgery (1861-1942) A rock pool by the sea Signed Gouache 25 x 35.5cm; 10 x 14in £100-150
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493. Albert Goodwin R.W.S. (1845-1932) The coral beach, Barbados Signed and titled Watercolour 19.5 x 26cm; 7¾ x 10¼in £800-1,200
494. Albert Goodwin R.W.S. (1845-1932) Winchester Signed and titled Pen, ink and watercolour 24.5 x 37cm; 9¾ x 14½in Provenance: Fine Art Society, March 1951, No. 13 £800-1,200
495. Luca Papaluca (Italian 1890-1934) M.Y. Flying Cloud R.Y.S. Signed and titled Gouache 31.5 x 45cm; 12½ x 17¾in £800-1,200
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493
88
498. ‡ Leonard Russell Squirrell R.W.S. (1893-1979) Shadowed Hill near Youlgreave, Derbyshire Signed and dated 1949, also signed and titled on a label verso Watercolour with gum arabic 19 x 34.5cm; 7½ x 13¼in £150-250
499. English School early 20th Century River landscape Signed with a monogram D.B.C. Watercolour over pencil 21 x 34.5cm; 8¼ x 13½in Provenance: Christine Silver (Mrs. Roland Sturgis) from whence given to current owner £80-120
500. Frederick William Baldwin (1899-1962) Blackshore, Southwold from across the river Signed and dated 1956 Watercolour over pencil 30 x 41cm; 12 x 16in £150-250
501. ‡ Claude Muncaster R.O.I. (1903-1974) Majorcan landscape Signed and dated 1926 Watercolour 33 x 49.5cm; 13 x 19½in £100-200
502. Albert George Stevens (1863-1925) Malvern Hills from Hanley Castle Signed Watercolour, unframed 18.5 x 23cm; 7¼ x 9in With an album of unframed watercolours by different hands and one oil sketch by F.G.Short and 2 further framed classical scenes from Herculaneum one signed with a monogram G.M. (15) £100-200
496. ‡ Samuel John Lamorna Birch (1869-1955) Mills at Montreuil Signed Watercolour 49 x 59cm; 19¼ x 23¼in £250-350
497. Mary Goudie Simpson (d.1934) The cattle market Signed Watercolour with bodycolour, unframed 30 x 48.5cm; 12 x 19in £100-150
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503. Helen Howard Hatton (1860-c.1904) Reflection Signed Pastel 43 x 66cm; 17 x 26in £1,000-1,500
504. Charles Robinson (1870-1937) In the Harem Signed Watercolour and bodycolour over pencil 37 x 61cm; 14½ x 24in £1,500-2,500
505. ‡ Miguel Canals (1925-1995) after Edgar Degas Two women Bears signature Pastels over black chalk 49 x 38cm; 19¼ x 15in £100-150
506. William Edward Frost R.A. (1810-1877) Nora Greena, Xmas ‘69 Watercolour with gouache 17.5 x 11cm; 7 x 4¼in Provenance: Abbott & Holder £150-250
507. ‡ Marcel Pouget (French 1923-1985) Portrait of a lady Stamped Mixed media 71 x 49.5cm; 28 x 19½in With a further drawing of a nude lady by a different hand (2) £200-300 504
503
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508. James Watterson Herald (1859-1914) Edinburgh with the castle beyond Signed and dated 92 Watercolour 25 x 28cm; 9¾ x 11in £100-150
509. Edward Loxton Knight (1905-1933) The bridge Signed Watercolour 24.5 x 35cm; 9¾ x 13¾in With a colour woodcut of Breedon-on-the Hill by the same hand (2) £200-300 510.
