Woolley & Wallis 20th Century & Contemporary Art 8th June 2016

20th Century & Contemporary artWednesday 8th June 2016

WOOLLEY & WaLLisSALISBURY SALEROOMS

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Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

AsiAn Art

John Axford MRICS ASFAV 424506Sophie Lister 424591 Alex Aguilar Doméracki 424583 Freya Yuan 424589

English & EuropEAn CErAmiCs & glAss

Clare Durham 424507

FurniturE, Works oF Art & CloCks

Mark Richards 411854Jim Gale 339161Anna Wimbush 411854

JEWEllEry

Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595 Hannah Galbraith 424586

pAintings Victor Fauvelle 424503Jo Butler 424592

silvEr

Rupert Slingsby 424501Lucy Chalmers 424594

20th CEntury DEsign

Michael Jeffery 424505 Zoe Smith 329477

tribAl Art & AntiquitiEs

Will Hobbs 339752 Gemma Bush 339752

Arms & Armour, mEDAls & Coins AnD militAriA

Ned Cowell 341469

vAluAtions For insurAnCE & probAtE

Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA 424598

mArkEting

Tamzin Corbett 424590

ACCounts

Janice Clift (Office Manager) 424500

gEnErAl oFFiCE

Pauline Jones 424500 Sharon Ringwood Nicola Young Amanda Lawrence

sAlEroom mAnAgEr

David Jordan 424500

boArD oF DirECtors

Paul Viney ASFAV Chairman

John Axford MRICS ASFAV Deputy Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

CompAny sECrEtAry James Macarthur CA 424599

AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby

20th Century & Contemporary art

Wednesday 8th June 2015 at 11am

ARTIST’S RESALE RIGHT / DROIT DE SUITE

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Conditions, Section 21, for details

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GLOSSARY OF TERMS

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the

cataloguing of paintings

Front cover: Lot 234 Back cover: Lot 16This page: Lot 259

Victor Fauvelle Tel: 01722 424503 [email protected]

Jo Butler Tel: 01722 424592 [email protected]

EnquiriES

Viewing TimesSaturday 4th June 10.00am – 1.00pmMonday 6th June 10.00am – 5.00pmTuesday 7th June 10.00am – 4.00pm

Wednesday 8th June 9.00am – 10.45am

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

Catalogue: £12.00 (£15.00 by post)

Member of The Society of Fine Art Auctioneers

COLLECTION OF LOTSALL lots will be moved from the saleroom back to Salt Lane on 9th and 10th June - collection of lots on these days and Saturday 11th MuST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 13th June collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street.

COLLECTiOn OF SOLD AnD unSOLD LOTS MuST BE WiTHin 21 DAYS OF THE SALE - FAiLurE TO COLLECT WiTHin THiS TiME MAY rESuLT in STOrAGE FEES

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Live Internet bidding via

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2

Lots 1 to 57 From the Estate of the late Professor rodney Fitch CBE

Professor Rodney Fitch, CBE, (1938-2014) was one of the leading retail designers of this and the last century, working on the images of many high street giants such as Topshop, M & S, Boots, Ikea, Tesco, Asda, Ryman and Debenhams. He also worked on other areas outside retail such as Lloyds of London, BT, and the Liberal Democrats. Cutting his teeth and excelling at Conran Design Group he then bought out the Burton Group and set up Fitch & Co., through the boom retail markets of the 1980s. He was passionate about the world of design and an avid proponent of the tenets of indefatigable Arts and Crafts innovator William Morris - sharing his energy and belief in the ability for good design to affect and improve the lives of the public. The many people who worked for him

over the years were clearly fond of him and many credit him with inspiring them and changing their lives.

He and his family lived at the Court House, Aldbourne, Wiltshire where he was involved with the local cricket team and even had his own team the ‘Rodney Royals’. He worked with Vanessa Redgrave to create a school for disadvantaged children, was a trustee of the Victoria and Albert and chairman of the museum’s commercial wing, a member of the Design Council, chairman of the finance committee of the Royal College of Art and deputy chairman of London’s University of the Arts. After retiring from Fitch & Co., in 2009, he found a new career, becoming Professor of Retail Design at Delft University of Technology in the Netherlands.

Rodney’s wife Janet recalls ‘Rodney’s love of art collecting was an extension of his style as a designer and reflected his generous and warm character. He bought so many pictures from his friend - and mine - the colourful Michael Parkin. He commissioned the painter John Sargent to do many family portraits, recording babies, children, pets and houses. He loved Ravilious, Edward Bawden and our friend Glynn Boyd Harte but mainly collected Edward Ardizzone who, alongside Raymond Lowey and William Morris, inspired him as a draughtsman and designer. I remember most the 80s when I was on a fund-raising committee of the Royal Academy of Arts - we used to go to the annual party for the opening of the Summer Exhibition and the Buyers’ Day where Rodney bought many paintings in particular from the room traditionally filled with smaller works. He bought what he liked and in particular he loved Carel Weight’s work and so did I. He always bought what he liked and with real conviction!

His family speak fondly of growing up with such a rich and varied collection and how special it was because, as his son Edward says, ‘they were not just pictures on the walls but .. the stories Dad read to me when I was very young - The James Reeves Story Book and The Little Tim books - all so simple and reassuring. His daughter Tessa recalls ‘We were lucky to grow up in houses which had pictures everywhere, they decorated the house almost as a feature instead of wall paper or furniture.. And more than just the pictures, it was the beautiful frames that Rodney chose in which they were hung that made them special’. His daughter Polly says ‘I was always fascinated that dad had such modern ideas, and so much of his retail design life was lived at the cutting edge, and yet he loved these pictures, that were not at all modern and which were not hung in a modern way’. Presents to the family were invariably paintings and his daughter Louisa remarks ‘I grew up with Ravillious, Sickert, Ardizzone and Gill and Weight…and their wonderful images of this country and beyond are forever imprinted on my mind and form part of my identity now as a designer and collector’.

3

Edward Ardizzone CBE, rA

1 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

First Class Passengers, bathing

Signed with initialsWatercolour over pencil19 x 27.75cm

Provenance:Andrew Kimpton, London 10/10/85

£1500-2000

1

Edward Ardizzone was an English illustrator and author renowned for his illustrated stories, the first of which Little Tim and the Brave Sea-Captain came out in 1936. This was followed by numerous imaginative and popular children’s books which have become firm favourites of many generations of readers. A student of Bernard Meninsky, he developed his own very distinctive style which was highly observant and comical, but usually sympathetic, not caricatured. He also gained a reputation as a distinguished Official War Artist, through his recordings of actions in Europe and North Africa. His career continued after the war with a steady production of illustrative and ephemeral work in an instantly recognisable style that consisted of pen and ink with delicate washes. Woolley & Wallis are lucky enough to be offering this private group of works which have been carefully collected and include a rare Festival of Britain, On the beach at Deal and Miners on a beach among others.

© IWM (Art.IWM ART LD 4056)

4 The collection of Professor rodney Fitch CBE

2 ‡

EdwARd ARdizzonE CBE, RA 1900-1979

Christian discourses with Piety, Prudence and Charity

TitledPen and ink9.5 x 12.25cm

£300-500

3 ‡


Radio Times Competition

Titled and dated 1937 versoPen and ink15 x 21.5cm

£400-600

4 ‡


Angel and Cherubs

Pen, ink and watercolour with bodycolour33 x 22cm

£800-1200

2 3

4

5The collection of Professor rodney Fitch CBE

5 ‡


The artist with his model

Signed with initialsPen, ink and watercolour28.5 x 27.5cm

£2000-3000

6 ‡


Three ladies

Signed with initialsWatercolour over pencil12.5 x 26.5cm

£700-10005

6


7 ‡


Miners on a beach

Signed and dated 31Pen, ink and watercolour22 x 28cm

£2000-3000

8 ‡


Man and dog on the shore

Pen and ink12.5 x 16cm

£300-500

9 ‡


Illustration for Radio Times

Signed DizPen and ink15 x 30cm

£400-600

7

98


10 ‡


At the edge of the beach, possibly Holkham, Norfolk

Signed with initialsPen, red ink and watercolour over pencil28.5 x 38.5cm

Provenance:Illustrators Art, London, 1982

£2000-3000

10

11 12

11 ‡


Boxing; Law Courts

Two, both signed with initialsBoth pencil, framed togetherEach 21 x 17cm

£800-1200

12 ‡


Three studies in the artist’s studio

Signed with initialsPen and ink38 x 16.5cm

£200-300


13 ‡


On the beach at Deal

Signed with initialsPen, sepia ink and watercolour12.25 x 23.5cm

Provenance:Wendy Bray, Rugby

£1500-2000

14 ‡


Study for The Ogres

Signed with initialsPencil9.5 x 28cm

£500-700

15 ‡


Figure studies

Four, all signed with initialsAll pencil, two framed together18 x 12cm and similar (3)

