VOLUME 1OF

OVER 1000 SONGS

This collection of popular music has been compiledto furnish a compact library of the most requested songsfor the professional musician and is NOT INTENDED TO BESOLD TO THE GENERAL PUBLIC.

limited Edition Pr c e

C O N T E N T S

STANDARD FOXTROTS AND SHOW TUNESSLOW MEDIUM 1MEDIUM BRIGHT 92SWING TEMPOS 169UP TEMPOS 209BLUES AND DIXIELAND 215

STANDARD WALTZES 222CLASSICAL AND SEMI-CLASSICAL SONGS 266PIANO SOLOS 279

LATIN AMERICAN TUNESGUARACHAS AND RHUMBAS 282BOLEROS 289

_ SAMBAS 310TANGOS 312

__ MISCELLANEOUS 316

SONGS OF THE GAY NINETIES 320HILLBILLY TUNES 341POLKAS 346

FOREIGN SONGSFRENCH 348GYPSY 352HAWAIIAN 354IRISH 358ITALIAN 363

-i MARCHES 367

. >

PARTIAL SCORESBROADWAY MUSICALS & MOVIES

AllegroAlways In My Heart ....AmericanaAn American IdyllAndy Hardy' s PrivateSecretary

Anything Goes 93, 120,Apple Blossoms

B

111. 14829015336

127168, 171

264

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105. 12336162

234, 266108. 142

216109. 128

166159, 230

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ifty Million Frenchman 166Fine And Dandy . 101Finian's Rainbow 24,120.139.259Firefly 253Fleet's In 7CFlying Colors 132Flying Oown To Rio 112. 283, 314

abes In ArmsBabes In ToylandBand WagonBarry of Ballymore ....Big BroadcastBitter SweetBloomer-GirlBlues In The NightBorn To Dance v.Bow BellsBoys From Syracuse ....BrigadoonBroadway Gondolier ....Broadway Melody of 1936

Vail Me MisterCan' t Have Ev' rything .Can't Help Singing ....CarouselCasablancaCentral ParkChocolate SoldierCocoanut GroveCollege RhythmConnecticut Yankee ....Continental Varietie ..Conversation Piece ....CopacabanaCorned Beef & Roses ...Cotton Club Parade ....Countess MaritzaCount of Luxemoourg ...Cuban Love Song

llamsel In Distress ...Date With JudyDearest EnemyDesert Song 140,Dolly Sisters ..'.Down Mex ico WayDuBarry

Earl Carroll VanitiesEast Is EastEasy To WedEileenEvergreenEV ry Night At Eight ..

Follow The BoysFollow The GirlsFollow ThruFootlight ParadeFortune Teller 352.Forty Second Street . . .Funny Face

Warrick GaietiesGay DesperadoGay Divorcee 104,Gayne BalletGay RancheroGeorge White'sScandals 97, 148.

Girl Crazy 6, 18, 98,Girl Friend 97,Going My WayGoing UpGold Diggers of 1933 .. 114.Golden EarringsUoldwyn Follies 133.Good BoyGood Morning, Dearie ..Good News 96, 115. 134.Great Day

Hallelujah. I'm A Bum 165.Here Is My HeartHere' s To RomanceHigh. Wide & Handsome .Hit The Deck 203.Hold Ev' rything f'Hold Your HorsesHoliday In MexicoHollywood CanteenHollywood Revue of 1929Hurricane

Idiot' s DelightI Married An Angel ....In CalienteInside U.S. AIntermezzoIrene 125,Isn' t It Romantic

JocelynJolson StoryJoy of LivingJubilee 130.Jumbo 138,Jungle Princess

IViss Me KateKiss The Boys Goodbye .Knickerbocker Holiday .

Lady Be Good 50, 109,Lady In ErmineLeave It To Me 20, 113,Little Jesse James ....Little Nellie Kelly ...Little ShowLove ""

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Love, Honor & BehaveLove LettersLove Li feLove Me To-Night

ladame SherryMan About TownMarinkaMexicanaMexican HayrideMillion Dollar Baby ...Moulin RougeMr. Dodd Takes The AirMusic In The AirMy Maryland

17347117351

10930414629329729865151250

Naughty Marietta 234, 266, 364New Moon ... 134,246,258,316,368Night At The Opera ....Night Is YoungNo, No Nanette 205,Now Voyager ,

Of Thee I Sing . . 162. 213.Oh! Kay ,Oh! PleaseOklahoma 141, 154. 213,One Hour With YouOnly GirlOne Touch of Venus ....On The TownOn Your ToesOrange BlossomsOrchestra WivesOut of This World

I aris in The Spring ..Pennies From Heaven ...Pink LadyPorgy & Bess 38, 74,Prince of TonightPrivate LivesPutt in' On The Ritz ...

(ueen High

119,

Razor* s EdgeReady. Willing & AbleRed. Hot & Blue ,Red MillReveille With BeverlyRevenge With Music ..Rhythm On The Range ...Right This WhyRio Rita 43, 69.Road To RioRoberta 48.Rosalie 124.Romance On The High SeasRosemarie 36,Rougue Song

Jan Antonio RoseSay It With MusicSeven Lively Arts

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Shocking Miss Pilgrim .Shopworn AngelShowboatShuffle AlongSinbadSinging FoolSing Me A Love Song . ..Sing Out The NewsSitting PrettySmiling Lieutenant ....Smilin' ThruSnow White & SevenDwarfs 59,

Song Is BornSong of LoveSong of NorwaySong of The SouthSouth Pacific .. 4, 91,Spring Is HereStars In Your Eyes ....Star Spangled Rhythm ..

State FairSt. Louis Woman ...Sttork ClubStrike Up The BandStudent PrinceSunnySunnyside UpSweater GirlSwingtimeSyncopation

I ake A ChanceThanks For The Memory .Thank Your Lucky StarsThis Year of GraceThree CaballerosThree Flights UpThree' s A CrowdThumbs UpTip ToesTo Beat The Band .

39. 235104300

152, 369228, 277214, 215

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127832514232023715016913230

To Each His OwnTo The Victor .

Vagabond King ... 141,Very Warm For May

w.lake Up And Dream ...Walter Wanger's VoguesWaltz DreamWhere' s CharlieWhite HenWild FlowerWizard of OzWords & Music .

Amas HolidayVI ankee GirlYou Never Know

Aiegfield Show Girl

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INDEX TO SONGSMcabaste 282Adios 289Adios, Mariguita Linda 290After The Ball 320After You' ve Gone 169Ah: Sweet Mystery of Life .. 266Ain' t Misbehavin' :. 170Ain' t She Sweet 170Alabamy Bound 170Al ice Blue Gown 222A Little Bit of Heaven 358All My Love 222All of Me 171All The Things You Are 92All The World Will BeJealous of Me 320

All Through The Night 93Almost Like Being In Love .. 93Alone 1Along With Me 94Always In My Heart 290Always True To You In MyFashion 1

Amapola 291Amar Y Vivir 291Am I Blue 171Among My Souvenirs 2Amour 291Andalucia (The Breeze & I) . 292And The Angels Sing 94Angel Child 94Anniversary Song 2Anniversary Waltz 223Anything Goes 171Apple Blossom Time 244April In Paris 95Apri 1 Showers 2Ask Anyone Who Knows 3As Time Goes By 3As Years Go By 266A-Tisket A-Tasket 172At Long Last Love 95At Sundown . 172

At The Balalaika 95At The Cross-Roads

(Malaguena) 279Auf Wiedersehen, My Dear ... 3Autumn Nocturne 4Avalon . , 172

Babalu 283Baby Face 173Baby. Won't You Please ComeHome 173

Back In Your Own Back Yard . 96Bali Ha' i 4Ballerina 292Bali in' The Jack 215Bambalina 96Barcelona 316Basin Street Blues 215Beautiful Lady In Blue. A .. 223Beauti ful Love' 224Beautiful Ohio 224Because 267Because You' re You 267Beer Barrel Polka 346Bei Mer Bist Du Schon 173Bells of St. Mary's, The ... 5Besame Mucho (Kiss Me Much) 293Be Still My Heart 5Best Things In Life AreFree, The 96

Beyond The Blue Horizon .... 5Beyond The Sea 348Bidin' My Time 6Bim Bam Bum 283Bird In A Gilded Cage, A ... 321Birth Of The Blues, The 216Black And Blue 216Black Bottom 97Bless 'Em All 321Blue 6Blue Champagne 6Blue Hawaii 354Blue Moon 7

Blue Room, TheBlues In The NightBlues Serenade, ABody And SoulBoo-HooBoulevard of Broken Dreams .BrazilBright EyesBroadway MelodyBroadway RhythmBroadway RoseBugle Call RagBut BeautifulBut Not For MeButton Up Your OvercoatBy A WaterfallBye Bye BlackbirdBye Bye BluesBy HeckBy The Beautiful SeaBy The Light of The SilveryMoon

By The River St. MarieBy The Sleepy Lagoon

vaissons Go Rolling Along,The

California (Here I Come) ..,Call Me DarlingCanadian Capers ,Candy- -Can I Forget YouCan't Help Lovin' Dat Man .Can This Be Love?Can't We Be FriendsCan't Yo' Heah Me Call in'Caroline

CaravanCariocaCarolina In The Morning ...Carolina MoonCeceliaChampagne Waltz, The

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910

225

36710022528017510010010110

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Chansonette (The DonkeySerenade) 101

Charley, My Boy 102Cheatin' On Me 175Cheerful Little Earful 102Cherie. I Love You (CherleJe T 'Aime) 226

Cherokee (Indian Love Song) 175Cherry ^ 176Chiapanecas 317Chi cago 176China Boy 176Chinatown, My Chinatown .... 177Chinese Lullaby 268Chlo-e 11Cielito Lindo 227Cinderella Stay In My Arms . 227Close As Pages In A Book ... 103Close To You 11Cocktails For Two 12Collegiate 103Come Closer To Me 293Come, Josephine In My PlyingMachine 322

Come Rain Or Come Shine .... 104Come To The Mardi Gras 311Concerto For Two 281Continental, The 104Coquette 177Cottage For Sale, A 12Crazy Rhythm 177Cross Your Heart 12Cuanto Le Gusta 311Cuban Love Song 228Cuban Pete 284Cuddle Up A Little Closer .. 13Curse Of An Aching Heart,The 322

Cynthia's In Love 13

D,faddy You've Been A MotherTo Me 323

Dancing In The Dark 105Dancing On The Ceiling 106Dardanella 105Darkness On The Delta, WhenIt's 178

Darktown Strutter's Ball,The 178

Darling Je Vous Aime Beaucoup 13Darn That Dream 14Daughter of Rosie 0' Grady .. 323Day By Day 14Dearest (You're The Nearest

To My Heart) .- 14Dear Little Boy of Mine .... 268Dear Old Girl 323Dear Old Pal of Mine ... 268Dear Old Southland 178De Corazon A Corazon (HeartTo Heart) 293

Deep In My Heart 228Deep In The Heart of Texas . 341Deep Night 15Deep Purple 15Desert Song, The 228Diane 229Did I Remember 15Did You Ever See A Dream

Walking 106

Did Your Mother Come From ..Ireland 359

Digga - Digga - Doo 179Dinah 180Dipsy Doodle, The 179Does Your Heart Beat For Me 107Doll Dance .. 280Dolores 16Donde Estas Corazon 312Don't Ask Me Why 229Don't Be That Way 217Don't Blame Me 16Don't Fence Me In 341Don't Sweetheart Me 180Don't Take Your Love From Me 16Doodle-Doo-Doo 107Down Among The ShelteringPalms 107

Down Deep In Your Heart .... 294Down Home Rag 217Down The River of GoldenDreams 229

Do You Ever Think of Me 17Dream 17Dream A Little Dream of Me . 108Dream Lover 230Dream Tango (Tango De Reve) 313Dreamy Melody 230Drifting And Dreaming

(Sweet Paradise) 355

East of The Sun 17Easy To Love 109Eichas-Negras 295El Rancho Grande 317Embraceable You 18Evelina 108Everybody Loves My Baby 180Every Little Movement 109Everything Happens To Me ... 18Everytime We Say Goodbye ... 18Exactly Like You 181

Faded Summer Love. A 19Falling In Love With Love .. 230Falling In Love With You ... 231Farewell Blues 218Farewell To Arms 19Fascinating Rhythm 109F. D. R. Jones 110Feather Your Nest 110Fellow Needs A Girl, A..: . . . IllFerry-Boat Serenade 363Fichas Negras (Gambling With

Love) 295Fine And Dandy .-. 209Five Foot Two, Eyes of Blue 181Flying Down To Rio 112Foggy Day, A IllFools Rush In 19For All We Know 20For Me And My Gal :... 181For Want of A Star 294For You 231For You, For Me, For Ever-

more 112Frankie And Johnny 219Frenesi 295From Now On 113

From The Land of The SkyBlue Water

Full MoonFull Moon And Empty Arms ...

Wang That Sang Heart of MyHeart. The

Garden In The Rain, A ......Gay Ranchero, AGee: But You're SwellGeorgia On My MindGet HappyGet Out of TownGhost of A Chance, AG, I. JiveGimme A Little Kiss, WillYa Huh?

Girl Friend, TheGi rl of My DreamsGive Me A Moment Please ....Glory of Love, TheGlow Worm. TheGold Digger's Song, TheGolden EarringsGood Man Is Hard To Find, AGood NewsGoodnight SweetheartGoody-GoodyGoofusGreen EyesGuiltyGypsy Love SongGypsy Sabre Dance

HallelujahHands Across The TableHappy Days Are Here Again ..Harbor LightsHasta MananaHaunted HeartHavanaHave You Ever Been Lonely ..Heart And Soul •.Heigh-HoHelen PolkaHere Comes The ShowboatHere I'll StayHere In My ArmsHindustanHi NeighborHinkey Dinkey Parlay Voo ...Hold MeHoliday For StringsHomeHonest And TrulyHoneyHoney Song, TheHoneysuckle RoseHour of Parting, TheHow Am I To Know?How Are Things In GloccaMorra

How Come You Do Me Like YouDo

How Many Hearts Have YouBroken

How StrangeHow Sweet You AreHow Ya' Gonna Keep 'Em DownOn The Farm .

269295269

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Humoresque (What A LovelyAfternoon) 270

I Ain' t Got Nobody 183I Can Dream. Can't I? 25I Can't Begin To Tell You .. 25I Can't Believe That You'reIn Love With Me 26

I Can't Get Started 26I Can't Give You AnythingPut Love 184

I Cover The Waterfront 27I Cried For You 184Ida Sweet As Apple Cider ... 184I Don't Know Why 27I Don't Want To Set TheWorld On Fire 27

I Don't Want To Walk WithoutYou 28

I Dream of You 28I Feel A Song Comin' On .... 210If I Could Be With You 185If I Didn't Care 28If I Had My Life To LiveOver 325

If I Had My Way 232If I Had You 29If I Love Again 119If I Loved You 119If I Was A Millionaire 325I Found A Million DollarBaby 29

If There Is Someone LovelierThan You 119

If This Isn' t Love 120If We Can't Be The Same OldSweethearts 29

If You Are But A Dream 271If You Knew Suzie 121If You' re In Love You' 11Waltz 233

If You Were Mine 30I Get A Kick Out of You 120I Give My Heart 233I Got It Bad (And That Ain'tGood) 185

I Got Plenty 0' Nuttin' 121I Got Rhythm 210I Guess I' 11 Have To ChangeMy Plan 122

I Hadn't Anyone Till You ... 30I Have But One Heart 364I Hear A Rhapsody 30I Kiss Your Hand Madame .... 31I Know That You Know 211I'11 Always Be In Love WithYou 233

I'11 Be Home For Christmas . 31I'll Be Yours (J>Attendrai) 31I'11 Follow My Secret Heart 234I' 11 Get By 32I'll Never Be The Same 32I'll Never Love Again 297I'll Never Smile Again 32I'll See You Again 234I' 11 See You In My Dreams .. 33I'll String Along With You . 123I'll Walk Alone 122I Look At Heaven (Grieg'sConcerto) 271

I Love A Parade 367I Love Louisa 123I Love You 297I Love You (Je T Aime) 33I'm A Ding Dong Daddy (FromDumas) 220

I'm Always Chasing Rainbows 271I'm An Old Cowhand 342I Married An Angel 123I May Be Wrong 185I' m Confessin' 186I'm Falling In Love WithSomeone 234

I'm Forever Blowing Bubbles 235I'm Getting Sentimental OverYou 33

I'm Gonna Sit Right Down ftWrite Myself A Letter 186

I'm In The Mood For Love ... 34I'm Just Wild About Harry .. 211I'm Looking Over A Four LeafClover 35

I'm Nobody's Baby 124I'm Sitting On Top of TheWorld 125

I'm Thinking To-Night Of MyBlue Eyes 342

I'm Thru With Love 34I' m Yours 35In A Little Spanish Town ... 235In A Monastery Garden 272In A Sentimental Mood 35In A Shanty In Old ShantyTown 186

Indiana (Back Home Again InIndiana) 187

Indian Love Call 36Indian Summer 36I Never Knew 187I Never Knew (I Could LoveAnybody) 187

In My Merry Oldsmobile 325Intermezzo 272In The Blue of Evening 36In The Good Old Summertime . 326In The Mood 188In The Moon Mist 272In The Shade of The OldApple Tree 326

In The Still of The Night .. 124I Only Have Eyes For You ... 37Ireland Must Be Heaven 359Irene 125Is It True What They SayAbout Dixie .' 125

Isle of Capri 188Isn't It Romantic? 37I Surrender Dear 37It Ain't Necessarily So 38Italian Street Song 364It Can't Be Wrong 38It Had To Be You 38I Think of You 273It Looks Like Rain-CherryBlossom Lane 126

It Might As Well Be Spring . 39It Must Be True 127It's A Grand Night ForSinging 235

It's A Great Day For The Irish 359

If s A Sin To Tell A Lie ... 326It' s Been A Long Long Time . 39It's D' Lovely 126If s Magic 40If s Only A Paper Moon 127It'.s The Same Old Shillelagh 360If s The Talk of The Town .. 40It Was So Beautiful 40I Understand 41I Used To Love You 327I' ve Found A New Baby 189I' ve Got My Eyes On You 127I' ve Got Rings On My Fingers 128I've Got The World On AString 189

I've Got You Under My Skin . 128I've Lost All My Love For

You 327I Wanna Be Loved By You .... 41I Wanna Get Married 129I Want A Girl 189I Want To Be Happy 211I Wonder What's Become of

Sally 236I Wonder Who's Kissing Her

Now 328I Would Do Anything For You 190

J a-Da 190Jalousie (Jealousy) 313Jazz Me Blues, The 190Jealous 41Jeannine (I Dream of LilacTime) 236

Jericho 191Jersey Bounce, The ..... 191Je Vous Aime 349Josephine 129June In January 42June Is Bustin' Out-All Over 212June Night 42Jungle Drums '.. 297Just A Memory 42Just One More Chance 43Just One of Those Things 130Just You, Just Me 191

ka-Lu-A 355Kinkajou. The 43Kiss In The Dark. A 236Kiss Me Again 237Kiss The Boys Good-Bye 130Kiss Waltz. The 237K-K-K-Katy 328

Lady In Red, The 284Lady of Spain 318L'Amour-Toujour-L'Amour .... 349Lamp of Memory, The 298La Mulata-Arrebata 285Last Time I Saw Paris, The . 131La Television 285Laura 43Lazy River 44Let Me Call You Sweetheart . 237Let The Rest of The WorldGo By 238

Lies 44Lights Out 131Lilli Marlene . 44

Limehouse Blues 212Linda 45Linger Awhile 45Little Grey Home In The West 273Little Love. A Little Kiss.

A 238Little Old Lady 131Little On The Lonely Side, A 46Little Town In The QuidCounty Down 360

Little White Lies 46Liza 212Lonesome And Sorry 132Looking For A Boy 132Louise 46Louisiana Hayride 132Love For Sale 133Love Here Is My Heart 238Love In Bloom 47Love Is Here To Stay 133Love Is Sweeping The Country 213Love Is The Sweetest Thing . 47Love Letters 47Loveliness of You, The 48Lovely Lady 239Lovely To Look At 48Love Me Or Leave Me 192Love Nest, The 193Lover 192Lover Come Back To Me 134Lover Man 49Love Sends A Little Gift ofRoses 273

Love' s Own Sweet Song 239Love Walked In 134Love What Are You Doing ToMy Heart 314

Love (Your Magic Spell IsEverywhere) 48

Lucky Day 134Lucky In Love 135

M ad About The Boy 49Made For Each Other 298Madelon 349Magic Is The Moonlight 298Ma (He's Making Eyes At Me) 328Make Believe Ball Room 50Mam' sel le 350Man I Love. The 50Many Happy Returns of TheDay 239

.Marching Along Together .... 367Margie 193Maria Elena 240Maria Mia 285Mary Lou 135Masquerade 240Maybe 193Me And My Shadow 135Meet Me Tonight In Dreamland 329Memories 240Memories of You 50Memory Lane 241Mem' ries (Golden MemoryDays) 241

Merry-Go-Round Waltz 364Miami Beach Rumba 299Mickey 360Midnight In Paris 241

Mimi 351Misirlou 299Miss You 51Moanin' Low 51Mood Indigo 51Moonglow 52Moonlight And Roses 274Moonlight And Shadows 136Moonlight Bay 329Moonlight Cocktail 52Moonlight Masquerade 274Moonlight On The Ganges .... 53Moon Love 275Moon of Manakoora. The 355Moon Over Miami 53Moon Was Yellow, The 314More And More 136More Than You Know 136Most Beautiful Girl In TheWorld. The 242

M-0-T-H-E-R 329Mother Machree 361Mountain Greenery 137Music Goes "Round And Around,

The 137Music, Maestro, Please 53My Adobe Hacienda 319My Beautiful Lady 242My Blue Heaven 194My Buddy 243My Darling 137My Darling, My Darling 54My Future Just Passed 54My Gal Sal 194My Heart At Thy Sweet Voice 275My Heart Belongs To Daddy .. 138My Heart Stood Still 138My Hero 243My Honey's Lovin' Arms 330My Ideal 55My Isle of Golden Dreams ... 243My Little Girl 330My Mammy 330My Man 350My Melancholy Baby 194My Mother' s Eyes 55My Prayer 55My Reverie 56My Romance 138My Shawl 299My Silent Love 56My Sin 57My Song 57My Toreador (El Relicario) . 318My Wild Irish Rose 244

Nagasaki 195Nature Boy 57Neapolitan Nights 244Near You 139Negra Consentida (My Pet

Brunette) 286Nell ie Kelly I Love You ..,. 244Night And Day 139Nightingale 300Night Is Young And You' re So

Beautiful 58Night Must Fall (Over All) . 301Nobody's Sweetheart 195Noche . . 300

No Greater Love, There Is .. 58Nola 281Now 245

Ubject of My Affection, The 59Of Thee I Sing 214Oh: By Jingo 331Oh: Frenchy 331Oh: How I Miss You Tonight . 245Oh: Lady Be Good 195Oh: Ma-Ma (The Butcher Boy) 365Oh: What A Beautiful Mornin* 245Oh: What A Pal Was Mary 331Oh: You Beautiful Doll 332Okl ahoma 213Old Devil Moon 13901' Man River 140On A Sunday Afternoon 332Once In A While 59One Alone 140One Kiss 246One Night of Love 246One Red Rose Forever 27SOne Rose, The 246One Song 59Only A Rose 141On Miami Shore 24?On The Banks of the Wabash . 332On The Isle of May 276On The Sunny Side of TheStreet 196

Orchids In The Moonlight ... 314Out of Nowhere 60Out of This World 301Over The Rainbow 6OOver There 333

I anama 286Paper Doll 196Paradise 247Paris In The Spring 60Parlez Moi D'Amour 351Passing By 6\Pavanne 276Peanut Vendor, The 287Peggy O'Neil 247Peg O1 My Heart 61Pennies From Heaven 61Pennsylvania Polka 346Penthouse Serenade 62People Will Say We' re InLove 141

Perfidia 302Persian Rug 62Play, Piffle Play 353Play Gypsies-Dance Gypsies . 353Play To Me Gypsy 353Please 62Please Don't Talk About Me

When F m Gone 19fePoinciana 302Polly 281Poor Butterfly 141Precious Little Thing Called

Love, A 63Pretty Baby 63Pretty Kitty Kelly 36»Prisoner of Love 63P.S. I Love You 64Put On Your Old Grey Bonnet 333

Put Your Arms Around Me,Honey 64

uizas, Quizas, Quizas(Perhaps, Perhaps) ...

•magging The ScaleRainRamonaRanger' s Song, TheRed Sails In The SunsetRemember Me?Right As The RainRio RitaRise *N ShineRock-A-Bye Your Baby With ADixie Melody

Rockin' ChairRomance (Romberg)Romance (Donaldson)Romany Li feRoom With A View, ARo-Ro-Rollin' AlongRosalie •Rose In Her Hair, TheRose-MarieRose of The Rio GrandeRose of Washington Square ..Roses For RemembranceRoses of PicardyRosettaRositaRow, Row, RowRoyal Garden BluesRumba-RumbaRunnin' Wild .

Jailin' OnSanSan Antonio RoseSanta Claus Is Comin' To

TownSatan Takes A HolidaySay Not Love Is A Dream ...Says My HeartSchools DaysSemper ParatusSentimental JourneySeptember In The RainSeptember SongSerenadeSerenade In BlueSerenade In The NightShadow WaltzShe Came Roll in' Down TheMountain

Sheik of Araby, TheShe' s Funny That WayS-H-I-N-EShine On Harvest MoonShoe Shine BoyShow Me The Way To Go HomeShuffle Off To BuffaloSiboneySide By SideSigh By NightSiIve^ MoonSi..gin' In The RainSing Something SimpleSioux City Sue

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Skylark 68Sleep 250Sleepy Time Gal 200Smile Darn Ya. Smile 147Smiles 335Smile, Smile, Smile 335Smile Will Go A Long, LongWay, A 147

Smilin' Through 251Smoke Gets In Your Eyes .... 69Smoke Rings 68Snuggled On Your Shoulder .. 69So Beats My Heart For You .. 147So Far 148Softly As In A Morning Sun-

rise 316So In Love 149Solitude 70So Many Memories 70Somebody Else Is Taking MyPlace 201

Somebody Loves Me 148Somebody Stole My Gal 201Someday 251Someday I'll Find You 251Someday My Prince Will Come 252Someday Sweetheart 202Someday (You*11 Want Me ToWant You) 70

Some Enchanted Evening 150Someone's Rocking My Dream-boat 202

Someone To Watch Over Me ... 71Some Other Time 149Something To Remember You By 150Sometimes I'm Happy 203Somewhere A Voice Is Calling 277Somos Diferentes 303Song Is You, The 151Song of Old Hawaii 356Song of Songs. The 278Song of The Islands 356Song of The Vagabonds, The . 151Soon 152South America, Take It Away 288South of The Border 71South Sea Island Magic 357Speak Low 152S'posin' 152Spring Will Be A Little LateThis Year 72

Stardust 72Stars Fell On Alabama 153Stars In My Eyes 252Stars In Your Eyes 304Stay As Sweet As You Are ... 72Stompin' At The Savoy 203Stormy Weather 73Story of Sorrento, The 365Stout Hearted Men 368Strange Enchantment 304Strange Music 153Strike Up The Band 369Strip Polka 347Stumbling 73Sugar Blues 203Summer Night 74Summertime 74Sunbonnet Sue 252Sunday 204

Sunny 214Sunny Disposish 153Sunnyside Up 154Sunrise Serenade 74Sunshine of Your Smile. The 278Surrender 75Surrey With The Fringe OnTop, The 154

Swanee 204Sweet Adeline 335Sweet Georgia Brown 204Sweet Hawaiian Moonlight ... 357Sweetheart of All My Dreams 75Sweet Leilani 357Sweet Lorraine 75Sweet Rosie 0' Grady 336Sweet Sue-Just You 205Swingin' Down The Lane 155's Wonderful 155Sympathy Waltz 253Symphony 76

I aboo 305Take It Easy 288Take Me Back To My Boots AndSaddle 344

Take Me Back To New YorkTown 366

Take Me In Your Arms 76Take The "A" Train 205Tangerine 76Ta-Ra-Ra Boom-Der-E 336Tea For Two 205Tell Me That You Love Me ... 253Temptation 289Tentacion 305Thanks 77Thanks For The Dreams 305Thanks For The Memory 77That Certain Party 155That Old Black Magic 156That Old Feeling 77That Old Gang of Mine 337That's An Irish Lullaby 361That' s How I SpellI-R-E-L-A-N-D 362

That's My Desire 78That' s Why Darkies Were Born 156That Tumble Down Shack In

Athlone 362Then I' 11 Be Happy 157There I Go 78There' 11 Be Some ChangesMade 157

There Must Be A Way 78There's A Long, Long Trail . 369There' s A Rainbow Tlound MyShoulder 157

There' s A Small Hotel 158There' s Danger In Your Eyes,Cherie 351

There' s Yes. Yes In YourEyes 158

These Foolish Things RemindMe of You 79

They Go Wild Simply WildOver Me 158

Thine Alone 278Things I Love, The 80This Can't Be Love 159

This Is It 159This Love of Mine 79Thou Swel 1 159Three Caballeros 320Three Little Words 206Three 0 'Clock In The Morning 253Through 80Tip Toe Through The Tulips

With Me 160Tickle Toe. The 81Tico-Tico 312Tiger Rag 220Till The End of Time 279Till We Meet Again 254Time Was (Duerme) 306Ting-A-Ling 254To Each His Own 81Together 254Tony's Wife 306Too Pat Pol-ka 348Too Marvelous For Words .... 82Toot, Toot, Tootsie (Good-

bye) 160To The Land of My Romance .. 255To The Shores of Tripoli ... 369Touch of Your Hand, The .... 255Touch of Your Lips, The .... 82Toyland 255To You Sweetheart, Aloha ... 358Trail of Dreams 256Trail of The Lonesome Pine,The 337

Truckin' 206True 82Try A Little Tenderness .... 83Tumbling Tumbleweeds 344Tu Sais (You Know) 315'twas Only An Irishman* sDream 362

Twel fth Street Rag 206Twilight Time 282Two Hearts 256Two Hearts That Pass In The

Night 306Two Loves Have I (J* ai DeuxAmours) 84

Two Silhouettes In The Moon-Light 256

Two Sleepy People 83Two Sparkling Eyes 316

Under A Blanket of Blue ... 85Until The Real Thing ComesAlong 84

Valencia 319Varsity Drag, The 160Very Thought of You, The ... 85Vienna Dreams 257

W,Iabash Blues 220Wabash Moon 257Wagon Wheels 345Waiting For The Robert E.Lee 337

Wait Till The Sun ShinesNellie 338

Waltz Dream (Love'sRoundelay) 257

Wang-Wang Blues 221

Wanting You 258Way Down Yonder In New

Orleans 207Way You Look To-Night, The 161We Could Make Such BeautifulMusic 85

Wedding Bells (Breaking UpGang of Mine) 338

We Just Couldn't Say Good-Bye 86We Will Always Be Sweet-

hearts 258What A Diff rence A Day Made 307What Can I Say After I Say

I' m Sorry 207What Do You Want To MakeEyes At Me For 338

What Is There To Say 86What Is This Thing CalledLove 207

When A Gypsy Makes His ViolinCry 354

When Day Is Done 87When Hearts Are Young 161When I Grow Too Old To Dream 259When I'm Not Near The One 1Love 259

When Irish Eyes Are Smiling 363When It' s Sleepy Time DownSouth 87

When It's Springtime In TheRockies 259

When My Baby Smiles At Me .. 87When My Dream Boat ComesHome 162

When The Moon Comes Over TheMountain 260

When You' re A Long, Long WayFrom Home 339

When You' re Away 260When You' re Smiling 208When Your Hair Has Turned ToSilver 260When Your Old Wedding RingWas New 339

When You Were Sweet Sixteen 88When You Wish Upon A Star .. 88When You Wore A Tulip 339Where Are You Now (PrisoneroDel Mar) > 30?

Where Or When 162Where The Blue Of The Night 261Where Tne River ShannonFlows i(..».i... 363

Whiffenpoof song. The 261While Hearts Are Singing 261Whi le We' re Young 262Whispering 208Whisper That You Love Me ... 262White Dove, The 262Who 215Who Cares , 162Who' s Sorry Now? * 20»Why Don't You Do Right? 221Why Shouldn' t I? 163Will You Love Me In December 340Winter Wonderland 163Wishing 88With A Song In My Heart 164With Every Breath I Take ... 89Without You 307

With The Wind And The RainIn Her Hair 89

Wonderful Guy, A 263Wonderful One 263Woodpecker Song, The 366World Is Mine, The 279World Is Waiting For The

Sunrise, The 209Wrap Your Troubles In Dreams 89

Taaka Hula Hickey Dula .... 358Yes Sir, That's My Baby 340Yes, We Have No Bananas 340You Always Hurt The One YouLove 264

You And The Night And TheMusic 164

You Are Everything To Me ... 308You Are Free 264You Are My Lucky Star 164You Are My Sunshine 345You Are Too Beautiful 165You Belong To My Heart 309You Came A Long Way From St.Louis 308

You Can Depend On Me 209You can't Be True, Dear .... 264You Couldn't be Cuter 165You Do Something To Me 166You Go To My Head 90You Have Taken My Heart .... 265You Leave Me Breathless 90You'll Never Know 91You Made Me Love You 91Younger Than Springtime .... 91You're An Old Smoothie 166You' re Blaze' 166You' re Breaking My Heart . .. 366You're Driving Me Crazy .... 167You' re In Love With Everyone 265You' re Mine, You 92You're My Everything 167You're The Cream'In My Coffee 167You' re The One I Care For .. 92You' re The Top 168You're Too Dangerous, Cherie 352Your Eyes Have Told Me So .. 265Yours (Quiereme Mucho) 310You, So It's You 309You were Meant For Me 168You, You, You Polka 347

fcigueuner 266Zing: Went The Strings

of My Heart 169Zip-A-Dee, Doo-Dah 168

J

J

STANDARD FOXTROTS-SLOW MEDIUM

ALONE - (N.H.firown) " A Night At The Opera *

lone A- lone -with a aky of ro-on this night that w*

a* bore A-t*o could uhare

" [ r

Ion* on a night that was meantwith your kiss that could make

C7

Ion Diemand

wait- Inglee

Whoto

feele the waybe your ver-

I

Bb7 Bb»

*J 1

Who ev- er you

Kb

are, are you,

8, B7 Bb7

are you,

Bb7 . a

^own lone A- lone with a heart ifcant 'for you '"'A-

ALWAYS TRUE TO YOU IN MY FASHION-(Porter)"Kiss Me Kate*

If a CUB-torn tatl-ored vet—I've been asked to have a meal

C

Asks me out for setae-thing wet* —By a big ty- coon in steelf_

When theIf the

vet be- gins I cry Hoo-rsyac- cept Imeal in- eludes

But I'm al- ways true to you,

•1-ways true to you, — dar- lln', in my w

oil man known «fl "ex —

keen to give me checks _ And his checks, I fear,

07

I f

, 1 G7-" ~~^ <"""' ' J

r- r-r - •* " ' i1 U_ r331 g m*, = 1

Bat !*•

r r PsO-ways true to you, dar- lln», in my faah- ion,

C D7 • Q7 C

J J J .J J ' 'al- ways true to you, dar- lin' , in my way.

AMONG MY SOUVENIRS - (H. Nichols)Gdim Fto

J l J J

Bb+ EbModerate

r i rThere's no-thing left for me, Of days that used to be. -

Some let- ters tied with blue,— A pho- to- graph or two,.

n* r r — i— r r r ff=1 t-r, 1 ** r r F H 1 f* i -L •I live In mem- o- ry a- mong my sou- ven- Irs.

rose from you

r r i iI I • ' — I

with- in my trea- sure chest.A few more to- kens rest

And tho* they do their bestGdim Po

. r 'tear drops start)Eb

I count them all a- part,

find a bro- ken heart a» mong my sou- ven- irs.

ANNIVERSARY SONG - (Jolson-Chaplin) IvanoviciB7

Oh I how we danced. %n t£e night we were wed— We vowed our true lo\e__

I

ild The world ^wathough a word— wa«-n»t said

Amwas in bloom, there were

B7

r i r o ^ p i rEx- cept ror the few _stars in the akies

On Am Am? D7that were there in your ejes.

Am

Dear, aa I held you so close in my arms..Cdim G __„ Am6

An- gele wereB7

Bing-ing a hymn to your charms— Two hearts gent- ly beat-ing wereRm

mur- mur- ing low *My dar- ling, I love you

APRIL SHOWERS (L. Silvers)D7 G

Slow fox trot

J ,J J may come your wey,E7

Though A - pril show - era

So If it»e raining, have no re-D7 C# Am dim

-cause It is-n't rain-ing rain you know, (it s rain-Ing vl -

up - on the hills,

bluebird And Ii3«-ning for his song, When -ev - er A - pril ehow-ers come a - long.

ASK ANYONE WHO KNOWS (Seller-Marcus-Kaufman)« i Eb i v 1, Cdim Bb7

J J J j ^- i r r r rThere ia no shore with- out an o- cean, > ASK AN- Y- ONE WHO KNCW3,

A. sigh can mean a sweet be- gin- ning, 5PB7 . Bb7

I I I:^ ^ ^ ^ ^ ^ 1 • M P • • • t -mm, » * y j f c j

There Is no love wlth-out de- vo-tion. ASK AH- Y- ONE V/HO KNOWS.It's love that keeps the whole world spinning And heav- en ,1 . A b E B C7 Fra7 Bb7 E b F a

r r r_flrr a_1. Cm

stray, lose Its way If It can't come true.F7 Bb7

I J J J

I 2. G7_Night and day

Cm ra?

£all my dreams are so de- pend-ent on you.Ab Mim Eb C7 IW

on- ly knows,3b7*£ Bb7

i r_j" r r i r r r i r r rhave no heart when we're a- part, It leaves me when you

C.D

[ J J•: • J -

Uf

— • — f**-1 ™' 3 >

r r r=aWj a

And dar- ling if you don't be- lieve me, ASK AN- Y- ONE WHO KNOWS

AS TIME GOES BY (H. Hupfeld) "Casablanca"

Vou must re - wem-ber lfii%, a feiss is slitt a feiss, A aioft t* ^ a *«jnwfienNo loy-era woo, the/ alia saf "I iove fou* On that >(ou "can re- 1

~

fim - da - -men -No mat- ter whal Iht hi" ture

And

BV. Moon-Udhl and love_ songs nev-er out of dat*, Hearts full of pas — sicm,

[eal-ous-v and ftatfc vOo-man -needs man _ and -man-must have his -matt, "That

ia the same old sto-f>|7 a frtht for love and <J)O-T\, Ano OTie can d« - ns.

case of do or die • Tfie World oil! al-\»a^s Wei- come lovJ-ers, AS TIME

AUF WIEDERSEHEN,MY DEAR - (Hoffman-Nelson-Goodhart-Ager)_. fin- . ...I? _ Cm

^a= P__ . _ _ .r r l r P f l - r r i

Come let u» stroll doWn lov/-er'e lane, Once tnore to sind love's old ifc-fravn. Seen vteni

r ^ j p i r =j>EgEEgtft«- dfr-«efiri,A]nr WIC-DER-SEH'N,!" ^in yoin-aTTna I can't re - -mam,

_

J^ r r l r P rSo let me feiss vou once a-aaiti, Soon «e must sav auf VJie-der-sefin. AUT- r,m Tb r? -

r-sefik AUTWiE-DEIf-SEHkMY

Bt«K. Vour love will t\mc to me Tfinsuofitfte kme-iy daytime... gacfinid^will trtT\g to meGm Ab f& fj> Gm fb (**,

"Tnemag-u: of .Maf-tittie. I frnov»-mv fiearf won't betMatn, Un -til tfte da^•"• -'

|

&»ieet-fwart,oood-bve-, auf \»)te-der-sefiVi AUF WrE-

j

uJ

j

Aurumn Nocturne— Slow tempo-C Am?

Lvnc- KimC.jiinon MUMC - Josef Mvrow£7 Ggd-. Dm Am C D» Fm«

WHcn ju - tumn sings her lull- i -bv— And green leaves turn_ to gold Then I re-

n u m - b c r last Scp-tern • ber vou jnd I said good -bye '\vhis-pcr - ing that we woukf

i

hills once more But y o u l o r - g o t _ your vow And here am \ I a-lone with on -I) mem-<

rics. On - ly lone - ly

v • » #2'1 whcnhc leaves arenirn-ing 1 gee a nun-gry yearn infor*youi

when a heart is so-ber it stu-dow>bneh(Oc-to berseoid-enACT? OUai tWr G7 Gt><fai D» Am C

Tn? flam - ingmoon re -minds me of_ The night of love—that we once

Io nuke my au - rumn dreams come true

BALI HA*I (R. Rodgers) "South Pacific"

t, An- y day. In yourof the »eai "Here

Ha'i ( may call youI will whia-pw

P,

heart, you'll bear itI, Your spc-cial

Bb

call yonla- land,*Co«B to

Bb*

aoa Bioon on T.habopaa, Vourown ape- dal

f you tty, You* U find me *har»T tha

Your apa- cial la-land,cthe aaa. Here"" "e»

Ba»i, Ba-l—^3

BELLS OF ST. MURT*3t THEBB7 Kb

(A. £• Adams)Ab

f *1L. lag, Th* low- ball* dull ring out, ring out For

Bb7

Th*jo*

HE STILL, MT HEART (Flynn-Egan) •oderato

r r rh* •ovt go Be •

,tofl thaqgtt wa'll vlM MM

MJH Don't cry, *f hurt* Bv- «n tJioagb our lav* baa gome a-

Bell b«i r i r

Ia« back to us dqrJ r r U.UUI

STH2. 0 HEART.

BEYOND THE BLUE HORIZON (Whiting-Harling)F7 a» gfcfcm. Bt Efrir _ F7 gi

3 S S iBe - vond tfe blue fio - ri

Sb ' <?-

^i

beau - ti - fulHA ^

zon,B? m

Cfdim

bore

AmGood -

C7 F7to things that

mme,

dtdiJoy ts wait- fer

m sme,

mi F7 Mm \ * j 5^see fio - n -r- zon Cm

§g ^ ^

My lifeCmt

fias

on - •u be oun. - vond

m- n - Lies a.

P=i

Slue Ho -

^tug sun..

j

J

J

J

J

J

BIDIN' MY TIME (G. Gershwin) "<3±m Crazy" Mode ato 6*» a

But In» Bid- in' My Time,-

C7 ,Fm7

--- r~ -- "" — s^j-7'

'Cause thafs_ the kind-a-guy I'm, _

bus-y Bid - in' My Time. .Next year;

tin* Iblun- der

_ — you know tfie

ff Prea-

Bb

eon nel- chol- and

Gta Eb Eta J7 Bb

i " | I — i g • y ) i ilots of time I won- der If you're blue

BLUE CHAMPAGNE (Watts-Hycrson)

pb7BLUE CHAM-PAGNE— Pxir- pie shad-ows and BLUE CHAM-PAGNE-,bub-blea iae — lik« a_ .. f pun- tain be- fo

._h-oes that stilJTrem;and they sud-den- Xy crist-al-ize

ZVDUSs-ion of you

QaG C+ P A7

with the ech-oes that

the plans we started all the songs we sang each lit-tle dream we knew. /-Q P — j—-, Q9

M— g j ^ r i r r rlike a boom-er-ang Bljia is. theseems to o-ver take me spar- kle

one iathetang each old re-frain Keeps re-turn-

With my mem'ries and BLUE dflAMPAdTtE to toast the dream that was you_

7 (R, Rodgers) ModerateKb Cm

*====*

BUM yco •e stand-ing a- lone

Bb7 3b Cta

I * J -I dLl. J JWith-out a With-out a love of «y ownans in ngr heart

uet what I waa there —

•ay- lag a pray' r . for

«id-den- ly ap- peared be- fore me^_ The on- ly one my aras Jill ew

hold_ I heard some- bod- y whi.-per Please a- "dore fe!. A when I

looked, the moon had turned to gold I

Bb7 Eb Oft FtaBlue Moon!

Bb7

fiov X'o no long-er

OB fat?

lone Wlth-out a dream in ay heart.

With- out a love of my

J

:TTTI?Q SERENAD2, ABb'

kF. Signorelli) Slow

If there is a Cin- der- el- la look-ing for a stead- , fel- la,TOSB at night up- on my pil- low, mourn-ful ae ft weep- ing wil-lov.,

Eb , B7 PH-? . rTTSb Bb7 || 2. St>

lie- ten tohaunt- ed byAb

1 TS

my ser- •* en-1 ade in blue,my ser- en- ade in

Abm Kb.

blue.

love?

Eb

fish I had Bome-on. to eing to, one that I could kisB and cling to,

B7

no on* hears my ser- wen- ade in blue.

J

J

J

BODY AND SOUL (alo«ly)

Sout! I carTl be-lie* it. Its had to corwexeitTtetjtttaWna-vap \Fir B+- 8 . e rfr B7

gs *'/T 3 JJ JT^Tfrp P r J1! r r J'F-iAe >t>u pre-tendinr, it bohsliKe the end-ing Un-less I couid Ka*c one tnorechaooe to prc»e,d«ar,

BB C 07» Cr+ . C B F__i>gx.._ ^ STI *j"^

I v - J J - J 3 J IWy life ai wreckyou>e mak-'mg, You knowI» jours for jusf fte tak-ing,- I'd

Am g> a - C ct C C» . .C

BOULEVARD OP BROKEN DREAMS^H. Warren)"Moulin Rouge

The 8oa-fe-varcl of B»k-€iv--varc o »p-€iv . am5oc-hotlyour atattered schemes

r«y soul be - hind me—

i r r 3In anoUCa tfe-drat town- Tte jqxti>af>oafe«lhafe>.bcr-ft^_

' " ' ""Wd

sinfa scw?_^cla«a4owc_TfeSeems.

BBQADKAX MELODTEb

« H»

^_^j I J-Bb7

I'oderato

r iDon» t bring to old Eroafl- way vo^ got to

Eb _. Stm 3b .

clona on

jUf t DTUJg ** WW»A \A/ wj.u u* uou~ **ojr voil*V»

Ebr Eb . 'Son

r i" ir i lj . J N- 7 Ion Broad- Vay, *yOur " troub- les there are out of

Eb7

1style, For Broad- way ' al-EJ> Bb7

r i riey flick-

'ears a

Eb7smile, A

- lion heorte beat•11-llon lights they ere, ' A rail

That* a the Broad- way Hel- o- dy.

3 BUT BEAUTIFUL - (J.Van Heuaen) "The Road To Rio"Am?

-ifltafFJw-»4i-J JCdim

I Ir-

n-

-r**-1

mad.pley-•

=^ H '1 "I r___jLTJ " " LJ •" - -4-

[ve £Vn- rw or it'stear-fU. or it's

— r J i r f . u.— J — * \ \ \1 It* B a i good t5 1 heart-

1. G

fall1 2I ^E

tr

D7

. l . r r f-.Bepu-li-f\il

On

And'' I'm thinD7

1 n— 1 1 1

— r -rhing or it'sache eith-er

1 1 I ~-r | f —. to take

=1 fA,

r^ pHsad T Crtay. It'B

Lr~ — jf-bed, 1 D

«ay, )

=*=a

a>J • t

chance •A7

k-ing I would-n't mindG an

.f . ... — tt«t...i..-* cJ— - 1And 'I'm think-iag if

B» F7 G Bb7— 1 1 i — * * *• 1 1E- i.g°

BY0 Jil, *

•/

— f 1

—I

r~

I — 1— « — s P^ — '-j i r rit's qvl- et

a prob-lcnA7

J [ ^ .=UT pi-JVL-

•Arrf7K i r

*—TT-

4=•u — i r •nd if you

An?

J 1 "-at ell.

Am?I 1 F

-f f — ••' 1— 1you were mine I'd nev-A07 Ab7 G

m-Mm 1or it'sor it's

_p 1

flit.

177j j j

fall, you

|1 .j

. r ! .n • r ^cr let you

1 1 *••• •* •' ' 1 1 1-1=1 f J 1- = tW *^*

And that >oul be HIT B^AC-TI- rti I know.

|A WATERFALL (S. Fain) trFootlight Parade"

it _— -n Cnn , , i — i F?^r^T^ j 'fj^pn » j — i i - i ^ j i — : — i rn — J— — I**1 — ij — — = — 1~f A WA-TTR-FA

Taua. "m—

-1-1 — f — -— •*-LL, — I m call -ing

^~^— r r 4Is — | — F — «-M — • — i — " i i^ •be-iieath a ceil-mo, of blue

Et> 07 <•.*! Cm7 F7 C"1?1 1 — 1 h-H

1

0 .day.

=^-rTfierea a

f~* •"H

hiEb

,sBb

— & l-f^HPTT v

" 'J • T^-+— — "..4- -Lwhip-poor- will _

r * Fin.. J 1 0 "r •* i —

drBa^flr LtlO toocfeun Bb ,_Eha

, 1 1 »t'

±=tY"

— i— <

*F

' ~^ [~ 0* -1l-po-<io - 00,

T* ,' — = — — r»~. |_f_vfc'll

-- .-• — •» i r — •* — F — • — rf-/ftete tfie *dh* - pey - tno *» T ten

Cm7> — 2 d J 1 » 3I — 2 — t—t--4- p J J—_ that's call mo

Tf' r " r-|— 1 L_J —

^^n.c^^._i 1— ( — ,M— < 1-Na - ture iing^ to -me. Be - side a

BY THE LIGHT OF THE S3A c

1

'—

" J-•By

L-3—~

Tc

i — I — Jcroonk.Pi .. r.S

Ct—

kccn

1 BT

the light

r JF •*-

want toGdlm *1el .

love's

» — P1 •-

— i — e —Spoon

G7~T~J — = =-1— fil

tun*F

L 1 !••-! I Iiep a shln-lng in June' D7 .^S1 Am

» FT t-P «r 1M 1 I L_be ems will tiring love

m C

Hf ^3'.. .JBT 1 •

c*<foa

^

- • r....g-*4,oo- oo -oo,

CmLF 1 1 —

1 ' " H.ma - Oxc Tn«L

"J— 1 MTV•Wa

IL1

- - — »-i —-ter-fall ».

We car

r ~ ispend a

| *1 U V .

c OL-4V

1 — f=^« — l-jl — •BV A

i . »fiS— — *f^-J 1 L.

3— **tf 1 >- r,^-—1 1 ^J \(\ VOU.

^ERY MOON

^-H in" 1of the sll-?

~- l J»

— 1-— 1>-

. ~-

\

-H baddreeos We'll be

G7 C^M M | j 7Q

1 — = —

»— T -f=mm

Hon -• •••• •••••••M; ^

•n ., — __=sa — F-cud - dlis

i

1 1«-ry

sfBfe*—IT4-fWa

=

f=

W

D7

DOC

e

.£«. .t *nllg-n | ir ».J '-ven - lif

, ft" 1.J. * '

^— F7^ J-_— ..

A-TFR FALL

r r i— i — i — tMotfc-er_

h?- t==^P-p * — II

(Edwards)- ^ ^h: h

=?=?=iTo ny hon-ey I»ll

e_| E ^ .i — 1 d —ey mooi

You:

ig soonw >r r A

n

p eil - v»ryE7-6 A A7

— i

H-B~

By tha'ail - v«r-y noon.

BY THE RIVER SAINTE MARIE - vH. Warren j Moderate

70I left b«r By Th* filv- «r Sainte Ma- rle

The An- ge- liie rang out up- on the ae« _^__?__ .__ -H:

We

pledged our love un- til «- t«r- nl- ty A-

th« p«bbl'- a pa-Ut- ffoa her door"C7

then w« klag^d •- gala aoA part- «d on th« nor*.

gooa

J J .Jand spring Is on

C7 F

'11 nMet her By "Out Riv- er Saint* Ma- rl*.

CAN'T 1VE BE FRIENDS - (K. Swift) AndantlnoCfr

,ciWid|fie man of rrjx dreams. Now it seems Thus is hovffte s{o-ry__or once tt Could-nt go wrorg, Not for long! I can see ife **&y thus—

turn me down and saX.'Cantwe befriends?*

Ncv - er a - gain!_TTiou^iwiffi lovte, ^Tfirot^hv/ittnien!TJ>ey|j(ayfteq game with-out shame,

D , gr D _ eW f Gr cr

atxl whofer to blanie ? manlccddtnot, Whal a bust-'

cr F eh

This is howifie sfory ends'. "ifesi jiD'to turn

CAROLINA IN THE MORNING - (W. Donaldson)C Gdim G7

^3 —tf 4 v ^ 9 1 * m * «?—1 ^^- - jr ~i-itigcoukl fxiftn-er than p be in Car-o- lin-a i<n fc morn-1

[l-irtewiuinr> giri-levwiereu* aev^ LS pearl-y ear-Vy ln the morn- ,- -

^g^i . P , • >." "rr—T—i? ' ' * ' "^^^.in .w svyeel-u; w^ienl meet her tn the morn- mtcP and Kcsseach Ut-tk' but-V-eup at ctawn -t F — Ar BT

Where the morn - tng gb - rtes Tvvine a-round tlie° i x* * y

dcxrr Wlis-per-iRj-J d^ >^SE

-per- ing- pret - - ty

^ If I had A- lad-dins lamp forI long to hear once mone

on - ly a da>d

aiId make a wtsK and here's vvKat Ici sa/;-

JIMIL_I uji_L i • ^DT^-^r^n^-5—€r-2T C

Tfotti-irt*could fefin-er than fo be in Ca)» -o - t.i.n-a f-n the morng=i

ing.

//. CHLO-E - (•• Mor«t)* • A tacet * M 37

IB a trt-jjic manner^ - Ddia

Soae-onecall- in'.

Onp- ty epac- es meet his eyes,REFHAIM G7

I got to go where you areThrough the blpck of

^ If it's wrong or right. I eot"" to go vfcere you are

I'll roam through the ciis- cal swamp-land search- ing for you

'Cause if"— you are lost there Let me be there too

:TJ jogot to go where you are

1 —-V :

chains can bind you,

Love is call-ing ne7^__ I got to go where you Are.

CLOSE TO YOU - (Hoffman-Livingston-Lanpl)

>6u.1L aL-vvaj be neargo

JDft.

\vfefB here b/ iny aide,.

j j j r MI,I rmrf—rr1

No

fe-

mat-ter

i e?-•- - i i | n | i |« | | I I | |

In my dreams III find you there Close to *fao WhatcanI do?

•Am A?+ A»7 ?38 c

It

CS

wants ioto b» CLOSE TO - YOU..

0

COCKTAILS FOR TWO (Johnston-Coslow) Moderate

somese-ciud-ednsn-dex- -V/QUJ _ Thftt ov-er-looks the A-ve-nue, WiAsoaeoiesJannea de-

* E r 1 ^ ' d R r jy=E=^vj J> I^JT^ <ur; *: i - iLight-fu.1 chat, of this and that and cock-tails for two A* ween-jov a. cig-a- retle/_

^ J J |J' S l j - p r JM J- r.r / f lTO some ex-qui-siia chan-son-nette, Two hands aft sune to slv^ meet Beneafc a ser-vt-etie,wt(h

C"7^. r * i F />•*• /> C

cock-tails for two.—o Bui my heart wiff be q; be - di-entC.

M_y headnaygt) i*eel - ing,

in-tox-i.-cat-ing kiss-es— For the prin -ci pal in-ffre-di-ent. T^fasfanyQ-7 ^»»% 6-7 C

r- r ' j ' ' ^ r r ' j ' ilbesogi9dKaeb(*a-live -- Then max-be&i^wii own -plete her pfa^lWatl

COTTAGE FOR SALE,AEb

(W. RoblSOn) ModerateG7 C7

Our lit- tie dream cas-tle with ev-'ry dream gone, Is lone-ly and si- lent,TheThe lawn we were proud of IB wav-ing in hay, Our beau-ti- ftil gear*- den has

Abn Sb7 _« Ato _Bb7. H.

shades are all drawn,And my heart is heav- y as I fcaze up- on— "A Cot-toge For'a-ered a- way, Where you plant-ed roe- es The weeds seem to say

Bb7 Eb G7 C7

I ee« your face ,Sale" "A Cot-tage For Sale," From ev- ry sin- gle win-dow

1 1 1—i 1 w * • 1 • = * | i^—-—BMMI^^™ —rwhen I reach a win-dow, There's emp-ty space. The key's in the mail box the

k/P r r

end of our sto- ry is told on the door A Cot-tage For aale.

CROSS YOUR HEART - (L. B. Gensler) "Queen High"

*j.j. j

Cro-^5 your heart and hope to cffe T' 'i r

sor will.. I,

r P nfo

J.ev - er and for - ev - er and a day !.G AT D ;cn,r

nev- er will you.

ev- er get Morn sngj vve will Ktse

J'eve - nu§ kiss bel - lo; jSun -days we will ' nev- «r be a-

part, sweet-heart. Let d rain! The sunRJ> cr

3m yours

T&r - ev-are mine T&r - ev- er and for - ev- er cross your heart

/3 CJOODBUB OP A LITTLE CLOSER - (K. Hoscima) ModerateG7

coo- lit- tl* clo- «er,»r1Ss»»-~ - ay

r i- a

Like to f ••! your chaeJc so re— ay, LJJea to

tCause I love froa head to

CTNTHIA'S IN LOVE, m(Gish-White) Moderate

blnsh-ing ae ehe gas- sea byt"

her anile la eun-light thro Ve treesThey aee the love-light In her eyea

" Eb+ Ab Bb7

when the etflra a-bove come

ahln-log thruBb

you will fing her in aBh7

I'm glad your love-Jy dream cane truebreathing aigha,Huo, Cyn- thi- aCdin Fm7

J

For I'm the one wtto wor- ship a you

DARLING,JE VOUS ABE BEAUCOUP - "(£• Sosenko)V. F7 Bb Bbm P

G7

Bar- ling, Je vous aime beau-coup,Morn- ing, noon and nifiht-tlmo too

C7 \laf C7 —-'-

Jejr J OJ cv

What tfi .What you

You know, you've conn plete-ly atoli- en my heart.—that's the way I'veF F7 Bb m

felt right from the

Bbm F

atart Ah, Cher- iel my love for youA7 EU7

tree, tree fort.C7

tell you So much more,F

ah ay French were good e- nough,F7 Bb

you com- pree All the things you.

=m — « =d=^

' J J J ^-.

_ ==**p-Vr-^- >

^ --J- fL— '. • • ^ ii

Oar- lingt Je voua alma beau-coup, love you, do.

DARN THAT DREAMma- Van Heusen) Slowly

Darn your jLip«DB6 E7 Art

Darn That Dra«« I dr*« *ach night, you JW yon lovw «• «£.«"arn your lip» and dam your *y*»i tW li*t OM hi^h a- bov* the

G Aaff |l.Ab7

me tight But wben I a- wak* youir* out of eighty oh Darn That Dream.lit ski*ej than I turn- bl* out of Par- a- dia*^ j

7 5 a Q» Fm? Bb+ S> ~ —' , B7

"P IThat Dream. Darn that on* track mind of mln«, it can't un- dw-atand that

r r f t \ \don't car*. Just to coaag* th* rood I 'm liu I'd wel-com* a nie«_

H 'I*3

1*M it tOO,nigbt-oar** Darn That Ore an and b with- out that dr«aa, I nav-erG d l a A a f f D-67 6

would nav* you. But It haunta a won't coo* true, ob Darn That Dreao.

/4

DAY BY DAY - (Cahn-Stordahl-Wes ton )uod«rat*iy slowAm? .

•" J I J JDAY BY DA2"ll I'» fall- ing

you're mak- ingmora inaUU my

11. Bm7

lovedreaaa eoae

with youtrue,

E7

fc^Daycoo*

Bywhat

love seems towant you to

grow, There

(l.)An B7

J \ r fde- vo- tion,

r- JfnA tx> jay It'a

Am? E71 ^ — j L—1 — •• ^1 J « 1 „ J .J J 1r •* y* ^ j^ ,.

1 1 — • ^i r =i — rti— mdeep- ar2. Dm ~~

dear byE7

far than an-Aa7

o- cean, find thatD? G Da

r* r'Know

BT7 Am?I'm yours a- lone

D7and I'm in love te

stay, As w* go through the years, DAY BY DAY.

You>re The Neareet

?fe^_ilL "0 1 = e»

Dear- est I loveGdim 'Sto 3b7

°f you First thing each morn- i37 On

=t±- 1 ^^j^ — . — 1 -=You're in mv ai^ht. mii^- -fryer

Gfcn6 Cdim

Dear- est I'm learn- ingGdim Rn g^y

yearn- ing I 'm on- ly hop-, — F"1, C7 Fm Bb?

•• ! 1 - 1 1 - ! — .L- * F g ' 1 " ~1

Dear- est you're the near- est to

you al- ways thin<Sb

J-V 1 » f • P 'Jag and last thing ' at night

Bb7 G7-^ ^'^ |^» — s * « 1

[ [ 1me right be- lieve me

?m6

1 1 ,-j pWhy I've been

E7 G? C7

ing that we'll nev- er oart .!!h

zjj ~"p ^ n-f — 1 i l * =4my heart.

DEEP NIGHT (C. Henderson) Hodera toF Ft

1 jf { ' : 1Wf-J— 3i *= -' 1 = 1 « " )

" Deep night stars 'in the sky a - bove, Moon - UgV>tS „ G7 C Em E j j F E

{ f~~Z — ^5 P 5 *~~ — P — f"~S

tight -ing; our place of love. Niehl - winds seem to ViaveSone'lo rest,F F Frr, C, J— r OH- C] f f l ° G+ ,

— F^ — ' ft~~ — P »\JS. _ J ^ J J J 1 , P p 5

Two eyes "brigbt-ly wilh loVe are steam -Ing. Come to my arms

\—» 1 — *-5 — h— T 1 1- ~\ 1 t~F m IP I IL. • 1 — 9 r J

— • 1my

1 (* J EM J J * "* 1* ' f F' -fr-zf-a-*-— =£-A-iM— .da rl- ing, my sweet -heart , rny own. "Vbw %at^ouu love me always, and be mine a-

rfi£* i — - — 3K ^r • = P1 ™ J :» '-|»r f""*"'— -lone. Deep rli^il wliis-per- mg trees a-^^bove, ^ Kind a Anight

• _ 1 _ _ " ^ 1 — 4 — f — ' — 1 * t-J~ J --< < — •' 1 •»• ~ j1 '-g y «*--J • • «

brin^-lng you. near:er, dear-er and dear-er , Deep nvs^it deep'm H>e anjij oP love.

DEEP PURPLE (P* De ^se) 31owly/) F Cdim Cm

r^-^— When the

In tfcfC7

walls, arid '.hetifeht, 7ho» you»

U »i JAnd e;

l.Ddio

"*^ ^7back to me,

2.Ddim |

1 P ^P1 «g1— 1 £=

al- *<ays meet

DID I RBiMBl_^ 1 H5>

Did

Bb7

dore you, Andout yoU|* And

I** _T_Efi2

r =-^^I've grovmi

Cm

—} d" :=te-*=^-tJ- =?=Deep Pur- pie falls o- "ver sleep- y x?^r- cl?r.Ctlll of the night once a- gain hold you

- r r r j — j ij j r i- ' ' r j _ * H -1 r i ^ =Cm Dbp F

nist of a mem- o- ry you wr.rj-long as °>y heart will beat, Lov- cr, we

C7 <> ?1 — 1 — -j B-p n =-1 J iJ ^^-L^J *•» T 1

breath-ing my name with a sigh,

Gm7 C7 P==£==-= J J — -.- =S :— r =^==^= i** -1 =

I-.PJ-P jn piy n<"<»p pin-- pie rtrpams.

R (W. Donaldson) ModeratoD7 I^7l7

— p— • 1 p r* it = z ;=E= ' ' r ^= r r j. ^1 Re- nera- ber to tell you I

say ' l » m lost wiRD7 Bb7 11. Eb Bb

- r r j — 3— J ** j — g fjust how mad a- bout you

C7 Rn G71 = 1 J U h- 1* p p 1-, --J i h j • — -1 i "r r — - -

You were in ny anr.s and that

all I knew We were a- lone, we two, What didG D Bb7 p D7 7^7

— i— .. - r — Esay to

Bb7

-J H i

1" 1 1 1 ==E- | L_ t— .-f. iyou? Did I Re- mem- ber to tell you I

ff -4—- 4 J g3 •! ^—gj _T

- — -

[j-

•11

— ,i*

. .

F3 Jth-

= Hi^ J*w a j

,

^ Jj H* B

dorc you, And for- ev- er- more you are mine?

DOLORES (L. Alter)

Ay, ay, ay ,

at KB- t-fe , V Bn - i- Jy . or T>or - is,I was .made to eer- e-nade oo- u> - res ,

She wms-bers Love me.A voicoJZKie mu-sic,

A\\ but she is Vice as as the rose she throws !E7 E+ E7 Ar D7

16

wine Wfiat- a'bf&lf li rcouUmalteDo- lo- res. '"Mine aU

DON'T BLAME HE - (UcHugh)« c . C3m A?, n5T- >Moderate

C: ri^-^—> . G? cJ I J J J J J I J. J I

for fall- ing In love with you I'w^when you do the thinge you

Bleae lieCan't you see

Rn6 J • G7 A7 C G7 112.Pa? G?

ell ButJ J I " n^ ' ** ''

Don't Blame Metun- der your spell But how can I help itI can't con-ceal, the thrill that I'm feel-ingc . r

Don't Blaae

ilAm

r J r i r r r 'ii«t dog-goned moon a- bove .if th'

some- one like ypu to love.G7

e kiss can b« ' A n dFa6 G7

3=^ 3blam* all your charms,That melt in my arms but Don't Blaae

DON'T TAKE YOUR LOVE FROM MEC . Cdia

(fl. Nemo;G7

Slowly

J> J JLLJJTear a star fro» out the eky end the sky feels blue

so that they can't fly.Would you take the wlztga from birds

Tear a pet- al from' a roseWould you take the o-ceaa>s roar Vld ItfLT*

ae weeps too.

Dn7 Kt JXt

mine will sure- ly break, Myr r r"

Take your heart a- way from mine and mine

e, so please keep the spark a- wake.life ia yours to

All this your heart won't let you do.

DCB'T TAKE YOUR LOVEbag of you,

17 DO TOO EVER BUNK Of ME - (K. Bortmtt)Kb

can't live with- out you,' of *•

fcr J r r_ And «b*n youyour eyes dis- guise the saroeVeld

W>7 . a

T r • -i * inv-iqg ll*o,You

M i i ~ll 1.1.. i TJ i i, latell so trad- - - er- ly

|» r

Doep in yourBb7

htart . no- fc«l- lag

SOT* heart you're eteal-lnc do

DREAM - (J* Mercer)Bb

ryi3u think of M.

a

•> 'Jringsthat*a the thing to do

ou'll find your shareA7

rla« in the air

when the day Is thru,

and they aright cone true, are asBb

bad as they MOB, So ZS5AB, 3RSAK, DRSAK. „ ,.

EAST OF THE SUN (Bcfwaan) 51ow

day, LovtewUltwidte \\ttl keeb' ^r

•nd ( "A bar-mo-ny of U,-mcng Ihe s

M jr r 'wrest of Ihe moon, 'cs of 4e mooTTTtll

J

EMBRACEABLf

*

Cfdim ' r>7

rv' »-*.

ITEm-brace i

-crMy sweet em-brace - a-ble you^—

G Em fcwTEm-brace me,

1TJ

fcerr-- You^andyou ad lonebringouJ^ - -sy In met.

my arms a-bou}j/ouEi>^5 G twcaJd

a riaugfc-ty bar by,

- -FComelopa-£>a,CJometo pa-pa,do! Mysweeiem-brace-a-ble

EVERYTHING HAPPENS TO ME (M. Dennis) siow

I mate a d^te kar apir ana you can bet your Lite d rams, I try to .givaa pafvnev-er miss a fKinr'.Ive ratd Trie roeas-tes and the mumps, and, ev-'iy tone I ptay an

(J7 Ddim C"> Dm7 GT !.zCi»> 59 B5

guv up-skuscorn-plains 7l «*i«3 IIIgo thmure Wt cafchin'eoSsspdi,imsm*trains EV-'RYTHINGnAPfB6TB7'lir_pan-tier al-vvaystrumps, I guess Imjaw a' fool wm> nev-cr loote be-fore hejumpjs, ,

! (V^ ^^ •••— .jjr'y F»n» [gW i E1**^9 • E1"*I I J Fj^^^ - T V , . . , . . 1 , , p . *? F IT f I IP p p r ff

I

j r *;> * * * i p' ^ JTEV-RY-THI^GHAP-PE^BTO"ME.__ At first my heart trtotyouCOuUbreakflw jmv fer me, tnat

T? ''P I >_M-^ •'v • . » i r\

love would turn tl« trick to end des- pair, "But noi*'I j iusl can't feoltiiisneaj that tUnksfor me , I've

my cas-tJes in tlie air I've

T V n ~ ;'•

fell intovejudoneeandttenil hadtobewiftyoa.

EV'RY^TIME.WE SAY GOODBYE (PORTER) "Seven Lively Arts"On Eb Cm Kb Cm JW7 Bb7

B»- 'ry timewhen youire ne

Bb7near.

Gb

we * say good- byethere's such -an all

Bb7 Eb Eb7 l.Abn.

fry timeI can hear

die _ a lit-Spring a- bout

we say good- bye — I won- der why a lit-tie,_§ lark some- Where _ be- gin to

why the gods a- bove me Who must be- in the know

singAba

a- bout it, There's no love song fin-er, But bow strange the change fromF7 Bb7 Eb

ma-Jar to mi- _ nor Ev- »ry tine we say good- bye.

FADED SUMMER LOVE,A - (P» Baxter) Andante moderateC&ita

the;?

C7

Leaves come tumb'ling down, Round my head, Some of then are brown, Some are red,—Sway-ing high a- bove in the trees, Ihey were so in love with the breeze

Eh B7. ri^ Bb7

HPiBeau-ti- ful to see, But re- bind-ing'me of a fad- ed sum- mer love. —

the au- tumn wind brings to them the end of a. fad- ed sura-IZ.Bb? Q*

sweet. You are the sweet breeze that tried hard to please, Then swept me off rnyBb7 Eb i Cdim

feet.Sum-mer morn-ing dew turns to frost. Leaves that once were new Pay

r i j. -a a JBeau-tl- ful to see, But re-

FAREWELL TO ARMSfln C

ins of a fad- ed sum- mer love. —

(Wrubel-Silver; ModerateGdiB

to arm* that ca- reased neFare- well to arms,

that ten- der— lylove that once waa mine(57

If J J' -» ' '*' J ""J- J I «Good- bye to dreams that were di- vine.

eart will be with you,

where you are I'll al- ways wor- ship you, And so fare- wellG7

to anas that ca- reaaed me. ^are-well to arms. Pare- well to love.

POOLS RUSH IN (R. Bloom) SlcSwly

Tools Rusk InV t •

where an-gelsferio tread.,where wistmen neV-er go_

and so Iccrnetobitwise wen nev^er

pu, my [pve,tail in love.

If theres a chance for me

-A7 !>»"•then I dont care.

