Voyage III - Carnatic Vocal Music by Smt. Sivasakthi Sivanesan

8/10/2019 Voyage III - Carnatic Vocal Music by Smt. Sivasakthi Sivanesan

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Title Raga Tala Duration

1 Kamalajadala Kalyani Tisra Jati Triputa 02.16

2 Janaka sutha Saveri Chathurasra Jati Rupaka 02.25

3 Mandara Dharare Kamboji Chathurasra Jati Triputa 02.35

4 Raravenu Bilahari Adi 05.17

5 Sambashivayanave Khamas Adi 05.40

6 Raveme Anandabhairavi Adi 05.23

7 Jatisvaram Kalyani Adi 04.27

8 Jatisvaram Saveri Ekam 03.33

9 Sami ninne Sankarabharanam Adi 09.22

10 Ninnu kori Mohanam Adi 06.36


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The meaning

Holding mandara hill, you the enemy of Mura asura. Ybody, and have the most peacock feathers on your m

Svarajati

Svarajatis are pleasing methe stepping-stone to the nmusical structure and spA svarajati consists of adispensed with. The themamorous. It may be an invthe glorious and valient de

Raravenu in Raga BARO - S R2 G2 P D2 S AVA - S N2

This is an audava samDhirasankarabharanam. KThe appropriate time for siis believed to have broughthis raga.

Janaka sutha in Raga SaveriTala Chathurasra Jathi RupakaARO S R1 M1 P D1 S AVA S N2 D1 P M1 G2 R1

A very prominent Janya raga derived from the 15th mela Mayamalavagaula.The notes are Sa, Suddha Ri, Antara Ga, Suddha Ma, Panchamam, SuddhaDha and Kakali Ni. An audava sampoorna raga of upanga type. This is amorning raga which evokes karuna rasa.

The meaning

Oh Rama! decorated by the kumkum that is Sita, the daughter of Janaka. Youare the one who killed emperor Bali. You have Garuda as your vahana. Yougranted boons to Gajendra. You are the Lord of the auspicious Lakshmi. Youreside in Karigiri.

Mandara Dharare in Raga KambojiTala - Chathurasra Jathi TriputaARO - S R2 G2 M1 P D2 S AVA - S N1 D2 P M1 G2 R2

This is a Janya raga classified under the 28th mela Harikamboji andcorresponds to the scale of G in western music. It is a Shadava SampurnaRaga and a bhashanga raga. The foreign note is N2. It is a major raga whichallows scope for a elaborate alapana. The pan Takkesi resembles this raga.


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Jatisvaram in Raga ARO - S R2 G2 M2 P D2 N2 S AVA

This is the 65th Melakartacomprising of a large numRi, Antara Ga, Prati Ma, corresponding Prati Ma mthe Yaman Thaat in Hindus

and uses the notes of the L

Jatisvaram in Raga ARO - S R1 M1 P D1 S AVA - S N

A very prominent Janya ragThe notes are Sa, SuddhaKakali Ni. As an audava saraga which evokes karuna

Varnam

This is one of the most imthe concerts. Varnams amelodies complete with raraga ranjaka compositionsapurva prayogas and Datu

Sambashivayanave in Raga Khamas Tala AdiARO - S M1G2 M1 P D2 N1 S AVA - S N1 D2 P M1 G2 R2 S

Janyam of the 28th mela Harikambhoji. In Western music this is dereivedfrom the mixolydians mode. It is a Vakra Shadava- Sampoorna ragam and aBhashanga raga. The jiva svaram are Ma, Dha, and Ni. The Nyasa svaramsare Ma and Pa and the Graha svarams are Sa Ma Pa. The raga expresses thefeelings of bhakti and love.

Raveme in Ragam Anandabhairavi Tala AdiARO - S G1 R2 G1 M1 P D2 P S AVA - S N1 D2 P M1 G1 R2 S

Janyam of the 20th mela Natabhairavi. Derived from the Aeolian mode. It isa Vakra shadava- Sampoorna ragam. It is also a Bhashanga ragam. In theArohanam Ni is varjam. The Jiva svaras are Ga Ma Ni. Nyasa svaras are GaMa Pa and Ni and the Graha svaras are Sa Ga Pa. This is an ancient raga. Itcan be sung at all time. This raga expresses the feelings of tenderness andlove. Lullabies and cradle songs are composed in this raga.

Jatisvaram

Jatisvaram is a composition very much like the svarajati in point of musicalstructure, but has no sahitya and the piece is sung with the solfa syllables.It is a composition belonging to the realm of dance music. It is also knownby the word svara-pallavi. Due to the number of Jatis in Svara Pallavi, it isknown as Jatisvaram.


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compositions of the technical group, the varnam takes the first rank in pointof importance. Varnas are learnt and practiced with great care and assiduityby both vocalists and instruments. Varnam are two kinds, tana varna andpada varna.

Sami ninne In Raga Sankarabharanam Tala AdiARO - S R2 G2 M1 P D2 N2 S AVA - S N2 D2 P M1 G2 R2 S.

One major popular mela which is found in all systems of world music. It isthe 29th mela that belongs to the 5th chakra Bana. The notes are Shadja,Chatusruti Ri, Antara Ga, Suddha Ma, Pa, Chatusruti Dha, and Kakali Ni.A major raga with large number of janya ragas. A sarvakalaika raga eventhough evening is the time most suitable for the raga.All types of musicalforms such as Gitams, Svarajathis, Varnams, Kritis, Padas, Ragamalikas etcfigure in this raga.

The meaning

This is composed by Veena Kuppaiyar in raga Sankarabharanam. The textportrays sringara rasa (love) in which a maiden expresses the agony of her

companion who is pining for her beloved and pleads with him to besympathetic to her.

Ninnu kori in Raga MAro S R2 G2 P D2 S Av

A very popular pleasing jan28th mela Harikambhoji. Tand Chatusruti Dha. Sarvas

and used for expressing anthis raga. Mohana raga is oHindusthani Music it is kno

The meaning

This is a composition of Rmaiden who pleads with Lam desirous of You; please

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Voyage III - Carnatic Vocal Music by Smt. Sivasakthi Sivanesan