Thomas Rowden (1842-1926) Cattle at Birkbury and Ponies on Dartmoor A pair, both signed Both watercolour Each 21.5 x 52cm; 8½ x 20½in (2) £100-200
511. ‡ Walter Stuart Lloyd (1845-1959) Julian’s Bridge, Wimborne Signed and dated 1907 Watercolour 29 x 64cm; 11½ x 25¼in £150-250
512. James Allanson Cull (act.1872-1886) Little red riding hood Signed Watercolour 24.5 x 19cm; 9¾ x 7½in £80-120
513. Attributed to Wolf Craig Hainisch (German c.1900) Portrait of Jocelyn Reavey (1928-2013) Signed Pastel 72 x 51cm; 28¼ x 20in The sitter was one of the first lady jockeys in the U.K. and went on to hold a trainers licence. Included are her own racing silks. £200-300
514. ‡ Franco Matania (1922-2006) Old Jock Signed Pastel on grey paper 39.5 x 29cm; 15½ x 11½in £100-150
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511
509
512
510
508
514
91
515. ‡ Sir Stanley Spencer R.A. (1891-1959) Study for At the Piano 1957, c.1936 Watercolour over pencil 12 x 8.5cm; 4¾ x 3¼in Provenance: Archeus Fine Art, No. 840/20 £600-800
516. ‡ Max Cyprien Jacob (French 1876-1944) Homme assis sur une pierre, Douarnenez Signed, dated sept 19 and inscribed Douarnenez Gouache and watercolour 27 x 35cm; 10½ x 13¾in £300-500
517. ‡ Lionel Dalhousie Robertson Edwards (1878-1966) Rounded at last! Sunday morning in the Bush Signed, titled and dated 06 Watercolour over pencil 29 x 47cm; 11¼ x 18½in £800-1,200
518. ‡ Margaret Winifred Tarrant (1888-1959) Sheltering from the cold Signed Watercolour 21.5 x 29cm; 8½ x 11½in £800-1,200
519. Andrew Nicholl (1804-1886) A bank of wild flowers Watercolour with gum arabic 32 x 43cm; 12½ x 17in £1,000-1,500
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518 519
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520. ‡ Sir Cecil Beaton C.B.E. (1904-1980) Prince Charming - Lady Margaret Drummond Hay Titled, also signed verso under backing board Gouache 41 x 25cm; 16 x 9¾in Beaton and film director Alexander Korda staged Heil Cinderella for troops stationed on Salisbury Plain in 1940. As well as designing the costumes Beaton played an ugly sister £300-500
521. ‡ Albert Houthousen (1903-1979) Danny Polo, Doncaster, 1944 Signed and titled Watercolour with chalk and heightened with white and scratching out 74 x 55cm; 29 x 21½in Provenance: Mercury Gallery, Cork Street, 14/11/90 £300-400
522. Ernest Edward Briscoe (1882-c.1928) Entrance to Staple Inn, Holborn; The Guildhall; Williamson’s; St. Andrew Undershaft Four, all signed and dated 1924 and 1927 All pen and ink, unframed 2 at 50 x 38cm; 19¾ x 15in and 2 at 33 x 24cm; 13 x 9½in (4) £150-200
523. Harry Bright (1846-1895) Chaffinches on a branch Signed Watercolour 20 x 14.5cm; 8 x 5¾in £100-150
524. Harold Hope Read (act.1905-1935) Going for a swim Inscribed indistinctly upper left and dated 25 Pen, sepia ink and watercolour 23 x 30.5cm; 9 x 12in £300-500
525. Thomas William Morley (1859-1925) Breton market Signed and dated 15 Watercolour 28 x 42cm; 11 x 16½in £300-500
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526. F. Coates (early 20th Century) WWI: 1914-1919 The lighter side; Some places of Interest A pair, both signed Both pen and ink, one with watercolour 38.5 x 27.5cm; 15 x 10½in (2) £200-300
527. Charles Mendelssohn Horsfall (1865-1942) Portrait of W. J. Crossland Briggs Signed, dated and inscribed Ruhleben Sep. 16th 1916 Pencil 34 x 26.5cm; 13¼ x 10½in Sold on behalf of the Charity Mencap £80-120
528. H. Harry Sheldon (20th Century) World War II illustration of an air attack on soldiers crossing a river Signed and dated 42 Watercolour, unframed 63 x 85cm; 24¾ x 33½in £100-200
529. O. H. (German c.1914/18) World War I soldiers and civilians Seven, two signed with initials All pencil, framed together Each approx. 14 x 9.25cm; 5½ x 3¾in £200-300
530. F. L. Blanchard (early 20th Century) Regina Eleanor, Italian Battleship; Preussen, German Battleship Two both signed, titled and dated 1907 and 1905, the first also titled and inscribed verso, the second dated June 14th verso Both grisaille watercolour, one heightened with white 22.5 x 33cm; 9 x 13in and 20.5 x 30.5cm; 8 x 12in (2) £150-250