C

JWe

I 7 j U r | rs^PI fell my Ufa

J

FOR AIL WE KNOW(J. F. Coots) Andante Moderato

C7

mFor all we

~— m —know { we may nev- er meet a<

I This may on- ly be a WeC7

mo- ment sweet a- gain,rip- pie on a steam,

Make thisLike a

fore you gocome and go

't say 'Good- night*

mor- row was made forlove me to-2n

all we know

^o

mor- row may

GARDEN IN THE RAIN^A - (.C. Gibbons)Cm On B>7_

ModeratoAb Ab+

BbfflS•Twos Just A GAR- DEN IN TEEThe rein- drops kissed the flow- er beds,

Abm Eb Cdim

Close to aThe bios- coma

Bb7 il.5>^ Bb7

' • • • ' • ^ ^ - ' • ' • ' r ' i j j i +^L#lit- tie leaf- y lane, A touch of col- or 'neath skies of grey. —raised their thirsty heads, A per-fumed thank you they seemed to

12. Eb Cm D7 Gm D7 Gm. . D7 Gm

I JSure- ly here

D7charm be- yond com- pare

view.Bb7 Eb

you. 'Twas Just AC7 Abm

Gar- den In Bain, But then theCdim fat? Bb7- Eb

sun came out a- gain And sent us hsp- pi- ly on our way.

GET OUT OF TOWNGm

- (C. Porter) "Leave It To Ite"Gm6

Get out of town 'ore its too late, my lovet.Gm6

Get out of town,

Be good to me, pleas* —

tire to a farm And be coa-teat-ed to charm The birds off the trees?

Just dl»-ep-pear, _ care for you n too much,-Cm—

when you are near,Sbn

Cloae to me,dear,We touch too much. The thrill when we meet Is so bit-ter sweet

getting aedowa.. So OB your mark, get set, Get out of town.

^VIGHOST OF A CHANCED - (V. Young) n . 9mtti>Um

A7

need your love aothought at laet I'd

D7:

bad- ly, I low you,found you,But oth- er Iowa

•ad- ly, Butround you, And

LJ« *H* p r «.M- cov- er. thiy i i r in1 ^ . • * '

or, that I'm the lov- er meant for you, AndYou might diaC

I'd true, But vbat'a the good of achem-ing,C. Am D7 » •

ii'J rl J i J j r p i r rdream-inc, For I Don't Stand A Cheat Of

I know I mat beOH- C

J J I ••A Chance With You!

GOOD NIGHT SWEETHEART - (Noble-Campbell)F C

Good Night Sweet-heart,

07

Good Night

Tlll weTho' I'

meetm not

to-ba-

mor- rowaide you

Sweet-heart,m

Sweat-heart,

,la-JH» .

— FTear a and

1. C1 — m 1i r J « — -1 — r* r* 1~i r r i

Ore ana en-

F , 07— --, _— — — _ -j 1 1

— F — F F 1— F -1 — J J J „ — : —part- ins •T make ua for- i,

Am Dp G7T — 1 — ; d — 1 — d 1 1 1 1 — iJ 1 I. * 1 * J J J J J *-JLM—bm HI^n~^ a naw day i- bora — So *I»llnBay

1 D7

-f 1— 1 \- — F — f- — Efold you, in each one 1*11 h

07 C'• — d • 1 — -«" -^r

f ] —old you

T^ f = 1

(Kahn-Akst-*hiting)A7. Dm __ ____^_ Of On

Moderate.C7 P.

Is it a sin, — IB it a crime— Lov-ing you, dear, T.ike I do? — •;May- be I'm wrong— dream-Ing of YOU — Dream-ing the lone-ly ni^>t thru.J

If it's a crime then I'm Guil-ty, Guilty orlov-lng you._

C Hia Am6 B7 On

Gull-ty of dreaming of

B7

you. what can I do,, what can I Bay. Af- ter I've tak-- en the blame?

1 '—' nr ' ' i i i i pi t^=^=You aay yovfre thru, You'll go your way But I'll al- ways feel_ just the same.

- A*. Dm. 0 Pa "* »••-•.C+

f^7rF.

—j—i i i i — - i j—^__ Lov-ing you, dear, like

Fm _ G 7

a==^do.

; Cdlm Dm? Pm _^JS'

q_ff-^ p .T3 r i J ,|. i r rIf ita a crime _ then I 'm Quii-ty, Gui*.- ty of lov you.

m

j

HANDS ACROSS THE TABLE-(J.DeLettre)"OontlnentalVarie.t4e /' Ofl,i Eb. On Eb7 __ Ab , _ £+ ~

while the light* «r«Rands a- cross -the ta- ble,

••y, la their tl« *ay, that you fe«- long to me.

HARBOR LIGHTS (Kennedy- Williams)Kb Bb7

31owlyCdla

iI saw the iHar- bor Lights i They on- ly tola me we were

I watch' d the) How could 1 help If tears were eart-i

same old Har- bor Lights That once brought you to Mhe all-bye to ten- der nlghte Be- side the

I longed to hold you n,ir

Now I know lone- 3jr jiights Per all the while my

Some .?«»r jr_ Har- bor Lights . Will steal vour love from me.

HAUNTED HEART - (A. Schwartz) "Inside U.S.A."T-BL Bb7 —9 ww PK*9 PK

In the nightHaunt-ed heart

thewon't tfZJS?" There's a ghost of

you with-ln my hmmt-edsweet, but lone-ly aoag to^

heart Ghost of youTbTBb7 Eb

— Be still. my haunt- ad heart.

HEART AND SOUL (H. Carraichael) "A Song Is Born"EW7 an? C7

Heart and Soul. fOB?

. { I fell H} Love with you. Heart and SoulI begged to be a- dored, Lost eon- trol

P Qrf7 fhfTi P, C7 P

— the way a fool would do.Mad- ly— oad turn-bled o- var board, Glad- ly.

. be-cause you held me tl£ht and stole athat mag- le night we kissed there in the

D7 07 C7 F7 E7 A7

klas in the night moon-mist. Ght but your lips ware thrilling, Much too thrilling.Bb A7. D7 07 C7 >7 B7 C7 P

Nev-ar ba- fore war* mlna ao atranga-ly will- log. Bui now

-brace oan do, Look atP. C7 A7 D7

Had- ly that lit- tie fclaa you stole, Held all ogr Haart and Soul.

lt»a got DM lov- lag

CLittle-Oppenheia-Schuster) Slowly

Hold Mame

Ron- ay won* t yon HoldLet your kiaa-aa thrill

07

. I. J J.

Ju»t likeHer- ar lat ma go.you a-lona omn oo

Taka ma

Bb

^

C7

Ron- ay won't yon taka ma Har-ar to for- aalca m* —

•Caoaa I lorn you so

bid Ma te\fold ma Hev- ar try to Hold yon*

HOME (Van Steeden)Slowly

-* r—*=My thought* are av- arOoea more to ba ra-

the billa con- oaal tha aet-

by light eov- arc all Jtod, for

•*, Svaat will av- ar taka ••

J

HONEY - (Sinona-Gillespie-Whiting)Bb F,

Moderately

I'a In love with you Hon- ey, ay yon love M too

Loved yon team the start,fun- nj, tut it* a true

F A7

Bless your lit- tie heart,Han- ey,

Ev- 3ry day would ba so eun- ny,

W* AM I TO WOW?

Bon- ey, with you.

Valse lenteF7

Oh, How An I To Know? if it's real- ly love That found its

Oh, How Am I To Know? will it lin- ger

:. !•• i" E=M — r—

-

tf ' 1=3

— =•1. ^ «M

an and leave me then,

Bb

dare not ot this

C7

c .range 'lap- pi- ness, for Ch,

: f? " i '-

_>L* : J--J— • £i ivM...i i r !-r =f=~ 1JKnow? can it be that love lias come to stay h«W

HOW ARS TENOS IS OLOCGA, MOSBA. (B»Iane}"FiniansRainboir '

How are things in Gloe-ca Hor-ra? Is thatilit-tle brook gtiU leapi

'-

wll-low tree stiU weeing there fr_

ua- '-£•Through Kll-

mDoes it still run down to Don- ny-cove? — Through

j=r Does that lafl- die with .-the ttrink» lln» ey«_ly-bega, - Kil-

ker- ry and Kil-dare? Cooe whist-lin* by and does he^ walk a- way,Sad andF A7 Bb C7

dream- y there not to see me there?F A7 Bb C7 F

So I ask ea«-h weep- In'

wll- low and each brook a- long the way, And each lad that com** •-

whist-lini Too- ra- lay How are things in Gloc- ea Mor- ra tUs fine day?

HOW SWEET YOU ARE (A. Schwartz) •Thank Tour Lucky Stars"

I J J U>d«ar jour tan*Just the warmth of our

Cdin

thro days . sUifit world's *

ea the stars

n*7 cdua mBOW

e

I CAN BREAM,CAH'T If (S. Fain) j "Right This Way*

You'll nev- er be- long to ae.There's ouch dia- 11- lu- aion there,—

But I can dreavf can* 117

Can't I pre- tend bend of your ea- brace._

And I am drunk With nine.___ For drean* are just lil» wine,

a- dors you al- though we are o- ceansBb? a>

I I .. J I I .. ' ' ipart? I can't mak^e you o- pen your heart. But J can dream, can't I?

I CAN'T BEGIN TO TELL YOU -(J.V.Monaco) "The Doily Sisters' • . TT Qm. A7 tta D7j FIT

X OUT Tr p i ^ j

GXM TO TEIi YOD, How | ouch you

nn. m e . mi™ ^1

^^_ Mw

r P H jhnrrrT^rid would end if «r- er

r

h,Jwe ware through'

Io6If X ctKOA

Cdia K7

•dud like oth- era47.

do. - X make dhch pret- ty , «hett>Dt

t p. rer- er we're a- party But, whan you're near, The words X choose re-ftL. . 07. C OB. A?

^^fuse to le*v» heart. So. takei r n T

swarld h

j i j i ,j. ' i r r r J ' •»'*baa * «v- er known And Bake be-lleve I»v« said the

sweet- eat phras- aaO7

the

^g^

j

CAN'T BEIIEVB THAT YOU'RE IN LOVE WITH ME(Gaskill-McHugo*67 r r* c

ayaa of blue, your klaa»aa too, I nav- ar kaawYoa'ra tall- lag «v- ry ona Z know, I»a on your mlad aaeh

C af7 07

thay eeold do, I can'tlaoa you gotThayC

V rt you'ra la lov« with a*.

bav* al- ways plao«6 youlov* with a*

bow a* just oin't la- ag- la* that youJL

low

And af- tar all la aald and don*, To think that l'm tht

lack* y oaa, X can't ba- Haw that you'ra In low with aa.

I CAN'T GET STARTEDc

- (V. Duke)

plana— I»w a*U tladpar,— Jknd all tba

Pol* I ham char-_ tad. Bat_ tlaaa In Spadta. lh« Karth Po_ aa t* atar. I»w »t a plaea.BBt

»t sat atart-- ad with youaa plaoa with you.

aw? ta A7

I J J J1You*ra aa fa-

» " n*7

lea I wrlta_ of yao,

BV7 Qa7 07

b»«srt-«d 'Caaaa I can't gat atart- ad with you.

I COVER THE WATERFRONT - (J. W. Qreen) *"al «*«»to

ij JTJ j ir rChl bow * y»«rnl wbar* «r«

B7- Ar« you for- g«t-tlng7 Do you r«- MM- baftyou? - Ar« yo

JkZ - J — . JW?

IT r rWill you r«- turn?

• i rco v- «r w*t- «p— !»• watch- lag tte

W__ Q

tar th* I lov* •oon eoaa back. to M.

raw WHY (F. E. Albert)

X dmH know why_ you lite X do,

don't knew why_ you Juvt do. Tonthrill M lite yw do,

oa- ly tlM yott hoXfl M is wfecn woT* d«ic-lng. J <Jon»t know why__

lov* you lite X do, I den't know why

I Don t Wane To Set The World On Fire

X

By Eddie Seller Sol MarcusBennie Beniemen and Eddie Durham

**".Cjl _ ^,

I DON'T WANTTO SET THE WORLD ON FIRE|A+D7|G7+C7|F|

I just want to start'

« flame in your heart In my heart I have but one de- sire __ And that one is youC.7

I've lost all am-hi.— i-tion for world h/ ac-claim.»*l A pi 0».. > G7_ Pm oz_

I j*.* want to be tlje one you love —And with your^d-mis_^ sion that vou (eel the same .

I'lUuve reached the goal I'mdrcam-ing of—be-lieve me1 I DON'T WANTTO SET THE WORLD ONGI-- ^~—~~—^ Bi« C7 G m | CT OptJV^ ~JL G7 C7 F ^

J

LJ

FIRE

I DON'T WANT TO WALK WITHOUT YOO-(J.Styne"Sifeater Girl"n F- BL »7 _?>i r J

I_ _DONTWANT 10WALKWTTH-OUT YOUBU- by Walk _ without myBU W '

i J J J i.r ma-bou t you I thought the day yg.uldt_ me be . hi

=3= I * - d~«* !•• I ff fhind,

_

r p f p i^-r r r i rI'd take a stroll and get— you righf off my mind — but now I find_ that

FT 1o—shineI _____ don't want to walk with - out the sun

B^m C7 Cm? Ebm <- F , , .MJ j uWhy d —r you have to

5* B E^ FtHs rturn off all that sun shine'

G m 7 E _ » C a Eitui F"Oh Ba-by pleasecomeback or you II break my bean for

Mr- J J II DONT WANT TO WALK WITH-OUT YOU. No,

I DREAM OF YOU - (Goetschius-Osser)G7 . . C

'. j ii J U- > rfi ' -iI DREAU OF YOU .

You're mean to me -•MMmore than 'you mean

iI do. How can 1to be, . You Juat csa»t

u. «i r r r i "the way feel.prove to you8oen to •••

real?

Kt7•V ( • | * »

3- J J i-r i^' p f jr r r r HP_ When I

Raclose to you,

Cmthe world !•

mfar a- way)

DU7

1The word* that fill ay heart ay lips can't Been toG7 , 07

J

you ao ^^' V. AV« TJUL>1 *than you'll ev- er knowt.

C

Store, than you 3reaa I do, X XSiEMI OP YOU.

IF I BIDN'.T CAREBb

(Lawrence) Voderato3b P*

!P=PI did- a't care wordsthe 3aae?

If I did- n't care,""• «y «v- ry

would I fe«l thia way? _ _ If •Miia~i.- n't

J Jlove,— then may- be I'a wrong; But why do I lie a- wake al

all day long? pray*r be- gin and end with just your

naoe? And would I be sure that this is love be- yond com-

pare? Would all thie be true If did- n't care for you?

IP I HAD YOU (Shapiro-Campbell-Connelly) Moderato4 , Bfa Bb7 Eb

Ebm

I could< show the world how to smile, I could be £lad all of the} leave the old days be- hind, Leave all my pals. I»d nev- er

Bb Gdlm i F7, i Bblm

whilemind,

J J bJ •! *' " ]f* EE^Ecouldi1 change the grey skies to blue

'start my lire all a- new'if I Had You.

I could climb the enow capp'd noun-tains,A7 EB A7

I could cross the burn- ing ies-crt,Bb7

Sail the might- y o- cean

I J J bJ J V \ PI V \ V \side. I could1 be a king, dear, un-crov;n'd,Kum-ble or

• •^noth-inK I could-n t do If I Hpd You.poor, rich .or. re- ._ nowned. There is

I FOUND A LLILLION DOLLAR B>iBY(Warren )"LillionDollarBabyF or

It wa? a lucky A,, prU showThe ram con -tin-ued tor an houi',

C7 » C iE C7

er , It was trw mosf conve-1lienl ,.--.I nnnffa-n.iundfofniraeor four,

_ 1 if i "~ii" '^- '

_ = 1 1 f ~ * t t t —^ * '^ 1 ._-._! 1 ^

T found A Ma-UpnDoKar Ba-U In A FCvie And 1 Cent Store. p.-.-,, a^j Ten CenlA-rounda ma-liooaol-lar ba -Ky Ln a

Ar Bw A7 Drii

Store.SJieviossell-ing du - na

Of (Jmr crmade Idose e>as

G7 <27 F

I kept buy-

chl-na un-UHlecroidgcl wise In-ci-dent-ljy, Ifyou dwuld run in -to a

F G7 C7 Cdim C7

p door And meet ttiemiHiondol-tar ba-byFhxnthe five andTen Cent Store.

IF T3E CAN1? BE THE SAME OLD SWEETHEARTS -(J.V.Monaco)Kb C7

«• can't bo the aaoo oldBb7

•w*et-hearUf Than we'll

m m.Juat b« the sam« old frlenda, For IEb C7 F7

want aome-one like you,Ju*t" to

tell «y trou- blea to,Bb7

pendeJk

For I've known you too long to for- get you,ma

And my

old dr«aa of love a«v- «r code, Tho X knew you cm? t b* •in«,W« «1U

«u>ft. froai tl«« to And we'll Juat be the «aew old

-

IF YOU WERE MINE -(Mercer-Maineck) "To Beat The Band"

IF YOU Y/ERE MINE

Eb*

S I could be a rul- er( I would live for your love

Eb

of Kings,.a- lone, _

And IF YOU WERE MINETo kneel at your shrine

CdiaI could do such won- der- ful things.I would give up all that I own.—

n" — *rA6 ABb

rW J « 'm •—i-i

r— J J mf—

#~™^-T----

Eb ' D7 Bbm— * F » •-F — E — P— F — r—

— I'd say to a star,— Stop where you are,_ light up my lov- er'eYes, ev- en ay heart— ev- en my life,— I'd trade it all for

30

way, And ev- 'ry star a- bove you

12. C7 Fm Ab

would o-

>fc«y» Say

Bb9 Kb--w~r

you, And think I was luck- y too,m

IF YOU WERE MIME.

I HADN'T ANYONE TILL YOU(Ml

Noble; sickly wjthC7 F

J J J II J JJ.JI HAB- JT»T AH- Y- 0KB -

-MLsav« ay love

_ZL

TIU,for

YOU,you,

JI

I was •I ne»- eg

J J Jyon.you*

I used to

He a- wake and won- der. If there could beO . Brf7g_ W AT i3

1si^^

feTone in th« wld* world, Just made for me,. How I sec

=^=&=z^z==3t_=*F fe i M =*t==^=And tbru ay Ion*- ly heart de- mand- ing it

hand in it, — I HAD-H»T AH- Y- OSS rm YOD.

I HEAR A RHAPSODY (*ragos-Bake2>-Gasparre) MOderatQO'H^TG'y 0* A»<^ ^ BH ^2—^ tgKfa.r . ^ .

hear you callt

So Bofl-Ly fo me, I dont hear a

/W wficn^our sj>arttir e tes -6*7 EF ^e C»e JL

areD7

star-lit sloes—I J.RHAP-SO-DY.

"lidiii1 iL dL JL ^S:B'VUy G7 F»Wr G7 CV A^6^-

J IMy heart b^ftf you., so

w/Jt vr«j xhwf •Mwdar-tLmr Vwiirl me tielil and wKi» - t>er" te me .

Thai softHwua stir-

I KISS YOUR HAND MADAMEE" Ofc,

JErWJLn) Uriapte codente

Cdb Q.

ndMBBlkoByor hand, Ma-dame, \br dainty finger- tipa

I'm begging fcr your tvpsr.land, Itfa-dame,

I •» •I f1 J J -=3

hand. Ma-dam*, /Vd pray my dreams come true.

I'LL BE HOME FOR CHRISTMAS Cannon-Kent-Ram; nod««toC Cdim Dirf? G7 C Gm6

I'LL BE HCME FOR CHRIST- MAS,

En Qn6 Dm Dm Jta6 07

You con plan on

C G Am

D7

Please have snow

Am? D7-9 07

and mls-

n G7 C

tie- toe

Cdira

And

pre- seats on

07

the tree.

Qm6 A7

Christ- m

Dm

r ' r —f=as Eve wlU

r 1-find me fhera

C Qn6 A7

the love-

On

light gleams. I'LL BE

i r r "*•! I . ™* ,- , .-

i 'l< J ir [' i f r 'HOB FOR CHRIST- MAS, If on- Oy in ay dreams.

I'LL BE YOURS (J'Attendrai) (D. Olivieri)F7 Eb J7 Bb

:'U B« Yours My world nay lone- ly but,

I'll •- wait I'll Be Yours,your r«- turn

r r i r on- ly and while you re eon*Yours for- ev-

I'U yearn

dream, Dear, you're ev- »ry- where

•ay, nl ht and

J

I»LL QET BT - (F. Ahlert)c 07 e

i* J. J JI»LL OT W

J ' .'07

O7

I'LL NEVER BE THE SAME*

(Malneck-Signorelli)

"Mr Jill i J luJ H •* J IC_L^^Same } Stars nave lost their mean- Ing for me

I Noth-lng's what It once used to beI'll Mev- er Be The Sean 1 Stars have lost their

12, Dn7

And when the song-birdc that eing Tell me It's Spring I can't be-11 eve their

A7 D7 Eb7 D7

(3nc«rbe

i r rI'.:e love was king but kings can

Eb7 D7 _ Qwrong .11 Kev- er Be The

Ihere is such an ache In my heart Nev-er be the seme

• i r CL.T rie know down deiThe' there's a lot tha ta smile may hide

Nev- er Be The Sameside gain

I'LL NEVER SMILE AGABiCdim FW

(R. Lowe)Bb7

ModerateEb

J \>f M

^J4

— }

— \'-

=f=

- — p _ H_,* r rklX NEV- ER

Cdim— i* •• —rnev- er <

.

\ SMI1E A- GAIN Un- til I< love a- gain I m so in

FW7 Bb7 .

:tt

aughrill

— a-._ft-

I I i1 ,J —Jsmile atlove with

> • 1 1.1 1

you

» ,

=x^ "d • d J J 1 :£«1n , What, good would It OoT 'gain to some- bo- dy

Eb

m___ For

^^tears would fill myG D7

eyejCdim

_Ky heart would re- a-Rn7 Bb7 112. Eb?

start to smile a- gain til I smile at you.

33 I»LL SEE YOU IK MI DREAMS - (I. Jones) Moderate

I LOVE 1DQ (Je TfAi»«t) (H. Archer) "Little Jesse James1

cM words I'm say- ing in the

you. ThreeUb7

same old way. I

And now, tny deer, I'mwords that are

wait- ing to heer The. words that ma^e you relne.

I'M GETTING SENTIMENTAL OVER YOU - (Bassman) y«ryJST Cm — ., 07

Hev- er thought I'a fall,—Things you «ay and do, —•

But nowJust thrill me _±hi

P TSZIJSI hear love call, — \ !*•

and throuKh.—- '

=3 1 "J — H£ = ==^^^.i2^ —^ji^T r =3

could live with- out love,C7 F

hap- _ py.

How I nuct ad- ndt love is all I»» thlnk-lng or, Won't youpiease be kind,

make up yourCm ^ E7

_ Tba07

Voull be eweet andC7

rg«n-tle,

^ I i,-a J. -3 i j. .1 a-«.. >"''*ent-al ov- er you.gen-tie with ae, —

L

L

I'M IN THE MOOD FOR LOVE - (J. McHugh) ModeratetI Dm? 07

I'm la The MoodHeav- en Is in y

Cdlm

Loweyea

34-j>- ly be- cause you're near me

Bright as the stars we're un- der

Bat for to- night, for- get it!

Ifll THRU WITH L0VB •

I'm In HM Mood """For " L o v e .

(Malneck-Livingston)Ddlm C7

Moderate

.I»v«

Ft-

I IIhru With Lov*. I»ll nev- er fall a- gain. Said *A-loclced ny heart, 1*11 keep ay feel- ings tHe?e haveBb Bbn

@D7

^Tli J, H I J, 1 JM -I J ^ ^ I p' J "r pdiau" to love.'Don't *v- er call a- gain* Por I must have you or?

stocked my heart with i- cy frig- i- daira, Aad I mean to care for \

no Love.

18.1—F—

P

1-E*• i- L j, n==»' • jz — : — J_^ ( L.=1=

. Cdiffl_Jj 4, . __• ' • i ^p r j 1 j

Love. Why did you lead me to think you could care,

D7 C3

You did- n't need ma, for you had yourr 07 C Gm7

r •" I'had your share,

f r p i Jislaves a- round you

C7f

mbound you and swear, with Deep e- mo-tion, de- vo-tion to you. Good-

r Ddia c?

> a1 Ji J« Ji 1 1 J J' j J J. |J 1bye to Spring, sod all it meant to me, can

P P* Bb Bbm_ P

E 3

^^nev- er bring the thing that used to be, Por^ I

Qm C7 ^have you or

one.' J ,J. J—t-

And so I'm TbThru With Love.

I'M LOOKING OVER A FOUR LEAF CLOVER - (H. Woods) Hoderato

* r- J J l jI»»

J r I'r rlook- ing o- .aa«d ex- piala-li^ the

fourone

leaf clo-Ing

thatla

roe- ea that grow In the laoa

I'M YOURS CJ. Green;E> cdin rr

sfy a-bove drri;cuWBnfa-v»ay you

earth be-low v*1rv I love vp« so,to be^iy i» whi.^-lin^ in fhe dark;

=3^I try dear. ju5E Why,dear, JTn >ouraoM,TnaV«mc -Corne Lafc me' Tm

J

yoM,TnaV«mc,youra How Hap- BY

|B cr ^ Bt

r i r r r EI mould b€ b beg'and DOMTTW, or eor-row with >ou,

E^ Cm rr

E -ven tho' I knew to-

n. ef

d

You'd say we *<ene thraug^i; If we drift a -part. then HI be Loot a-lone,

Cdi. F^ Bl'r E^

use my Vieartjust for a ffep-pwgsfene,H««riI be^dreanin^ of^ou? I love you, Irn

IN A SENTIMENTAL MOOD^fc

la A Sen- ti-fflen-tal HoodQB the wtnga of 4v*ry klas

Dm

I can Bee the stare com thru my roomDrlfta a mel- o- 3y so strange and

D7 Qm Gb7

~ ' eJi* "—H '—' 1 «—I tf»— <toll« your lov- Ijg at- tl- luBe— is like a flaae that lights the-— In this sen- ti- men-tal bllss_ you make my Par- a- dise con-

.Bbia?. Shn

• ^ • I MBBiM^ J " ' |r ^P " ' • ^—

eeew to fall It»« all like a dream to callplete Hone pet-Db Bb7 Sb7 Ao7 Db

Uy heart's a Ught-er thing since you made this night a thin£ ii-

la A Sen-tl- aen-tal llood I'm wlth-ln a world so heav-en-l^

— For I nev-er dreamt that yoTf'd be lov- ing sen- ti- aen- tal me.

INDIAN LOVE CALL(R. Friml) "Rosenarie" AndaBt, lmlam}

Thai means I of-fir my lo*e to you.— to b«^our o*n.

If .you re - Huseme.I *itl be blue_ all a- tone :

hear my love call rin*-insr clear,J* Gf ,Ebr AV ^ g?t tgIs

And I }weryaur an

i r p y . i B i Po, eq dear,

E>

"M" ~

Lov« wtQ. octne true, _ TfouU

our

me, _ Hi be - tony to .you

INDIAN SUMMER (V. Herbert) "An American Idyll"IH

J1 J J J I 61 J J ITou old ,Ip-c(ian Sum-mer _ Youh-lhe tear that come*Some heart That is brok -en By a irero that an«f-

It A»i» i r- 4 1 ~

Ibu see so man-y

•I J. J I J J JSundreams tKal dont come true. Dreams v»te fash-ioned dJicn Sum-mer

time was are here to wafcJi s o -

3E1 ^- - • —-j

^^^

=P=Fof a ro-marxsm June tro - ing a.- »tcay. fad - ing too soon.

Eb? G :Qt ., p.——T-, G6

7. J. i J J J9 * CJ V _ — • ™

to ycu. Iti-dian Sum-rr»er-"_

IN THE BLUE OF EVENING (D'Artega) Slowly with expression

1 N THITHEBUJE OF EVE-N1NG, When you, ah pear Close to me< , While -trtdc-tfei ^aq /Wa&rs w~

J- J ' l J. JThere Ln the dusk we'll share

' i the star - [Itdrear re - v e - rce

g ^"7 C7b9

skyA"

youii to me.

ii^tl well stand, I'll Loach your hand and then , / Soft - lv as your love-(>• eyes en -treat7 FJjB F -B>-7 ,F a-. i *

'TMTFLiV5_VviU meet a - s^a~ ~ THE BUJt Of" EVE N"!NO, SuaM windsa -bove Whispnn^'I love vou.C7I.9 C??j F ^ '

^

I. ONLY HAVE EYES.FOR YOU,, - (A. Dubin) "Dames"

I donM. know If It*

i j j"•il-liona of p«o- l« go

view,

IT ROMANTIC? (R.Rodgers) "Isn1! It Romantic?"BbV Eb BbT '

Is- n't it ro- man-tic?

Bb7 Eb

' JMu- sic in the night, A dream that can tiemere-ly to be young on such R night as

Bb7

heard. Is- n't it ro- nan- tic?this? Is- n't it ro- man- tic?

C7 Pn Bb7

JMov- ing shad- ovs write theEv- »ry note that»s pung is

Cm

olfl-est mag- ic word. I hear the breez^es play-ing in the trees alikt a lov- er'e kiss. Sweet sym-bols in the moon- ligr.t, 5o you

l.Cm Eb7 Ab C7

bove.

G7 Cm F7 Gc'do

While all tjTe™worT5~"i8 say- ing you were meant for love.

Cm6 Abm6 Eb Gdim Bb7 Eb1 —=E=jE

mei

k! ^

an that

• •= — 'Ff=Rr=< ^^ — r —^ tt 1 k^H^ 1 F hdI will fall in love per chance? IS

1 m— 1 —>- n»t i

E=t ro

S.B*** *-«FH *-n- nance?

I SURRENDER DEAROft

(H. Barris)

W«»V* played the gI may sewa proud,

D7 C

of stayI may act

Am,

But it costsIt'a juet a pose,

D7

I»I can pay. With- out you I

not that way, 'Cauae deep down inf?

can't make my way,my heart I say sur-ren- dar

dear. Lit-tie mean thing* we ware do-lag Uuat have been part of the

gaM, Land-lag a api'ee to the woo-iag, — But I don't care who*a to

Why then you'llO7 Of. C

ifcr DOOT heart call. To you •y love, v life, my air l BUT- rea-dar,dear.

j

LL

—

IT AINT NECESARILT SO (G. Gershwin)"Porgy And Bess"C ^—J-—- On C7 . G&B . ' C —; ' ,. Gto

_ez_

It ain't ne— cea-aa- rl- jjr BO. it ojuu't m-Da- vld waa small,but oh myJ U»l Da- vld

— -, Db7 -'.'• • • C7-—L^—^ . Db7 *

'8- aa- rl-waa ama^l but

A? * .

of I &•agr! He

D7 * ,

ir T j r j r' J ^ r -1 r'"J •*' JIH J -1tflaga dat yo» li»- ble To read In de Bl- ble. It ain't n«- cea-'«a~ n- lyr ought big Go- 11- ath Who lay down aa» dl- eth. U'l Da- vld waa aaall but ohll.Gm C7 Eb9

(Wa. doo,)-

Zim ban bod-die- oo, (Zim ban bed-die- oo,/ Hoc- die an da wa da .

(Hoo-dle ah da wa da,) Scat-tjy wah (Scat^ty1^, Y.ah'IJ

IT CAN'T BE V/RONG (M. Steiner) "Now Voyager" Moderate

U J J J

IT HAD TO BE YOU (Jones) Moderate swing

might nev-er be mean

aixi tin - at - k round the somebody \vhoor. trv to tfe boss,— _ _p y — . ^ *^ _ - E "

CouI4 matoeme be true,

could mafceme be Wue And e-ven be glad,— just to fse aad_

. think-ing of youA7 Etn

Some 6ti)-ens lVeseen_ but they wouldn'tATP 7

-c_rr r 'tor no - bod-^

_&av«me a thrill — wfli all vour faults _ I lovevgu st»Il

->V» - - , G - . - = - -

J J J 4;

?IT MIGHT AS WELL HE SPRING« («-*odg*«0 "State Fair"

t*»t>- **» Llk»BUB- y eyed «3 vague- Ijr «*••

pop- pet onJ»p- y Min- gala with- out a aong

why should^heA \ uprise- fe-1 vert5But I taow it IB- n't spring.

I havB ) < When itDH7

la- n't •- v«n spring? I ke«p wiah- ing ww« aome- «ier* else,

Walk- ing down a strange new street) Haar- ing wordo that

man I've yet to meetnev- ei* heard from a

J J Jbus- y as a spi- der spin- ning day dreams, I'm as

gid- dy as a ba- ty on

have- n't T seen a cro- cus or a rose- bud. or a rob- in on the

J J J«3wing, Bat I feel so gay in a mel- an- cho- ly way that it

ii-J- r l ,might aa well be spring. It might as well be spring.

IT'S BEEN A LONG, LONG TIME (J. Styne)

Just kiss me once, then kiss me twice,Then kiss me once a- gain,_rf><5 RKRW iCdim C7 On _______

LONG, * UOTG TIME. Rave- n»t felt like this, my dear, SinceC7 Qp? o p,

1 ^-~^^ ; W~. ^jf ' It ' mumcan't re- mem- ber when, IT»S BEEN A LONG, LONG TBIB, You'll nev- er

•Cm6 D7 an . Bbm

know how man- y dreams I dreamed a- bout you Or"" ju&t how emp-ty theyal3™Beaned witt»-C7 F

So, kiss me once, then kiaa me twice. Then

kiss me once a- gain, IT'S BEEN A LONG, LONG TIME.

J

IT'S aUOICEb

e Styne) "Romance On The_High Seas" 4-0You 1**, the eons be-gina, You •*••* and *•«•*- ^•{^l SUlf ~When wTwalk band In hand the world be-comea a won- der-land, It a »«S-*C'

I 'I I J.I I I I.In yoor eyea.Tt'a »aglS^—£.•axe stare de-eert the aklea and ruah to nee- tie -— --— -^ ^±ex-plain those rain- bowa whan there la no ralntlt a magic.

These things that bap-pen are

true love for you.

IT'S THE TALK OP THE TOWN (Levinson-^ymes-Neiburg)g»

-g>3 J' J J i Jt 3 J J u. ^^J J .J i rf- w d j iX cart ahow ay faee, Can t go aa- y pXac<a,PeopIe atop and etare.Xt'a ao hard to bear i*T-«ry tiaw we Met, Vy beartafclpa a beat,We dorit atop to apeafc,Tnd/lta Juat a weekj

C7 I '». G7 C7— >

' i ' * ! ! * * **. IV • *TbaTaUbD*ThaBv-'ry-bod- y knowa you left aw, Xt'a Toe Talk Of The Town

Town, we aant out ta-vl-tatiaaa.To frlenda and rela-tiooa, m-aamdj* oar wed- ding da/

* \\ "r I isaTrleoda and our relational Gave cdngrat-a-latlonB, How can you face theaffThat can youaayT

Lata aake up art,W« cant atay apart, Dont let fbol-lah prldetCeap yon firoa

Bow can Iowa Ilka onra be

WAS SO BEWTIRJL (H. BarnLs)Eb A7

Moderate

Xt Vaa So Eean- tl- nltl, BO ( woe- der- fol, So( mar- vel- oca,

gar- geoua, so dl- vice, And you were mine,stare a- bove ua sbone. We were ^ lone.

And yon »ertWe were a-

could i let yon go? ' Xt Tea So Beau- ao won- tfer- Ail, SoBb

gor-geoufi, ao dfr- vine, And you were aine And you were Bine.

4-1 I UHDEBSTAHDKa B7 Ddla A9

(M. Wayne) siow.

I un-it's not your

J J JIf wo«n «• ttYea did- n't M

sad dsr- ling you ar« not to blao*bs- csuss your heart baa changed it* «iad

Q . MS.

'it's not the *VM,•n to b* un- kind,

an- ~I an- ~ d«r-»t 'I^

Fbr- get- ting you M ««•- y

Ti grown so used to your ehms, X 11 •!•• that old thrill and no on* can fill tht

r " j_ '.dut if youJ J J' I

Our lov* WM r««l- ly atant toplao* n«r« In

b« Then d«r- '»«^g hur- rgr back to •• •ad I'll un- d*r «t*od.

I WANNA BE LOVED BY YOUC Ct Gt B"

Good Boy"

you, Jual you , and, Just you, and no -Sod -y

•I wan-na be loved by you a -I v»an -na be kissed by you a -

lone,lone,C

I could-rrt.45-

F C

rnake you my own,-

Bb A7 B7

1 wan - na be loved by you-,

C B7 (J7 c

you and no-body else buLyoMrr I wan-na be loved by you a - lone.

JEALOUS (Little Jack Little) UodercU

J2L

of "th« i moon, that shines a- bov*.<pret{- ty flow- era, too -

caua*

_fl_

th.up- on the one I lov»,

th«y a3^ way, g.t fro.

r ii'n I r!>• j««l- otu of tto

U.)bird- ies in th«

M.

sw«et- «st a*l- o- dies.|_J.- '

you.

JUNE IN JANUARY •olto •oderato

It at->wa>8 is Sprn*tn my heart,with you in my arma.ML fee is the tea-am my dear.your

The mag-t-catchanaB.

Q+r G7 C»G7 C» O RK»

- M l ' Mi IAb<

I .' J J J IThe nigbtts cold

F9 . FTthe trees an bans

B-Bui I can

feel the scent or ros-ea in the

be - cause Im in love, But on-Ly be - cause"lVn in lone tnSi you-

V

JUNE NIGHT - (A. Baer)

C7 A7

Juat give MIi '' f I I' J I I J_^

JtBM tt« ucfitG7

yon.=1

In agr with

^

D7 G7

all your c tHeath r T >J-trUTal 4V" feOWf we* 11

JUST A MEMORY (R. Henderson)Db7

you*

Andante expreaalvo

Days knew with you, are/just, ia)

a mea- o- ry, Jturt a

nen- o- ry. f lhat IB all that's left tTI of a love that used to be.—

Bb

Will *• ahare gain?the nlght,_ U»e moon, the stars a- bove

Will I to hope to slug, to smile, to laugh

your face la near to

. And it's dear

JUST ONE MORE CHANCEG O G"? Ddi» D7

(A. Johnston)Gdim D7

1)7

Just one more dieinee.Just one more nlgtt,

Us von a -lqn«. I Cf""*1.the Kiss-es Thai on - chant -me ,

G7

say a tit -Ue, pray Y for Jusf one more cfcsrfce. Just one more chance .o olh-ers t.f;youd grant me

dim C Cm D7 G Ddim E7r r r r—r~==f

Iveleam'dttie meaning of re - pen-tanoa ; Nowyouhsttieju-ry at niy trust. I knowthatlshodtiamerny

Ddim Am Ar ' D7 On D7 G G Gtr p— - — ''-•!'• - -^ r^ 1

sen -t»inee; Still I'm riop-inj all tlic wViile "Vou'll give me Just One more wbrxtr Gd,m D7 " DdiwDT" Gdim D7 G- alt- D7 G

Lf J . '—I — k *i Tr 8, — — -

glMijo startout; Bui no* Im back to cry mv heart out Tor just one more cKanc«.

KDTAJOO, TBS (H.Tierney) "Rio Rita" Aii«groG7 C G+

think you do, You clown a-round you're feel- ing, Cb, so las- y

^ =*=gg-> "i- •a Ji=fiG7. v L

1 J.. H> J -Nyou know you're shout- ing 'Whoop- a- dale- y.' First you feel a

K7 tm t COlM C

J ^ '•!>'! -f- r u e ij'^i^^p »•*••kink or two But h«r»*e the kick for you, Your on* de- sire — ia

to ae- quire. Each move- ment of this daint- y dance will thrill you

thru Cb, I know it will en-trenea von. whan vou *° **** Kink- •»

LAURAtoff

(D.Raksin)—• G

Lau- ra S is the face In the mist- y light< on the train that is pass- <pg thru

C7p9 - r-. _J^r-^ Faa7

Foot-Those

stepseyes

thet you hear down the hallhow fa- mil- iar they eeea

that floats on a gum- mer night

nev- er quite12

And you seeD9

She gaveP7

Fdim ?. •• C D9

_ L J j J iJ^r T p r i r r p iyour ver- y first kiss 'to you That was

Lau- ra but she's on- ly a dream.

LAZY RIVER * Carmichael) Koderato

« —. _ . - - - - — - w Qw old rpill - run , Tkat3 LA-ZY RIV-ER v**>erethe rob- inb 3005 A -

G >*W G9 frey

,.la*y rw^lA" T*e "oon-day e^r, Lvn-ger vn O.dade* of acan ^y -^ F FT ET &

kind csld tree; Thro^ a- way your trou-bteB.elrwma olream wctt tne

FBP - Bdii. m C7-*. S

BUi«s}ilefl up a - bows, cv-'ry one's In (ovfe, Up a LA-71Y RlV-ER.how*

F ET Ur G9 C7 F E^C E** Ffe

-v—~

flap- py you can be, Up a LA-ZY" RIV-ER with me.

LOS - (H.Barris)D7

Moderate

A*=^= r- J I •• 1 ^ .=

LIES that madeF7

bap- PJt LIBS that

madeF ,

na blua _D7

You07

11 td to «« thaC7

dayD7

that you proa- laad

you told to

LILLI MARLENE (i«ap-Schultze-Connor) Slowly

1. Un- der-neath the 1 an-iline would coma for roll

terncall,

by the bar- rack gate,time for ua to part

C C7

Dar-liag I re- aem- bar tha way you uaed to wait; tTwaaI'd ca- rasa you and praaa you to ay heart; And

there thatthere taeath

bold you tight, 'Ve'd Iciaa 'Good - nitfht,"of the

CI__

rs 1 —^

Gdiffl Q& G7_| -J L.S=3E J1 m 1 ^~

C— 1 1 - — -* — a— j — MI

lamp- light, own LIL- LI 'MAR-

LITTLE ON THE LONELY SIDB, A(Robertson-CaTBUMUigh-*«l<loo) A-(oa" c? * r . cat*

' aUglit-tl* _ oa th*

gw-»ry l*t-t*r— that you s*ad— a lit-tl* on the lone-— I read a dot- en Urns or

I k**p

•id*. — Vowwl*h-lng you w*r* by

• _ with. Sodear.— itoen you re not h«re, there's no on* to re- •GB7 CT

4f T»» seen with aoM-on* •!*•— It's Just eome- on* to dance with

Oh, how I ode* your t*n- derlove you more end more

long to hold you tight, I'm • lit- tie— on the lea*- I/ "ide to- night.

LITTLE IHITE LIES (W.Donaldson) aoderatoGil

j r rr^1 i = ' r- r. •+•The wmoon~was all" a- glow anT~ heav-en was in your eyes,The stars all seemed to know that you did-n't mean all those sighs

G D7 ll. f? _, 112. G

* C.J" cJ" J I J. ^]3SThe night that you told me

B F«7

those lit- tie white lies.

J'JlJ Jbut there's no for- get- ting When eve— - nlng ap- pears,

J -rj-n Jsigh, but there's no re-gret- ting In s.pite of my tears.

the night that you told me those llt-tle white lies.

LOUISEr

(Whiting) Moderate

Bv-'iv "***""*"" to vblA-Por-Lou- ise^L Bird* in tha tree* — leca tothat fe«l In nr heert^ Seeas to re- peat, __ Hurt.

.J Hr' Idor* you, Lou- is*. Jn*t to •«« and hear yon Brings Joy I nsv- *rAm 07 07 r*«7 /«>

know. ait to b* oo naar you, thrills aa through through.

An- y- on* can I want- ad your klss,_ It had to b*dlJB en (1*7 C7

JU i JBut the

won- der is - Can it b* tru*«— son*- on* lDc« Loo-is*?

4-1 LOVE IN BLOOMa

(Robin-Rainger) Nolto moderate

I tha tree* that fill UM breezI the spring that aeeaa to bring

i 1 ' T~ . P+Q/

no It ia- n't the trees, It's love In bloosjJ

spring, It's love in bloom

You plant- ed a seed, And this is tha flow-er jAaff D7 . Q

sweetdim

<Sr«aB the Joy «u- pr«n«,TbateEdia 1 . MS7 E7 D7

to ua in th*Q

You know it ia- n't a dream, it's love in bloom.

LOVE IS* THE SWEETEST THING (R.Noble)"Say It With Music"D an _ S7 AT D BBI K7 A7

r rLov» is

I I 1 i t

! the sweet- est thing, What else on earth could ev- — er bring(the strang-eat thing Bo song of birds ap- on —- the

JSuch hap- pi- ness to ev-

in our hearts more sweet—

J J j^'- OMat- ev- er fata may send,

f ., , > , W7What- ev- er heart may da- sire, What- ev- er fata »ay

J •* J J J I J J 1 +il \$JThis ia the tale that nev- er will tire, Tni

?=FThis is the song with- out end.

the great-_ eat thing, The old- eat yet the lat~_ eat thing,

I on- ly hope that fate may »• ato- ry to you.

LOVE LETTERS-V-1-

(V. Young) "Love Letters"

mLove let- tera straight tram your heart

mnear_ while a part ia the night

I i i' ' i

ry lias

ng, then I read a- gala right freai

team your heart.

L

LOVELIHESS OP TOatTHBCQordon-RevclJJCanU

the thrill of TOOT em- brace —it«a Ilk* • breath of Spring —

tooch of your hand

ner- er ccmld re- place ft*e- r««n bear- e&«bot'a the theew of ev- 'ry song I

l.G

Lore- Li- IMS* Of YouLovo- 11- n«B« Of You

07

r r rWhaa we're cheek to cheek-Ing Word* may fall it !• tru«_

to pub- lie apeak-ingBut UQ- ac- cua- toffled as

I'll tell the world— all a- bout you Your charm and your grace — you

ton

know that you are mine I'd need a mil- lion phras- ea

prop- er- ly de- fine The heav- en a- bove- li- nees, The Love-li- neaa Of You.

LOVELY TO LOOK AT (J«Kern) "Roberta" nod«ratoF Ddia C7

Jl i ?-FLove- ly to look at, De- light- ful to know and heav-en to kiae. ... _

IB quitea- tion like thi»

•oat io- poB-Bi-bl« •chea* come true la- ag- izte find- lag a dreaa like yool

at, IV*

For ve're to- geth-er. the moon IB new, And

otu it'a love- ly to look at yen to- night

4-9 LOVEH MAM - (Darl»-Baualre»-Sh• «te 09 n* _ WCB

r haAaa H«r IB* Oh, afcct A

g» t» bad wltk a pray'r **•*

day Wn a*«t *B« yoiin. dry allay

- I»t, Oh «kat *a»v» m w», okJI

LOVE (Your Spell Is Everywhere) (E. Goulding)

•a- gle apall la •»•

aoul to mat*, Baka •* tar- gut, «f >*wlea\hat «hl«- para, 'Wait/

MAD ABOUT THE BOY (N.Coward) "Words And Music"

Mad a- bout the boy, _On th« Sil- var Scraan

I know it»a ato-pid to baEa aalta ay fool- iah baart in

TT 3J. 33^a-bojrt «,« boy,-

*ry ala-la—^-.

— I'a ao a- shaB*a of it, Bat aaat ad-olt Qia aleap-laaa nlflhta tVi had a- boot thaHar.r~ A?:"JhSugb *» qulta a-wara Biat baraamitbarab..

l|Jg*a " _ .B j . i TT ..y

tra-caa of tha cad a-bout tha boy 'a fool girl,

X raal- ly abocld-n't car*. I«rd knova X»» not a aehoolj(lrl,In tha flnr-ry of

ar oloy? _ TMa odd di-var- al- ty of aic-ar-f Irat af- fair. Will it

- ••»• And young a-eaiixAnd all ba-caoaa I»B aad *»

MAKE BELIEVE BALL ROOM (Hazof-Denniker) xC67 Fma79

Lai's dance, An- y man-sion or hall ,dance, It wiliaoub-l* «y chanc-ee/!

07

il r IT r f r nwhile, we're sway-ing, And the band la play-lag, Mu- aid baa It* charmajYou grow Uod-er,

C7 dia &fl C7

f J. N J ^£.

it's on- ly asweet-ly yov sur-render, In my will-lag anna,Let* e done*,

•mall roca, In our MAKE BE-LISVS BALL ROOM Let's dance <

MAN I "LOVE, THE (G.Gershwin) "Lady 3e Good"BbO

r r J»br l^e. r J*T Ire.Sooe day hell cone a- lose. IJie man I love;He'll iook at me and amtle, I'll vm-Jgrfliaaao.

A!hH3o — ^LMn/ _

he'll b* bi @

nHe

r Jr T »~g. comes my way. I' 11 do my beat to make Mm stay.t seems so- «urd,

y J-^yy

* r - - -I know wa both won't, say a word. Hay- be I shall meet him Sun- day, May-be

Cm G7 Cm cm? P7 Fn Cm Edla

r-f — F ? — EE 1 J •• M •

1 r r T r f ±dAb

may- be cot; Still I'm sure to meet him one day, Uay- be Tues-day Will btBb7 Eb Ebm Bbm

r-r r-w fmy good news day. He'11 build a 11 t-tle home, Just meant for two, FromwMchl'llneTerroiC7

VhowouldHRuldyou? And so all else a-bovef I'm wait-ing for the man I love.

MEMORIES OP YOU (Blake)Fm B7 Gm Cm

Moderate

have left a ro - aa - rv of tears

beam* I-n try dnearns. Spit* cf ail, 1

Ev- 'iy. Seerrwtotnng Mem-o-rta.tr T

Wins- •Dv-ling how I MISS YOU? TcO

you CT- er mat jneX

MOANIN' LOW (Kainger) -.-Jar.^ ( s lcwiy)

Moan-In' low Hy sweet aan_ I loveIf sweet nan shouMpa

b«.lH*f« UM kind of man

Don't know m-y rea-oon why ne treat* me so poor-ljr._jrbat hav« I gone _ andT_ don*7

^ - • * ^ ~ • ^ _ f&~^ 9 —trouble double with his wor-rles.Whan sure- ly_ I ain't «Je- eerv-ln' of none.

Is gon- na

I • Mi • Idee* He's the kind of man_ needs the kind of wo-— nan like ae

MOOD INDIGOJb Bb7

(Ellington-Mills-Bigard)3bo7 vr.

Slow

Al- ways get that

Ab Kb? Ab

In- dl- go, Since ay ba- by said good-

Bb7.

In the eve- nln* when lights are low,

I»m so lone- soae I could cry, Cfaise there's r.o- bo- dy wte

E7 Eb7

cares a- bout me, _ I'E juet a soul who's tin- er U.£3 blue _ cam be,

I could ley me fo«n•Chen I get that tie.

Hudson)A7

>Vay up in tha blua,

Daar oas, hold eta fact.'CteS

met nanra bean IKXZMHXSIX atart in pray-lng

That led JM atradjht to you.—Oh Lord* pl«as* let thta laat—P7 E9

ae«n*d to float rtght thru th« air

tod now when tfaara»a UOCB- GUV

I ax- waya ra- gav» na yot>._

. Moonlight CocktailD7

Lyric Kim Gannon Music Lucky Roberts

If1 Slowly

Cou - pi - a iie- gen of moon- lightA7 _ E7 A7

and add a star,.

Pour in the blue of a June night and— 3 •

cou-pi - a dream -ers and there you are lov- ers hailB7 Eni Gnu

MOON-LIGHT COCK TAIL NowA7 E7 A7

a cou—pi'- a flow-en- a drop of dew;

mStir for a cou — pi '

continuedfj t D-'r-.L^ *Z1—L

a hou — rs till dreamsMoonlight Cocktail

A°"

As tothenum-berofkiss-es i t s up £>,_-MOON -LIGHT-COCK -TAILS need a fe»

Serve it in die star-light un - derErai7 . A7

the sum-mer breeze

dis-cov - cr trickslike these— Areneaththe trees —Em,7 A7

sure tomakeyourMOON-LIGHTCOCK-TAILpfcase— FoI-*Tbw thesim-pledi-rect-ions andB7, Emi Gtn»t. A7 Envi, A7_

an- oth - er com-plex- ion, Where you 11 be kingAmi C, Aq D,7 .

youwi l la wake inthe morn-ing and start losing- MOON LIGHT-COCK TAILS are the thing._

MOONLIGHT ON THE GANGES (S. Meyer)Ab+£7 057 C6

Hin- doo When

J3Z_

Whls- per'd —Am6 D7

Low a sweet6

MV o- dy

SOM-

All our dreams and our schemes ca06 BBS BbnS Am6 Ab+S7 G+S7 C

true.

Gun- gesAm6 din

I'11 meet youC dim

one*

•art And I'll kiss youG9 G7

and ca~C

rees you

Where ra- ters kiss the si- lent snore-

MOON OVER MIAMIro '1

(J. Burke)o !£E =eShine on ay loveShin* on as we

C Eb9

•e, _ So we can stroll- be- side the roll, Of the roll- Ing sea.gii, A dream or two *hat nay COM true, When tt»e_ tide comes in.

J J hJ . I hUJ J J J J J I . •trou-ba-oour*. Bark to the throb-Blag gul- tars.Hark to the song of the soil- ing

Af- ter each eong to the'Hear bo* the wares of- fer thun-dar-ous ap- plans*,

stars MOOS VEH HI-r ir r

A- W, You know we're wait- ing

for. lit- tie low, _ Cto Mi- a- mi short

MUSIC, MAESTRO, PLEASEJG B?

(A. Wrubel)

*».Je»-tiae.3wing.- en- jrIdla Am? D7

- ..lilt-ing Ml- o-dlerf,

tlrl rur. _ To heI must for- get howme ease the pain,

G G7 aff _ Q*

need her,

sol- 1- tude can bring. She used to like waltx-es, So plea** don't play •

wait*. She danced dl- vine- ly and I loved her so,— But there go..

•ust- n't think of her, Ho sore o- rles, awlacC7 0

out, . to- nl£ht I must for- get*

!-! T9

Q IS

tf

B «

''« • I ft *«

,.

fi 2 td t

MY IDEAL (Whiting-Chase) ModerateC7

a.1. fcr e*/ and y»Mb* IBl*>t ** —

• ll<htla{] ayaa—

MYIDTHKR'S EYESKb Qa

(A. Baer)b Kb? Jtt>

IOna bright and gul

p rui-dlag

3 =FIboaa ba- by talaa aba told,— Ihat road

ll. Kb _ a»7

That Uught OM wrong ftroa rightlh«t ro«d *U p»vid with golfl,

I found In mfJ I .1 J J i i

ar'a ayaa

Juat Ilka a|J

07 C9

wand- iriag apar-row

X walked ther i

(Mi•OUl|

Bb7

3b

iatralght and nar- row

9 «b7 Ab^^to reach ay goal.

i * rGod*a gift aand from a- bova,— A real on- aelf-iah lova —

Z rouod

,

in

Hf

ay

rmi

motto-

a» f —

ar'a ayaa.

MY PRAYERF

(G» Andante Modern to (Serr.naaej•7

In a dream Ih tsdC - vine.fy

»o £And VOUP lisidose to mine.

£t

*To - night while our heart) are a - glow.CL2 __ CT+

Oh! teU me the words

tl»t Tm lonr-incr to know PRAYER __—. and tt»* an-awerIdwM 1 •"" •' ="h- ; . •j — - — — j*^ i.»^ ' SJ

-• —— J — < J d -^ — 1

+Hey eiill be the same For as lone; as we live.F

r H r_l j IThat^ottTl al-ways be At «ie eml of my

H* REVERIE07

(Debueey)

I can see that this love ws* for

On- ly * P001"

out you

O 071 1J •>— '

— • r

•1 1 h. 1-XUB=j£J

_— — »—

=4=10 i H.r ' i •* R — f"* ^^ lUr* i ^U-l -H- 1 . .-.1 I-.

J |

life will S«v- er be- gin to be

llake ay dreaa a re-

al- i- ty Let's dls-pense with for-aal- 1-

G7 O. C

Come to

«in B«v- er- ie.

MY SILENT LOVE (D. Suesse)

Liv- ing with ay si-lent loveSmould-ring liie my si-lent love How Z

RD-S7

JJ '^ 'Jlong to tell all the things I have planned. Still, it's wrong to tell,

You would not un- der- stand. You H go nev—«r ire as-Ing I

care, Lov- ing ftooe-ixxi- y soae- where. Leav-lnK me my »i_ lent lovesi

Iff SIM (DeSylva-Brown-Henderson)A C E7 A7

f Sin * *ot

1»could not

want-ing you

«**

but too well.

OB

be

J .J J

SinG7

Though you've for- got-

let-ting aw

< =, , -3-F=

c\f Sfn , waa fol-~^T — >7 — i — i" 1low- ing a love that

MT SOV6 (Brown-Henderson)Bb7 Bb

ModorctoCdl*

SongSong

Bb7

will re- veal what I feel in 07 heart.Still yon know what I'M strlv- ing to say.

II, Bb*

ItThe

Cm

won'twords

r i (•h*v« eo

may besuchcrude

of Franz Schu- bert'a touch and

~^7 Bb+~

mcan't be- gin with

C7

m07

r r r

Ir- vlng Her- Un.

17. . W7 Bb7

Die

tun* nay be wrong Be* you'll find sy heart in My Song.

MATURE BOX (E. AhbeZj Andante

There wae a boy,And then, one day,

BB

a ver- y strange, en-chant-ed boy,a mag-ic day he passed my way,

wan- dered ver- y farThey say heAnd while we 8Poke of aao- y things, fools and kings, This he said

seamet The

lit- tie shygreat-eet thing~

and sad of ey«,you'll ev- er learn

Just to love and be loved in re- turn.

NIGHT IS YOUNG AND YOU'KB SO BEAUTIFUL.TEE

la T««W ">d you're ao bean- U- ful,!• set the braa>- aa »ln* af ill

I- I JH«r« a- aeotf til* abad- «nw, beau- U- AilCw't you gat IA- to Uta awing of it,

C Cdia IW? g?—ii s. a? ^ j .II " . J -I IJ .1 I Iop- an your baart. do «•

An y draaa is par

hasrt of a fool.

r jTh« •oon im htgh and you'r* so gl«a>- or- oua.

J,Aod If or- ous,

i-J J•hat ean I

Cdi* 57.

do?

!• aod la LOT* with yon.

NO GREATHER LOVE, There Is (I. JonesJ

H J s J I j |B7

There i« HO OIEAT- m LOVS than what I feal for you, BO QIEAT-

no heart so true. There la no great- er thrill than

what you bring to me, Bo Bweet-er «ong than >what you aiqg to

You're the sweet-eat thing hare ev- armr m G?

And to think that you are mine a- lone There is HO GKEAT-ffl LOVE fa

all the world, lt»a true LOVS than what I feel for you.

OBJECT OF MY AFFECTION, THE (P. Tomlin)Moderate

r r r r-r »p rOB- JECT OF MY AF- FEC- TIOH can change

man- y girls who can thrill me And someBbnf? .Cat

r com-plex-ion froaho can fill me With

Eb7_

white to ro- sy Ted,dreams of hap- pi-neaa,jto.< JS

PITAn- y- time vshe holds ay hand — And tells

but I know T'll nev- «r rest un-til «h«says si

Cause she's not the kind who'll be un- fair.

ButEb7

in- stead trust her im- .plic- it- lyEb+

She can

r r r f r- -Pgo where she wants to go. do what she wants to do, I won't care, Oh Bffi

(D.S.al Pine)

ONCE IN A WHILEEb 5 1

(Edwards)

1fr^+P' 1 ', ' , « "* . C7 1 _j J j J r r i r r r I

Moderately

Or.ve In A While will yon} try to give one lit- tie thought to me[dream of the mo- aents • I shared with you

. H.Eb

Though eoae-one else mayMo- aente be- fore we

3

near- er yourdrift-ed a- part. In

Am? D7

love's smol- der- ing em- ber,

epark may burn a-love still can re-

—i— i |con- tent- ed, with yes- ter- day's mem- o-I know that I'll

[ — s 1ry

irm 3

—r r F—Knew* JJRJ? you t&d nk of

F7 BC7 — -3

me Once Iii A

B1 1

Chile.

J

J

ONE SONG - (?. Churchill)"Snow White & The Seven DwarfsG i , Em C

I have but OHE SONG,

D9

One love that has poa- sessed net

.ASOne love

Bmthrill-ing ffle through,

tSOMG ny heart keeps

- lag one love, on- ly for you.

L

OUT OF NOWHERE (J* Green)Eb7

Modern tc

"You came tu meJ J I M ,i"hn i j ^ j tJ '..-'ut of no- vftiere, . You took ay heartfrom out of no- vftiere,

Am •El

J Jgr\A found it free.

Eb7 J-

• J

Won-der- ful'Sreams, won-der- ful schemes from

no- where; Made ev'- ry hour swatt u • flow- «r for 0t.

baclc to your no- wh*r«. Ltav- ing me withyou should go

a mem- o- ryAm Cm

I'll ax- way a wait for your r«- tarn out ofSWim D7 0

i=a= • 1 J Mlno- Wh*r«j HOD- ins you'll bring your lov* to a*.

OVER THE - (H, 4s*l«nT "Thi ViMrd Of

that I hoard of oaoaOr«B8 that you dcra to Oraav raal

day I'll vinh up- on A t ,«r aod vain «p «bor« ttt

troub-lea a«lt u^M I«B- oa crops, a-

«b«r« yott' 11 fiaA an O- Tfc- Tha Baia- bnr77

fly, ^ irda fljr O- vor Uw Baia-boir. tfnr tfc«n. oh *y eaa't Xt

P1HIS EJ THE SHtTBG ^Cterdon-Revel) "Paris In Spring1

CLJ5LJLJ LE1 P fpjfi-zs IK vat Us, tta < Lovo ia la th* air, i BB —( Baarta b*-gia to daoea >

_- . I Aad iaI ».»

.'17 «lmeo y«2u «afl OB Uoa to ro>

ply o«»t «-

3 • J' •*da fewa ic ttep« to aid eva,

C7 »

to eUan ifCT

a part of P4B- » TXTIt's

PASSIMO BI (Hess-Misraki)Bb Can

ModerateF7

waa on- ly paaa- Ing byj:ane etralOng in- to Yl«

_. And then you caught myI took one IOOK mA

eye. What a thrill 1 Ky heart andtoe*. You were love

Bb

I atood atlll, Utck_ y for „. uj.t

nev- er dreaoed that I'd die

cov- «rD

paaa- er- by who'd be my lov- er.re Qb7 Bb con

now on we" 11 ,Bb

the world will atenEb F7

/S" we go hand In fr.and, You and paae-

PBQ 0» MI HEARTBb

(F. Fisher) Slowly

Peg 0' My Heart

F7

I love you, Don't let us part,

I love you, I al- waya knew, It would be you,

Since I heard your lilt- ing laughter, It s your I- rlsh heart I'm af- ter

Peg 0» Hy Heart, Your glanc-es make my heart say How1 a chance*

VI

\—9J

•=£* \ ^J

1 -«r i — = — ••~* .J

Bb

r™ =1Come, b« my own Come, make your home ii my heart.

PENNIES FROM HEAVEN - (A. Johnston) "Pennies From Heaven"c ? G 7 C7

Ev- 'ry time it rains, it rains PENNIES PROM HEAV-=_ EN.Don't you know each cloud contains PENNIES FROM HEAV-_ EN?.

A7 D7

(r t r

You'll find'

G7

for-tune falling All o- ver town. Be sure that your um-brel-la Is up-

Q9 C D7 F6 &7 c

r f If f f-U J J J r ~rlEdown. Trade them for a pack-age of Sun shine and flow-_ era. If you want the

-C2 . P_ <—, Qa7 Pma7 Jta

Jiinga you love, You must have show- era,.

A9 T)gff-J-

So when you hear it thun-der

•3 , D7 C

Don't run un- dar a tree There'll be PENNIES FROM HEAV- EN, For you

PENTHOUSE SERENADE (When We'w ALonc) Uaaon-Borton)Dfdljm

With hlngea on ohla-naya forJust plc-turea panthouM »way

ew»et alloe of heaven. ly

and I when "iJ-. • .

We'll aee life*we're a - lone

Then w* can tbaolc our luck-y »-t«r«

lit-tla penthouse, m'll aa-way» con-trlvc and ro-manca far

•v-«r a - live, in <ri«w of th« Bud - ton Just o-vtr tb« Drlv* Vb«n

(Kahn-Moret)A7

Par- sian Bug, I can atray,wiah- ea, too,

ar e-all COM true,

In- to theAnd I'm A-a

RD7

dre«aeema07

SlaveC7 F

man

N ^ r r r . 1 J • J rj 1 J J J 1bring to ma

OT

gifts of wealth end

C

apian-dour, Slave girls aing to

Aa

f J, .1love songs ten- der, On my Per- elan Bug, earea of day

D7 Am F 07 G

dr:

1 T— 1Lft a- w«cf . ilavl Ing tha

1 1 1

KC Id pf ay drew. .

PLEASE (Ra Rainger) "The Big Broadcast"

Please lend your lit-tla *ear to my pleaa, Lend a ray of" %SSerto av1st ma hold vou tight In ar arms. -I could find da-llffrt in yovr

B« G+ e Adi» G7^SPK_ Q7 ~~~~"~ f>

1leaa,Tell ma that you lov« me. too— Sv-'ry nlgntoywhole llfn

nar G7 xu?

an- gal, whit* Ma 07

Year eyes re- veal that you hsva the soul of

aaowt Bat how long oust I play tha role of

X7Ob!

ffl_say you re not

Ttt .FV>—lag to

G7=S*!E

th« t.6j>- and T*3JL ae that you aa too.

PRECIOUS LITTLE THING CALLED LOVE A.(Davi»-Coota"ShpwrnAngel1

WH» C7

.— called love — Z M*

Just a- erosa the

PRETTY BABY

tTii • p?a- Aonc'Ut- tie .thing.

(Van Alstyne-Kahn)

called love.

Moderate

Bb7

Ew- »ry- bo- dy loves a ba- by tharta why I'm in love witli you.Pret-

Ba- by, Pret- ty Ba- by> And I'd HJw to be your sis- ter, broth- «r

dad and moth- er Pret-ty Ba- by, Pret-ty Ba- by. Won't

come and let me rock you in. my crad- la of love,

Ba- by and itend- die all the time. Oh! I want a Lov-F7 Bb7

might as well be you,

PRISONER OF LOVE

Pret- ty Ba- by of mine.

(R. Columbo)

Alone from night tonight youllfindme, Too weak to break the chains that bind aa:nr- nnA cm-manri T e-f-Jm^ on^ wo-t-f •«/*•» 1?T*/w«<-vrtA WK^^e maa_ +A*. ^-pFor one com-aand wait now. ProBonawho'e of my Fate now}

I need no shackles to reaiod me, !'• Just a prls->ner of love. I'm Just a priaher ofI can't escape, for it's too late now, ^

j rlove .What's the good of my car- ing) if some-one is shar-ing Those

On D7 G D7. Gv D7with

Bb7

me? Al-though } Bhe has an- oth-er, I can*t have an-oth-ar}For I»m not fro*.Bb7 a > e g

'• h'P C'2 ^ "V (Jreana,a-wake or sleep- ing Up- on my knees to]• creep- ingj

Eb

J J> J> Jkeep.- ing, Urn just a pris-'ner of love.ver- y life is in

(her

P.S. I M)VB TOO(G. Jenkins)

ESdo

CUirFffl

MocierctelyBb7 C7

64-:&:

F7

Dear I thought I 'ddrop a line, the'weeth-er e cool, the folks ere fireYes- ter-day we bad some rain, But all in all. I can't complain

Bb7 Sb Jta II. Bb7 "

I'a in bed each night nt nine,Wte it dust-y on the train?

P. S. love you. love you.

Write to the Browns just as aoon as youre a-ble, They cane around

I burned a hole in the din-Ing-room ta- - ble,

guess that's ell. Noth-lng else for me to say, And so I'll close, but,by ttaIbn7 C7 F7 . , i E.D7 £b _ _Db7^

way, Ev- 'ry- bod- y's think-Ing of you P. S. love you.

PUT YOUR ARMS AROUND ME, HONEY (McGree-Von Tilzer)

T O f i — Jh•*•*£-

Than

rr? — r-" » i i —Bud- dieThen it

1~1 ^ '

Oh,

1. Sb

i r i jI just

G7

' . J-

J J .4J J I^MYOOH ARMS A-they look at

jJ -J

up andstarts a-

babe, Won't

1

i- dol- ize.

Cm F71J 1 ^_y girl

— h? d — rd — E~d — I A & rd — f-e 1— l_f j — in — ij-^ — n — p IJ-* — i— s 1HOUHD HE H0>- BIT Hold a* tightme, my heart to*- gina to float

SdiM Bb7J 1 1 J 1 i J J 1 1-* ipsl -J * H — s ^ ^" 1

cud- die up with »n your might,rock- in Jlke a an- tor boat_ M\« | *t>7 j B> ! j

you roll dam eyes, ^yes that

It. Bb7 *b* Sb G ( C«

Oh! Oh! I nev- er knewH.

Bb7 Sz1 1 1 j — |1 & 1— -,= \—s-. *— I

ilka f&rr •

RAIN (P. De Rose)

BA33L When ya eon- n* rain a- gala? RAXV Orow the sol- deaB«9« »*• the riv-era d**p a- gala, 8API, Ple^e dcrit l*t a»

r^c^"

•«•• la tlM mead- ow and the sheep la the corn They know ttet

Old lipth-er Berth can nev-«r

for my gal

REMEMBER MEt Warren) "Mr, Dodd Takes The Air"

•tool with/on onfl listened toDa TOO n ••*!•! on* frwjit •w?.i«rroo ra-call a cottag»«*allB

• U i i i i r 1 1 J i J- >•FrouT boor- ay-moon? Ha- fin- bar ma? 1

th« boy whoa* on- ly Joj i» lor- ing yoa,wbo war-rie« till b« tar-rias bom when

• I .JIJ" I ,1 f Ij K I j - li* thru And 1% tha guy you ffiv* your good-night kiM-«a to, H«-

•RO-RO-ROLLIN ALONGC K7

(14. Mencber) lloderato

Qhea cares pursue me, I'm nev- er gloom-y IBo need to bur- ry, Ho need to war- ry That

D7

oa slag-in* a song 5ho» thea« gon-na go <rong Like me

_ _

r |ff r r I r r rr rG7 |2.g?

clouds bang low_ I laugi at woe And go i Bo- Ho- Roll-to* A- longAs Ifa }birds that sing- I dream of

£

RolllnfA-Cdim

3*=^ •. rGive me the moon for a blan-ket Give me the stars _ o- ver

, Eh S Ddttm D7 67— — J * 1 1r r r I*, i«r— * e-» — 1 — >» ^_ . >• r* ft rf»- — — i ,f" — i—

bead I'll make the moun-_ tain qyC B7

door-step, I'll make the des- ert my bedF On Fm6

I'll spend the hou-rs A-mong the flow-ers I'll stqy a- way froa the throng LetC Am D7 G7

^ •r c r i r » lrain or ehine,_ the world is mine— As I'm Ho- Ro- Roll- in' A- long.

SHSTPIMBNTAX JOURRET (Green-^BrownfHomer) Ve!ry ^^jyj c . G?

Ai<! f

"J J J' IJ b

Gon- na take a SK-jf-HgRT-AL JOUHHKT, Gon-na set my heart at eaae JGot my bag,I got my res- er- va-tioi, Spent each dime I coSd 5- fordtll

J9 fO6 C G7 ft

Gon-na mainLike a child in SKB-n-JKBT-AI. JCCRHKr To re- new old mem-__

wild an- ti- ci- pa-tlon, Long to hear that *A11 ^C -

5«v-«n,— that's the time we leave, at sev- «n. _ I'll be wait- in' up for

Heav-«n,— Count-ia* ev- »ry mila of rail-road track that take* «* back.—

HOT- er thought •rbaart could be so -y»arn-y.' why did I de- cid« to ro

Got-ta tain this SBt-Tl- •K8T- AL . JOUR- HEY. TI- KEBT- AL JCR-_«KY BttfiTL.