£200-300

15

13

14


16 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

A bicycle outing

Signed with initialsPen, ink, graphite and watercolour38 x 60cm

Provenance: Andrew Kimpton

£6000-8000

17 ‡


Festival of Britain

Signed with initialsPen, ink and watercolour over pencil24.5 x 40cm

Provenance: Andrew Kimpton, 1985

£2500-3500

16

17


18 ‡


Head studies

Two, both signedBoth pen and ink on buff paper, framed togetherEach 32 x 22cm

£800-1200

19 ‡


Mixed studies

Signed with initialsPen and ink on P & O Canberra paper19 x 14cm

£500-700

20 ‡


Nude and Nose

Pen and ink8.5 x 11.5cm

Exhibited:Sally Hunter and Patrick Seale Fine Art, December 1986, No. 20

£300-500

21 ‡


Go little book… after the poem Envoy by Robert Louis Stevenson

InscribedPen and ink29 x 19cm (sheet size)

£400-600

18 19

20

21


22 ‡


Artist and model

Signed with initialsWatercolour over pencil19.5 x 26cm

£1000-1500

23 ‡


Scenes from Great Expectations

Eight, all framed together45.5 x 61cm

£300-500

22

23 24

24 ‡


Drawings including a sketch from Tim all Alone

Four, three signed with initialsPencil, pen and ink and red conte on various coloured papers, all framed together, window mounted and on the back of invitations 34.5 x 38.5cm (mount size)With a print of Four Songs by the same hand (2)

£300-500


25 ‡


Geometric studies

Signed with initialsPen and ink44 x 29cm

£1500-2000

26 ‡


Reclining nude; Head studies

Two, the first signed with initialsBoth pencil17 x 24cm and 24 x 16cm (2)

£200-300

25

26


27 ‡

ERiC RAViliouS 1903-1942

A ballad upon a wedding

A pair, both signedBoth woodcutsEach 5 x 6.5cm With a further unsigned print of But the angel of the Lord… by the same hand (3)These are illustrations to the ballad by Sir John Suckling (1609-1642)

£300-500

28 ‡


Serapion; Proserpina; Flower Spirit

Three, two signed, the first titled and numbered 1/15All woodcuts15 x 7.5cm; 7.75 x 8.75cm and 12.5 x 8.5cm (3)

£300-500

27

27

28


29 ‡


Manor Gardens; Kensington Gardens; Procession

Three, all signed, titled and two numbered 6/12 and 6/10All woodcuts12 x 17cm; 8.5 x 9.5cm; 7.5 x 22.5cm (3)

£300-500

30 ‡

PAul JAMES logAn wyETh 1920-1983

Study of three men walking

Pen, ink and wash15 x 16cm

Provenance:By family descent Wilkins & Wilkins, London 11/5/06

£200-300

29

30


31 ‡

olwyn BowEy RA b.1936

Old Railway Bridge, No. 2

SignedGouache65 x 90cm

£800-1200

31

32

32 ‡

SiMon gARRow b.1946

Icarus

SignedOil on board50 x 40cm

£400-600


33 wAlTER RiChARd SiCkERT 1860-1942

Jack ashore

Signed in the printSoft ground etching, possibly 2nd state of 534 x 25.5cm

Provenance:Christie’s, 6.2.79

Exhibited:Leicester Galleries, Nov. 1962, No. 14

£800-1200

34 wAlTER RiChARd SiCkERT 1860-1942

Noctes Ambrosianae

Signed and titled in the printEtching and aquatint 18 x 22cmWith a further signed print of Stooks, Broadwas, Worcester, 1884 by the same hand (2)

£400-600

33

34


35 ‡

PETER gREEnhAM RA 1909-1992

The Beach

Oil on board24.5 x 34.5cm

Provenance:J. T. Burns & Co. Ltd., 1980

£1000-1500

36 ‡


Mundesley, Norfolk

Oil on canvas40.5 x 50.5cm

Provenance:J. T. Burns & Co. Ltd., 1984

£1000-1500

35

36


37 ‡

BERnARd dunSTAn RA b.1920

General Assembly of the Royal Academy with Sir Thomas Monnington and Alan Gwynne Jones

Signed with initials, also signed, titled and dated 12.70 versoOil on board23 x 23cm

Provenance:Michael Parkin Fine Art, October 1982

£1200-1800

38 ‡


Sewing, 1982

Signed with initialsOil on canvas60 x 45cm

Exhibited:Arts Council of Great Britain, 1984/5Norwich School of Art, 1984/5Newcastle, December 1988Ashmolean Museum, Oxford, Autumn 1989

£800-1200

39 JAMES FERRiER PRydE 1866-1941

A figure under Arches

SignedPen, ink and watercolour15 x 14cm

£600-800

37

3938


40 ‡

hEnRy MooRE oM 1898-1986

Sculptural objects, 1949

Signed and dated in the printLithograph, published by School Prints Ltd.48.5 x 74cm

£300-500

41 ‡

RAoul duFy French 1877-1953

The Band, 1949

Signed in the printLithograph, published by School Prints Ltd.48.5 x 74cm

£200-300

42 ‡

glynn BoydE-hARTE 1948-2003

Dining room, Charlecote

Signed, numbered VI/XX and inscribed Happy 50th Birthday Rodney with love from GlynnLithograph65 x 46cm

£200-300

43 ‡

dAVid wAlkER BARkER b.1947

Landscape with quarry

Signed and titled on a label versoAcrylic, gouache and watercolour19.5 x 16.5cm

£100-150

40

42

41

43


44 ThéRèSE lESSoRE French 1884-1945

The stalls at the New Bedford

Signed and dated 1919Pen, ink and watercolour19.5 x 19cm

Provenance:John Manning, LondonMichael Parkin Fine Art, London, 1983

£400-600

45 ‡

ConSTAnCE AnnE PARkER b.1921

Portrait of a gentleman, wearing a green tie

Oil on board30 x 23cm

Provenance:Royal Academy, Summer Exhibition, 1975

£200-300

46 ‡

kEiTh VAughAn 1912-1977

La Baignade, Avignon 1951

Signed with initialsPencil10.25 x 13.25cm

Provenance:Austin Desmond Fine Art, Ascot, 14/3/87

£400-600

47 ‡

JEhAn dAly 1918-2001

Study of young men in suits

Signed and dated 55Graphite with coloured chalk on buff paper19 x 20cm

£200-300

44

46

45

47


48 ‡

AllAn gwynnE-JonES RA 1892-1982

Sergeant Smith, Flight Engineer

Signed and titledPencil25.5 x 18cmExecuted as part of the Imperial War Museum’s commission

£500-700

49 JEAn EMilE lABouREuR French 1877-1943

Les Soldats a L’Estaminet

Engraving, from Petites images de la guarre sur le front Brittanique, 191617 x 14cm

Provenance:Michael Parkin Gallery, LondonWith a signed etching by Pat Lear of an arched window in an interior (2)

£120-180

50 ‡

CAREl wEighT RA 1907-1997

There stood a man over against him with his sword drawn in his hand

Pen, ink and wash28.5 x 17.25cm

Provenance:Christie’s, March 1980Illustration to The Book of Joshua, Chap. 5, Published in Oxford Illustrated Old Testament, Vol 2, p.13, 1968

Exhibited:Royal Academy 1968

£400-600

51 ‡ SiR FRAnk BRAngwyn RA 1867-1956

Design for the North Chancel, St. Aidan’s Church, Leeds

Watercolour, the original executed in Rust’s vitreous mosaic198 x 54cm

Provenance:Royal Academy auction, June 1979

£2000-3000

48

49

5150


55 Edwin EdwARdS 1823-1897

Old Inn, Croscombe, Somerset

Signed, titled and dated 72 in the plateEtching18 x 22cm

£80-120

52 ‡

gwEndolEn RAVERAT 1885-1957

Peupliers

Signed, titled and inscribed indistinctlyWoodcut 11.5 x 10cm

£200-300

53 ‡

gwEndolEn RAVERAT 1885-1957

Anderson cutting out pictures

Signed, titled and numbered 16/50Lithograph11.5 x 10cm

£400-600

54 ERiC gill ARA 1882-1940

Portrait of Mrs. Williams of Ditchling, 1924

Woodcut22 x 15.5cm

£100-150

5655

56 AFTER williAM PowEll FRiTh RAScenes from The Road to Ruin

Five, all etchings by L. FlamengEach 34 x 44cm (5)

£400-600

52

5453


57 ‡

AllAn gwynnE-JonES RA 1892-1982

Various subjects including Southwold Fair, Rosie and The House at the Crossroads

Ten, all signed, some titled and datedAll engravings and etchings20 x 28cm and smaller (10)

£3000-4000

57

24

58 ‡

guy TAPlin b.1939

Whales

Two, one signed and titled versoBoth painted driftwood41cm long and 14cm long (2)

