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Vidna kognicija IV Danko Nikolić

Vidna kognicija IV

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Vidna kognicija IV. Danko Nikoli ć. Sinestezija. S i n este z i j a. Gr čki: ( syn ) ujedinjenje + ( aesthesis ) osjeti. “ Ujedinjenje osjetila ”. Ramachandran & Hubbard, 2003. Osnovne karakteristike sinestezije. Osjetna iskustva izazvana neuobičajenim podražajem - PowerPoint PPT Presentation

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Page 1: Vidna kognicija IV

Vidna kognicija IV

Danko Nikolić

Page 2: Vidna kognicija IV

Sinestezija

Page 3: Vidna kognicija IV

Sinestezija

Grčki: (syn) ujedinjenje + (aesthesis) osjeti

“Ujedinjenje osjetila”

Page 4: Vidna kognicija IV

Ramachandran &Hubbard, 2003.

Page 5: Vidna kognicija IV
Page 6: Vidna kognicija IV

Graphemes -> colors = 517/778 = 66.5% Smells -> temperatures = 1/778 = 0.1%

Time units -> colors = 177/778 = 22.8% Smells -> touch = 5/778 = 0.6%

Musical sounds -> colors = 144/778 = 18.5% Sounds -> kinetics = 4/778 = 0.5%

General sounds -> colors = 113/778 = 14.5% Sounds -> smells = 14/778 = 1.8%

Phonemes -> colors = 77/778 = 9.9% Sound -> tastes = 48/778 = 6.2%

Musical notes -> colors = 75/778 = 9.6% Sound -> temperatures = 4/778 = 0.5%

Smells -> colors = 53/778 = 6.8% Sound -> touch = 31/778 = 4.0%

Tastes -> colors = 51/778 = 6.6% Tastes -> sounds = 1/778 = 0.1%

Pain -> colors = 45/778 = 5.8% Tastes -> temperatures = 1/778 = 0.1%

Personalities -> colors = 43/778 = 5.5% Tastes -> touch = 4/778 = 0.5%

Touch -> colors = 31/778 = 4.0% Temperatures -> sounds = 1/778 = 0.1%

Temperatures -> colors = 19/778 = 2.4% Touch -> smell = 2/778 = 0.3%

Orgasm -> colors = 8/778 = 1.0% Touch -> sounds = 3/778 = 0.4%

Emotions -> colors = 8/778 = 1.0% Touch -> tastes = 5/778 = 0.6%

Kinetics -> sounds = 3/778 = 0.4% Touch -> temperatures = 1/778 = 0.1%

Musical notes -> tastes = 1/778 = 0.1% Vision -> smells = 8/778 = 1.0%

Personalities -> smells = 3/778 = 0.4% Vision -> sounds = 12/778 = 1.5%

Personalities -> touch = 1/778 = 0.1% Vision -> tastes = 16/778 = 2.1%

Smells -> sounds = 4/778 = 0.5% Vision -> Temperatures = 2/778 = 0.3%

Smells -> tastes = 1/778 = 0.1% Vision -> touch = 8/778 = 1.0%

Page 7: Vidna kognicija IV
Page 8: Vidna kognicija IV

Osnovne karakteristike sinestezije

• Osjetna iskustva izazvana neuobičajenim podražajem

• Živo i detaljno perceptivno iskustvo• Automatska asociacija; Nema voljne kontrole• Od ranog djetinjstva (“otkad znaju za sebe”)• Asocijacije se (uglavnom) ne mijenjaju

vremenom

Page 9: Vidna kognicija IV

Poznate osobe sinestete

• Wassily Kandinsky

• Vladimir Nabokov

• Franz Liszt

• Nikolai Rimsky-Korsakov

• Nikola Tesla

• Richard Feynman

Page 10: Vidna kognicija IV
Page 11: Vidna kognicija IV

Sensorno iskustvo

Induktor Dodatno iskustvo

Sensorno iskustvo

Page 12: Vidna kognicija IV

Drugačiji model

Semantička reprezent.