SEPTEMBER IN THE RAIN (H* Warren) Moderatefm

Ifia^BtoTboifftaunetani-bUwpcbiiiB, .re- mem-berr:sun went out just ufe av <fy - tnj em - ber,

r i* r c J ' >^. To ev-'ry woni of love I heard you wV\t»- per,

F7 C»r F7 B^7 fS»7 B^7F>»7B^y B -» E^ Gm O» Gin

the

S IT r r I r r r r i r * r j Ir jrain-drops seemed to play a sweet re - frain,. ngia here, to me itssli

fin mitern -ber, - tem-ber. the rain.

SERENADE IN BLUE (H. Warren) "Orchestra Wives11

When I hear that Ser-e-nadelh Blue, In an- oth-er vwrld_ a -cr

lone vvcUi you, ishar-ing att' the joys we. used to know,C7+

a - Once a-gain your face cones badt fo me,. — justF9

like tiie theme of some fer-got-fen rnel. - - - - o - dy, In the al-bum of my mem-o - r>" C7 FJ "

. 5e»--e>nadeA"

J V N

In Blue. It seems life on -[y yes-iaxtay, a

smaUca-fe, a as we dance fteni^U-way, J hear you sa/Tfr--Fdim fT R^7 p

.' and

then the song be-camea sigh, Tor- Cv-er-more you. m-mainecfui rny heartF9

So teu me cbr-Iin^, is 0>«estlla ^park,

flame We knew,

ne-ly ash-es of theG7G?WC7

I go on wK»t-(ing tn the dark?_ Ber-e -nade.

, <• Blue.

/*7 SERENADE IN THE NIGHT (Bixio-Cherubini)W I 4 O»_ C Cdl

Slowly with expressionG7

Ser- •- nada in tha nightThere ware stars in the iky

»neath a fair la-dy'a wi&- dow,'neath the ros- 68.

— Just the sane sar-e-nade that Z ten- der-ly played on * night long a- go.— But aha gava not * sigh that she'd ev-er be

Pto «- *-

out the south wind bej . G7

and ay low 8to- ry clo»-,«.

toiag- ing it? heart keep on sing- ing it?Cdi»_ 07

from the paat comes to haunt me,

whan I hear that ra- fraln. oh, my heart aches a- train for that lost love of mln«.

ModeratelySHE'S KTNNY THAT WATEb

r r f ff r r r T r r rI'm not. much to look — at, noth-in' to aea, — Just glad Ta 11 v- in* and

I eafft save a dol- — lar, ain't worth a cant,. ate doea-n't hoi- ler ehaVl'!•»> P7 BE?C7

\w r IP r r - i j ^ J a L a i J i mInclc-y to b*._ I got a wo-_ man. cra-iy for ma, —lira in a tanit— I got a wo-_ man, era- «y for ma, —

IShe's Fun-ny That Way.

Eb Bb7

work and slay* for me kv~ 'ryP7_ Bb7 Bb*

She's Fua-ny That way

She'd ha so much bat- tar off if But

r r r r r r i r r r T T r r r rShe'd be un-hap-_ py with*

Eb Rnwhy should l leave— her, why should I go, -

out ma I know, _ I ' got a wo- man, era-cy for ma, — Sha'a Fun-ny That Way*

SHINE ON HARVEST MOON (Nonrorth) Slowly

Ob, Shine on, SHIHK OK HAH- VEST MOCeT

low-— U»' since A- peril, J

I I . I i " .1aln t no Una to

VEST MOQH, for aa and my gal.

SKYLARK-Moderatotl sW BV» E k

Lyric- Johnny Mercer Mmk_- Hoagy Carmclucl

love can be,

AJ>

Is there a mea - dow in the mist,. Where some -one'sAt

wait - ing to be kissed ?Et>

Have you seen * val - ley

green with Spring,

_E7

Where my heart can go a - jour - nev - ing,

fe!O - ver the sha-dows and

Eb _______ A>the rain,

Eb4j"»2.to a bios -som cov - ered

And_in >rour_ lone - ly flight,>17 " _CT f-^-.._ b*

Have - n*t you heard the mu - sicRni Fmi 7 F<fa» Db

in the night,Fmi .

Won-der-ful mu-sic,G

ing the moon— (Oh.)Eb QBU

SKY - LARK, don't know if you can;

find these things,*

But my heart is rid - ing on your wings,.

So, if vou see them an - y where. Wont vou lead me there'.

SMOKE RINjS (E. Gifford)

• r- p iWhere do they go The Sato^f I blow _ each night.

What do they do ctr- cles of blue _. and

pic- ture Then

C7

I--- ^ . J ido the> f stle — ojy phon- ton par- ade _ of love?

SMOKE GETS IN YOUR EYES (J.Kem) "Roberta"

My tnM low WM tru«

X of cour«« r«- plied, Ooau thing her* In- •!*«, Can-not rb«

Th«y ••id mum day you'll find, All *>o lor*

•b«n your heart* • on fir*, Ton nut

1 ch«ff«d_

gay- ly laughvd to think ti»«y could doubt

••, . SBuka «•!*

_J

SNUGGLED ON YOUR SHOULDER (C. LOMBARDO

Bb7

Snug-glad on your ahoul-der, Cod- dliWhil« th« au- »ic>» play- ing I'm in

Cud- died In youry.m

Dr««m-lng «nil« I'm dooc-lngfam a«y- ing,

D7

JThrilled by all your. «h«naa.•1*i» is haw-

Tou'r* aar in- §pi-

BB7•a dans* for- «v- «r,

f J >J. Ibout

Abayour ch

.Snug- gl«d on your •houl-tar. Cud- dl«d in your

(D. Ellington)SOLITUDE

Bb+l_ Bb+ Eb ^—-^Slowly

ith re- ver- lea1

In ay SOL- I- TCDE you i hauntmem- o- rlee

— of days gonethat nev- er

I sit in my chair, I'm

filled with de- epair,There'* no one could be so sad With gloom ev-»ry-wh«r«, I

Cdim Eb Gdim 3b7 Bb+ St>

•it and I stare, I know that I'll soon go ead In,my SOL- I-TODS_

-• T""1i r r r =J- r J J J i t~*I 'm pray- Ing Dear Lord a- boveV

SO MANY MEMORIES (H- Woods) Mo<l«r*to

J T J FJ J Jhat •!*• P J ? w i l l not dlS3o ma- ny thou^hta of you

The hap- pi n»e« you bringThat

You* 11

nev- er know07 C G7

M =-j — J—-=f= M-=f=— F P 1-=-= Tr "^ Itoo, 30 H5f USM- 0- RIBS Of you.

70

SOMEDAl(Tou*ll Want Me To Want You) - (J. Hodges)

1 ^j J

*=p^=

1 j r r J -+- -nT — i_to it you,

-i When I'm In love with some- bod- yWhen I eat strong for some- bod- y

elae,new,

ex-

01EL _Bb_ D7 QD

pect me to be true ^^And keep on lew ing yem

am feel- ing blue, You *M"* I can't for- get you un> til

And tho you don't want me now a- long sooe-

how,and then I »on't want you.

7/ SOMEONE TO WATCH OVER ME - (O.Oersbwin) '"Oh Kay"Adia

There's a saoe-bod-y lrm long- ing to sea. I hopeX'a a lit- tie laa> «ho's lost in the wood._I_Jeow_

»"« «• . . as azz—. >.sb G? i_Aftthat ha

XI- though he may not ba tha Girla think of a*CT F7 Bb7

Won t you tell hla please to put on soae speed, Pol- low

Some- one, to watchOh, how

SOUTH OP THE BORDER (DOWN MEXICO WAY) (Kennedy-Carr)

SCUTE OF THE

Eb

BOB - DEB Down Hex- 1 - co way_pic - ture In old Span-ish lace.

din Bb7

That's where IJust for a

ir P r P I r pfell in love when stars a - bove cten - der while I kissed the smile upKb Eb7 ' —•* —r-i Ab

outon

to play,her face.

M7-

AndFor it was "Pi-

IDC miMy thoughts ev-er stray

And we were so gayi Eb

SOOTH OF TEE BOBSOUTH OF THE BOB

* 9Down Ilex- i - co -wayDown Hex- i - co way

Bb7

» f MShe was a

Ebsighed as she whispered^Ha-

C7

na-na" Hev-er drean^iag that we were part-ing And I lied as

^_ For our to— mar-row nsv—er

Kb

OF THE BCR -DER.

din

I rode back one

There la a vail of whit* by can - die-light she knelt to pray

r T i "That I oust-n't stayThe ais-sion bells told me

faff Bb7-J—

SODTH OF

Do\m Hex- i- co

Ay.' Ay! Ay! A.V! Ay! Ay! Ay!Av!

i—•

~

SPRING WILL BE A LITTLE LATE THIS YEAR(Loesser)Xroas Holidy11

Kb Bb+57 Kb Kdlai » Bb' Sdim

1 , ll, ft.7 Kb At••• - . • r •• — • m _

youUM

have left CM and where la our to- ril ofbeala all thinga, ao X need- n't cling to thla

eld? You have

laft M aad *ln-t«r con-tin- u«e cold, Aa if to Bay fear, It»a

SPRIBG

STAR DUSTOS7

(H • Carinichael) Modarat*

of a eong? The mel- o- i3y haunts ay rev- ""e- fTa,in my anna, the night-in- gale tells hia fair- y tale

r^ ^ nrgy (M^m tr? • • * fu.—

And I am once agfon wl

But that was long a- go« now my con- ao-

in the atar-dust of a song. Be- dream in vain. In my heart it will

main; Uy at«r dust mel- o- dy The men- o- ry of love*a re-rratn.

STAY AS SWEET AS YOU ARE (Gordon-Revel)nCollegeRhythm//

.6 C Fdia 3 . Ci F&im ! M C 57

Stay As Sweet Aa You Are, 5 Don't let a thing 'e'v- er cheSi, (Die- creet as you are you're di- vine,

l& £ affa^ ar?' A^^^v.g a?^*^ J^T f^**llt F m. *" ' vteli m* that you're mine,Dear*

charm you poe- aeee

Your love- li- ness. Dar- ling, the

As Sweet Aa YouNight and day I pray That you'll

STORMY WEATHER (keeps ralnin' all the time)(H. Arlen)

no BUB up in the star. I 3ton». /and •!•- Try •*- »ry- whVe,'

Ab

Keeps rain- to* all— the tiae,Ita wear- y all — t&tDb Ab Adin Bba7

Lift !• tia*.Ab

Wien a- way the blues walked in

Ab

and art w>,

Db Ab

chairDb Ab

will get M,Db Ab

J-

^^All will let aaAdin

the Lord a-

I had is gone. Stora-y weather,— Since my man and I

geth-Bba7

Keeps rai- in*Sb+57

all the tiae.

K*«ps rain- in* all

_J

8WMBLWOa (Z» Confrey)

«-i_t ••! unna.oi !!• i>* the lat- eet stip\that!s

t BWMXUB here and there,Stun-bUnf er- »ry-where And I aust de»»o- tiee all the pep, po-tice all the pep, no-tiee all the pay

J UJ -L.I stepped right on her toes. And ^hen she buajed ay nose,

I fell an| t hen I rose, And told herZ felt a- shaaed

Just a lit- tie bit. Just a lit-tle bit. ouite • lit- tie bit.

SUMMER NIGHT (H. Warren) "Sing Me A Love Song"ft . 07-9 Cm On? G7-9 C» Hal? 07-9 74-

Sum- mer night, _Cu6 D-5,7 Bbm6

star- ry skies,Fm7 Bb7 Eb Ebma7 Eb7

You oaaAb

^^

rsee ray sweet- heart with a thou- sand eyes,Bbm Bb7 Ab Abm G7 Ca Cm?

Why have ICn6 Yl

J I J J r r rtwo. — on-

fat? ___ Bb7 G7-9To be-, hold a thou- •and charms I 1- dol-

Cm 'Dan G7-9 Cm Dm? G7-9

I I I 1* I

ize?.Cd6

_ Sum-D-5,7

mer night,Bfbm6

You ve a rightt>7 Eb Ebraa? Eb?

_ To comeAb Eb+

J |rin her win- dow

Cmwhen the day ia through,

_ .Eb,She tells you all her

.JJ J l J JNoughts, In tiie fad- ing can- die light, Sum- mer night, Oh I how I an- vy you.

SUMKEOTME (G.Gershwin) "Porgy And Bessh AllegrettoAm6 E7

an' the liv- in' is eas- y.Sum- mer time

Am6 £7 Aa6 Do

the cot- tonFish are jump- in

B7 B-57 Am6

an* yo ma ia good-Oh yo' dad- dy's rich,

look-

D7

in', .

Dm?

So hush, lit- tie b«- by,

AD J idon' yo'

SUNRISE SERENADE (F. Carle)

Look a< the grass s'd- Ver in fte sun_heav^y

—-Taed-ln' a" 'otuig" in tl»e sy-ca-mores But you. bet-tar yet on wi,tl» jaut mcrn-ifl'

75 (Benjamin-Weiss)Gdim 3b

Slowly

5UH- REN- DER, '.Thy dojit you SUR-^

ITow long can your-

I 3 l Gtq

I r r r ^=aCm

«> - •! f —— i — j— i=rT? — Ei^ ^r -r r IMr J

lips li^e with-out a kiss?F7

3UR- REN- i>im,

Ft- J3b_

beg you

REK- DER,Bb

How long can your hearti , . Gdim Bb

sfstT I'llBb9

-Fbring you a love you can cling to,

SbA love that won't

^beBb

un- true.Pm G7

So please beCm?

r rten- dsrF7 3b

and dar- ling, 3US

I -.RKN- DER, And love me as lova you.

SWEETHEART OP ALL MY DREAMS (Fitch-Lowe)Moderate

o =^wi J J ICT — \^—Ciaro

^^=

^^«*•

you My life isEb7

do what you may ah at- ev-

^j •» ^ i r r *•" ' r J =*^I'll al- ways love you this way I loi

J? Bb7 Bbnff Sb70 I " I J J J i r rlove you, *T love you, I

Ab

loveF7-

you You are myBb7 .

mEtxa

sweet- heart in dreams, itEbT «> .

seems. Swefit- heart of all dreams.

SWEET LORRAINE0 17 17

(C. BurwellJD7

Moderate

I've Juit found joyA oalr of ejei

AT D7

I'm a* h«i>-py »• a ba- by boy flth ao-oth-er >)rand n«wTnat arc blu-«r than the «um-n«r «kl«, ihen you tea than TOU win

ciioo- choo toy,re- t - lize

07 C

then I 'm with ffly s««et Loi^- rain*;•by I love my swt'et Loi^-

U- 17 .*" C7 T

ralne.

i p r r T r ri i r r•hen It's rain- ing I don't aii* toe «un. for i t '« In ay »«et- le'i «r.lle

Jutt to think t)i&t I'm the ludc-

That DO- bo- dy eteali her heart a- way. Juit can't wait un-tll thatnight I praytl

hap- n day. •hen I mar- ry sweet Lor- ralne.

SYMPHONYc

(Alstone)

kl±-±-+--\ a I J J r ; [ .. (*7 *•«., ..VA •» ^—J*"" Hiria nXrt— nv nf 1 A V*

Mo4*rato

^^3yB-t>ho~ mr,Yc« walk la

3y»- poo- ny ofAnd tha Bong b«-

lovaglna,

ln>- aleSlng-lng vl-

£r rbow, Bow doaa itUna atart In my

atart?iMarU

/•fwvTh«n you «p««k Tha rael- o- dy

J BJ H.J IT mw(37

r r i rThan you It algha and It soft- ly dlaa,—

; r i ^^3J»- ny • Ing to OM

iJoA lt»a olnar to M

JU>7•ban yoa'ra naar to ma, yon arc «y

C

TAKE ME IN YOUR ARMS \ Markush)An Aa6

#;P

TAKE KB IN YOUR ARMSLat M thrill a- gain

B7

Ba-fora you taka your IOTB a- way, ,To your car- aaa of yaa- tar- day,.

Sm ll. B7 're~

^rf J

^

ITAKS IIS IN YOUR ARMS,

ma fill a- gain _ My Sart.eart. OM hour of gladne

Aa6 B7

r rThat w« fcnaw In tha paat,»

C7 . B7

mant'a mad- naea,

Al- tiJough it ba tba last.hold nw faat. Blind m« with your charaa,— With all

Aa to/o B7 2a

J J .1 Ir rAndatar duat In the aky, TAXE ME IX YOUR ARIC than good- bye.

Tangerine Paramoum PjrtweThe Ffc« *4n"Sbwly Words-Johnny-.-. ...ii, i -

TAN GE-RINEGo7 C7 F

She if all they cl With her eyes of night

Up* a* bright as flame7

Sen-or - i . tzi stxrc and ca- bal - le-ra* aigh

TOMO to TAN-GfiA ? A _ »

Raiaed in er' - 17 bar a

«rc* the Ar-^en-t ine Yes. the ha t them aN on the run But her

' J I..hcan bc-bng» to jiu: t-sw. Her heart be-longs eo TAN-GE • RINE

THANKS ( Johns ton-Coslcnr)E7 AT

Moderate

P I L-rfor all thfc love-Lv

nhs for un - for - get - 3 -I found in your em - brace ImI .nev- er can re- place And

itHank - fut tho' I know ils end-ing all toomem - o - ries that

P£ Ti».y TW?~~cy c. Dm? c

soon . And

r©-Uti-eer like a haunt- ing tune. It is bet -ter to

vcu dear and lost , tern "nev-er to hav^e loved at all -- It is bet -ter, for no., , -G7 c. _

mat-ter wte»tt« cost I held flmworklui awty an Etn-perorjbr a day./Andthar*5a-i5*fertak:in§nie"on^ tieA7

road to "F&r- a - diae , Vv4 tost our way, bui still Inxrfcon-v*ymy

THANKS FOR THE MEMORYC7 F

CRobii>-Raiiiger<Un C7

Mode r« 1-7

P

Thank, for th« me«n-o-ry oflr

.no-tor txips and burning lips and burning toast and pcpunes,} }fow iav« -co-zy chair andpartiesWharewesaDg"5weat Ad - a - it was 2

j j j irUa-ny's the time that we faast-ed And aa-oy'a the tine that we faat-ed CJh,C Am Dm P t a 6 G 7 Onf7 Bl»6 C7 O

I J J. -j r r j- j j J Jwell, it was swell while it laat-ed; *e did ham fun aod no harm done. And

thanks for the meo-o- ry of sunburns at the shore nights in Singa-por* YouAim _^^^_^ Qn7 dlra Qa Gaff

might have been a headache but you nev-or were a bore, So thank; you so nuch.

THAT OID FBH.IHO (Brc3fwn-Fain)llWalter Wanger's VoguesBbn6 C7

*

mI saw you last night

Once a- gain I seemedand gito f«and got Hi at Oldto feel that old

ft=fe=i£Abm6 157

Foal-Ing,yearn-lag,

J. IWhen you came in sightAnd I knew the spark

I got that Old Peel- ing,

Pie mo- ment tnat you danced by(1J Abm6

I felt fc thrill. And when you

burn-ing, There'll be no new ro-mance for me, it's fool- ish toCm FT Abm Bb7 Eb

start, For That Old Feel- ing,m

is Btill in my heart.

THAT«S MY DESIRE (H. Kresa)

<Uoc« tuil brook of

bear you «bi»- p«r lev

"Cho- rl«." Z

00 (I* **iaer) •to

•ct-lng not soby ay i d«-«iro.Tb«ro»« no gwldan ralo to guido • faol to low.—

ewo-ful, or you'll find that you drooa »•

bowt BW • aiad of it«

tbriXllac-ly la low with you o«*o. Darliac. but 1b«r« Z g».

THERE MUST BE A WAy(Oall0p-SaK>n-Cook)«uW(iyf«ith

a otar in tho okioc Ifcat is- »»t r*-fl«et

THESE FOOLISH THINGS REMIND ME OF YOU (Strachey-LincV)UM C m g * 7 . BMT.

-j. •«• - • J. I J + * J-A ei«- a- rvtt* thatA tiafc- "Hag pla- no In

athe

re

llp- stick*a tra-cea,a- part

maI T' J J- 3 j.. 3 i r -p r i

tie pla- cea,heart •eawt,

yon coo- <jaar'd •» 700 did that. to •*,

y» r rBdi» _1M7..,_ f**7 a> frip jj J jt»J • J J. I y F J ^j J ^

how tfcle had to be. The wind* of march that=^

M7 m \ r aTA tel- e- phone that rlogs but

cling* you.

_J

_/

THIS LOVE OF MJLfllS (Parfce2>-Sanicola)f

tr-^ ^ J J"1 j j.i • «> =E£E r1 j^

THIS LOVE OF MINEG-l-7 C

Goes on 5nd on,

J* m = 1 '^— T... j

•. . -j

^L. J * ...J-,, .. -. — J^= 3 — : —f -j— J, . f .... •

Suiceyoa357

al-Wa>» on rny mind, Tlx>' ouf1

&-* L> e

, _— F — r —t—j 3E3U J ^_l

_ _j — _i —^Cm : '

C m

. 10"" 1

It's lone-some thru the day,0-7

And olv thecr

r J ^^^ j "• rs-T —«J M IW |

^ ( ;^ -1 '1 d 4 , \

— -\ r f. —I cry -my heart -out,_ lS5"bound"*b l)reak,

F ' G-t-7 L C Ainee noft-ing

mai-_ {ersl

1Lei break,

fe 'i ask }ie su.ii _ . 'aM Ik mwr.

T>b9 C - -

stars l/iat ,— \Wats to be - tome of tt, THIS Lot OF M i ME .

J

L

L

THWOS I 10VE. THE (Barlow-Harris) 60D7

SfcTha

Aglowail-

of »un- aat in thavar moon- -beam peep- ing

Etathru

* rnar iklea,the tree*,

A?

The gold- ao flick-er of tha fira fllea,A bad of tu-llpa nod-ding in tha braate,

Tba glean of love-l_«, ...Tha look you glva in ana-war

II. <**•

- ly eyea Thaaa are tha thing* I

Jfc

love

oaoa X thought that

Kb?

thaaa ara tha things

ay heart wae cold,Ufa was Juet a win- tar thing,

than you cane to ma 'and Ilka a breath of spring_ you turnad the

eilvar snow to gold* A rob- In'a ear- en- ede when day la thru,

The bab- bling brook ba-alde our ren- daz-voua, Your awaet voice whiep]

OT toff G+ t C

^^ J J . I r- ilow you" Theaa are tha thlnga love.

L

L

L

THROUGH (How Can You Say We're Through) (j. Monaco)

You mean wa'r« through?— How »*"can you say w«'ra throush?Blua tha world would aeem so blue?

On C7 1.F F7

I nev- er dreamed

t ^^^^^^^ ' '• •!-

ve been throufih. Had hap- -yy houre

lieve you mean to grlava me

wa could part. Through?— ohltake me In your arms and love me,

a» you ueed to

TICKLE TOE, THE (L.A.Hirsch) "Going Up1

A7

How to do the'Tick- le Toey ought to know,

LJ J. J J. J J-_ With TU B»ve-ment aao in- vit- ing, Sort Tof cute and ao ex- cit- ing

"Tide- le ick- le- tick- le Toe,* Make* you feel ao full of go

. . ft^ .H_ Keepe ' girl a- aay- ing M0h, Sir!

Ctol Bv- *ry~ l»d- y outfit to know How to do the*Tick-le TbeXH

10 EACH HIS OWNKb (Livingston-Evans)wTo Each His Own"

FA J-OM— nut re-nudn with the sun M *-•—"i^—' orWhat good— ia a aoog if the word*. ."»* Jh«r«1n — and aJuax dont oeiong

love-ly proa-ise wca't COM true.dreaa ouat be a draan for two

«ach hi* own.

each his own And ay own la you For oe there* a

fl«ne is to grow there auat be a glow, To

each door there** a kay. need you to know, I

can't let you go, Your touch too much to me.

•uat in-aia

nev- er know what love can do. hia own, I've

found my own one and on- you.

TOO MARVELOUS FOR WORDS (Whiting) "Ready,Willing And AbleP9 «Am7

- - j . • -gam-our-ous__ and t&t old sfand-bx am-or-ou3 , Its

LJ I ' I

birds,—*_ To leU.you. that you>* mar-vel-ous, Too marvd-ou» fer words—

Moderate (•moothly) Pox trotTOUCH OP YOUR LIPS, Thoc

Noble)G+

TOUCH Or YOB LIPS

Up* tbot arc cool

^^

j JJ T I f IJ-MM» ** h««rt An* -at c

liaa in their aoft ca07 C . j

I J J J J. -4Wtouch of your bond*. up - on Tte

dte to£EE£ ££

love in your eyeaAb+ P» J—

AndD7-

•tO7

X_ tii« no - di - vine.i r r ir i r

THE TODCT or YOB LZM.

THDE (Sanuela-Whitcup)Ckf7

Itediui Slow

i r r » rTRUE, !TRUB to you on* - ly for- ev- er, — and

I All throu i th« boura tfca mln- ntaa,— thata S7 QB3 J ,lrJ J

ev- er, — I'm 2BUK,aac-ondB,_ it'a you,Ebn Bb

Liv- lag to love,— you aballAn- awar tha atar- - ll^it« tha

be ay—j- an-aoon-ltetit_ that

II. Eb

All T ownGive me all

youra +* lonelove I give

ban-die my heart with

you, . •r'Z iC7iT^B»l

Aii£ you

33 (Woods etc.) SlowlyBinTHT A LITTLE TENDERNESS

C7 P7

She may be we*- ry, Wo- own do get wea- ryYou know Bhe'a waiting, "Juat an-tic-~l- pa-ting

Wea-rlng thettinge aha may nev-fi* poa-

draaa,3033.

riTEb Bb7 l|2. Eb

.r j i f t iAnd when she* a wea-ry, Try A Lit- tie Ten- dar- neao ___

aha'a with-out them07 On

ness_

has her grief andFta

aan- tl- men- tal,. It'a not Juat

care, And a word that*a soft _and een-tle, Ilakea it

•I J al JYou won't regret it, »o- men don't forget it, Love la their whole hajpi.

I Jnesa. :JCt's all ao eas-.y . neasT"

TWO SLEEPY PEOPLE (H.Carmichael) "ThanksForTheMemory11

AUp IW .Bb7 Kb Jfcltojftderato

Look new late it get»._j Two al«ep-y p«o- pie, i tar dawn'a ear- Ijr Ught, Andnra* the Frig- 14- aire^-f i with ooth- ing to aay And

too nuch in lov, to aay -Good- night." too anch In lova to break

the night* 'we u»e3

gear la tha haH7 Fatb- er did- n»t Ilka you at

rlad In the fal!7_ Tbaon Hty we

gat a Wt of rest. We'll

• bout the aaaa,_

ay lit- tla dame Two Bleep- y

a ear-

J

too much In love to aay good- night.

TOO LOVES HAVE I (J'Ai Deux Anours) (V. Scotto)C7 F . __ QafJ r Bbm P

anfl they tear me a- J?88*and the oth- er a flame.

loves haVe IOne is a flowtr

07

Two loves have I

Cm? Bb

both ere in ay heort.but they're not the same.

OB C7 P

p r «"=F=Ilight love I crave.—When I'm in a gay mood. -

er love can make me a slave.Then a- gain at times, my oth

that to both, an true.

you.

UNTIL THE REAL THING COMES ALONG - (Holnfir-Nichols-Cohn-etc

that is- n-t love. ?that la- n»t love, 5

COm

It will Bare

1137

do

CMS D7

Dta- til the real thing eoaea a- lone

With all th« worda, dear, at my com- aand, en't Bake you

»U al- ways love you coae what May,

I «ay7 I'd jighVy heart la yourc, what for yoat I'd

cry for you, I'd tear the at dmn fro* the

hare to til the real thing ceaaa a- long.

UNDER A BLANKET OF BLUE (Levinson) Moderate

UM-DCT A BLANK-ET QFfSUiK. Jud you. and I _ be - nealh tde stars.» * • • • • • ,_r_ Let me .be thrilled tjy all yourcR*'**,

_ .—ife_•L-LJL

13 OUT3. -

i.i^^'" gin your arrri*7±lF7

5^B J T f Ien-thrall-i« me

80. Then«*h*del be Irag-ic . If you woiMit here to share it my dear,ttP7+ P b c .7"

r j j * 1^=*=}Ow^RdwAheav-en a-

r r r r- v

I r' J1 <fcdnsam of love for t»K>,

J1^ J J j J J J I Jsweet TO-mance, UN-DERA BLANKET OF

VERY THOUGHT OP YOU, TheAb

Noble) *°Aer*to <*M •Pm

e«sy swing)

The v* - ry thought of youdea of you

I I I 1 J, -I II. fr J,, I"

And I for- get to do,_The long-ing here for you,.

J r Bb7

The lit- tie or- di - na - ry things that ev- ry -one ought to do.ir know how slow the mo - menta go 'till I'm near to you.You 01

Db

i r Q.Kb?

I I B I p I^

faff ttG+S.?

I'm llv-lnfi In a kind of day-dream, I'm hap - py aa a king,~ see your face in V9 ~ 'ry flow-«r| Your eyes In stars a -

And

I J. J J ~J» I J J

e»-»ry- thlnT^- The mere i -

thought of you,— The v» - ry thought of you, my love.

WE COUU) MAKE SUCH BEAUTIFUL MUSIC - (H. Manners)

jV&

.~j i"

>9+

COULD MAKE SUCH BEAU- TI- FUL UUS - 1C i - . - ,?• .ie_could eing the lew- li- est love-sogge i to- gether (hum)

l , ^dlnAB

ij J r T i r rO"* hearts

r r r r r 7 l r ri ,) our hearts beat in tem-po — the sound of our voi - ces will ring — The

Afr A»ro6 f ^_ j Cm Bt>9 fl>6 G7J

touch of our hands makes us sing— The touch of our lips will be mag-ic. Love-ly chords re-Cm , _ Ahn . E> »dim FW7_ Bb9+ Efr Bb+ Bt>m6 ,

•ouad fro*the blend of a few notes07 Cm

•* J Ij J. IIJJf Ir r r p l r r r J^ •!C7_

IP if f' ir rYou and I and love are the blending of

Cm? F#dim Efr Bt>7+

r r ir r r rIruenotes — no bluenotes. Say the words—the words that I long for. Let them be the

Fla Ahn6 B>7 j——,, Afr Bl7 dim Et

is m ^mtneaeof our aon^ For WE COULD MAKE SUCH BEAU- TI- FUL MUS-IC TO- GETHER..

L

(H. Woods)WE JUST COULEN1? SAT GOODBYE

•.« thought that love was o- ver, that we were real-ly through,The chair and then the so- fa, they broke right down aid cried The

said I did- n't love her, that we'd be- gin a- new —cur-tains start- ed wav- in* for me to come in

And

you can all be- lieve me. We sure in- tend-ed to,tell you con- fi- dent-lally, The tears ' were hard to hide, — ?u£ *•And we

D7 07 Gnf7

= J uJ J b« Ij J 3*S__^J J.J — J •The vlock was strik- Ing

twelve o»- clock. It

fold- ed hands it seemed to eay, We' 11 you if you

went back and kissed her

The room was sing- In' love songs AndI looked a- round,

/_. Q i m

And n«» we're both so hap- py,done- In* up and down—

cause at last we've found,. That we just could- n't say

WHAT IS THERE TO SAT? (V. Duke)ra Bb*

a- bla, so live- »- ble, Tow

•.•art's la a dead-lock, I'd er- •& f«a«

87 WHEN DAY IS DONEBb

(Or*. Katscher)BMim F9

Slow with expression

P7

When day is dona and shadows fall, I dream ofF9 F7 Bbraa? Bb

you; Wh<n

day !• done I think of all the Joya we knew. That yearning

turning to hold you in ay arms, "Von't go love, I know love, with-Bb Bdiffl CM6 F9 Dm Bb Bbdla F9

I »r f I r ' J Ji » * i i i • i 'I 1 1 1 1 i • i I* i •* -«»out you night has loot its charms! Then, day is done and grass is wet with twi - light1 s

57 P9 F7 D __Gm_gdimGlir D7 Bb3

dew, Hy lone- ly heart ia sink-ing with the sun.Ab Bb-*- Ebos? D7-S 07

Al - thouiJh I miss yourQH7 , Dm F7

ten-der kiss the whole day through, I miss you moat of all when day is done.

WHEN IT'S SLEEP! TIME DOWN SOUTH (L & 0 Rene-Muse)Aba Kb

*•!v p.^4-4J=fc

Pale moon shining on the fields below Folks are crooning songs soft and lowSoft winds blowing thru the pinewood trees Folks down there live a life of ease

. _ . . a? Ab Aba '1. Eb 112. Eb D7

£^£ m m ^Heedntt tell me so be-c«uee I know,-I It's Sleep- yWhen oli moo- ay falls up- on her knees >

-&--time down South. South._

Ddlm

on the rlv-er »- COK- in* a- go- in' Splash-ing the night a-Ddim B?

way Hear ihoae banjos ring-In* the folks are a- sing-in', they dance till break ofBb7 4^ ffra Et,

day — Dear old South-land with its dream-;' songs — Takes me back there where

I be- long How ltd love in mam-myis arme When it's Sleep-y-tim* down South

WHEN MY BABY SMILES AT MEBb G Qdim. G

Moderate

For When my ba- by "smiles at

There's such a won-der- ful light in herB> G Gdin G

light that ""means Just love The kind of love7 G

that brings sweet

Eeav- en When my Ba- by

WHEN YOU WERE SWEET SIXTEEN (J. Thornton) Moderate, QQC EV F Ar

love you. a» I nev-er loved be - tore.

I -met you on the vil- lage

E2 F

to me, or -my dream of love

lov« you as I lowed you When you wtore owfe*t, When you WWB Bweet Six - teen.

WHEN YDO WISH UPON A 3MRC *7 Dm

- (L. Harliue)07

Moderate

J jYou Wiah TJp-

If your heart laCdi»

f on A Star,in your firean,

r r r

the aweet ful- flll-ownt of their aecret long-

An- y- thing your heart fle- elreaWhen You Wish Dp-

Ik* a bolt outCdia

blue, Pate step* in andg , G9

e««8 youC

V

When You Wish Up- on A Star your drei

WISHINGr

(De Sylra) "Love Affair

tru«.

Mo6«r*t»

WISE- IK MASK ITof night will

U_?

tod wlaV «e ar* the[tt.f Ca D7

wlah long- _ e-> wlah strong _ •- nough, You will coos

WILL MARK IT

YOU GO TO MY HEAD (F. Coots)a, a» Aba? DO?,

1i00 GO TO 1H HEAD j

EbmTender

•you lin-ger- like a h«mt~ Ing re- frain-a sip of spark-ling Bur- gun- dy brsw •

Bba6 P7

and I find} you spin-ning 'round in my brain— i li'<s1 the far- y aen- tion of you »

bl«" *£. *- er in a

glass of chaa-pagae.ju- lep or two.-

37

TOO Tbe thrill of the thought that you

might givw a thought to '.ay plaa casts a spall '>- ver m « . _

Still I aay to ay- self, G«t a hold of your-3olf,can't you

J J Jsee that it nev- er can be. OO 00 TO ICf HEAD

77 Bb7

with a smile that oMkesa»6 P7

a aua- a«r with atea- p'ra- tore ris«.—

J T J Jin- tox- i- cat* ay soul with your eyes.

heart of nineEb 3 — Cdia Bb7

—i— t —i—has- a't a ghost of a chance in this era- zy ro- aance,

YOU LEAVE ME BREATHLESS - (F. Hollander) "Cocoanut Grove"F An Cdin Bom C7 «M<m Da O9F ta Cdim Bom C7 Sdin Da G

r r r T ij MJ J J ' --^LJYou leave ma i breath-^less. you heaven- ly thing.

I speech-leas, I'm Just like the birda,—Cdia C7 .—.• g 7 l 1. ( > .**(^',^f "Ij8 C7"9 F Eb9

^ r J • ' f r i0' IT »ir j ! • •~0y thingrrir You loo~n : w-i-sy _ _ !»„ fined

won- der-furrl- You»re like a breath of spring.mel- o- ty, But at a losef*^ i— -i

for words•

P

That lit-tle

grin of yours, — that fun-ay chin of yours, Does so much to ay hesrt

Ohl give your lips to oe, for, dar-ling, that would be the fin-al

breath- less, that's alltouch to my heartG9

aay u talc* my breath a- way.

YOU'LL NEVER KNOW (H.Warren)DOT Ga

Mode ra to

Ionnav- er know Just how much— I "J?8. X2Hman*. a_ way and my heart— went with

C7 T P

ou 11 nev-er know— juat how much I care•peak your name in my ay- »ry

And If I tried,—

SSL

You ought to knowt— for_ i if __•till could-n't hid*

have-n't I told— you «o, A mil-lion or more, times? prayer If ._th«ra laBhm *7

— you, I swaar I don't know tow,.

You'll nev-er know If you 4on»t_I— know now.

YOU MADE ME LOVE YOU (J.Vaitonaco)

j r 7 i T i i iTYOD HACK Ml LOVB YDD I

You »ad« mm aUaTfor. I^. T^gy G7 c

Slowly

87

na do It, I did- n'twan- na tall yocul dld-n't i

j. i

iYon mod* •• woat 7009 And all tb« tla* you knarwI _____ %CPv •€•••

ITTTIJ •* ^tt I gtwMi yoo

j i \yoo

— tear Too Md« •» f«*l «o ba77__ lovt that*• tnw,TM I do,De«l I

J J I J» »J

do,You know I do Qim- »«,gl*-«« what X cry_ ftr.Toa know you got thahrand of

P * * _ Ir c r rr i

TDOTTOER THAJf SH»NCT3Ml(R»fiOGER) "SOUTH PACIFIC" fcoderato

Young-er than Snrlng- ti.neGay- er than laugh- ter you,

AmSoft- «r than atar-UghlSw«tt-er than «u- ai(j

of Jur» you*i 1

Warm-er than winds of Jun« ar» th» g«n- tie llp« "youan- gel and lov- er, heav- an Of earth ana you to

me. And when your youthD7 Q

than Spring-tiae ^ aa I, Gay- er than laugh-Q7

An- xel and lov- heav- en and earth am I with you.

froH

fi i

i

Jj

_.ji

,%,.._

ALL THROUGH THE NIGHT - (C. Porter) "Anything Goes"**..Jftfe-

to

When dawn comes to wak - - en

C

me. nev- - er them at all;.

Bcfa, OfIn. | Vl,J J ||,,J. J

.youVe £>r - aak - en

cr Fme

cfc, ATTill the shad- ov»s &U;.

Ive the r«ght

C7 9» crTo be close

ithrotgb the TM«(it-.

AIMOST LIKE BEING IN LOVE - (F. Loewe) "Brigadoon"4__ ?b rr.3*SK r ' r•! • day

There* a a anileCm?

is has been; What * rare aood !••my face for the whole hu- man

Ft Bb

la! iVhy, it'arace.l

-eoat like be- ing in love. All the

D7

• 1C Ofmul

f» seena toD7,

be, Like a thatEb

ring- lag for ne

1 r r r r i r .r.t cAnd from the way that' I feel when

Cm? EW .that

bell et«rt» to peal I would awearBb C7 ^ Bb P7

F «•" * •fall- laSi I could

Bb

swear I waa fall-lair. It'e al- moat like b«- la«r In love.r r T r g

ALONG WITH MS (H.Rone) "Call Me Mister"

in pain QD<? C71 1 —

F1 , | , t ==

^=%^7

&ff| | = =]

You'v*A7

way« b A- LOBG Win MXCU7

true a- gain

AND THE ANGELS SING

_onsc^fleun-dis-ocv-enai 5hord;

j««f a gen-tie* tnur-mur

ANGEL CHILD (Price - Silver - Davis)

APRIL IN PARIS •* (V* Date)» c

moderate

A- prtl in Par-Hoi- 1- day «>- le*

3prtng,»e»- er

X nev-er know m heart could sing, Mev-er Biased a, warnt*—J—. B C

r r »Whom can X run toA -pell la What hav» you done to ay heart?

AT MHG IAST L07B (c. Porter) "You Never Know11

earth quake _ or sin>- ply a

good tur-tle aoup or oere> ly

thia feel-lag of eel the real V* Coy}

Xa it for all time ply a lark?

da I see or on- ly Aa- bu- ry Park?

I I •• I Inet worth think-ing of.

AT TBS BALALAIKA

Car la it At Long Last

re POSford) Moderately

And mal-low mu-olc In the can-diesWhat love-ly mel- o- dy my heart

ir ju' e^_>e»" ' ' ' * ' •—"i^ '^'through _ I hear a vi- o-lln,

FT

Jhave a ren-dez- vernal

Be- fore the night is

r r .iA haxmt-lng gyp- sy

Abmvl- o-

~±_ And when it sighs its strange-ly ten-Bb7 tacet . - Eb

i r psons- that I be-

Bb7

r r j. j ^ i r r t»ng At nJe Ba- la- lai- ka»r r r

long Oh let me lin- ger there till break of

r ' . p =•

Where hearts are young, and Ba-la- .lal-kaa ro m7 4 >I have, .a . vous!

BACK IN YOUR OWN BACK YARD

*

(Jolson-Rose-Dreyer)

r r r rbird' with f •atl£,rt of bln«, _l ••• vour OM* tU la -Bpaift,—

Xathrough your

or

I J "II i

Vaar- y «t Mart back•ooo day yoo'llM7

Yontll find year h*p-D7

Baek^T^ your am.your ayo, _

BAMBALINA (Younans-Stothart) "The Wildflower"

nen1«tmeansl

cing at Ihe fair we ha/e to >Ya4diand ke«ba-vt^re,VtfiensoodoldBaiffmw»l Stand still In >our amc and hold >*xynanaatiU Tor we dare not dance

tiBante-or

Uh- a galls a stop;skij> or Wck or •Hopj

Fm

r r r r r r lhe may choose io stof give me a good ex - cuse io pro)» tny Lit - tte head a -

Q- G7 B" Gr C

gainst my fQri-ner'a cheat;

F C F

J. J J J

^

So

G7

see the rea-aoo wh_y tho*r~r " C

O7J

oth- er danc-es I- may try. I al-wa>4Ufeitie Bam-te-(in- a best.!.

BEST THINGS IN LIFE ARE FREE,THE -(De^rlva-etc) "Good News"3*- Cfl g»

ffii—J-l•n»

tea

r r rb*- long! to «v- try* oaa, Qia baat

»ry- CXM,

97 BIACK BOTTOM - (R. Henderson) • 0. lh±t«»sA . w c y a B> BW BO»

J j>u A J> r ron A new twie-ter; !€»•They call it Black Bot- too

u frtlieyir T

Bot- ton A new twie-ter; !€»• sure got '«av i£»fel-lowB with toa - ba - go And hflfo, yet-lay. 7T-- rtfr - n El*? • , * C7 . * . ghf . -j u

oh, Sia-tari they clap their hands and. do a rag-_ god- y trot,they got They Jung right ia and

* r —•aSr-K=K— Rb. tacetHot!

iI J A - j J.give it all that they've sot! They aay that whan that riv - er

' Kb F7i I j1 J

bot-tom cov_=_ ered -*ith ooz«, Start la to a^ilrm.

a> * - vta Coop - lea dance and

• .thatfethe we_£.aant they use: Just like a worn! Black Sot-ton A new rhyta, Then

Bb Bb7 3b* Bb di« c-i• • • • l r*—• • ^m^^—^^gf—you spot '«*, You go with'em, And do that Black,Black Bot-toa all— &e day Ixngl

BLUE ROOM, THE (R.

_SZ_Girl Frtend"

C7

nin roomsmall roos-

hoi - i - day Be - cause you're tasr - ried to

your wee head up - on ay We will thrive on, keep a - live on

Just nothing but kia - seaC7 f C7

ter <md Kia - sue7

your Vous-seau, Aa-5 Rob - in - son Cm - soe

not so far froa world - ly caeca A» our blue room far a - way up - Stairs!

BOO-HOO (KeyBan-Lombardo-Loeb)

touWopt me ov-tno fir Y0"—e i e dT ^ e _s

her ba-by oft! «o blue Vou left i*r m tte liirrft

I'm ci^-tno. forwait-fno at the efiinrf

fed lilt I do Aid BoM*»4o«>-irf too.

BROADWAY RHYTHM -(N.H.Brown) "Broadway Melody of 1936"

thct Broad-way why-Off,

CbP7

that Broad-wayBb7

that Broad-way Khy- thaD A7

writh-lngD

beat- lagA7

rhy- Urn.D

Got- dance*.

A7

Got- taAT »D

Got- ta

A7

dance; ^A7

: dance! 9-Broad- -*-wayD A7 D A7 ' D

~, It»e gotlT_ me Ev- try- tood- y dance

Out on gay white way In each mer- ry ca- te,

— trae play, Talc- Ing your breath & way"A7 D A7

ith a>E9 Af

d- way8

th^^=^

I " I

*ry-bod- y elng and dance!

L.

BUI NOT FOR ME - (G. Gerstavlji) "Girl Crazy" •Mn.t.

-E2L- — ^\ M f?1*. "*•>— I^d8^ that wsy

^^Lead the waycanx dis- rnias

tee. *»» a of his ktss, I gu«8 he;

Hot for me.

BUTTON UP YOUR OVERCOAT -0

etc)FollowThPtt"A7

2EEE r i r LJ r Bat-ton ap your o- y«r-coat

Bat an ap- pla *v- 'ryday.Whan tha Wind ia >ft-e«G«t to bad toy thraa

' 1. .

car*"'of yotnMM&_ you ba- long

_^a1 J a* (• IBa cara-fol

i r/" i r r r » r r " 'o- oo i Don't aat maata Oo- oolcroaa-lng atraata Oo-

Cot oat awaat* Oo- ool Too' 11 gat a pain and ru- in your to*- toot

bap a- epr««boot- lag hooteb_D7

Taka gosa — ear* of ba- long to

BXE BLACKBIRDf

(R. Henderson^C7.

I I I ' , I ' ' J J J 11 ggm all mar eara and woa Hara I no •tog-Ing low

Modarato

Pack op all »y oara and woaDote C7

I -I r.r r l. ^Mo ona hara can lova and un- dar- stand

Bbo6 C7 f.what hard luck

mlight thi•to- riaa they all hand ma

D7

^It 11 ar- riva lata

^

Uaka ay bad andOm C7

^

tha lightP

night Black- birdi

Bya Bya.

BI HECK - (So R. Henry)Ebta

Iloderato

r r rto torn from Os- lea- loo- aa

•all hia old- aat milk-li« bria- dla cow, said ha

rag'- lar lal- la- pa- loo- aa. Ba^ch yar for—-ty viol- Iws aa« will

*etob tan baaoa; By Back! thla is a rat- live- ly cl- ty. By

—~—^——~^*^— ^^ i ^ L -,. 3 i r —Oodhi Juat look at all tboea 'lac-trie cars. By Qua! it aura- 3y

J

la- a dog- gona pi* tar* Did- n't out a half a do! Tar in - ay

CALIFORNIA (HERE I COME)F

(Jolson-DeSylva)or

CfcUeun - ki«t TWOS- satd!/T5o»?toe LateL

CUT

\*l)ere II can

_OZ

-ed from —-Ly watt-

or

J I »' j r J If Tbloom in the sun Each morn-ing at darti-ing, Bud-tea awt* an'

eri r

ev -Vy-thug. A O - pen mup that Gold-en Gate.

C•' i r r1 i

for - nla h«ne I come.

loo

r i r f j j j M J r J - gWhere bowers of flow-era

1

CAN I FORGET YOU - (J. Kem) "High-Wide And Handsome"ItMMk . 1 r(fcPqilll 1 | ri

Cat IF , C7 ll.F

J.for- got yon

O7

C7

? orC7

' — *:•" * i •* • — — ^ i «Joaco wo walkod la a moon-lit dro•woot you

r Bb1 1 — * — i — &-* —

F7

1 1

Bb

f =

WillBba

f

r

will mr

I J'*• ^-^

m

too, F

r

' i

hoart

F1 —

glo-

;J |«-« k

j

r ' •*?•• i

i HI—J f fdad •* that

'•' r J |— F 5 J • —•ado too «ooo- light

<M7 C7-pa 1 — -« ^ —

nr

X —

osf your

1 J J

s

n«

•T- »ry night r«-

•• Bow aueh want you back a- gala*

CAN'T HELP LOVIN« DAT MAN -(J.Kern) "Showboat"

flch got to nda- and bird* got to fly, — got toT«ll M ha'* la- ty, toll •«%••• Blow,— TH11 MO I»«

Ate B) tti .17 Bb7

lov*. oao

— — • ru » i ^ 'L^J •> OT— * ™ ' f»f•an til Z dlo,— l Can't holp p<*lovla' dat man- of alaa.

i r r r r i r r 1* flno. Tho *nn will ahlaa>And «han ho cone* back dat day

' J I LJof ndn«.

CAN THIS BE LOVE? - (K. Swift) "Fine And Dandy"

SIR ttis bCm*. i>y

bli«.hap v*i>ere rwth-ing aeemo quite real,

U2L

1 wan - der

threat da>S wilb

ET AT

dawn?v

CECILIAc

TeU me. can this

Moderate(D. Dreyer)

Does your Moth- er know you're out C»-

Doe* she know that Urn bout to steal you,

look in your eyesG7 C

get to- getb- er, How a- bout a lit- tie kla« Ce- cl-

Just a kiss you'll nev- er miss Ce- ci- lia, Why do we two

;eep on waBt-ing time, Ob, Ce- cl

CHANSONETTE - (R. Friznl)

ear that you'll be mine. _

~f( fflf \ ' t * ^ i — --•••— ^f'Jm' j «-|i— S ^ Jl

Chan-son - etie , Chap - songleam or the

1 * — + — • — £ — i — 1_ •'ret. For ev-er anda. day , itTuriS nc>i mel-O-dy OL- v(Xa I

'Z FP Rb E, fil. "Af G7 Fn-'>r — »r-i j n -

— — J B » 1v_ The rose that blooms on

Bb cr cr F"

fra - prance snali bor - rt)w fnom

C . J- atle Love N

17100*1 Brings

^ p

jt i ne sta%l- wa^-3 mirie

Ca^m E»— r — F PT-

— +»

• ,F =vas bprn v>a dream^ 7 fc:> <l-] N

D>- sour" . icjp£f, S-M v S"uide .

r~ r— L C £i :eacti to - mor - • row

— I! ^ j , *^.-Z—— i • *you. Chan -son

Fm

^ ^ ei £- ette , Chan -son - ett<

pty Fm Bb'

TieV- er re- gret For -ev-er to be known as m> own Chp»

Ki "TlTi ! T~ — 0-'^ 1"5"* • *~J\ r ^J J Q":" . 'My Chan-son - etle-

. :'a i

i r tt« • r 1 i"Mv Chan -'son - etl*.

«J •

'hen ^fe=>r the

1 J rt. • 41Ev - ' r>

LJ

It's

• . •*

= ^OU \A^iU

Ei»

i-Kon - J>ff^"^

t - ~ ~ .B.1-V^ — — tt 1

1 i

J

CHARLEY, MY BOY (Kahn-Fiorito) Moderate

' r J. L.CHAR- UDT « BOX

/oa

with ahlv- era of Joy.

sort- a bit ofYou've got that kind- a

That make* a* takea BM tell ae what ahall I eay,

read In your glance,

V

?a- gea and gea of love and ro- nance•

Ab7 iu_* it-m • _ .a — 1 : r [f-j j tr . :

J. — J T 1 — P — H•4— F —^ iT1 —f=t=1 •> •1 H,L-"-« 1

They tell nra Ro- me- o wae some IOT- er too,

But boy he should have tak- en lea- aooa froa you, _L

You seen to start

D7

where

I IOh CHAR- LEY MY BOY.

LITTLE EARFUL (H. Warren) "Corned Beef & Roses""b .a — ». —j j) i ji , j

ifl-tll ear-fU]There*a a cheer-ftilStocks can go doim

c?— -ful Qoah 1 oiaa It

bua'-neea slow down But the milk andFtoin At

| » | the well known

Kb?_

X. Eb 112. Eb

ev- »ry play lt»e a aet phrase

get phraae ButBb7

pet phraaeBb7

it 113 do do

roo- it aoft and cu- it Make •• hap- P7JK mcheer-ful lit- tie ear Ail Of the weU known »f lote 1

CLOSE AS PAGES IN A BOOK tS. Roaiberg) "Central Park"

»•»!! b* CloM M P«g- ee In • Book, Mf low ml

I hear your laugh,

««t book !• botnd. We're to

•• in * Book,

COLLEGIATE

pert.

CJaff«-Bonx)

And we havte -ht use for red hot

J

GOME RAIN OR COME SHINE - (H,Arlen)nSt.Louis Woman"

m ' */04

I'm goo- na IOT» 700 Idle* no- bod- y's lortd yon, COM

I guaaa «h«n yon «ot me It was Just on* of thoM things,

Cdla D4U C7 GdUl Odl» G7 C7

But. don't CT-«r b«t »«, 'C«u«« !»• gon- na b« true IT you l«t M.

Yoa'r* goo- na LOT* M I4Jc« no- bod- y'» lowd M rain of COM «V?r»»

g?

Hap- py to- g«th-«r,

•on't it be fln«. Days nay b« clood- y

G7

E.J* P—C r j Jnun- ny, *«'r« in or w«»re out of th« «on- «y» ftrt

!'• with you al-ways, I'n vlth you rain or shin*.

CONTINENTAL,THE - (C.Conrad) "The Gay Divorcee"

l.-V>J-i- iu rnu-sc

ger - ous rhy-witn!

' I j Is. _ . >ur ~ti

IvVo bod-ies staying HireQan-i -

it'sfteaaofrDreoeiWidof love.89X-ingju^»»W^aueflittJ(in5 of; Soteep on dancing1 Thettn-

DANCING IN THE DARK - (A. Schwartz) "The Band Wagon"Ffd.m.7

Till the tune en da, We're

tirjc- in? in the <=*».!?right-en0 up tk> mgh

And it soon ends; We'reI have you, love , Ana

Time hur - nes by w«eVe Kene gone.

geth - er, Danc-lng vn the dark

BARDAHBIIAc

(FlBher-Bernard-Black) Ifcxterato

Down I be-'ii<J« tlM "Oar- d»- n«l- !• B«y,_ tb* Do>- d»- n«lj.«« with glowing «y««,

or-i-ent-al breeiShe looke a-croaa the ae

Abaa and

*Bb-67

A-67re-turn to lurk- e- atan,

. > . , .

j i uJ-i L». iJ ^ - | i ir

atreet D*r-da-n«l- laack for her heart and hand

r P i ra luck- y tel-lowX love your ha- rem eyea,

you,- And he-lah known my loveTo cap- tUi« au.cb a prize, Gb

C

tell* you to Bar- da- nel- la,C

oh bear ay algh,

Hy or- i- en- tal, Oh, Bweet Oar- da- nel-lat

I I IPre-pare the wed- ding wine, be one girl In tar

i M H • i r aha- ram when you*rr nt&e, tent J\iatWe* 11 build a

like the Ail- dretf

sweet Dor- da- nel- la. My atar of love di

DANCING ON THE CEILING - (R. Rodgers) "Evergreen"F A m F t Gm G f T C C M

106

*Go a-vwy.my lov-er, Re not (air/.

F C*»7 CT

But ttti ao grate-fid to di»-cov- er

A* F+ <s« or

He's sUUC EM

love my cetl-inj more Since it i» acr F

BID TOU EVER .SEE A BREAM VTAIJCIHG-H.Revel"Sittlng Rrett#P7

t 1 * eJ. Ij Z did!You Bv- ar Saa A Drtam Walk-

talk- ing?

thrill you with 'Will yoa ba «laa»* Ch, it»a ao grand —

•v- ar aaa a draaa Wall, Old you

f i r fav- ar aaa a drtan ro- IngT Wall, X did!

Did you av- ar find Haav- an right In jrour anu,

A7 t-c«t tan

Say- ing X lova you, X do. Wall tha draan that walk- in» Aad thi

D7 0

^aidraaB that waa talk- la* And tha BMW. an In av anaa waa vati.

107 DOES YOUR HEART BEAT FOR ME (Morgan-Johns on)•at . *a v?

The we §aid'good-*»y«i* the moon ie bub

for me?

o» it one* ueedle the thrill the •ay name,Av B7

to be* •hen you're Ion*- eooe, ewe«t- heart,D7

r i rDOM your h««rt b«at for

DOCOLB-IXXWXX) - (Kassel-Stltzel)o -

Moderate

J J j"r r%el- o- dy ! CallidFleece for DM lat

X7eweet mtl- o-

D7

Doo- die Doo- Doo, — Doo- die doo- doo, - I uke the rest _ "But

J J J Jlike besi_ Is doo- die doo- doo, Doo- die doo- doo.—

Sia- pi- ert thing, ftere»« noth-ing mucb to it, Don* t have to ffngt _ <Tut t

•T- er — _ die doo- doo.

DOWN AMONG TH2 SHELTERING PALMS - (A. Olman)

Dow A- moog The Shel- ter- ing Paljna,Cdim Bb7

0 hon- ey,Eb7

wait for me. 0 hon- ey. wait for me,

down by the old Gold- en Gate,Eb7 Ab7

Out whereDb

the sun goes

down a- bout eight. How my love IB burn- ing, burn- ing, burn-in&Bbm Gb7 Eb7 Ddim Ab

r r r rHow my heart i i r i r i i r • d i =ia yearn-ing, yearn- ing, yearn- ing to be Down

^-- Bb9 Bbm? Eb9 -*»

Sllel-A- mong The ter- ing Palas, — 0 hon- ey wait for me.

DREAM A LITTLE DREAM OP ME (Schwandt-Andree) ModerateQ gb7 D7 G ^___ . —'

^=^=^ j j j t J J I J J J j J I* J r Ji, J =pStars shin-ing bright a-bove you, Night braez-ea seen to whia- per,*I lova-'you,"Say •night-ie-nighfand Idaa ma, Just hold ma tight and tall me you'll alas me;

CMS * G 11 - A7 _ D7 1J -J J ~=liJ J i I —I I : • J ^ •» I 1 1 1

Birds singing in the aye- a more tree, "Dream a lit- tie dream of me-I>m a- lone and blue as can be,

—, Bb7— . , Eb

draaa of m. Stars ^fad-ing.but I Hag- ar on, dear, Still crav-lnv

- ar till dam. daar. Just aay- log

Sweat drcem* till sun-baams find you, Sweet dreams that laava all worries ba-hlnd

1 £ mBut IB yoor dreams what-av-ar they be, Dream a lit- tie dream of sw.

EVELINA (H» Arlen) "Bloomer Girl" Slowly v/ith rhythaBdim ?m7 BO?

E- ve- 11- na, won't ya ev- ar talca a chine to that moon? _

.Bb7

11- n&, ain't ya both- ered by the bo- bo- lirJc'c

Gbn D6 Gdi|ai

keep de- lay- ia» the day Don't ya reck- on it's

Tri- flLin' with A- prll this way? ve- 11- ns, «on»t ya

pay a lit- tie mind to me soon?

G+57 C+57 Bb+57 Q)G7. Rn Db9

Wale* up] 2ie earth fair, the fruit is fine

what', th. uae o» emel- lin' ra- ter mel- ot

roll off that vine an» be mine?

EASY TO LOVE (Ce Porter) "Born To Dance1OB Am * - 117 0

i- dol- ise, all oth- •• ar,that it do«« eeemworth the

So swell to keep «v- «ry 'home-Ore

fU- ture with me, 'Cauae yon'd b« oh. eo eaa- T to

EVERT LITTLE MOVEMENT - (K. Hosehna) "Madame Sherry11Bb7

BY- »ry lit- tie move- meat baa mean- lag all it* own.

feg;»ry thought and feel- lag aome pos- ture can be

•how,— Jtad «y- >rjr low-thought that COMM a- steal- lag

BbV

o'er your

^^3=?r r

b«- lag b« re- mal- tog All ita

peaL- lag lit- tie gee- ture all, all it*

FASCINATING RHYTHM (Q, Oerahwln) "Lady,Be Good"Bb7

Fae-conce it

•-tin.tar

>1 Fae-cl-nat-ing Kfagr-thm I'm all a.;;*han you • tart to patter, I'm eo un-

r *• r ITM. ' _ _ _ • —

J I i i" r r i»oui- ^'vw.What a meaa you're mak-ing; The nelgb-bore want to know why I'moqp- ?/• *on't you take a day off? Da- oloe to rap a- long Somewhere

_ _ j. „ .*>» , 1- n*r -Jmi HEr H rir J. -J r i r TJ

I get upal-waya ahak-lag Juat like a fllw-vw. Eachfar a- way off. And make It aaap-py Oh,

l£3IlD_ __^_^__^^ Of

the

F7-8

awn, (Start a hop-ping ne*-er etopping) To find at nlght.no work hae been

•MI r c-.r cj r . 1loaff to be_ the manI know that long

Fea- cl- nat- ing Rhy- thm, Oh, won't you stop pick-— Ing on mel

F.D.R.JONESD?

(H. J. Roma) "Sing Out The News11 //£

For tt»a JoaaWith aaaaaXt»a"'a big

Vban ha grows — 19

'= Bram- i- ijrIlk* tha ana

««nt I Ml»- tarthay proud- ly pra- ««•IT ««V Plaaaad to M•tr««t,rtltai will

tad bow ba •»»»• It; —

What • o«Mi I'll b«t h« teows it. — With that

hao» Alt bow ea& bo

4J-«J • J»**— Bo'llb* fa- ,*«• f •- ^ Joua

•a, yo»- air-

ySA3HBft TOR NEST (Kendis-Broctanan-Johnson)y G D?

Tba birda ara hun>.low

• go f eath-er yoyrto- gtth- «r wa 11

O

neat,r«at

To- aor- row*a coo- lag,Wbarc oa- ly tma lev*

ao faatb- er your neat. It* UJM forcan w«ath-ar tfc« taai. Don't ba da-

no uaa baa* 1- tat- lag,tha or- gap ia play- *"g|

Tba par-eon ia

Juat wbatb-ar it'a baat.Xn a boa* for

Tba wto^s norM ia Go f«atb- ar your aaatl

/// FOI0W NEEDS A OIB&(R. Kodgers) "Allegro' Moderate

fel- low needs a girl

of a wear- yrest of bis world goes

day.wrongGm

ToTo

sit by his side andhold in his arris and

, -d no on. .—.—-,- on.

prize you' vefun of a job well

^ J raA fel- low needs a home, his own kind of home, But to

own kind of girl kind of girl is you!

FOGGY DAY. A (°* Gershwin) "Damsel In Distress"C7

A Ifog-gyHow long,

T" dayI won- -

in Lea- don ' town ,—- der«d, could this thing last?— But the

•"• C7

of mlr n't paaeed1

I viewed tha Born- jpg

Brit- lab Mu- u«-

den- ly, saw you there

| i r -" — • -•« •fog- gy Lon- don town the sun was shin- ins «v- »ry- where.

PLYING DOWN TO RIO ^V* Y°1imans) "Flying Down To Rio"

ny- lag down to Hi- • wh.ere there'* rby- tta end rhyme

Twirl the* old

Leek- lag down on Bi- from • He**- «a or bin*.

Ck (2>7

With a

QaS Bbf fib?

they'll know and itand by there, ««»Ubig hel- la Ju*

ry- thing will

ing our wey to•ing- ing end wing,

FOR YOU,FOR ME,FOR EVERkORE(Gershwin)ShockingMissPilgrlttEb F7 FW7 Bb7 ~Eb

for ev - «r- more

found toy find- ing each oth-er, -the

ing start*. _ *hat e love- ly world this world will be, With a^ FW7 Bb7 Kb

i iworld of loco in store For yon, for ev- er nore.

PROM NOW OH (C. Porterj "Leave It To Me" ModePato//3 fl B C M7 . 37 .._F_ C G*m

no more phi- Ian- dtriag,

' J JLUno ecat-ter- 'brain.f C rs#w.

down lov-«r»a lan»._Cdim

fun will be me- an- d'rlng With my dar- ling

will nev- er know m«Sdim A7—-—

find I've be- come the kind Peo-ple call "horn- «y• No more yearnBmV Ddim An C . O* F A7 °«7 G7 C_

^ •! J" Jl MIrr i- ifor aome-thing new, dear, My ad-dress ia you, dear, From •tow on.

GEE1 BUT YOU'RE SWELL Moderate

I'm mad a -bout you.l

mt>7 iA<*You're a- boui tte grand-esl thingt|»a{

^I e, - er knew, >buVe gbt else coukl il be_ ±-\^ei?a girl l£ke>ou

c Buff o

T wieao a . hon-est bitt voure sweU...

GMffi A LITTLE KISS.WILL TA HUH? -(Turk-Smitfa-Pinkard)

a Ut- tie klM will 'Y«- Huh? that are -ya* goa- na

you'v. got to lo... AW, -gto- *•' " . ut- tl«

Why «o you -waft- na*»u*. M blue? I would-n't .«, . word if I

uk- la» for the woria.But what* a a lit-tl« MM be-feen «

»*»• ••" a "*• *>• «••» Will'Ya; Huh? And I»ll giT. it right back' to you.

GIRL FRIEND,THE - (R. Rodgera) "The Girl Friend* Hi-C*dw G7 D7+ C

la-n't sf»e Cute! Is- n't she swaAiStogen-tye and mejvtal-lr. naarV oom-rieta. SheisTate her to dance, take herTo teaT By^«&-nu«jFtowcuD-n5MfT*i» (a - e£ can *be. A

Cftiim G7 C F

es ne-fined, How can she be real ? She has Heart she has mind,

C Ctdi» G7FGJ-.CW C CfJim G7 Cdte C E7

^ J J I J- J> J J

Hell, thegMal - deal!F C

Is- r»1 aha 'cute, A* e^4ul ywcldiefull of

E r y*1

piea-sxre to meet. In my dm- ny fadi-ion Im curaed w^Hi a pas-sion ferifw girl friend!

GLORY OF LOVE, THE*q

(B« Hill)P7 O

jg W ^ ' W ^, *" ^^ I •••• ••i —— I -*—Yfeu'v* got to } gin \ • lit-, tie,) tak*\ a lit- tla ( And l«t your poor heart

' laugh' ' cry ' l B»» torm ta« clooda ror

breafcl* lit-tl« That's UM sto-ry of That** the glo-ry of 10v»

— As long M that* tte two of us w«»v» got the world and all it*

eatfh oth- «r*schanw And «hon the world is thm with usIT?. Q m

r r r iapaa.-You«v« got to win a lit- tie, a lit- Us And al-ways have the

blnaa a lit- tie That's the rto-ry of Xhst*s the glo- ry of low.

GOLD DIGGER'S SONG,THE-(H.Warren)"Gold Digger's of 1933"

We're in the n»oo-eyjies a»e sun-nvi

We nev-ersee aE*.

I r r *i T T r J"l I fhead-i'me 'bout a bread-(ine. -fo- /nc(vAen«*eacetJie

Dm? G7 O

look {hat guy riglil in

C Of

We're in tne

lioti- ey,

//<" GOOD NEflS (DeSylva-Brown-Henderson) "Good News"' '*•» * J- D D7 0 .

;ou're bound to doou'r* what I've veit-

D

right her* toWM- nit ftlat-

Coo* richt hera

GOODT-OOOUI - (Hercer-Ualneck) Ikxlarateljr brightC

h**la GOOD. YSo you act on* who act _ you back on your

ana and now you know how it

So you !•*• Ma your haart too —OOCD- T QOCD- TJ

X gnra to you It 5 nt- __ Ua piac- aa,

bow do you do. So you 11* a- waka juat aiag- _ In th* bin** all

C7

rnlght OOOD- Y GOOD- YI So

i r T

i r r r rral of dy-

L

tM"* that lovt'a

r

a ber-

nar- alt*

C

r i r rBoo- ray

0*

i==Nand hal- la-

i r r.in- Jahl ou it in' f y*. GOOD. Y

M I l~ni J-GOOD- Y for hla GOOD- Y OOOD. Y for a*

i 09_ 07-9 C

hop* you'r* a«t- la- fiad you raa- eal ^ yon.

HAPPY DAYS ARE HERE AGAIN (iger) AlleglCoIlodermto 116c & c, _<fr- g

Hi^

» a-gain,-—The skins a-feov»__af* eW-a-gato;—L«L u» »"»5

—of ch«er a-gain Hap-gy day*-art hare a - gain.

HAVE YOU EVER BEEN LONELY (*• Best) «oaer.to

pa«l? Be 4 fit-Had--giy

If you. khewwWlkebeen itwu %n vcuU krw v^r f. ask _/ouj

HEIGH-HO-CF. Churchill )"Snow White And The Seven DwarfsG B7 C G

"

j J IHKIGH- HO, HEIGH- HO, Do aak« your troub- !••

C B7 BB 0«

J I ^ Ego, Just k«ep on sing- ing all

D7G G B7

HO,

C G

HKXGH-

47

BO. HEIGH- HO,

D7

HUGH- HO, BEIGE"-

rj. I J

G

=s=yi- UM- lyBO, Tor if you're f««l- ing low, You po»-

C B7 »• Qi 0 B7

••D t go wrong HEIGH-

r

rr

••x0q os pay 'noX

IK

Sop -AOI ptrw t»o ioa* »j»

•fe£

U

n»9jp

jo »oein.«a •««

J J I I-m

<!H-KI

•pa0g v•noX

fl^ ' "" -i ^J^•aSoojxn.It« »Ipa« • •.»»*

— u •

ns.LA

anoX »a»«tMJ»A-ato TVT* ^>*P»t«T

^

Till 3H3H

H¥Mong

- * <I i yr -

1 r'i=

^| j J J nJ ^^^^1

3HL S3WOO 3H3H

HERE IN Iff ARMS - (Rodgers) "Dearest Enen&*T

Moderate //a

MY- er ta«r«.uk ay «h*r«

r

=£=*=^=a=£It'* te- pCr- »-

HI, NEIGHBOR I (J* Owens) "San Antonio Rose"C E»«r Crn^r FfdimT C6

Lively

j r N ^ gHI. NEIOi-BOR! til, NEIGH-BQR?\Vhat do ya'know___ and

<J7 G9 D6 G^ D*" F D"'ad<le F6 Dm6 G7

•what do ya'Dm C«e4

HI, NElQH-BOll!C6 B7

HI, NEKH60R!. BA.7 C7

Throw all your wor -_ BP Am cr Fi ' i*** .•• ' i

- rtes a - Come on and shake•D,^P7

hand_

J J r ' l rand let a grin

imT Gr9 _thfc rest It makes ya*

- -*" - -ry C 'i

so grand — to get

J J

ciiin off your chest../A7 A9 D9A9

rTm shod-W HI, NEB2I-BOR!

C

j M Mr rTune to play

HONEY SONG, THE

and say,

(Massey*-Gibson)G A7 E»7 .47

blue, •feUmeMLjatU*- stand, TWjbdewetor-C rir c

fcr-W- er buUd-mgB»7 AT ft> A»

dreams, 'Roundjtar(*t% head.it seems, Do >«»*«* to oilny schemed^ By

rKW-a- be mine?AT

I v^iltralr'a, o-cean trip. IfD7 Em7 PA.T>7 "P7

r / r r imil-lion miles. Tb hear>t« say jou love me fcoo-_—

IF I LOVE AGAIN (B. Oakland) "Hold Tour HorsesF cr

If I love a -If 1 love a - sin', I'll find oth - er

F

ITVxs' jjfti some one pew, If I love a-

charms; But III mnta- tx>-

gain,Iveve,

It will still be youYou am - my anns.