£800-1200

59 ‡

MARy MARTin 1907-1969

Rotation MM1, 1968

Sculpture with mirrors, published by Unlimited of Bath, an edition of c.10012.75 x 12.75 x 10cmIn 1932 Mary Martin started exhibiting with the London Group becoming a member in 1959. Her work became increasingly abstract at this time

£1000-1500

59

58

SCuLPTurEOther properties

25

60 ‡

gill PARkER b.1957

Youngster

Signed, dated 1985, and numbered 1/9Bronze17cm high (including plinth)

£600-800

61 ‡

gill PARkER b.1957

Precocious

Signed, dated 1985, and numbered 1/9Bronze17cm high (including plinth)

£600-800

60

61

26

62 ‡

dAVid wynnE 1926-2014

Antelope

Bronze on a green onyx base25cm high including base

£1000-1500

63 ‡

Jon AdAMS 20th Century

Lily Langtry, The Jersey Lily (1853-1929)

Signed, dated 13.10.03 and numbered 1/5Bronze on a marble base50cm high (including base)

£200-300

64 EngliSh SChool 20th Century

Pierced crucifix

Bronze29 x 21cm

£150-200

62

6463

27

65 ‡

JAMES BuTlER RA b.1931

Girl on a bed

Signed, dated 96 and numbered I/XBronze46cm long (including base), 25cm high

Provenance:Royal Academy of Arts Summer Exhibition, 1997, No. 875

£2000-3000

66 ‡

JAnE hAMilTon b.1950

African standing mother and child

Signed and numbered 6/10Bronze49.5cm high

£700-1000

66

65

28

67 ‡

MiChAEl AyRTon 1921-1975

Sleeping Minotaur

Numbered 10/12Bronze, with a separate base, both cast by Morris Singer Foundry7 x 5cm (base)

£1000-1500

6968

67

68 ‡ MiChAEl AyRTon 1921-1975

Narcissus

Numbered 14/75Etching, unframed14 x 17.5cm

£300-500

69 ‡ MiChAEl AyRTon 1921-1975

Without speaking

Lithograph46.5 x 59cm

Provenance:The Redfern Gallery, London, 30th November 1951, No. 231

£300-400

29

70 ‡


The Archilochos Series

Sixteen, all numbered 13/75All etchings, unframed in original portfolioEach 46 x 38cm (16)

£2500-3500

70

This highly skilled and evocative series of etchings turned out to be the last major creative work by Ayrton, they were ready for printing by November 1975 and he died suddenly on 16th November. He had been haunted by Achilochos, the first personal poet of the Greeks for many years saying ‘Archilochos is imprinted on me and I went looking for his ghost, on the islands of Paros and Thasos where he had lived in order to exorcise him by making etchings to illustrate his poems’.

30

71 ‡


Illustrations for the Suite Femmes/Hombres by Paul Verlaine

Fifteen, all artist’s proofs, numbered VI/XVAll etchings, 1971, unframed, in a later folioEach 29.5 x 39cm (15)Paul Verlaine (1844-1896) composed the erotic verses Femmes/Hombres in 1890/91 based on his experiences, especially is affair in 1870/71 with the young Arthur Rimbaud. The verses were not well received at the time of publication in 1903, after Verlaine’s death.

£1500-2500

71

31

72 JAMES ABBoTT MCnEill whiSTlER American 1834-1903

An archive of reproductions of his etchings, in three albums, detailing each state of the etchings illustrated

Each album, 40 x 31 x 7.5cm containing approximately 140 cards

£300-500


The Lime Burner

Etching, K 46.ii, 2nd state Thames Issue, mounted, unframed25.25 x 17.5cm (plate size); 27.75 x 20cm (sheet size)

£1500-2500

Lots 72 to 89 A private collection of prints


Thames Warehouses

Etching K 38 i, mounted, unframed7.75 x 20cm (plate size); 21.5 x 31.5cm (sheet size)

£600-800

7372

74

32 A private collection of prints


The Little Port

Etching, 8th state, mounted unframed, 10.5 x 12.25cm (plate size); 22.5 x 31.5cm (sheet size)

£400-600


La Marchande de Moutarde

Etching, 5th state, K 2215.75 x 8.5cm (plate size); 23 x 15.75cm (sheet size)

£300-500

77 ‡

EdMund BlAMPiEd 1886-1966

The Letter

Drypoint, 1925, mounted, unframed18 x 26cm (plate size)

£250-35075

7776

33A private collection of prints

78 williAM STRAng RA 1859-1921

Tinkers

Signed in the plateEtching, unframed17.5 x 22.5cm (plate size)With 4 further unframed etchings by Strang (5)

£400-600


The Old Bridge Toledo

SignedEtching25.5 x 28.5cm (plate size)Together with 3 further etchings by Seymour-Haden; L.C. Rosenberg and Rushbury (4)

£200-300


Old Walls and Roman Viaduct Segovia; Doorway of Santa Cruz, Toledo; Brick Field, Segovia; Burgos

Four etchings, all signed, part of the Spanish Etchings series published by James Maclehose and Sons, with original folio26 x 32cm (plate size) and smaller (4)

£200-300

78

79 80

34 A private collection of prints

82 williAM lionEl wylliE RA 1851-1931

View of the Thames, London

Signed, titled indistinctlyEtching, unframed11 x 10cmWith 8 further etchings and prints by different hands (9)

£200-300

83 FRAnCiS SEyMouR-hAdEn 1818-1910

Purfleet; The Upper Thames; River Scene

One signedThree etchings, all unframed14 x 21cm (plate size) and similar (3)

£150-250

84 ‡

JAMES MCBEy Scottish 1883-1959

Shipping on the Guidecca Canal, Venice; Sunrise at Tangiers

One signed and numbered VIII, from 1924, the second signed and numbered XVIII, from 1911 Both etchings, mounted, unframed19 x 38cm and 15 x 22cm (plate sizes) (2)

£200-300

85 EugènE BéJoT French 1867-1931

Le Quai Van Dyck, Anvers

Signed, also signed titled and dated 23 in the plateEtching23 x 28.5cm (plate size)With 8 further etchings by different hands (9)

£150-250

81 FREdERiCk lAndSEER gRiggS RA 1876-1938

The Cresset

SignedEtching19.5 x 27cm

£200-300

84

82 83

85

81

35A private collection of prints

86 ‡

gERAld lESliE BRoCkhuRST RA 1890-1978

Portrait of James McBey; Aglaia

Two, both signedBoth etchings, from 1931 and 192627 x 18.5cm and 12.5 x 8.5cm (plate sizes) (2)

£300-500

87 SiR EdwARd John PoynTER PRA 1836-1919

Portrait of Alphonse Legros

Etching, unframed26 x 17cm (plate size)With 7 further unframed etchings by Brangwyn; Burridge Pennell and others (8)In 1876 E.J. Poynter recommended Legros to succeed him as Professor of Fine Art at the Slade School

£250-350

88 SiR dAVid young CAMERon RA, RSA, RwS 1865-1945

Balquidder

SignedDrypoint, unframed23 x 32.75cmWith four further etchings by the same hand (5)

£300-500

89 ‡ MAx PiETSChMAnn german 1865-1952

The Bather

Etching27 x 19.5cm (plate size) With 10 further etchings and reproductions by different hands from The Studio Library (11)

£200-300

86

88

87

89

36

90 ARChiBAld ThoRBuRn 1860-1935

Studies of a fox

Signed with initials, inscribed and dated June 6. 1912Watercolour with pencil and bodycolour on buff paper24.5 x 35cm

Provenance:Sotheby’s Scottish Sale, September 2010, Lot 65

£2000-3000

91 williAM lionEl wylliE RA 1851-1931

The Thames at Westminster

Signed and dated 1909Watercolour16 x 28cm

Provenance:Bell Fine Art, Winchester

£800-1200

92 ‡

illingwoRTh VARlEy 1869-1942

Thatching a haystack

Watercolour23 x 31.5cm

£100-200

93 EngliSh SChool 20th Century

View across the fields to a village

Oil on board, with a further painting of a dock verso60.5 x 73cm

£200-30091

9392

90

9392

Other properties

37

94 hERBERT ThoMAS diCkSEE 1862-1942

The Prodigal

Signed in pencil, with blind stampEtching, published by Frost & Reed, 192646.5 x 36.5cm (plate size)

£200-300


Portrait of Thomas Hardy OM (1840-1928)

Signed and titledEtching35 x 23.5cmHardy regarded himself as primarily a poet but gained fame for his novels including Far from the Madding Crowd and Tess of the D’Urbervilles£300-500

96 ‡

SyliVA goSSE 1881-1968

Nude in a doorway; The ballet dancer; Girl on a bed

Three, two signedAll etchings29 x 18.5cm and smaller (3)

£200-300

97 ‡

ClAudE dE RoMEFoRT b.1918

St. Marks Square; The Doge’s Palace towards the Grand Canal

Two, both signedBoth watercolour with bodycolour on buff paperEach 28.5 x 43.5cm (2)

£200-300

98 ‡

SAMuEl John lAMoRnA BiRCh RA 1869-1955

Cottages at Sennen

SignedWatercolour over pencil18.5 x 23.5cm

£200-300

9897

94 95 96

38

100 ‡

ERnEST howARd ShEPARd 1879-1976 and

AlAn AlExAndER MilnE 1882-1956

Hoppity; Happiness; Vespers; Lines and Squares; Teddy Bear; The King’s Breakfast, illustrations from When we were very young

Six, all signed by author and artist and numbered 11/20All prints, unframed50 x 39.5cm and smaller (6)

£1500-2500

99 gEoRgE gASCoynE 1862-1933

Autumn Labour

Signed and dated 1900 also signed, titled and inscribed Blackchild Court, Sittingbourne, Kent versoOil on canvas93 x 138cm

Exhibited:London, Royal Academy, 1900, no. 238.

