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Still Lifes

What do you see? Why do you think the artist painted this?

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Page 1: What do you see? Why do you think the artist painted this?

Still Lifes

Page 2: What do you see? Why do you think the artist painted this?

Frida Kahlo – Still Life with Parrot and Fruit, 1951

What do you see?

Why do you think theartist painted this?

Page 3: What do you see? Why do you think the artist painted this?

Wayne Theibaud – Still Life, Buffet

What do you see?

What do you thinkinspired this artist?

Page 4: What do you see? Why do you think the artist painted this?

Roy Lichenstein – Still Life with Palette, 1972

What do you see? What does this remind you of?

Page 5: What do you see? Why do you think the artist painted this?

Janet Fish – Kraft Salad Dressing, 1973

What do you see? Why do you think she painted these?

Page 6: What do you see? Why do you think the artist painted this?

Pablo Picasso – Enamel Saucepan

What do you see?

How is it different thanthe other Still Lifes we

have seen?

Page 7: What do you see? Why do you think the artist painted this?

Still Lifes are:- good practice

- symbolic (the objects mean something)- inspired by personal likes and dislikes

Page 8: What do you see? Why do you think the artist painted this?

Did you notice geometric and organic shapes?

Did you notice size variation?

Did you notice how objects were arranged - the placement of objects and how they overlapped?

Page 9: What do you see? Why do you think the artist painted this?

Artists also used value in these still lifes – they showed light and dark

areas

Page 10: What do you see? Why do you think the artist painted this?

How does value change how we look at artwork?What do the light areas show? What about the

dark areas?

Value is made up of 2 parts – tints (light) and shades (dark)

Look for the tints and shades.

Hue = color

Hues can be made lighter and darker

Page 11: What do you see? Why do you think the artist painted this?

Don’t forget in your Still Life:

- geometric and organic shapes- placement and overlapping- size variation- value – tints and shades + hue- think about how it is personal to you- be careful, take your time, do the best you can