In Some-one eL - ses fond em

brace, f'u close my eyes and see your face..

F 8b F C7rz__LmZ___

f — - —i ^ — 1f 1 —r— 1 '!• •* — i

1 ! |— i —

lips whis-per, *I love you, heart will not be true,

111 be lov- ing you, Ev-Vy time I love a -

IF I LOVED YOU (&• Rodgere) "Carousel11 AtuB«tto no<tar-tofVH^t C ^ 0^

1J J -' 'I would try to

-JUt=- y_*VtTim — and »- gain

•hy, I'd let ayLong- in* to tell you, butBb

goia-«n CIMDO- «e

you would go _ in the niat of day

lovad you.

_J

IF THEHE IS SOMEONE LOVELIER THAN YOU(Schwartz)tt^eTrg.W/Mus"C Ittf7 G7 G On G7 C D7

If there Is aoow- one lov«- 11- er

r r \ r r r J i rwith- out a Bind, if there ia

not blind.

• 1—^f. inave trav-ell'd ev- 'ry-whare night find

area- tore half so fair;

you, By all that's beau- ti- ful, such beau- 1y oan't be true.

IP THIS ISH«T LOTS (3. Lane) "Finian»s Rainbow1* LivelyA C G7

/2.0&3E 2 J J *

If this is- n't love1

ITie whole world is era- zy

I J

If this is- n't lo~ovei

I'm daft as a

There's some-thing a

I GET A KICK OUT OF YOU (Porter) "Anything Goes" ModeratoFmT Bb7 E* Gm Fn,7

V535 M=a 0^ ,— .Q.I... -.

^^— rJ

»t no kvcK from cham-pagneFm

Mere al- co- hoi doea-nlOm Fm

1 — ' *'1 f " — L- 1 — *~1 — :£_ E

H-j ^ '

>1 J '• e : —

thrill me at all So UU me why should it be true — ThatFm BP7 & Grm Fm7

1 1 — d —— 4 J — -i L^=±1 «t—1

I O '<v '

/

J ^— J

" 1 J J =3— 1 ' i-J * ^

I get a kick out of >ou?rQm Fm7

Some set a kick •from co -

±

Caine,. Fm sure that if I took ev - en one snifF ThatVIT E^ Om Fm

1 — • J 11 — £ — T" nn 1 ' f\ , \ q

f H'j ' lfj• r» •

i ' — i — l 11 °^-J ** CJ.I=J 1 1 J F^^

-J J *— f-r^ i* fj

/*bore me ter- i'if- i<a.-'ly too

(fm

Yet I s^et a kick out of

1 Q ^~-J

1 J ^ =J

1 9 1 1

1 J' • *— "5 — r — 1~1 — 1= — E — 1— i 1—"~ f ^F — 1\ =^_|

I get a kick eV-'ry time I see you're° C7

;nd - ins there be - foreFm F7

-e-me, a kick tho' its

r to tne^i. You ob^- vious- ly donH a dore me.Fmy

>J d -»-

F^-in

^^

•Mno in a plane,.

T<jm J }- in?b» t>

r | r r (U- r f i* ir . i "vnti> eome JM in

*.

Fmsky Is nw . t - dea of.- noth>inr

_ _ * B»7 6^ 6 toI . — i i i n ,

1 r i ? 1 • : ^=*r— = ..,^ "• 1= == «* " -rf-

do. Yi?t £T«t kick

; 1 I"*'''' ^

I 1 -—a —

out of you . .

/2,/ IF IDU KNEW SUZIE - (B. G. De Sylva) Ko-Jerato

r rifG7

knaw Su - sua U«£ I know Su - sie Oh!

Oh! Oh- what 3 girl! ~T>eres rtone so cla«-sy as this fairG± C Dz G

las- sie_£ C7

Oh!I j J ,J J I

Ho-ly Moa-es.' what a chas-sis!

V\e went ri - dtr«r She dkl-nt batkD7 G7 f

Back from

±

"ibn-kers Im the one that ViacMo walk! If you knew Su-sie like

Su - sie Oh ! Oh! whaf a sjtrl

I -30T PLENTY O1 NUTTIN1 -(G.Gershwin) "Porgy And Bess"

Cb

B7

, _ •—y—iI got plen- ty o nut-tin',

folk* wid plen- igr o' plen-ty -B A S

An» nwU tln'e plen- ty fo*Got a locJc_ on d«

£ A K

').I ' " I

door,G?-

got no'Prald BOB*

D

r—* p*no nuie.

i-y»« a- go- in* to rob *«G Affl? Sm . G Bn

out a- aak- in*B47

Bo6 On as B47 Bn6 Bo

de floor,door, (.Oaf* no «ey to Dcjr kin st«al d«

Dat'e o- k«h wid me, »C«u»« de things dat I prize, Likt d« stars in de

•kit*, all ar« fret.— got plen- ty

nut- Urn's plen- ty

I GUESS I'LL HAVE TO CHANGE IdY PLAN (Schwartz) Little Show

guess TU have to change tnv plan. I should have re-a Iczed thef&d be an- oth-er

Em F*7 O-7 C G+

J J Jman! I o ver-looked thai potrt com-plete-U Un-td the big af - fz»ir be

F Fw G7

Be - fore I knewwbem I was at.p*6 C

I feuwd ny-Seir'ap ontbeshdf.andthatwasEm &

r r r r 1 ithatG

I tried to neack the moon but when I got there, All thcA I couldF6 Dm G7 C

~^™"* —i—.WJ—5etwas the ai-r.M^ teet are bade up. on the ground, IveOlhe one girl I found.

IfLL WALK ALONE - (J. Styne) "Fonow The Boys"

lona- ly,rath- erj

I don't mind toThere are dreaac Iama I mat gath- 1-

^ r 1* »= *' *my heart tells y?«• Qre«B»a w« faeb- loaad the night

(7

^

are lone- lor too.you held ae

QI

I ±tight. I'll al- ways be near you, where* ew~ er you are,— Each

G ~| A7 D_

i r - 'niin ev- »ry prayer. If you call I'll hear, you, no

D Eta Bdln

i"•at- ter now far| m

eyes and I'll beJuat cloae your

and aend your

love end your klaa- •• to guide m».

A7 D7, Ddia A«f7 D7-9

Till you're walk-ing be-sidt

^ r TIUX WALK LONE.

I'LL STRING ALONG WITH TOU - (H. Warren)a> a>

But j un- til the day that one comes a- long, I'll string a-long with you.knd 'And

I'll sing OQT ooag you. For ev- 'ry lit- tie fault that you have, Say!

i 1 1 i~ iI've «ot three or four, The hn-oan llt-tle fault, you do have, Juat make me love

•ore, You may not be an an- gel, But still I'm aura you'll do,

So un-tll the day that one comes a- long 1*11 string a- long with you.

I LOVE LOUISA - (A. Schwartz) "The Band Wagon"Edlm Bb7 FW7 3b7tjD JMUB aai rai juf f" -*" _••••*—

ill r r i i r * Ji j j Tr i j. i ij j r SI love Lou- T- sa, Lou- " l- aa loves me; Ihen we rode on the

fan 3b7 3b 3b Edim

go-round, I kissed Lou- i- sa! And than Lou-

1- sa kissed me;Eb7 . Db Sb7

We were so hap-py, so hap- pySb Db Bb7 j

and free;

M ^ ' r . ' J \r.f\*"_.* A I V_. •«• «V._ * — K

» r rAch, Gottj but she's a beau- ti- ful Lou- i- aa. Ach! when I

Ab . an? 3b7 2b Sdla B7

m 'J r ir J J J ij r*ea 1 love a great big boo- somjchoose 'em I love a great big boo- 0am; Some day Lou-

ML^^tf? . G-S7 C7 Bp Ha . „ . Bb

r l j i- sa, Lou-

- sa will be more than just a " Frau- lein" to me

I MARRIED AN ANGEL - (R. Rodgers) "I Married An Angel1F . C7 F (W7 C7 P

I • sure that theTo hear- an she's

change- '11 becar- rled this

07 C

good f<fel- low " with a

She Is sweet and gen- tie So It la- n't strange

ti- men- tal, SheF ogr

bean-ti-fta change-' U be Uy good for

I'M NOBODY'S BABY (Davis-Ager-Santley) Moderate /if

pray the Lord up a- bov»f

bod-

r r «r *M-F-talc* a chance withWon't soBe-ono hear

•a be- cauae I'm no- bod- y's ba-

IN THE STILL OP THE NIGHTFai

, by now.

(C. Porter) "Rosalie"

^£Fm

the still of the night,•_»

3

AsC7

gaze from my

^J i r

win- dow,F

the moon in its flight, Ky thoughts allC47 C7 F

t— —stray toFa

— a-j^—frl-aanight, *

u.m — -5-

— |youF

L White the

1 1 1 =3=eJ . rt—

-

jf m

worldE7

hsr-.-i — $+

1 J J 1 i JW* the still

Fm

* " ' ICB '

is in slum-

1 E *—* Hf 1

of the£

ber,Am

aay to, the times with- out man- her. Car- ling, when I

on the0*7

rimC7

the hill the chill,Fm6 F

IStill of the night?

I»M SITTING ON TOP OF THE WORID - (R. Henderson)F Bb . F ^, ^

r • rI'm sit-ting onI 'm quit-ting the blues of

P

top of \ the world,'

Jueti roll- ^=I sing-

long,song,Bb

Just roll- Ing a-just sing- ing a

Ddim

long,song,—

— "Glor- y Hal- le- lu-Jah,"

i r r r •* m r r -r^-r i|f r I ••I juflt phoned the Par- son, "Hey, Par get read— to call."

D7. 07 »••< C7, Of

Juat like Hump- ty Dump- ty,F Bb

I 'm go— - ing to fall, I'm

- (H. Tierney) "Irene" Moderately

3JQI J. 3 J. 1 r JI-rene,

ma lit-tle bit of salt and sweet-ness, I rene,_ a dain-tyFdim Gn?_: F. V? ,

JUslip of rare com-pleteness,Man- ner

.finC.

•*i- sm,Gnf? C7^—^—<—!-i Fdia

—^J** t — I T l >•• f*f

mag-net- i- sm, eyes of youth in-vit-ing,C7 F C7 F*

I ^ 1 ^ - l». ^ ~ ^ - J ^ - J — I j lDoic-ing by, wiUiglancing eye,The flush of her ex-cit- ing, Si- ren, 'Hie sort who

FdimBb

cap-tures hearts to charm them, Care-ful, be- ware! Now she's here,now she's thereF . C7 F Gdim

J r rPol-lowed by her set, Up she goes, down she goes, E«- »ry- bod- y's pet,

Hear or far, there you are, Cap-turei in the net, of Tipp-i- ty witch I-reneo'Dare.

_J

IS IT TRUE WHAT THEY SAY ABOUT6

(Lerner-Marks)

what they say

Dots the sunIs a drean

sweet Mag-nol-ias blx>s- son at ev- »ry-bod- y's dobr?

folJcs kesp eat-!ng »posl~l tvx, _ they can't eat ne more? _

Do they laugh._B7 A7

they love, — like they say

— in ev- »ry song?_ if it»ertj-ue,_ F that's where I II be-' ions.

IT LOOKS LIKE RAIN IN CHERRY BLOSSOM LANE( Lsslie-Burle^

IT LOOKS LIKE RAIN IN C^ER - RY DLDS-SOM UXNE ,

IT lorg - er fills tlsun - shine of your smile's no long-er there"cold - en voice no

notes havfe left the old milt stream

Therfes nofh-inff left fer me but just a dream:*i /*>•»

gb _Ay fiP \\ti ^

THEREt>

tHER-RV BLOS-SOM LANE ,

there to teli me that you. aare.

IT»S D»LOVELY (C. Porter) "Red.Hot And Blue" Au«p.ttoo p

The ^Bkjnight is young,— skies are clear_ And

It>« d«- light- ful,_ it»t d«if you wanf_ to T go wallc-ing, dear

11- clous, it'« de- love- ly.— I uo- der- at the

^m rreas- on why_ Youire sent- i- ment- al, 'cause so un I, It's de-

Ddia P G7 C7

r i r-^r p r^ ^^

^light- ful,_ it's de- li- cious, it's de- love- ly.—

f L *'P _ | ' ' Bb> r p ^You can

tell at a glance What a awe"!! nig' a is for ro-mance.You canC7

hear dear lioth— er Na— ture aur- our- ing low.

I.' I N l - l j J-J.J.- self go — So please be sweet,_ my chick- a- dee,_ And

r -N rJ JJ J JI kiss _ you,.;)u3u3t say to me _ It's de- light- ftil, . it's de-

li- ciou»,_ It's de- lect- a- bl»,_ it's de- lir- i- ™*ous,_ It's di-

lea- ma it's de- 11- mlt, It s de-lux*, f t»3 de- love- lyl _J

/a? MUST BE TRUE (You Are Mine. All Mine) (H. Harris)

STTJ—^np" "~J~""-"~T P i=*Be- aide a ehad- y nook, A no- menta bites we took to

Cm

J ' j., J)talk of love Be- neath the atara a- bove. I heldBb C7 F7

hand and

JurtBb

a dr« 1-07

die •chame ofQa

mine To

Jl Jl J1H Jfool my heart? And yat

U7it • dl- Tina. It auat

Bb

with you are alaa. all

IT'S.ONL* JL PAPER MOON (H.Arlen) "Take A Chance"

6a>, us on-ly a pa-per moon,•Yes, its on-t>- a tan-*va» sky, ang'-ingover a

^But It Vculd-nt be make bHu*

IU; a Bar-nurnTand Bai - Ley w^d, _JU a"s phpny a,

— Ifyou— be-lie»ted in me-.

So best be- ware

-— ^o don't atray too far from " home. In- ci- den-tal- ly

Juat be wise,

I»VE GOT RINGS ON MY FINGERS (M.Scott) "The Yankee Girl"

r I r f s^ sSnre.Ixe

D7

my

El - e - phants to ride up. on, my lit; tie I-

G I>7 G B7

^^? r r

Rose, 5o come to

E CWiiii 0 Ew7

.your na- bob , and next

Bw D7 G

rickfc

^••—•-* i..^—. -—*•••——

"Be "Mi*- tress "Mum-bo Jurn -bo Ju- ji - boo J. O Shea-

I»VE GOT YOU UNDER MT SKIN (C. Porter) "BornToDance11

Q . M7 Bb7 Ebma? Eb6 Fcf?

I've got youI've got youBT3? Ebma?

un- der my3b6 Pffl?

deep in the heart of me,Pm7

So deep in my heart, You're real-ly a

part of me.Fm7 Bb7

I've got you .Ebma?

not to giveEbma?

said to rny- self, This af-

fair nev- er will go so well." But why should I try to re-

si et,when,dar-ling '

Eb6 Eb FW7

»v« got yon

m— I'd sac- ri- fice an- y-thing,Come what might,for ths sake of hav-ing youSo? ^— . J , RD?—^^-, , s—, Abm

near, In spite of a warn- ing -voice that comes in the night And re-

aod re- peats in ^—* j—know, lit- tie fool,Bb?

i i i iear: — Don't you

you nev-er can win,Eb

Use your men-tal- i- ty,Abm.

*afce up to re-

»r_jfal- i- tyj But each tine I do, just the thought of you makes me

Bbm C7 Rn Bb.7-9 Eb

ftstop,

.be- gin, \ fVe dr y

I WANNA GET MARRIED(Shapiro-Pascal-Carig)Follcwl'heGirls1

i wan-., na gat aplic*d I long to b*Crawl In- _ to a an*ll c I wan- na atagt

knot-tad and rt frlanda pot- t*d I wan- na b* con- f*t-tl*d and rlc*d.my lif* ao- in* tba thing* that

ant waat It takaa _ Bat no on* takM it -O F — ?*

mom and pop uaad to «p«ll*—

a cot- t«g* saall 4har* a . rail- road nev- «r stops

•l*«p la pa- Ja- ma .top* — I :*a-_ na Gat Mar-r

JOSEPHDIB (King-Bivens) Uoderataly brightA7

Thar* n*v ' ar waa a gal I could lev* ,ov* ay Jo-a*pb-iaa»—

Sb**a a flirt,Hh**s a *ctmp, ah*'a th* vanp-

*r eeen. It a**na to m* an*'* al- — ways flirt- lag

with th* f*L-^owa paas- lag by, But when I aay ah* winks Than aba

Thar*'a a cln- dar In

ll*v» It would b« 'tat. t«r if I'd

l*av* bar and for-g»t, Bv- try bo- dy aaya it would b* wloo

go out to dance with *oa*-bo- dy •!•• IBut *aoh tiM that

find ay- a*lf dano- ing with t*ara in my «y**— For

«ho can ba quit* ao •*aano- bo- dy quit* «o nlc«

JUST ONE OF THOSE THINGS (C. Porter)"Jubilee135" I2O

I I I I l l " J U I

flings. One of those bdb thai no* and then

C7 A7

Jt J j J j|> **&• H

of those fab- u - lous

C7

_

trip to the moon on g08-sa- meT wonsqs. Just one. of fhoae

Ihinga. If vve'd thou^A a bit- of the end of it When\*e sUrl-ed paint-

G7

^p;irjn°._j— irg the town,. Wed have been a. wane That our lovfe af- feir Was too

C A7 . D m AS £^ J I J ^J . J

i I * T?

hot not to cool cbwn..

F7

Sogaod-b>c, dear,— and A - men,

G«7 Am BT_r r J r IT j \ \

* ttA. *Here's hop- - ing vvfe meet noW and then, It vvas gnsat fun, But it was

C 7 p A m D m F _F

^

jifet one of those things.

KISS THE BOYS GOODBYE(Schertzinger)"KdssTheBoysGoodbye"

Ms=f=l|. C, J ,^=

^ -=^= 1 • < JSo - 4> let me stay pat late._

- cfy_ let me we5r the vnUiK.7 7)m Em ^ :

I't ,Bie Sa -b/ kuid-^ ceL-'^fe-f;*aCe_ fKi!' nmr"by ^"S--e^7On the Vjnlf I

p

I'm kiss-ing--ffiem sen-it- ment-'lly Keep tke Ub-er-al ^o

view — Be-^au^e I'm break-ing it io tkem gfent - (y Thaf my heart oe-loffgs to

_J • . * •1 — •'. * . ' . •lease re - mem - ber tfus

CTTiat to-

mL^t nie sbowtKem»tanWrv eon-na rjiLss . Kiss tde boys o>'e •

/3/ LAST TIME I SAW PARIS,THE

J' ' ' '( J• Keni) Moderate

Eb7.

The last tlMDtan

saw Par- is Her i heart was warm andI trees were dressed for

Eb7 Ibffl? EbT

j j j i r r f j i*VA 1 ««Wt*_ + A** —..a* V^*. %, . • •< AM AW_ '«««»ard the Iau4h- ter of her heart In ev- 'ry etreet ca- fe I

o»- ere walked be- neath thoae trees, . and blrde fdund aoags to sing.Bb7 »». Bb7 . B> .

dodged the •ane old tax- i- cabs that I had dodged for years. The

r r 1 1oho- rus of their squesk- y horns was mu- sic to my ears The

last tineEton

•«t- tar how they change her I'll re- bar that way.

LIGHTS OUT (B. Hill)Sb Bb+ Sb

Slow

Ab St> Bb F7 3b7One more per- tact

Sdim Bb7

One more per- feet dream coneAb

true We've

IITPLE OLD LAW (Cannichael-Adams)D7 G A7 Moderate

D7

Lit-tie old La-

Lit- tla bit of busi-nesa, hare Lit- tie bit of busl-neaa

win- dow shop- pi - round the

era, Lit- t* oU La- for t55, Her-.,, a kiss two

three, You're Just Ilka that lit^tle old la- dy. I dear to me.

LONESOME AND SORRY (Davis-Conrad) Modarat* 132.

aor- ry

LOOKING FOR A BOY «*• Gershwin) "Tip-Toes". L,oderatofl.if G . i . i Cta C9J J. J -h J t -h

am just It- tie girl who's look- ing forfflH JViSS V 9 "— »—•—• u — n**v~ •• AW» •*-T"O ~£"~ »_ ~~» «i »

Tell me please, where con he be, the lov- ing heG , (IT Gm C9 D7 G D7 llTT~ "~S ItoS

i r J i ~ LJ -1lopk-jlit- tie boy V.*ho'a look-ing for a girl to

bring to melove. The h mo- ay I'o

27

know,dream-An

iag of.Ito6 E7 Am Am6

be good- bye,D

To v.'oe, When he says "Kel- lot' So

h i =r-i

1=4=

— — n< .. "" L i Li 1 u 1> i n 1

am just lit- tie girl who's look- ing form G

J.lit- tie boy Yfho»6 look-ing for ra girl to level

LOUISIANA HAYRIDE (Dietz-Schwartz) nFlying Colors"Q Eaf7 *& D7 Q

Get go- in', \ Lou- ia-Start stun- pin', >

Am? 177.

fo» call-in*

Sit- tin' in de hay! LOT- in' it a- way, Oh, Ob! Pto' d« tine ia abort,

Get yo' lit- k,"e shipcrack yo' lit-J.C. al ?la»

LOVE FOR SALE

I(C. Porter)

Bbm Bb

Moderate

LOT*Bbm Eb

for sale, _. Ab7

Ap- pe- tlz- ing young love for

f I? I.J J J J |bJ h J g

Lovft thatafraah and •tUlunapoiled, Love thats on-ly slight- ly soiled,Love-Bbra Eb Bb Eb

a ale.17

-.1. *will buy?_

KbWho would like

Ab7to

*aan- pi* my sup- ply?Db Bbm P7

—u_J 1 1 i—i 1 1Who's pre- pared to pay the price

Bbm Bbm? Ebntf

For a trip to par- a- dlsa? LoveAb7 Db Ebn7

Let the po-ets

pip* of love In their childish way, I know ev-'ry type of love Bet^ter far that

J IU J .J U J Jthey. If you want the thrill of lore, I've been thru th* mill of love;,Gb Ebm . Edia C7 B7 . . Bdim Bp7 Eb

IT r IT iOld love, newBbn

lov*, Bv- 'ry love but true love. LoveBb

for

J J Jsale. Ap- p*- tix- ing young love

Ab7 Db ,for sale.

r r r rr TIf you waot ta buy ay wares, Pol- low me and cliab the stairs,

for sale.

LOVE IS HBRB TO STAYC7 Bb Gdim Q7

Gershwin) "The Goldwyn Follies"~-~

It's ver- y clear Our love is here

Not for aTo- geth- er

~C7"year

we'reD7

But ev- er and a day.Go- ing a long, long way.

C7 F, : Bb'

lone And the mov-ies that we

u.t.D.; pa**- l^g fan- cies, And in time-nay go.

Hiey're on- ly made 6f tlay, But our love la here °to stay.

LOVER COME BACK TO ME - (S.Romberg) "The New Moon"

The sky was blue, And high a- boreTon eaao at last, Lov» had Its day;

The soon was new And so was love.That day is past, Ton'vegone a- way.

I J J JThis eag-eriSie e«g-«r heart of nine was elne-lngiLow-' er, where can yon be?— ,This ach-lag heart of alae la slng-lngtLow- er, COM back to

tm Am . Bi B . B7 Ff-9YhenB7

I ra-owot-ber ev-'ry lit-tle thins you used to do, I*» «o

BW- >ry road I walk a-loag I'wa walked a- long wit* yon,

— - - - — —- —-

sky is blue. The night is cold, The aoon la now, Bat love is old;*"* -( * m " " "—" "i T i V i

•lng-lng«£oTe-er,coa* back to awlwtolJbBl'a waltlnghffl^Thl* he

LOVE WALKED IN -(G.Gershndja)BTbe Goldwyn Follies"B> 17. Bb47

•had- owe a-glooa of the

•jTm-HrmA right 1& ttd at- eatftt-tore at

nag- Ic BO- neat and ajy heart DsOW That love said*Rel-

n Bb7 llz. :Ab

lo/

raff

SThough not

Aba

word was

Kb C7 fm,

spok- e&*

^ Bb7

found

Kbm ^world con- plete- ly new. When love walked in with you.

LUCKY DAYr

(R. Henderson)

JBb Bba

Moderato

^Boyl!•• 1

G7 C7

lack- ylclo- war,

aay, !"• ladglad all o-

F7 Bb

lack- y!~ i

This IsI want to

r ' - J «•^

Bb7m Da7

I

07

ir r ua horae -Hhoo, Coold-a t go then of course yon

»7

J " J u • J j \ •• I•- long!

i•ay, !•• lack- yl

Gb,

r i iBoyJ !*• lack- 7!

07 C7 >

'Tola is lack- J

LDCKT Hf LOVE (DeSylva-Brown-Henderson) "Good News"F ' «* • - H b ' =» P

Love! Luck- y In Level '.Vhat els* mat- ters, if you re

few, Pew skies are blue,Uick-y In Love? Good breaks

bad luck scat- ters, ev- 'ry tia* I'm with you

mind that "at po- icer I'm green If I stand ace- high with a

I I II Ibeau- ti- ful Aieenl- I'll say I'm Luck- y 5 L o v e If you take me,

I i r i I I mthat- '11 make me Oh, so Luck- y In Love.

MARY LOU (Lyman-Waggner-Robinson) Uo derate

» ^ LJ Iliar- y Lou,

And all the peo-ple are plan- ning pret-tyread- y to ring, —Gdl» 07

Won't you give yourCm G B7

-enta all for you,

\r r r rr r i rprom- iae true? why for miles a- round they're wait-ing,to start the ce- le-

brat- ing, When you say

ME AND MY SHADOW (Jolson-Dreyer)Abo6 Ab6 Ffc

Mod«rato

II I I Inot a aoul to tall our trou- blea to

o»- clock «• cliab tie atairBb? Bb*

nev- *r knock

no- bod- y»d thera~__

dow All a- lone and feel- lag blue.

MOONLIGHT AND SHADOWS (Robin-Hollander)" The JungleFrinceF P+ P? IMS r

Moon- light anAK- van in

Bdiai O*C7 O..P am GW7, c?

la tbfl baa-boo treet_ in. the Jua-gle

you la aor an*part frrm ttxan-llght and

I be- loqg to yon, yon be- long to •»,— aqr aweet

MORE AND MORE (J. Kern) "Can't Help Singing"fl p a«7 c? *»

g 3= *r r rMore and nore this heart of Bin* eon- feoa- e»j

P^More and •or* I»»

fl7

iaught in your ea» reea- ea. _ Warmed by the breath of your 8lghtg;_

J'* i J J J i j. j. j i Ljj. * 1 r rCooled by the blue of your eye«. K01^ •«* •"*.

J J J Jfind it more then thrill-ing

P P7 G7,To share this dreaji that ne«d-ed ful-

J J J J JU '"''' ^fjTi- ing.Poi» 0( 7

More and more !>• lea« and leaa un-, r

II——^p— |y— "~T^—To glv« xip want- lag aor« and nor« of yon.

MORE 1HANTOU KW)W (V.Ioaraans) "Great DayA7-9

1 ^4 _-i—t—mj—^—t mi. _- —- ^nM^^ fr J - _ . _ J_ * . J .. ^MHiWH^B^M jL aJS^^MM^M

Bore than you know, more than you know, •> Man o' my heart,} I love /onWhatb-ar you're riehi, weth- er you* re prong,) l I'll erring a,

Pto j ' i ri.Q7 P7 j -> an? G7 ?~~ ~* C G7 I

on ay alnd, an yon know

Low- ing you'the way that' ICn6 D7 C

•o ilore than you'll *v- er know

nothing I can do a- bout Loving nay be all yov> can give bat~

Cb, how I'd cry, Oh, how I'd cry, If you gothoa~ay, I can't liwo withouA7-9 Da? Pm

•

tired and >aid gjod- by«, More than you'd know.

/37 MOUNTAIN* •*' * C An OB?

(R. Rodgers) "Garrick Gaieties"G7 C Am Dm?

VMle youC P

moun- tain green- er- », Where God paints the seen-— er- y.love your lov- er, let Blue skies be your CQV-- «r-let.m .— i-—-I G . '!• "d**

Just twoit

craz- y peo- — pie to- geth-rains wet 11 laugh at the weath-

And If you're good~I

LJ r .So you can coAm D«7

Em? D7

^^Beans couldC Aa

i n jiWhile I standC Am

ing.

et no ke«n- — «r Re- c«p-a _ _ G7

onJa bean- _ er- y

Bl«ss our tnoun-r » - a

home'.

MUSIC GOES 'ROUND AND AROUND, THE

m r.r r r ^i

(Farley^-Riley)Cdjjn P Edin

^E m

G7

blow thru here; THE MC-SIC GOES'RODHD AHDA-RODHD.Whoa-ho-ho- ho-ho-pushthe first valTtdown The mu-sic goes down and a-round,Vhoa-ho-bo- ho- ha,

C '1- P ffT'fc-C K7 Am

J j Lho and it comes up her"e~mho, And it comes up here.-

Aa E7

J ir r c-rI push the mid-die valve down.— The

Am E7 Am G D7

u nu r; rmu- sic goes down a-round be-low,_ be-low,— be-low,— Dee-dledee ho-ho-ho,

G8 Edim (37 C Dm Cdim C

rList-en to th* Ja-azz come out. I push the oth- er valve down.

CdJa P Ediffl G7 C

J I r__

I J J J jMU-SIC GOSS'ROUND AHD A>- ROUBD.'Xboa-no- bo-bo- ho- bo, and it comes out here

DARLINGEb7

(R.Meyers) "Vanities"

vi

J J J

dar- ling, say youAb

r f * j 3==i — --=dar- ling, you're di- vine to- night. _Bba Bb7

1 e> — 0 1 — » =£=J

OPMB-iDg

,->,. ^— T^ i —H i—

r rdacr* ling)

j - °y j\— j — • —

_1«r.

Ab

J |— — J —make this

Dbog -":•.• =i^_

1-Si

1 J

1 'reet- heart,

1 i= ' J ==

dar- ling, hold miAb

_i__^ _, : L

njght a thrill,Ab BliJ» _.— -f

1—

•re mineEbm

J ^^to- night,

f m c—

Hy

1 1 1=^ 1 1 H* .

.Your kiss is all I'mA7 L Bbm Adim Eb7_ —

1 P fP 1 C •> 1-f-^ — ;: =; fr» F 1

Sweet- heart,

I i 1 1 -$F==±=±

clos- cr

Yn

gZ aF -

^Still

Sb*

a' 117

^ j

- r 'ithis is

a

Ab7

-P — F —hear a

Ab• «»,

1 1love

— o

Hy

-i— T-]-*•-• - J - -

sto- ry

i-flr^=L J_yold but new: Hy

J

dar- ling, I love you.

XT HEAHP BELONGS TOG7 Cm

(Porter)"LeaTe It To lue" 138

m jWhile tear- ing Off— A goneIf golfni£h— *

J J a J••*• • Play forI in- vite_ A boy some ni£ht To dineon my fine fin-nan

. _ <=> _ . _ - _ _ Fa _ . G7 Cap jf i, j i •I do_ I don't, follow through tBUSeny he art] belongs to Dad .

_ r^A w A ' TT4 « MMl#_4««fv ^«»« ra li • T>» * + Ml u V^ «•*•+ J ^Jf *

c - > A uo— j. aon" T- IOJ_LOW tnrougn uauseny nem-T,ibad-die. I juat a- dore Hie aak-tng for more,— But my heart '

— —

Ye a, ay bear! t>«-longs _ to Dad-dy, So I elm-ply could- n't be bad. Ye«

heart be-longs to Dad-dy, Da- da, da- da, da, da-da-da- ad; So I

j j j_-pjpii_ J A ^Z ^B*heart be-longe to dad- dy tuauee my Dad- dyA he treats it so

MY HEART STOOD STILL (Rodgers) "A Connecticut Yankee"f dim Gaff C7 f Pf 0*7 C7

j j i T J EEjE=gtook one look at yoi

3^aook at you. That's all Iatep and wauL_ fer ,flp« couldFT vr i *r r ^

movotoand

And h-art irtood Though not a

fr r »'•sin- gle word waa apok- an, I could

G7tall you knew,

C7un- felt

J J II.J Jjot Told

dim (U7so wall

Fyou knew. _

P+ Bbb4=riI J J m=£==4= j i * * j . =f=

ner- er lived at allC7

On- til the thrill of that

IMO- aaat when

¥heart stood still.

ROMANCE (R. Rodders) "Jumbo"

c does-n»t haw* to ham a aeona ca»- tla rta- lac la Spain,

does- n't need a bin* la- gt-» ataod-lnc by.^»* *•_ • con- atant-ly aur- prle- tag r»-

•ide a- wake X can nmke aqr aost f

tae~ tie draaa* coaw tru*. My ro- • do«a-a>t need a thing but you.

NEAR IOU(F. Craig)

Uodernto

IfC7

just one place formy houre could be

F

•*tspent, '

Hear You. It'aI'd be

C7

J J Jheav- en to bemore than con- tent

HEAR Y<X'. Tinea *hen we're a-

G7

r i •• i J ir r i r rpart, I can't face my heart. Say you'll nev- er stray, more than

Bb.1. C7 \\Z.

i ..Bbra Ddisi

rjust two lips

F

a- way.

D7

J J I J

I'.as.e ay life worth while, by

Qn7 C7 F

tell-ing me that I'll spend theV

rest of my daysI J .1- I

NEAR YOU.

NIGHT AND DAY (C. Porter) "Gay Divorce"

Jpn- ly you be-neath theThat tBls long- Ing for you

B6 Gntf

ooon and un-der the sun.llawBSberever I go?

night ana dqywhere ybu arelone- iy room,teg:

} I tnink T>3r"yxfJ—• Sb

and night Night andAbm Gb Ahn.

un- der the hide of ma-j , Bb

^^ ^

r rr r f iThere's an On,such a him- gry,yearn^

B6

.Ing, burn- log in- side of me.Adda

J. J' IJ J J J UiJ7 ^And it's tor-oent won't be through'Til you

Bb7 Bb47

let ae spend ay life Ic-lng IOVB_ to you,day anonight night and day..

OLD DEVIL MOON (Lane) "Finian'a Rainbow" ModeratoCm? p Cm? p

•oon be- glna be-witch-ingFull of but- ter-flies ln-

me.aide

It's thatWan- na

Db7

11 Moon-cry, wan- na croon,

Gb C7

that y<LVan- na

stole froa the ekieTT—-

too hd^ to hand-le.— Stara fg the night

— blaz-ijg their light Can't h*old a can-die —— to your raz-zle a'azTLe" not-

eyes blinds Be «fth low— '•<>• ^J •—L-»-« L*-* i 1 i 1—I 4— | 1

think I'«__free aff a dove Old Dev-il Moon deep in your

L

OL« MAH BIVER (J.Kera) "Showboat"

in*, Ha Jrst kMps roll-ln» Ito k««p> on

long. HaB>

don't plant *ta- tara, ha don't plant cot- ton,Kb CdlM Bb7 Bb9

dot pint* '«• !• «oon

You on1 >«roll-la1 •• long

Bo- «y all aoh-

lift dot bal*.

land is jail •n* aiek of try- in>,Bb Qi

tired of in»r r P r P i r f P r

ftarod of Ay- in*, But 01* nan riv- er h«

f«7 BD7

M k*«pa roll- in* a* lone.

ONE ALONE (S. Ronioer^) "The Insert Song"

Qna* a- lona to b* ay o*n, a- Ion* _ to know bar ca-

Bl>7 Eb7

a- tar- nal-

ship- ping aoul poa-aeaa- aa

ay Ufa and all aor *lowi «nr dur-

Tbla would ba — a 0ag-lc world to me, If a- lona.

fA.I :NL- A ROSE (R. Friml) "The Vagabond King" voderBb Bb6 Bb

1*11 bring a- long

' I

->

a- ny-oa» Oa- ly a rose fox;. you.

PEOPLE WILL SAY WE'RE IN LOVE (R.Rodgers)"Oklahoma"

^ ^ throwJ3an»t *ig»

boo- queta atand gaz« at

C

^ ±L^. at sty Joke* too ouch•art-nit glow Ilk* Mine

J. u J l l j J .J-hJ. -f I Jcol- i»ct- ing thing* —

p*ct- Ing ttoinga

POOR BDTIERI-'LY

Peo- pi* will «ay **'x>« lov*.

(R« Habbell) Slowly with ™cK expressionSb7

Poor But-ter - fly!C7

" ^ i j1^Hie hour*_

She mur-taura lo%

— to me bye and bye. •W W

But It ^ don't cone b«:k. I nev-er

•Igh or cryoar But-tar - fly..

RIGHT AS THE RAIN (H. Arlen) "Bloomer Girl"C 07 C 07 BB9 G7 C &f? O9

rain that falls fron

Ilk* the spring that breaks thru tin

I can't aay What it «ay bring

«i> gave your eyes thista K m

right to b«- licve —what

i r r r" rl»t be wrong. It** right as the rain thatgave my heart thli

fall* from a- boveand fills the world with the bloom of our lave. —

RID RITAfl F

(H. Tierney)Uoderato

••Hi- Ri- ta, Life "is sweet-er,

OM|

=3=Ri-

J

ta. Wha^=i i

you are neeif.

1 * f — n 1^'* * — = 1 ERi- - - -

»

oC7

Ri- ta, life's com- plet- er,. C7 F.

Ri- ta, have you here.Gnj

D7All

Gin D7

^

ask from a- boveG7, Qt

Is one

1day your lipJ Will say,'I love you.' Ri-

^m- rt* • s

Ri- ta,i i i * • iSeS- or- i- ta, Here is ay heart.

BOOM WITH A VlEtf, A (N. Coward) "This Year Of Grace*«j4 D» G Qj6 D7 Q i

,rj jir fi• _ with a view and

- _^ ,, ,, ^ ^ 1 p | I rj- - t ^ er • • " • » • „« <

A raosi _ with a vi*w and you. AnA no esc to wor- ry ucVe'llgase— at ta« atcy and try To gagas what it • all a-boBt.

fl4<qf r—m Ill—I A^7 P7 h. fl "~" "Il2«j

Se omc t» bar- ryflg-«r«

07 C

this dr««i «•'*•the world it

Cfc, will it •»-««•

/43 ROSALIE (°* Porter) "Rosalie"" * ^"^ A »•» f%** M

Whan atara danced a- bove» T»»

Roa- m- Li«, don't d«- clinacyDflln Edla B7

mak* ray llf« thrill-log, And tell ra« you're

I ) II I 1 I I . V I I -will- ing to be mine, Ros- .a- lie, mine I

ROSE-MARIE (p^ Frjjnl) "ROSeiDarie" "odcr.to .Ith expression

I love you!Cm

Oh, Rose - Ua - rlc I'm al - ways

W

No mat - t-er what I do, I can't fon-dreanj - ing of you.i7

3oa»- tla«B I wish that I had nev- «r met you!

And yat IfCm

IBb7

should Lose you,Ab

Uf« toEb

T P rOf all the queens that ev - er lived

ctiooae you To rule me, *y Rose -Ma - rle

ROSE^CF THE RIO GRANDE Warren)

of the Bor-der word than band In hand

..V. th. preacher'. .Ida rooa H^-py ut-Ue Wld, .adbrid.-

"• it "Ho»e of Hi-

SAMTA CL/DS IS COMET TO TOWNc c?

* F* Coots) ModerateC7I J J J .1 J \

You bet-ter watch out, you bet- ter not cry,HeTs mak-lug • Hat and cbeck-ing it twice,

fm C __M ___ Ba G7

B«t-ter not potrt, !»•Gon- na find out who's

' FIT

J '•tell-ing you whyt San-ta Claus

1>t-y sad nice. San- ta ClausC7

!• COM- In*ln>

•'"toto

r J -C7.

r i r r r IHe sees youD7

you're sleep-in , He knows when you're a-D7

r rr r =P=F:wake,

6 04-He knows if you've been bad

C C7good, b« good for good-neas

C C7

j J I J J fl *Esake. Ohl You bet- ter watch out, you bet- ter not cry, Bet-ter not peat, I'm

C. __!•__. Om G7 Cg ,,„. fti. c i AS1^ ^ J r) I J J J. J

t«il-lng yon whyi San- ta Claua Ir i ••

In to town.

SAYS MY HEARTEdim

(B. Lane) "Cocoanut Grove"C*7 F7 Bb

'Fall in lov«, fall in love*head rules in- stead IS1

Edim1=1

Edim P7 OB? 0+ 07

^

^33 ' J * J J '^- "it's ro- manca^ take a chanceTo the scheme of that gleam

says my he But eachin your eyea

-er orola of nine keeps ring-ing in false a-larailT—Ih'en ay

But the w- ment we're a- part

Ohi you fool that was lovei^ Says my heart.

SEPTEMBER SOHG (K- Weill) "Knick. Holiday*

POh, it'

D7 . ^ FmTr\m UHV tr. n«- r>am_ K»T> But the days COXB a long, long while From May to De- ceo- ber,_

,—G7days grow

i ^-j' I j i , I

en the au- tumn wta- ther—m

short, — When you reach Sep- ten- ber, — Wb

One has-n't got tineturns the leaves to flame,

Oh, the days dwin- down to a pro- clous few

— Sep- ten- ber,

Kb- vem- ber! pre- clous days

I'll spend with you, These pre-clous days I'll spend with you.

SHOW ME THE WAY TO GO HOME U«

G ~— — G7 C

Show m* -the way to go horn*. I'm tired

bad a lit-tie drink a- bout

r rland, or sea, or foam, Yon can al- way* hear m»

sing- ing this song, Show me the way to go home

SHUFFLE OFF TO BUFFALO (H.Warren)"Forty Second Street"« c

1*11 go home and get ay panties .You go home and get yuorec antics, And a-way we'll go;ag- ra in a Bleep-er, There's no hon-ey-aoonthatscheaperAna [

tbetpalngoesairnTmo- . . _ * % i i r ttni? G7 g F* OaiV G7 c 1~G7

'i7'*'1 ' 'i ' ' li ' .1 I ' ', '" V J hi I ' Jl*«. Off.wctre goa-na shuf-fle. ahnr-rio n«- t« n«-r_^^- -i —-" '-—•' To tt-

, the atori may pay a vis- it_ And leave a lit- tie sou- ven-. G. °£ , _S . *-J7 . . **? 0^7 D7

Just lit- tie cute "what- is- it,'!_ But weill dis-cuss that lat>- er.

dear. ?or a lit--tie sil- ver ojiarter.We can have the pull-man por-ter Turn the

lights down low; Ooh! Off,w»*re gon- na shuffle, shuf- fie off to Bnf- fa- lo.

SIDE BY SIDE (H. Woods)Uoderato

r JF • . &*r-rel of man- ey, Jay- be we're rag-ged artDon't know whatfe comin' to- a»r- row, a«y- be it's trou-ble and

"7

Sing-in' athe road, Shar- in' our lo

CZr IP rThru all kinds of weath- er Wiat if the sky should fall _ just as

long as we're to- geth-er, It does- n't mat- ter at all ___ -/hen

all had their quarrels and part- ed V/e'll be the sane 03 we start- od Just

Ml'trav-'lin'a- long sing- in' a song _ Side Side

SIGH BY NIGHT (E» Kalman) "Marinka"Ca D7 (37 Ftafat

ModeratelyG7

Ab

SIGH BY MIGHT, (That's all I seea 'to doI that says for ae In- stead

Ddia Eb C7

J. ISIGH BY NIGHT, The mo ment I leave you,Ten- der things I may have left un- said

*« 1l.Cn . ~

r r iAl- ways I found that theYou'll hear my pleas if the

last fad- ing sound of your

Cdia 07 T^ ca

step will start Cel- los in ay heartl breeze is

07 Cm D7 07 Ca .

- IIright, All ay love in a SIGH BY BIGHT.

SINGH!» IN THE HAH (N.K.Brown)"Hollywood Revue Of 1929s* IM r\ 1-1 £*T* t» T r\Moaerato

»m Sing- in' In Th« Rain, Just Sing- - in' In The Rain, vfhat a

glo- ri-oua feel-ing I'm hap- py a- gain, iTm laugh- ing at clouds 3o

dark up a- bove, «. aun»s_ in my heart__ And I 'm rea-- d;' for

stlove. list the storm- y clouds chase

Ddim D7 , _ ^3v-»ry- one - from the place, Cone

•» jjuim LI i- ^

with the rain, I've a smile on my face, f»»11 walk down theG

pr J I - I—v—«y— —t- H ' <» «—'—^—' *— —r~i —*—lane With a hap-- py re- frein, And sing-ini just 3ing-in» In The Rain.

SING SOMETHING SIMPLE (H. Hupfeld) *>itoD A7 P_ _ _ _ _ . -i ,

* » J J j i j_ jji j J j i J ' f « f - j j l j j j ' J-U-3-jSine some- thing sia-p'K^ a lit- tie dit-ty thatis sweet and al»-plej Yon'ILgetthe••D* stands for dia-ple,_the words are silJy, the song i» siS-fle} And, 'aT-ter

. A7 D as D A7 D_ _

j j- 1 j j j i J iOA. for here's & tuzM that an- y chiflswing of it soon, for here's a tun* that an- y ehil

hear- ing it once, the dnrib- eat dunce can men- o- riteA7 D

^

r r M- A i rre- mi- fa- sol- la- si- dob." you can't go wrong) Oh, say it's

Ba B7 A7 D.

J Jbound to sound Ilka some oth- er song.

A7Lord knows It a

Isin* pie— so get to- geth- «r and let's he sin- pie;— I don't knew_, - A7 D OB. DA7 D Qm D , X?

J ,i i i j i ' I | J J jg

whftlher or not you knew, they call this class- iei " I love you."

SIHIE.DABH IA.S1IILE (M. Rich) Ifoderato

mYou. know this old world la

Op

great world af- ter all.

And right a- way watch *La- dy Luck* pay yon a call

they ere paint- ed, Tine for yob andIhinga are nev- er black

joy to getE7 E-S7 A7

while Coma on and SUHE, BARB YA, 3MHE.

SMILE WILL GO A LONG LONG WAY. A (Davis-Akst)P*K " *

When you're blueJ J \ r \

and iclnd- a lone- ly, too,Hev- er grieve, — juat try and aake be- lieve.

You'll find aThe aky ja

m3b7

smile will go a long, long way.blue al-

^F^Tho you're down,

jl.)

___ don't sit a- round and from. A lit- tie smile will go

long, long way.Bb7

though you know it's aray.

You'll find a smile will go a long, long way.

SO BEATS Iff HEART FOR YOU (3allart>-Henderson-ffaring)

baata th« o- cean aurf up- oaFor jn»t a» con-atant-

yon.

SO FAR - (R. Rodgers) "Allegro"C G7_

J r ' J ^ "J~^T~J=3Moderato

C Cdlm 14-6

noth- ing to re- mem- ber, so

far. So far we have n't walked by night and shared the light of a

star. So far, your heart has nev- er flut- tered so near, so

• J I r r r r ' i" r r r,, We have- n't gone be- yond the var- y

We've just be- gun to know how luc!^- y we are.

1=3 Lrrd — eo

_ ,

1

i — |1 •

11 1

So we have noth- inc to re- nera- ber so

J- — r r i r . r . r r I T r r r *far, so far, But now I'm face to face \rtth you and

C Gta7 C7 F . D7

r r rr I r' r-f-now at least we've met,

C B+- F

And now we can look

G7 C

for- ward to the

r 4 - Imthings we'll nev- er for- get.

SOMEBODY LOVES ME (G.Gershprin)"G.WlS.Scandals of I92h"

I J I I I I

for ev - "ry girl who p

A7 BU7 A7

You were meant to b«

143 LOVE " Porter) WKiss

3trang«,d«ar,Ev- en

Btaa)

but true, dear,with- out you,

with you aadar- llag, irtty

In IOTA with th« night «y«- t«- rl- oti«,

flrwt wwr* th«r«,night when you

lov* with ay Joy

you could car*

you, ay

SOME OTHER TIME (!*• Bernstein) "On The Town"

•> r: J-Where has the time all gone to? Hav»-n't don* >"»11T the thing*This day was just a tolc- en, Too nan- y words are still

P6 C

want to,spoJc- en*

Oh, wen, we'll catch upBbm7

oth-er time.BbB7 Ab

Just when the fun is

Oh, well, we»ll catch up some oth- er tine._J

SOME ENCHANTED EVENING (R.Rodgers) "South Pacific" /$&

J J JG7

HP J J

Some en-chant-ed eve-ning You may see a stran-ger,Some-one may be laugh-ing,—F, C6

1 — i 1^p a l 1 FJ J p ,

— m pi p m 1 —i r r r r i j- j •> j — •[-3i*1 j *You may see a stran-ger — A- cross a

hear her laugh-ing —Dm? E7 i i Am

crow- ded room

C7

And some-how younight af-ter

On ~

know,night,Dm?

You know e- ven thenAs strange as it

07 11.C

That some-where you'11The sound of her

|Z. C

P^see her a- gain and a-laugh-ter will sing in your07 C 07

gain.dree

G7

J J J JWho can ex- plain it? Who can tell you why? Fools give you reas-ona,

Am? D7 G? C

3> J j jWise men nev- er try.

G?

J •< J J j IjSome en-chant- ed eve- ning

When you find your true love,F c —r

yovWhen you feel her call you A- cross ai Dm? E7 y

crowd- ed room,An C2 F

The:nen fly to her sideC 5 1 Dm?

And make her yourG7

rough your li:through y'our life you07 C

mmay dream all

07

a-

•T3 J J J J J J.Once you have found her,

Oaf?Nev- er let her go.

C

Once you have found her, Nev- er let her go.

SOMETHING TO REMEMBER YOU BY (A.Schwartz)"Three »s A Crowd"R C7 F din C7 r >7i * A r r r I r J J j 177 J jggf r r r »

Gb, givelit- tie

some -thing to re - men-ber you *y^ When you «resome-thing ,^>en1nc love can-not dl«t _ fio Mtt-ter

ISE sfar a -

wber* you chance toC7

' 'I I^far you, •Igtrt and day for yon;

C7 F

It will *M

C7 F

M r M r r r ir ' J^Ilk* a Tllljron»r« So (iv* •• to

7 IIr r 1 r ,you bjr. yon

/SI SONG IS YOU,THE U-Kern) "Music In The Air"Moderate

Z hearZ hear

«lc when Z look atan- ale when Z touch your ^Snd,

A beau- tl- fulA beao- tl- ful

Down deep11 In ayth«o« of CT- ry dream I er- er

Xb«n melt *-I feel ItZ b««r It pl«y,

Eta

1. thlc tb« day?Z tear it My,

h«r» b*«rd this low- ly rtrmln,

hwr« heard this glad re-

«^ tl- fbl rbap- ao- dy or love and youth and apt-ing

sweet, Th« vords are true, Th« none !• you.

SONG OP THE VAGABONDS (R.Friml)MThe Vagabond King"C? Pm G7-6 O C7 Rn Oa

Sons of tollC* C F

dao-ger, Will yon MTV*Pal

— a stranger And bow

doom to Bur - gun - dy? Sona of ahaa« and »or - row,

Will yon cheer to -•or-rov For crovn of Bur -gun - dy?

On - ward!F06*

On - ward! Sword* a - galn*t theCm ,dl« Pat-M (77 C

Foe For - ward!Hbo6

U - ly baa -oeri

J

that bound u«, And to Bell with Bur- gun - dy!

SOOH - (G. Gershwin) "Strike -Up The Band"

the lone- ly nights will be

will be blend- ed. I we found the hap- pi- ness I'we

wait- ed for;Ha 3b7 Hb

on- ly girl that3tni . Bba£aa jagg , "um^»

I - i r J r i I i i i .I was

C+fat- ed for.

c? r*m' ,ea»

Oh! Soon a lit- tie eot-tage will find ua safe

with all our cares far be- M«* o»J The day you'r* nine this world

be in tone: Let's sake that day cone soon.

SPEAK LOW (K.Weill) "One Touch Of Venus"t O (587 . C7 * '. Sa7 . C7 '—_—<^_ _5K7 C7—

•Jl I I I j J J mSpeak low _ I when you speak, love,— Our stsa- aer day with-ers a- way too

dar- ling, speak low_ love is a spark lost in the dark too37 Bb 3£>9 . 3ba _»2b9—* , G9 : J .

t_SJ — m— • » i \^ "f J ^= ^•"srr J «nt-j. — j> j —i — »—soon, too soon. Speak low iriien you speak, love,_Cur no- aent is swirt-liJee ships a-

I ff*~l, , nher-ev-er I go tiat tonorrow is near, to-aor-row is

..... .-i--. .- t . .-»= ^=« • y-

..,-. * •]! j ,-— — Ml • • 1 - 1— , ^L- r. . i 1 —i — ^ —

soTiae is so oldC+

ift, we're swept a- part too soon. soon.here aod al-ways too

brief> -Iiova is pure gold and tine a thief. 7ra»r« late dar-ling, we're

V— —9—cur-tain de-sceads, ev- »ry-thir<g ends too soon, too soon I

, dar-liag,I wait _ Tfill j^ou speak low to ae, speak love to me and soon.

S'POSIN (P. Denniker)»nr C7 F

.Moaerato

fVei:: ' - 4 m m =— &-^ — &=^=^=-*-— •

c^l^ , I spxJd fall in love vyitti5K3SIN L ihoula sa\,'Foryoa II IT3S Tar? r?r p— • • — : , — -^ — o F=f=*=^ : m ^

=1

oouli Love me too ?. -IN' r-vshaul<i ho*i you and ca

C7(9 1

-P ^ ,1 . 1

f K| 1 • 1

—ri i p^

l

' 6 -^s— ^-*ness Would it int- press

2 F; AT

Or d£s - tress

Dm F7

cxd of turn?

G7

S'POS-IN' I'd de - dare il, would >ou

C7 F cr F

taKe m> Love and skarfe it? Im rotS'POSJN'. I'm in Lo* witi» you-

STARS FELL ON ALABAMA \F. Perkins). .

t J J Jved our li

iioderato

a i jvedourl i t - tie dra- a a , w e !dsaed inI can't for- get the gla»-ourtyour eyes held

r. c7 rn ??

a field of white,a tend- er n-».»

2^5andand

star* fell on Al- a- ba- aa lastG7 C CdlB

last nlfiht.

•i- tu- a- lion so heav-enplanned In vy io- a- ffL- na- tion —

, and in theland where no one elaa could en--S. 07 C ON

beat like a h52.

ter — ja*t you sod

ama wound a-round you and star* fell on Al- a - b»- na lact

STRANGE MUSIC (Wrights-Forrest) "Song Of Horway"/ L'T b-j. -fe^t> <h -

DdlfflStrange mu- sic ££ "</

Btol7 Q>7 Ibears on- 1> now

. Sfcrf?as you

J J Jspoke, did it start. Could itsStrange mu- sic of the spheres

Yon ap-pear and 1 hearfron my heart?love- }• tun be coo-

let ne hold y°u nearE7

time can nev- er change Tte ctrmge, new nu- sic of love

SUNNY DISPOSISH (p. Charig) "Americana"

A aua-ny di*-po- slab will al- way* you through Vbea upBb7

I I • if n•U.e« are blab stead of b*-ing bin*. Mla-tar trou-ble makes

I I•ay- ing "3o long!"— ^— But • emile will bavw hi* It rwal-ljr do««-o»t

pay to be • glooat- y It's ab- rt- dleV

Uwa- Ijr all . BM nitt May pit^ t«r p*t-tear, It rval-ly 4o*»-o'

•*t-t*r, For life can b« d»- liah With •un- ny die- po- siah.

SUNNY SIDE UP (DeSylva-Br<wn-Hen.etc)" Sunny Side Up*0 C Fta O7 C C* P

Keep yCd

.•our Sun-Sun-

C3tt«ny Side Up Up.

O7 Gdln 07 CdlmHide the side

mon- ey, you know.C* P

be like twe"~HL fried eggs Keep your Sun- ny Side

SURREY WITH THE FRINGE ON TOP, THE^RodSers)llQklahoina"ft > 0 QB«7 06 Q ^_

Chick*Batch that

Qos?

ks andand

06

mgeesa bet»'"tar scur-

sea DOW it flxft-O

ryt*r*

Oa*7

4. T*V«1 take you out in *" the BUT- r*y.When I drive then hi£b step- pin» •tru<Ut*r*.G6 a

Vhen I tak* yobBe*- *T pokes- »U

AO v.' • D7

i*- in- gleae ear- tain* y* eon

roll right

weath- *r. Two bright side light's wink- ia» and bllak- in',

J J J, J=£Egrig, I'm a- think- iss» Yen c»n k**p your

Am AM

Ain't BO fin-

think- la *at I'd

Qaa7J. J II

8

out Inp*«k thrut

B7

ray with thei*> t*r* and their

•hla- y, lit U* rey with the frine*

155 SWINGIN1 DOWN THE LANE - (I. Jones) Moderate

hand inwhen the moon la on the

D7

Ev- »ry- bod- y «ciua T§wing-ln' down the lane,rial, Hon- «y I'm BO blu*,

G

grand, Swing- In' down the lone,- y feel- In'-in' lev-era mak- In* Like w« uaed to

•Uiat's the time I mlae the bliaa That we might have known,

Sti: m wait- In' all•hen the moon ie on the

rain, Should be «win*in' dose. you.

»S WONDERFULEb Eb6

(G. Gershwin) "Funny Face"Eb Eb6 C7 dla_. C7 dla Bb9

*

A teir.po

On

m'S won - der-ful;'S aw - . ful nice

Bb7 ll. Eb6 Eb~

'S mar - ve- lou«I»S bjf - a- disel .

Eb6 Eb mYou should care.

'S what I love.Cn6 G

— forto

D7

me: see

D7

You've

C9

made

B £n~f life so glam - o - rous

F7 Bb9 .B6-9 JM Eb6

can't blame me for feel-ing

Eb Eb6 (in F9

±^ r — r~^ -r — • • —a - nor- oua 'Swon - der - ful *S mar - vel-ous..

CO F7r - '1

Ftn7 dim Ftrf?• J J }'-]• 9 r^ ~— -t

71

Sb

rt -**^" — •*r~ - -j i — II-. - J

That you ahould care. fof

WAT CERTADI PARTY (W, Donaldson)Bb7

Voderato

Hea aha got aangh-ty eywrT T*a, aha haa got naugh-:

You know ifiis on* I r7TPi Sore, you know tha ~ one I

IHAT csa. ttnr tta- rr

i i I ITHT o* KliM.

THAT OLD BLACK MAGIC (H.Arleu)"Star-Spangled Rhytb«" 156

dd black mag

I I Idd black mag - ic thai

Vtitdt -craft wt«>wrc)«s meet ninedon rn/ spine

1 ' j' - J ' ' I I I . 1 1old tin - - gje that I feat in- sub

T*r Ab

p r r i r

I J- J»J J Ilife »Z_ taK—faftagfhfe tideT I should et«x

cr

do.ir: p r p i a r ir

Iheerjiour nan»_ AnA I'm a - flame. flame Mfc wcid

J

Uflton-jy/our kiss. PcanbutoHXihe fire.

Uv- er- Ii j.v«it- ed_ The maU ttat fate _ had me

i r c r r rat- ed_ fcr

' r r r r r j i .ev-*rx — time _ your lips meet. mum.

oota aod_ down— I go, *] and Vxxuidj i

_ I «oI

n

I I . I y I '

J' d J J J Ij- J*J J ' ?in Un-derttat old Uack - ic

THAT'S WHY DARKIES WERE BORN(Hendfsn-Brwn)"G.W«S.ScndlsOfD 34 D G6 D

Some- ona hadBa

pick tSa cot-ton, Soma-ona had to plant. lough ^£ troiab-la, Though ha waa tir- ad and worn:,

BbTll. P Ddj"» P ,,^ Bm E7 A7

Sona-ona had to slave and ba a- ble That*a Vhy Dark-iaa Vara Born.Had to ba con- tent~ ad with an- y o

Biat'a Why Dark-ieavferaliorn.Singi Singt Sing when you're waa-ry and alng whanyou>ra blua.a** i_ Dm -t . rMim —it . TW •* 1*7 n gg D 66A7.

Slugl SinglThaia what you taught all tha whlta folka to do.D D7 Bn

4*V- 11, Shout a- bout a- bri-el'e Horn, Soma-cna had to atoke the

train that would bring Goda Children to Green Paa-turaa Thet»e thy Dark-lea Were Bom.

OHOOHi /DflNIVH V

J Ju

•tutl£>

X. -poq -onU

'jjnv» JCta

i "13J Ul

SCWM S3Q8BHO SWDS 38

3S Till NSKL

THERE'S A SHALL HOTEL (RoRodgers) "On lour Toes'

There'sThere'*

•Mil hO- t«lbrid- al

1*

withcue bright ana neat, Coa>»

•Ign of poo- plot

f ' I

til to- gttb- or.» • •> ~ * ofnight, olooo well," wo'U thank

THERE'S YESJ YESJ IN YOUR EYES (J. H. SantOy)

r_"But there'steU_ me no!

Fm7

^

nor_IF+

yes'. yourEb

I've, been

- r JJust be - came I was - tit

r r r \

rrjru f i'and dream - i-insr. 'Cause at-

07

*f If ' I

Rn C7Tour Ups leU

' *r r rrBut theres in your

THE? 00 WILD SIMPLY WILD OVER MEC CdlB 67

(F. Fisher)

They go wild Bin- pi/ wildEv- 'ry night how tbay fight ,

P. . P* < i . • .1

•at- tor «h«r« !'•

la- dieo thin or

grab »ea off liko that, lo that they eon oee, —Tk«

— The lo- die* look at BO they wont to

040, Iboy go ply

THIS CAH»T BE LOVE (R.Rodgers)"The Boys From Syracuse'

Ihia can't ba IOT* *>•- cauaa fa«l

ttla can't b« lev*. I gtt be

baar it baat

avaat to ba leva. efca't ba laraML m

eaaaa *6

BO «all>_

But atlll I IOT» to look in yotir ayaa.

THIS IS ITc(A. Schirartz) "Stars In Your Eyes"

G EBB G7

aro- nance,a bight

G7 CdiM

wantknowC

to hangthia IB

onso

to this7

on* big cbanca.—and right, And

ulna, My lone- 11- naea diee,•Uio<^bt leva paasad »« by.

Ab7 0?

^53it•tars in

— = m. . . I _ .

I— •—

17• f tf>

m? G7 C— • • '^=r- ^ M=. H

But X auat ad- mit

THOU SWELLrr

thiB ,!• itl

(R.Rodgers) "A Connecticut Yankee."

ThwE . P

T>u"BP7 Fre

r-afc**![i—i^

ncAdsure

niy . hand? Both biine ey«s__ arecufefooJVjiat li^do t>wouia ao; Guteme jusl^ a ptot of, Wot a lot of'

me. Hear me hol-ler ' I cJxxxse a Sweet Lol-la - t>a-loo sa_f32_ os Cy

And Thou

3 s V J •sweU! Thou wi t - ty! ^T Thou grand!

HP TOE THROUGH THE TULIPS WITH ME (Burke V'GoldDiggersOfB/w*-Bt, m iftn Bb* Sb <«

_ win- dow,from your pll- low,

by the win- dow,to the aha - dow

Bb7 Eb

That isOf -. § .

Bb7

| | ^ ' •" ~-^ me^SS—where 1*11 be, Gomel tip- toe thru the tu- lip* withgOTT* ?_ _ *, rw A^4n TVMm (T7

Knee deepGm

inAdin

flow- era we'll strayC7 F9 Bb7 Eb

gar- dan, in the moon- light, Wil*b/ou

tip. toe thru the ta- lips with me.

We'llC7

TOOT, TOOT, TOOTS IE :-(Kahn-Erdman-Russo)n The Jolson Story11Eb F7 Bb

rToot, toot, Toot- sie, Goo' Bye!

Eb Bb7Toot,toot, Toot- sie, don't

Bb+

"thecry,Eb Cdim

e choo choo train that takes me,Bb7 Eb

A- way from you noF7

words can tell how sad it makes me, Kiss me, Toot-sie, and then,Bb Eb7 Ab7 Eb7 Ab7

it o- ver a- gain, —

If you don't get a let- ter then you' 11 know I'm in Jail,—

r- K p 4 i r <* -_^^Tut, tut, Toot-sie don't cry, Toot,toot,Toot-sie, Goo» Byel

VARSITY DRAG.THE (DeSylva-Brown-Herieetc)"Good News*

Here is the Drag, See how it goesHot- ter than hot. New- gi» than n

TlZiDown on the heels, up on the toes

Mean- er than me«q. BlU- er than -

feat's the way to do the Var-_ si- ty Drag.Gets as much ap-

E Am E

plause as wav-_ ing the

You can pass man- y a class, wheth- er you're dumb or

when your pro- fass- orP

cries:Ev- 'ry- bo- dy

^ — — °

on the heels. up on the toes. StayCdim G7 **•

- ter school.

•a how it goes. Ev- 'ry- bo- dy do the Var-_ si- ty Drag.

//./ WAY YOU LOOK TONIGHT, THE (J-Kern) "Swing Tine"/**» /, , Eb Qa Van , . Bb7

When I'm aw- f»lyWith your amila so

low,warn

When the world ia cold.And your cheek ao sort,

Ab

I win feel aThere ia north- Ingn Bb7

firJuat think- ingme but to

Eb

Bbo6 Abm

Oh, but you* re

Db7 G6.

With each

Bbni

word your ten- der- neaa grows, fear

p 1 **'_—

1 r ' -I \*&=4=u cai

— K-f-i_£

i ««I7

-^P — r 'T r — 1part, And that

Db7

laugh that

Bb7

vrlhk- lea your noae —

Touch-as my fool- iah

nev- or, nev- er change, Keep that breath-leaa

Bb7

charm,

Ab

Won't you pleaae ar-

Bb7

range it 'Cauao I

Eb

love

iyou, JUat the way you look to-

WHEN HEARTS ARE YOUN& -(S.Romberg)"The Lady In

land that gleams a - far*

calla youth yourat!

WHEN MY DREAM BOAT COMES HOME (Friend-Franklin)

t«a- dcr love you brine. We'll be sweet- heart*B>7 Ab

for.

WHEIE OR WHEM (R.Rodgers) "Babes In Arms0Ifodarato

Ab

tt seoma wo stood eod talked like this be- fore. We£h« clothes you're wesr-iag are the clothes you wore. The

I J J- J fc-. J.looked at each oth- er in the sane way then, > But I can't re-oen- bersmile you ore sail-tng you

JL._OD_

irtiere o*647

Soae fthii5#9 that hap- pen the. i . wi

4 J^LJL=A±=first time.

JSeea to bo hap- pen- ing a- gala*

H»» Tm

so it* ••ens that we have not be- fore, and laughed be._Qo Zfi Bb?

1 J * ' - J h" '" r^ •..,p..., f — 'T rfore, abd loved be- fore, But who knows where or

WHO CARES? (G. Gershwin) "Of Thee I Sing" Moderate (Brightly)

you

WHY SHOULDN'T I? (C. Porter) "Jubilee" Moderate

a chance tihen ro- oaoca

all tbat IB real- ly

klasad and then You*11 be kissed «- gain, — All da- to- tantes say it's

. a i J »Jgood) — tad ev- 'ry star oat In tsae Hol-3y- wood Seems to glv* It •

WINTER WONDERLAND (F. Bernard)flodemto

Slei -belk ring, arwyou list -'niti'?way is U« blue- bird,

Lanestay

isis a

win-terwon-der-

Land! Gone a- land!G- 322 £

C7at he is ftp-son. Brown,— Jfe'U oa/af»>cumamed?Vell say,*No, man! ButF7 BP7 B> R^r

can do if«job«*wijoul*in tomi.'l La-ter on we'll con- spire- fewe d'reafti bytnes=s

flre_ To face un-a-fraid,_ the plans Hiafwt made, _welk-in» in a win-fer v*bnder - LanHTl

WITH A SONG IN MY HEART - (R.Rodgers) "Spring Is Here"

With a song in ny heartAt the sound of your voice

I be - hold your a - dor - a - ble face,Heav-en op - ens its por -tola to me.

JustCan

a BOOS at the start,I help but re- joice.

But it soon la a hymn to your grace.That a song such ae ours came to be?

Cm D7

r rWhenBut

t»ie mu - sic swellsJ_ al - ways

I'm touching your hand; . It tells that you're

D7-S G7 Bl>7 Cm6"— P 1H f

stand - in

F7O

___ e8 near,

B»' . . . =g=

ss=^ 1

_j " ' .. a^ :^_ £?-\ — •i ^i p — t—4ji —and knew T woulrt

P(rf7 Bt? &I • f _ j P- (_u 1_*-

H 1 1 1 1

5 j-F— -f-=lLive life

\ V J II) J A ||

With a song In ay heart for you.

YOU AND THE NIGHT AND THE MUSIC( Schwartz )»RevengeWithMusic"Cmi J- 04,7 G7 Cm! -j- G7r5 C7 Pud.

You and Ihe night and the mu - sic fill me with flam-ing de - a re,You and the night and the mu - slc , ^thrlllm^ but will we be one.

^

lc_ .thrlllmeVf U+ C

s«t-tlngAft- er .thj

be - Ing com - plete-lyt and ,the mu - ale

onare

fire!P?

rUn • til the pale light of dawn-ing and daylight Our hearts wlllbe throbbing gut.

Dmi CT7 Ab- j Gb+ J- , Fai D7 QI

-tars llorn -ing may cone with-out warn-lng, And take a- way the- 1 , — — i Oni -- •? - 1 G7r5 (^ C7-• MJ. .,

stars If we must live for the mo - ment, Love till the flto- ment isRnl Fas—J——, , •* ,. Cmi , dim D7 Ab9 G7 Cmi

through! Aft -er and the mu - sic die will I hay* you?

YOU ARE MY LUCKY STAR^(N.H.BroTm)»B/way Melody '36."

eyes at ae— they were gle

"•Charms I'B•11 my luck-y

lfou»ve o- pened h«av- en'a por here on «arti;Etatfi

E EEEjEEEEjEEES

tM *5 po or mor- t=!tl You

1 ,j =3EgEEEE EEEEE

Are Vy

, _, ...

Luck-

i ,

y

r^St

L.~m

ar.

/£<" YOU ARE TOO BEAUTIFUI/-(R.Rodgers)wHallelujah,I'm A Bunf/OJ CBT7 G? itf? - A7 . 1*7 _G7 ^

i r r r r i ^ m• • •••••• • ••• •H

You are too beau- ti- ful.jqy dear, t« be true, and I am a fool for_\tar one nen^ji-lone, for one^ luck-y fool ^^

beau-tybe

Fooled by a feel- Ing that be- cause had foundWhen there are oth- jer_ man with eyea of _ their own

youto

Gdifa

could have bound you, too. see with. Love does not atand shar- ing,

ev- 'ry kiss with theirs?G7

Kot If one cares. Have you been coo-par-lng

If on the oth-er hand,I'm faith-ful to you, it'a not thru a senae ofUK? *W» Ddim C J- . Ddla An D? G7 C

<3u_ ty. ,Vou e?e too beau- ti- ful and I am a fool for beau- ty.