£4000-6000

99

100 102

101

101 ‡

STAnlEy AndERSon RA 1884-1966

Haymaking by a windmill

SignedEtching16.5 x 34cm

£150-200

102 ‡

dAVid STRAng 1887-1967 after george Clausen

Clavering Fields

Signed by both artistsEtching15 x 22.25cm

£100-150

39

103 ‡

JulES REné hERVé French 1887-1981

Derriere Notre Dame, Les Bouquinistes

Signed, also signed and titled versoOil on canvas64.5 x 80cm

£2500-3500

104 ‡

TEREnCE TEniSon CunEo oM, CVo, oBE 1907-1996

A meeting at the Royal College of Surgeons

SignedPencil heightened with red chalk25 x 30cm

£250-350

105 ‡

TEREnCE TEniSon CunEo oM, CVo, oBE 1907-1996

Stanley Holloway prepares to pick a quarrel with George Thorpe

Signed and titledPencil37 x 28cmA scene from Meet me at Dawn

£250-350

103

104 105

40

106 ‡

PETER BiEgEl 1913-1987

Copper Coin by Corner Boy and Penny Farthing (by Penny Royal, winner of EBOR)

Signed and dated 67Watercolour37.5 x 54cmInscribed in different hand verso A great hunter, bred and hunted all life by Jean Wilkinson

£600-800

107 108

106

107 ‡


A chestnut hunter by a stable, possibly at Uppark House

SignedWatercolour on buff paper38.5 x 52.25cm

£500-700

108 ‡


A brown hunter in a landscape

Signed and dated ‘54Watercolour on buff paper39 x 52.25cm

£500-700

41

109 ‡

FRAnCES MABEl hollAMS 1877-1963

Jo, a grey show cob

SignedOil on panel38 x 51cmWith a photograph of Jo wearing a rosette at the Horse of the Year Show (2)

£2000-3000

110 ‡

FRAnCES MABEl hollAMS 1877-1963

Freddy, a chestnut hunter in a stable

Signed and inscribed FreddyOil on panel38 x 51cm

£1500-2000

111 ‡

E. R. hood early 20th Century

A racehorse in a landscape

SignedOil on panel33 x 40.5cm

£200-300

111110

109

42

114 ‡

RoBERT TREnEMAn BACk 1912-2004

Late 19th Century Collier brig at Pevensey Martello tower looking east toward Bexhill

Signed, titled and dated 1972 versoOil on canvas17.5 x 25cm

£200-300

112 John whiTE Ri, Roi 1851-1933

Coastal view

SignedOil on panel21 x 36cm

£150-250

113 ConTinEnTAl SChool early 20th Century

Drying Sails, St. Tropez

Signed indistinctlyOil on canvas34 x 44cm

£300-500

114113

115 116

112

115 ‡

JoSEF PRoChAzkA Czech 1909-1984

Late autumn woodland

SignedOil on canvas32 x 42cm

£150-250

116 ‡ R. MCFAddEn 20th Century

The road across Southampton Common to Highfield

Signed and titled on a label versoOil on canvas25.5 x 35.5cm

£200-300

43

117 ‡

kATE gREEnAwAy Ri 1846-1901

Children with a goat and cart; Teasing crabs

A pair, both signed with initialsPen, ink and watercolour on buff paperEach 5.5 x 7.5cm approx. (2)

£1500-2000

118 John williAM godwARd 1861-1922

Dolce Far Niente; The betrothed

A pair, both signed and stampedBoth prints published by Thomas McLean, 1898Each 40 x 65cm and 33 x 65cm (image size) (2)

£400-600

119 AFTER ChARlES JohnSon PAynE, SnAFFlES Gentlemen Unafraid

Signed, blind-stamped and with remarques to backing paperReproduction28 x 50.5cm

£200-300

119

117

118

44

120 ‡

hugo golli CAllEd VAllin b.1921

Gondola on a Venetian waterway


Provenance:Omell Galleries, London

£800-1200

121 ‡

SiR FRAnk BRAngwyn RA 1867-1956

The sandpit

Signed with initialsOil on canvas laid on board44.5 x 54cm

Provenance:Hartnoll & Eyre, London, 5/3/69

£600-800

122 ‡

oSkAR lARSEn Austrian 1882-1972

The union of earth and water

Signed and dated 1928Oil on canvas26.5 x 53cm

£300-400

120

121

122

45

123 ‡

AuguSTuS Edwin John oM, RA 1878-1961

Study of a female standing nude, possibly Vivien

SignedPen, ink and wash44 x 24.5cm

Provenance:By direct descent from Euphemia Lamb

£2000-3000

124 ‡


Study of a female standing with raised arm

Pencil44.5 x 27.5cm


£1500-2000

125 ‡


Studies of a female standing nude

Pencil34 x 23.5cm


£1000-1500

126 ‡


First World War soldier

SignedPencil44 x 29cm

£500-700

123

125

124

126

46

127 williAM wAllS 1860-1942

Polar bears sleeping


£150-250

128 ‡

gEoRgE hAMMond STEEl 1900-1960

The haycart

Signed and dated 37Watercolour on buff paper21 x 26cm

£150-250

129 ‡

CliFFoRd C. wEBB RBA, ARE 1895-1972

Sheep grazing in a field

SignedWatercolour36 x 52cm

£100-200

130 FREdERiCk John widgERy 1861-1942

Near Perranporth, Cornwall

SignedGouache on cream paper27 x 44.5cm

£200-300

131 gEoRgE MARkS 1857-1933

The Wye above Lydbrook

SignedWatercolour24 x 36cm

£200-300

131130

127

128 129

47

132 ‡

BARRy MASon b.1947

Off the Fastnet, Dreadnought 1853

Signed, also signed, titled and dated 75 versoOil on canvas61 x 92cmDreadnought, a three-masted medium clipper was built in 1853 by Currier and Townsend of Massachusetts. She made 31 round trips between New York and Liverpool from 1853-1864. In 1869 she was wrecked off Tierra del Fuego, the crew were rescued after 17 days in 2 ship’s boats

£2000-3000

133 ‡

noRMAn wilkinSon 1878-1971

The landing in Suvla Bay, Gallipoli, 7 August 1915; Suvla Bay attack 21 August, 1915

A pair, both signed, titled Suvla Bay and dated 1915, also inscribed in pencil with details of the battle and names of the shipsBoth watercolourEach 34 x 54cm (2)This action was an attempt to kick start the Gallipoli campaign by linking with a breakout from the Anzac sector. However the landings went wrong, despite Ottoman resistance of only 1500 soldiers and the planning and execution were later severely criticised

£700-1000

133

132

48

134 ‡

Lazarro Pasini italian 1861-1949

On the Amalfi Coast, possibly Capri


£300-500

135 ‡

Mervyn Peake 1911-1968

Coastal landscape with a rainbow, probably Alderney or Sark

Signed and dated Christmas 1945 and dedicated to Ruth Marshall, wife of Howard, the Voice of Cricket Watercolour17 x 24.5cm

£300-400

136 ‡

CLaude MunCaster 1903-1974

Drakensburg Mountains

Signed Watercolour34 x 50cm

£100-200

137 ‡

Hubert artHur Finney 1905-1991

Nauplia, Greece

Signed, titled and dated 1961watercolour, unframed24 x 35cmWith 6 further signed, unframed watercolours by the same hand (7)