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531. Louis William Wain (1860-1939) Dr. Alan Barham Carter as a cat Signed Gouache 22.5 x 17cm; 8¾ x 6¾in Louis Wain was a patient of Dr. Carter who became a neurologist of repute and this was painted for him at Napsbury Hospital in 1933 £300-500
532. Louis William Wain (1860-1939) Cats playing tennis Pen, ink and watercolour heightened with white and gum arabic 15 x 24.5cm; 6 x 9½in £200-300
533. Francis Edward James (1849-1920) A still life of a bouquet of ranunculus Signed Watercolour 25 x 34.5cm; 10 x 13½in Provenance: Michael Bryan, London £100-200
538. ‡ Richard Eurich (1903-1992) The Grandfather Signed and dated 1929 Pencil 26.5 x 30cm; 10½ x 11¾in Provenance: Austin/Desmond Fine Art Thomas Agnew & Sons, 30-12-87, Stock No. DB0939 £300-500
534. ‡ Rebecca John (b.1947) From the hedgerow, Ty Draw Signed with initials and dated Fev 99 Watercolour over pencil on vellum 30.5 x 23cm; 12 x 9in Exhibited: Lefevre Gallery, Plant Life, 20th May - 11th June 1999, No. 8 with a watercolour of Albert Memorial by F. Gosling (2) £200-300
535. Francis Edward James (1849-1920) Geraniums Signed Watercolour, mounted, unframed 24 x 33cm; 9½ x 13in £100-150
536. English School mid 20th Century Pearly kings and queen at the Fairground Watercolour over pencil, unframed 49.5 x 72cm; 19½ x 28¼in £100-150
537. ‡ Peter Markham Scott (1909-1989) Canada Goose Signed Pen, ink and watercolour over pencil 14 x 16.5cm; 5½ x 6½in Provenance: Arthur Ackermann & Son Ltd. £100-150
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539. ‡ Eustace P. E. Nash (1886-1967) Poole Quay from the Custom’s House Signed Watercolour over pencil 31 x 40.5cm; 12¼ x 16in £150-250
540. ‡ John Stanton Ward (1917-2007) A country house Pen, ink and watercolour 34 x 48cm; 13½ x 19in Provenance: Abbott & Holder £100-200
541. ‡ Arthur Henry Knighton-Hammond (1875-1970) A Somerset village Signed, also inscribed Old Court, Misterton faintly on a label verso Watercolour on buff paper heightened with white 19 x 25.5cm 7½ x 10in Exhibited: Ridley Art Club £200-300
542. William Ednie Rough (1892-1935) A ruin on the coast; A shop on a back street; A street scene Three, all signed and dated 1925 All watercolour 36 x 52cm; 14 x 20½in and similar (3) £100-200
543. ‡ Jane Corsellis (b.1940) Walk in Hyde Park Signed Watercolour 19 x 25cm; 7½ x 10in Provenance: David Messum, British Figurative Painting, Winter Exhibition, 1996 £100-150
544. A. W. Robertson (American 20th Century) San Francisco, California Signed, titled and dated 1926 Watercolour over pencil 18.5 x 26cm; 7¼ x 10¼in £250-350
545. ‡ Gwilym John Blockley (b.1921) Fron, North Wales Signed, also signed and titled on a label verso Pastel 50.5 x 43cm; 20 x 17in £200-300
538. ‡ Richard Eurich (1903-1992) The Grandfather Signed and dated 1929 Pencil 26.5 x 30cm; 10½ x 11¾in Provenance: Austin/Desmond Fine Art Thomas Agnew & Sons, 30-12-87, Stock No. DB0939 £300-500
546. German School 20th Century Bold knights jousting A pair, both inscribed in German and bearing date 1265 Both watercolour on vellum or mock vellum 42.5 x 74cm; 16¾ x 29in (2) £100-200
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547. ‡ Sunderland Rollinson (1872-1950) Still lifes of ceramics, books and a shell A pair, one signed and dated 92 Both watercolour with bodycolour, unframed Each 46 x 62.5cm; 18 x 24½in With 11 further unframed watercolours of landscapes, seascapes and a still life, by the same hand (13) £120-180
548. ‡ George Ayling (1887-1960) The coastal run Signed Watercolour 35 x 48cm; 13¾ x 19in £200-300
549. ‡ George Ayling (1887-1960) Off to the fishing grounds Signed Watercolour 35 x 48cm; 13¾ x 19in £200-300
550. ‡ John Peter Pernath (German b.1941) Bellflowers and Lemons Signed, also signed, titled and dated 1966 verso Watercolour on hand-made paper 36 x 58cm; 14 x 22¾in With a pastel of a tulip border by P. Winsley dated 96 (2) £200-300
551. ‡ Tina Morgan (b.1952) Elaine on red Signed Oil on canvas 30 x 30cm; 12 x 12in £100-150
552. ‡ Emma Sergeant (b.1959) Portrait of Imran Khan Pencil heightened with white 24 x 16cm; 9½ x 6¼in £200-300
553. Attributed to Arnold Auerbach (1896-1979) Two lovers Signed and dated 1922 Pastel and black crayon 28 x 17.5cm; 11 x 7in £200-300