YOU COULDN'T BE CUTER (J.Kern) "Joy Of Living"OT Q

T* J J I I r-j j ,. iYou oould-n't be cut^ «r Plus ta»at you ccoXd-n't be saart- »_

U J J J •I Jthat In- I- gent feea yms harv a dts- grace- ful

D7 I J J li 11 r ' r

charm for a*. ou coulfl-s't be keen- er. jou look M>

fraah from the ol«an- «r

Vf mm will abow you

M that »U bar* yon

>[•! U J I" ^ ™ rears andyou'll at- tract all th* rol- a- tivo« «• bar* dodged for

th«y t«U aa?

11 •«/ you coul*. n»t be nlo- *r,what- '11 they tall

eould- n»t be bet- tr, ooulA-a't be aaooth- er

XOU DO SOMETHING TO ME -(Porter)"Fifty Million FrenchmenEb Sb

"Bf

-thing to me. Some_- thing that

ply nys - tl - flea me Tell me, why should itBb7 Wdlin

J- ibe You ,iave the pow'p to hyp - no - tize ma?

Eb

1 *LetBb

feM=

=

pi

am

a*dii

3

l

£

=1l

f i

J 11 :Lve neath your

f . . .H * "iw- -• j/-. i d

n

spell,On

1 — J

fj. H s1 i »^ =

Bb7 Eb-U 4— '1 — sfc 4 1 —

1 i J =_^. .. . | »• 1that

u1 =1i „ io

TOO - ioo that you do so wall, For you doC7 F7 Bb7 EbEb

i •' J•one-thing to ne That no - bod - y else could do.

TOD»HE AN OLD SMOOTHIE(DeSylva-BrcTO-Henderson)i .J |j..r - _J .r

Tou'r* __ aa old t noot2t> f*i_ x'a _« 0 7 ' B"B" *•» — » *'« -* . <*'7 ^ _ n

aa o oft. —ob07

1*T-

l»a Just like put- ty } la th« beX just go nut- ty, J

£lrl Ilka you. you.

Poor me, you placed a* for a »*£»j FOOT ycu,, <37 >wua«> C7

you thought you'd laid a, trap!e*

r r * -[ j-icxlt»« Ua» you kawr, XO«»T» doao Juet wtiatTi want-ad

^_ Craft-— y old wrt -- ** 1-r»»i— ' _ — _ <w _ «•» _ *

I'll atick Ilka put- ty to the bead of • girl Ilka you

YOUfHE BLJISE (°- Hamilton) "Bov^ Bells"C7

Moderat*

J IJ J. ^--idbj.. J J.. Jlj JL^J^Ja eha-aa, — Y«ju^je no ea-tho- si- a- as. — You'.i-eXon'ra deep,— jttat Ilka a cna-«n, — iiju've no en-t*u- si- a- an. — You1 ire

Your day —~ la oaa of lel-rora — In ifclch you oearca for jlea-aare,Yot»e

Uraa aaA un- In- cplrcd, You're ola- a*.bored whea you're a- Sored, You»re bla- ae\

While rtaob-lag for the noon and the atara up la the sky,

-•la- pi* tolaga of nor- aal lift ara •low* ly paaa- lag by.

•I**p, tha aim la ahla-ing, Yon wake tiaw for dli>-lag

aotJv-lng new for you to do*

YOU'RE DRIVINQ ME CRAZY - (W. Donaldson)din <M7 C7 07 07

Moderato

YOU! youV* driving no' ora-qrlM« _£

what did I do? what did I doidin 0*7 C7

oako OY • 'ry-thlnk ha - cy

I f ' ' ' J 'Clouding th« s"i«»

UJ> J M f» • S* 'H J ^ * * < l -J * t^' in. i ' i *-!?"frienda who were near oo, 'to choar aw, bo-lievo J»o thoy'know— »it YOU I wero &«

kind who would hurt a», do - ««rt 00, whon I nood - «d you! YESl

M I1 II'you'r* driy-iqg M era - «jr! to you?.

YOU'RE MY EVERYTHINGe

(H.Warren) Modercto

^ * — —=rolled up In- to oae

Yeu'roar i- doa of a

al- i- tar* Tou'ro wy Aa£ Tb» book I r««d._par- feet p«r- 001• la

_,- Tou'r* •• wjr tMH yeod bo- U«ft And JMt to it b r T r f -

via- tor, «t»- MF. »prln«, «ar «v- *fT- thlag-—

YOU'RE THE CREAM IN MY COFFEE(Brown etc)nHold Evtrrthine/- - ^ Bb7

Tou'r* tbo crtToa'ro tbo

eof- YM Tou'r* tho *«ltcol- la- Yott'ro^h* l«c«_

Tea will «1- _ no- coo- ii- ty I»d bo loot vitb-oat yob.

Yeatro tho •*!! _ of ay low- boat Yeu»r« tao

Too will •!* ways bo noe- o»- at- tar I'd bo* loot with-o&t you*

YOU'RE THE TOP (Porter) "Anything Goes"

SaiYou're the top'

r J J1 J

07

' t t y •—• j-You re the Co-loe-.»e-um, You re the topi

Fta7 Bb7

a ayn-pho- ay— b/Yo* re a «el- o- dyYou're thelouwr'Mn- se- urn,D Ota

jYoxJre a Ban- <J«Itea-__ Mtj A Shake-speare son-_ net, YouVe Micky House.

Yon re the enlleC7

You're the Nile, You're the Tow

U J I Jon the Ho- na Lie- a; I'm a worth- less check, a to- tal wreck.- a

, But if Ba- by, !*• the bot- torn, You're— the topi

YOU WERE MEANT FOR ME (N.H.Broim)C7

Moderato

U J r f iZ •«• meant forYou Were Meant For Me

Xa- tore pat-t«rneo you and when ahe wae done You were all theyou

j ir r r r i r \ r T ir r ijthings rolled up in one You're like a plain-live nel- o- dy

C7 GB A7

i.'1 T ' r r u J i-,^That nev- er lets OM free For I»B con-

J i r -i J iJ N J r r ir itent The en- gels oust have sent you and they meant 'you Just for ne.

ZIP-A-PEE DOO-DAH (A. Wrubel) « Song Of The ,SouthnBb

BiJ P

1. 5b

Zip- a- dee- doo- - - dah. Zip- a- dee- ay,Flen- ty of sun -_ ahfn«. head- in' .jy way,,

Bb ,C7 F7 ng.gb, ^t Bt>-

.^ ^>-_^^ Zin- a - dee- doo- -oh my, — what a won- der- ful

Gm Qn7 Bb P7

Zip- a - dee- doo-

m r r • Tdah, Zip- a- dee- ayl ilia- ter Blue- bird on ayGdiffl Bb C7 F7

"*

shoul- der,r I r r ir \- i*

It's the truth, it's »act- ch'll" Ev- 'ry-thing isBb . Sb . . Bb

aat- 13-JEb

^3fact- ch'll Zip- a- dee-doo- dah Zip- a -

_^ i Bb . Gm ^ C7 E7L_ Bbdee- ayl

Won- der- ful feel- — ing, won- der- ful

ZING; WENT THE STRINGS OF MY HEART(J.F.Hanley)"ThUSfc* Up"

Dear, whan you sailed at m—tor«ath of Spring,

Bb7

heard aheard a

It haunt-ed me from the start,bout a neat set a- part,

AtML Eb

Some-thing in- side of me —All na- ture seemed to be —

Start- ed a aym- pho-ny,_ iIn pur- feet her- mo- ny,— >

BbSB

Bb7 Bb» SbAbm

Zingj went the strings of my heart,

r? Bb? Kb

U' ^ J I I in J.strings of my heart..

Bb7

Your eyes made skies aeea blue a- gain,

Kb C*6 V? Gta

What else could I

J7 Bb7r \ r

do a- gain, But keep re- peat- ing

Bb+57 t Bb . Bb7 Kb

through a- gain "I love you,

tOm 07

Dear, with your lips to mine — A rhap- so- dy di- vine.—

mZing! went the strings of heart.

STANDARD FOXTROTS—SWING TEMPOS

AFTER YOU'VE GONE - (Creamer - Lay ton)F Fin C Em

HoderatoAr

.Af-ta-youitegane, aixl left me cry-ing , Af - teryxo^e gone, Thawnode-njr-ing,py or c c?"

youlifed. U«e,_ ^dou'U fed. sad,_F Fw

^6u)UinissfiedeBr-€sJpalyoiA)fee^-e!p had;

Thereflcornea lime,.AT

nowdontfor-sct tl, Thcr»II oomea lime,_Fn. B1'? O

Borne v4»eh you spov lone - Ly,C

heart will break tike mine andC

AIN'T MISBEHAVIN' - (F» Waller)me. 3b

Moderate

I xnow for cer- tain the one I love,

I»a hap- py on _ t h e shelf,} Aia't ads-be- hiv in', Iti saw-la' my loVsJust you I'a thlnl;-_ Jji» of,

Bb7!g.g> Eb

Like Jaci Homer in the cor- a«r, 4on»t"«B no-where,

what do I care, Your <iss- es are worth wait- in' ror, be- liev» a*

_• »- m r- i • — 1I don't stay out late, don't care to go,

Aba a Sb7I 'm hone

>7a- bout eight, Just

me aod a ra- di- o, Ain't mis- be-haw- ln» I'm s«»- ia»»y low for you

AIN'T SHE SWEET - (M. Ager)Et> A7+ B'V E

Movers 'o

Aui't sheAui't she

G7 C7

swiaet? Seefcer com-UK down the street! Now-nice ? Look her o - ver onoe or twtc.e. Now I

W&7-m.^=^

ask you ve - ry con -ft-den -tial-ly ain't she sweet ?askyouve-ry con-ft-den-tial-fy ain't she

_A»r "u

r r r r Fin her di. - rec - lion.n Oh.me! oh. my?.

A7+

peat, dont youF7

thmkihatskind of neat? And I aek Vou vfe-r-r con-fL-den-ttal-ly Ai/i^t she s>weet?

ALABAMI BOUND - (DeSylva-Green-Kenderson)C9 Marcla (brightly)

jI»m AX - a - baq^ y bound .Tbar«ru be no "He«b - ie J«eb- ies"

D7

^hon-gla* 'round,

I J J M

Just gav» the aean- eat tick- etA7

J J I j

on earthD7 Mia m.

All -!*• worthVacet C9

To put. my toot-slea in an up -per berth _

hear that choo choo sound

i I I i i MlAnd then 1*11 hoi- lar so the world will know

I r r f-\ tHere I

/7/ ALL OF ME - (Simone-Marks) 3

*qr not t«k» allI2rt M witb 4TM

67

iIda took Uw p«rt tturt

r i r JE2 1 1— -— — '^T~ tejHb .

^or not-F — 1tak»

1 1all

f-*-1 1 -T1 1 1 "*r r " J -~i r J =

AM I BLDE ? - (H. Akst)GM6-

Mod era to

e^pror

I v*as his on -\y one,

G«T <? If . ,

the sad and lone one.

Qcz:

gayJ.J

.^a to- hesgone—

1c*rcr F.

* ' »|"v'^r'r ; =and«eVeU«xx«h.— Ami

JJ J' l

ANYTHING GOES (C. Porter) "Anything Goes"

The worid—has gone rnad to-day

^J l r ' ' • jL-lfc-dax_\*Vawrfgu>* C-dax_

r f^ /lIU jurf

A-TISKEP^A-^SKKP (E. Fitzgerald-A. Feldman) Moderately..

r n jr j FA- Tis- ket A-

i .J i r r JGdia

—i __ Tas- ket, A green and yel-

dropped it, I dropped it, Yes on the wayBb

Jbought a bas- ket tor my BOB- ale, On thelit- tie girl- le picked it up And took It

BB7 «»,.. , .. A»S

T ^, <way i oroppeato the mar-_ it,

nue wlth-out a aln— gle thlng_She was truck-in* on down the AvEb* **» Abn

to do.— She was peck,peck,peck-ln' all a- round

on th* ground Taa- ket— She took ay yel- low

M- ket- And if ehe does-n t bring it back, X think that I shall die.

AT arwrovacC7

(W. Donaldson)Gm C7

ModerateP

Ev-»ryIn &

lit-tle breeze is sigh-ing of love un- <Jy- - ing at !lit- tie cot- tage coz- y The world seems ros- y at

Gm C7

Sun-down _

( Ev-(Vfhere

»ry lit-tle bird is rest-'- ing anda lov- ing smile will greet- me And

A7

feath-er nest- -al- ways meet— me

G7

*Sun- dowr 5 Each nt- tie{ I seem to

rose- bud isigh I m insigh, in

sleepheav-

m iWhileWhen

shad- ows are creep- ing

night is fall- ing and love ±a call- ing me home.

AVALCM Al. Jolson Tlneant Boset

PAGE (Davis-Akst)C

Moderatep cfr

J J J. J J r r r I r J J I .JBa - by face.d[r or

the cut - e*t lit - tieFtr G7

_ba - by face.

qtr

O Ar

r'.,r " i - • ' y* i t|fj j ^u_,i>Thenginot an- otb - er one could Lake your place

Off frn^Tyi G7 Ctr Q7_ Of?

i J . j fU r r It P r Jbl lB«'- by face.C

My poor heart.C

ia jump-in" ^ouaure haft sari -edscne-tti*F c Er

7TUJ ^ " ' I rIm up in heav-«n v ien I'm in yourBa - by 'face _

Or i>» F FirAm o cr

I did -n't need a aboveT>T PW 07 C

'Cause I justC _

I f r JTI.J J > J l rJ •,! ^fell in lov» V/i&yvur fcA - ty Ba-by- Face..

BABY WON'T YOU PLEASE COME HOME (Warfield-Williams)4b C7 F7

^^by, won't yon pl«M«m jt

Kb?

coo* boa*—

fta

*C«ia« your

Bb7

10M_ X

B>7

tried

Ab

— in

••'• all

Bb-67

r J P.rain nev- er no nore to call your naoe_

C7 P7

iyou left you broke Be-

Dh7 S7

r "irlcauM X nev- er thought we'd part

Jb C7

Bv- >ry hour in l£e day,_ you will

b««r «e say,— Ba- by won t yon please come hone.

BEI MER BIST DU SCHON(Cahn-Chaplin)"Love-Honor&Behave"Am F7

PMIR 3I3T DU SCHON" t Please let me ex- plain,— "BETl A- gain > l l ex-plain— it

F7 B7S7 F? E7 ii.vuaf tJ* j pn> r P P - r -^L^L-'iTOt BIST DU ScftCN means that you're grandr'eans that my heart's at your com- raand,

P7

"BSI

Am|J J» i*

'could say "3el- la, bel-.1 *" .. j I -" • i i |la," e- ven say 'oon-der-bar_

^m i=f— Each lan-£ua&e on- ly helps me tell you how grand you are,-c<~> Am

^ ^

•=

I've tried to ex- plain "3SI MIR BIST DU SCH01J"2 ^_ _^ i?? E2 k . Am

i? r V nss me and say. you un-_ der- stand.

BYE BYE BLUES - (Hana-Bennett-Lown-Gray) Moderate /74-

CABAVAM (Ellington-Tizol) Moderate

Hi«ht acd st«ra a- bovc that chin* soup- on «y «noul-d«r aa wt

brightcr««p

The ays- > tryA- cro»« tha

that ahlnaa up- on our \ CAR-

ing

EOT Gdla

Baat- - - - in my

Ab C7 F*6 Cdla C7

thrill

Gdla

to the mag- charm* of

1 — -n-=— —1 — — 1 1p 141 - -1- -i - =ft

^ r i 'you

My dr«aa of lov* !•

1^ ^ hJ1th- In our daa-« «rt Car-

/751 CANDY - (David-Wiitney^Kraner)t Ebci , Bb Gdira

Slowly

•Can- dy,stands me

I call my aug- ar J 'Can- dy"my un- der-Btand-ing

SHe-cause I 'm sweet on

An<l Can- dy* s al-waya

Can- dy's sweet on me. when I need syra-pa-

G

thy07

I wish that there wereC7

him _

j j. iso I could love much

F7

more of him He has tak- en my com- plete heart, got a sweet toothF7 Bb7 Bb* Eb . Bbca , 3b

for my sweet- heart, "Can- dy"Gdia _____ Cm?

it'a gon- na be just dan-Bb

The day I t«)ce my "Can- dy" and m£ce hln mine all mine.

CHEATIN' ON MEO?L dm F7 G

(L. Pollack)C <tm Cf7 C G dim

Moccreto

1You're cf«at-ln' on me.

E7 A7i -in' on me.-g^-> din. . FT G-

YouYvnat tteB

if & sweet-heart I footed voa'd be- I— fru^-e^ you, Though — you'd beA°7 . M Ml n!t. Ti '—'

ir *true;__"My Icve was so strong "Nev-er dneam-\r^youd do me

voa're the kindTO FT- G ~

Lo\/e i a same and Ive ptavedi on "the 3qua*fe,_"

for- give.—XT' dim . F7 ft

but sureas^ou U.ve_ — Some-day j/oJregowftobesor- ry ycucSSfedon

CHEROKEE (INDIAN LOVE SONG) (R. Noble)

' ••• O

Ssyiaet In- dUn jnaui - en, Since fir-st .J met,_. or 9the Prai - rlei //Tour LOVR Keetu- c-au

J I ° I3

W *i f»cant for-,heart en - tfrral

r - O - W

ffc

"Dreams of Sum-mer time.Pro _A7n7 D7 G

or

lov-er titne §bne

C7 Gw7 Cr Cm? FT-*

_ _ _

my mera-o- ry_ so

ten-der- and s^fi *My awccL In - dian maid - n OneDm C? C"*y FT

III

Had my arms fold you. Cher - o -

I I

ft- 5

"

m i

o

H ** P V 1'

fti T i s 2'

c 1 € B- 0.

no

c***

AC

T •

;

6- >*ii r*

?K B

, P D

P

"I

• ^

^(?

'c* H

-

'

> J

K e

i»J

!

' §

fcl

» '

1l< •

Io

5!

'V '

w «

•

1

^ s 3 :~ n e a

»ft

dc* 8s"1

i|r **

1'

1 1 a

3 ?? •

c*

ia-

j

*u0 °s pv H

> 3

x~«

• pa ¥ ^^

o a § v»

«

k' $ K oI3

S1 ,.} ; *

7 CHINATOWN, MT CHINATO.VN - CSchwartz)

'Allegro Moderate

- na - town, my Chi. - n» - v>*n,—

dream -y Chi. - na - town. At- mondFm

seems light and

I I I IChi - na - town.In Aresam-y

COQUETTE - (Lonbard-Green-Kahn)Eb QdiB PW7

Moderate

Tall me *>y you kaap fool-Ing, t Lit- tie co-quette?Break- lag hearta you are rul- Ing.)

Bb7 . Bb* fl. H> 17. Bb7 '12.m | J t I I j ^"sfun of the ones into TOT* you.Mak- lag fun of the onea

True heart* ten-dar-ly draaa>- lagof you,

Some day you 11 fadayF7

you'll fall la love aa

_ .I r fI fall la

Bb?lov* with

myou,Bb*

May- ba oaa you lov«r

wil11 juatGdl» fan

fool-lag, AndBb7

i r r r r •" i r *yon'ra all a- lone with

Bb* Kbon- ly r«-gret

L* I r * I r ^ f r~iTj. J. I J¥ou»U know, li'U tie Co- qaatta, "•*• I i fe- you:

CRAZY RHYTHM - (Meyer-Kahn)o

Allegretto moderate

V-K1" * ± J J I * :*: <l' •!=

thm. here* ihedoor-vrary. ? il-v^ have a dW-down.

IJ7T

vourLow - dovvn,

a G D G

frorn now,on ^eVe through..heiWsgsod-bj* to you7r_

They say that

I fi r r. rmeelsa lew -bro* \^lk-iti5a- longBread-way.

G E^r Dr G

p r i p f ire ihehasno brtjwr. Ainlil a ahamc.andjouVeb blame. \VhaJs4euseof Pro-ht-bi- -tion?

Ar A ta G

T&upnxLcefoe oarnecop-dv - tion, Cra-ayWy-thm. fvejjnecra - zy too.

DARKNESS ON THE DELTA (When it1 a) - (J. Levinson)Eb (77 C7j, 3 if,j JL.J

When it'a DP r

57 Bb7

ark-ness— on the D«l-ta, - That* the tine anr heart is light. Vh«ni1hCot- ton all a-round me, - Dark-la* a ing- In* sweet anal low, LoroT«a

Db

i * jLy j. «ii $ f f + j\j. J j. n j. j j.,Dark-ness—on the Del- ta,— Let me ling- er in the ahal-t«r of v

luek-y —that you found me,Vhere thtfaud- dy Mia- a la- sip- pi wa- "tZ 3k> Eb7

7i«id« or

flow.Loung-lag on the Lev-oe,Li8t-'nla' to_J7 _.

way 19 a- bovw.

m r- j hJ IIP p g_r . .,-ter on. the Lev- •«, Bo one a heart Is hesv- y, All Qad'a eMLL*dr«a

g7

=F=F n i j nni i i ni] M ila lasome-one to love .Then it's Dark-ness— on the Dal- ta. Qn-ly

—i 1— • • mt • — ^ T— j ^- — J>T i . nyrsight, When it's Dark-ness — on the-Del-to,—Let aw llng-ar in tie ahal-tarof tAe night

DARKTOWN STRUTTER'S BALL,THE - (S. Brooks)

I»ll be down to get you In a. Tax- i, Hon-ey,You bet-ter be read- y a- boat

be there when the band starts play-ing Re-

get there, Hon- ey, The two- steps, I'm god' to have 'em all,— Coin

dance out both my shoes, When they play the Vel- - ly Roll

I— -1 1 — -*

Blues," 0-^ =i—nor- row nigh

r~T — r"t at the

r V L.- — & = h— F 1

Dark- tijwn StruttersI r'l" :=ip — 1 1' Ball. .

DEAR OLD SOUTHLAND - (T. Layton)— cy F »•

%^iy— | '~M ""Vy ' " "" "" * * * II !••!•• !•• f*m

Daar— old Soutb-lana- nL < I hear you call- teg aa.for you 'my heart is ya

^=ilong — how I long " to ««long Just to see onco aore back to my old^— Kan-^jeV-y hoia

The land X low— the 9wan-«e shore,-2. A

X want to atray

Ut-tu* hrae town.

DIGGA-DIGGA-DO^BH G* an?

(J. Me Hugh)En G*

BrightlySa6

20- lu- man la feel-in* blue, Hear hie heart beat a Ut-tle tat-too, IYou love OM and I love you, And when you love it is na- tar- al to i

B7. En B7 SB

I'm BO ver- y Di- ga Di- ga Doo by na- ture,Am B7

If you don't day» B-S7

Di- ga Di- ga to your mate you're <3on- na 1OM a pa~

Let those fun- ny peo- pie entile, How can there be a Vir- gin Isle With

Dl- ga Di- ga Doo Di- ga Doo Doo, Di- ga Dl- ga Doo Di- ga Doo.

J

DIPSY DOODLE,THE - (L. Clinton)

J-Bb

ModerateBb A

DIP- SY \ DOO-DLSfS a thing to be- ware.—} DOO-DLE is ea- sy to find. -

tun DIP-It»s al-Eb

SY DOO- DLB wlUoat al- ways in

get in your hair.—back of your mind.—Bb

And if it get* youYou nev- er know it

itun-

could- n't betil IV s too

rse _

tMng._you_3ay will come out in re-verBe,•me toings you say WIJLL come out xn re-verse, fu»j • •*«« *w»« *And then you»r« IA such a ter-ri- bl« atatfc,nke the moon Jumped O-TBT

That's the way the DIP- 3Y DOO- OLE workslme love YOU.—cow hey did- die

Fta7 Hb7

at you're era- zy You're the vic-

DOO-DLE But it'sEb

not your mind that'sP7 Bb

zy . It' a yourBb A

tongue that's at fault not your noo-—dieBb Bb A

You'd bet- tar list- en andA Bb A Bb

And try to do all the things that you shouldtry too be good.

You»ll think you»re cra-zy,the things that you'll aay, Ilk* Rhy- tin got I

That's the way THE DIP- 3Y DOO- OLE works!—

J

DINAHG

(Akst)

la th« rtata »f Car- t>-how I IOT»

y- on« fin- «r .bias- la* ,

\ 1* th«r«(with her

show »«r toIf there la and you know »er,to the eyee of Dln-A

b«- caua* ay Din- ah night_ chang* her irlnrt

I would hop an o- caan-if ah* wan-<l«r*d to Chin- a

180

lin- er. Just to b* with Din-ah Lee

DON'T SWEETHEART ME - (Friend-Tobias)

*

m D7,3=iJ

A7Mcxterato

^^»T 3teST- TTRARTDon't taar

MB —heart

if youlike it

don't ••an It,P«r,

3sEsfeIT?

M2. O

<Joa»t talk ow*«t wordsheart

if they're not true .IOVM on- ly r«j

J J J =^ i ••" r11 r r r ii r r'"1

Bi BI7sweat- heart- ing" oth-

D7

rr r j i • •than tend that !'• yours ax- cl»> siv»-

A7.=,*==r==p= J | 0^ J.J J J r^^^

=H•ean what yoo're aay-

un- laaa yorn

EVERYBODY LOVES MY BABY - (Palmer-Williams)Hodarato

I. J J1.J. I. -4Bv- ry-bod-y jwaqta

ba- by don't iiov«{n»- bod- y but(want)

Ho- bo-_ dy bnt *a Utafa plain to

J J I I l l I 1=3She's got a form like Ven- ua, hon-_ est I aint talk-

^ ^^i_ **

ba- tw»en ua aha

r r i r r.Shalt, That's why - *ry- bod- y lows ay ba- by, But my

love no- bod- y but Ho- bod-_ y but me.

181 EXACTLY LUCE YOU <J* McHugh)C C <^A*C VI DT C B» Dr GT

H r •» i r ^ rtoiowvrfy IVe .

\VnjrakouU\ie spendknow why Re bean blue,On a show or b*t>

:— 16u mafe me feel go grandone ex - act -iy LUto you.scenesEx - acl-Jy Like you.

Fm C

— I want-bhandtitt v«rU to you,C Dm

tou aeem to un-der-sfand. 1 Ut-ffe

it

ni , "Dream Cw drean-ing, Now I know

o r G d i » o r F Ai. 07 cL " I r £

true She meanf TTH» for Some-one Ex-

FIVE FOOT WO, EYES OF BLUE - (R* Henderson)c J j ii j |J J JFiva Foot Tw». tyaa Of Blue. But oh. what thoae f iva foot could do ?Turned up noaa, turned down hoie, HeV- er had no- oth- ar be

2. 07I P J r =r J r =

an- y- bod-

— - •* How * if

— j"

la-n't her;^_1 — i — d— "— 1 J . J J J

-^- ' •«**• r j ' - -1— cy » e * n my orj

B7

j.. i r r r yyou run In- t*

wi• r J ^=^-=Dls-ndnd rings and i

C1 f7 f

"But could elia lova,

J 1? J r =— -< — r -J r ==

' — 1 1 — =•! 1 1 — —w- MT *-T. J ... h— -=J

JW_ , — i — _ — _ — _ — 1 — _ — _j — _ — _j — iiM-f — E^-f — f — L-C J- J" J-Ji fiY« foot two, cov-«r*d with fui> _

1 i ^-1 r J ^ — =4== r • — Itil those things ._ Bet- cha' life it

S7 A71 — I 1 1 1

could she woo? Could aha, could she,67 G"f" C

..„ *V ~ ... : — £E — rrz: — . V, _1could ahe coo? Has an- y- bod- y seen BQT girl?

FOR ME AND MI GALA»r

1 r r i r r r(G. Meyer)

Qmoderate

e bells are rin

-An

ine and m/me ana my gal -sons'

»«S- Vwan- inEm B7

or me and n?>.AT

rkncw-ing To a

a(t.

go- ing /MSrweeksftr^eliasiSem'-itTg.— Ev'-rySuSK and BaL.

1>7 Gdun GT[g Rr r r 3=3: P=^

And aomeLltne I'm goin'fo build a Ul-tte home fir b*>,_ Rr _»«« or four_ or

Q.

more l_ovw - Land. Cr me and my

GEORGIA ON MY MINDy> ^ A?

oarmichaelj

the whol« day throught Juat ana aong or you Coax aa

old aweet aong keep*aweet and clear aa

(O«or-gia on ay attnd)

through the pinaa*Cka6 Vaf?

• reach out

tan- der-lyi — ll in peaca-_ Ail I aee _ the

road leads back Oeor-gia,— Qeor-gla,

183.

find, Just « aa

GET HAPPY - (Arlen-Koehler)

r- get your troub-l»s and just GST HAP-PY_ oetterchase ell your cares away_

P ' V IILsigteal-le-lu-Jah, come on, ,GBT H«P-PT_Get read=_ y for the judgement day

— y for the judgement day_ The sun la ahlnin* come on GET HAP-PY The Lord is

aiting to take your band Shout Hal - la - lu-Jah! on. GET HAP-Py_ We're

^r r r i ^— ing to the prattleed land We're head - in* ' cross the Rlv - er,_«aah your

alna »way in the tide. It'a all so peace-AU. on the oth-er aide_ fta--getyour

HDiWStANc(Wanace-Weeks) Moderate

cock proud- ly spread hia

flashed a-cro8s the

met her and the world

/83 HONEYSUCKLE ROSE (F. Waller)

Ev - 'ry hon - ny - be* fills with Jeal-ous- y When they seeyouout withWhen you're pass-In' by flow-era droop and sigh And I know the reas-on

C7 .<J7 C7 F Bb P G7 . C7 P

S d i= I J J7

DM I don't blame themjtgDod-ness knowswhy You're much avreeter )

F7 diji dim J"7 Bb On^

=t=^Rose

Don't buy BUS- act you just have to touch my cup___ You're nor sug- ar

C7 On C7

it's sweet when you stir it upOn C9 Cat? C7 CT C7

| 1=

When I'm tak- in' alps,from your ta*-t.y lipe

P Bb P 07 - C7 P

J. " I .J,Seems thehoney fairly drips You're confection fpodnesa knows— Hoa-ey-suck-la Rose.

HOW MANY HEARTS HAVE YOU BROKENDb P9 3b . An6 OB7 C7

(A*. Kaufman)

That tell such beau- ti- ful liesgreat bifi beau-iti-byj I'll

I don't be-lieve_ you meaa lt;» 3a- by, kiss me a-t _

IT I i i ;' lr 1 1i i —»ji——• » • ineed sonie lov- in', I Just can't re- slat you Sv en tho' I'm wlse_

JTo how man-y hearts you have brok- en with those great big beauti-ful eyes.

I AIN !T GOT NOBODY (s» *ilHa»s) Modesto&r , FT F7 G Ar Cm G

AyNO - - BOD - -

I J atY, And_ no _ bod - y

tt fr G

caresAr

for me; LI got tt<e blues 1 __(The Wear/ blues)A? AcU Ar

lone - - - Ly, Wontsome-tod-y come and take a ckaneewifli me?.C A7 C

r r rer sing sweet loveson«,hon-ex, all the time,y

\ J f 1 ^ LJ" r^ r 1 •^T r b P=rni J~0 IT <IP f r d

If yoa'U comeahdbe my sweet ta- by mine. Cause i AlNTGOTNO-fm <i A~ T\w s* n . f»

NEK Br

\.r £j L. U7

^cT '

V-r

^f-BOD - - - Y. And no-bod- v cares for me.

J

I CAN'T GIVE YOU ANYTHING BUT LOVEG Edi" fa

(McHugh) ISA-

I can't give you an- 7 thing but love, Ba by, That's the on-

•I. \~tItve ?len-ty of, Ba-^_ by, Dream a-while, scheme a-while, We're sure to find.

Hep- pi-ness and I guess those things you veEdim Am D2-

al- ways pined foi>07

Gee I'd like to see you loo*- ing swell, 3a-_by, Dia- mood brace-lets

Jool-worth does-n'tsell, 3a- by, Till that luchV y day, you Know darnedG E7 faff A9 D7 G

weU, 3a- by can't give you an- y- thing but love.

I CRIED TOR TOUP . „ ^M7 D7 G7

(Freed-Arnheim-Lyman)•gr

ModeratelyC7

How it's your turn to cry o- ver

Ev- >ry road has turn- ing That's one

thing you're learn- Ing

fool I used to be. found two eyes just a

lit-tle bit blu er, I found a heart just aF . . ^Anff D7 G7| -J i

lit-tle bit tru- - eC7 , , r

zc

I Cried For You Now it's your turn to cry o- ver

IDA SWEET AS APPLE CIDER (E. }tail8on)D. ^^ _ _ Kf

I- da: sweet as ap- pie ci- derSeems tho» eaa't live with- out you,

th« sllvtry Moon-I- do- !!»•

— than all I know,Ghl Hon- ey dol

Come outlI- dal

U J *J J J J J iof love we'll whia- per,

'2.

so "soft and low!

K7 A7 D

J '_ I love you .1- da, deed I do.

/8S IF I COULD BE WITH YOU (Creamer-Johnson)

If I could be witk^ou I'd love you strong if I could b« *-$»you I'd.

cr

loVe you. long_ I want you to know_ I would -Tit go

tCl I told you lion-ey vvty T love you, so If I could be with you one

Bt Et F»di» Gr Cr

- r 1hour to - nigM if I woe

Frfree to do the thirajs I

E!> or cr FrI'm

tell- ing >ou true. I'd .b?. . . an -> - Hii

I COT IT BAD (And That Ainr t Good)

Yoir:

(D. Enington)

trtat* me «w«tt and £en-tl«Ky poor heart !• sen-ti- nen-^tal

£2

the waynot made

G

heof wood

I Oot It Bad And That Ain't Good.

lion- day rollsBut wban the week- end'a o- ver

no- bod- ydon't love oe like I, love hi*l)i & nl °?

I ^could I Got It ad And air.t Ain't Good.

I MAY BE WRONG - (Ager-Sullivan)A>

Mr r rI in«ybe wrong, but, I thii^ you're won -der-ful! l iI like your style; say, J tKoilryou-nz nwwV«l-{ous. Bat

All of— mytieearea crime. If dear_ inyoulvepidml

Da the vc - 17 f«wl time-r r rTp" r I "r

U>ng,a»x. I tkink you'ne

iI think >o^n» grand; but,

_I may b* wiw^ —

J

j

I»M CONFESSIN« (Daugherty)

M CCB-PESS- ZHt tt«t X K>T«In your «TM I r««4 mob •tr

IV?

ban- «*t XMk-lug ••

you «v- »ry

I86>

Ml Cm

yen go, yen kno* you'll 0ri«m ••,&» Bh

i»« COB- nss- n» tint i x»«» yon o-

I«M GONNA SIT RIGHT DOWN & WRITE MYSEIF A LETTER-(F.Ahlerli

c*Pfry d=fr=«l •» J J * J J * I f J* =1

.*• GOH- NA SIT RIGHT DOW AMD WRITE IDT- SELF A LET- Tfeahop* you'r* f««l-

F A7

I — — •« i gj- - -^ ' I " " "writ* word*, oh, so swMt,_Tb«y»r« jpa-aa knock M offL.)J7 G7

ay f««t. lot or

kiss- asJ J flJ

on "tha bot- torn,"jr_

^^^1*11 ba glad Ii1 ii. .r P i

"3 ' r r 1 ' r ir FI'M GOH- XA STt RIGHT DOWN AMD WRITS M*-

tgbt »«a,

C Ga

agj r i r «^aA LBt- *B»

And aate to*- li«v» It firaa you.

IN A SHAUTY IN OLD SHANTY TOWN (Little-Siras)

-Trt* roof i« w>more Ew, a

raU. toad track. Utea iml- lion-ain»» ran&abn. fe caHEdb.

a queen wail-ing there wtlKa ail* ver-y

crown

cr

shao - ty old 1«m..

INDIANA - (McDonald-Hanley)J|_ "A 0 ^=, E>! .AT

Moderate

Back home a- gain.

fi. G7

n* *" '•I. J

In In -di - an - a And ii seems that 1

C Gdi» G

can

3! ' j. rsee

A7

Th« gleam-ing can-die tight still shin-Ing bright Thru.

syc - a - tnores for

A"7

me. The new mown hay sends att. Cta

En.

rfra - yance From the

B7

fields I used to

dream a - bout the moonli i! on ttie VVa - bash Then I long for my Uv .- an - a home

I NEVER KNEW - (T. Fiorito)Q Qi

Mod*r«to

I NEVER KNEW(I COULD LOVE ANYBODY) - (Pitts)Ifoderato

love an- y- boa- y,nev- cr knew could

Ron- ey^Hlce I'm lov-Dn

anile could

can't eat nev- er kutw aI cen't Bleep.

•la-gle aoul could be so nev- er knew I could

love •- Ing you. —

IN THE MOOD (J. Garland) In The Groove /88

— i fiit*i-v^rea.-\_«u. K|ri,T»iK«i-yiia

-terWhaf-ena- call -urn, rm in-

? * I j *do - in' to - nteR? Flowiyoure iirifte rpood.be-.cause I'mdebt-ed to ybu It all goes to snow wnar good m-

C t . 0\ - 1 - J A

I I • I • j I •

How's a- bout a cor-ner with a ta - Me for two_JNev-er feLt so hap-pxandso ml- ly a -Live.

AL/- f=b«r

feel-in1 just rigKt—fo» - ence can do

^ ithe rnu-8lc's meL-tow irisome gay ren-dez-yous?

eemalrar jarrf and juwip-ir' is a jjow-er-fut jive'Thereanochanecro-rnancing vyilha

-roo has giV-en rr^ a

blue at-ti-tude >&u\fe. got_new ^t - t i - tude My heart

THE MOOD.

ISIE OP CAPRI (W. GTOSZ) Taopo dl Tango

'Twaa on th« Isle of Ca-prl that! found her Be- neath theShe wa« as sweet as a rose at tfce dan- ing, But acme- how

had- nft meant her for me

still see thesailed with the

bloom- IngIn the

I- tal- ian skySum- mer time was near- ly o- v«r

Can you spare a mre«t word of low?*

I kiaaed her? hand, i could ••• She wore a plain gold- en ring on her

fin- ger: 'Twas good- bye. on the of Ca- prl.

I'VE POUND A NEW BABY (Palmer-Williams)

fto«*a_ a newaaS — »e herI'VE FOUHD_ A HE*

Her new kind o*C*f?

Ity fash-_ ion plate be- toy:er eweet_ tur- tie dor- in'_

SveeWeat miss, with a Jd*», AO1 o* bliss,cant r«-8i»t

tells ae lies, but she's wi0e,na«gb-ty eye*

X Jost— taACaff ' r? Bb7 ML

I'VE FOCHD

I»VE GOT THE WORLD ON A STRING (H» Arlen) HModerate

I've got j the< a£

world on a strtng,.song that I sii«, ___

~ DT Db7

ait- in* on a rain- bov.yI can oake the rain go,

j J «nt;

love,_ Life is a b«au-ti-fUl ^things, as long as I hold the strirfc-

rj. a jI'd be a ell- ly ao- and- BO, If I should ev- er let

27 On

'vegotthe world on string,— sit- tin' on a rain-

Got the string a- round my fin- — gar, What a w»rld,what a life, f»B in ioVe!

J

I WANT A GIRLc

(H. Von Tilzer)ModerateC A*

on- lor girl that Dad- dy

fash- ion«d girl with heart so

loves no- bod- y

ixe tha girl that mar- rl«d dear

I WOULD DO ANYTHING FOR YOU (Hill.etc.) Modem u> /90

[WOULD DO AN -Y -THING TORG

YOU,py

o«YOUG

| J I

ChbI'd filad - \y .give a for , - tune. Jurf. to

Gdtf Eb FT t$> FT

r Iyou

i r I r r r r lis ' .t/ hear >^ sa>-7^ LOVIB =1. ^'^ Ev' - v liJ -«* ^**a»»

J | >,. J .Jm^^p r. r i ji jIn my heart Uienss ee-^ta -cv._Eb ^ C>» _ FT

Ion? as you_ have fatfr in -me.P Efc B*» »» E^fi^

I WDUU5 DO -Y-THING FOR ~1W.

(Carlton)17 07

I ||

I I I I j I |I I * 'It'a BO sootb-iag and ap- peal, ing to M,— It goes

Ja Da, Ja Da, Ja Da, Jlng, Jing, JiqgJ

JAZZ ME BLUES. TheC7

(T. DelaneyjJ7_

Slowly

(Jazz- aeT— YonConie oa pro-f esa-or and J

r r r r iknow I like my dan-cin> both day and night, And If I don't gat off jajz-ln

sir will you play it inG

lt» a rag- tine— pieDon't feel rightEZ

Don't want it alowjazz tim~n Don't want It fMt(Jazz- tine)

I've got thoseTake your time pro- fsaa- or play it sweet and low

doff- eone low down jazz me. .lazz me

JERICHO (R. Myers) "Syncopation"T Fa_

K&derato

F

Jer- t- ££ Jer - i - cK> —C A»m Cr F

Was a

— zy old town-F ^ F6.

tong a - goAm

Liked Vier mus - - ic lo*' down..

blew Then Jer - t-,07

JES

Jer - i- cfio-

Fell. the aevtne as do.

JERSEY BOUNCE - (Plater-Bradshaw)

^They call it that JER-SEY BOUNCE A rhy thmthat real- lycounts. The

tem- per'- turc al-ways mounts

Ij» J

pyLj"ii^-ni^they play the fun - ny rhy-iy rhythm they phv. _ If

stjrf- ed on Journa l Square — Andsome- bo-dy heard it there - He put it right on (he airp b nd

inow you hear it cv-ry-whcre

mUp-town gave it new licks Downtown add-edsome tricks

G+ C

ji rJ' •No town — makes it sound the samc_ As where it camefrom1 So if youdon t feelso Go

£^br ''cJirr'iUNCE II make you s wintj. _out to some Jersey-spot. _ Andwhcth-cr you re hep or not The JERSEYBOl

(Qreer)JUST YOU* JUST MEEb Bin C7

Moderate

L*t's find aI've missed an

What arc your charms

F7 Bb7

use your 1m- a- gi

Bb7 HJs Eb7

I'll Us a •round won-der-fullov- er a fcnot you

LOVE ME OR LEAVE MEFm Gr

(W. Donaldson)cr or /93L

ind - ,r kt»- W

*>^be-l^"W , Uove./cuqM-fc, Id^g«-W is my Ume for just rem -i-nis<u$>-

raflver feefirts-ting inrr '

somebody-el^e-h someooay -ebe

* FT- B"

r _-L P£j LJOU ineneu be no_ one un-

it-J- — «i_ — f 1 =£=t•T L- 3 - =JHess that aoma -one is you I tn-tend_ to be in-de-pend-ent-^

Gtn Cr >m

my love Cs your ly/e^ertts no love for

LOVER - (R.Rodgers) "Hallelujah, I «m A Bom of 1933"B7

LOT-r rr r 9 \t A

BMCT

Soft-Till

07

I +^ tt- 1

•tranc-fercctb*

•ie dl«*.

i^

K?

^All

4

orK

Ai- tor* la In

G

^ •tgn Pro- V!M you'll al- ways

MOT

LOVE NEST> THEfl Eb

(M.Hirsch) lll£Bb7 - J - • Eb Eb7

1 — i :• 4 J —

* love nestJust a «mai i room

Kb

Bb7

than a paj.- ace w:1 )Fta C 1

_«t • 9 y ,kitch- en where some rai

*G7 G-57 C7: ., — i 1 - i' — .e J A -j

1 1 j i i 1 1 -_UjL i „ jj J 1 o

Co- *y with chanaT»^ set of blw* —

E67 * • Ab

Bream room for two

j_ J J J " [*:==

*t. of c llru?- 1 vijoeLth a gild- ed

IB F7 Bb7

, . ... J -j 1— -_i^:

gb- ler ros- es twine —

FIB Bb7 J -

1 J A i T 1i-J i j 1LUee a**»pt- *f

A. v«r-B«V t«r

— 5—1 1 3

7)l6Q A

1

• -+ p H

Then a

, Eb

— • — 1— — =^J — •* fl

dome, Ts a love nest You can call hone.

i/Aoorr. (Davis-Conrad-Robinson)MAnLrli

C Dtf7 C7 K

iModerate

My lit- tie Mar- gie, I'm al- ways think-ing of youways think-lng of your Ddim

Mar- gie, I'll tell the world I love yen, Don't for- get your

proa- ise to me I have bought a hoae and ring and

'ry- thing, For *llar- gie, You've been ay in- spi- ra- tioa,

done, There is real- ly on- ^ one, Cbl Mar-gte, Mar- gie, it

(Flynn-ltadden) Moderately

you'll think of me,

Kay- be the one who is

waltzing for n yoB""! will prove un-ltrue Then what trill you d'o._

you'll sit. and sigh, Wish- 'ing that

I were

^

A7 , .then, May- be you'll ask me to'

Eb7 G rta6

come back a- gain, __ And May- ' bebe *ay- be.

MY BUTE HE47W (W« Donaldson) *xl«r«to

L

•nd •v-'nlna !• nigha lit- tl« «hlt« light

Kb

i i rthct's n««- tl*d «b«r« tte ro*-

w«»re lup-py in

GAL SALSlowly and tenderly

They called her friv- o- loua Sal,

With a heart thatSZ

round good rel-Eb

/94-

dead on the

MELANCHOLY BABYEO B»>7 Cdim EP E"

(Burnett)C7

Slowly

Come to me .rny . "MEL-AN-CHO- LYEv - »ry cloud must have a 3U - ver

BA -

knoin'.dcar.^at ITM in lov«wtfc

Smile,™/ Kon-ey dear While I htss a-wayRn Et F9 b

tea»" Or else I shall be met-an-cki - ly

NAGASAKI

Hot gin- ser andThe way they can

G7 . -«, ^(Warren; noaer*to

^ 3 — .1 s <* g f — — » — * • — — i —dy- na- aTte~ There's nothing .but that at ni^t_

?^t^ain

an'-fOUld-hU7ry ^ ^7^ C

— i

a J

\Baek 'in liaSasak-i where the fellers c£ew tobaccy And the wonea '.Tick- y wack- y woo.

| T [ -J-

Oh ?U- ji a- aaM

\if m f •-• 5 — m | V "

In aoite pa- so- da She

! A J — s1—They ^Iss-

L -J 1You set a

— e — iMoa-aer

: k-l 1

tad than your troubles in-creaae -F C, P "»>7 Tft^m j r

-*~T rr^'u M -*- * \>r^^-^*or-lera soda The earth shakes ailk-shanes ten cents a pi-7 ——1^ c dim Q7 . j-n -'L r J^V. I ' t 1 >. 1 S I ^^ »•j j- .-3—4 i — i * * — a * * — f=

ee and hug- ce- nice— 3y Jin-go! it's worth the priAOL CT P din Dm Ab7 - ;Ab7 G7 _J

1

M Jece

m Jce

haBack in Ke^a-saki where the fellers chew tobaccy And the wo- aea wlck-y wack-y woo.

JNOBODY'S SWEETHEART (Kahn) ModerateC * G QD E7 A7

3t — Su JVoutrt

you sone-lieve tl.fct i

'l.i

Vcu'c b'i.. COia 77 c

no- bod-y'wfclic dowr. tl

5

bow.t '£ ycu. —

A7

B OUt Of ]

Fsdc-.-oc. lipc, _*"7 **7.JC — •' rt /

bird ofK7

•p 1 J j

Per- a-

how . *That you're

OH1 LADY BE GOOD

3l G •

"• Oh,I

D7 J

1* - dy, bla - dy, b

D7~\ — r F

i rsweet aod•» ao

o " —• goode good

C• M i_

—3 1 1 1 .

pleaM have son* pit

ttf? m am Anf7N — £ — 1 * '" ' * ' -•» B

clt - y

Gldim

Lr^_^

s^ — \—I tell

C7 j —

— r — p—

c sweet-heart now,,e Av- e- r.ue,L^~ ?^ -^ ™ T~^

~! 1"" g W

?an- cy r.

- r v — « — = —They don' t bab- y

X Just can' t be-Eto

— i -4 j -j —J r^-. • 9 J ^^ose, silk- «r, gowr.,

B7 ,

^lace

• (* —

37

Am QE-p f-

no- bod-

(G.C7

g — . Win youri ^--^f^ — — r

"* ' — 3^S *ovm home t°wr'»^r9F.ec you

' — • — — = ^= • \»—— T-* — F .~ F 1paint-ed eyee, Wear-ing a

T * r—5 9 1—35 9 —J r l Jz '

57«i "! eeems wror^ some- •

G ,— r E c^ ^> _ — ^-&-i — *-

y e Bweet- heart now.

Gershwin) "Lady, Be Good"G__ j dlji

« 0 — _ -^ , , ^_

love - Ijr la -awf* - ly Ha -

G— i ' — P 'J L -!

G

- y

A7-S G

you I 'm

~ j J""

07 Bi1 «a *

I*

-f * ^r T =o o^y, b* c°<xl! ... Chun - d«r-8tood, ... So

I J =— i ^ H — °—- — 35E * BOh,

B-f BB A7

• all a - loo* in this

C7 G j.-» o » i •)

-

a-

i ja—1 j1 j-iJ j= 'ji

m— —

jH? — P — i 1 H — r — • — -$•• — -

just a lone - some bab« in th« wood

0( - i I 1 •

r -^ r- « Hla - dy, b« good

ON THE SUNNY SIDE OP THE STREET (McHugh) Moderate

J Ij JSL-

I• ^' ^ J —W * — ^~Qrab your coat, and get your hat Leave your wor- ry on the door-stepCan't you hear a pit- ter- pat? And that hap- py tune is your step

07 —* Dm G7 II. r-

Just dl- rect your feet To j the sun- ny side —ife can be so sweet On '

of

street, I used to walk in the shade —G7

With those blues on par-adeEdin G7

This Ho- ver crossed o- ver, If- But I'm not a- fraid

new er have a cent I' 11 be rich as Rock- e-

Ii •- ••.—..

., , , , ^Gold dust at my feet

J JOn the sun- ny side — of the street.

PAPER DOLL (J. Black)1)7 G?

Slowlycr

I'm gOui' to buy a PA -PER, DOUfet I can call my own, A doll that olfrer fel • Lovis ca*- not

_F , F™ C

steaF_ Andtinen the flxr-ty, fUr-ty gu>S vvith their flvr-t/, ftir-tx eyesy WillG-7"

C-7 C<<i-» C7 D7 G7 C-7

i^eteftirtvnthdol-liestKatare real. vVhen I oomehomeaLnigitsteWLli te vvait-ing,_ She'll

F t>7 cr 07 Ar r>m6 A7 B^

be thetru-est doll in all thus World-

F Ar

J

r t^n_

I'd rather havfe a PA-PER DOLL to

B*U C7 F

.call rri)- own, than have a Kck- le- mind-ed real Life t^

r^

PLEASE DON'T TALK ABOUT ME WHEN I'M GONE - (Stept)G7 C7

f IJTF

Please don't talk a- bout_ me when I'm gone,If you can't say an- j- thing real nice. Oh, hon- ey,

It's bet-terB7 Bb7

I l> i I MBb«- Eb Adla Bb7~

JLLo L>though our friend-ship ceaa-

ll-F7 Bb7es, froa now on;

Eb Aim EbAnd, lis-

not to talk at all, is ay ad- vice. Tfe're parting,

" • I I — -4 ' i . I | __

I'11 go nine,- its best that we do;Bb7 A? Ab7 Bb-7 Bb* Eb

Here's a kiss I I hope that this brings

lots of luck to you.C7

Hakes no diff'-rence howF7 Bb7

I car- ry on,.Sb

R«_ oca- bar,please dorit talk a- bout me when I»m Sone.

/97 ROCKIN' CHAIRKb

(Carmichael)

Old ROCK- d' CHAIR'S got ma,

gin, son 'for* I tan your hid*, Can't gat from this cab- in go Hi' no-

wher*| Just ait ma her* grab- bi»* at th* fUaa 'round thia ROCK- DP CHABUEb an___ Cm Eb Ca6 OT

be, Sand na tweetdear old Aunt Rar- ri- at

Old ROCK- IS CHAffl'eha» rl- ot, For the and of tha trou- bla aaaAb . Qm

gat's it, Judg- mant- day la hera, Chained to my ROCK- IS* CHAIR.

ROSE OF WASHINGTON SQUARE * n iiod«ratoBb Edim F7

(Hanley)

Roaa | ot Vaah- Ing- ton Squara(I'll nav- er da- part -

A flow-, ar *o fair.But (Jweel — in your heart •

D7

should bios- sooi where the—;—Gm7~-

sun shines Roaa,—SB

for na- tura

id not mean you should blush un- seanCdlm,

•Tut ba the

of some fair gar- den I»ll bring theva to care

aun-beama from the Hea- vens to you and give you kiss- as that

sparkle with daw «y Rose of '.Tash- ing- ton

ROSETTA(Hines-Woode;

HD- TA,told me,

r'My RO- SET- TA*.

that you lor%<l ma f .

07, ll.C7

J f

• — — .1. _£-^•-* i— , J " " '1 S

i i 1" "* rJ ^=d— rm 1

leara me forao on* bod- 7 nawi

Tpu've mada my whole Ufa a dream,

malca it COB* true; RO- SET- XA,

C7 O

SET- TA, Pleaae say, I'm Just the one dear*~J- ' • •r for you.

ROW, ROW, ROW (J. Monaco) Allegro ModerateHb P7 Bb

IJAnd then he'd row, row, row, Way up the BIT- er he would

EH — s — jl- 7 1 7 L_J=J&j=5=^P==*=— «*-T^Fi •

«^5=T=1=1— j —row, row-, row, A bug he'd give bar, Then he'd klM her now and

th4 She would tell Mm when, He'd fool a- round and fool a- round end

then they'd kiss a- gain, and then he'd row, row, row a lit-tle

' ' • r 'Then he'd drop both hie oara,—C7 F7 Bb

furth-er he would row, oh, oh, oh, oh

Take a few more en- cores and then he'd row, row, row.

ROYAL GARDEN BLUES (C.Williams-S.Willlams)

Hem,, don't yon hear that Lrom- bone moan?That Weep-In' mel-an - cho - [y 3train_

Just U»;teri toSay battt's s

sax - o - phoneto the brain

Gee! hear that cla-rt - net and fluteJust Wan-na eel right up and danoe_r

Cor net a-jazz-lh' with a mute_^care ,rU take mosl an -y .chtnce

WakesNo oth-er blues

When hear 'em

care to choose But Roy al Gar - den Blues

BUNHIH' WILD (Gibs-Grey^-Wood)3b7

Moderate

nijht-y bold/Bbn

Feel-in« gay>

C7reck- leas too.

P7

Care free mind3b Bb7

it's not worth while. All-'-'a- lone, run- nin wild.

133 (McPhail-Michaels) Not fastEb7

, sweet- heart Lo- na,A7 D7 G

You said you loved me,Why have you

did you act this way?Eb7 G

'That you haveG

ev- er been un-

done would be the thing ""^to do.B7 A7 Am?

But my heart aches, dear, And it willD? G __ Am G

breakf i * r, dear,

" IIyou don't come back home a- gain to San! J

SATAN TAKES A HOLIDAY (L.Clinton)Zka OanaV Dm? Dm6 Bbma?

Bb?

ie uev- 11 start-ed dancln'. He_was quite en-trancin'.tfhen he dJfl the'JaChe rau- sic was- a»t gqpdBu^t i t— was plenty spooky, That's the way heA7 Do

_om w.ey *Si««bpne« were ratt- lln» loudly/"As he be-gan to shuf-fle proudly— and. day The g*if- tie man pre-fersto lis-ten to ag-gra- va- tin'rhy-thn

Ha. • Bb7 A7 On Cdijn C7 . F V?

ljil_ a^waythat

d f i l l r i f t - i> r r j i ^ 'Try__ Watch out. He'seonia' out] And th

JQ*VwayttiatSA-TA»rAKESAHOL-I-DA^- »atch out. He»scoBla' out| And tiienyoull shout

A7 n , | -| Diana? Dm? Dm6

un-leaayoure good, knock wood. « r«ally rather goofy try in» to be spooky^ut^taia? - rte •<• rw - TV_-^»

_ he has to drfan? Da6

•J tMJ'J >J.« jj,'lt day —*_ by day— fog

less

j) J JMJV'J J,.rn j.-j r "j u j j,j tun-du- rln' Uay _ *>• that's why SA-TAH TATfiS A HOL- I- DAT._

SHEIK OF ARABY. THE/) F7 Bb

(T. Snydeb)Ddlm F7

Moderate

= I I I I Iflf '0 ^ 1 1 -J «U J s^ J «»^

I'm "" the Sheik of Ar- a- by,Bb

— p- 1 — - — r^_^ 1 T^-.longs

^^Bb

sU.stars

way?C7

^ me.

to

^J

In-

thatA-57

to

~ i rto* t At night 1Cm7 F7 FM-

to your tent I'llDdlm F7

_j [ =-=-:

D

love. Y«ii»n

F71 1 1 |-T-=T

The Sheik of Ar

L J 1r-gJ- j —Your

Gdln

*en you'reBb ^(T

J_0 1_

1 1^^ 1 *Will li

G7— _j_= it

Frule this

Bb

a- bv.

J 1 =1-^ _— tlove be-

r?

a- sleep. _7 r?-\ — 1 — 1«^ J — 1

ght our

-^ P"F —land with

— ~~f~i — =-"=fl* J " U

J

SHOE SHINE BOY£. F P7 C7

•federate 2.OO

Shoe Shine Boy, you work* hard all day, I Shoe Shine Boy, 5 got no 'tiae to playYou find joy in the things you do, > , (ael- dan ev- er blue^ ~ ~

Ev-'ry nicic- el helps a , lot, iSo, shine,shine,Shoe Shine Boy.¥ou'r« content with what youve got,)

Shine Boy.

Eta

Peo-ple looic at you with scorn 'Cause your clothes are worn and torn,Stilly^nev- a*

whtne. You keep walk- ing up and down the street, Plead-ing with each337 Bb» C7 P 37 Ga. . i . C7.

a .3ne you meat.

r I rS7

. IBro- ther,can you spare a shine? ShoeShineSoy, soon" i n _ . i C7. P ___ 57 i Sb7 37

' Twill cooe,Shoe Shine Bey.

C7.

soon a"*tune you>ll huo,Sv-»ry nick- el helps a lot, So,shine,shine,Shoe Shine Bdy.__

SLEEP? TIME GAL (Lorenzo-T?hiting)Sb7 37

Moderate

51eep-y tiae gal, You're turn-ing night in- to day,

G

r r =» »* — >« — 'r r _^ — iB ,

1 _^™**1 1 • i' ™

""""H jJ— «J

51ee?-y You've danced the ev- 'nlng a- way» —

Be- fore each ail- ver- jr star Fades out of sight,

'•' L ' 1 -»!— = 5 *

^ ? 2 "~! 1 —J J ^ — • J » i•*— •—m1 1

J 1

Then let us wbia-- p«r*Goodone lit- tie kiss,_Please give at

pil- low's wait- la rIt* a get-tinf

•ban all your dane- ID' la thru.Sleep- y tlae gal,

Sle«p-y tlae gal, _ I'll find • cot- tag« for you,

When you'recook and to aaw,— What's •ore you'll love it, I know

Stay- at- hose, Play-at-hoae, Elght-o- clock,Sleep- y tlae gal.

(Dabney) ModerateEb

S - H - I - N - E

*- »ay your blues-lea,

like new, Shine yourEbo Adla Bb7

male* it look

r r i ° your theae and tno- aieaor two, Shine

11 shine up to_ ya,Bb7 Bb*

fine, Folks•v*- ry- thing will turn out

EY»- ry- one will ho'w- dy- do_ ya,r You'll maJw the whole*

Somebody Eke Is Taking My Place-7

Bb0 I Bty»fSlowly By Dick Howard,Bob Ellsworth,Russ MorganC? F7 Fa«i

SOME-BO-DY ELSE IS tA - KING MY PLACE

F7 Bk Bk7 Eb^Some - bo - dy

dim G7r r r r i r-o^else now shares your em - brace While I am try - ing

C Cdrni C7 F7 B>>

To keep from cry -ing

I.J J J l r J J l r r»r IYou go a -round with a smile on your face Lit - tie you care for vows that you

F7 Fdm F7 Bt B>>7 £t

" F h-p-4 -P. ii J—

— i1 — J •— F — — : ... '.. j

• — i•Hfr\

made Lit - tie you care how much I have paid

Bb Bl>7 «fan G7 C7

My heart is

m . *•' 1 , 1r i r J r i J r r • rach-ing My heart is break-ing For SOME-BO-DY'S TA-KING MY PLACE

SOMEBODY STOLE MY GALEb

(L. Wood)Cdim Bb7 Brightly

BOH-

3ome- bod- y stole ray galThe kiss- ea I loved BO Some-bod-

He »s get- t:

stole my palnow I

.Soaie-bod- y camenand took her " a- -asy~^_

Some-bod- y stole my

J

SOMEDAY SWEETHEART

if'"'1 J 3 j i r ij J i J i" i^ r r Jv €5«m. rtav sweat- rrjM. •" * .25. nwy oe sor- ry forsor- ry for v/hat you've

done i__ to my poor he art7^— * you may re- groT"^_ the vows you'veAm i ET7

i r ij I - ' - i Mbrok-en, _____ The things

Jyou did that made us drift a- part,

and can't see how_You're hap-p> now

so shall youF

will ev- er come to you. But as you sow

dear,and what you reap will make you wtep some day, sweet-

Someone's Rocking My Dreamboat - Slowlyr.mi Fa mi Fmi,7/ •> ~

By Leon Rene, Emerson Scot, Otis Rene

SOME ONE'S R O C K - ING MY ORE A M - B O AT.

Some-one's in -vad-ing my dream.I

We were sail -ing a - long -E^ldon Gmi

peace- f u l and calm,

Fmi.7, - J-

Sud - den - ly some" thing went wrong

B>7

SOME-ONE S ROCK-ING MY

a beau - ti - ful dream,

Who can it bcCmi

This m u - tin - y at sea,

r (Who can it be") A f r icnd- ly breeze gave us a start to a par - a .-JiseCl^6 ' Al»7 . G I G-l Cmi6 D<hm 7

all our own.-i- All at once a stormG J2Zj

blew us a - part, a nd left me drif t- .ingOm FJmi p.mij 3

lone

SOME • ONE'S ROCK • ING MY DREAM BOATAdai F""7

cap - t a i n w i t h - o u t an - y crew But with love as my guideF7| b, Bb7 Eb6

f o l - l o w t h c tide— I ' l l keep sail - mg t i l l I find you.

2,03 SOMETIMES I|M HAPPY (V.Touroans) "Hit The Deck" sio- rox trot

Soate - ttaea I'm blue, My die- po-Sone - times I'm hap- py,

,J J J I Jde- penda on you,

M j I J l r (• l J JIf I can find the sun in your eyes

iJ J J.J J JSome - times I love you, Some - tinea hat* you,

FBut when ICMS dim

I'la "causa love you,F

I'm hap - py

STOHPIN* AT THE SAVOY (GoodmarH^ebb-Sampson) lot too fast

Sa- voy,— tins hone of eweet ro-mance— Sa- voy, it wins you at aYour fora._ just Ilk* a cling-in' vine Your lips, so warp and sweet at* ^—-S-imm —^_^ ll»

•i r^L Sa-voy,.— gives hap-py feet a cnanc

Your cheek, _ ao sort and clove to mineBb7 B7 Bb7 Bb9

to dancedi- vine.

Eb9

/aj>? ^ ' f-ln» and etonp-

'' P 'M J J J J .LJa- voy, . 5.. we can glida a5d sway_par-feet tool- I- day

- 1 Sa- voy, —

SUQAR BUTESc

.(C. Williams)Moderate

Sug- ar Blues Ev- »ry- bod- y»s sing- ing .the

riag-ing, My lov- ia» nan's sweet a* he can b«_ But the

dog-gone fool turned so- ur on I 'm so un- hap- py I

feel so bad,

saj what you choose but I a all con- fused, I've got the sweet,sweet Sug- 'arC E7 A7

Blues, nore aug- ar, I've got the a»eet, aweet Sug- ar Blues.

SUNDAY (Miller-Cohn-Stein)_Cdirn . G7 A7

2,0*.

I'mI

-D7

blue a'v- »ry Mon-sigh all day Tues

G7

day, Think- ingday I cry

o- ver 3un- _ .ayall day Vednes- day

It seems that long for youThat one day when I'm with you,Oh, my! how I

E7

i r t r ' r i eAnd then comes Thurs- day, Geel it's long,— It nev- er goes by.

I'm gon - na die,makes me reel

is ray fun- day,

all day Sun-— day, That one day when I'm with you.

SWANEEF

(G. Gershwin) "Sinbad" AiieSro

id v;e the worldolfe up f= north

vnow .1 Love you How.I love you. MyWatl-injy for me fVay- ing Tor me Xfewn#

See me 710 more— When I go io the Sv*Stn-ee shore XTru) C7 F u O

is j.-_|j. y i*T

C7

am com-ingF D^T C

ack an-ee.

^ love the old folks at home..

SWEET GEORGIA BROWN (Bernie-Pinkard)Moderate

shade *Or, Sweet HdeSd wh^o ste H

^ ffiaaafe- s*,a «&? atfe te w- k^-They all sigh_ and wan-na oiic_

G 'V T

^ouknow_ I don't tie ('«?«,/ Not

mel_ Georgia claimed her Georgia named her

SWEET SUE - JUST YOU(V. Toung)

thU heart of Minedon't know what I'dD7

lira

iall tha time. Sweat Sua. joat 700.

TAKE THE "A" TRAIN (B.Strayhorn)"Reveille With Beverly1

BbmAb(UV 4^T A c, 3

Eb7

GatBrook- _,

a-Ijra

boardor

the "A" trainBroad- way train

Xb

ToYou'll

take a lit- tie ride a- round the ci- ty.see that old Hew York is might- y pret-ty.015 BbT .

Take your

mba- by sub- way rid- ing

Bb9 Eb7-9

That s where ro- manca may be

Bb9

You'll find that it- 'll pay to TAKE THE "A** TRAD?

TEA FOR TWO (y. Youmans) "No No Nanette" ModerateX

-&

wLU brake and you'll a-wake and start to^oate afor tea ,

- ar cake . ForUL r^y-

rpe for you and you for me a - lone.me to take for ail the boy5 to Nb - bod-/ near us b see us or hewus .No

Oi_ _JDm7_ G7 Gt c

m-la -lions on week end va-ca -tions.te woni ha* it ow a teL- e - prone, dear,

FT" E^di* B'L

see. ^Ve w-iU raise a fam - i - Ly, A boy (or _><xt.

i>r! for^-^- I ^, J. J- J » I J - J^ J. pE^FFme oh can't you see how hap - fy ^c would be?

THREE LITTLE WORDSc

(He Ruby) Moderately (with tenderness)

Three lit - tl« word*three lit - tie words

Oh. what I'dThai's all I*d

give forlive for

thatthe

67 C7

| I Iwoo- der- ful phraserest of my daya

J IJ I I ' Ithey tell sin - cere

dim a Ab7 07

Ho oth - er words can tell J*

•• lit - tie words,

on nos G7

let-ters which alop - ly mean, "I low youJ

i (R. Bloom) "Cotton Club Parade11TRUCKINc .— a . m 07

ELT r Ir JWe bad— to haveAa goon a* the news

thing a*w. i dance to dogot 'round the folk* down-town

up

her* la Bar- lea, So,up to Ear- lea, Saw

one atart-ed»ry-bod-

n't talc* long IM- for* tb* High-hat*

t «l r *3uffla-ia* ,Sbuf_ you'll «*e theaScuffla-

D7 G7 CPark Av" e- au- in' it, All o- vw town.

spread Ilk* a for- eat blaze, B*-luck-in* a- long

thanka to Ear- Icea Bow Kv- *ry- bod- y'a Truck-in'.

*

TWELFTH STREET RAG - (Bowman) Moderate texpo07

I. r. •td:. ^i ..j 1 = ' i\Z^ STREET "RAG. have pi, - v „„.. .^^ «,, _mu - sic man V*TK> wrote you knew no SX"1 -

C

mef)«

p- j - j j | r *~a j j i r ^p j i a i r- pHr J^GocK back to Kan-sasCLr tv Aid stob trail -- in« me "You oarse in

rwpe you get his goal, ioo LlKeyom v»wr - ry me_c GI ni

at U* mo-ment When IVe work to do07 Dm fly Dm/ G7

a \ K *

can't

F

you.

't tcavfe and I carrt make >ouD7

Im swing1 bent, rn/brain is senf on a

G7 C

|Srag Wieti I heaHhai U**- Street

WAY DOWN CORKER IN NEW ORLEANS (Lsqrton)

»riu BgifPf- leanswttt> flash -ing eyesIB the land of 4«s»ny.SoFt-lx v*is-per wttti ten-d*r

g»tfan of E - d mean,

if , I" I H1..Bgive yoHr la-dx

PA,

Sfap! OW wont you.

A!r . D

Ut - Ue smile , Stop! TotTocTyour Ufc^oull linger

C Bm TW G- Em _ Gw p ra Ut-Ue There is heav -en right hem on earth Wtfh those beau -ti-

G B*7 PUT P7 G

yen-der m "New Or- Leans.

WHET OWN I SCr <AFTEB I SAT I'M SORRY?G7

(Donaldson etc)c

Vturt B«n—j r r p- i c ican I say, dear, af- terW«B ""P wrong but right or

«oj, u«oi, «i- ter I say I'm BOT- rj'7wrong but right or wrong I don» t blame ••

Ryou

Wtw «I -do.1

J Jto

eome-tl.jBm

prove itbod- y likeGdlm

to you, I'm'— you and

11

SOT- ry?aham* you,

m iI did- p»t aean to ev- er be mean to you.

would-n>t feel like

y. Tand I'm BO Bor- ry

r r r g lSo what oao I say, daar, af-tar I say I'm BOT- ry?

WHAT TS THIS THXKG CALLED LOVE? (Porter)"Wake Up And Dream"-E2L 7m

•tart. is tthie thing. called love?C Cnio C

Ti:rt >J.c coa solveC rj

- t* - py? Why should it make.-BJL

e fool of ^?

You took ay heart

That« why I ask the

have,

o 0>

WORLD IS WAITIHO FOR TffK SUNRISE,THE Rather alowly9- • ---..A im p-fr^-Jd

BT-

Cj 1

throah

F1 T="i r

"1 I V 1 ~*=1J , ^ | I-LJ tff

on* tb« world la

07. C D7— j 1 1 r 1 1 —-»« f—try ,

0* CJ t .

r—ii 1 1 ... , •'1 J Zf" P" — f** Is* JJ •* " F — -H F- 3

wait- leg for the aun- rlae;

07 Of1 1 1 1 i 1

=^=l J J J ' J. i j 1•o»« !• hear- y with daw. ^Ihe

0 C B7

-pi 1 '^' » 1— ad 1 : 1 1— 1 ( 1oa. high, hla alaap- y aata la call- Ing

07 C A? MS 07 Ci i — • 1 i — •* — • n

*g~! J ' r:j-, |p= , uAnd ay heart la

YOU CAN DEPEND ON ME

*

call- lag TOO!

(Carpenter-Dunlap-Hines) "8dM"to

0 An Bdla A» 07 0 *dl«^Anff 97 07* 0-Q6 EM X 'Id C9 06

— *1 —youknow07

1 — f1— Pwlab

A7I 11 rj,

faaa,

O(

— 'youra

J-CAXyo»

-F —you

i'ii

to

— J — 1 — J —Hat** PKHDoan count

— = — i of 1

•oo* eaaa,

40j — -f — H —

be lone-

^OB.