£200-300

138 HoraCe Mann Livens 1862-1936

Shifting stones

Signed and dated 07Watercolour over pencil27.5 x 37cm

exhibited:New Grafton Gallery, London, 31.1.74

£200-300

134

138137

135 136

49

139 ‡

Montague dawson 1895-1973

The pilot cutter

SignedGouache41.5 x 62cm

£4000-6000

140 ‡

george graHaM 1882-1949

Rochester Harbour


£1000-1500

141 engLisH sCHooL 20th Century

View of a coastal clifftop castle, previously thought to be Barnburgh Castle

Oil on canvas43 x 58.5cm

£200-300

139

140 141

50

142 JaMes beLL anderson rsa scottish 1886-1938

Portrait of a woman, seated, the artist reflected in the mirror

Signed and dated 1921Oil on canvas102 x 127cm

Provenance:Lauraine Diggins Fine Art, Melbourne, Australia

£2000-3000

142

51

143 ‡

Frank o. saLisbury 1874-1962

Portrait of Nancy

Signed, also signed, dated 1927 and inscribed versoOil on canvas91 x 71cm

Provenance:By direct descent from the artist

£1000-1500

144 deLPHin enJoLras French 1857-1945

A lady at her dressing table


£3000-5000

145 Harry JoHn Pearson 1872-1933

Portrait of a girl in a sailor suit

SignedOil on canvas, unframed61 x 51cm

£300-500

146 Harry JoHn Pearson 1872-1933

Portrait of a lady in a floral robe


£300-500

143

145

144

146

52

147 tHoMas HenneLL 1903-1945

Sheep in a wooded grove

Signed and dated 1939Pen, ink and watercolour30 x 41cm

£500-700

148 tHoMas HenneLL 1903-1945

Farmland view with a plough

Signed and dated 1943Pen, ink and watercolour30 x 46.5cm

£600-800

149 ‡

donaLd watson 1918-2005

Duck on an estuary

Signed and dated 1948Watercolour and bodycolour43 x 63cm

£200-300

150 ‡

FeLiks toPoLski Polish 1907-1989

Polish depot ship

TitledPen, ink and wash14 x 18cm

£200-300

147

149 150

148

53

151 ‡ dunCan grant 1885-1978 after Peter Paul rubens

Peace and War

Signed with initials and inscribed Rubens, also inscribed on backing board verso For Anita and Bill from Paul R. gratefully, April 1979Pencil and chalk23 x 33cm

Provenance:Given to the author Anita Lesley by Paul RocheBy descent to the vendor

£400-600

152 ‡

robin tanner 1904-1988

December, Elegy for the English Elm

SignedEtching 29.5 x 23.5cm

£200-300

153 ‡


April

SignedEtching 20.5 x 23cm

£200-300

154 ‡


August in Wiltshire

Signed and dated 1976Etching 23.5 x 29.5cm

£200-300

154

151

152

153

54

155 ‡

Constantine PartHenis greek 1878-1967

A woman bearing a bowl of fruit

SignedPastel on linen41.5 x 28.5cm

£1000-1500

156 PHiLiP sutton b.1928

Christina

Signed and titledWatercolour60 x 44.5cm

£150-250

157 ‡

PerCy ivor Hunt 1903-1971

Seated nude

SignedWatercolour, unframed37.5 x 53.5cm

£150-200

158 ‡

katHerine Mary Fryer rbsa 1910-?

Interior with flowers on a table


£100-200

159 ‡

Portia Mary bennett 1898-1989

Misty landscape

SignedWatercolour27 x 26.5cm

£150-200

155

156

158

157

159

55

160 ‡

sir wiLLiaM russeLL FLint Prws, ra 1880-1969

Bellegra from near Subiaco

Signed and titled, also, signed, inscribed To my old and dear friend, Ernest Proctor Dawbarn, with warmest good wishes, and dated 1 Dec 1950 on a label versoPen, ink and wash on pale grey paper19.5 x 34.5cm

Provenance:Marshall Spink Ltd., London

£800-1200

161 ‡

edward seago rws 1910-1947

The basket seller, Essaouira, Morocco

SignedWatercolour over pencil37 x 26.5cm

Provenance:Richard Green, London, RH 441The Wykeham Galleries, Stockbridge

£2000-3000

160

161

56

162 ‡

JoHn striCkLand goodaLL 1908-1996

Lorne Cottage garden, the artist’s house

SignedWatercolour with bodycolour36 x 49cm

Provenance:Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s

£300-500

163 ‡


Billy Henderson’s garden

Watercolour with bodycolour37 x 53.5cm

Provenance:Christopher Wood Gallery, London, No. C0182Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s

£300-500

164 ‡


House in Corfu, probably Giles Eyre’s house

SignedWatercolour with bodycolour36.5 x 52.5cm

Provenance:Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s

£300-500

165 ‡

neviLLe Lewis 1895-1972

Portraits of Hugh Gwynne Levick’s house boy, head and shoulder studies

A pair, both signedBoth oil on panelEach 24 x 24cm (2)

£500-800

166165

162

164

163

57

166 CirCLe oF MaxweLL arMFieLd Still lifes of flowers

Four, all gouacheEach 28 x 20cm (4)

£300-500

167 ‡

CHristoPHer riCHard wynne nevinson ara 1889-1946

Three boys bathing in the sea

SignedOil on canvas35.5 x 25.5cm

£3000-5000

168 ‡

saLoMon van abbé 1883-1955

Illustrations from the Tanglewood Tales

Five, four signedAll watercolour with bodycolourEach 29.5 x 19.5cm (5)

£250-350

169 MiCHaeL ryasnyanskiy russian 1926-2003

Russian soldiers at Stalingrad, c.1955

Inscribed in pencil verso, possibly in another hand, also painted with a study and inscribed verso Purchased from the artist’s studio Kiev c.1991Oil on canvasboard38 x 19cm

£200-300

170 aLiCe Maud Fanner 1865-1930

Autumn, Lake Garda

Signed, also signed and titled versoOil on board34.5 x 25cm

Provenance:Walker’s Galleries, New Bond Street, London Memorial Exhibition 1931, no. 41

£600-800

170169168

167

58

171 ‡

sir CeCiL beaton Cbe 1904-1980

The Squash Player


Provenance:Exhibition of works by Cecil Beaton, Shaftesbury Art Centre 1976, purchased by Lieut. Colonel and Mrs Wilson

£400-600

172 ‡

sir geraLd Festus keLLy Pra 1879-1972

Sulamani pagoda, moonlight

Titled and dated Jan-Feb 1909 versoOil on panel21.5 x 27cm

£600-800

173 ‡

robin waLLaCe 1897-1952

Still life of mushrooms

Signed, also signed and titled versoOil on canvas-board30.5 x 40.5cm

£200-300

174 beLgian sCHooL 20th Century

Still life with a bottle and clogs


£200-300

171 172

173 174

59

175 ‡

Jeanette Leuers b.1942

A Summer’s Day

Signed, also signed, titled and dated 88 versoOil on canvas40.5 x 50.5cm

£800-1200

176 ‡

PauL gunn b.1934

View of Bosham

Signed, also signed, titled and dated 1992 versoOil on panel20 x 30cm

£150-250

177 ‡ baroness ines taxis 20th Century

The Challenge


Provenance:Inscribed on a label verso The Royal Society of British Artists Art Club

£200-300

178 ‡ riCHard sHirLey sMitH b.1935

Shelley’s poems

Forty two, all signed, titled, dated 71 and numbered 5/25All wood engravings, unframed in original folderEach 22.5 x 15cm

£600-800

175

176 177

178

60

179 ‡

wiLFred gabrieL de gLeHn ra 1870-1951

The Palladian Bridge, Wilton Park

Oil on canvas, unframed51 x 76cm

£2500-3500

180 ‡


The Church

Oil on canvas51 x 61cm

£2500-3500

180

179

61

181 ‡


Stratford Tony, Manor House from the walnut tree

Signed with initials and titled versoOil on canvas, unframed56 x 71cm

£2000-3000

182 ‡


Autumn elm trees

Inscribed and dated Stratford Tony, Wilts, 1947 versoOil on canvas, unframed64 x 77cm

£1500-2000

181

182

62

183 ‡


Reclining nude, Jane de Glehn

Red chalk30.5 x 50.5cm

Provenance:David Messum, Studio Collection, 768

£300-500

184 ‡

sir david MuirHead bone rws scottish 1876-1956

Winchester, Great Minster Street

Signed and dated 1914, inscribed on a label versoPencil and wash15.5 x 19.5cm

£400-600

185 ‡

dennis Page b.1926

Window shopping, Burlington Arcade


Provenance:Wykeham Gallery, Stockbridge

£200-300

186 ‡

JoHn yardLey b.1933

Donkey Ride

SignedWatercolour over pencil24 x 34cm

Provenance:Wykeham Gallery, Stockbridge

£200-300

183

184

186185

63

187 ‡ CyriL J. ross 1891-1973

Still life of tulips in a vase


£250-350

188 ‡

M. a. MatHers 20th Century

A bather in an interior


£200-300

189 Mary MCevoy 1870-1941

Still life of tulips in a vase


Provenance:Sheffield Art Galleries, No. H.L. 5092

£150-250

190 ‡

CeCiL H. birtwHistLe 1910-1990

A Sheffield Street

Signed and dated 59Watercolour36 x 52.5cm

£200-300

191 ‡

CeCiL H. birtwHistLe 1910-1990

London street scene; Blasted trees, Richmond Park

A pair, both signed, one dated 47Both oil on canvas, unframedEach 61 x 51cm (2)