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97
554. ‡ Pal Fried (American/Hungarian 1893-1976) Nude portrait Signed Pastel 68.5 x 49cm; 27 x 10¼in £600-800
555. ‡ Vicente Romero (Spanish b.1956) Portrait of a young lady dressing Signed Pastel 65 x 50cm; 25½ x 19¾in Provenance: The estate of Mr. William Campbell Allan £600-800
556. ‡ Franco Matania (1922-2006) Kneeling female nude Signed Pastel 58 x 43cm; 22¾ x 17in £70-100
557. ‡ Franco Matania (1922-2006) Seated nude Signed Pastel 34 x 43cm; 13¼ x 17in With a reproduction by the same hand (2) £150-250
558. ‡ Robert van Cleef (b.1914) Seated ballet dancer by a mirror Signed Pastel 56 x 43cm; 22 x 17in Provenance: Gladwell & Co. £100-150
559. ‡ Tom Quinn (b.1918) A girl in a hat Signed Oil on paper 40.5 x 25.5cm; 16 x 10in £100-150
560. ‡ Roy Petley (b.1950) Seated nude in stockings Signed Pastel on grey paper 48.5 x 39.5cm; 19 x 15½in £100-150
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98
562. ‡ Roy Petley (b.1950) A female nude, three-quarter length Signed Red chalk 40 x 20cm; 15¾ x 8in Provenance: David Messum, Spring 1994 With another similar, signed (2) £100-150
563. ‡ Roy Petley (b.1950) The shawl Signed Pastel 44 x 29cm; 17¼ x 11½in Provenance: David Messum, Autumn Exhibition 1998, No. 29 £200-300
561. ‡ Roy Petley (b.1950) A Venetian backwater Watercolour heightened with mixed media 74 x 54cm; 29 x 21¼in Provenance: David Messum, Spring 1994 £300-500
564. ‡ Roy Petley (b.1950) Female nude reclining on a bed Signed and dated 1989 Black chalk 36 x 54cm; 14¼ x 21¼in £100-150
565. ‡ Roy Petley (b.1950) A nude standing, her leg resting on a bed Signed Red chalk 37 x 27cm; 14½ x 10½in With a further red chalk study of a nude 42 x 20cm; 16½ x 8in (2) £100-150
566. ‡ Roy Petley (b.1950) Head study of a young woman in a hat Signed Red chalk 32 x 34cm; 12½ x 13½in With another similar, signed £100-150
567. ‡ Roy Petley (b.1950) A female nude, three-quarter length Two, both signed and one dated 84 Both red chalk 46 x 25.5cm; 18 x 10in and 50 x 23cm; 19¾ x 9in (2) £100-150
568. ‡ Roy Petley (b.1950) A female nude, half length Signed Red chalk 33 x 20cm; 13 x 8in With another similar, signed and dated 88 (2) £80-120
568567566565
564
563562561
99
AA.Z. 422Abbott, After Lemuel Francis 39Adam, Victor Charles Ed. 241Adlington, Mark 365Aldin, Cecil 70Aldridge, Frederick James 440Allan, Guy 336Alma-Tadema, Sir Lawrence 59Ambrose, John 299Arden/Tucker, Edward 412Atkins, William Edward 453Audobon, John James 52Auerbach, Attrib. to Arnold 553Australian School 327Avercamp, Foll. Of Hendrik 159Ayling, George 548, 549B B.B. 135Baldwin, Frederick William 500Banks, Catherine A. Eggar 265Baratti, After Antonio 55Barbizon School 316Barenger, Circle of James 216Barker 196Barker, John 229Barlow, Albert 373Barma, Hans Smatlak 382Baron 375Barraud, Francis Philip 428Bas, Edward Le 272Batt, Arthur 191Beaton, Sir Cecil 520Beauvais, Walter John 363Bell, Robert Anning 479Bellasis, John Brownrigg 426Bellman, John Joseph 337Billinge, W. J. Ophelia 473Billinghurst, Alfred John 325Binder, Tony 421Birch, Samuel J. Lamorna 496Birchall, William Minshall 449Bishop, Walter Follen 467Bisson 199, 200Blackadder, Elizabeth Violet 73Blanchard, F. L. 530Bliss, Roger 380Blockley, Gwilym John 545Bone, Foll. Of Henry 10Bouvier, Joseph 480Bowyer, Robert 44Bramley, Barrington 275Brangwyn, Sir Frank 68Bransom**, A. 420Bright, Harry 523Briscoe, Ernest Edward 522British School 287Brun, Marguerite 270Brzezinski, Leon 18Buck, Samuel and Nathaniel 47Bunner, Andrew Fisher 45Burgess, John Cart 431Bury, Gaynor Elizabeth 387, 388, 389, 390, 391, 392Buttler, T. 335C Callow, Foll. Of William 445Cameron, Ronald 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132Canals, Miguel 505Candela, Francisco 259