061 v

— 4— F —Loada

D7— tTTS

"3?" " * '

~~f f J 1 —

— j. •» fp,.,,fiaOQ^A

AH

...L — f -.J .1-4 —,.^ai-of hap- pi- neaa, But

AB y Bdlai i — »j ' ^ +—

= ..J-T1' J 1 1lyi If yo»

1— *±« jj 1— the aadf Aad TOD

STANDARD

CAV DB— FBID

FOXTROTS— UP

rneed

07*

-1

TEMP'

-H —a

(J

». .

)S

-«t« y — I

*—a. 1 t 1-f «* **— 1

I nuat eon-

AB W— (— jnr 1

1 f 1frland, I'»

— * 1

FINE AND DANDY (K. ani-t;

Oaa( it»a allyou»ra gona

and dan-Can-

«r Can-gat lone-

Odin

LV rJ J«— - . ^JT* ^ottl

C7

— aoa»| gatgot80

^^Thanf r I fI on-

F=¥= £ SBIjr aaa the

r TT rtroub-

C7 |t.CM7

j. ^_V7

^^Bb

baa Ita

Bbm

^

of

rr r

Vhan you'ra han- _ dy

DUi 07 G7

lt'« «na and dan- —

s j.^ - HBut «h«a you'ra gona what can X do?

HALLELUJAH: - (V. Youmans) "Hit The Deck"Eb Bb Ab

sueJ«fc Gets you

Eb ftT Ate

Bboo thethrough the

Db7

blues a-dark- est day

06 Gb6

cares pur-

Aba6ten —

Bb7

lies a- walt-

Helps to shoo

I FEEL A SONG COMIN1 ON-(McKugh,etc)"Every Night At Eight"—- •"-" Eb Bb7

Song _ Com- in' On

- - Ing ye, It's a vie- to- - ri- ous,o- dy. full of the laugh- ter of

ll.Eb ~Bb? I|2.C

hap- py andchil- dren out

zlo- - rl- oUater the

Ring- in' thru _ ya. Love and glo—

now that my troub— -Eb C7

lea are goneFat?

Let those heav- -

r r p p r ri — • » i i i * * ' i * • ' • i • - 1 i— «n- ly druos go on drum --- min» , cause I Feel A Song _ Con- in'

I GOT RHYTHM - (G. Gershwin) "Gdrl Crazy" Llvely

FT G r**c Edim Cm7 Ff Bb Gm

,— I— epf wu-stz^—dais-Les ln__ green pas-lunes,—

my man_W|io could ask for an-y-fains? tnore?my man-Who could ask for airy- tKngDm Gr C7 B^ Cdi* C9

more? 0(d_>fari Troub -Ie,_ J don!

F7 C7 Fr & Gm

'< Jmind him. _ \bu won't find him 'Round niy door. I 50!

fr Gm/wiliC ^ Edim Cni7- F>- 8b Gm Cm7

star- light,_ got eweet drearriB, ill- got rny man_ Who could

G7

i-1— i ' • ' ' L««] ' ' ' LIJ I ' [ask for ati-y-thin« more, Who could ask for an-y- tning more?

0 J I KNOW THAT YOU KNOW - (V. Youmane) "Oh,crctr t>r

Aw 'C.mS DTyou knew ho* muA I long To hold you in-

_time; Then,in the fttar - light

I'M JUST WILD ABOUT HARRY(S±BSle-Blake)"Shuffle Along11

°J JL!^ J

r r r i r«v*a- Oy bllo*-

OUt, H«»» jMt Wild

I WANT TO BE HAPPY - (V* Younans)C CT

•» bout M.

I MBt tO bap- par.lag

bot

I JC7

l 4till I

Wby e«ft*t?oa

r.

b^p- py,to

toor i

Okies

r ' i J jd yon MQT yon

07 c

or* bin*, 1*11 MnA Hi* no smU-

m ^mmto _ b* hap- py, bot X Wrtft

BEiJ

Till Xr i " i

yon b*p- py, tee.

J

JUNE IS BUSTIN1 OUT ALL OVER (Rodgers)" Carousel"

*TJ JTJ j j r i r r r i r rir r p'^^5*Jan. la boat-la» oot all o-_ wr. _ C All _•-_ *» tha a»ad- aw. art.— fAU

Tha f aal- la*rI

Cd±ala gat- tla»

e

tha

• • hJ J JU J J J I J J J J |J J J J lln», rlv- arda tha ba-

hill.— Buda >ra teat- la* out- a bnah- aa And thatanaa( That tha young Vir- gin- la eraap- ara Hav baaa

, . , ,J J J j | J J

A7

puab- aa Bv- *ryjaap- ara Out- a

Z.Saf?

lit- tla aliaal thatMT T . i •om— laD ^ ^D7

whaala ba-J J «j i^J^a

alda

06

• Bill.

glo- rlaa on tha

06

Ba- eanaa it* a Juaa.

Jana, Jaat ba- eauaa It'a Jtoa,

LIMEHOUSE BLUES (Braham)•.Abafi Allegro •oderato

^^m

Oh.' Llm- hooaa kidGo- lag tha way

roar brok- an bloa- Haont-log and t«int__

log yoa'ra Just kind o' Obi Ob! Ob! Ida*- hn-M

I'va tha raal ;,la«- bouaa£J\

!--=! •» ^

r-V <:&tlnk-— laa thoaa

1logs on TOUT fin- £<sra toA tiiura for yoor ertnM__. '*':-'? »»

?r«afi* - vo •

that la tha ato-I| - ——— , ^ __^mi^s

37 of old Chin- a town.

LIZA (G.Gersh»rin) "Ziegfield Show Girl"Sb Bb7 AdiB C7 Abafi Adlja Btaj6 Bb7 Ab

Modsrato

But If you' aCoaa,kaap M

Cm Caff

theBon- «y- iat>on a- aUn- In domt Wa ahonldaMka a data with

•ban yon ba- long to me clouda-'U roll a- way.

IS SWEEPING THE COUNTRY-(G.Gershwin) "Of Thee I Sing"

Love is sweep- ing the coun-try,dim

»aves are hugG-57

- _ ging the

girl and boyTI £ like, 'shar-lng

_ lag the coun-try,^ Ofcere nev- er was ~s7^^

OKLAHOMA. (R»Rodgers) "Oklahoma"G7

Lustily

la- ho- ma, ( where the wind cooes„ l ev- »ry night »v

sweep-in* down the plainhon- ey lanb and I And the wav- in' wheat can

1 *™a- lone and talk

right be-hind the r an

la- »y clr- cleg in the

know we

V?b«- long to the land And the land we be.

And when we say

ln» You're do- in1

J

meu

s- %-

'm ' I*

H 01 S O O 2 A H W

(J. Kern) "Sunny" allegretto

Ihe •tele heart* J I ^»- wSfl Who

' ' ' ' ' r r r i nhep-

F=^E- neee.

=^g=3^iJ-*^- ^ B

•»- aweri yee, t«T Well, you ought-

STANDARD FOXTROTS-BLUES & DIXIELANDBA1XIW' THE ACK

07(C. Smith)

First you put your two knee* cloee up tight, Then you

to the rl«ht, Step •- round the floort-t ofem to the left, then you

e- round end tviet •- round with

•11 _ your altfht, _

do the K«- gle Rock with ety- le end greee

bring it beas, _ low th*t*e

BASIN STREET BLUES (S. Williams)

- pin Street, is fte street ,_ Where the e - tiie—

JUan' of cJreamS, You'll

n«v-er naat-j^tnean3;Glad fo be, _

Dear to me. Where

I can lose,

J

J

BIRTH OP THE BLUES, THE (R. Henderson)ot- . c

<u sine*

ja cane ne wai —

&at-that1 * *-• »* '*•*•* — ** v* I IAs part _ of the Slues.,— From a wte}>-poor-

Ar

tU Otd on a hill, Tfreytoolca nev/. twfc,

BLACK AND BLUE - (Waller-Brooks; Moderate

Cold eop- ty bed— irpringc hard as lead,—No joy* for me,— no COB- pan- y,

i~ C _ _______ G7,

Pains in n&r head.—B- yen the Bou8e_

"feel like old Heran from my house'

What did I doAll OQ 111* thru

to be «o black and blue?I»ve been eo

Pp t - i r >J~J '' i r iJLJ^^black and blue.

C Eb7I»K white

.** L , I I . . * D_ It . .i r >'4J * i n,JLJ M r r r ^ ' 'i r iiH

can't hlde_ what

face, oohl I'm oo for-lorn,— life*a Juat a ti»rn,__ Ky heart la torn,—

3Sit don t help my case,.E7 An

'Canae I

was 1 born?_ What did I do to be ao bleck ma blue?

BLUES IN THE NIGHT (H» Arlen) "Blues In The Night"n i

ma-tna<fcnetpl'me— Bon.1-C7

woman's a tmb-6ce,_A wor-rt-some<Witl«)llca*^f aiwr fkRbr J=7+5 f*»,73 Ebr »r

i/itle

I f ^ k j:»r- ti • r^^* • 1 fc" 1 I — T—J

a-call-inV wwo-ce—C>1^ ma-ma oonetd. me,_/Now tte ra'me a-&tl- in' heariPP9

, vvhoo-ee,_^ (Jly

, 01' dtA-e-tycJacfca-ecKo-in'

01-7•aVI / BUOLB CALL RAOcam aw TOf? Bb

- gle call, Yob're <You're bound to fall For the bu

brag 'Bout that bu-gle call rag.

young or old, Shake their shoulder* bold, You're bound to —

Bold M ba- by,Yhila we're danc-lagC7

Let'* ayn- co- patePlease hold me tight.

t * i J j ' j , 1 J I , 1 ' Io- pate *t» that Pfclne1

Mi. P*. dy, AtftStep 11 Ye- ly don't lag,

* —

T* t*te while a break they take ahh.' V^ long to that bu- gle call

rag. —

j

DON'T BE THAT WAT (Goodinan-Sampsore-Parish) f.0aerateiyBb* Eb

Don't cry,The rain

Et* —3

Oh hon- ey, please Don't Ee "Y.i T 'Jaywill bring the vi- o- let* of f.iff

Clouds in the skyTears are in vain,

D7 i Ddin D7

shoulcloulcl nev- er make you feel t>>at *'ey»So hon- ey, please Don't Ee That 'A'ay,

°I I.- l

AsC7

loneCdim C7 rj

see it thru,Pb+

m mYou'U hEb

me,FW7

I'llBb*

have you,Eb Fto7

rreet-Pb+ )-

To- cor- rent ie an- cth- erFW7 Eb+ -

heart, Oh hon- ey, please Uon» t Be "/ay.

DOWN HOME RAG - (W. C. Sweatman;A Eb Fwr

Moderate

Dee-ten dat-ten doo-ten,If you h«ar some-bo - dy toci-Ln' itEb Frj.7

! i * a 1 — « ^ — 2 — * —Dee-ten-dat-ten dooten,T}ialsa mus - i - cai i

EP Ab_<: c!>VA^en they pby tKe>Ve ai a vVav of

^ F» -1— *J-1-

put-tin' lots o' cute ir> it Dee-ten dat-ten doo-1en, It's the DOWN HOME RAG ;_> i ^ &>&.—. &>6^-^

PDown Home theyVe j?ot rhy-tiim an' how_Down_ . Home.^wU(e tliey're

P 6^7 — Et>& _.. -._ £bg /4»g1 — ^ ^ ^ ' "" a 1^ ^ ^ 1 r~j j'Jf'_ a» i • *» "h" — ; —^^—^^

push-in'the plcM/_ Down Hohne thery>e all doo-ten Cl now Oh! the>Ve

1 J — — _1 •

_ « — " ^4 ' • «-^ j a i,.

Dee-ten dat- ten doo -ten to the Down Home Ra.^

FAREWELL BLUESG

(Schoebel) aie>/< g» 1 F m v-»9 " i r r r

Sad- ness Just makesDream- lag of you

D7 G

come to say good- bye,day a- gain we'll meet.

^ c 1 , G , |P 1* b» J 1 3 —

— • = — 1 — 1 —r ' ° ±f=Iff sweet,

B-S7 E7

Al- tho»_ Ky feare

G

•H"- V — J— -H

-4 1 — « 15 — 1 j

I'veSome-

An H)7 G1 Her tbo ^-_U _»« |S 1

I go, I'vefor year* were

J •! — * ' »j^Jgot those fare- well bluee.—

those sad fare- well bluea.— (Fine)ae fare-well bluea make me yearn,

On

dear-(D.C.al

G. - (j. Mercer)C B C C B _ C

This IB the G.*1 1. JIVE, man^a- live,— It etarti'wlth the bug-ler blow-in*Af-ter you waah and drees,more_ or leaa, You go gat your breakfast In a

Cdia .

rev-ei-'11« o- ver your bed whant>eau-ti- ful lit-tie caf- f* they

youcall the ocas.—

Jack, that'a theJack, when you

Edlfl G7

J Ja a ia-G. I. JI\

con- va>- lesce,C6

Roo-tle-tee tooti JXmp in your suit,Out of your seat, in- to the street, make with the

P9 Db9 C9

j j J j, 1xft to IS-lutet (Spoken) Vootl

F9

If yo* r» a

Db9

V. T.

?2_

ty

luta the L- I-

B9 3b9 Eb7

-_ ^ ^ ~ _ - - ^^ ' --- ^^

~E- U- T| But if yon brush the L- I- B

Ab9 G9 07

Q« *• Thle la the

G. I. JIVB, n»an »- live, They give 'you a pri- vate tok, ttat

fea-tkiree a lit-tle de- vice caned flu- id Jack, af- tor

you re- vive, Chunk all your junk, Back in the

trunk, Fall (Spoken)Clunk!

Frankie And Johnny(Ncw)-Medium blues tempo' " C Words Boyd Bunch Music-Bert Lciehton

— 07?+ , r B C7'

1. FRANK-IE AND JOHN NY were sweet- heaits Oh1 what a cou - pie in love>••-< F Y Cdim 7

Frank- ic was loyC

to John-ny_D7 G7

Just as true as stars aC C7 Cdim Fm» C Ab? G7

bovc He was her manC

And this is the end— of try songT.This is the end— of my sto - ry

Frank-ie is down in the jail-house. And she cries the' whole nightr

ites hr, PT P? M r

a 1 j

g

—^

C Pm7 y+H C" «^long "He was my man But he done me wrong."

GOOD MAN IS HARD TO FIND, A (Green) Hoderato

D7A gxxi man is nard to Ttnd, at-

t"gel the'crth-er kind. Just when you think that he is your paL

<f C G7 C A7

bok for hum ard find him fool-uc 'round sane croerH7 .-

ravte yoti eV-«n crave. bo se« him

LTi nts grave, So If your man is ni.ce take my ad -vice and

G-tVe"F»Un p~ie#-ly tov-in',c

KCss riim ev-Vy nchug lurn ir the. c

ueathun ft^W— fbr a good man nova- days Is hard to fCnd-

HOW COME YOU DO ME LIKE YOU DOc w(Austin-Bergere)

C B-fi? *

Bow com* you do IM Ilk* you do, Why do you try to oak* ••

Z. c«a l»«t you do- ln» what yoor* doln» to M Ho* COB* you do OM

do, <Jct| do, Ilk* you do.

I'M A DINO DONO DADDY (FJro» DUBas) v*"» «*"-**=* i ModerateBb "* — . TO) G7 C7p.__^^__i r?.

Baxter), , . , . . aao

You ought to see me do mym a Ding Dong Dad-dy from Du-mas

LJ I !6 tuff. l » S a cleen cut fel- low from Hor- ner'e Cor- ner, You

ought to see me strut. — l'm a ca- per cut- tin' cu- tie, Got a

gal called Ka-tle,She's a lit- tie heav- y la- den but I call her'Ba- by,I'm a

Hb Eb Bb G7 E7 ^ Bb

Ding Dong Dad- dy from Du-mas Y°u ought to see me do my stuff.

(6 more choruses)

TIGBR RAGBb6

(La Rocca)Allegro Hoderato

f:T:=:r Ir PT-/U' p* fere's that Ti- g«rl Where'a thaWhere's 'that ifi- gerl

F7Where

^

J I J -nrJE E

Ti- gerl Where's that Ti- ger!

J J

Hold that Ti- gerl

Bb

J J >J Ihim, poke him.Hold that Ti- gerl Hold that Ti- gerl

F7 , Bb6Choice him,poke hia,

J J J I £ f fthat Ti-

T 'Ti- ger?kick him and eoalc him. Where's that T"i- g'er? Where's that fi- ger?

Bb7 Eb Gdim

^±zi

Where,Bb7

oh where can he be?G7 C7

Low or High- brow,F7 _- _ Bbm r r r

thThey all cry 'Please play that rigger Rag for me.*

fABASH BI/JES - (Ringle-lteinkin)Bb7 MoOerato.

those Sa- bash41* light that

a>

soae soul samy walk- ing

WANOWANO auKS (Mueller-Johneoti-Busse)r c? F

Moderate

I wang, Wang Blues, (She's gone and left me with the?I I»ve got tbe ev- er las t-ing J

Wang Bang

Ddiffl C7

Blues,

Go? Ddlm

and let me tell you Mle- tarI'm on- ly ask- ing

Bbthat my

Ddlm em?

I nav- er knew I'd be aoSweet Sweet- ie will cone back and

blue un-chase a-

til sheway those

It. F Db7 C7 .

• * °[ = • HI1 Mlwent way.

rZt G7 G-67 C7

IWang, Blues.

WHY DON'T YOU DO RIGHT (J. Me Coy)

C7 B7

had

RJ-

r».money nine-teenA«7

tA*o, _ Tou Let oth-er peo-ple tnaKe a

_ 87 Em

of ^.—WHr DON'T You DO RJGMT,B7 Am?

Like sane oft«r men do?_

87 , Em ET»7 C7 B7

Get oui of here and get roe sane mon-ey too.

all a - b o i ^ _ > \ x i am

Em E^r Am6 B7 Am7

exit of neffe fendLite some c^h-cr men do?

Em

get me some money too.

67 &n--T\ Em 7f you hadpffc-parcd

gg

years a-go, TOU wouU-nt be

B7 Em E^y Am6do' to $_V*HfDCNTrou

Am7

— Like some otiier men do?. Get out ^of here '"and

STANDAfiD WALTZES

ALK2E BLUE GOWN - (H. Tierney)"Irene" Tempo dl Valse moder-rto a.axIn my sweet lit-tle A- Uce Blue Gown, Then I first wan-dered

I was 'both proud and

felt ev- »ry eye, But in ev-^»ry "shop vrtn- dow I'd primp, pas a-Ing

by. Then In man-nar of fash-Ion I'd frown.— And the world seen*d to

wore It, I'llsmile all a- round,C A7

al- ways »- dore It, l?y sweet lit-tle A- lice Blue Gown

ALL NT I09BEMm

tAkst-Unapin-Jo±sonja Qa

iD7

i r iALL LOVE is for

for-you

j. Ilone,

OB 'It weeXto 11. Dfiira

aUllJuat

keepcre-

A7

SE & 1grow-lng xfhen nos V oth- er lovesat- ed« ay dear, to be shared

D7

have flom.

|g. A7

Juet th* cam> etant Joy of an

And our dreaoe un- told, that were sc i- deal

A

fade

A7F--H ise

' _ i

M «• Bake thesa real.

Urn

tMa, hy the

1 1 1 1- 1

D7

4~— 1 <t"J' istars a-

A7

bo vet

OBDear, thet I'll

i A7

I J. I J Jspend all ny life

•- Ing you ALL LOVE.

A13 ANNIVERSARY WALTZ (Dubin-fVanklin) Waltz

Te:Bdim

J J "«fit M Z may al- ways dance the AH- SI-VER-SA-

Da G7

ni- ver- sa- ry

this be the an- them to our ta- tore years, To mil- lions of

Us- ten with you.

BEAUTIFUL LJOT IK BLUB. A (J, F. Coots) T«PO

beaa-tl- ful la- dy in bice, We net Juat likeShe thought X

Ck

t*o ahad-•ome oneBb7

shedo. _knew,.

Bot on* wordHer Up« 00

said,wine

ah*

r rBb7

kiBoad me and fled And our lit- tie ro- nance VM through.—not meant for ndne, The night teemed to

Ca7

A boau- ti- fol

n»- ment Witli ti- ful la- dy

APPLE BLOSSOM TIME - (Von Tilzer)as

2.0.4.Tfa- ;, r \ F r r=f-fe* — p E f- p

I'LL BS WITH YOO IS.C

__ _ — .-. i - —»-» —-f — F -L J — a — zJ —with you to change your none to

A7 B7

aay, "Hap- py the bridec a

—„ a _• r

— : \ Fthat a won- der- ful we

S— f m J •*-• ~f 1

„. J =r r -^. 1 '- =_f? « J * *—, ex. p

AP- PLE BLOS- SOK TIME, I'll b«Edla Q7 Gdlra G7 C

fc_ ,*" 1 P» «»

mine, One

5 — In- —1? T

the sun*r". "' J' ==T

day in llay, I'll come andd7 Cdla Edim 07

--(^ — r r.shines on to-

=1 *n

1day."

Pr- ! — -J — — r - " r =0- ding there will be, What a

E7 A7 Adlm A7i =»-. 1 f" *-* -^_F (• 2 p! d <J — - — f=

woo- der- ful day for you and me,D7 Rn6 G7 D7

You will be mine. In an-

— « 1 iChurch- ball* will chime,G7 C

= ^^ '->^r, *—Hr i " r M ==ola blon- aoa tine. -

~ 1

BEAUTIFUL LOVE (Young-King-Van Alstyne) v^. «od«r«toAm6 37

Beau- tl- ful Love, you're allLove, I've roamed

a ndB- tier- yi -your par- a- dlse,

Gi — -j j J J 1 — f**—si — j — j — ** i r

Beau- tl- ful Love,se arch-ing for Love,

n*7 MM

\™r |^r f r i rr ^r r i ' :I was con- tent-Heach- Ing for Keav-

B7 fT. an

i — • = 1 — p —thrill-ing my eoulBeau- ti- ful

1 2. an— "S 1 1r »J ±=

r i rwhat have yo

my dream tAn

— "* ~s 1 — r; — (T ..I. L. -Ted till you c(en, de- pend- ii

Qn7 C7

with your

Gdjm B7T

1 <S*

-J j -1m «t m —u done to« re- a -

••= KJ =

me a-ig on37

eong.

Sm1 ^- 4^

J. ^<

1 — ~^^ 44— j£ 1me?lize,

GdUn C7d 1— 3

longy«ur

tacet |

Beau-tl- ful

1 1 1 1J •

Love, will my dreams come

BEAUTIFUL OHIO (M. Earl) Tempo dl Valae (moderate)

Drift - ing vith the cur - rent <fom a moon - lit stream \YbUe a - bove ffae

J i rAnd the stars on- eos in tteir glo - - iy gleam

Dream - ing of aCr

Beem- ing in a Par- a-dia*of lovfe ai- vine

ofe^esihat looted inFm ^ Fm Fm7

O . in

dreams a-gain I see Vv-sions of what used to be-

X1S BROADWAY ROSE - (Fried-Spencer) ModerateA7

wmy Roaa, thoro'e a tear in your 070,— Broad-"wry ROM, eeema 1

oft* hear you sigh,B7 an

Though you wear fan- cy cothes and you

•how Bilk- en hoce, You're a- lone, as they pass you by,

BroaflJT way Eooe,hide your cares in a emlle For to you tears have

r i • ' -t-1 sof style _goo* out 6f style etilO. at heart you're a gem, though the *tol* warlfl

deem no- one know of your weo, Broad-way Roee

BY THE S:LEEPY (£. Coatea)Qna7 C6'

dl Valee lento*C «*

CALL ME DARLINGh(Reisfeld-.Fryberg^arbat) W.1%11, 3x0,1,

' "*"

ff>e. at a. ^k- crtt fen- 5*$-

J

J

CAROLINA MOON (J. Burke)A „ G C G

Valae Tavpo

T I J. IGAR-O-UN-A MOON heap tstyn -

* • • • rm pin - -' G \2. G

one \vbo \yaifa for meplace I long to

G

3/DuTlgo, Go to therigfrt \vin-dow- scat to-your U^A.SaylJnal-ri^pieasepT Tyr+ Q C

do. TeU her thai I'm Uwe and Lone -

Dream -y CAR-O - LIN - A MOON.

CHAMPAGNE WALTZ, THE£t>' A£m n" "J—

(Conrad-Oakland)

J J y fP?>4« r*'/itim - Witt*..

*»

fm-r£**•>/^

Jtrrcr my

ft*-ti f — J ' ":i=*=i N J 1 1

p

CHERIE, I LOVE YOU (CHERIE JE T'AIME) (L. R. Goodman)

Cher-ie, chcr-ie Cher-ie be mine a

oouki praiae ou a thoue - and ways * J aay it

i r TfJT^ j i i *. i * j iall in tnat oW, svieet phrase • CheY-ie,

I d

<3hrfr-ie, so fair.C7

TeU roe

i r- r r r I 4tell me yoa cane..C7 P^

I love you, love you , Thales what I n»ean Wha» I"&^~- -^D7 Gr >"/o&?S^Gr CT

i r H r r 'C7

rny own I Love Love

i— — — j i''•wen I whw-per my own ny own-

CIEIITO UNDO - (C. Fernandez)

j i r J i J J J>l r r J I J J IHi nev-er for- her The nu^lthat I met her a thousand gut - tare >»wre

FT ,

stars a -J. ' J. J

PTae F7

I J J J I .Jair and my heart wa»

I j

bovfe Wferte eay- ing Ixveis in theFTi i

ing.

M

I thougiio re

pr

- siet her but

- at- \y kiesed her tiTi^n I heard my heart sayI i J

Then wifc a

do teh-^r \veJ I r J | J f =|=pE

to a apCs»>-<lor.

fr''i i 1 i r HUJ- j'Ay, Av Ay Ay, ,., _ v ,

I* " Bet.I — f — A**' ~[ ^-v> 1 — 1 — \ — j j — Hc — 1 — £ J— I — J — J . J — J — »_

7

0— P-— 1—

1" 1 r i Nrial nufht vidsr - , T— T — r — 1 — j 1— t — f 1 fj i 1

- VOi.

G»r rr

\Nnen one lit- tie kCSs

F7

hea-ven-ly Uis» and

my Life vd

E»> Ci

1 — i 1— r1 — 1= U4-

M j J 1 .H3 fJ.^_L^EIS 80 com - plete a - gain.» F*" Cn>7 B*

1 -rr. D f-' J— f ' £ *—

2 E •— £ fAy« -^/' ^y

ML4^ — J J «l — J J IJ — J— J —

That

C«7

L8 n heart tk>'

FT cwr F5-

i r r r M --:-5=^ i i- r L-T r r =ft=fc^^

drifl-ed a- part But someday I know weTl n>eeta-gain.

CINDERELLA, STAY IN MY ARMS (Kennedy^Carr)a

May- b« I»» that

• trlk-lag I'llftrinc* O».

MOP ay heart

plae«A noEt to alaa

Clo-<S«r- •!-!«

ij :

j

CUBAN LOVE SONO-CStotliart-McHugh-Ficlds)11 Cuban Lore Soxg ' 008B> V? Btm CT , **"

br««s« !•««-!» nights» ^for all tli« Joy yon

DEEP IN Iff HEART - (S. ROTberg)" Student Prince"F Ai> T^nk r**v f— f*_ x!7 __ JJ» Vr/ L" ^

i r i rTITpf IIOttlHi t

AMa tirfmrn of

I T r r ryou.c

Fash - - voneci oT star

Bar - funw oT and dew.. Our

*Tnay sev ftd it-

•Ao tfr

i i" » ir^^ ^r~^

DESERT SONGjTEE - (S» Ron±>erg) aD8sert Song)

i ,. i i j. i.jkl*- nag a aooa- A <!••- art br««*«

Tba da«- crt Mag.

«a- tJxrall- <ng Will make you mine.

(Rapee-Pollack) Bo<J«r«to

Heav- «n whanlight- •& the

CT

And tho" ev- >ry- thing's dark allBut no mat- ter where- *v- er

the while

SmllC for me

DON'T.ASK ME WHY (R. Stolz) Valse moderate

• Don't ask me why I'm leav-lng, Don't ask me why.Da7 C A7

Don't ask me why I'mA*.

grlev-lng, Don't ask me why. —D7 07

U J IOh I Just want to tell you

C. D7 Q7

I'll miss you so, And love you for- ev- er, for-get you nev- er.C

" r ".. r — f=3 -P P — f- — -L-— j_^> • _l» — p. f. f. — f-

you may hear me sigh-ing, Don't ask me why.Aa Dm

I know you' 11 see me

cry-tog, Don t ask me why.

You'll whisper you're a true lovej Inen no more you'll be ask- ing me why.

DOW THE RIVER OP GOLDS* DRStte (Klenner-Shilkret)* .4 -U.

Dowi the riv-er of gold- en dreams, _Where the sll-ver- y love- moon beams. — • -

Bb (& F7. 112. Bb

Drift-ing a-We' 11 not be

long, hum-ming a song ofblue un-der the blue fl-

ic ve,bove, —

. Bb

And when we

find the rlv- er's endr r r

WhereC7

the wil- lowsEb Ebm

bend,F7

ie_L—6-There our days we'll spend, to- er.

J

DREAM LOVER (Schertzinger-Grey) Valae moderateA7

430

Dream¥/•

lo-*» ar* fold your an* a»tvo can leave the world be-

ad?.

round•

MIua,

lov«- or. your ro- manca hasbod- y in- die-creet caa

Know- ingheld la your spell.

nev- er tell

3«- creta di- viaa ahar- log with you.

DREAMY" MELODY (Koehler-Magine-Nase-'-.) Valae moderate

don'tlet

mel-

PALLING IN LOVE WITH LOVE (Rodgers) "Boys From Syracuse1'Dm Gm Bb M7Bb

J I J J l j J Jl.lFall- Ing in

inlove withlove with

F7

low lalove one

fall-night

__ for makeen the moon

F7 ^

I j h J *i J J J I J J i J J I• ^^ *—•• ^ C*nl l_4vtrr 4*« 1 «.* _*4 *\. •« — « T«

Bb

Fall-ing inI waa un-

Bb6

love with love lawlae with eyea tto-

theto

Bboa7 Bb6 D47

fooliaee. '-

W f

* *\ rCar-ing too much ia auch a

fell In love with love, WithI f elJu- ve- nllelove ev- er-

Qdia? Cm C7

Learn-ing to truat la Juat Ptar

Q« Ddlfl07 Caf? F7a?±

chll-dren in aohool.

Bb

i3Ut lovt fell out with ae.

PALLING iN LOVE WITH YOU (J» Meyer)

FOR IDa - (Barke)e

I will gstb- er otara•ate a string of p«*rl»

for you.

OMa

And o- var i r" ' rstreet, Ca^-i i i T

pcU Of eJU>-•' -j HW ^ni

lar ** your foot Ck, tt»«r*»» notb- tug in thia world

(S. Clapp)GIRL OF MY DREAMSC G7

low you,

Th«n Ufa

Sinoa you'v» baaa goaa,1 . G7

Ufa don't 8MB tba

Jura's on- 2

J

GIVE ME A MOMENT PLEASE (Whiting-Harling) Moderato

G-iveJnea rno -m«il flease.A mo-ment plSase , one

*S °^«fc A.

you must. you

Could bringer Knew ttial one like you

r. i/.lllft me and Tet

Par-a- disc for

HONEST AMD IKULT•b

(Rose-Wood)BU7

r r i r r i i rjuat wMxta to MM u*

r r "r i ibut with

fc _ C7 1* Bb7 H>»

r i r ' J- ' 3 r r ' J ^ rno- bod- 7 «!M, Hon- ««t aitf tm- Ijr, lt»lt»« you.

IP I HAD MY WAY

MY WAY, clear, for- ev - er/Tnens'dA7_ PT QIL

gar- den of ros- ea-E2 F J*r

forC_

and forJ2Z.

/A thous and andQ7

I i r i Ione things, dear, I would do Just

c J&. VL,JuA lor you., or.-y -you.

O7

IF IE7 - F

(•» • . —

f |J J

V\«V, vvfe would nev- er groW oU, And aun-shine I'd.Cda.

r LJ I "r Jbring-C Ar

would all a - lone Lite aG7

queeti on a throne. IT I HAD MY WAY.

** WRB IN IXTVE lOU'LL Ui.Tierney) "Rio Rita"

you're la lov» you*11 waits,

pair

•y»- pa- thi*«,Q7

You* 11 laugh

get your faults, if you»ra In low yotOl waits.

I GIVE MT HEAHT (C. Millocker) "The DuBarry*

I'LL ALWAYS BE IN LOVE WITH YOU (GoetSChias-Osser)fv <"•*

tn«d aohaid%>TMr QT

me thank you- forC7 E7

sucii ten . dermem-o - rtes

wisli you hap -pior

neas , v^s fcrG7 B7

me , swoet-heart IO . •—

guess , III

3l Love vwihI f ^3

J

j

J

VDU-

I'LL POLLCW 1IT SECRET HEART<»•Coward)"CoOTersatl0nPi*ce''A34-Aii Q G* ** • * —. i 1 1 . i

I til Tol- low ayKB m G O

a«_ cret heart my whola

. I ' j J ' T~£f7~ through, IT" ~HE^ **••* «H «V

haart

I'LL SEE YOU AGAIN - (Coward) "Bitter Sweet11

j C AT Dm PmT

111 see ^ou, a - g8"1 Whai-ev-er

r i •' J i V i.r r r i g^pbreaks through a - gain- Time may lie Iwav-yGy ^ -._ Pm J7/-_ J-'J- J">< ** I .J. I J- J |J J I J

CBut What Has been La pact for- get -

Ar Dm * Tbmf1/1 i d J ' J. rj -u^m^m r o - zy A-CToasthe yaws

Cr F P» E7 A

I r r i f r r r if ir PI r p > ime; Tho'nyviortimaygB a- wiy InnylieartWUeir-cr

J d • • J' j i T j i r TV Ki^tie *lu8t the ech-o of a sigh , good - b/e!_

1*11 FALLING IN LOVE WITH SOMEOKE( Herbert JfcaughtyMariettoff,qy . . i . °y i . r . . . CT .' •) faJ i J • H i J» i j. i . i

For E »• fall- ing in leva with ona

rI «girl) _ I « fall- Ing in low with

j i u ij h i-j.J. 4 Ja- whirl) yea! ^ iTa fall- lag In Iowa with

i j, ij. .1 r—rr r' lr r r »r J~^^plain to aea, l*a aura I could lova aoaa ona

f' Bb A7 V? 07 C7 >

i r I r r i»r r f I'lp r f ifly. If aoaa ona would on- 3jr low M!

I'M FOREVHl BIDDING BUBBLES - (Kcnarovin-Kellettc)

• for- «r-*«r blew- ing bob-tola*

Pret-ty bub- bl««bub- bias

0 A urns SPAHISH vm* (M. Wayne)n

—!•••»- ~-VW^M on • alAt Hi»**** *»*>• y» • »•

IT'S A GRAND NIGHT FOR SINGING

J J I

(Rodgers) "State Fair"

\r ' JJ

j i j iJ J J

i» ir r r i r r~ p in»»ia IIM kl» •••! at tto vkr

lg,B7 C7

i r r r i r r pZ ••

D7

J

I WONEER WHAT»S BECOME OF SALLY (M. Ager) "n : "•'""•Ar D?

fF HF rwon - der whats be - come of Sat

D7 G __ GThat old

B* cri ^ ^

Br EmTh« gun - shines missing from our

Ar DV

way No mat -ier what she is: Where-ev-er she may be , IF

one wants her now Ptease Send her home to nie; ill at- waysw«(Qome back Try

i3aL ly , That

(I

gat of

Of LiUo TU»l (H«»ShlIkret)j i j IJTJ

«ro«« of 11- lK-tlMt Xour «y««, thtgr

•i in 3d?" ac-tim, rotor wla-

chocks blum-lnc; Ilk* the rose, the *&llo, yen ci^h «n«n no-bod- 7

of 11- lw tlae,

you Ola*.

S«Q 0*9- «T di*^ nine. of 11- l«c-tU».

KISS IN THE DARK, A (V.Herbert) "OrangeFf»

L

l i i n

2,37 KISS ME AGAIN - (V.Herbert) "MUe.Modiste" Moderate

^Nrr-S -i )-, , 1 | -IH J. .1 J ' ' ' J ' ' ' ^. ' " .'. ' '

F<S»eet Summer breeze, v^U per • ing treea, St*S n^tn^

I j. I j_ j— j i r 1 — i tfj ' i - f c"Ros es m bloom, waft ed per- <u

i = 1 i 1 1 —1 - r 1 j. J. J 1 ' i H1 J ' '

Safe in your arms , far from a -i — r^ T""5 f* vu 1 — P- * —

v?»ir Ten-der-lv pressed dpse

I—02 i 1 Cl\ J J 1 'l '/ 1 £ £P1 f J- p 1 *L J-*1 -r 1 r r=Kiss me a gain- — ^lSS "*

1 f m 1 1 "1 ' . ' ' ' 1 H 1 I 1 1 ! I f r

=^T I • j •.r • '-"^ ' ** • — 'soil. • ty a - bove,

• * "r — '1 J J «•- ' I— ' 1 ' 1me 5leep-> birds dreaming of Itve

' i T"7 i i"' i i i^ T j .1 J i rlamis, Day -lurfi shall come but inf.:,. " y . _i

^^to ^t>ur

r/ 1 f *a- gair

1 '1

E

) i i LJ =d

breast. Kiss me,AV T>7 <N . _,

4r rj 1 r r — ^^— nr \ -— r > • <i! kiw me! kiss me a-

^ - ^ .« i IF , ?_•i IP * { j--.

KISS WALTZ, THE (j. Burke) "Three Flights Up"0 C rtfcm G7 O G* ,

fl,fj „ =p rrl = p f-s J ' f | J 1 : ' " = * 1ff-* r .J_ i — f — t kP — =4 ^-^~Kias me, sweei>hearl; kin* rp<» , , . , . _

C " ' Cfd™

- - J.J^ - jj"- J— <- T |j l«a«. i»g;-,,. , . ... nn'Wyw/r IcM- now> hT>m D7 "^ ^Bf

1 J ,]• J 1 J F-Z-K 1

Thate what {he Kiss Wall* uiA7 Cfc*«7

— 1 — J j-^TI — J 1mine \7hileweVe away-

Rn Gr

— J »J*^ 1 1 fJ"J 1 F ' fj~- 1 1 . p- 1iiTJ, Oh, my dear! Cant you. hear whai theyte play - it»5 ?

C Ffdim G7 E: • V \ + \J — + ^, - — 4— J =* — -f~- — f—- <" • ir ' •' r ' ' r r**^ ' -^'

This walk is the ktsa Wall*,E7 .Arn C7

r r r I f I I r ="both vfa<A to do; ..... Sot"> A™ Cm A7 D"1 A7 X>f G7

— z j 1 ; — I — i 1 — — f~= —f r jy - 1^ J. 1 J . «i J 4-f-kias tnff! , . . , \VK|»- T Han«vthP Klf*1

LET ME CALL YOU SWEETHEART^t\ m , iJ **1 rf rt J — fflf * j • i f i r -TJ —

LET ME CAU. YOU SWEET - BEAST,

C7 ?7f— f= — "" L J i J id — M —1 9> " p>-« •* «* fJ — 1 — « —

y"" I*9t >^* hfT

Bb dim F7 C7 F7 B1 1 1 1 f 1 2 1 1. —

lOV* me, t<>O ., jfeflp

dim Bb Eb G7 Ci — i 1 — J 1 — d 1 — f- ~~ ~r p1\-^ l-l— * f-* H r-F

tn your ayeff so tima _

Bb O* 07 C7

1 1F

1 ' fhiss n

»GfT — S — h4 i— J-rt&itx with

SThitsondim

i — i — E — i ,Tell - fng us

Fm1 1 4 1

ic! sweet- heart,c. *>* 9^fj.«~ ^ w jc J

•&r-r. LJ1 ^ J

* Slowly (with sentiment)3b Eb 67-- — 1 1 i — 1 1

-J-J • H- * K-#^ 1I'm in lov* with

0*7 tOJ 1 r j I I J .1* 1— p d 1 — J *_J

you whlB - per that you

1 — J • i * l i

the love - light glow-lag

. i? . .rs=*=»I 1ur

=£==I I I 1— 1 P i3 S

SWEET-HEART, I»m in love with

p I-AJ > 1

r ME CAU. voa

i ^, K j- •-4—* P1^ 1YOUr _

LET THE REST OP THE WORLD 00 BY (E.R.Ball)Ab w?

a pal good and trua,I'd

•11 ba- bind, and go and find Sona plaea that'a known to God a-

our owa.Wa' l l find p«P fSt

paaoa, Whara joy* n«v- ar oaaaa, Out thara ba-

mat, And lat tha raat of tha world go by

LITTLE LOVE,A LITTLE KISS,A (L. Silesu)T) A^*1* A1 ^H

le SU ; Ailagr«tto Modarato

•ban tba aoaatad nlgbt of

D B7

OOT- _ ara flald aod oi- ty with bar vail of

full or stray-lag lova-

I aay to

A7 Ddlm

Juat a llt-tla

D 177 B7

a lit-tla klaa,__j

btwa M, And fea lit- tla word that aayabo»a you, And baar you Ala- par-ing,

LOVE HERB XS MY HSART! (Chore A Toi Kon Coeor) (La Silesu)A i Kb rm, Bb7.

Lov», roaa for yot*

Kb

— if1

m

J J •£=

CdlB T^

J J

Bb7

TEii = = ^— W— 'bal». Yours if you kaap it

Kb B7 ta Bb7 Kb

to- day,

LOYEL2 LADY (McHugh) V/nltz Tempo V.oderatoKb? Kb

•yfVf-y ; : 1 1 1ffi^* ,, =^= 1 J J -^ J J af

Love- ly ^Le- dy I 'm fall- ing mad- ly inCiiiin 1-W Bb7 Eb Cdim ttz

I — -~Ls 1 — of- -p-jo 1 1 i 11 \— 13 E^ i =J -j -4- -j

with ;!ou. L It's "a "*Teel-wincBb7 Eb , Pbm6 C7

_, -1 J _~ |_lp _5_ceal- ing, V/hat can I do?fta Bb7 Eb C7

=1=

Take my heart it's yoursF7 Bb7 F:b+ 2b

h i 1 1 1 :

' J J J 1 ^' 1 |[ J~ 1 , J

To keep for- ev- er Love-On? . Bb7 Eb Fta7| ^J : 1 -J -~r-. -•—-=—t^-Lj J J • ^ ^ '•

fall- ing cad- ly in love vlth

^=, iy

"1 =1 L-.

=^==E±==^=^oe- yci.-J cor.

j

a-

Le- d;

you.

J

to

.one

1J 1

•, I 'm

-=j 1 — H: ^-«

J

LOVE'S OWN SWEET SONG (Emmerich)c

Taaco 01 VaiB«

r j rA7.

Ob let ua come and dance with Joy Since* low and

' ' -| ' | ' I3Elife are our a,

CFor youth la strong and blood grows

mwarm Be- neath the scent ^ of flow*raE7 » Am

Mu- sic

MIand lough- tar bright

A7 milSing- lag with

G7our haarta oa

r^ ^ IIfir* love* a own •waat BOOK.

MANY HAPPY RETURNS OP THE DAYF C7 din F A-S7 D7

(J.Burke)

—=£=M=J i r i . 1 i 1 l4 J 1C9

bap- py re- turna ofo re

the day,.Am?

there

1 r r j1 »£-J[-j--...: ..jT^ — «— *L - 1 Vi J J =1

IB- n't muchC

more IA7

can Bay;DBff

ra- call with07

ilT rmar- ried a year

tacetBut I still wish you luck.

C7 dim, F A-S7 D7 07heart that'a ain-

C7r I ,1. I -

cerej— I won't bring an-Qm6 A7

y prea- antOn A TT?

to you,.Bb

I gareBba

•t

you up, what more could I do?.

r jI'll Juat sand a bou- quet, With

G7 <?N Bb7 P_j i

card that 111 aayt 'lian- y hap- py re- turna of the day!

MARIA ELENA (L.Barcelata) "Down Mexico Way"G7

2,4-0'•T r "MA-RI-A*t-LE-NAMA -Rl -At - LE - NA you re •

C7

the am • wer <<>

To me vouCan't you see how much I cire5

And when you're ncir my heart cant «pe»k i

CL C>the ech - o

«g.K. MA • Rl - AF - LE - NA Say tha we. will nev - er part

MA-RI - A E - LE-NA Tike me ' A love likeo your heart

Rrc.ii • - nough for two To share this love is real • ly all I of

MASQUERADE (Webs ter-Loeb jQ Gdia D7 G

Valse brlllent*

j. u. i . i j i j. i » j jTwi- light soon will fade,La- dy dressed in Jede,

I»ll meet you at theHold me tight at the

fas- (juer-

1r r i r r i r rade. While our hearts are swing-ing to vi- o- lins sing- ing till dawn.—

If the am- sic halts, dear, Ihen my heart will waltz, dear.rlgbt oa.—D7 G 11.1)7 Ife. Ba ,

rthe

fTwelve o'- clock is chim- ing on the clock

D , ^ S7. A7 fl7|J f I

up a- hove.— Now if you'll xm- mask your heart »U love you, loveD» G Gdla D7 G .

r i j. i j, i . i j u. M j j u J ' JTTT j ij. im. Hid- night shad- owe fnde, Ilo one's left at the lias- quer- ...-.G^ An E7 An D7. G. P? G[

you. G ii

Ev- 'ry-thlng is through,dear,But my love for you, dear, lives on.

(Van Alstyne)MEMORIESF

Moderate

mllcm- Meun- o- ries, Dreams of love, so

O'er the Sea

P7 G7 C C7

Hen- o- ry

Wild- wood days, A-drift- ing back to Child- hood days,

oong the birds and

An Ca6 D7

bees You left me a- Ions. But

still youre ay own! In ay beau- ti- ful Uea- ries.

2*4*1 MEMORY LANE (Spier-Conrad)With expression

I an with you Won- dor-Ing through lleot-o- ry Lanes LIv-ing thany 3ay- log-Good- bye" there in the dam; Cb- ly a

the

G7

years, Laugh-ter «nd teara, ov- er a- gain,glance WE. of ro- aanc«i and you ware gone! —

I aa dream- ing

67

yat of the night we net When life

LGW7 I IT

waa a

"~~ Q«7

ve- ly

G7

=i=l

frala.

r

You were ao Though my dreaaa are In vain,

j Qoff J CZ F

g L J 1 r J i r J Ileva will ra- aain Stroll-ing a- gain, Mea-o-ry Lane, with

MEM'RIES (Golden Memory Days). B»» F+ &

I fcr'i •. ,

« Sanford)

jj.

* ^

i

U>Wl Ttfe^FF

the

miyeans, Srnilea UmnQh the tears.

FT ^rrrrMem'- lies oome and

F

.&

TeO.CM

you to*te me dear now then.

r I r.Gold- en

a=s=ip

-o - ry

J

MIDNIGHT IN PARIS (Conrad-Magidson) "Here^ To Romance1

C Sdin

BOUT, __ dough hearta areBdlm IW7 G7.

i i rIn. at old- night in

MOST BEAUTIFUL GIRL IN THE WORLD,THE (Rodrers) "Junto"Kdlm

The BOB! beau- tl- ful

Fdim F

£girl in•tar in

thethe

worldrid

Picks •IB- m •

C7

—*^tie*Gar-

i J J) :S: «3E

out,bo,

eata «yIB- p»t

cacn*-Dtwt- rte.

DrlalcBBut S.

mnr

•weetTW

tSckZ

J J. J *~I_ The a»Bt beau- U- ful— who can make me be-

Cm

girl la the world.

C7

^

lias- n't got plat- 1-

J J. J I J

' ' - i ' ' • ' I ' .1«n- 37 bean- U- Ail Ctrl la tha worldl'

BEAUTIFQL LADY (l-Caiyll) "The PinkEb Bb* Eh Bb7 Gdla Bb7

TJ hJ J 7 PToQliaa,

[beau-ti- ful la-I 1 ralaaon light,

Eb Bb»

my «y««> —bright wiag»,.

Cooa, coma, beau-ti- ful

t ' r rDream, dream, dream and for- pain, uae- leaa re- gret,

Love, love, beau- ti- ful la- dy, in my heart aings.

MY BUDDY *-Criim

(Donaldson-Kahn)

—^— ^—know that you un- dar- stand Ity Bud- dy,

I^BB &M «!-• A_^^

Bud- Your Bud- dy you.

HY HERO (0«Straus) "Chocolate Soldier" Andante con >otoBb F7

CoMl CowlF7 Bb

you on-17

3y,

haartES S

tru«, Gomel

I J' I ^

COM!OB

lona-_

long forft-

*=^^you,. COM! COM! can ef-

face you, to brace you.Gl

1 low* yon

MY ISLE OF GOLDEN DREAMSc , r

Tempo dl Valae Lento

Out of the •!•!.tt-ift-lng in dreanrf

bands I nave pressed

lone- ly and blue.

"Heart of_£

beart, no more we'll part!" I hear bar say

But with the dawn, ay dream haa gone a- stray.

j

J

J

J'

J

MY WILD IRISH ROSEC Rn

(Olcott)

take The

NEAPOLITAN NIGHTS (J. S. Zamecnik)

Ob, nights of-I t

ModerateBD7

— tt. love tar- read-stare are weep- de-

p i -r r ^£3=j, nights of laugh- ter, .

DSJCB bell* are peal- lag,

Love's re- grets. love for- get*

NELLIE KELLY I LOVE YOU(G.M. Cohan) Valse moderate

The boys are all mad a- bout Bel- lie]

I I' I I I

long they bring, Flow- ere ail drip- ping with dew

i l l * ' I f " I f^~~Tf. »J. _ '.. »• TJoin in the chor- us of Hel- lie Kel- 3y "l love ynaT '

NOW (Wright-Forrest) "Song Of Norway"F7 Eb

If 11 have ayI. pay the

Bbm

heart* a de- air* pip- ar» a hire

Bbm6 Ra. Abni Bb7

er taught my heart whateart wanta this mo-

How z cov-'*t you"Ho" "no* "no" *no" "no" meant* Love, love,

is change and

Bow, How, Hot for- ev- er but now, I»a youra.

OH, HOW I MISS YOU TONIGHT (Davis-Burke)

OH,Qdla 07

MISS YOUAn.

f<BTj * I j j j_ Miss yon while

mr r rlight* are low

. oai

J J. I J J "J I J

Oh, how IGdln G

need you to-D7 G

night

I J I J *ta^i—-^More then you»U ev-

En

Bach mentE7

r Pthough we're a-1 You're ner- er

D?out of myG Df Dar r r

.one- ly,bent,S7

But I'd rath- er be lon<A7. D7

And wait for youG .

ipal how miaa you to- night.

OH, WHAT A BEAUTIFUL MORNIN' (R« Rodgers)"0klahona"Bb?

J J I J r Tr rthere* a a bright gold- en haxe on the mead- ear - There* a a

Bb Bb7 On Aba Sb

bright gold- en. hazeBb?

on the need- ow The corn la ••

± rhigh aa an el- e- phanfa eye, An.' it looka like lt*i cilab- in* clearBdla Bb7 Eb Ab

i r r r I j I J J r IT 1 1up to the aky.

mOh what beau- tl- ful •ora-

Bb7in*.

I got a beau- tl- fulOb, WhatJ!f* - -

beau-Adlm

tl- ful day. I gotBb7 J Bb

feel- Ev- 'ry- thinff*a way.

ONE KISS (R.Romberg) "New Moon" Allegretto grazloao

Cbe Idas. one man to save .it for

him a- lone. Cbe word, one vow and notl*- Ing more

II i I HTo tell Mm I

night with- in hia

II I I I

M I iman And no oth- er nan In the world.

OMB HIGHT OP LOVE (V<

1 I I .1 j I J._j J ^ I *' J IQBE MUUT V LOVE,

CT

u jrrr r^ i i*"-_ A night to hare and hold,

F

1 ''- ' J !««• la

I find *f low- ar gone,

U>VB.

ONE ROSE,THE - (Lyon-4CcJhtire)

sweet as the red rose In r«June.

Love you, a - ore you, I do Each « i i 0>m Love -land

wan - der, sweet - heart Pell - wig _ love sto - rtes a - new"-••"••-'•• ' " .

J- •Md.Uue sly a dark cloud came roll Break - i ny

•f I I r I I.heartC

in two_ Don't Leave me a - lone , I love on - Iv

You're the one rose ttiats left in hearth

ON MIAMI SHORE r. Jacob!)Uodarct*

•AOZ^* —

PARADISEfl i

(N. H. Brown) F7Moderate

Bb.

hand, IHnlight,

then I un- der- stand (Mm

fire with sire, Then a heav- ea- ly

) He takes ne

J

j

J

O'HEIL (Pease-Nelson-Dodge ) Teopo dl Valae

If her eyes blue as o^iea, That'a

— — £Z—• r^..' —

• =- 1 • r. c=za| «

Peg- gy 0»- 'Neil, If she's smil- ing all theC

Neiir^=r± If- shewhile,Cdia

That'sG7

Peg- gy '0'-lia G7 C Cdin .

i i J i r r r i J- I r ^ r I r r J iallcs 11 ice a sly lit- tie rogue If she talks with awalks

07 On

cute lit- tie brogue Sweet per- son-G7

f rcal- 1- ty, That's Peg- gy 0'-

RAMON* (M. Wayne)Eb Bb7

Valse moderate

Ha- !oon- a, I hear the mls-sion bells a- bove.when day is done youll hear my call. .

J J

II. Eb

mon- a, (they're ring-ing out our song o:( we'll meet be- side the wat-er

L. Bb -^ «?

i r i r r ' rsong of love, I press you, ca-

i r n -r r r rres a you, and bless the day you taught me to care,

r r p iTo ax-ways re-

""112. C7.

ng rose you wear in your hair,

C7.dread the dawn

r- i r -r r if r; -gm

when a- wake to find you

gone, Ra- moft- a I need youLJ * •' J

my own*

ROMANCE - (W.Donaldson) "When Johnny Corns Marching Horn1

r j » r may .come vriBiJh* Springfa Heav-en fSr one "

j j j •'"jftemJBeda*n ofin theaKuesa-

JX>- et - tc vvofda set to LoMe-notes of

for life is. a ypid, Till yoidben->)«adl Ro-mance, swfeMfc- mance'

ROMANCE - (S. Roniberg) "The Desert Song"

Don't *•••

2.4-9 ROSE IN HER HAIR, THE (H.Warren) "Broadway Gondolier"Eta.

*n her eyes there was moon — light,F7 0.7 F7 Cm

3^p'

G Cmand a. rose in her

Vialr,j r

J>7 F7 Cwr F?In rny arms thwe wsas no one,.

B^ Gw 8^

JSo I just put her there

ia Gf G/her

in ny heart was a1)7 G*. T>r Op C»

prom - - vseC«7 Grr>

i r P ir iVWien I ft - nal - \y went, I went homewitii th» scent w

F7 5^ ^——^^E^? jt> F)? 6*

rose in her3^

hair.

HOSES OP PICAHDY07

(Wood) Brightly

row* may b« far Bat therV* on* roM that <31«« note

Pi- oars. dy. »tla tha roaa that kaap ia agr baart!

SAY NOT LOVE IS A DREAM (Lehar)" The Count Of Luxanbourg11

Say not that era-F CM* C7

ftrt* will r«- daaai

J

SHADCMT WALTZ - (H. Warren) With •xpreulonD+ 0

In tha «h«dow», lat M COM and »ing to you,

ltt M clingTakeae In yourI can bring to you;dta Q Ba7 A7

lin - gar long,

ISO

Xa tha win- tar.Iat aa bring 14w aprlng to you, Lat M *aal that X M«B

av»- ry - thine to you;Q BaDdla Vf

old will ba

, _ in the ahal-owa, whan I OO«M and alng to you. -

SILVER MOON (g^ Romberg) Hlly Maryland11

i

thro* th« night Jn

HMTt,

(£* Lebieg) Allagro ooa Bete

eraap

SMILIN* THROUGH (A. A. Penn) "Smilin1 Through11

f\ Kfc» Eb7 A> Bb7

bill Toball. lhar«f«

lit- tl»But in all the

gr«anlong

g»t« — At wboM tr«l- lie Xy**r*_ Wh«n tb« olc»d> brought th«ir

While twoBio«« two

SOME DAT - (R. Friml) "Vagabond King" «oder.to/Jfc n B<7 *L

r ir r r r p p r iyou will M«k ai «od fiafl DM

of tfa* d«y« that •ball

a dr«« that !•

«ban tb« win- t«r

in tlM flocb of th«

bom for bar lov- «r, th« man_L with tb« heart of— a King.

SOMEDAY I'LL FIND YOU (N.Coward) "Private Lives"Eb

i i r i r j i, rr i P r r iSon*- day I'll find you, Hocn-llgnt *>•- vMnd ybu, Brn« to tb«

07 At. ton a.

naar yon Too* 11M7

W« ahall atabdc?

Band in band. I'll leave you n«v-ar. Lov* yon for '*v- *r, all ow J

Son*- day I'll find you f

SOME DAY MY PRINCE WILL COME( Churchill" Sno.White & 7 Dwrfs"A+ Bb D7

DAT_C7_

PRINCE WILLP

CCME,

r i r r i r i r sfind my love, And bow thrill-ing that DO- ment will

rr J r i P=Ir 1=3i r r r i h* * A 4When the Prince of ay

two. Though he'a far

day, Some day whan ay

STARS IN IK (F. Kreisler) Andante

j J I I ,1. |J J ^Stara la my eyea tall bow feel, »ar thia

i r r r i n gtan- dar paa- aion la real.

1 1j^J «i

u_ j ji —

1 "T ' *•*-at — 1 —

-J—

••

=&=J -^J —v*nfi

1 — 1 — P~•* i r =*P— f— h^ IT. 1All that ea- gar long- ing ia

B7 tacat mlaid to raat.

D7ayaa will al-

rtwaya ahlaa

j J iT" iwhile year heart

Dbaata with Btaa.

A711 your low

fi

if r j— far aa diaa, ayaa.

SUNBONNET SUE (WhenA C dim 07

I Was a Kid So High) (G« Edwards)a* e

>• r rUl-boo- nat Soa. Sun- ban- net So*,

O7

If J J Iand

I J I J I 3 J J I j ' Ij J mTOO- as ran sec- oad to

A7you; Ton looked ao nice,

G7X Idaaad you

I* itwice,C

On- darB7

your sun- ban- net blue.. It

i r-imi r ±on- 3jr • kind of a "kid fcUa,"_ But It taa- tad lot*

J I ^ • J IJ J J c, r iale- er than

_Ci f A7 Ab7And the next thing I knew, I

. OB? Q7 C

r r i .Jlead atuck on you, Whan I waa kid ao hlfih..

155 SYMPATHY WALTZ - (R. Friml) "The Firefly" Modcr«to

111 J J *J •! J .J I d J •» J hJ i •> ^1 I ™ I I r =:Ju£t lit- tie bit of ^eym- pa- thy n and11 it- »U change the skies from

gray to blue. Ev- en though you do hot love me, just to know youG+ C Cdim C . C7.

Press a ca- ress up- on my

Know,You un-dar- stand, dear, You make liv- ing "*°rA7 D7 .

the while, by aim-ply giv-lng07 C

iJust bit sym- pa- thy.

TELL ME THAT YOU LOVE ME (C. A* Blxio) TempoA Qm7 C7.

EE=^

Gn7fcat yf°cS-

C7H;

J> I .''•. .. T'I. F Gm?

Fill myIf _ i

heart with end- less de-could be sure this is

light. Your love to

Whll» my armsC7.

hold you tight,

Tall M that you love night!

j

TORSE O'CLOCK IK 1HB MDHNINO (Robledo)

Itf' Thretf ^>f ewe's ^ tta "o"1-

light soon will b«

daun- ing, Just one more waltz

made for us I could just keep right on

J

danc- ing for- ev- er dear

WE MEET AGAINit

(Whiting ) «owi y

roll toy I»1X cam

TING-A-LING (The Waltz Of The Bells) (J.Bb

1 -r j ur KJ. i - rTing- a - Hag) tiag-a- ling, ting-a- ling, I low the

04.

J Iwaltz of the bella.ftrf? ff

Ting- a- ting- a - llJOg, tins- a-Bb

JTI J.ling,TfJ

love theG7

sto- ry It tall*.

r r Ir r m -i -i rwhen bella are ring- lag I nev- e» feel bine, I'm al- way*

Bb Eto .

I Jslag- lag "sweet-heart, I love yon." Tiag-a- ling, ttng-a- ling,

Cf] C7 P7. ^_^____^ Hj||

i .J-> hiJ* i r r P i J J- J? I r' ir^Hag, X love the waltz of the ball*. ,

* *

TOGETHER - (DeSlylTa-Broim-Heiiderson)

rain, to- geth- er, frata. to- »th- er.

T3 | .1 i,JIt would nev-

cried, to- geth- er, Cast love a- aid*

Yontre gone from

al- waya will

TO THE LAND OP MY OWN ROMANCE (V. Herbert)

all come true.. Thru, the darK night fates sil- verC

G7.your in - to mine X found in your first

*CT C7+ C* F_

The hand and the heart that willC o^ ce C E-S ^ g?^ c

WBII r i l lland of n»y own.

irxs - mance..

TOUCH OP YOUR HAND,THE^» » C» D te

(J« Kern) "Roberta"C» D tm C»

th»t lie on th«

G* A. A7

•tJBd. , HOW long for tto« touch of your

JTOYIJLND (V. Herbert) "Bates In Toyland" ^ ^^

Lit- Ue girl

While you dwell with- in it ev- er hap- py

C7 F

Child- hood'a Joy- lend, H«-_ Uc ry Otoy- laodl

__ . c ' *—»'Oao« you p«M It • bor- <Ur0 you can n«V r«- turn •» gain.

- Siran) Valae tempoO 3,56

gleams, Of Orel

TWO HEARTSc

(R. Stolz) Rather «lowly

Two hearts beat with a joi COB - plots,07

m•bet • night tar you and for ae! Two heart* beat with07 07 C

C7so sweet fhile waltz - ing dreaa -

0*6,7 P

J J i J f t i t i i i ' i rZ*ll share your charas till the break of the dawn, Locked in your

07 C C7

r i r P r I J itill the new day is born. Two hearts beat with a

H3 V? 07 C-

I I I I r - f .r i .1 f i r rJoy COB - plate, Walts - lag to par - a -

TW SIIflOOETTES IN THE MOONLIGHT - (C. Kelley)m a* Kb F7

call that Am* night,

j.ay heart.

ous night.I»ll al- wars

SUf HOD- ETTK3nrenr 1KB MOOB

»ry— 'LK3IT. -

VIENNA DREAMS (R* Sieczynski) V»lae modern to

Dan- tfca tha light glaaBai Walts to

haarta will stay in 01*

WABASH MOON (Dreyer-Downey)e a

Val*« moderateC

WALTZ DREAM(LOVE!S ROUNDELAY) - (O.Strauss) "Waltz Dream"a a*

Soft- ly aach «aa-B7

aura, Can't- ly aaeh atralnt11.0 Odin ^ E?

•a with

M- ure. Filled BM

Tonaa of da- light. Sor- row- ful or chaar-— ful, Rang through tha night.

r r i rpain. Song of t&« Spring tlm, Love's month of May Song of

Lov«*a round- e-

j

j

Lora»a month of May, Song of ring- tina»Lova'a round - •- lay.

WANTINO YOU (S. Bonberg) "The New Moon11 *i~ ««.«*

lag 700,— W-*y day X M

BoM you eloe* t» m «••

hop* DM* I'll

r » rBat eling the

r rrMt that you nay hear

Bb7

T i rwain, Far

er find yon

ing you,— no-thing elae la thia world will do,

Bttm

£^P8U7

In thl« world you art

all that I a- dor*.—

oar m __f _"-_ . _

i r r i r~r \ i •

WE WILL ALWAYS BE SWEETHEARTS-(OeStraus) "One Hoar With You"A C Km C MT C

J J l *Day af -ter day, Ve will al- ways be sw«fltheart«( The , sow a* the

09 07 Od G7 C Bi C Ao7 C

day-I j I i I j I J

w» be - -gi&7 -- ^ DOI T I

Do what ha aay. 9e will al - way* be

ay Boy aoA my n» -Bweetbearts for a*C7 P

Be Maa-ea

and mg lip* are 00 will-ing, Bat we a - gree thatAoff C07 Aftia 07

•ay We will

•weet-twarU the

259 WHEN ; GROW TOO OLD TO DHBAM (Ro*toerg)«The Night Is Youig

WHEN I'M NOT NEAR THE GIRL I LOVE-(B.Lane)nFinian«s Rainbow1

— 07 c

»ry *aa»a tb«t flat-

«* 4 '»JLSglauaa yoo*r« "here.nat. ba ^V-lili ••

i p J. J i r JJ i P J* d iJ. L.I i i . jnek* la and not too par- tick-la, I fear. vEan- fW -

Ifc.—. C Cdjau, C C7 -

lr f ji if r p i~r p i J^^ r i r f ii" •L I lova. I lov* the *lrl I* • _ near.

notc

«lrl

WHEN IT'S SFRINOIIMS IN THE BOCKIB3_^ Bb P7

(R* Saner)

galatUM1*11

laaay

r i rtha'I

Rock- lea,low you,

Z aaibird*

lag•ing

backall

totha

ut-

WHEN THE MOON COMES OVER THE MOUNTAIN - (H. Woods)

iOne* a-

MOOD«ain

O- vcr H»a•troll 'Math tb«

F

Thru'>rytSat

bring* a draaa daar of yonco*> arad *ai- lay wt

Ddlai F

Each day ia

r i r iBut tha night ia bright andgray and draar- y

Moon COB»» 0- ver Tha Moun-tala

!•• a- loo*. with ay »rlea of you.

WHEN YOU'RE AWAY • Herbert) "The

F Qa GM7

yon'rayou'ra naar a»,

GW7

— -nmqtfht tiat I atrfT*

Qafi C7

Sawablnato

gray,dear

aaar! ISw ^W

ileft tfce flo**ra!

*, to you!

i r 1Z laear yoa,

Oat na «rt,

W.

»oft lo» word* to a«! *h.di« with- out

butOTUB M> ••« JUl* J-i» A *•»••yom, adna oWt Hold a» •- gala to your

^

F C7 C9 C7IBLOT . Qa? C7

j i r i r- i j. LJ. 1 1 r |J i r n ri i

WHEN YOUR HAIR HAS TURNED TO SILVER Rose)

low you Ju«tma

aat trail wa'll strayi Vbon your hairBb7 Kb

baa turnad to

•11- you aa to- day.

WHERE THE BUTE OP THE NIGHTj Q „ B7

(Turk-Crosby-Ahlert)c .I

where Die BlueAnd the gold

CtoB G

Of She'of her

Nighthair crowns

meets the goldthe blue

* TJof \Y*of her

D7

M- N1 day,eye* Like a

Some-ha-

onelo,

waits forten- der

me.

r i r r

would be!

Qn6

There The Blue

G D7

Of The Night meeta the

G

gold of day,<r- J * "»* -* 1

Some- one waits for me.

WUFFEHPOOF SONG, THE (Minnigerode-Pomeroy-Galloway)Edim Bb7 Rfl7 Bb7

fBK3

Eb1 •£

— • — ti — 3 F5^"— r ii f — j — j-Were poor lit- tie

r-, 1 —' f , ' r r —

Baal We're

Baa!

Bb7 Eb— 1 — d 1 1 —

~t~~^ — f~r~— <- 1 — 1 j-^i -+• <g'

lambs who have lost our way. Beat Eaa!

Edim Bb?r — '" -h "J . — s ^ ±~ — —5 flP J tfJ f P P =5 B —

Lit- tie black sheep who have gone a- stray t

ClU Puff

1 <•*• -£-• h^ * — v — I 1 1Baa! B&f>r ~ Gen- tie- men song-sters off on

Bb? Bb* Eb C7ts » a*= m S * = 1 — =n 1 1

rg"!— -^ -. i ~spree, Doomed from

Fmi j h - i - i==ag=

mer-

WHILE

here to e-

cy on such as we

HEARTS ARE SINGING -(O.S1F

-. m = = 1 1y¥ \ i r =£=Vhil* heart* are slng-

1 1 1 1 r-

—^bring

Cllag-<iTc!

— f*"* —rare

D7

=^= + J. =^-ing love once a-tQg(dra«M will seeo

Ti5" — J J'" j i Jlie It- ing our sad-

±-r*—

a

t=q1 f= — H-p h- ** * —ter- ni- ty Lord have

Bb? Ebj i •

^ Jj^^b^Baa; Baa; Bear~rr_-.

hfTan<3) "Tbe Snii11.r>g Lie«^On

— - — ^ — — .. r --r- ** =• ingiSprlng will re- mala. Hu- V sic J

' ^Lovm la for you, Lips will 1

r\ 1 r— — =tgain; Lls-

i

js j , y— j- — j — i — i —ness In-

^ P

din C7 F _j5 • i^ « 5 _r — -j — i — < r• tear in glad- ness Mel- o-

F M a. F (.. J F^f p=r= H| JSZ2-H1 — 1 — 1 : 1

to the air true.Fdin F

^-i

enant-j—J— r•>••

p-1dy

iis>

-F F i " — * — i 1 1 ^ 1 1 —Spring tine is call- lag, now it is May, Love while it

C7 F C7 F . Bb.—y-* = t—f " f XT-. m = 1 1 1

singsFdlaI rE3

P p I-H 1 1 1 (= " +—to you, Life for to- day, Lia- ten, it calls you

f f f^ 1— j r— -1 1 1-? 0, ^ 7-f f . .ift'^Hi— 1 j- — H •=-f-* -— +-H g 1 ! 1 1 H-

Now It is May) Take what it brings to you, Live for to- day!

WBILB WE'RE YOUNG (Wilder-Palitz)

it MQT to* Just

80

l j J I J j II I J J8blaM b»- for* our •QTM ffirrue w»

Whisper That You Love Me -fl F 1=7

Walpt Words by John Klcnner -Muricby H.Engdminnnr 07 or

WHB-PER THAT YOU LOVE ME.

07

dir

C7 0 C7*

WHIS-PER THAT YOU LOVE ME.

DOVE.THE (F* Lehar) "Rogue Song"CT

X f

2*6:5 WONDERFUL GUY.A - (R. Rodgers) "South Pacific"an? j

'" "" "

nor- mal aa blue- ber- ry pie,vm-tion- al star in my eye.

•«7 D

No more a aaaart lit-tleAnd you will note there's a

I 1. A7

•1 with no heart, I have found me a won- der- ful guy.In my throat When I apeak of that won- der- ful

G7

dai- ay in Kay, A cli- che com- ing true.D

mid- ie and bright aa a moon-hap- py night Pour-ing light on the

E9 A9 D f

J X J I J J J I J r £

aa corn- y aa Kan- saa in Au- gust,

High aa a flag on the Fourth of Ju- If you*11 ex-

cuae an ex- poea-aion I uae, Ivm in love, I'm in love, I»m in

love, I'm in love, I'm in love, with a won- der- ful guy.

VttNDfHFlfL ONE (Whiteraan-Grof e « )_Ab_

ValBe moderate?

Vty won- der-ful one,Vhen- ev- er I'm dream-ing, Love's love-light a-

gleam-ing, I see, won- der-ful one, How my arms ache to

hold dear, To cud- die end fold near' to

you. on- ly you, the shad- ow- y twi In sil-ver- ' y

moon- light there'e noneC7

dore you, myA

life live for ydu, My won- der- ful. won- der- ful one.