£150-250

187

188

190

189

191

64

192

aLPHonse van beurden belgian 1878-1916

Still life of flowers with a plate and a dish


£400-600

193 ‡

eMMa FauLL b.1956

Studies of parrots

Three, two signed and dated 84 and 85All watercolour37 x 44.5cm and smaller (3)

£200-300

194 ‡

CHarLes Harvey 1895-1970

The yacht club Dartmouth Harbour

SignedOil on board with a further oil sketch verso37 x 45.5cm

£300-500

195

kate wyLie 1877-1941

Still life of spring flowers in a jug


£300-400

196 ‡

M. a. MatHers 20th Century

Evening Glow, Singleton, Sussex, April 1918


£200-300

194

192

193

196195

65

197 ‡

daMe Laura knigHt ra 1877-1970

Alice with Kitty and her Donkeys on the Malvern Hills


Provenance:The Leicester Galleries, London, The Works of Dame Laura Knight R.A. April 1939 no. 21, On the Hill Top, purchased by Mrs E.J.H. MerryFrom 1929 onwards Harold and Laura Knight spent time in Malvern, especially during the Malvern Festival. Here they met Alice Betteridge who rented her pony, Kitty and two donkeys for rides in the Malvern Hills. Knight painted two versions of this group

exhibited:London, Royal Academy of Arts, 1965, no 49

£20000-30000

198 ‡

CLarenCe e. bLaCkburn 1914-1984

Circus life


£800-1200

197

198

66

199 ‡

ken Moroney b.1949

Three girls on the sand dunes


Provenance:Hollywood Road Gallery, Chelsea

£400-600

200 ‡

ken Moroney b.1949

A view of Blackpool Tower

Signed, also stamped versoOil on board23 x 18cm

£250-350

201 ‡

ken Moroney b.1949

Ladies in Paris

SignedOil on board30.5 x 24.5cm

£300-500

202 ‡

ken Moroney b.1949

Ladies at the seaside

SignedOil on board24.5 x 30.5cm

£300-500

203 ‡

ken Moroney b.1949

Gondola in the mist, Venice


£300-500

201

203

199

200

202

67

204 ‡

ken Moroney b.1949

Figures on a beach; Harbour scene

Two, both signedBoth oil on board19 x 24cm and 14 x 16cm (2)


£250-350

205 ‡

ken Moroney b.1949

Beach scenes

Two, both signedBoth oil on board, framed as a pairEach 27 x 22cm (2)


£400-600

206 ‡

PaM MasCo b.1953

Misty Canal, Venice


Provenance:The City Gallery, London, 13th Sept. 1996

£150-200

205

204

206

68

207 ‡

PatriCia Moran b.1944

Roses and Iris in a jug


£600-800

208 ‡

georges bierand belgian 1895-c.1953

Still life of rhododendrons

Signed Oil on canvas69 x 89cm

£500-800

209 ‡

sHeiLa MaCLeod robertson rsMa b.1927

St. Brelades Bay, Jersey


exhibited:The Mall Galleries, London

£400-600

210 andré PetroFF russian 1893-1975

Still life of roses

Signed, also signed and dated V ‘64 versoMixed media on board60 x 73cm

£300-500

211 ‡ denis MatHews welsh 1913-1997

A public meeting in China

SignedWatercolour and bodycolour48 x 59cm Mathews visited China in the late 1950s and early 1960s

£150-250

211

208207

209

210

69

212 ‡

otHon Coubine Czech 1883-1969

Table still life

SignedOil on panel27 x 35cm; 10½ x 13¾in

£1000-1500

213 artHur baker CLaCk australian 1877-1955

Cottages on the water

SignedOil on board7.5 x 21cm

£400-600

214

212

213 215

214 ‡

ida siMPson 1898-1977

Still life of fruit and a jug


£300-500

215 ‡

ida siMPson 1898-1977

Figures in a continental street, possibly Spain


£300-500

70

216 ‡

orestis kaneLLis greek 1910-1979

Girls in an interior


Provenance:Sotheby’s, London, 18th November 2003, lot 139

£2000-3000

217 ‡

david reMFry ra b.1942

Still life with Easter eggs


£300-400

218 ‡

sir HugH Casson Pra 1910-1999

Sea Wall Freshwater; Squall over Brownsea Island

Two, both signed with initials and titledBoth watercolour9 x 14cm and 7 x 15.5cm (2)

£200-300

219 ‡

LesLie gooday obe 1921-2013

Flowers on a coloured cloth


Provenance:The estate of the Artist

£100-150

220 ‡

LesLie gooday obe 1921-2013

Abdo nagi pot and pears

SignedAcrylic on board27.5 x 30cm

Provenance:The estate of the Artist

£100-150

220

218

216

217

219

71

221 ‡

JoHn yardLey b.1933

The pony; Fishing

Two, both signedBoth watercolour23.5 x 30.5cm and 25 x 34cm (2)

Provenance:Fishing only - The Wykeham Gallery, Stockbridge

£300-500

224 ‡

geoFFrey dasHwood b.1947

Study of a pintail

SignedPastel on grey paper28.5 x 42.5cm

£150-200

225 ‡

Martin brooks 20th Century

Heron in a landscape


£150-250

222 ‡

rodger MCPHaiL b.1953

Oyster catchers in a landscape


£400-600

223 ‡

rodger MCPHaiL b.1953

Salmon fishing - summer

SignedWatercolour28.5 x 30cm

Provenance:The Tryon Gallery, London

£300-500

224

222

221

223

225

72

226 ‡

CorneLius arnoLd sMitt dutch 1914-1977

Dalmation


£150-200

227 ‡

david vivian 20th Century

Portman Hunt Race 4pm, 1965; I.O.W. Adjacent Hunts 4.30, 7.5.66

A pair, both signed and titledBoth oil on canvasboardEach 46 x 71cm (2)

£200-400

228 ‡

dougLas anderson b.1934

Pheasants in dappled shade


£300-500

229 ‡

dougLas anderson b.1934

Otter and salmon


£300-500

229

226

227

228

73

230

HoraCe asHer brodsky australian 1885-1969

Groups of men and women in conversation and contemplation

Three, all signed and dated 60, 63, 64All oil on boardEach 14 x 24.5cm and 14 x 22cm (3)

£600-800

231 ‡ stanLey griMM1891-1966

Flower piece, Anemones


£300-500

232 ‡

aFter MarC CHagaLLFrom The window of Jerusalem

Numbered LXVIII/LXXVLithograph61 x 46cm

£300-500

233 ‡

JoHn eLwyn 1916-1997

Dyfed landscape; The remote Welsh landscape

Two, both signed, also both signed and titled on backing board versoBoth acrylic on board15.5 x 26cm and 20 x 30cm (2)

£300-500

230

231 232

233

74

234 robert reMsen viCkrey american 1926-2011

Sister of Charity

SignedTempera on board30 x 40cm

£1000-1500

235 ‡ PruneLLa CLougH 1919-1999

Headstone 1992

SignedWatercolour, collage and gouache on paper41 x 43.5cm

Provenance:The Estate of the artistAnnely Julia Fine Art

exhibited:Tate Britain, Prunella Clough, 24th March - 27th August 2008

£800-1200

234

235

75

236 ‡

daMe eLisabetH Frink ra 1930-1993

Herakles in the Lion’s Mask

Signed, titled and numbered 26/70Etching with aquatint, from the series Children of the Gods53.5 x 37.5cm (plate size)

£500-800

237 ‡

Frank dobson ra 1886-1983

Montignac sur Vézère, Dordogne, France

Signed and dated 52Pen, ink and watercolour44 x 34.5cm

£400-600

238 ‡

Frank dobson ra 1886-1983

Figure studies

Coloured chalks on buff paper24 x 15.5cm

£300-500

236

237 238

76

239 ‡

edward PiPer 1938-1990

Reclining nude

Dated 26 IX 79Watercolour50 x 37cm

£400-600

240 ‡

JoHn PiPer 1903-1992

9 Tickencote, Rutland: The Norman Chancel Arch, 1964

Signed and numbered 28/70Lithograph58 x 80cm

£500-700

241 ‡ PatriCk ProCktor ra 1936-2003

A Japanese play

Signed and numbered 27/500Aquatint27 x 68.5cm

£100-150

242 ‡

Linda sutton b.1947

They met by candlelight

Signed, also signed and titled versoMixed media on board63 x 57cm

£300-500

239

241

240

242

77

243 ‡

aLan davie ra 1920-2014

Painting

Signed and dated 59Oil on board42 x 53.5cm

Provenance:Gimpel Fils Gallery London, April 1962

£10000-15000

244 PauL Jenkins american 1923-2012

Phenomena Upper Left


Provenance:Galerie Farber, Brussels, 1974, No. 763

£2000-3000

243

244

78

245 ‡

david graHaM b.1926

The golfer

Signed, also dated 25.5.2005 verso Oil on canvas64 x 49.5cm

£300-500

246 ‡

JuLian treveLyan ra 1910-1988

Chiswick Eyot, 1971

Signed, titled and numbered 64/75Aquatint35 x 48cm

£200-300

247 ‡

antHony rossiter 1926-2000

Wet evening in Connemara

Signed with initials and dated 95 twiceWatercolour and gouache, mounted, unframed35 x 54cm