Chadwick, After Tom 324Chahine, Edgar 66Chase, William Arthur 269, 271Chinese School 221, 243, 367, 425Clare, Oliver 276Clausade, Pierre de 350Cleef, Robert van Clowes, Manner of Daniel 213Coates, F. 526Cole, George 186Collins, James 36Colonial School 226Continental School 67, 72, 158, 257, 288, 296, 364, 366, 385Cook, Ebenezer Wake 443Coomans, J. 253Cooper, Abraham 209Corbould-Ellis, Eveline 32Corsellis, Jane 543Cosslett, Peter 333Costa, Antonio Maria F. y 418Cotter, John 133Cox, Manner of David 404Creswick, Thomas 262Cruikshank, Isaac 397Cull, James Allanson 512D Dalzell, A. C. 329Daniell, Thomas & William 41Davidson, Charles Topham 448Davis, Arthur H. 235Devis, Circle of Arthur 162Dickey, Edward M. O’Rorke 63Dicksee, Herbert Thomas 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115Dicksee, Sir Frank 80, 81, 116Dicksee, Thomas Francis 79, 118, 119Dighton, After Robert 37Dighton, Richard 57Dixon, Frank 170Dore, Gustave 436Dowd, James Henry 60, 61Downman, John 395Draper, Charles Frederick 488Droit, Jean 482Ducker, John 181Dudley, A. 483Dugmore, Arthur Radclyffe 310, 311, 312, 313Duncan, John McKirdy 481Dunlop, Ronald Ossory 315Dutch School 164, 231, 274, 289Dyckmans, After Joseph L 170Dyf, Marcel 349E Earp, Edwin 487Easel 120Edwards, Lionel D. R. 517Egginton, Frank J. 469Ellis, H. 381Elton, Sir Ambrose 307Emms, John 210, 211English School 1, 2, 3, 4, 5, 6, 8, 9, 12, 13, 14, 15, 16, 19, 20, 21, 25, 27, 30, 31, 139, 140, 142, 143, 144, 145, 146, 147, 148, 152, 172, 173, 175, 183, 184, 193, 201, 214, 223, 242, 258, 263, 305, 354, 360, 386, 393, 406, 434, 454, 499, 536
Eurich, Richard 538Ewbank, Thomas John 227F Finn, Herbert John 446Fleury, Francois A. Leon 240Flint, After Sir William R. 71Foster, Attrib. to Myles B. 435Foster, John 452Fowler, Robert 303Frame 121Francia, Francois Louis T. 415French School 155, 341Fried, Pal 554Frith, Clifford 292Frith, William Powell 46Frost, William Edward 506Fulleylove, John 471G Gabell, Elizabeth Lucy 306Gainsborough, After Thomas 29Gainsborough, Foll. Of Thomas 202Gentry, E. 301Gerard, P. 470German School 177, 546Gerodez, Marie-Ange 353Giallina, Angelos 419Gibbs, Thomas Binney 295Gibson, Patrick 432Gilbert, Sir John 265Glading, Phillip 182Glendenning, Alfred Augustus 203Glover, J. H. 403Goodwin, Albert 493, 494Goth, Moricz 267Gould, After John 54Gould, Peter van 361Grandgerard, Lucien H. 322Greuze, After Jean Baptiste 150Gribble, Bernard Finegan 326Grone, Ferdinand E. 464Guct, J. B. 400Gwynne-Jones, Allan 298H Haddelsey, Vincent 224Hainisch, Attrib. to Wolf C. 513Hamilton, William Osborne 394Hanson, Albert J. Hanson 328Hardy, J. 417Hastings, Edward 402Hatton, Helen Howard 503Heiss-Dionysen, Joseph 351Henderson, Foll. Of Charles C. 293Herald, James Watterson 508Herd, C. 377Herman 17Hirst, Norman 49Hokusai, After 78Holbein, After Hans 174Hollams, Frances Mabel 212Hone, Horace 7Hoppner, Attrib. to John 141Hoppner, Circle of John 150AHorsfall, Charles M. 527Houthousen, Albert 521Howitt, William Samuel 405, 442Hughes-Stanton, Sir Herbert 413Hunt, William Henry 474I Ibbetson, Circle of Julius C. 136Indian School 33, 34, 424, 427Irish School 26
INDEX OF ARTISTS
100
Isabey, After Jean Baptiste 22Italian School 399J J.G.B. 176Jack, Richard 466Jacob, Max Cyprien 516James, David 251James, Francis Edward 533, 535Jennings, James 11John, Rebecca 534Johnson, Charles Edward 185Johnson, Edward Killingworth 456Jones, Deborah 371Jones, W. H. 461K Kauffman, Foll. Of Angelica 138Kefford, L. Kingsley 439Kent, Leslie 318Kerouedan, Paul 343King, Baragwanath 485, 486Knight, Charles Parsons 206Knight, Edward Loxton 509Knighton-Hammond, Arthur H. 541Knox, William Dunn 330Kunichika, After Toyohara 77Kupfermann, Jacques 339L Labro-Font, Louis 344Ladbrooke, Attrib. to John B. 252Landseer, After Sir Edwin 187Langlois, Mark William 149Lara, Georgina 228Laurent, Jean Michel 217Le Brun, After Elisabeth L. 48Ledger, Janet 384Lely, After Sir Peter 154Leslie, Charles 238Lewis, J. 245, 246, 247, 248, 249Liebermann, Max 58Lloyd, K. M. 332Lloyd, Walter Stuart 511Locke, H. E. 386Loder of Bath, James 194, 195Lomax, John Arthur 222Loudon, Terence 266Lucas, Albert Durer 260, 441Lucas, Attrib. to Albert Durer 261Ludlow 302Lutyens, Charles Augustus H. 179Lynch, Charles 290M M. E. S. 28Maccabe, Gladys 320Maclauchlan, John 342Mann, Cathleen 268Marlborough, Rosita 362Marny, Paul 438Maskell-Packer, Jennifer 323Mason, Frank Henry 450Mason, Manner of Frank H. 314Matania, Franco 514, 556, 557Mathews, Binney 378McArthur, Charles 458McGregor, William 189, 190Mears, George 230Messer, Mabel B. 23Mezca*, A. 255Michau, Circle of Theobald 157Middleton, Attrib. to John 411Mignard, After Pierre 40Miller, Attrib. to Capt. C. K. 220Miller, William Ongley 300Montalba, Clara 429Moore, After Lt. Joseph 42