YOU ALWAYS HURT THE ONE YOU LOVE - (Fisher.D.-Roberts) £64-

TOO LOVE, Zbe on* yen

tsart. at •st

eat heart, with a hast- y *o«l yon

«am»t last

It»«i r ' r

X low yon aost

YOU ARE FREE (Jacobi) "Apple Blossoms11 Hoito capreaalvO

u g

tip* t«o an, play - lag Low

•ho choose-oa, war - y oft - .so

los6

- es low is nav- sur* to bs ro - osncsJW7 D7 Q

- gar al - -ways lurks In en - plds ar

aimed at you anl MS If you are thlnk-lng of

oth - or girl to love Yon Bay al-*ays kno* that you ar« £Me7I_

YOU CAH'T BE TRUE, DEAR- 5S.75JL"k

CLLS YOU HAVE TAKEN MY HEART I Jenkins) Vaiaa »od«r.to•** "** • te C7 F4n ' | j j j i * T w > . i i i i i . .

YOO aSfe TAK- BB BZLike the aur- aur of

n-l — l-n? irr-r

* — -—* Jl 1 + « 1 ** 3=^

HEART and, it's thrill-ing, YOU HAVrain soft, and tan- dar, Like tfi

C7 F Fdta~h — i 1 — i — F1 — r — r — n — T* "s — i|_J J S p p T T •• 1-J- ] -t^» 1 I 1 --I I I 1 1

TAt- BB MY BBABT and, I'm wlll-lng, Bev- ar ham X known ao* ceanie re- flrain In, it* a apian-dor, If you real-ly want aw

5Tai c? c?

thrill, Ilka this, Bar- •

^aa7 Bb»F >L + \ J J ^pi-f r ' -1 ** ' '

I»U aur- ran- der, YC

m 0*7 <1 — L |__p j 1 — .

TTWJ HAVK "

ot v i

IT haa the world atood atlll like thla.

F FdlB) C7 A-S7_i . u. — 1 -J 1 J 1J- J 1— J J— J L- -i- =^-lID HAvK TAC- BB Iff HBAHT, — — •

37 »

CAT- EV MY HKABT.

YOU'RE IN LOVE WITH EVERY ONE

i ir i T i T—i—(Re Henderson)

RB QJ

You'r* In••fib

levaface

with ••*.'wild

»ry- onegooae-chaae,"

onegood

( =1-f •

=3= —-**Who'a jtime i

_ i tjt~ »

n love wittaid then you'i

1 — T"3*6 T J1 1 &— 1 Ej

11 *

i yo•e th

1 1 — a —' j^^ i rn. Tru.

P+1

— « • HE — 1— •

— B a 1r r =iwatch you

-4 1 1I 4 J 1

win- tar and Fall* ing for ry

IH-67 1 12. Cm

COB-

G7=f=g

—j — -i—

er.

nJ-TJI

— vl i P* ii 1 »- *£v 1 — 1 —Mi 1 1 1 1 ««-) 1 — | a«_

You're in leva with ev~ »ry-

=7=

tmt—i r j , i p1— J « F 1

Bb— r -fg* ' r^ — — 4-r i r i f •* •*

-H— 1

oaa

YOUR EYES HAVE TOLD ME SO

with yon.

(Blaofiiss) theretoC7 0*.

j

J

J

jf m —

M7

Iowa- lightPdla B

* — r — ' — Irs —M 'T 1throughi They :CT

| ' | J ) — p

drean- in|Bfi

^~i 1 i1 • J ^

•y heart haa

i > j i— {I J

laat I 1

I I ^ I I "

•a* /our a;

-T-T-! r T-. 1 « P i-

and t4«v- dar neaC Cola

ftll'd aa tooF

, 1 fj^_1

[. Bo need t, F, _ , »1 • J p F — 1 — f-M (= — i — Htaught me their me

da 07

now your evee

J 1 !=-! 1 r

"* -1 ' J J Jfee, your was- dear- fnl

Qaff C7 77*' ' f - 1 = F 1 f— F — . i ..L r i r

• beaa- ing, they thrl

j i ? j i nwith won- dar- ful dreana

1 i 1 i 1 — j 1 —J 1 «* J ' J ^ J =o apeak, no more ahall Xt? C7 F F*^* 1 — r* p i f' *PF —1 I^-W ttfL—an- Ing and Iowa ha*

C9 C7. »1 a J

= J 1 i nT_have told aM ao» -

-f-| '*— i—1 J J. 'ayaa «Tth

J— ]

W 'IVd M

| | |; i 'CT C*

1 — 1 T — 11 < ^ 'aeek for

Bb1 |F (• |j — {- — icoma at

— Lr-^J '

ZIOEDNER (N.Coward) "Bitter Sweet" dl

Play to MB ttf-neath thoBb7 ». Kb? Eb6 Kb

I J a

^^ rr ' '21- gou - tur! All ask of Ufa la Jvct to 11»- tan To tho

Off

ir r J- r ir f » r r r p «• onguthatyou slng spirit llk» a bird on th* «b«_ your ••1-o-dl** • - dor-

• oar-ing. Call to «e with «o

Fl«r to m» tee Just A hour. 21 - mr*

CLASSICAL & SEMI-CLASSICAL SONGSAH; SWEET MYSTERY OP UFE-V.Herbert-"Naughty Marietta1

B" ^ Cre?

Ah! sttfeet niya-tfer-y of life, at Last IW

rT Bt fl>

thce , Ah! I

Knanf at last the se-cretof ii all; AU the long-ing,seek-irg.striVit^, wail-ing,P Jii.. Q Cdhn C c.4 S" B^

t-die tears ttat fall'—Tor ^Us

And'tis love, and love a- lone,th^ can ne - pay! ""Tiis the

end and all of Uv-ii??,— For it is k»e a-lone tetrodes fir aye!

(Tobias-Be Rose) "Song Of Love"

ii " Tr J J J 17. kj j J j iA* Y«ar« Qo thia low «•

~ jroutb h««Qo

07 Qi

kj J J i"' J J loor lova*• ro—crownad your hood

It will To-Yoe»ll I'll atlll

07

firaiayoa - Ib

*Pof long a- Whan An-

1*I*!- p r- J i I Ji jcall* a laaf that fall* Is so

-fall* Is soon for- got- t«a A brook raw dry *nd

O7 Ab9 O9

J. J) J J Ibird* HOT fly

ia- waway low A* Yoi

r i ••Oe By.

BECAUSE(G. D'Hardelot)

BbPoco Adagio

IE

57

Ba- cauaa you coma to me

07 Cm

with naught save

love,

P47 97

bold

Bb47

my hand and lift aina

Bb7

?a- bova, wl- dap world of hopa and Joy

to ma.

BECAUSE YOU»RE YOU (V. Herbert) "The Red Mill"G

Not that I am fair

Er Am

dear , Not that I am true.

AT XX

my gold- en Hair. dear , Not my of blue,

G

i j j i ' i i • * h- d *•=fcb- -^ ' I ° =4When >ME ask the rea son , WoTtb ans all too fevf!

So I kno«^ I love you,

CAN'T YO1 HEAH ME CALLIN1 CAROLINE (C. Roma) n<xiar.t.i;,

Cant yo'heah me call-in* Car-o-line ,^ Its mah heart a- call-in'

dine. , r»ow 1 miaa yd gal o' mine.

ll J. JWiah dat I could kiss YD* Car-o - line ! Atnt no uae now

fb' de »un lo ehine.Car-o - line. Cor- o - line, Cantyo'heahmah lipa a-Say-in'.

Efc ^R7 &7 £d™, ^" /*•>« BT ^

Can't^o heahmahsoul a-|^ay-in'. Cant >c'heah me call-in', Car-o - line-

J

CHINESE LULLABYAm

(R. H. Bower) "&xsb Is West"An C Am G Ba

* J i T* =»fc •T d J =.fcCut- netSlag, song, slag, song, so bop Toy Al- lee same like CHi- na boy,

Q Am C

But he sel-

(2. A»

j j •* i J J r i r a1. to Bm7 Bb7

^lee girl with Joyt Pi- ty poor King,

EU7 G7 Cm a

Toy!

pi- t y p o o r lUag KyiCm Gko fan Ebma?

life's mys-tie streamDb7 Cm

tossed at wa-

n Onters

Cmwill.

Db9So I dare

Faffdream I'll be,

E7like the poor

3brip-pie

free. when the trou- b wa- "tersr igrow still.

^

DEAR LITTLE BOY OP MINE (E. R. Ball) Moderately with e*Pre..lonC A» ^« 3>" A7 35m Gr 0*

y c

cm

r •u — F 1 — it ——4 •i

=*=|Boy of mine Boy mine, Al- thy ny heart waa

E» B Cdo,.

*^' T 1^ d' 1 r is i

I seemed IP know ya2d w&nt to go, Pride in your man-hoodGr c Em Dm Ar D* 07- G+

Jl J j

Em

^^ *' r ' i 2 is =3vwak - ing.C

Hi be here . wall - ing, dear, TCtt at a glad dawtiijfU c cr F

s J' i r is r T l ring I'll hear

Dm > r Urn &7 O+ Csay you're home

GrT

EEB* SDear lit-tie boy of tmne.

^T J J ± fr i r*Bear lil-U* Ixy of* mine •

DEAR OLD PAL OF MINE- Words by HAROLD ROBE Music by Lieut GITZ RICEGmi7 C7 F1r v^r r 3^

^^c?

Oh how I miss you DEAR OLD PAL

p Db7 Gmi7

OFCg*.

1 — j

MINE"

D»i G5

al wa

uLan - gel

Cmi7

i br rrest voi

i 1 1 i —

J * ' 3=each

Cmi7 C7

1 O

ft mine.

— j-.-. h-r0;— -1 J 1 — sf-

hands ca - rcss

A7 DR

d i 1J J T ni. DEAR OLD PA

r q£night an<

1 P fi. rSweet - heart

G7

Jyou,

• Dt>7

L OF

Iv r J' T r=^day I ora

may God bless

F

1 J ^while swe

F >k i

MINF

1

• 1

y you're

you,

et dreams

^^ 1 — •• — — *i

469 FROM THE LAND OF THE SKY BLUE WATER (c. *. Cadaan)

from tfco Laud of tba Sky-

tod har ejDBfl thay are lit with

Wa- tor, cap- tlTB maid la out*.

PULL MOON AND EMPTY ARMS (Rachmaninoff) Moderatefl . Bb Ab* Bb

nUi'MOOl AHD riQ1-

17

ARMS.

Bb

The noon

O. A-57

J J J U

D7

for a* tothe wg- ic

OB

bat «h«r« are•oaa to wl»h up-

F7

(1.)

J^ J IJJJ J I J J

o- rytruo

And '•»» »ry

c? _ oaJ I

18.

could rtart a

D7

dr«aa for tao.

Yi Bb

i j j r r i r^y « - ^ -r-lf

i r r rfilleb« filed

GLOW WORM,THEA C G7

(P. Uncke)

yon*

01 Gmvtt*

Jl lit- tl« glow-wn,

G7

Su», l«*t too Ocr,

i rLova's swoot veloo Is

I - Ir

call- lag 700- dor! ShlM! lit- Uo

, . i , r. , , __U-J J ir r - IP p r ff r

Ut- von, tb« p«O» b»-

| . . .r J i J J p i rlow, a- bo*«, to lowt.

OYFSX SABRE DANCEIT7

(A. Khaehaturian) "Gayne Ballet")

Z ••• • gyp- «yh« ttorill*d thi« __ b««rt of Bin* it on fir

flm 1mr with PM- »ion to tb« rhy- tfcm of tte •

•~TC cnnea r—e

thrill of it did tb* OP- v •»•

HOUJBAt FOR S1RINQS - (0. Rose)c j f c mi a> ay-» e. -^^m J^>

i r ^ / j » j j j j ijj

I I I I I M jl li M

HDMORESQUE(What A Lovely Afternoon) - (Dvorak)c CT

Id wft I «r« rl tot ia tun* And all b«- loWwith yob*

IF YOU ARE BUT A DREAMC S$ C Gfc C*

(Rubenstein)«i E- Hi

I couid bear to find dur I' m for - uk - en. If TOO Ye a fanc - ta - m Aeo ID£fe_-H_ -*• 1 P!"-. A kc-l . c" I . C^. I _. >l*?.0yu &t i . . ,

M l i iTTTT

b«< I would not djre

J' | J J

I LOOK AT HEAVEN (Austin-Martin)fl *• Ite ta On

, with«• C

J. I J. J J J I .I walk onVhon I look at you

r r 1 i r r iI. I J

tte aoa-rlB* In your love- ly_J

I»M ALWAYS CHASING RAINBOWS (Chopin)04 < Qi ^ -— n

• Cb«6-iag a«u»- bow, Watch-

•cb«a«« arc Juat Ilk* all

in th« «ky f«l-low» look and find tb* •bin* X

" I r n^al- ways look and f lad the rain, SOM f«i- lorn nak* a wia-niag

gala, B»- licvt M, Al- ways Cha»-

Bain- bom, U> find a lit- tit blut-bipd in vain._

IN A MONASTERY GARDEN (A. W.

C7

Andante rellaleso 2/7«L

J J u j j i r pj r >rThrough the mis- ty tort- light fall- lag, Voi- ces froa a-

tt» Qaff C7 Prtra —M=:

tme

fr=1 •*•

— _. 1

are call-

r 1J1 J

=p« —

lag,

— |_J

— |-— 1-

C7

—— *J

— <9 p 1 — 5 _ 1 3 3r. i i r r j= — — iCall- Ing all the wear- y

J — — j 1 _ J 1-••* *-J -J— •" -J ^ 1

bone- ward to their rest,

_CT CnS

The eve- nlag ball la

D7 On

•oft- ty peal- lag, While from out the cloist- era steal- ing ,

C7 P Gaf7 C7 Pm j^fnrCooea this pray'r of oer- cy, . peace- ful and so bleatI

—

INTERMEZZO (H. Provost) "Litermezzo"P - A» F

aa you dream to* night, That fades tfoat

sight when dark-ness dls- ap- pears,C7

J> T- f

Hay-be you will van-iahOf P

too, Ihe mo- nent when to-nor-row's dawn ap- pears* So, ay

1 1 j i rlove while stars a- bove In Heav- en's blue are

beaming and gleaa-ins, Then I'll liwe ia the glo-ry of your love.

IN THE MOON MIST (Godard) "Jocelyn1'. .

j u JModerately Slow

One night I wan-dered by a atre«En7 On G7 C

And you wereG7

I rstand-ing

An1> ITCXK

j uD7

1 thought at first you were—, Rn G7 C Qa7

dreamCT

Un- til you soiled there IJI MOON MISTC An

The first faint

flush of love v;esJ7

or> your star- lit fsceG7 G7

Acd in the

r p rhush of love we cetE7 An 27

Bcr.e ec- brace Kcw till we ceet a- gain I>11

C . G7 C•3-

trea- sure That no- mcnt when kissed tS THE MOON

2.73*•*THINK OP YOU (EUiot-Marcotte)c w c oai»

Moderate

M i i i fIn tte— awa n1ng» aa

*• far tba ana-lc ofOdin JMf G7

r r iC Cdiy Ab.6 HbT.

J J 1-i ^ova •$••! _•-

o- Una57c Da 97 O*-

ALLOF

Z ctnYOO.do .

J-J j J Jing

orof

TOD07

I I J J ''JOn, I oan aaa

I .J

J i•t*nO- ing fter* b»- for*

iX o«o hoar you «hl»-

•7 CP*r you

Cdla C CdUa Abafi

SoC

la fall-iag,r r i ' r

IM7 O7

J J I o iX TKOtt OP YOU x ram YOO.

LITTLE OBEY HOME IH THE WESTC 07

Hodarato

And tba

2?^^^ •»

toil of • long day laC.

o»«rj j j i r—r P J I

Though the road any oa long, in

ba-O7 C7

for* a- haad,, *E»r« tha blue ah&. ova fallCdin

t shall

raati And tba toila of tba 4*7 «rtnoaaa to eon* taot- man07

allc

LOVE SENDS A LITTLE GIFT OF ROSESLk O Bb7

(J* Openshaw)

Low aaada a lit- tla gift of roe- es, Braath- lag a prvy*? «O» to

!MI Torn from ay baart aa twl- light cloa-

baart to grow

A7 D

lit-tla tan- dar,

Two ayaa to glow wltn leva'a own apian- dour. Two lipa to giva in awaat

laa, Juat

j

*i) aavHan^svw i

9» -«OJ

8uT*a) sasoH cwr moniKXH

MOON LOVB

i .1 JICTI(David-Davis-Kostelanetz) (Tschaikowsky)

Will this be moon love -Are these just moon dreams

Gaff C7

noth- lag but n»oon low?Grand While the noon beams?

Will you Be^ut when tH>

r' j irgone when the dawn comes steal- ing through?

Cm,

moon

wayr

wi

D7

fades

Gffl

11 ray dreams come true?_E . » •

Much" J I Jcj ^^y

3=3=I love you bon't leti

C7

love you If must P«y for your kiss with

ITlone- ly tears. Say it's not moon

-i 1 G9love

:j_u J r r ' r j. jTell me it's

C7 P

J J ! • • •true leva Say you'll be mine when the moon dis- ap- pears.

MY HEART AT THY SWEET VOICE (Saint Saena)

I I I f•v heart is thin*•7 heart ft»a youri

mto dome and takeBat not to break

This la the time _to have and hold.

G7

it" I wait with deep de- vo- Uoa

Pa7r r !•• i Bb7 Eb r f Ifor Ufa* a on* great e- tion.

i j r Iay heart is

£2)wait- for your voTce to

Cdimrofci

call me Ilia- ter San- son De-r

11- lahr

r r r ICdim

His- ter Sam- son 'tis De- 11- lab come to me.

J

ONE RED ROSE FOREVER Moderately with exproaaior.

m- 1 — i "j n4£-JP J — fJ E3X give to

G7

•* J — i 1—

a

yoics

0 T

I •!— J " , J =•:=l This OHE RED HOSE

J ^ ^r ^

ouia y«N — 1 — I 1

J' 1 ,J gFOB- BV- BE,

Cm?

f J ^^= r:For you

tscetto

I J l |. l J I

haTa andB,b

hold When love is old,.P Bdia CB

P I J JI give to you This CUE

Pa G7ROSE FOR- EV-

. G? aa G7

L* HI j j^j. 'C9 an? C7

In af- ter years, Through joyCm?

When

ON TBE ISLE OP MAY (Tschaikowsky)Eb

oaim Eb Eb

lai* of ••/.OUT? 91 Cm

laWBBrg Htff

OB HwEb 1 A 90

PAVANNE (M. Gould) Allegretto

An fBass continues,no chortle

Dm Go6

^ * I J J. j J J JMJ

HOSES FOR REMEIBRAHCB (L. Curtis)Ab

Moawato

Juat 'these RoaBbffl? a? Ab

JL77 "SAiun« (Kahn-Borgel-Dvorak)Bb7

HoderatoBb7

Sail- In* On, Sail- in'I J J I

SbO'er

<?7.

blue,Pta

,

r i «. i JSil- ver spray seeoa to

Bb7

Soon I'll

When home to you.

SERENADE (3. Romberg) "The Student Prince"Cm W7 Bb7

th« «oon is beam- Ing, White as bloa-aooa on th*

Bb7

loth- lag la heard bat the song

lag! Could ny heart but still it'sFill- lag all the air

b«at- Ing

From your win- dow glT» greet- ing Sweitr my e- tsr- nal love.

SOMEWHERE A VOICE IS CALLING CA*?»Tate)Slowly with expression

Bb9 Stff

Iteak, and the shad -

Kb 07 C

Auk, and the chad - on

J

J

J

- where a voles is call-in*, Call - tar m.

SONG OF SONGS,THE (Moya) 2.78

t««rt with the Joy one* It night of bliss, night of

G7

the rt*r», *- mid the ros- ••

0 night of whole world of love*

SUNSHINE OF TOUR SMILE,THE - (Ray) lloder&to

i•I J * I J J J J /J

t a anil* for me,Dear face that. holds so swee

world would beJ

place. Lov»'s ra- diaot in your dear, dear f

Giv» «M your aadLlo, Th« love- light in your eyes, Life could not bold a

fair- or Par- a- dise. Give me the right toma

love yoa alla>

the

s ^m* • »>your smile.world for-ev- er, The sun- shine

THINE ALONE (V. Herbert) "Eileen!1

fold me, my be- low- ed!

eyes look fond- 1y in- to

the world could notF7

I swesr that867

And for- «T- er

>>79•*" '

TILL THE END OF TIME (Chopin)Bb

lowly

ITILL THB OP TIMK,

wall* run dry _Long ^ stars sre to the blue-And each raoun- t-9JJ?1 dis- op-Mare,.

J Jl 3

Long

_Sfthere'a a spring.a bird to alng I'll go on lov- Ing youthara for yont to ear* for mi tJimvifltl iTtfrter and through tears_

•a rom- ea bloon in MTILL THK KHD OP TDK.ca§ ra^ .J J I I ••

da«p> «r with av- »ry paaa- Ing dayMy lova for you nil

So taka my haart In mat BUT- ran- dar And tan- dar- ly aay thatMi« Bti i u

•* ^tha ona you'll love and live for TILL THK HID OF TDK.

WORLD IS 1ONE,THE - (G. Posford) "The Gay Desperado"

mto- night, and mlna each sll-var star that ahtoes a-bove in the

of heart'a da- light

G7

aina and av- »ry flow'r that bloa-soma a-naw, You'ra olna, and mine a-

— ' W W J-~~^J " * ' IT»o lips that apaak of love, and two eyes that are bright;

Bdim An Dnff

3o to- nlghtl

PIANO SOLOSAT THE CROSS-ROADS (MALAGUENA) -

C7 DbLecuona)

At theAB the

- RC I couldbid the

seedark,

C

wea- ry ca- ra- vansend- less night good- bye

Juat likeAnd the

'ould the mi-Just be- yond

ir r r fr — -t=if J • — &~awar to ourthe CROSS- ROADS

hopes and our plans lie the

11.)

road wa took? a peace- ful

sky long the road that leads to you.

CANADIAN CAPERSQ

(white-Chandlei^Cohen)D7

ModerateDdlm

180

i_ Right* In thidays— eadi maiden sways _ Right In the anas of her own lov- in»Be-kl-told — the weather* cold — Il» a al- ways win- ter-tlae 19 wher«tll,BortH?ol0

•o — Moat*JT. tpy alght whan all the northern lights are low She *tod-lies— But tiey cut «P c«»- *- diaa Ca- pare If they're wlee—And then

l. diesthey

the Snow- whllVeold winds blow-Bach

Joe—Just watch thaa go— swing to and fro

J * J J " J J ** ' J J * ' J J ' J J **toe) Bow live bean (*»- *** «l>) (show-Ing up) (blow- ing up) (go- lag up1

D7 a

They al-wsys do Can- a-dlaa Ca-pars If the "weather* cold e-nough(hey hey) Hot Stuff

DOLL DANCE (What A Peculiar Tune) (N« H. Brown) Mod(,ratoflu * A7 i - __^_ jm

What11 'a pe- cul- iar tune, Thrniine me night and noon,What a pe-cul- •

A7.

itune. Has such a fun- ny swing, It»s T such a

catch- y thing, Mak-* ln» me like n a loon _

It's in the air,

r r r i r • rtaunt- ing me,It's ev- ry- where, It'a haunt- ing me,

Wh« re-frain, play it a- gain, lffiSc*Tm» me want tlo dance, MaTe-* in» me

prance, UxR #lel-

i 9 i a» «ai ^ i ^ | <p »ei ^ n»want to twirl, Ceep!-in' my brain a- whirl Rhyth^ m Is all hear.

j J- JDoll Dance_ la it's bame.B7 B7

I rdrive you in- sane, Sucb * a pa- cul- ^^j __ *.._ \/-..>.—»« TTJ!iar tune, You>re "gcn-na

D

hum tune.

CONCERTO FOR TWOJE—

(Lawrence-Tchaikovsky)

I ~^«! when weI

6TQ9_astarts.

finv

C7hearts.

^j •» j j i ^ i. ^ ' •* i •• ^"cl we oont speak throagVi the son^

'CFJ J

— - For wottfa are weak . — when love isAr 0>7 G-7

j r i jmo -menr wben1 We nias

And When WeC7

Dn.6gain Oar

*3 tKr£U-m5CON<B?-ToR)RT\M3 For me. and you..

(F. Arndt)

POLLY J (J. S. Zaraecnik) Brightly

TWILIGHT TIME (Baifr-Hevina-Dunn)a — •••—•• i i B? Very SlMOjr

Deep-ly abadea of nightlag «had- owa gatb-

fall-apian- dor

G7aa da/ !• done.,-

of tbe idst your vole* Is call- ing,Fin- ger»" of night will aoon aur- ran- der

it* atbe ae-t-

X count the rao-

Vtb-«r, «tbear you. n* danr.rt TBI-UGHT TUB

la tlie af- ter- glow of day

keep our pen- de»- vooa— ba- i i a _ _ tbe bSa__ H

fall in love a- galat and same old way

— did then.— Deep la tbe dark your kiss will thrill ae daya of old*—

tbe spark of love that fills aeCSa G

tb dre told.—

Bach day I pray for eve- niag just to be with you,

geth- ar at ^last act TWI- LIGHT TDK,

LATIN AMERICAN TJJNES-GUARACHAS & RHUMBAS

ACABASTE -(Sacasas-Pafmoy)r c? Teopo dl aon cubano

P«- ro te pa-ra> ste y fue un ci-c a- so-to a to- da Xa po- bla-clon.

ba-ata ta lo lle-vaa to. *• ca- ba- etc, go- z

L

CU3AN (J« Norman) 2,84

They call M" 1f.. sir. «..„ I

| M'l ' ! ' I ' I I M |

~ -r 4-o t« Jf-«EtJ? «. •»«**-

. play. th.c.

»a- ra- CM ba goM chick, cMck-y bo«,

Ij J J l ft

chick, cMck-yc

, th«y£JL^ 1 r. ** . • - - .

* I I I I

•wing with3

ru*-

&•>• i3Be so foil of spices

r r r i° irp_— *_ * . **—i

HAVANA (J. Schoriberger) Hoderato

Shine en for e»-«r, on

dream incath your silver* y bea^TT*-— Sofb-ly they cone a-ateal-ln£, Oh, nl^ht of

a, Down by the sea •here th« palelove »ae«tb the stars or Ha- vaa-

In _ . my heart I hear ao old re-flrain, Call- - iig to

Won't_ yon cone back to ay flr«a». y Hav-galn,_ To you I a» «p-p«al-

a- a And_ t«ll m* that I'm not long— ing la vain.

LADY IN RED, THE (A. Wrubel) "In Caliente"

vXen fte ton tS tn bed

''irihV i i ' ' i i ^m

? /A workoTartwiikouf a quwion. >i/d bf*rwriH*rrw4er

_ -M«« ^— ^ 1

La tav la- ta^a-xra- ba- ta Ho ma qule- re ya tra-ta —s. ••_ Htw. «/> ca»<- ml- naa Bob el vee- tio. a» » cfa»aa—

ta mag » ea» la, —> tan- ta

plem-te pa ea» b«r ei yo la qule- ro. _ m«- oe.y a*

r r r j ^ i r cP«- ro que bar- ba- rl- da,za toe ce- re- bro»tpo-za toe

i r e-rla->ta_a-rrc- ba- ta ___ con au por- te que al-bo- ro - te toe ao- lar.

LA TELEVISION (Menendez-Fergo) soa-ihmtimoBb

La Te- le- vl- *lo& pron- to

tu me ve- rat blen on- - jar VI*-

que voy a trans- ait-lr ya no_ha -eata me blan vta-ta- oe biaa

bay que lu- clr fl-ga- rln. La ta- la-vft-f al-ta te-ner bue-n» VDC

mi cor-ba-tl- ta

MARIA MIAc

(Borguno-Arres-Stanley)

i-ta bo-ai-ta.

BodaratalrM7 «

plaa UJca a Into. So

J

NEGRA CONSENTIDA (My Pet Brunette) (J.Pardave)

I! I- ,J LJLove me' Ity Pet Bru-nette, love mel

G7 G7won't you think of ne —

e one, Cheer ael_Qf f-

As I think of you?

J ir r J ' ** TI want you, I do!I need but you near met

My pet Brunett*,TaJce me! How can you fox-sake me!— Thy won't you be

Have pit- y on

And an- swer ny plea Dear!

PANAMA (

I live but for You.

Lambert-Dolin) Rhumba Tempo

Ta-na-ma-rna BonnasDream--mosf in-sane ob^ses-sionltor that U. S. A. posses son And-1 lope for one mope ses-aionThae wh

in hoarsesofnaflasSngftar lu rid love Ho-san-nasTo ihe

>rpp all vyoHd -\arHeaV-en- \y the

CCSdies.

r r rckawi to those

Heav-en-l> thisteades ^

B7

Kiss-es taste soa -

In Ihia love re - treat

A 6r E

Be hap-py and (tet&leyou may.

A B7.. E

"- "i ' r f ' iT i

enavea newsen-sa-UonTho'il lacksa>pfiis-tl- ca-tion Its«TC kjfsf>dtofcrea-tioii,PA-N<\-l«1A..

_Am

OR? PEANUT VENDOR, THB^V^« • 0 D7

(M. Sirtons)

hear Ma slag hi* plain- _ ttwt lit- _

r ' Pea- not*, roast-ed t*- da?

fresh-ljr roast- ed to- day;V? G JtT G

If you'r* look-lag for aMia M? . _ P7 ft

nor— B!

K - • • 17 f '—rhis sopa _ fit- ty aU-lion lit- tie non-keys can't be wrong.

RUMBA RUMBA (Rhumba-Guarcha) (j.a Vivo

^ r j-Rum- ba Bum- ba

You'11 swing and sway,—

jRum- ba Rum- bathat Cu- ban way

rr j. JIt seada ymo» fMtrYou'll ahouthor- rabL.

.

JJJ.J -i jJi iJlG7

With a trop- i- cal beat.—For the Rum- ba Rum- ba _

C .

Just male* with tba hip.A7

rKind- a shake like a ship,

.-- . - I - . °. . . °?

And snap like

i i J A iP7

Chit- ti- chi ti- cha Chit- ti- chi Chit-

cha sis- tar SueJ. i-j i • itoo

ma and pa Do the Rum- ba Rum- ba.

SOUTH AMIRICA, TAKE IT AUAK (H • p-one) Rhuraba Teapo2.88

J J JTake back your sam- ba {Ay! your 5rhum-ba}

con- c-a > ' <:«<->.. j

Ji i.con- g« sam-ba >

Ayl your | con-ga ; Ay.yay,' rhuo—ba *

ryayl 5 I can't keep mov-ing Ayl ay chas-sia Ayl an- y lon-ger Ay.yay!

Why can't you send us a lesa atren-u- Ay'.- oua nun-berl

yay. How may- be Lat-I ve got more bumps

TT ^^ I

Lat-ins Ay. in their mid-dies Ay. are builtnow on a cn-

strong-er Ay, yay, yayleum-ber drums are clop-ping like a

mak- ing with the shak- ing leaves me ach- _jump-ing Jack I'm hop- ping with-.out stop-pi

Eo-layl_ Plratyon

1. C9

•> J JT1J j j j j^sshake a-round and set^tle there'— Then you shake a- round and- set-tic here \

1. F6 C9

J J J if J J IThen you shake a- round and set- tie there.— That's e-

ltC9

nough, that's e- nough, take it back, My spine's out of whack! There's a

1. Am C+ An? D9

strange click clack in the back of my sa- cro- 11- i- ac.

I2.A7 Dm\— j — -4 = — 1 — t-H — EI-J — * — -— 4 — i • -

G7 1 • C__j _ _ — — , 1 , . 1 — ,_ —- « ] J J J '

••» ^^SOUTH A- IER-I- CA, 7AKE IT A-

TAKE IT EASY CDe Bru-Taylor-Mizzy)Hhumba .Uodar a to

Talca It Ea- ay, Take It Ea-sy, } Don't you know its more ro-aan-tic When a) We've got lota of time a- head of us the

» rf ~^-~- j i — —•

dance is slow,_ { Take It Ea- ay,night is young, >

D7

Take It Ea- sy. What'3 theDon't you

d of feel- Ing high when all the- sic should be swayed

—«"i —Take your time, take your

D7

stead of swung?

G

time, Dance it with ease,

Take your time, take your time, if you please.

£89 LUC* (N. H. Brown) KoderatoDb J-

You _ were Tenp.

If you were will-Ing

A7 G7

It would be thrill-ing

DB7 C7 B7

L J , J J IBorn to o« klM«a

ta Uon and

Db

you Ttemp- tioa.

LATIN AMERICAN TUNES-BOLEROSADIOS -(E. Madriguera)

c.y FvHitfyai it grieves me to sayA-scrCone-ly " f*>r you on - I/ I sigh andcrx—>ny A

^ .JLJ. gn-7 9 7 - T F

-o-ATIO| ii> this lieartr

Cf, F _ D»fE7 _ Ay

is mem'rx of what used tobe-lcUsar fbr vou. and tne_ get a - part _ "Moorv. F . J m C E7T)" £Z J W A 7 J ? 7 G9 gn.7 C7

j

ADIOS,MARIQUITA LINDA -(M.A.Jimenez)•b

Slow 2,90

•bar you atand»log here,While mia-eion bells art ring-lag from a- bova

lit-tle cha-pel where we fell £ love I know your heart ta wait-

log I'll be there come rain or shineBb F7

aor-rowf r r r_ For we» 11 lweill love a-gain to- mor-row •ina.

ALWAYS IN MI HEART - (E. Lecuona) "Always In My Heart"

ev - en tho you're far a - way, can hear roe mu

the song of love sang with

You are AL-WAYS IN MY HEART and when skies a - bow

re - mem -her that you care and then and

there the sun breaks thru Just be- fore I no toF»

there's a rcn - dez -vous I keep

and the dream I al-ways meet helps me for - get

I don't know ex - act ly when dear

——p **" J'm «urewe'll meet a - gain dearP7 and my dar- ling till we

you are AL^WAYS IN MY HEART

2,91 AMAPOLA - (J. Lacalle;Modarato

mr prat-tar UV- tie pop-py,

JJJI J J j r Jflow ao a*«at and he

rj J J Jround yon And lov-lng you, it aaaaa to beat JU-

PO- LA, prvt-ty llt-tl« pop- py07 Ck

rr«u»t cop- y its

fro* yon*.n

r iA- MA- PO- LA,

i r J r r iBb

A- MA- PO-

* r r ' i*ow lonHow I long to near yon aay *I

AMAR Y VIVIR - £C. Velazquez)

r i r: rr*

tun J' -r-j

you

Moderate BoleroA7

J'-r'J J r^J J JPer qua no ban da aa- bar

si dee-puesqua t« a-oo vi-da ml-me ven llo-ran-doun 41

For qua no ha da d«.al a-ca- ao

clr-lo si Ain-des to al- na con al al- ma ml- agnu-tan di-re qua tc qula-ro — fflu-cho to- oa-

Sa vl- va so-Ia- m«n-te.,u- na vez hay Hua^a-pren-der a qua- r«r ywa vi-tlr

hay qua aa- bar qua la vl- da aewa-la- Ja^y noa da- ja Ho- ran- do qud- me- raa —

— Ho quie-r6_ a-rre-pan'L-tir- ae daa-puaa de lo qua pu-do_ba-bcr si-da, y no fUa

onla-ro go- xar as- ta vi- da ta-nien- do- ta car- ca da aljbaa-te. flu« •na-ra.—

AMOUR f Amor) -Begutne - ':MaryeriteTamej^tMwtfezNltGabriel

is trua.|«J are 3tUl,

^— f r i i i G ^ fl ^ ^ i* ' " " ->^_L-^

i*. S^ivvon'tyoa loVe me.al To your ca- Teas- ej. .=

A -MOUR A - >KXJR .A - "HOUR.,» C6

6 •! 4 it

ts ail me L o V e t t - ut1 =^=

Ei»-fJTet A* i>r

hearta-name^, wildsrteefde-siltyearn'iigyiX! bit-tef pain.;*!? sfw^femyifer;

'-•> D»»?*.. T^ G7 ^ C6wo

ail

fnaffer d)encyou.may bo fir

3ZI

C6l-^ I know I We you. A- nnhe/ And end my lone- tT- ness

'

MOUR A - MOUR.1

J

ANDALUCIA (THE BREEZE AND I) - (E. Leeuona)

a

. =B

BALLERINAA c

(C. Sigman) Moderately

n? r r i

Dance I BAL- LS- HI- HA

*lrtJ

i dance* whirlG7 '

And do your pir- ou-And just ig- nore the

ettechairDa

in rhy- tha with your ach- ing hea?f.entp- ty in the sec- ond row

r j r r iDanceIbis

BAL- LK- RI-ia your mo-

HA dancement girl

C

You must- n't onceAl- tho he's not

for-out

, l|2«

mgth«

E7

a donr cer has1 to dance the partap-plaud-ing as you steal the show .

An

Once

A7.

you

stead I guess that's your con- cern, we live and learn And love is

r r igone, BAL- LB- XI- HA So on with your ca-

reer, you can't «f- ford a back'-ward glance

Dane* on and on and on. A Hum-sand peo- pie here have coae to see the

snow as 'round and 'round you go, So BAL- LE- HI- HA dance dance dance.

BESAME MUCHO (Kiss Me Much) (c. Velaaguea)

BE- SA- MEDaar-est one,

LJU J. . .A| J J

SA- ME MO- CHO} —\t you should leave •*,_A7 D» P7

Bach tine I cling to yourBach lit- tie draam would take

Oi Eta -t—. i f .

r r V r rr iprirklaa I hear aw- ale di-vlaai — }wing and my Ufa wouldb* through; »

' — — . A7 -

BE- _ SA-MC MU-CHO, Hold Ba,my dar-Ung, andLow me for-e\r-er and

..J J .. alwajra "o* mine. 7hi» Joy is something new,My

all my dreamecooa tru«. —(FlnaJIP_enfold- ing you

J. J I

thl* thrill IM- fora)

B7

Who ev-

Bb7

thought I'd be

, A7

kola- ias TOO cloa* to «a, Vhlap *rlag "It»a you I a-

COME CLOSER TO MB °* Farres)C7 •

*i».C.al Pin*

To Wed"C7

OGHB CL06- ^ER f TO IgjLj^; } »° 1 can JgHr h«a^ 1? to y.TBy oaar, j ^ ^ ^ -y

Thrill ma with your fclaa-eaC7 '

than We'll klaa and klaa a- gain, And Ufa will ha dl- vine

l'|J ' f nlAll I ask la__Dar- ling,I'll a- dora you, Live my Ufa juat for you,

U7 CT P

•P 1—plawa give M one more kiBB,and whla- par you'll ha mine.

i

DE CORAZOH A CORAZON - (G. Ruiz) "Itexicana"On 0 an D

De co- rn- zon a co- ra- zon, these vjen derxwords and these alone _So place your hand with-in mr hand and tell my heart you un-deretarri

— "mmean, t>e-lov- ed, to- nightall this lan-guage of

our_ hearts are talk- heart to mheart

1~~ ^ nun"ca rj, That>s just an-oth-er way to say_ That this beau-ti-finmlova will grow, .yes, a- ven the we're o-ceans "a-partj

learned just for you.—Then kiss my lips .and hold me close,dear,as I re-peat in-BZ Cd^e__^ ' V? r

P n

tone,— Da co- ra- zon a co- ra- zon. Oh. dar- ling, I a- dore

r I

nCHAS NEGRAS (Gambling With Love) (J. Rodriguez)

QAB-BUSG 'ms LOVE, _ < That was BoiM-thlog I ahould-n't have done,I waa treat-log you v*r- y un- fair,

^ C . B7 i

I was po's- 1- t(ve I had you won.•I kept tall-ing you I diaVnU care,

1 >. C ^ E7

t wasI had

too sure of you.

12. . i—^ c —-'-^ S7 — .I j J J l - - ' l [ " flf -r w .^^

aoae-bod- y new. I seemed in a trance, Nev- er re- al- Izad

I took • chancy Thought our love was a song and a dance, _ I Just played wlthro-

GAHB-LING WITH UWtfE,07

fool-iah but thought I was

FRENESI

up by loa-ing my heart, I was GM-BLIBQ WITH LOVE.

(A* Dorrdnguez)bt 9me. Eft

• r . IT ' i i r r r • * 4, • I T "Mex - i'-co _ And so I •stopped a wfiile to «ewas Fie- e»- ta. do«ffl tn _

A l«e-ty at -no- ri - ta caught tn<( e^e— I ttood ervchant-ed a» *f>« wan-dened b^—

T.tftat

-H

1 ( m e w / t h a t TRC-ME-Si mtant pkase lexeme And r could %aw TRE-Nt - s\.And nev-«r fenow-lno. that it camt from mt 1 oent-ls sxched TRt-nr — St.. 5 . g ^ —

JSh e5lopp«a atid raised fier e^e» to mine Her Up* iu»t pleacUd to be. 6i»sed

£J>

So fiow was I to re

And now »)itft-out a fttart to call my own A o^reat-er fiap--p\--n«s* Ive -nev - er irnown.Abl EfcZ Ab

j >TSe-oxu«p (WT (ti-it-es are for ifle a-lone Wfio would-n't say FRE-NI - Si

FULL MOON _ 3 _ EngI Lyric-Bob RussellSpan Lvric-GonzaloCuriel^Modcraci)D7 G Gm»j 7 Ami 'G i ' DAin G Music-Gony.alo Curiel& Marcclcnc Odetten iiModcraii.P7 G Gnuj 7 Ami G i ' DAin G Music-Gony.alo Curiel*

Ci if 1 Mr VMM ...i i - : _ v * ' ! J*--— —FULL MOON ,— when love is in flow - er, You re burst-ing with pride>Aug G, Cm. C E7 Ami £7 Amp- Bmi Ami

filled withPJim D7, I

pow - FULL MOONB? C6

" "" •j "" __ . i

^^^

ten - derG

when kiss - es arc> Jim C Ami7 D7

r Don t think its be - cause of your splcn dor FU7 AmifG—,, p^Aug G,,, ^ B7H E7 Gttdin. Afi

FULL

MOON. _ I know what ro-mance isAmi Cftdim Ami

J »

Jnough of your sly. know- ing glanr - es _

, _ i _ Ami-7 Cmi »

3B• Long af - ter stars close their sleep y eyes

C pi Fmi7 . Ai7 C m j 6 C6 E7 Am 7 Ddim D7 G^^ i j. j i . . i ri

And the

^glowfrom a FULL MOON dies, Mv hcari w i l l s t i l l "he f u l l if Iov7

j

j

GREEN EYES (N» Menendez)

"nil-1 ifi'ir • i1 i j i j |r=TQarlth their soft light*, Your eye* thai proa-Taa sweetnight*,.-•* Green Syes with their soft light*, Your eye* thai proa-Tee sweet nighta,..

•>•• cool and linp- id Qrean eye* A pool ^here In my love liel_ll.Bb?

_BrI I .11 I

to ay soul a long-log _deep that In ay search-ing

a thirst for love di- vine.Ptor hap- pi- nes I

dresns I •••a to hold you

Our lip* meet,and our hearts too,12. Mi C7 " ft

with a thrill sosub- liasAdim

ttat they will ev- er haunt ae

tanntme\_But will they ev-er want me Oreen eye* make ay dream* come true

HASTA MANANA (0* Farres)a?" C7

Slowly

HAS- TA MA- song whan you say it,TOP to— aor— row.

Bv- 'ry wordDo TOO think I

love-ly bou-^et, no mreet-er 'way to *ay*Qood- bye.".bar-row a kiss to dream of while I

Bb7sltat-ber to»

aigbtt Could I hear it once be-fore I go, a soft- Jy whis-pered *Ye t»

' ' J l Ja- mo," — With "I love you"ring-lng la ay heart the Urns will1 fly while we're *.

a pray»r I»U be

to say&A9-tADiet the pa-dre will join us some day and

HOW STRANGE - (Stothart-Brent) "Idiot's Delight"Bbm

That youI That all

shoold kiss in theOur beau- ti- ful

light,cas- tie* —

Bbm

Than wbls- par 'Good bye.".should fade with the

>ve- li- ness I drr r. r

And all of theYou whis-pered My lo _

heart is yours - I dreamed I could hold,I vow that my

Has gone with the night, And

change And now you. re gone. Gone with my heart. Row Str'anS*"."

,2.97 I'll. NEVIS LOVE AGMDfiTUtfl

(I. F.Eb? C7

I'll love a- gain

Bb7

you for-get me.

Bb7

My Ixwart won't

Eb

let me. love some one- new I'll r.ev-cr fireani a- gain'Vy heart is youra a- lone

Eb

I'll nev-er thrill a- gain

rSSO-

to

KIM*

I'll adw

(D.S.el Flak)

I I0VB YOU - (C. Porter) "Mexican Hayride"F

•tart to alng a-galaAnd bird* oa. tte wlag a-gatn

And it all be-long* to you and

JUHOLK CRCMS (£e Lecuona) Andante moderate

Buppugh the black ofthrough the trop- ie mace,

Send year MM- cage to ne.with their weird mel- o- dy

G7 C

Bring love*a mea-aage to me.Chant-Ing their mel- o- dy.

Tea

CM

is the ffles- sage they cry,

•tars light the sky.

j

at your call I fly, To the pa-gan love..

LAMP OF MEMORY, TheDn7 <T7 C

(G. Curiel)J , "

3^^^ •<<*! ^*^5^^^^~ •. jt« &MBU ^

iModerate

light, a se-cret light la burn--sleeps, It airways keeps re-turn-iaK — *

Qt '1.C ngFWilg- e tacat

gf3?And through mSUMP OF MEtf- b^oT

titQB

back with me a- gain. It nev-ersee you back with as a-Ughta thepastfor ma a-

Though your eyes shine Aw »• In07 0>

_ That bright iUumi- na-Uon__ is ay lo- ag-ln- a-tion tak-lng pi- tjr on ay

Mart. So night aad day, I have to play A-

tlnroagh-out •- tar- n*-

MADE FOR EACH OTHER (Ta Felicidad) (R. Touzet)Fo7 Bb7

Hodarato

UADE FOR SACK OTH- ER,_ your heart and mine, MADE FCR EACH OTH- EH_ fromOnce in a llfe-tina love comes your way, Bow is the right tineAatan

l^» .»

Blffi Right from the mo-aent I saw you. — I knew that i'dstay,— 'Cause youVe the one that I prayed for,- The love that I

Ab Ata Bb? Kbwas

My rate is planned a-round you. It had to be, this ro-maace of

our*. ^ 4 iong b^ foreBbT. Bn?

you, — Your name and mine had been written in the

EH — like sun and sky. We* each oth-er_ as yearsgo

by, We'll share to-geth-er the dreams that you and OTH-ral

L

MAGIC IS THE MOONLIGHT (Te Qulero Dijiste) (Me Grever)P re F F6 F

1

3=

1C IS TBS MOOS- LIGHTCan't re-sist their pow- er

P6 >»^^— m. C9. C7

Cb this lov-arst June- night.In ttis mooa-Ut hour -—

IJ— As I see the moon- light

Love be- gan to flow- er, —Shin- ing in your ayesj —Oils is tar- a- disa. —

Cat Of F

U.v- ing in the splen- dor,DdiM C7

M=^ =£== I r— make my heart BUT- ran-'

t.Hfnt. ~

J f

To your love *di

5SMore than an- y June- night).is the moon- light,

Hag- ic is the moon- light, For it made you mine.

n

NIGHTINGALEAm

(Cugat-Rosner) II oder a to300

NI3HT-IN- 3AUST"I _ as I lie on aw pil- low. I can hear you In theI tor- get all my sor- row, aa you ser- e-nade to-

Da6

wll- low Sing- ing love- songs to the moon NIOHT- IN-

Uy loved one who is o- vcr the_ must have sent you to cheer me;

NIGHT- IN- GALE, thoi the night seems un-Ttaifi

r'«i JJ.J"a send- ing on the wings of rael- o-1 can hear the love shedy

WOCHEp

(G. Ruiz) "Stork Club"Gm O F Ddia Gm7

M&deratoC+

J J ^ J J J ' J J I J J J JNO- CHE, end your eyes so ex- cit- ing,

Ddia C7

Ten-der lips so in-

Gm

vi-U ing, The night that I first kissed you;

and the spell we were un- der,

C+ F

Can there be an- y won-der That

*=&*X could not re- slst you?

Bb Bbm

I ; J r J. LJ EE=EE£

Moon-light, and the thrill of your

> 1 F

J J J IJ«- «kiss- es, Taught me

IG7.

* >J ' 1

what the mean- inf. of bliss is,.> i C7

J J J I rJ J \^ Vs

Car- ling, what a mem- o- ry

F On Gm O

this is

F Ddia

I. J U J J J J J I J J ,was as light as a danc- er,for- ev- er- more: My heart

When you gave me your an-swer and made my life so di- vine;

now I know what the

Th.at.heav- en- Lv mo- nent. You whie-pered you're mine

NIGHT MUST PALL (Over All)F7

(X. Cugat)Ebm

Moderate

NIGHT MUSThear your

sent,

OUT OF THIS WORLD - (He Arlen) "CXit Of This World"

You're clear _ GOT OF THIS YCRLD. — When I'm look-Ing atGtaa? Bra

DOT OF THIS WORLDBbra

out of a book*You*re rightnor- tal ev- er

ored knightThe fal-ry tale I read «hen I was ao high.Abrf? Ab7 Eb6

- chant- ed by a Lo- re-out of a bookBb7 a>

N• —^^

' E• — i

N= h1" 1 J J 1lei than I. Af- tar

wait-ing so long for the right tine,Cdiffl, Ab9. _ G7-9 Cm?

Af- ter reach- Ing aoAbma?

long for a star,Ca6

All at once, from the long and lone-Cm .. Ab7 _ G7 ^ ^ C7 F7 Bb7

night— tioe And de- spite time, Here you are. I'd

cry _Bb07 Sb

OUT OF THIS WORLD

GtmeC?If you

Sbta6

through.Eb6

Abrn?saidAb7

we were

So let me fly OUT OF THIS WORLDFm7 Bb7 Eb

Anl

6?«ad the next «- ter- ni- ty or two with you.

PERPIDIAC

(A. Dominquez)T>m F!7 . .C -*!—1! All

30JL

eyes. are hfch- S-'inV^ER^FI-DI-A^For I found youFor-get-ful of our

IRT"

I I f • I •' I <rf J «i •love of my life in some- bo- dy el-pro-mise of loveYoure «har-ing an-oth-

i — •• ~" ™ '—ff - L «a>

.fe in some- bo- dy el- se's arms.— YouroveYoure «har-ing an-oth-er's charms.

- . - - ^^^^^^

sad lament,my dreams have fad-ed like_DmS

bro- ken mel- o-

l.JJ.tc_r IWhile the gods of love look down and— -..•* ^ ^ . .i r**7

U.LJ"JI I know ray love was not ' for you,

' ^ f jir a^^M^^^^^^^^ I—I u 1 —^

And so Iill take it back with a sigh,per-fid-i-oue one goo bye.

POINCIANAD7

(N. Simon) Moderate

Pola- ci- f your branch-es speak to me ofL some how I feel the jun-gle heat,

G

9 " ' - -! 'Jf^-love, '71th.

Pale E.OOBin me

Cm

is bast-ing shad-owe ft-om a-there growe a rhyth-mic sav- age

bove.beat.

Edim

ifr^i q» - | i | ^ - ^m — iLove ie ev- »ry-wher«, Itg m«g- ic per- fume fills the air,

D7 Ddim Am D7

To and fro you sway, my heart's in time, I»v« learned to care,

from now un- til the dawn- ing day,

If11 learnrn I "to 1ov« for- ev- er come what may

QUIZAS, QUIZAS, QUIZAS (Perhaps, Perhaps, Perhaps>(0. Farres)B7 —5— an

You "won > t ad-!ou'won»-t ad- mit you love me,— and so Row "am I ev- er^L. toA mil- lion times I've asked you, and then I ask you o- ver_ n-

B7 . , > , Em nn B7 BaEm

«^ J J J~fr—__ —,_ ,„._ ,,^MJ _„, PSR-J'JUPST

gain, You on- ly an- swerA6 . B7 A6 ,B7 E

you can t make your mind up, we'll ncv- er_ get start- ed.

And I don't want to wind up,_ be- ing part- ed,_ bro- ken heart- ed.

So, "if ^you real-ly love me,— say "yes," But if you don»t,dear, ccn_

fese, And please don»t tell me,_ *'PER-HAPS, PQ?-rAPS, n riB- I Sr

(E. Lecuona) Moderate

• Yo« haveYou re-If you've been

•hen _jfou thinkG7 II. Oi

heard « _ dream- ycall this drea«-y

You»v» caught it* _ ftm- ,mr rhyth

I M i I•ad* your~_. sen- ses stray

- liz-iag «el- o "— dy they nl«y7

that»e the tune that

31- bo- nay*

dance that _ they dance at _ the Ca- fe, And thmt

nat- lng,_ cap- tl-

SOMOS DIFERENTES (P.B.Ruiz) 3oler°

Ya me con.-'*' ven- c{ qfle se- gulr-los dosDe-bes de sa- ber TUC ni. tu ni yo

II _ 37

es ini-po- si- ble,nos co.-a-nren- de- aoa,

~~

^ue le voy ha- cer si al bus- car tu^a-aor

rror que^al.o-ra con do-lor pa- ga-aios los dos. Te-ne-sos que_olvidarnos de^ste amor.- Ag ~37

por-que_un aaor a- si no pue-de ser 3i so-raos di- fe-ren-tes ya lo ves

es- ta verdad des-trozajjl corazon. Hoy te digc_i-dio's me^a-le-jo de ti se-rs-na

aen-te to-do_es per ce-.as, no lo oui-so .^ios so- aos di- fe- ren-tes.~

TABOO (M« LeCOUIia) Moderate (tlth pronounced rhythm) Fox trot

K7 Am —•». 1 B* —-T-

- b«r she is - n't for you

BOO, TA - BOO,gm? Em6» A«7

There's some-one that you're prcmiaed to.Aa6 Am? * HT « . B» _ Ff7-6 Em Ba

to aef And thenhold-ing her olos-er

cried, Ob! Why should auclAup-pft - naaaE7

TA - BOO, TA-

BOO,. TA - BOO, TA - B007.

TENTACION(G. Ruiz)

ModerateCdtffl Bb7

Al do- ler ms tu au- sen- eia por tu_l-ma-. gen eus- pi- roCuan- do be- ao_o-^jgrM ho- cat . yo pro- max- cio tu nom- ore

Bo7 flT"

— y_ea mis one- fioa te mi-— y_an ei- Ian- cio mal- di-flT. T. >—i. Kb

rogo

co- oo fra- glT vi- tfion.

ta cruel tan-ta- cion>.

que me qoi- tea la vi- da o me di- gaa que si.

THANKS POR THE DREAM (>H s»5o A.»D (CugaW3onzales,Jr,)Abm6 Blj7 Eb

1 , i • i i — i —j-

THANKS TO! TEE D EAM, it

call- ing your name,Bb+

Cry- ing for you, won- der- ing who put ou£- the flame;

J

_J

thanks juat the same.

TIME WAS (Duerme) . Prado)

Bpg-e-ie--E=f-r r r ' r r r ' r j r J f J 'TIME WAS,},When ^f^p^c^

C Gdim Am7— J .. T? h r-g p-7 A,*7 TY7 l it , a L**7-^},

a- tion rings One love-ly yes-ter- day."cof-fee an<r*ureaming the time a-

way.

Pic-nics and hayrldes and mid-win-ter sleLghrldeB and nev^ "* f" P*^

Hlices In the coun- try And there's more than one tree OnJ£ i — J • 07 G Bm Am—^ •— i f? * 1—, (3m«7 C7,

which I»v« a place In your heart. Darling,ev»- ry to nor- row will b« completec.—•»—». Qn— •>. 1- c, fidia Am?—•» •. 07 D7-9 . G

If all our mo-menta are half as- sweet As all our TIME WAS then.—

TONY'S WIFE (B. Lane)Odi* G7

Moderate

( boys in Ha- va- aa Iowa {I f el- las are fools _. a- boot/

TO- nr*sth*y»re

round the Ca- ba- _ na of I TO- HY»S- fc- Ua» their duels a- bovt)

JO.

slag in a^ •an- _ of tha*aTo- ny*s too la- «y toJL *h

— care- when aba plays oa her goi- tar Me* they

ir i i iYom abould BOO tha that ara break- _ in* np( doah oh

wold Mir- ran- dar his Ufa For TO- n*S KR. _

TWO HEARTS THAT PASS IN THE NIGHT

T«o hearts thatSpass ia tha night, _ in the aag- ie- al< Join la a glance and dls- co^-

E Hb» »BT~

light of the Boon, know-ing ho* soon night ison- ly to fade with the

_EZ_

Must they al- waysKb

lono- .Tjr, a- lea, Two h«ort« that DOSS in the nl£b ?

WHAT A DIPF'RENCE A DAY MADE07— »-

(M. Grever)5-

LJ J J J J J IWhat iT diff-'rence a day made, Twen- ty four lit- tl«

TU^«*M.a « A **b-4*t_ >Ls*«tf KA.There* a a rain- bow be- fore ae^ —

Brought the sun end the flow- era,Skies a- bove can't be storm- y

Where there used to be rain.Since that mo- cient of

yea- ter- day waa blue dear. To- day I'm part of you dear.—

Ily lone- ly nights are thru dear, _ since you eaidyouwere nine.Bbo

blissi That thrill*F

Find ro- mance on yourC7

It's heav-en when you,

. What a diff- 'rence a day made And the difference la you*

WHERE ARE YOU NOW(Prisonero Del Mar) - (L* Arcaraz)C Am D G7 —. C A f l i l t a G7

; ARE YOU HOW By the dan's ear- ly gleaa?.Warm waa your brow And your lips were so red, -

G7

Tell my lone- ly heartI waa yours from ay

—^—where do you (ire an? —heart to my head,

Von- der where you areWon- der where you are now.

Eta E

_ af- ter night in my room, In the gath- er-ing gloom—How the beat of your

don't know howheart haunta me)

j

Don't tavow how much I want to be there With you, where you are now.

WITHOUT YOU (0* Farres)Cm

Moderate

I'm ao lone- ly «nd blue,At th« close of the day

3b9J J J lwhenll'm WITH- DOTWhen)

Bb+ Sb

YOU,

-I I don't know what I'd do,And my heart kneels to pray,

07 On 5b9

sweet- heart, WITH- OUTI pray a- bout

YOU.you.D7

TheYou

Joy andtake a

Jte

tears that lovestar and lead

en-it

dears would have nofar a- way from

mean*heav-

ing, _en,—

IfAnd

Ab7 FtqULJL

G7

Id- n't havestar will be

you.lost

to keep me drean- ing.

YOU ARE EVERYTHING TO ME - (M. Sanchez)C CdiJD fff

soul from roe, Iat

L-J j j

whole life is you.,more can I give?.

You are ev- 'ry-thing to me,-==_ If you left me there would be1»F Km

LJMy heav- en come true

Ho

ev- »ry pray'r

take, A- sleep or a- wake, I an yours.breath that

There'0 no love 00 trueEU7 G7

rea-aon to live.

__ You're my guid-ing star, You are ev-»ry- thing

YOU CAME A LONG WAY FROM ST, LOUIS -(J.B.Brooks)

You came a long way from St. Lou-

{You climbed the lad-der of sue- cess.I You broke a lot- ta hearts be- tween.P.... Dm?

ijve seen the torn and coun-tryI ve met a &ang of gloom-y

rr?

icars that were parked out in front_ of your fan-- cy "*a- d?BSs.guys who v/ere do- In' alll right till you came_ on the scene.F

You blew in from the aid- die West, and cer-tain-ly ia-pressed-

__ the po- pu- la-tion herc-a-bouts. _ Well, ba» by I got nev/s for .you

r i "rI m from Mis- sou- ri, too

You got them drop- pin» by the way- sidegot my doubts,

A feel- in I ain't gon-na know. You came a long way fron St.

G7 C

J. J j. lLou-ls, but ba— by, you still got a long way ^n ,-0.

YOU BELONG TO MY HEART (Solamente Una Vez)Bb7 Eb . Sdim Bb7

now anddo you

not long a- gowhen they met mine;

And our love n«d ita startAnd your eyes threw • kiss

On

gath- er- ing stars while a mil-own all the stars and a mil-

lion gui-' tars played our love BongTHlion gui- tars are still play- ing;—

"I love you,are t£e song

ev- *ry beat ofand You'll

my heart said it

Bb7 Bb7 Eb

r-itoo* * Twaa e mo- lt like al- ways be- long to ay heart.

, SO IT'S WUlMS

(Brown-Brent) "Holiday In Mexico"

=1 'I I I I ISSo It's Ton! when you came in the door, I knew I'd

seen yon be- fore be- side ne So It»s

f===f=3r ••_ — L-aJ.— T—— —On -

i — 1 — d —* 1 •J.

— -j —— I —— •! —=f==*=e»J .

r/1 —E5

1 E — i=*ai •<•. J' '

-* When you start- ed to stare, my heart said 'be- ware*

j. J i 1 '1 r r 1il60 m^r-~~ we »•* he- fore in my la- ag- i- na- tlon,

^^^

.._ £2 P | . GB6 _.

' rr r r r '^ L > J - J | ^ ^^ 'irm our kiss was new! I can't af-ford __Your lips were warm

this fas- el- na-tion Bow that I'm face to face with

ghost from the past,you're hold-ing me to yout — I can* t get a- way,

Yes, it's you!

YOURS (QUIEREME MUCHO)D

- (G. Roig) Tempo Bolero

.J J I ,till-the stars have— no glo- rylB? Bo

I. 1 1 l -

birds fail- to sing!

YOURS tilT.A7

to.?

•Uie end ofD

sto- r/,

I r ' j j I j' r I I ' ' I ' Jl J J I«^^__^^^ •• ill •* ^* •*• •_ _ • _ t 1f^^»T-X-^ J *_1. .bringl voaas in— t.h«This pledge to you,

Here or _ on far din- — tant snores!gray of D«- cam- barA7

• i f I? r r^^love you! Ho* couldD

I»ve nev- loved an- y one the way_

'Jhen I was born to be

LATIN AMERICAN TUNES— SAMBASBRAZIL -BraztlianjSan&a -Mod<?CBNI)

G G G« S*- a

ir r r r i r_Where heartsvidere en-ter-fain-inCJunc ..

Am F A6 F Am.

_ We sbo«i be - n«alh an am-ber moon

A6 . &** & G+ Off B

vi'as an-o+h-er

11>e rnom-ing1 found me iniles a- v*ay

wiit- lion things to sav

OMB 10 THB MiflDI ORAS (Mao Mho La«rl*as) - (M.

Tla>« for 1'hr- fll Creel —

there, Con- fat- tl in her hair Swept a- longLove ia there s the

'til we n«t —that you are,__

me, fast- erC<M troe. COS

CTWMTO LE OUStA (la Parnuada) (Q. Ruiz) "Date With Judy11

J J J ' J J J J J e M J J J J J J I•te le ft*- ta, la ta, la goa- ta, la gua- ta la goa- ta, la

J J J Jta.1.

J a l ' J J J Jta, la

««t- ta cat •»• la1,

J J Jwa fla- im't ted what ara we goa- M

aaa thare, who will be there, What-'U be the bl«

•ay be ae- no- rl- taa with dark and

we won't COM back.

we have- a»t got

go'ln', And we're gon- na have a hap- py tiae

TICO-TICO (Z, Abreu)

Oh TI- CO- TI- CO tick!- Oh TI~ CO H- CO took!— TtH« ^fl- CO-got a heav-y date— a t€t«- a- tfttj at eighV- *>

•—*—; .«- «• «i L,«I i j - •• rTI- CO hes the cuck- oo in my C15ck. And when he sayai'Cuck-oo! — he aeana it»sTI- CO,tell me is It get-ting late? If I»m on tine: 'Guck-oo!"— but if !»•

tiae to woo;_ It's "Ti- co-latei'Vbo-woo;".— The one ray tiae"for all the lov- era in the

mblock. heart has gone to may not want to wait! For just a

bir-die, and a bir- die who goes no- where, He knows of

fp r$=**=•V- »ry

-Lov-

— J-ers Lane

-and how

_ 1— -!-

to go there; For =In -af-

fairs of the heart my Ti- co's ter- ri- bly smart,— H« tella ae:

J J"Gent- ly, sen- ti -meat- 'ly at the start Oh- oh, I hear my lit>-tle i CO-TT- CO

Iif^

call-ing, Be-csuse the time is right and shades of night areladec

love that not- so- cuck- oo cuck- oo in the

clock: TI- CO- TI- CO- TI- CO- TI- CO- TI- CO tock.

LATIN AMERICAN TUNES—TANGOSDONDE ESTAS CORAZON - (M. Serrano)rt C

imoderate

^3^^ i ! «Atar*»A frt»flOb! where are you my heart?— For you throb- blag

Life is emp- ty and chillSine* our Fate bade us part,

But the tears will not startlong- ing to cry,

C

Our deap love on- ly Death could de- ny! Oh,where are you my heart?

DREAM TANOO { tango du R«ve) (E. V. Malderen)

«r»AD

tet-lteartf- War

B>7Ightwaouat P«rt.brealce upon 01*

Ab C7

of a

kiss of lovt,

Tan-Owr.mel- o- di-oua our haarta you*r»•14b-iac,— ted BMB** »-

••11-laCi r*- v»al-tng, In draaoa of lov».

HOUR OF PARTING,THE - (M* Spoliansky)C <" — Q* — C D7

love, the hour of part- Ing is near, And in ay heart I eaa hear0*7 Kbm Of C 07

ntgbt of ro-

n*v-ar will for- get,tna* all b«- gan with a danceK7

«• two w«re aay- lag, Love,— we know that lova eon not

4t«. But now m're aay- tng'Qood-tera.'

JALOUSIE (Jealousy)A-nfl

nort-lncr hoar 1m hare.—

(J. Gade)

That soft yyofti your cruel lips witt

oelve, /4ndl its on - Ly tie

LOVE-WHAT ARE YOU DOING 10 HCf HEART? (T.Barczi)C °-i A». C

Love, what are you do-Ing to ay heart Don't keep pursu- ing my poorlove, . I own a heart not •ads of atoa« So kind- ly I**™ "* h««-t a-

Is sweet- ly yours Be- llev* meyours My ev- »ry ' kiss

what are you do- log to ay heart— so don't de- ceive as Lova

What good is woo-in ' my ooor heart lib- less you love me

MOON WAS YELLOW, THE (F. E. Ahlert)Kt>7 H> __ a DMS

Tango

ic ij j j j•n,.

Qta6

Tel-low i *** tba ntgit was youoST^ A sulle brougM ns to-g*th-«r> Anfl a song was sung, _ That »o-cal^ln- splr-k-

And I was won-dring whether.Save me the in- cli-na-tion,£~ » BB

To give nqr heart a- w

J . j J I •^-LJ*I look th«t f*P?

— >v lovs is mellow— And oqrhopes are a&3Dg')_Aground t2iat CD- pld

=5t-J — I — 1 •* ft* 1 p T ABe-hold!the moon la yel- low. And the niaJit la young!

ORCHIDS IN THE MOONLIGHT-(V.Touinans) "Flying Down To Rio"Db fm

and lov •Wra vow to beWhan or-chlda bloom la the aoon- light

1 ir 'r»r r r r r r i p, r..rX still can dream in the noon- light Of oas dear night that w*

whan or- chida fada in the

They speak of tears and"Good- bye!" Bio' ay dresns are shat~taP*<i

Ltkr the pet- — als sea g^jj^ my love can nev—er die.

3/5" ROSITA (P. Du Pont) Andante Mrto

TU SAIS (You Know) (WalteavWeslyn) Tempo dl Tango

Ddia K-57 A7

Yout»

ta nothing nareat Je ta

trancing Then whan to-getlv-ar w*dou-te Ton char- ae •' st-ttr» at

•«r jro« low* to h*v» ae near you 9» oa»- fart«n de- rou- t0, Ita ve p*»- ••- dM

A g«n- ti« lookT* velx 91! BUT- mure «t qal obaa- t«

Jut are ye*Se fait

m- : lr flirt- lag with M? Wby ip it that you al- way*gp«-r«M* •* !•*- aban-tcT 3n I'*- cou^taut man co«ur •'«

tiurlll M artchaa- t«T

i*J«

my love-ll^ht a- glow?crot* a ton *- aour?

Yon know'.too-Jonral

Ta aaiawor4» BOUna et

ten- derf Mean love that* a av-ten- dreS| Caux qui oe font

6 OB

true)ft

you toJa da- aire

reooVtan-

Tta aatat TOUT arva a-

ai qu'U fant aaQ

bouttai-

you aay you'u net•« pea trou- bier le

D Cdia SB an

armys-

A7_

doubtta-

m«,ra.

And that you ca» a»\ U«a vl«v-«art net You taaow I love but yon.nvua fidt o«-bll- ar La tcr- re: Tu sade si blan m1 ai- n«r. -

SOFTLY AS IN A MORNING SUNRISE-(S.Romberg)"The New Moon"Am Hm Am

~1

Soft- ly, as In a oiorn- in* sun- rise, The Alight of love= co-esing with allthttglow of sun- rise,

J.UV -A.,4^,1* *• «*• -"* "^

A burn-ing kiss is

la-to A new bom day,tray.steal- ing

seal- lagG

far the paa-sioas thatThe vow that all be- trG7

Are the pas-alone thattin-ill love And liftyou high to heav- en,

111 low* And let you fall t« hell! So ends each sto- ry.

The light that gave youas la an eve- ning sun- set

glo-

TWO SPARKLING EYES (0. Strock)tacet . - Go

ModerateD7

spark-ling eyes now look at meknow I nev- ar can for- getget

With ar- dor glow- ingjTheir flash-lag splea- dorj

Two spark-ling eyes lookknow n«v- er

Whan two dirk eyes (look, to- to" mineI can- not die- guise

fS»

Cm6 OB

With rap- tureTheir sweet sur-

show-. lag,tar |

. A7

heav-J

Ught

D7

They brlag the glo- ry asI'm sure that In those spark- i

a- bove! rests my das- tl- ay.

LATIN AMERICAN TUNES—MISCELLANEOUS

BARCEMKAc (T. Evans) Lively

87

mar-ry the -Belle of Bar- ee- Ion-like It so well In Bar- ce- lon-

C RT Vzl

— j -— Thata w&ere-SL

Spain,re-aaln.

— I think Its la Spain. ~" "— ThereI guess 1111 re-main.-

try

night I'll ser- •-

can per- suade her,C

r-"'l\e of Bar-ce- loa- a,

- (M. V. DeCaiapo)(Clap handa)

ale mans Joy,a all be gatf

pH? K (wxap i anon;

If J J IJ * f Ir * H|so clapaad clap filt

** aSl ^ow clapad clap *

S

Mb C?

Vhll*tend

i r irthare'aat

B57

ou- ale, there's »a- glclaat love haa found ma

i i"-. i.ttow'tyour

^=PS

aa- gle, there's love-light to tolamna are a- round me, And tho

t ay hearti the area

Bb7 Sb Bb7 Eb

tha.

chance.U. M j j i j J r{« J ' J •< IT r r ir A p ira

To pro- aanca, while a- ale

EL RANCHO GRANDE (Ramos-Uranga)

I J || J" J J J f j J J» M J ^ H If J,I love to roan out yon- der, Out where the Bttf- f»lo wan- der,_

F.