£200-300

248

247

245

246

248 ‡

Max guntHer german 1934-1974

Piccadilly Circus with the Shaftesbury Memorial Fountain (Eros)


£200-300

79

249 ‡

JoHn bratby ra 1928-1992

John Bratby as Joss Ackland and Patti after the rain

Signed Oil on canvas121 x 91cmPainted in July 1990

£600-800

250 ‡

Fred yates 1922-2008

A country house


£800-1200249

250

80

251 ‡ Laurence Stephen Lowry ra 1887-1976

St. Luke’s Church, Old Street, London

Signed, stamped and numbered 850/558Colour lithograph, published 197361 x 46cm

£1500-2500

252 ‡

Simon paLmer b.1956

Towards the Vale

Signed and titledWatercolour40.5 x 33cm

provenance:Forest Gallery Fine Art, Guildford

£800-1200

253 ‡

DaviD inShaw b.1943

Lake landscape

Signed dated and numbered 4/45Etching with aquatint40 x 33cm

£100-200

254 ‡

Dora hoLzhanDLer 1928-2015

Spring


£5000-8000251

253252

81

254

82

255 ‡

rowLanD hiLDer 1905-1993

Landscape near Cowden, Kent

Signed, also signed, titled, inscribed and dedicated to Treen and Betsy Hare versoOil on canvas77 x 102cm

£4000-5000

255

83

256 ‡

marceL Dyf french 1899-1985

Calle du Passage, South Brittany, Golfe de Morbihan

SignedOil on canvas60 x 72.5cm

provenance:Painted in 1980, No. ID 2969

£5000-7000

256

84

257 ‡

freDerick Gore ra 1913-2009

Roses d’Inde et Pastis

Signed, also signed and titled on stretcher versoOil on canvas76 x 101.5cm

£8000-12000

258 ‡

freDerick Gore ra 1913-2009

Trafalgar Square, London

Signed and dated 89Oil on canvas61 x 45.5cm

£4000-6000

257

85

258

86

259 ‡

Sophie ryDer b.1963

Hare head and naked ladies dancing

Signed and dated 95Mixed media with collage89 x 120cm

£800-1200

260 ‡

Geoffrey robinSon b.1945

Untitled

Signed and dated 92Mixed media on board58 x 89cm

£800-1200

259

260

87

261 ‡

Geoffrey robinSon b.1945

Two vases, 2000

SignedAcrylic on canvas laid on board48 x 38cm

£700-900

262 ‡

John hitchenS b.1940

Valley Grey

Signed, also signed, titled and dated 1968 on the stretcher versoOil on canvas32 x 47cm

£400-600

263 ‡

roGer ceciL 1942-2015

Figure series II

Mixed media49 x 45cm

£200-300

261

262 263

88

264 ‡

JameS huLL 1921-1990

Untitled

Signed and dated III 86Gouache60 x 91cm

£800-1200

265 ‡

GeorGe Dannatt 1915-2009

Collage composition in yellow and black

Signed, titled and dated 1981 versoMixed media with collage12 x 13cm

provenance:Paisnel Gallery, London

£900-1200

266 ‡

GeorGe Dannatt 1915-2009

July Convergence

Signed, titled and dated 1994 versoOil on softboard12 x 25.5cm

£800-1200

264

266

265

89

267 ‡

aDrian heath 1920-1992

Composition

Signed and dated 77Mixed media75 x 55cm

£2500-3500

268 ‡

eDwarD woLfe ra 1896-1981

Still life, 1930s

SignedOil on canvas-board33 x 39cmSold with a book by John Russell-Taylor on the artist (2)

£1400-1600

267

268

90

269 ‡

bankSy b.1974

Laugh now but one day we’ll be in charge; Keep it real

Four, colour silkscreens on record sleeves with vinyl recordsAll signed in the print, the records numberedEach 30.5 x 30.5cm (4)

£400-600

272

269

270

271

270 ‡

manner of roy LichtenStein Star Trek

Reproduction70 x 149cm

£200-300

271 ‡

D* face / Dean Stockton 20th/21st century

I feel bad

LithographSigned, also signed with a cipher 195 x 116cm

£200-300

272 ‡

marceL Janco 1895-1984

Dragomir & Cotadi

Signed and dated 19692-sided colour lithograph, unframed38.5 x 56.3cm

£100-150

91

273 ‡

henry cLiffe 1919-1983

Untitled, black and green puzzle shape, c.1975

Pastel, unframed52 x 63.5cm

£150-250

274 ‡


Untitled, black and white with stripes, c.1975


£150-250

275 ‡


Untitled, blue with black arch

Signed and dated ‘74Gouache, unframed52 x 63.5cm

£200-300

276 ‡


Untitled, red and blue stripes with yellow and green, c.1975


£150-250

277 ‡


Black and white abstracts

Two, both watercolour, unframedEach 76.5 x 56.5cmWith a smaller signed, untitled abstract by the same hand (3)

£250-350

277

273

275

274

276

92

278 ‡


Standing nude

Two both watercolour, unframedEach 55 x 38cmWith an untitled abstract by the same hand (3)

£250-350

279 ‡


Untitled, red with spiral, c.1975

Gouache, unframed52 x 63.5cm

£150-250

280 ‡


Untitled, blue, black yellow, c.1975

Gouache, unframed52 x 63.5cm

£200-300

281 ‡


Untitled, blue square and arrow, c.1975


£150-250

282 ‡


Untitled

Signed and dated ‘70Mixed media, unframed52 x 63.5cm

£200-300

282

278

280

279

281

93

283 ‡


Rear view and black and white abstracts

Three all watercolour, unframedEach 76 x 56cmWith an untitled abstract print by the same hand (4)

£300-500

284 ‡


Standing nude

Two both watercolour, unframedEach 55.5 x 38cmWith an untitled, unframed abstract by the same hand (3)

£250-350

285 ‡

raLph aDron b.1937

Black and white; Gouache Hands Hexagonal; Gouache Hands; Untitled, c.1965

Four, all signed (one with initials) and three dated 1965, two also dated versoAll gouache on coloured papers, unframed32.5 x 50cm (2 of 4); 35 x 49cm and 22 x 28cm (sheet sizes) (4)

£250-350

285

283

284

94

286 ‡

anthony benJamin 1931-2002

Untitled

Seven, three signed and four dated between 1958-1961All gouache on paper, unframed35 x 50cm (4 of 7) and 3 smaller (7)

£400-600

287 ‡

Jeanne maSoero b.1937

Abstract in red and green

Signed and dated versoOil on canvas, unframed91.5 x 91.5cmWith a copy of the book Jeanne Masoero, A Survey by Sacha Craddock (2)

£800-1200

288 ‡

keith miLow b.1945

Untitled, 1978; Drawing for Series, 123456…A/B, 1970; Sketch for Drawing for Series, 123456…A/B, 1970;

Four, three signed, dated and two inscribed For Stephen and For Stephen with much loveOne watercolour and collage, three pencil on graph paper, all unframed57 x 77cm (2 of 4); 35 x 43cm (2 of 4) (4 in total)

£150-250

289 ‡

keith miLow b.1945

Seated figure, 1966/74; Jeans, 1966/74; JRRB, 1966/74

Two signed and dated 66 and 74Three, all pencil, unframedAll 76 x 56cm (3)

£150-250

290 ‡

keith miLow b.1945

Philip Johnson, 1967

Signed, dated ‘67 and inscribed For StephenWatercolour on orange paper, unframed52 x 77cm

£150-200

288

287

286 289

290

95

INDEX OF ARTISTSAAbbé, Salomon van 168Adams, Jon 63Adron, Ralph 285Anderson, Douglas 228, 229Anderson, James Bell 142Anderson, Stanley 101Ardizzone, Edward 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26Armfield , Circle of Maxwell 166Ayrton, Michael 67, 68, 69, 70, 71BBack, Robert Treneman 114Banksy 269Barker, David Walker 43Beaton, Sir Cecil 171Béjot, Eugène 85Belgian School 174Benjamin, Anthony 286Bennett, Portia Mary 159Beurden, Alphonse van 192Biegel, Peter 106, 107, 108Bierand, Georges 208Birch, Samuel John L 98Birtwhistle, Cecil H. 190, 191Blackburn, Clarence E. 198Blampied, Edmund 77Bone, Sir David Muirhead 184Bowey, Olwyn 31Boyde-Harte , Glynn 42Brangwyn, Sir Frank 51, 121Bratby, John 249Brockhurst, Gerald Leslie 86Brodsky, Horace Asher 230Brooks, Martin 225Butler, James 65CCameron, Sir David Young 88Casson, Sir Hugh 218Cecil, Roger 263Chagall, After Marc 232Clack, Arthur Baker 213Clausen, after George 102Cliffe, Henry 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 284Clough, Prunella 235Continental School 113Coubine, Othon 212Cuneo, Terence Tenison 104, 105DDaly, Jehan 47Dannatt, George 265, 266Dashwood, Geoffrey 224Davie, Alan 243Dawson, Montague 139Delphin Enjolras 144Dicksee, Herbert Thomas 94Dobson, Frank 237, 238Dufy, Raoul 41Dunstan, Bernard 37Dyf, Marcel 256EEdwards, Edwin 55Elwyn, John 233English School 64, 93, 141FFanner, Alice Maud 170Faull, Emma 193Finney, Hubert Arthur 137Flint, Sir William Russell 160Frink, Dame Elisabeth 236Frith, After William P 56Fryer, Katherine Mary 158GGarrow, Simon 32