Moore, Edward 237Morgan, Glyn 359, 370, 372Morgan, Tina 551Morland, George 137Morley, Thomas William 525Moroney, Ken 379Morosini, George 398Mortimer, Thomas 478Muncaster, Claude 501Murray-Thomson, John 309Mynors, S. 374N Nam Ting 244Nash, Eustace P. E. 539Neapolitan School 408Neer, Foll. Of Aert Van der 156Nicholl, Andrew 519Ninnes, Bernard 385O O. H. 529Owen, Samuel 410P Page, Sidney 297Papaluca, Luca 495Parker, Henry H. 476Pascoe, Ernest 368Pascoe-Holman, Edwin Charles 460Paterson, James 319Paul, John 215Payne, Charles Johnson 53Percy, R. 264Pernath, John Peter 550Petit, Eugene 219Petley, Roy 355, 356, 357, 358, 560, 561, 562, 563, 564, 565, 566, 567, 568Piercy, Frederick Hawkins 433Pollentine, Alfred 205Pouget, Marcel 507Pratella 308Pratt, After J. 234Prince, After Jean-Baptiste Le 38Q Quinn, Tom 376, 559R Read, Harold Hope 524Reed, H. 160Rembrandt H. van Rijn, After Renard, Stephen J. 348Reni, After Guido 401Rezia, Felice Auguste 232Richards, Frank 462Roberts, Foll. Of David 198Robertson, A.W. 544Robinson, Charles 504Rollinson, Sunderland 547Romero, Vicente 555Romney, Circle of George 151Rosell, Alexander 218Rossini, Luigi 43Rough, William Ednie 542Rowden, Thomas 510Ruegger, Henry 340Rushbury, Henry George 69Ryder, Sue 345S Sain, Edouard Alexandre 256Salisbury, Frank O. 277, 278, 279, 280, 281, 282, 423Salt, James 208Sartorius, George William 236Scott, Peter Markham 537Scottish School 233Sergeant, Carolyn 383
Sergeant, Emma 552Sever, Klara 134Shaw, Charles L. 188Sheard, Thomas Frederick M. 457Sheldon, H. Harry 528Shepherd, George Sidney 414Sherrin, Daniel 180Short, Frederick Golden 304Simpson, Joseph 65Simpson, Mary Goudie 497Sitch, T. 294Skill, Frederick John 472Skorroff, Ivan 317Smith, Stephen Catterson 396Smuglewicz, After Franciszek 74Somerscales, Thomas Jacques 250Soper, Eileen Alice 62Spear, Ruskin 273Spencer, Sir Stanley 515Spode, Samuel 163Squirrell, Leonard Russell 498Stannard, Henry John 444Stant, J. Lewis 64Stevens, Albert George 502Strang, Ian 331Strutt, Arthur John 239T Tarrant, Margaret Winifred 518Thornley, Georges William 161Tilley, Beryl 321Tozer, Henry E. 451, 459Truss, Jonathan 346, 347Tucker, John Wallace 192Turnbull, William 409Tyndale, Thomas Nicholson 463V Varley, John 407, 447Velde, Willem Van de 197Venables, Bernard 369Verpilleux, Emile Antoine 76Vivian, Jane 207Volpe, Allessandro La 178W Waddington, Vera 291Wain, Louis William 531, 532Waite, Robert Thorne 468Walker, Hirst 477Walton, Catherine R. 283, 284Ward, John Stanton 540Ward, Leslie Matthew 56Wardle, Arthur 475Waterman 338Watkins, W. E. 171Weatherhead, William Harris 455Webb, James 204Weight, Carel 75Welch, Rosemary Sarah 334Werner, Carl Friedrich H. 430Wesson, Edward 352Whistler, Attrib. to James A. M. 416Widgery, Frederick John 489, 490, 491, 492Wilkinson, Charles 465Woodforde, Samuel 153Woodlock, David 484Worlidge, Thomas 254Worters, J. T. 187Wyllie, William Lionel 50, 51, 437
ENQUIRIES
Victor Fauvelle Tel: +44 (0) 1722 424503 [email protected] Butler Tel: +44 (0) 1722 424592 [email protected]
John Bratby R.A. (1928-1992) The Gondola and Bridge of Sighs Signed Oil on canvas 122 x 91cmProvenance: Thackeray gallery, purchased by Michael Burns 12.3.85Estimate: £2,000 - £3,000
20th Century & Contemporary PaintingsWednesday 4th June 2014Entries are now being accepted for this sale
Auction Information
OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.
VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
BIddING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered.
REGISTERING wITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.
To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence
2. a utility bill or document showing your name and address
You can register in person or by contacting the office on 01722 424500 or emailing [email protected]. You will be asked to show your documents, or fax or email copies.
PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.
COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.