1J T J? 1 J" j .j . v 'J*_ Fr«« aa tS 11lEag-Ia «JT- ' m

it ty- li l»"«fand

hard- Ing cat*. tie.

GAY RANCHERO,A - (J.J.Espinosa)MA Gay Ranchero"

A Gay Ran- cher-o,G7

cab- al- ler- o Can al-

find aona- one to pet saa- or- It- a,

^^

ft - SW00X J"S"

4

oth-er lovea will aoon for- get If he's in-A7_

aia-tent and she's not dis-tont The_ _ aen- or- it-

S

will con-C i~.

feas Gay Ban- char- o,_D?_ (77

her cab-

Need on- ly aafc and she'll say yes.

LADY OP SPAIN (T.Evans) Moderate can aplrlto

Right firoaWay ahould

I I I ITTMjr heartAll that

MY TOREADOR (El Relicario)On __^ AT

(J. Padilla)

One SUD- ay id- Jy stroll- lag on tte cal- !•'-

ted »et y ne- ro,l r ea- bal- IB- ro, A» proud M »e-_ro, Hjr to-

And bowed ooH« aotlad dia- creet-

— He woo c«*-plate-ly

feet, with gal- lant-A

tpg He apread hie clout with

— ture dla- am-— ing And bum-bly knael- ing With ten-der feel-_lng And gaze «p-

peal-_ ing Made T»ld to sayt "Ah.Ua- de- 11- na, fair ae- no.

ri- na, beg of you on my cloak of blue Press your (lain-

Your footprint clear dear

J.

Till life la through,For a to- ken true that I love but youTH

ADOBE HACIENDAc G7(liassey-Fenny)

D7

Softj J Jjj"1'--" J- j J r J j JM =das-art »ta#I"_. •»* tfi* atrxw or «wl-tar^—

07 CMake ev- > ry

EN- DA

VALENCIA Hoaer»to

p • r ? r- - i r i r r v i,-r

> J "JTJ ^ j 'ji JJJ.J.JJJ. * ffi r F r iI tow JTM Mf»- lr «4LL t* »^ «•»!»• cl«l

«r «o«nt tfea b«r««i« B*-

»jiXa

I T PVm- letv- ei« long a-

to.Ooda

go «• found or Pap- a-

IB that old far a- way B*

naath aklaa of •l- 1y of tan- d«r

glaa*.»a ted swift aa •un- abina that daw:-_ aa

Jhough tixa Qp-

THREE CABALLEROS3b

**•

(M Esperon) "The Three Caballeros" 32* Ob7 Jb ah?

II--J J J-l L... •» J U J J.three Cab- cJ.- ler- os, three gay c•three hap- py chap- plea, with snap- py

cl- Icr- oe, Tfceyeer- op- ec, You»li

Eb Bb7

J -Li' r rsay we are birds of a feath- er;find us be- neatb our son- brer- os;

j i r r r rnWe're hap- py a- sd- cos,We're brave and we'll stay so,

Ho mat- ter whereWore bright as a

J | Jways to- geth-er.

pe- so.' Who sez' ao. we say ao, ' the three cab- si- I«r- os.he g°««i one, two and three goes, 7et»« al-

V- 12.

Te»re

SOSGS OF THE GAY NINETIES.

AFTER THE BALL - (C.K.Harris)G C G

Walts Moderately

j i J- i j.I I J/ K

f t it 'I J, ' J I J. I .1 I I '

Man- y the hopes that haveread them aliiG B7 ' Ki

van-

ALL THE WORLD WILL BE JEALOUS OF ME - (E.R.Bali)

Tke °a '- en - blxxim on .your cheek, nd fhe sun e - vfrt

en - vi«s your smile;,C7

The birds in Ike wild -vtood an? still wkn >»,

donH seem half woHh the 77*.

gM in your eyes makes tte brigW sfars grow pale. They're iea - lousE* TM _—ft= ^TVr >i_ cr T*b ofcr^

r r i r-lous But when one word or sI teUbthem

all art mine, All H* worid w{tt be jea-bua of

BIRD IN A GILDED CAGE, A-(K.VonTilzer)"King8ide Maiaie''

Bight think ahe'a hap- py and free ft-oa77

r /I ru«h ahe eeeaecar*, ShVa not, though to be

when you think of ho* vaat- ed life, for youth can- BBt

olA »«»'• gold, 3h««« a bird

BLESS »EM ALL (Hughe»-Lake-Stillraan)

The long and the

»«r- geant'a we h««« toabort and the t«lli

•I r Ir •>bey, Bless all the corp'- ralB who drill us all day, 'Canse we're

good- bye them all. A0 back to theaot a-u

, .-r-«,Uf

— I-* J_J — _4- — L_J_rf p art |_J ,1 J ]_J

bar- racks they crawl;

J r JNo ice- cream andC7 57

cook- ies forBb

J irrrr ^11at 2ZTIr r r

flat foot- ed reok- iea. So cheer up, my lade, BI£SS »EU

BRIGHT EYESG7 C

(Motzan-Jerome)D7

Bright eye«,

G7

I.they

C

know yougive ne

soa

wenr I Brightthrill,— I

I fleye* What ae- crets you

say what youUrn

lieve* a word you Bay, Your eyes are trai- tor*, they

mean- ing you can- not die-guise

bright

BY THE BEAUTIFUL SEA (H. Carroll)Bb7

Ms r-1

i r r rrrBy the sea, by the sea, by the beau-tl- ful sea, sou and

Eb

LjL-j-ifI —-^•^ fr—•- • I - ^^ • " •I, you and I, ohl how hap-py we'll b*3b7 dim Bb7 dim Hb7

'Vhen each wave comes a-

roll-ing in. we- willduck or swim, And v/e'llfloat and fool a-round the wa-ter,

' I" f " Pa is rich, Ma is0 - ver and un - der, and then u? for air,

r r Ir p " T I P Tr rr i r. r rrich,so no-.v what do we care? — love to be be- side your side,3e-side the

sea, be- side the sea - side, By the beau-ti - ful sea.

COME, JOSEPHINE IN MY PLYING MACHINE (F. Fischer)_c

Oome Jo-s^ph- Lne , in my fly - ing ma - chine,Go- ing up she

jTs 1up she goes! Bal- aneeybur-aelf (ike a bird on a.

beam,In the air she goes, there she goesL>^1'*' G7 c01 Up

OJm

Come,Jo- seph - ine

on, 'Good bye.1'

CURSE OF AN ACHING HEART,THE (A. Piantadosi) woderatoC Cdim C C7 m

Fm.You made me v/hat I

C 07a-n to- I hope you're

sat- is- fied, /You dragged and draggedAb7 D7

M I . I I I «•?downC

You* vsun- til My soul with- in ne <ii M,Cdim C, C7 F,

J r~r~ i i i i i J Jshat-

B7tered each

J lii .J.

and ev- •ryP

dream, vou fooled raeCdira

I I I. I I Ifrom the start,

E7 A7And though you re not

27 G7.:ay

—P=J• g-l «*=$* J r J krr

—19 p i

^3^God bless you, That's the curse of an ach- iri£ lieart.

, TTOtPVE BEEN A MOraiR TO MB (F. Fisher) y. «od«.«toBb

Ton altftt b«f* gan« with the boy*

beat

DAUGHTER GT ROSIE O'GBADT.THE - CW. Donaldson)

5ba a *^** A^iatb* teitfi- or Bo-ii? W7

y,Bb7

r i - r- u- LBT old f«Bh- iaaftd girl She la- n't erax- 7 for

lift- aoai rlng», 311k- ea> and ««t-C7

tie 1*1- And

jreu'll aee37

rjy Z'aP7

gladBb7

th«

0» Gra-

Dr AI OLD arm. tBack-Morse) Aadaal* aodercto

T'vaj • sua-Aad you we

in Joaa, Aa3 the ^J? ^ we all In tune, Then tiefalth-fbl wife, Biroogfa the cbang-iag scenes of life, SOI the

D? <J7 CE3H3S 37

«r CM THrl, the rob-preaeb-cr ««id tee «cri» t a n a « us one,Kac-ter call yoor «crc oa «artt WBC doa*.

bove you, 3««r Cli 31_rl, It cpeaic* lov« you, The

" r r -p-=fall" lag, AE ^nir of ay lost pearl. And BT

ie«r-. is :C.l-,lJag, ?tll-i^ for you, ^ezr

J

GANG THAT SANG HEART OP MY HEART, THE (B. Ryan) 32,4-

Heart of my heart X love that mel Heart or ay

heart brings back a

cor- ner of the street* "*Th'. bow we aang ev- 'ry- tiae the gang would Beet.

l°J J J Ij J" I J J J.^L- I .J *J JHeart of «y bfart Meant friends were deer^er then Too bed we hid to

87 «7 A7,aE r

part,IT i r r Br r n

I know a tear would glia-5 E

^1 , I . W

I J J tt| J I - J •«! J i J I Jlia- tan 1 to Tb« Qana That Sang Heart Of Ksr

If once acre0

HINKY DINKY PARLAY VOO (Dubin-McHugh) Moderate

Ibat bas be- COM of *Hln- ky Wn- ky Par^~ ley

true to you and true to the rest of tie

•HIH- Of DIH- Kf PAR-

HOW »YA GONNA KEEP 'EM DOWN ON THE FARM-(W. Donaldson)

• • • * i y ——— 1 i ™

the farm, Af- ter they've seen PaC7 Ddlm f C7

ree?— How »ya gon- na keep icm, -a- way from Broad-way, Jazz-in' a-roun',-F7 Hb Ddiffl P7

and paintin* the town? How »ya gon-na keep »em, a- way flron harnff

That'a a mya-ter- y. They'll nev-er want to see a rake or plow,—C7 Bb

— Ana who the deuce can par- ley- voua a cow? How 'ya gon- na

keep »em down on the fara, Af- ter they've seen Pa- roe?

IF I HAD MY LIFE TO LIVE OVER (Vincent-Tobias-Jaffe)

IP I HADme«t you

E7

MY LIFE TO LIVEwb*n school-day* w«re

O- VSRo- ver And

„-„ do the ••»• thing* a- galawalk thru the laaaa thai we Knew

I'd etill want

rom Bear the plaoe wa called hoae where hap- pi- neaa ne»- ar would

you*

IP I WAS A MILLIONAIRE (G. Edwards)ma

I'd txqr 19 aw- y acHool- houa« la tha aa- tion, I d

wrlta 19- oo the blackboard big and claar, In-ot«ad of on* thare will be two wa>

wouXd-'at be no ecOB

1 whan It was rain-lag, I d let you atay at hoae when it wan

have free ao- da foun- taina, Say I d

build you Ice-creaB awua- talaa If I waa a mil- lioa air*.

IN BI[Y MERRY OLDSMOBILEr>j^ G

(G. Edu-ards)

Come a way with me Lu - ctl« _Churoh wtfU Swift- ly »teal,.

In my merThen our wea -

Olds - mo- bilebelle w\fl

road of life w*ll'ou can firo aor

Au- to - mo - bubb-ling jyou and To the

Em

^^In niy mer - ry

Olds mo - Ute.

IN THE GOOD OLD SUMMER TIME (G. Evans) TeBVO <uBb7

3X6Bb

r r r »r r

your*, ted that's .

tool- M9T «oot- MQT tbo good old

IN THE SHADE OP THE OLD APPLE TREE(E. Van Alstyne)

ITI the

a:lov« in your eyes I could Seebloc- corns as you said to me;

j^ _ j^Ai** ____

When the v^oice that IW<B> a heart that is

5&I mheard , Like the sorg of the bind , SeenTd to whis - per sweet n>u - sic to

cC Cm

me,G

I could true , 111 be wail -

G

for j*ou. , In

_

r"J i j..

i J 1

^^shade of the old ap- pie tree-.

IT'S A SIN TO TELL A LIE. (B. Mayhew) 7

c <jf c7JaltE

lions of hearts have beensvnCdim

bro ken, Just be -cause Hiese wortia v*ereC

- - ken. I loveE.7

**=Fyou, If you break my heart illt /• s~\ <~* f "• ~ rmb *- \jmt>

you. yes I ^do, I loveF A7 'Tim F

^die.. be sure {is true when you say *J loveLif '; Jf }

, __J^^"

Hf- — ^=i\_ry

r i P'- ^^you., It's a sin to tell

W 8 n o s o a •e •j CT O O (t

I

I

I WCNDER WHO'S KISSING HER NOW (Ho>»ard-Orlob)nPrinceOfTonite"

j r J • • >I won-der who's Kiss-ing her now,

B7 C E7 AnWon-

=£=3!der whowho's

B7

teaching herA7 ,

now,±

'on- der who's look- ing in-D7

to her eyes Breath- ing sighs, tell- ing liesi

i f r f i J r J i J._ i J i j i j rwon- der who's buy- Ing the wine For lipa thatwon-B7 K7

For lips that IA7

used to callQ E7

Won- do- •he «v- er

1 5t=£=tells

p

him

— j* P" s — h-^»

OfB r ' i

on--1der

1J ' f

who's klsa-

=*=•in* her

1 1 t « •

now.

K-K-K-KATY (G. 0«Hara) Moderate

TT—i i i ? ' r j iray

Jim- mywaa a sol- dier brave andwith the girls waa Just a

boM,gawk,

tyStut-tered

a»ry

Bb7n

J.maid with hair of gold, Luce an 551 of f«U. Saie waa stand-ing at the gat*

tlM he tried to talk, Still that night »t eight, He waa there at Ka- ty»a gats

ri i ^ i -a . _ _BW

i J. ji|i J j r ' r rI[a7

Watoh-lng all the "boys on dress pa- rada. cry. X- K- K- Ka-Stut-ter-ing to her this lov» sick

beau- ti-ftil

Ka- ty, You're the on- ly g- g- g- girl that I a- dove.-When the m- a- a>»

moon shines, 0- ver the cow-shed, I'U^be w, a k- k- k- )c itch-en door.

MA (He1a Making Eyes At Me)m

ModerateBb7

break-lag ay heartBU7 Kb

cyj Let tolaBb7

r r i r, i v ir r r f in*con-science guide bin! Ma, be wants to oar- ry me,

Bb«^ Eb Bb7 Kb Cdda Bb7Be agr

I * IJ-J ' J r rhon- ay bee.

QUa Bb7Ev- »ry oln- ate be gat* bold- «r,

r r r i" ir r^^Kow he's lean- ing on my ahould-er. Ma. he's Idsa- lug ae! —

309 MEET ME TO-NIGHT IN DREAMLAND (L.Friedman)G+ or cr Fr

i 1 < II' iF7

WEET ME TO- NIQHT IN DREAM - LANDaUj the love Uefrt gteam -

sil-eyes

DREAM

^

Tn-der theIn your dear

r 1 .1.- JJ7»»

i j. *f»

iT »I

"C7MEET ME TO - NIGHT IN

Cdfc. <ST FT

LAND Where love'a sweetEb-. Eb

ro - aes bloom..

me m * land,cr

Dream - Land There Let my dreanrn come tine

_

MOONLIGHT BAYtac«t

S7

sang Love's 014

M-0-T-H-M (A

Song, On

That Mcwis tte World Tb Me)Mta

(T.Morse;

e mil- lion things

*0* means '' on- ly thatF. D7 G7

growing old. is for the tears ware shad to

•E" ror her eyes, with love- light

V a

shin-Db'

"R9 means rtght,«na right she'll al-weye be,OB

J J J J J IPut them all to- geth-er,they spell

G7 C7 F

'MOTH- ER," A that Mane the worldI

j

_

to

HONEY'S LOVIN' ARMSF BU7

(J.Meyer)

I love your lov- in' arma,—I love you more each day,

They bold a world of charm*,When yeara have paaaad •- way,

j j J ' j J Ln 'A place to

i—V""*T1n._g

Seeos to bless ujy

world seems wrong,—G7 . C7

in ay Hon- ay* a lov- In*

MY LITTEB GIRL (Von Tllzer) Mode ra to

Bb KdiM F7 Bb

J J H«MELIT- TLE GIHL, Yon know I love you,

— r = — 1 — 1 —— i r '--^--

— i —— <s»

\" I J_J^ — {^il —.-t¥=^

— i —=£=

4hef=±

1^J •

JJ—

=*=>-* 1

long foreac*» day LIT- TLK GIRL,

P*- Bb Bdte F7

In the wild- wood,

wait- ing,

MAMMYc &

. Donaldsonjc

Slowljrc

07 The aun ablnea Keat, theD7 G7 B7

•on ahinea Weat,47

But

iI've Juflt luarnad where the aun ahinea beat0 Bdia

Vy heart atringa areC7

r rcorn-in* nor- ry that I made you waitP7 G7

mil- lion milea for one of your amllea my ay.

35| OH BY JINGO I (Brown-Von Tilzer) s.m6

Oh, toy G««! by Go ah, byA7 C7

GH! BY JOB- GO,Aw7 P7 06

• H*. IJwon't you b««- our lof»T ¥• win build for you ft but. Yew will b«_ our

' T i p *a=fav'rita out,««»ll h«v« • lot of lit- tie Oh! by Gol- lies. Then tr«»U pot

P»S7 G P»S7 O ^J»S7 G-

lit the Fol- !!••. Qy Jin- 0o •add, by Goab^. by G««, By Ji—_ 1-S»»7

p ' J U=^Uiey all went *-Ple«s« don't botb-«r •• wagr slag-lag Ch! by Ge«,by

M I .Go A by Qn"»by Ju»i by Jin- go. By Ge«.youtr« th« on- ly girl fop a*.

OH! FRENCHY (fihrllcb-Conrad)caia c?

•arcla moderate

Al- tbo" your Ion-,VBEICE- T,F

••7 "Oui onlMAT tO M

Mwcb on!riaSKXf, Y6\iV« won mr low* with your brnt-C7 f F7 Bb C7 Mia

OHl HIBHCB-Y,

OHl WHAT A PAL WAS MARY (?• Wendling-)

God sent hera? */

J

J

j

J

low* lin-c«r« on.

OH, YOU BEAUTIFUL DOLL (N. D. Ayer)Ab Ab7

r r j jEb7

Oh! you beau-ti-ful doll, you great big beau- ti- ful doll

Ab Eb7 Ab Bbm7 B7

T' ^

me put my arms a- bout you, I.

Ab7 F7 Bb7

J J J I rcould nev-er live wi-,h-out you.

Eb7

r r r r r "Oh! you beau-ti- ful doll,—

Ab

r >c_r

You great big beau-ti- ful dolll

E_ If you

i»—-r J.J Jev- er leave me, how my heart will ache, I want to hug you but I

Ab C7 Fta Plrf? Bb7 __Eb7 Ab

r r rfear you'd break Oh! oh! oh! ohl Ohl you beau- ti- ful dolll

ON A SUNDAY AFTERNOON (H. Von Tilzer) j^ ValMCdim C. 07- C

la the mar- ry

Take a trip up

J J | J J J | J J J

down the bay. Take a trol- ley to Co- ney or Rock

Sun- day af- tar- noon

lov- apoon, They work hard on lion- day, ButC

one day that's fun day la day af- ter- noon*

ON THE BANKS OF THE WABASH (?• Dresser)Moderately tl

Oh the moon-light fair to- nighl a- long the \Ya - bash, From the

F

field there comes tlie breath of new mown hay

syc- a- mores the can- die - lights are

F7

gleam- ing, On the

J J J J~ — r^ r ^=^abanks of the Wa-baah Tar a- vv'ay.

OVER THERE (G. M. Cohan) T«npo dl Morela

word* send the word c o- ver there,( to be- ware.

That the Yanks are

Bb Cdlm Gm TJ J J

com-ing, the Yonks are com- ing, The drums rum- turn- ning ev- »ry

57( 2 ,

whereP

»e»U be o-

Bb? Bb Gb7

ver, we're com- ing o-

F7 _________^__ Bb

1

ver, And we won't come back til It'a o- ver o- ver there

PUT ON YOUR OLD GREY BONNETc

Moderate

with the blu« rib-Put on your old grey bon- net

on It, While I

And through the fields of do- ver, Ve'll driv*

D7 G7 C

up to

Do*- ver on our gold- en

RAGGING THE SCALE (E.B.Claypoole) Moderate siring tempo

G D.flC

II

w « (S,t I1

5 f

1 a § g

p

§•

pi T r;

V;

g | 0 2 ^ 0 tf- 1 1 1 I''

| 3 '

i o •V

e ? r t ^ ^ 0 *

r

^ -^ 6 ''[

••

> r s^-

1 8 ?• o

!=>» 0 s

o •

> 1 i g a a H w ^1

^ ' s i« J S IT CO o r s et

•• u IM

* *4 § I

r i1

f r 8 8 • J) i

34 f e* 4 I i 1

1 w I 23

$

SWEET ROSIE O'GRADYBb P7 FV

Valse3b

TAKE ME BACK TO NEW YORK TOWNa BdijB or?

(H. Von Tilzer)

J JYoficTak« ma

Crtln C .back to Htw tcnec,

Cdli 07

I I Mtowa, Hew York town, There* a I long to

f jdaar to - m«,

1 'J . J •1 J J=^ 1 »* f J MAnd

^ r r i J *^".J IB« aid

CT7don't

Ccart an- y

«bar« Hew Yoxk tak* tm thar*.

TA-RA-RA BOOM-DER-E (H*J*Sayers)

Ta- ra- ra Boo«- Ta- ra-

Bb7

Boon- dar- of Ta- rat- ra Boon-

Ta- ra- ra Boom- dar- • Ta- r*-

J"Boon- dar Ta- ro-, ra

B67

Ta— ra- ra Tlnran— riar*_ •' Ta- r*- ra- Booa- dar- 4

337 THAT OLD GANG OP MINE (Henderson)Slowly

Gae

J JI'd give the17

world to ••« HUT OU> (UBB OF

HOMEfib

I o I J.. JI can't for- got that

Gdim Jr7

i rOld qnar- t*tt* ttutt

JM

i r jaaog 'Sweet Ad- Oood- ^H> »»,.J rjr1 J.i

CT

av- er old fel- Iowa and gala, — Good- byeFT. . Bb .

ev- er old

m •i J J Tawaat-baarta and pale

Bbt(God bleaa than)

C7 5*7Xfd

Bbth*

world to aee THAT OLD GANG**

TRAIL OP THE LONESOME PINE, THE (H. Carroll) Moderate/?\ G A7 TfT G-7

rf J- LJ" :£==!the Blue T?idge Mouti-tains of Vir- gin - u» . On the trail of the lone.

£ Qt« A7

fine In the pale noon- atone our hearts en-tvitie.Mbefe s&e canted her nane and

I carved mine Od! June,.

F" ^ ^ F

Like the moun-tains I'm blue Like the

r E /> a or c, -A?j.

pine, I am lone-some for you I« the Hue Ridge Mountains of Ytr-

G? c

gin ia On the trait of the Lone - some

WAITING FOR THE ROBERT E. LEE - (Gilbert-Malr)C7

_ lln'_f.

Go take yourO

beat real pal,

I J r ,J J^LJ f- y j M r t j ^T^

Go

*74*

dowA to. y .

the lew- _ ea I aaid to the lev- — ee

^^Join that abufr lin' throng

Cdia

PC7TTW"

thatCdiao

_CZ_ale and song It* a ly great, maxa.

r r. rWait- In* on th« lavce, Wait- in* for the Rob-art B. Lee.

m

J

j_

WAIT 'TILL THE SUN SHINES NELLIE - (Von Tilzer)

Walt ttlllP7

th«Bb

tun nhla«B

Mel- lie, By. and bye.

WEDDING BELLS (Are Breaking Up That Old dans Of Mine-S.Fa.in)a cdia Bb Pain

Hot a soul down On the cor- ner, That's a pretAll the boys are sing-ing lev* songs, They for-got 'Sweet A-

. Bb E<"» __i 17 " I'?

car- tain sign, That ii- line * Those I

r pr r!--• 1 f. 1 | 1—• 1 r • i \ •—|wed-ding bells are break-log up_ that old gang of

, _ there goes Jim, _

and than _ we meet 4- gain, But they don't seam the same. Gee t

r -T--I r r •a lone- some feel- Ing, Vben I hear the church bella chime, Those

Bb

• p r r i v r r r r iwed-dlug bella are break-ing up that old gang of

WHAT DO YOU WANT TO MAKE THOSE EIES AT ME FOR'Incin.BlondeBb7 li.

So, what do you want to J make those eyes at me, for,1 fool a- round with me for?

don't mean whet the) eay? They cake me glad,- They make me sad,

make me want a lot of things Ive nev-er had. You lead me on, and tnen you run a-

But, nev- er rind. I'll get you a- lone some n

find, You're na- mite, So vmat do youF? Bb7 2b

f3irt-lcg with

went to make those eyee r.t me for. When they don't mean what they eay?

••9oa•jna not

LI r-r_r

r i* i- i r r =^M Jaa Pari ri»TM *rjp -pa* pro xoaX •» 1*<n. «B8Jp qoe* pa* •**« ••* StTM «Tp -pw

j r f i r_ra^Ti J

Ji J • r CH i<s ^ *sDMIU OHiaosm aio HTIOJC

• SKOH NDUd JEW {MH 'OKn V SH.nDi*A» -T» •*

io

SMOH WOIM69 10. A

OfiOl 'DNCn V

WILL YOU LOVE ME Bl DECEMBER? - (K* &* Ball)Bb7 Ab Db F? Hb Bb7

340

in U>* good old faah- iooed

YES SIR, THAT'S MY BABY ( Kahn-Donaldscni)Btff .

3=3taa, aatfai

1h«t»« agr Ba- tqr.«•»«• «U- dd- ad

ir f IrDon't i '*q"- b^

Tea, 'Sir,

YESI WE HAVE HO BAHAHAS (Silvei^Cohn) Tj«ot

and acal- lion* And all kinds ofC F C

ftuit andCnwff C7

34-1Deep In The Heart Ol Texas

Brightn *C7

HILLBILItf TUNESWords-JUNE HERSHEY Music-DON SWANDER

it I 'J J IThe scars at

. .i j j i J J . J*- ' ft^Fn«pbt are big and bright*

~7 C7DEEP IN THE

i r r i] ^ JifX" j 14- j i J » j i j J iHEART OF TEX-AS The prair - ie sky i< wide and

fbpj J J I C7 C«i7 C7 Fl T «*

r r T ' r r i » ihigh, DEEP IN THE HEART .OF ,TEX.-AS.

cfap; '.I™)'Tht

bkmm is

ilike per

-7 C7fume,

C 7DEEP IN THE HEART OF

TEX; Re - mindsn

J I J ' J I

meC7

Nlove,

i > p. r r iof

^

the. oneP

DEEP IN THE HEART OF TEX-

DON'T FENCE ME IN - (C.Porter) "Hollywood Canteen*

TJ «kl«« a-bevtland, lota of

L«t M rid* thru tt« wl<J« o- p«xdon t f«nc« •• in

C7 GH7 C7

coun-try that I lov», Don't f«nc« «M in. Let M b« by ry-«elf in

cot-ton- wood tr«M. Sod M off tor- «T- «r but I Mk you, pl«M«,

don t fane* M in.— Jbat turn M looa«,Let •• ctrad- die my old

• J =;„ , •*. •* ^- J, j 1

^ ^~— J 1sad- die un- der> neath the wee- tarn aklea. Cta «or cay-

i J. g j. g J. g io- v«r yon- der till I aee the amm-tain

1^ride to the ridge vbere the

we»t coa>- «enc- ea Case at the BOOB till I lose my sen- aea

' I I I p r - lCan't look at hob- blea and I cen't atand fen- cea, Don't fence M in.

GOOFUS - (King-Harold)E7

T°mpo dl Rube

born on ajob but I

I- t>- way, Akeep It long, The

D7

flat-lag youth who wa» bound that he'd fly a- way, I packed my grlp and IiMd-ir aald that I played all 4he BOB- Ic wrong, So steppeoTout with an

m m Gdim

grabbed my sax- o- phone.out- fit of my owi.Q*

Can't read notes,but IGot to- geth-er a new

y-thiug by ear,.Iof or-ches-treXAnd

made up tones on thewe all played just theF7 •r-i

used to hear. ' hensounds that 1 used to hear,same goo- fus her- monv y, And

L7 0

ltd start tp play folks UM ^ say, *S«undIa lit- *tle Goo-fus rto me.I oust ad- mlt we mfiSe a hit, GOO- fus has been luck-y for me!

I'M IN OU) COWHAND - U* WWcer) "Rhythm On The Bangs

But my legs ain't bowed .

On Gn

and my cheeks ain't tanned,

Ca

I'm a

cow- boy who nev- *r saw a cow, Nev- er roped a steer 'cause I

r r rdon't know how, And I sho' ain't fix- in' to start in now.

Bb7 Eb Fm Cm6 Bb7 Kb

Yip- py- I- 0- Kl,- Ay, Yip- py- i- o- n- Ay/3

I'M THINKING TONIGHT OF MY BLUE EIES - (A. P. Carter.), P C7 P. D,* D7 G7 .

rr rI would he het » tcr (or us both had we

J. In this

C7J.l J J

wide and wick-ed world ev For the pleas-ures thai we vc boih seen to-

Oh I'M THINK INGC7

TO- NIGHTP

OF MY BLUE"'EYES^

tail - ing \aG7

ver theAfrdin C7

Oh I'M THINK - INGTO NIGHT Of MY

BLUE And won - derrler he think* ol

SAN AUTONIO ROSEBb

(B. Wills)

Deep with- laWhere in

J" »mo, En- •ent strange as

boveC7

litJ 1 . 1 I

that on- lyBb

she would

J i 'j« • J i J J iknow, SU.11 hears torok- en song of love.

rr

SHE CABCE ROLLDJ1 DOWN THE MOUNTAIN (Lippman-Sherwrln-RichiTa^

*

G7

=iDown IB Vest Vlr- gin- la Lived a gal named Han- cy Brown.

Ban- cy and the teach-er CUabed the moon- tain- aide oneII. C • C

I J. J> j J IJ .J ^jJU J J J F "I iner- er aeen such bean- ty In — clt- y or u ^Br town. Soongot up near the auat- adt But — ver- y, ver- y

I J J TJ J J J"*She daw

3EE=gEShe Ci Boll- In** Down the

G7 CMoon- tain* ie Roll- In' Down The

G7

Houn-taln, •'ShecS, Boll- ln> Down T^ie Moon- tain from a- bove.C. C7 F

For aha left her bold COD- pan- ion toD7 e*Ai*i c G7

J 1 J J gEEEEaP

co- yotea In theC

I I J " IIof "*love.ca»- yon When the fel- lar tried to tell 'or words ol

(4 veraea and chorusea)

3IOUX CITY SUE (D. Thomas)67

KoOerato

Itavs<3roYt a herd of cat- tie down From old He- bras- ksI met a girl In I- o- way. Her eyes were big and blue. I

£Z . , , 57^

how I come to be In The state ofasked her what her name was. She sald*SIODX

F C7 CHORDS

o- way.

SIOCX CTT- Y SOB, SIOCX C1T- Y S\E±r

Your hair la red. your eyes are blue swap my horse and

for vouT__

ain't no gal as true As my sweet SIOUX CIT- Y

TAKE ME BACK TO MI BOOTS AND SADDLE( Samels-Whitcup-et<) ^4-4-

j jAm? _ 117

J rJ I .1- JG Modera to

Take me back toram-ble

my Bootsa - long

Am? D7

And Sad- diethe prair-ie _

Am? D7

Ooh-ooh-Ooh-ooh-

G7

J J J Iooh, ooh - ooh- ooh|ooh| Ooh - ooh- ooh,

Ooh- ooh- ooh,Ooh- ooh- ooh,

Let. me see that gen*- ralHop - in* steers on old **Bar

dim D7

r r I * i j j j i j. j i j- •store,Bet me ride that range once more, Give ne my Boots

X," with my bud- dies,Slim and Tex, Give me

I T F T T I'Let me Got a hank-er-in' to be with a ban - jo on my knee

r r r•* .1 r -rstrummin'a pret-ty west - em tune. There's a gal in Cher- o-ke« and she's

wait-in there for me, wait- in be-ncath a Tex - as moon, so take me

back to my Boots And Sad- die,.

Am? 07 Am D7

Ooh- ooh- ooh, Ooh- ooh_

G?

Let ne greet each blaz- in morn, on theooh, ooh - ooh- coh

r ' r r J J J I J. Jranch where I was born, Give me my Boots And Sad- die

Am? D7 Btt G6 G

m r_j- i r -e-

Ooh- ooh- ooh, ooh- coh- ooh. ooh- ooh-

TUMBLING TUMBLEWEEDS (B. Nolan)F i f L . F7 B —M.

~J fc

Slowly

See _ then turn-—bllng down, Pledg- — ing their love to the ground,Care*—of the peat ere be- hinfl, No- where to go, tut I»H find

f 3 j C Bdim -<37 7

-MMi- *^ • ^—i ^-j ' ^ i » - ^ ^ ^ ^ 1> FT^

Lone-— ly but free I'll be found. { Drift- lag a- long with 'theJuet where the trail will windj)

1.C ~ O |lft.e R» (?7

night has

cr r r >p igone that a new world* born at dara, T'll_ keep roll-lag a-

f 1 ) 1 . 1long, Deep — in my heart la a

C Bdim 07 iaong, Here _

3 7

- - - - - . ^ ^

on the rang* be-

long, Drift- ing a- long with the

WAGON WHEELS (p. De Rose) Moderate

307

J J J

valV- in* tor tWLe eot -

Boss ia un » der-«tend-ln' There's at tin end or each

Kb

gon Wheels, Wa

Kfcf?

-to', Roll

i" r . i ilBb7 Cm Ab

» -

Bb7

long,

Ab

Slag your song Wa - gon Wheels,

Kb 07 Ab

- ry •» bo - o

Q} . Bb

I ' J Io - one Wa - gon Whadda, oar ry me hone.

YOTJ ARE MY SUNSHINE (Davis-Mitchell) Kodexvco

Tott'll nev- «r know da

Please don't tale* vy mm- ahine a- wey.

POLKAS

BEER BARREL POLKA - (Brown-Tlimn)Fas' <-,rv--3tr;

Roll out the bar-ml „C7

Well h»«e a ter-nel of

We've 501 the blues on the runF

rar- relE7

Ring out a eongof good cheer.F FdimF G-7 C7

Nows the time to

Jbr the gangs all here..roll the bar-rel

HEL0 POUCH (Gamse-Carroll-Dana) Lively

Ob Hel- en, Hel- an,

rr:Hel- an, You are

When Isuch a love- lyfell i love with

r r jdo? You made all my dreams come true. C*>, how I love to

Bb

ce in ev- 'ry way.

With her my heart will al- ways

PENNSYLVANIA POLKA (Lee-Manners)Brigtrtfbiira \ -Lee—Manners ir\ r

stay.

r rStrifc* up tfie mu- «ic, tfie ban4 fid* be-ouriFoVm.7 C7 C-7

JLU '*TJTurr-— The nnn

va -C7

- fta>O-

r r j r Iout *tjour part - ner and

rJoin in tfie fun

=-*•£•—i— I 1—I —i—r r i r J-u^J. J ia - nia fbl-fa ItFemi-syl - va - nia fbl-fa.

r r \ r j j \ j ;= ==*= i j -jstart-ed- tn Scranton, its now Num-1*r bound to

en - ter - tain ija Ev - i - bo - ma. -— . I re

1 — P d —i r J •— To dc

<im7

tfie

C7— i 1 — iJ J' * *for- Ra ftom

— (9 13E gj

Penti - ivl

FHJ r,

va - n

C7

IA

.F

^-—1 Hk * — a

347 STRIP POLKABb

(J» Mercer) Brlgit Polka TempoB>

J—\ J J I al J* JThere's a bur- lesque the- a- tre where the gang loves, to

N »J ^~=o N^TF=^= J | r r -MTo see Queen- ie the cut- ie of the bur- lesque

F7 Bb

j r ,i j. mAnd the

Cm?

thrill of the eve-nlqg is when out

BbCaff F7 B

U ,J . IN I M I ,,J J J l f

Queen- ie

P7

skips, And the

Bb

band plays the Pol- ka while she strips! "Take it

G7 Cm

r r r 3b. J J I J J J I J soff, "Take it off" Cries a •voice

Bb

from the rear, Take itr?

5§ J J I J Joff, "Take it

Bb

off," Soon it's all you can hear, But she's

G7 Cm .

f r r Eal- ways a la- dy eV- en in

F7 Cm? F7 Bb

pan- to- mime, So she

F7 P9 Aim 71 59

stops I And al-

w Bb

E^

ways just in time.

dim Bb

Queen- ie, Queen of thai

ie, Some- day you'll fall, Some- day

dim

1 ,

Kb Bb GM

\ r J 1—0 2^-

' Cm?

M|-«J

17 Bb

— F —L 1— fchurch-bells will chime, In STRIP POL- KA time..

YOU YOU TOU FOIKA (You Are The One In My HeartV j. Edsrards)C G7

YOU YOJ YOU are my one love, You're

1 cdF==

,, A, .

1 i5=

^

£==== f 1 1the one in

YOU YOU You are the one in my heart*

TOO FAT FOUL/I (MacLean-Richardson)Gdim

Oh! I don't want her, you can have her, she's too fat for me

r r r rShe's too fat for me

C

She's too fat for

F

me I don't want her,

G7

you can have her, ( please do that for me( she's too fat for me

She's too fat, she'B too'fat

She's too fat for me, I get diz- zy, get nuin- bo

1. Gdijn

U J JDm? G7 Gdiffl ||2.

V/hen I 'mF

dan- With my Jum- Jura- Jun- boF

p' J I I - .) IJ*r«! Vn! Vn:

me.Ddlai

C7

Can she prance up a hill?

Gm

j r rNo! No! No!

C7

1No! an she dance a qua- drill*?

Cdim F

-?d J —m-m-J'•" t i u j UJ J i E 1

NO i NO : NO :i D7

Does she fit

Gm-«=»-r r ' r r

er- self sn<By her

F

e's

D7

group Could she pos-

G7 C9 F

•f—F r r i r r- - si- bly Sit up- on my knee? No! No! No"!

BETOND THE SILLF C7

FRENCH SONGS(C. Trenet) "La Mer"

C7iModerato

C7 r

Some-where be-yond the seaiSorae-where wait-ilk ££or me, ffli(He's there watching for me, J-r i COUJQ

C7

— F — ™•^-m; •5 -^ Q» • - '1

1 *—~T3 -^ '1 J, 'I

fly like birds on high,* ft — i - . — A

and watch-es the shipa that gothen straight to his arms I'd go

ing.

sail-ing. It's farG7 C G7

be-yond a star, it's near be-yond the moon,.» • C G7 i J , —i C71 — » . 1 — u

T L

u»-« E3 t-J • 1

— r — F — '•g

| '

'-** pr — , -— °P P • m-Mf r\ i i •r * ; «n

raycim j j '"-

as oe- fore,meet be->ond the shore, we'll kiss just as~~'

Hap-py~7 , P

be be-jond the sea and nev- er a- rain I'll go sail- ing.

. Uoslow; "Uopacabana" Moder«to

hear ffthbse love-ly worde

rie, Je vous a- dore,

lips sang a song of eur- ren- der,On? G7. Cm Gdln

That will live in myEb Gb7 Caff 77 Bb

e voue aime, I na che-heart for-ev-er more

L T AMOUR -TOU JOURS -Lf AMOUR (R« Friffll)Andantmo quasi allegrettoD A?_ A7

L'a- mour tou- Jours 1'a-mour

found me,

D C»7

Love, now

Ddiffl

at last you* v«

EU7 A7

al-Hold <ne and fold me

day, And weave your spell a- round me I

A Bm6 C7 F*7 Bm

Thrill me and fill all

Li a- mour_ tou-jours_ l»a-moar!

C7 D

Sing to me love'a old, old ato-ry

Sfearn- ing,_ burn-ing glo- ry.

MADELON - (C. Robert)

L'a- mour_ tou- Jours_ 1'a-mour!

Marzlale

you are the on-she takes it all in

onefun

SatMa- de-

,e laughs andIonsaysG7

you we'll car- rysee it can't be

on .done.

When I'm reg- i- raent.

I'SELLED7

(E.Moulding) "The Razor's Edge1

6 D7 635*0

*»II J

ca-E7

••^j IT*~ *^rrT^ 'fa,Uaa'aellT^

IJ j J r IJj r . rr ren- dex- voua, Mab-our x- voua, Mab-'aellp.

6

LJ j j»nr J J. J i r J J. J> i rThe vl- o- llna were warm and sweet and ao were you,lias were warm and sweet and ao were you, Mam-'selT5T_

G G? C. On

L J ' J J j l JAnd as the night danced by

G En Am? ^A kiaa be- came a aigh Your love-Cm <j Qa

eyas seamed to spark-la Just Ilka wine doaa Ho heart ev- er yearned the way thatKa7 A7_ D7 G D7 Gmmine does for you

l f > T j J r(AnS yet I k J r ' •• P '

'yet I know too well _ Some day you' 11 aay goodbye _

Then vl- o- Una will cry And ao will I, Man- 'aalle

ItYMAN(M. Ivain)

Moderate da Schottlach aapagnola

I t n COBt me a lot» tmt there'a one thing that I've got It*aHe»o not much for looks, and no he- ro out or booka la

wet, tired you bet

that I soon for- get With —likes as well aa me, But I

my man

love

Em tacet

don't know why I should, Re is- n't good,

1 r J" .— •* 1 ™ j. :i — i — JTJ — • ri j. ' iHe is- n't 'true, He beats me too, that can do?

•h jtr — = •

V7

\ itm ' 1

G

a \mOh, my man I love him ao, he'U nev- er

^1 • »1 =f*

|_|- J-^ 1 J I

care When he* takes~f ^« ^G Ddla D?

aroa the world is bright, allG

way, When I know I'll coma back <on my kneea some day? For what- ev- er my man

33Y MIMI (R* Rodgers) "Love lie Tonight"tan m

M I in ' IYou Am- ay lit- tie good for notb-ing Ml- ol

boa- ay of * Ml- nd,

You've got m* sad sod dream- You could free a*,

If you'd aee

\have a lit- tla eon of a Hi- ml bya and bv«.

PARLEZ MOI D« AMOUR (j. Lenoir). Tempo dl Valae aodarato0

long - ing to bear,

and whla- per thMM

THERB»S DANGER IN YOUR EYES1CH£RIE-"Puttin'Qn The Rltz"

There's dan- ger m yourf eyes' Cher-"*

Gdlm G7

Gdlacharms Cher- i»07 »

~i2? I doa' tBut oh the bllaa"

— I'd give up par-a- dlae Char- ie-— to ilag- ir in your arms } Your love to share Your kiss- M< and

taste like wine / an your lipa meet mine

y sin with you would be di

Just tell me when and whara wt>11 have oup

J.

YOU'RE TOO DANGEROUS, CHERIE - (Louiguy) "To The Victor"

You're too d«v-ger-ous, Che-rie, too Oan-ger-ous for ne, I know I can't re-

1 — L-L-. , -i

&"." . £-± m _

I f P ^ ±*•• " r ' •' . k

•= Mi • =;siet you. You're too beau- ti- ful, Che- rie, what will be-come of

mme, will I re- gret I klsaed you. You re too glam-or-oua, Che-

Fa

rie,so am- or- ous Che- rie so thril- ling in my anas. I know it s fool-ish to.c ! . cdi-" . P". 27p r p ^ i P r p p r p i v r p i Mlove you so much But I for- get to be smart when you touch me^

—«—.——!•-—"~l i G7

1

lly heart tells me to be- ware,You're dan-gev~~ous Che- rie, but

GYPSY SONGSGOLDEN EARRINGS - (V. Young) "Golden Earrings

11

Cm. Adim G7

don t care.

Cm7

There's a sto- ry the eyp- sys know ""is "true Thatold love sto- ry that's known to ver- y few But

D7 G7 I l.Cm

when your love wears gold- en ear-rings he be- longs toif you wear these gold- en ear-rings love will corae to you. An

<2. Cm

the burn- ing fire they will glow with ev- 'ry

•I Ji»i3will hear de- sire whis- per

soul So beCm? 1/7

ny gyp- sy,G7 Rn

make love your £uo.a- .;-__Cm G7

light AndCm

• I I 1 '[ | K ' ^' ^' I I

let this pair of gold- en ear- rings cast their spell wto-

GYPSY LOVE SONG (Herbert') "Fortune Teller" Molto tranqu,110

Slum-her on, fry lit - tie gyp -ay sweel-heart, Dram of the field and the

1 r " = > , i. ^ ; j J i — i — mN=NC7

Can you- hear me, hear me in that dream-tand

lit - Ue gyp- Wild lit - He wood - Land dove,

.. ^_,' — ^^. ti— i C-T' — T ' 1Can you hear the song that tells you . 50 my hearth true Loxe?.

•3-53 PLAY, FIDDLE, PLAY (Deutsch-Altman) Val39 aoder

Play fid- dla, play, |Play| ay loved one a {"^o-^

r* V • ' «* ' .JSing to my love, While the stars swing

the

-n— ..'j i«J * r i' | r. .E . > p *F^ •»

**Sunj And my heart keeps dream- ing, Just dream- ing ofQm

one* So soft- Oy croon, While the moon weaves our two hearti

•bar- no- ny» Play fid- die, Play to my love.

PLAY GYPSIES — DANCE GYPSIES' -(E.Kalman)11 Countess Maritza1D G D Am B7 E7.

* I I r p f- N J I I I i- •' 1 1 Y- ) 1 I H 1 " • gr;

uPlay, gyp-sies! Dance,gyp-sies! Play while you may! We're gyp-siesA7 Buff A7 D dim dim D G

One and all, I say.D AnS H7

i rAnd through our youth's Uay-tiae, Love's play-time

F an E7 A dim D D ,

Hearts ev- er gay, We on- ly live for Just one day. The will- o-A7 D . D7 K7r p

wisp of plea-sure guides, All the fu-ture hides. Love the on-lyA C G

l r r Mf l> r T If \r-r- r f I ,1 J* I -tHr7law o - bey - ing, Youth, • gyp- sy, goes a -straying* Play, gyp-sies. Dance,gyp-sies!

? t , ,=5= fPlay while you may. We're gyp-sies One and all, I say.'

J

PLAY TO ME, GYPSY (K. Vacek) Slowly

Oh! PLAY TO The moon's high ' a- bov«,And when you are gone.

ll. Ab Ebdia Eb7ll2. AOh, Sing to me, gfp- sy,

Oh. Play me your ee- re- nade,Your aong will be haunt-ing me,

The song IAnd ling- 'ring on, —

Be- side your ca- r»- van,Bb7

The camp- fire's bright,Eb7

just for to- night

— Ob'. Play me /our a*- re- nade, The aong I love.

i

sf

DRIFTING AND DREAMING - (Van Alstyne-Schmidt)Moderate

lag and dram- tag

KA-LD-A (J.Kern) "Good Morning^Dearije* Modaratoj C, C7 F

•ban. It's I «oo| I I II

ItIVe I noon- light la Ka- la- a, Kght

Vhw07

this !• ••tVlM*•iM!

Al- th*

roM nd JM- oln« toloon as fair,J . JL^_L.J» ^ u j sp

And lov* la

"ip J.J J sieall- lag through th« sc«nt-«d

J»

, _av-» ry-«har«i_ It

CT

lona- ly In Xa-

In- a, B«- cauaa you arc not

MOON OF MANAKOORA, THE (A.Newman) "The Hurricane11

gar arms

RED SAILS IN THE SUNSETG

(H.Williams)

IN THE SUN -SETe sailed at the dawn-

you.•• —i—«—j^-; ' •—

Swift wings you must tor- row "Make strait for th« shore,-, *•* D7 ^

i i J T i i r n * ' ' ' ' 'And hegbes saiKng TK> more REt> SAILS IN THEWe mar-ry to- nx>r-rovv

SUN -SET 'Way out on theG

one

SONG OF OLD HAWAII, A - (Beecher-Noble) ModeratelyF . C7

T&

I {?=£

ere'B the V«r- %**&«;•; a rain- *•• of a nil-lion flow- erafol- low- ing the show- ere

£E & ECling- ing to the heart of old Ha- wai- i _Bring- ing me a part of old

F F Bb F

There*B a eil- verHa- wai-' i t syin- pho- ny of

stars, There's a hu- tune, And the hum ofC7

tars, mere's the trade- wind sigh- ing the heav-F

Sing- me Song Of Old Ha- wai- i.-

SONG OP THE ISLANDS (Na Lei 0 Hawaii) (C.King)

bluegreen,

G7

and lovethe a-

iszure

truesea.

Where- Your

bain- y airs andfra- groat flowers «o-C7

«Qing

la-

"3-57 SOUTH SEA ISLAND MAGIC (A.I.Long) siowi, .ith feelingQa Wta

SOUTH SEA IS- LAHD

Breezes from the mountains and ma-Bin froai aa-tit* gal- tara. lin-ger aaddreaaj bytheI'm con-tent for ev~ er~gj]B~ to a^» ** A <MB

1 . 1 l ¥ J <•aea. Do you ra- call our Beet-Ing at a camp-fire that biased near the

ay *7 .-— Am diaJ' nT Q ni t i r ^-T e^

o-caan? A sln-gla word of greeting waa the start of an and- less da -CT .| j, i

M+- WTO-tlon. Ifcoa-light,fira- light,atarlight and songs that ere old hut still

CT . — F "b7 F

J J «l =BOOTH SKA IS - LAID MA0-IC.

SWEET HAWAIIAN MOONLIGHT (F* H. KlickmaiUl)C G7 C CT

has Brought mm the mag-lc of you!

Dreaay Walts

'H I ,J Ilove dreaa* so- o - rlac land her

r I P - i r1

gold-en hours,

SWEET LEILANI (Owens) Slowly

Ba-tura faahlonedroa-ea kiaad with- LA -HI— Hear-en- ly Flow-cr,

dew,

CT Ddla

And then aha placed them in

C9 P CT

bow - ar,.

P J7 j

I dreamed of par- a - dlae for

F. Cdlm C7 Ddla CT9

two.

You are ny psr-a-diae con- plet-*d, Y<m are ay dreaa coma true.

TO YOU SY.'EETKEART, ALOHA (Owens)Bb Bb* Kb

Modermto 358

TO YOC, SWEBT-HBAHT, A- LO- HA,77 Bb Bdla 77 Bb

A- lo- ha froa thaCm S 09

gp tha nil* on your lipa, Bruah the tear from yonr

«y«» One «ore A- lo- ha, then It a timeBb* Kb 37 C7

for good-BdJ-i 77

byai TC

And I'll pray for that day *h«awith you, d«ar, to- nightC7

two will meet a- gain, TJn- til than aweat- heart a- lo- ha.

YAAKA HULA HICKEY DBLA (Otoet&-Young-M?endlin?)•jttrn 5 ' , p —f H •* ^ J-7- Tntf -^ -»4J2JZ B £ p 1) J5 1 aJ^ fc 1 1— f s

I'm com- ing back to you, my Hu- la

C7 Yl

Lou, Be- aide tha aea — at "al- id- fci, You* U

Bb ^_^ Bb7 a

play ft^T» lae. - And once a— gain 3

a* Bb1 — 1 9 ^ '4

r iron»ll

— 1 1 i

away, my heart your way, with your

C7 77 H>

hick- ay an-

IRISH SONGS

A LITTLE BIT OF HEAVEN - (B.R.Ball)C EOT IHEIJWD GOTTR HAJE )

Db \ Yl

Moderately, with expression

Q)V

Ab7S&ire, a Ut-tla bit of Haaw-«n fell fron oat the otsjr in* day.

"? /-\ Ab* Db^ - U BbB Ita Hb7 ۥ*

nea-tlad on the ocean la a spot ao far a- way; And tha angel*found lt^hm-a it

looked ao sweet and f aiflDiey aaid^opposa we leave It, for it looka ao peaceful there !So theyF7o Ob [0 Bb7

r r rrraprlakled it with star duat Juat to aalca tha rocn

Db7grow; 'Tie tha1*1

on- ly placayotfll find then, no mat- tar «hara yon got Than they dottad It wltk oll-wr Ttob7 Kba Edi-ii 1% Aim T»» Qb dia BbB Eb-57 Ib Bba Sb7 Ab7 Db

•ake Ita lakes ao grand, And when, they had it flA-iahed ahnrathay called it Ira_ land.

It 15 j b

353 DID YOUR MOTHER COME FROM IRELANDC7 F. I . F7 - _, Bb

(Kers.n?dy~Garr)S7 C7 ff

EbTYOUR M01HER COME FROM IRE-LAUD?'Cos theres some-thing in yoxnd be- fore she left Xil-lar-ney Did your moth- er kiss the

I1..G7 "C7 fl 112. G7 C7

ou

A7

t«ll me Where you get thoee I- riBh eyes,tie touch of brogue you

3can't dis- guiee.

A7

.Ohl 1

Gn

I J.jJ J. "

,Shur«!«id may- b7 we'11 be shar-in» in th« eham-rocle you'll be wearin* on ths

next Saint Pat- rick'e Day. DID YOUR MOTH- ER COME PROM IRE-LAND? 'Couthera'sBb G7 C7 . -' , 9& *>d*n . F an, On? C? . . P

•onw-thing in you f- rlsh, A^d that bit of I- riah steals my htart a- way.

IRELAND MUST BE HEAVEN - (McCarthyWohnson-Fisher)Gdim Bb P7

Ire- land must be Heav- en, for an an- gel came from there,

a= J '"nev- er kne\v a liv- ing soul one half as svreet — oVl— fair, For her

eyes are like the star-lip;ht, And the white clouds match her hair, Sure _

Fin G7 C7 F7 Bb

Ire- land must be heav- en, for my moth-er came from there.

IT'S A GREAT DAY FOR THE IRISH -(Edens)"Little Nellie KellyCdlffl G7 ttn?

. It's a great dayIt* a A Great DayC Cma7

For The _I- rish,

J J Jfor fair I

G7Ihe side-walks of New

D7

J J. JYork are thick with

G7

For ehure you'd think New York was Old Kil-C Cdiffl G7

lor- ney!Dm7

We're feel-ing eo in- spir-ieh, shure be-

ceuee for all the I-rish, It'e great, great

IT'S THE SAME OLD SHILLELAGH (P. White) -oderato

i r r r r r I !Sure HoTtfE SAME OU> SHIL- LE -LAGH me fa - ther brought from I - m - Land.

ft?

div- il a man was proud-er than he as he waited *ifli it in his hand. _HeU Lead the band onC Q Gdi»G T>7 a.

£ 3 • n i r r r r J i r B r * iPad -dys day and twirl vt 'round his -mitt And div-il a bit vdd laugh at it orc»7 T>r G7 C Qy Q4i«i Qy

\> f If f r r r ir P nn irtiadv*ouklha*tea fit 3unewiththe aame old Bhil-l« -Laghme&thei-could Ucka do-zen wen-

c Gr-^ CL... cr G orG7

^

rfast astdey'dget ub, be-o>r-»y,hecl knodCemdowti a - gain—Axlmanystte time he used S on me to

F D7~&7 " Q C7 Ffe R»7 C GT C

rnake me un-der - stand— Thp .-la<4imp.f ner

^ i !•r r T B-re - land-

u

Q

LITTLE TOWN IN THE OULD COUNTY DOWNsv. Bb

In that dear lit- tl. town in th. ould Coun-ty Dow, It will

lin- ger w«y down In my heart, Tno> it n«v- er WM

grnd, it la my fair- y- land, Juat a won- der- ful world set

Oh, my Xr.- land of dream*, you ar. with a.

care not for fan», or r.- nown, Lik. tba black shetp of old. I»U,ca»«

J I i I I i IIback to ti» fold, Lit- tie town. in th. ould Com- ty Down

Q

MICKEYG

(N. Moret) ModerateD»

pret- ty Kick- ey. With your hair of ra- ven

In your emll- ing so b.- gull- ing, lhere*'a a

bit of Kil- lar- ney, bit of the Blar-ney, too.

Like a moun- tain flow'r you grew.

Mick-ey, pret-ty Mick-ey, Con ' you blone tui- y-one for fall-ing in love with you?

MOTHER MACHREE (Ball-Olcott) "Barry Of Ballymore"G7 din 07

Sure, X low* the dear ill- ver that shln*s la jroor

And the trow that's all fur- rowed And win- Icled with

toll- worn rbrdear fln-kiss th«

M, Ob, God bless you. and keep you, Moth- «r Ma- chree!

PRETTY KITTY KELLY (E. G. Nelson)fl C G7 C

PRST- TiTi j

E7137- T3T

P A

i«rjK2L-

JAn

Dm A7She's the on^ ly

^3girl for ne,

A7 D7PEST- T3t KIT- TI

G7

She is allCclim

my eyes(77

can aee.

KEL- LY.

Shure, there'sC On

J J. LJnotA7

col- lecn svfeet-cr,D7 G7

In the land whereG7

sham- rock grows,J ^ I

KEL-S

Than myAm D7 G7

FRET- XIT-

She' s ny Wild r'ish Rose.

THAT'^S AN IRISH LULLABY (J.R.Shannon)"Going % Way*

f r i ira- loo- ra- loo- ral, _

Too- ra- loo- ra- loo- ral,

now, domt you cry. Too- ra- loo- ra- loo- ral,

ra- loo- ra-

loo- ral, That's an I- rish lul- la- by.

THAT'S HOW I SPELL I-ft-E-lA^-4W)-(McCoi^n-Dc»wne^etc.)2b

*I* !• for tte Ir- ish la TOOT tl- njr heart, r det

X ^ 1* for Si-lecn, jroiryon h*v* no rignt to

la for totC7 F7 S>7

com col-lc«n* Then cornea f for An- gel* «too ere *«tcb-ing o- vw ycu

T-* ic fcr 700* Dad-dy's le

THAT TUMBLE DOWNc

SHACK IN ATHLONB (Carlo-Sandcra)

blooB 'round tt» doer

t I J I >'t ga^fL ia> •» BM

'TWAS ONLY AN IRISHMAN'S DREAMi oB*r Et>

(R. CornackV

>*BE»I I - risfc col- Lean-

of Cork, ,AU tfc?^z

rild-ints \*tnt paint - edLsu

Surett*

^

Cw,

^ICC » < • f r l*:

boirad iust like tte J5han-nor,.J

O no» ?ood andGr

^

• f

real itc:

did seem I coula near mot>>-er sir^--Ln' fee SMet

-ar- ajr bells rinj^-iu' IWas c - Ly ar I- rLs-i-manir

WHEN IRISH EYES ARE SMILING - (Ball)D

*****>

mrish eyes

D

i J Uare ami - sur« It's

like a morn In Spring,n B+ B7 E7

LJ* i " r i r .. rIn the lilt of I - rlab

A7

laughter, You can hear the an - gels sing.I I I J A J |

Wh«nt)

[ J — J1 J I J "l— ~u= t=J .1 J l1 j J 1

— * 1riah hearts

aare bap- py,

bright and gay,. And whanE7 A?

riahn

T r i r r i r j_ling, Sure they steal— Your heart a - way.

WHERE THE RIVER SHANNON PLOWS (J. I. Russell) An«j.ate

There o a pret-ty »pot Is Ire-land I al- way* claim for my land,Where the

fair-lea and tbcblarxwy Will nev-er ner- er dlv.Zt'a the land of th« ahlllal-ah

beartgoMtadc there daily To the girl I leftbe-htafl o*When «• kl«»oa and «W good-by*

Where dear old Shan-nan's flow-ing, Where the three lewBb7

rock ^rows, Wher«Sb7

go- Ing, To my little i-rlsh rose, lad the ao-oant that I ne«t hartHh»Bb A B> a? gb

bug a A kisa Al great her, For thereiaot a eol-lean «weet«r.Where th« BlT-«r 3baa-aoa flow*,

ITALIAN SONGSFEHRT-BOAT SEREHADE vE. Di Lazssare) quite

i j J J J i J «L

.ove to ride the fer- ryboys and girls are danc- ing

C. -

whereWhile

mmu- sic is so mer- rysweet-hearts are ro- mane-ing

There's a man who plays a con- cer*

1.G7 _ _ _ _ O C _ I.

na - w» the moon-lit up- per- deck a- re- nai_.ti- na. , L .

Life is like a mar- di- gras Pu- nl- cu- 11 Fu- Bl-G7 On^*=

F^-J J 5^— « j =4pefei§==^K

la Hap- py,G7

as we cling to- geth- hap- py, As weC

' 4 J ' J ^- treth- er hao- py.s.lng .to tdth a Fer- rv- Boat Ser- e-

L

LL

I HAVE BUT ONE HEART (J- Farrow)G7 C Cain Drf?

: -=rafcr-=E 5f-^}:-,~^a-r~J~ • ->* * ==:

Slowly

I HAVE BUT ONE HEART this heart I bring youC G*

JJ J J.i HAVE

T3 r=INP^ £= T-* 1 JMN'V- |—

OKK HEAlBTl_ to ehare with youF C

I have but one <SreanG7

that I can6?

cling to You are the one Orttn _-— i. > An6. B7

r *\«*a«r _ 7*~~^w—-^ »r ^I pray cornea tru

J- j-'l J J.

Em D7

dar- ling, un- til I saw you I n«v- er felt thia way AndG — 3 1 DdJjt A* D7—J • G7 C

rrr. r r1 pir \" i J ino- bod- y elee be-fore you ev- er ha* beard me »ayi

F C

J •<«You are

u .1 j Jry?T

•Or on* love67 C

P' . ^ fJ_

my life I live for you I RAVE BUT CUE HEART to give to

ITALIAN STREET SONG (V. Herbert) "Naughty Marietta"

ing, zing, Zlz-zy, zus-zy, ziiy.zing , Boom, boom, aye

zing, z'tz-zlz, ziz-Zy, zing,zing, Man-do - U - rvw gay.

2in§>, zing, ZLZ- 2y, ziz-zy, zing.zing1, Boom, boom|7 ^ En.7 A7

1 — r r — p 1 1 |T_^J ^ 1 — ~n 1La , La , La , Ha , ha, ha , 2i.ng- , boom

La , La , la. La ha, ha , ha 2,tng. zing aye

MERRY-GO-ROUND WALTZ (Kennedy*-Finn) Bright waitt Tempo

ry- go- ride On the ner- ry- go-

mer- ry- go- round you by my side

While the mer- ry- go- mu- sic goesBb7

But you'll know that we re ho- ney- moon

give you the ring

That I n on the MER- RY- GO- ROUND.

345" OKI MA-MA I (The Butcher Boy) (VallB-Citorello)3b

JTI j=iMa- ma, dear,come o- ver here,and see who's look- log In I ay wln-dow ___Tell me why ha winks his, eye when- ev- er he goes by f

J -h j j J J> u j J1't's THE BUTCH-MR BOY and ohl he's got a bun- die InDaugh-ter,daugh-ter,he B in love, and you're in love, and love

"2. Bb F7 Bb F7 . Bb

r -r-*-hand grand. Oh.' Ma-

r rOhl

getBb

that man forFT

me Oh! Ma- MatJ> I J

Bb

j. ir . m_E|j_

Mow hap- py IG7 Cm

Tra- la-Bb

la tod

-I - P I T

chee-F7

ry- bee- ry- beeBb

Ohl

If I'm gon- na mar- ry It's 1HE BUTCH- SR BCJY for me.

STOHJ OF SORRENTO THE(Russen-Gallagher-Cugat) Jfefercto

Do tbay aen-tlon us mIn HIE 3TO- KY OF 3GR- REB-

eve- alas*Do they tell »- boat theall

07

that I wi»t- fUl- ly re- oell la TBB SID- R* Of SOB*

C

J J * =fRSH- TO «• thereDo they «ey that I

J J.' J ' J 'lown the »a- f of « sweet- «r lore «f»That I've n*Y- er known

r r J i rYour ••» ger lip* Ilk*

Ab Q7

They o- ver- looked • thrill-ing •»- Beat

In THE 3TO- XT OF 3CB-Just M peo- pie of- ten do

Rffll- TO They for- got and BO did you.

J

L_

WJODPECKER SONG , THE (ReglneUa Campagnola) (£» D* Lazzaro)G7 .m

up *ach morn- ing brightC

end

^•ar- ly

1.1 Jup ail neigh- bor- To bring to ev- fry

boy SB&C

IJ J. Ij. I I I I I I I J J Igirl- le ' Hla hap- py B«T- •- node on

G7

wood p J JE«« pick- in* out a Bel-

J J J 3 SW ^ TT =;!=^

Peek, p«ck, peck- in at the aeaw oldj i ^tree B»» a aa

To cor- •- afida your

yon h«ar that

/ J J I J =-t ii 1 y—tick- a -tick-tick tick- a-ticfc- tick

JuSt lla- tan to that

k- .a- tick-tick tick- a-tick-tick hap- P7 lit- tla Vood-pMk- w

YOU'RE BREAKING MY HEART - (Genaro-Skylar)

• y ° « «"i-«ter eome-o- ydepend- *d up-

vbeen thru.*"lea^s afpter ^wise you, ay leva, wnon you'reC . • B7

tbo tear-drops burn. But if so*« day youahoulfl want t«

turn, please hur- ry backG7

- ..-*.-_X,__I "

Til

rj£

tlior.1 1 p

YCu'IiK BIiEAE-~~ UiG iff HEART -§^ -»— -|

MARCHESCAISSONS GO ROLLING ALONG (E. L. Ciruber)

/"jr-? I"; m Tjr- 1*1 r~ ! HTT r • 1 — • -• "". 1 H iW1- S j — RL-e * ^ ^ «*— jt— •* • *

n , ° -V~ e r ml£k' f&W^ bdoa>^fe SEESr— — r - frT _ [ . , . , .:1 — V d J— -L

oais-sons totl Tl .

V,

For it's ' H C 'j"\m-a ry —P i £

Call off your=7 F

C C

-A-^ -*- __,rv^p- TV

V

I LOVE A PJ

A! I—-'" !>•y h t M —

-^ — n— — JH ^= " 1 ^** JTV>[[- ir"?" ^ - ^^g ~^^ Coun-tfi= p

^ — , _) 1 _ 1-

1 i 'j-—- ^ .._

tv "trSlLL wV^r* W O ^ Piv~4 JncJctt »Vni[e u>O^€

9 '" 1 , j \-, — .j_ f jr

1 r- n

Ht! Hee!' in the Field. A r- til- le - ry

, — j _ -j e»^ 1* -i j n o-* f £ ^—

C /^ j. O /*~*rrGdim *-»'— „ ^ 1 j _

— f— i — J <* 5— iS — j-< will al- wa/5 know TM those caia-sons are

, | — J i T

alfhose cats- sons are roll- mj a -

LRADE - (H. Arlen)H*7

— E n 1 — r— I — I h P" I -iJ — \-ri-- — I— J — J1 — J J ^~

lova a pa- rade, ( The trap-Ing of) When I " hear a

l-BbS Bb7 "ire

«vVicre - e'er wi?

1 — ' 1

roli - vrff a° 1 . fl

g-t 1,-e- 5Ptons;. , ,.

Tempo dl Ma re laFW7

4-J JJ — J — «i J Ifeet, I love ev-'ryband I Just want to

P7 Bb P7

*^ *' * ^—^-l-al^l, ' " "' Ti Jt^-=3=~^—J J «l l«"^ -l- -1—.! — 5—5-1

stlrt <£d tihSSr as" thV™"*" coae — That rat- a-t«t- tat, The blare of aBb F? Bb fJ Bb *7

horn, That rat- a- tat- tat, A bright u- nl- form; The eight of aAdi* a

NT} 4. 1 4 1 1 ^ i j — -p — tii ftf f t f ~* — rJ5 — rr J 1 ^~V « 1 p — F — a« f — T-ity»a ' M I * — « — * — ' \\** * * i* * — * — * | {• — * p | - — " — p r J— idrill Till give ae a thrill, I thrill at the skill Of an- y- thing mi 1-1-

^- 1 t f»- 1 ^ — h"" — -P ^ =' — ' *— ' ** — P*" I ' l l h i 1 1 IM l-f^ 1 1t*- ry- T ,„ ,.

Bb7i='' — ; — D r T1— > J* J 9data Or an- y

MAJCH1KO ALGH(4« . Git*-} — i i^t^:=st=^ilarch-ing" A-ir?^

<• \-^~ HJ -M— W -^~

lowe o T>A- rade, A hand-fulj| Eb Bbo^C? Bn

of vets, A line of ca-ns? Bb. .

— r — r F\ >** — iff »t «T11 1— 1 1 1^ "**•Intm a na-rartji-

-„_,

5 TOGETHER (Pola-rSteininger-Dixon^E7 rain,

— \ ~-. ( 1 It— 1 F ^ -"ifr— j: — = i ^- -^ • J J »J - - r r —long — To- geth- er Shar- lug cv- »ry enile and

' ^~ ' J W I J J. IJr 1 T '"' ' * '"'"T"r F ' ' ' ^tear — Earchingff^A-inng To- geth- er Whls-tling till the skies areG — x/~" ^ c

EEEHEEEBS — r— —— • • •— — — • — — »• -^= — — — i1 1 ' ' ' ~d=Clear Swing-Cm

1 rp* "V5 H

«~i5 r — — -*' ' " '" ' ,j r ==^ — iG D7 L G

i f — i-p — •»• i i ^ i i r i i p» i • i r P r ^ 'wide — . — »ltn- out a bu- gie rith- out a dn«a we mean to chase the

r "T i Ga ^ i. °* Gdia DiJinx — <* ruo^ ti- did-3^^ee here we cone we're hap- py Elnk- ey Dinks

g=-^ . I E , » . r-^— 1 r-3 .

^^^^

$==±^=?=_L_ V [ LI -- r d* ^=^Mai- ^ To- geth- er Life is ron- dcr-ful side by side.

L

L

L

L

RANGER'S aoNC.THE 1. Tierney j "Rio Rita* "Tempo <u tiareiaD7 . B7. C.

scoot- in* pals, shoot-In' pals,

otb-

I J

er, Ohen you roll your own,Gdjm Agg

3=3•I "I -I J=*= I

not a- lone forD7 G_

J. I 'when you be- long to the- Lone Star Rang- ere man to n>an!_

SEMPER PARATDS (Always Ready)F

(F.S.Van Boskerck)m

So bar*'a Uw Coaet OoarA llarch-lng Song,9 A7

surf and atom aid bowl- ing

I I I I '

L

STOUT HEARTED MEN (S Ronberg) "New Moon* Mare la

Give me some nan are stout heart-ed •en will fight for tbari^htthey a

dor*. Start me with ten,«bo atout hearted give you ten

bol-der and bol-der they grow aa they go to•ore,Oh! Shoul-derGm On

STRIKE UP THE BAND (G.Gershwin) "Stafclto Up The Band*

the tn» pet call!

the eym- bals ring!

Strike up theCall-lug «•«•

wnrlc to be done, to be 4one!Bsere»» • Mr to b*

COB* *- loog, let's goi Hey, 9trlk« 19 tbe banal

THERE'S A LONG. LONG TRAIL (Z« Elliott J ETOnly with much expression

C7 Bi . 0b

sing- log Andp I P

«blte There's • long, long night of

Pb Ab

I r f > r r- j» i J <\Ab

wait- ing. Da-til drew ell Till th»

Ab din Bb9 Kb?

dsy I'll be go - ing doom That long, long trad with yon.

TO THE SHORES^ OP TRIPOLI (Jtortoe ^yjm)-(L.Z.Phillips)

ties. Ob tbe laod ej

tie, Of U- niv- rinaa.