Gascoyne, George 99Gill, Eric 54Glehn, Wilfred Gabriel de 179, 180, 181, 182, 183Godward, John William 118Golli, Hugo called Vallin 120Goodall, John Strickland 162, 163, 164Gooday, Leslie 219, 220Gore, Frederick 257, 258Gosse, Syliva 96Graham, David 245Graham, George 140Grant, Duncan 151Greenaway, Kate 117Greenham, Peter 35, 36, 38Griggs, Frederick L 81Grimm, Stanley 231Gunn, Paul 176Gunther, Max 248Gwynne-Jones , Allan 48, 57HHamilton, Jane 66Harvey, Charles 194Heath, Adrian 267Hennell, Thomas 147, 148Hervé, Jules René 103Hilder, Rowland 255Hitchens, John 262Hollams, Frances Mabel 109, 110Holzhandler, Dora 254Hood, E. R. 111Hull, James 264Hunt, Percy Ivor 157IInshaw, David 253JJanco, Marcel 272Jenkins, Paul 244John, Augustus Edwin 123, 124, 125, 126KKanellis, Orestis 216Kelly, Gerald Festus 172Knight, Dame Laura 197LLaboureur, Jean Emile 49Larsen, Oskar 122Lessore, Thérèse 44Leuers, Jeanette 175Lewis, Neville 165Livens, Horace Mann 138Lowry, Laurence Stephen 251MMarks, George 131Martin, Mary 59Masco, Pam 206Masoero, Jeanne 287Mason, Barry 132Mathers, M. A. 188, 196Mathews, Denis 211McBey, James 84McEvoy, Mary 189McFadden, R. 116McPhail, Rodger 222, 223Milne, Alan Alexander 100Milow, Keith 288, 289, 290Moore, Henry 40Moran, Patricia 207Moroney, Ken 199, 200, 201, 202, 203, 204, 205, Muncaster, Claude 136NNevinson, Christopher R W 167PPage, Dennis 185Palmer, Simon 252Parker, Constance A 45

Parker, Gill 60, 61Parthenis, Constantine 155Pasini, Lazarro 134Payne, After C J (Snaffles) 119Peake, Mervyn 135Pearson, Harry John 145, 146Petroff, André 210Pietschmann, Max 89Piper, Edward 239Piper, John 240Poynter, Sir Edward John 87Prochazka , Josef 115Procktor, Patrick 241Pryde, James Ferrier 39RRaverat, Gwendolen 52, 53Ravilious, Eric 27, 28, 29Remfry, David 217Robertson, Sheila MacLeod 209Robinson, Geoffrey 260, 261Romefort, Claude de 97Ross, Cyril J. 187Rossiter, Anthony 247Ryasnyanskiy, Michael 169Ryder, Sophie 259SSalisbury, Frank O. 143Seago, Edward 161Seymour-Haden , Francis 83Shepard, Ernest Howard 100Sickert, Walter Richard 33, 34Simpson, Ida 214, 215Smith, Richard Shirley F. 178Smitt, Cornelius Arnold 226Steel, George Hammond 128Stockton, Dean/D* Face 270, 271Strang, David 102Strang, William 78, 79, 80, 95Sutton, Linda 242Sutton, Philip 156TTanner,Robin 152, 153, 154Taplin, Guy 58Taxis, Baroness Ines 177Thorburn, Archibald 90Topolski, Feliks 150Trevelyan, Julian 246VVarley, Illingworth 92Vaughan, Keith 46Vickrey, Robert Remsen 234Vivian, David 227WWallace, Robin 173Walls, William 127Watson, Donald 149Webb, Clifford C. 129Weight, Carel 50Whistler, James Abbot M 72, 73, 74, 75, 76White, John 112Widgery, Frederick John 130Wilkinson, Norman 133Wolfe, Edward 268Wyeth, Paul James L 30Wylie, Kate 195Wyllie, William Lionel 82, 91Wynne, David 62YYardley, John 186Yardley, John 221Yates, Fred 250

ENQUIRIES

Victor Fauvelle | Tel: +44 (0) 1722 424503 | [email protected]

Jo Butler | Tel: +44 (0) 1722 424592 | [email protected]

ENQUIRIES

Ned Cowell | Tel: +44 (0) 1722 341469 | [email protected]

André Perrachon (French 1827-1909)Still life of roses on a forest floorSigned, oil on canvas, 33 x 46cm

Estimate: £2,500-3,500The Boer War D.S.O. group of two to Captain Harry Crewe Godley, Northamptonshire Regiment, comprising:

Distinguished Service Order, V.R.; and scarce single clasp Queen’s South Africa Medal, clasp for Belmont. Estimate: £2,000-3,000

Old Masters & 19th Century PaintingsWednesday 7th September 2016

Entries are invited

Arms & Armour, Medals & Coins and MilitariaWednesday 19th October 2016

Entries are invited

ENQUIRIES

Victor Fauvelle | Tel: +44 (0) 1722 424503 | [email protected]

Jo Butler | Tel: +44 (0) 1722 424592 | [email protected]

ENQUIRIES

Ned Cowell | Tel: +44 (0) 1722 341469 | [email protected]

André Perrachon (French 1827-1909)Still life of roses on a forest floorSigned, oil on canvas, 33 x 46cm

Estimate: £2,500-3,500The Boer War D.S.O. group of two to Captain Harry Crewe Godley, Northamptonshire Regiment, comprising:

Distinguished Service Order, V.R.; and scarce single clasp Queen’s South Africa Medal, clasp for Belmont. Estimate: £2,000-3,000

Old Masters & 19th Century PaintingsWednesday 7th September 2016

Entries are invited

Arms & Armour, Medals & Coins and MilitariaWednesday 19th October 2016

Entries are invited

Auction Information

OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing [email protected]. You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you:

1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and

2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.ukcites.gov.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

PACkING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 [email protected] www.albanshipping.co.uk

APS 0800 118 5868 [email protected]

07736 544 362 www.apservices.info

Mailboxes 01264 360 333 [email protected] www.mbe.co.uk/andover

Pack & Send 0845 465 0564 [email protected] www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Woolley & WallisAbsentee Bid Form20th Century & Contemporary Art

Wednesday 8th June 2016

PW080616Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 Fax: 01722 424508

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number in numerical

orderBrief Description

Price excluding buyer’s premium

& VAT

Billing Name (please print) ��

��

Address ��

��

��

�� Postcode ��

Daytime Telephone ��

Signature ��

There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and

only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS

CONDITIONS OF BUSINESS

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its

authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of

deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges.

(c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to

impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming

due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our

opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

pAintings

8th June 2016 – 20th Century & Contemporary Art 7th September 2016 – Old Masters & 19th Century PaintingsVictor Fauvelle +44 (0) 1722 424503 • [email protected] Butler +44 (0) 1722 424592 • [email protected]

20th CEntury DEsign

22nd June 2016 – Arts & CraftsMichael Jeffery +44 (0) 1722 424505 • [email protected]

FurniturE, Works oF Art & CloCks

6th July 2016Mark Richards +44 (0) 1722 411854 • [email protected]

silvEr

19th & 20th July 2016 – Silver, Vertu, Coins & MedalsRupert Slingsby +44 (0) 1722 424501 • [email protected] Chalmers +44 (0) 1722 424594 • [email protected]

JEWEllEry

21st July 2016Jonathan Edwards +44 (0) 1722 424504 • [email protected] Whiting +44 (0) 1722 424595 • [email protected]

English & EuropEAn CErAmiCs & glAss

13th September 2016Clare Durham +44 (0) 1722 424507 • [email protected]

tribAl Art & AntiquitiEs

20th September 2016Will Hobbs +44 (0) 1722 339752 • [email protected]

Arms & Armour, mEDAls & Coins AnD militAriA

19th October 2016Ned Cowell +44 (0) 1722 341469 • [email protected]

AsiAn Art

15th & 16th November 2016John Axford +44 (0) 1722 424506 • [email protected] Lister +44 (0) 1722 424591 • [email protected]

Auction Calendar

• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk

Documents

Woolley & Wallis 20th Century & Contemporary Art 8th June 2016