LIVE ONLINE BIddING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com
In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with woolley and wallis Salisbury Salerooms Ltd, you:
1. authorise woolley and wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and
2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.
CONdITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
The colours printed in the catalogue are not necessarily true.
SALE RESULTS These will be posted on our website shortly after the sale.
BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.
PAYMENT ANd CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.
The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the card-holder is not present.
wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYd30974100957707 BIC code LOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: delta, Switch, Connect
where practical, payment can be made and purchases collected during the auction.
Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.
Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.
CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.
The CITES Regulations may be found at www.ukcites.gov.uk
ARTIST’S RESALE RIGHT / dROIT dE SUITE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.
droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.
Please enquire for the accepted exchange rate on the day of the sale.
Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500
PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area.
Alban Shipping 01582 493 099 [email protected] www.albanshipping.co.uk
APS 0800 118 5868 [email protected]
07736 544 362 www.apservices.info
Mailboxes 01264 360 333 [email protected] www.mbe.co.uk/andover
Pack & Send 0845 465 0564 [email protected] www.packsend.co.uk
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
Valuations
Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.
INSURANCE VALUATIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
woolley and wallis valuations are accepted by all leading insurance companies.
PROBATE VALUATIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.
we also carry out valuations for Family division, Capital Gains Tax, and Private Treaty Sales.
Contact Christine Johnson 01722 424509
FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
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HULSE RD C
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TLE STR
EET
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A360 DEVISES RD A36(T) CHURCHIL
L W
AY
WES
T
A36 CHURCHILL WAY NORTH
CA
ST
LE R
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345
COO
MB
E R
OA
D
A36(T) C
HURCHILL WAY S
OU
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A
36(T
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UR
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ILL
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EA
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woolley & wallis Salisbury Salerooms Ltd.51-61 Castle Street, Salisbury,wiltshire SP1 3SU
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2 danbury Court, Old Sarum Park, Salisbury, wilts SP4 6EB
Woolley & WallisAbsentee Bid FormOil Paintings, Watercolours, Prints, Miniatures & Sculpture
Wednesday 19th March 2014
PW190314Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
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If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAT) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders.
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Salisbury Salerooms, 51-61 Castle Street, Salisbury, wiltshire SP1 3SUTel: 01722 424500 Fax: 01722 424508
PLEASE PRINT CLEARLY IN BLOCK LETTERS
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orderBrief description
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INFORMATION FOR BUYERS
1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.
3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.
4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.
5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.
6. we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.
9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.
10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid
received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.
2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.
3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
4. Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.
5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
7. we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.
Reserves.
(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).
(b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and
only up to the reserve (if any) and you may in no circumstances bid personally.
8. Electrical items. These are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.
10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.
SOCIETY OF FINE ART AUCTIONEERS ANd VALUERS and the ROYAL INSTITUTION OF CHARTEREd SURVEYORS
CONDITIONS OF BUSINESS
where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.
12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.
13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
14. Authority to deduct commission and expenses and retain premium and interest.
(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.
(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.
15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.
16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE
woolley & wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.
1. DEFINITIONS
In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms Ltd or its
authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of
deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;
(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;
(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;
(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;
(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.
(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER
(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;
(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.
(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the
amount of any reserve and the right to refuse any bid is also reserved.
3. INCREMENTS
Bidding increments shall be at the auctioneer’s sole discretion.
4. THE PURCHASE PRICE
The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.
5. VALUE ADDED TAX
Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).
6. PAYMENT
(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums
owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
7. TITLE AND COLLECTION OF PURCHASES
(a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due
(b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.
(c) No purchase can be claimed or removed until it has been paid for.
8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES
(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:
(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be
responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;
(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;
(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;
(vi) to retain that or any other lot sold to you until you pay the total amount due;
(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;
(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.
(b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions
9. THIRD PARTY LIABILITY
All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS
whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.
11. WARRANTY OF TITLE AND AVAILABILITY
The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.
12. AGENCY
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.
13. TERMS OF SALE
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.
14. DESCRIPTIONS AND CONDITION
(a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.
(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.
15. FORGERIES
Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
GENERAL
16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
21. English law applies to the interpretation of these Conditions.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS
In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.
Glossary
Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
(a) Edward Lear: In our opinion a work by the artist. (when the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.
(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.
(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.
(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.
(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.
(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion
the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our
opinion the signature and/or date and/or inscription have been added by another hand.
(j) dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.
droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.
Please enquire for the accepted exchange rate on the day of the sale.
Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500
Furniture, Works oF Art
1st April 2014Mark Richards +44 (0) 1722 411854 • [email protected] Jim Gale +44 (0) 1722 339161 • [email protected]
silver
29th & 30th April 2014Rupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]
JeWellery
1st May 2014Jonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]
english & europeAn CerAmiCs & glAss
7th May 2014Clare Durham +44 (0) 1722 424507 • [email protected]
AsiAn Art
21st & 22nd May 2014John Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]
pAintings - modern & ContemporAry
4th June 2014Victor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]
Arts & CrAFts
18th June 2014Michael Jeffery +44 (0) 1722 424505 • [email protected]
tribAl Art, Antiquities, Arms & Armour
19th June 2014Will Hobbs +44 (0) 1722 339752 • [email protected] Gemma Bush +44 (0) 1722 339752 • [email protected]
CloCks, WAtChes & sCientiFiC instruments
30th July 2014Richard Price +44 (0) 7741 242421 • [email protected]
Auction Calendar
• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk
Page width 202mm. Use this box to centre artwork! Page width 202mm. Use this box to centre artwork!
Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below
AsiAn Art
John Axford MRICS ASFAV 424506Sophie Lister 424591 Alexandra Doméracki 424506 Freya Yuan 424506
CloCks
Richard Price 07741 242421 Gemma Bush 339752 english & europeAn CerAmiCs & glAss
Clare Durham 424507
Furniture
Mark Richards 411854Jim Gale 339161
JeWellery
Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595
pAintings
Victor Fauvelle 424503Jo Butler 424592
silver
Rupert Slingsby 424501Lucy Chalmers 424594
20th Century design
Michael Jeffery 424505
tribAl Art, Antiquities, Arms & Armour
Will Hobbs 339752 Gemma Bush 339752
vAluAtions For insurAnCe & probAte
Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA
mArketing
Tamzin Corbett 424590
ACCounts
Janice Clift (Office Manager) 424500Ruth Pike 424599
generAl oFFiCe
Linda Garthwaite 424500Pauline West Sharon Ringwood Nicola Young
sAleroom mAnAger
David Jordan 424500
boArd oF direCtors
Paul Viney ASFAV Chairman
John Axford MRICS ASFAV Deputy Chairman
Clive Stewart-Lockhart FRICS FRSA Managing Director
CompAny seCretAry Jim Macarthur CA 424599
AssoCiAte direCtors Janice Clift Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby Clare Durham
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk
WOOLLEY & WaLLisSALISBURY SALEROOMS
Paintings Wednesday 19th March 2014
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www.woolleyandwallis.co.uk
Wed
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