Induktor

Dodatno iskustvo

Sensorno iskustvo

Sensorno iskustvo

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Test for eccentricities:1 Report that Synaesthesia disappeared at higer eccentricities: An indication for a perceptual aspect of synaesthesia

We retested our synaesthetes: none showed a dissapearence of synaesthesia at higheccentricities

All our synaesthetes reported, that letters and digits do change color depending on theirmeaning, e.g, O and 0.So we tested our synaesthetes with

-3 Homographs: -Montage (Installation)/Montage (Wochentage)-Collagen (Plural von Collage)/Collagen (Bindemittel)-Heroin (Suchtmittel)/Heroin (Heldin)

Page 17: Vidna kognicija IV

Dixon et al 2000

-one synaesthete vs. control-arithmetic test, where the concept of a digit can inducesynaesthesia

Page 18: Vidna kognicija IV

Rich an Mattingley 2003 Ambiguous stimuli

-14 synaesthetes vs. 14 controls-first, a stroop test was performed-next, they asked the subjects to attend to either the globalor the local stimuli only-=> the interference effect was significantly reduced, comparedto the first experiment

Page 19: Vidna kognicija IV
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Page 21: Vidna kognicija IV
Page 22: Vidna kognicija IV

Palmeri et al., PNAS, 2002

However, Edquist et al. (2006) could not replicate these results on a larger group of synaesthetes.

[Oben sehen Sie eine Studie aus dem Jahr 2002. Hier war die Aufgabe, in dem schwarz-weiss Bild das Ziel, in diesem Fall die zwei, zu finden. Da der Proband das Ziel farbig sah (rechtes Bild) war er schneller, als die Vergleichsgruppe (sog. “pop out” Effekt). Dieses Ergebnis konnte allerdings 2006 nicht wiederholt werden.]

Page 23: Vidna kognicija IV

Serial visual search

Set size

Tim

e

Pop out

Serial search

Page 24: Vidna kognicija IV

Shape search task

-same 2 synaesthestes-40 controls-Display: 5´s scattered randomly on a white screen, amongthese 2´s forming a global shape like a triangle (4 shapes)- each stimulus was presented for 1 s

Result: The synaesthetes were significantly (81.25%)better than the control (59,4%)

Page 25: Vidna kognicija IV
Page 26: Vidna kognicija IV

A crowding study

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Page 29: Vidna kognicija IV

Stroop zadatak

Stroop, 1935

ZelenaZelenakongruentna nije kongruentna

Page 30: Vidna kognicija IV

CAR CAR

• Result: Naming the congruent colour is faster than naming the incongruent colour

• No effect with words without a colour meaning:

• Indicates automatic and involuntary processing

Page 31: Vidna kognicija IV

Stroop task:

Grün, Rot, Blau, Gelb

vs.

Grün, Rot, Blau, Gelb

Conclusion: reading is an automatic process

Page 32: Vidna kognicija IV

Stroop u sinesteziji

• Zadatak: “Imenuj stvarnu boju slova.”

• Resultat: Sinestete imenuju pravu boju slova brže ako ta boja odgovara sinestetskoj boji (kongruentne boje) nego ako se te dvije boje razlikuju (ne kongruentne) (e.g., Odgaard et al.,

1999).

Page 33: Vidna kognicija IV

• Result: Synaesthetes are faster in naming the true color if this color is the same as (congruent to) synaesthetic than if these colors are different (incongruent) (e.g., Odgaard et al.,

1999).

Page 34: Vidna kognicija IV

• Tipični Stroop zadatak ne dokazuje da synaesthesia proizvodi stvarna perceptualna iskustva.

• Npr. Stroop efekt se može očekivati čak i za obične asociacije, “Znam da je limun žute boje”.

Međutim:

Page 35: Vidna kognicija IV

Sensorno iskustvo

Induktor Dodatno iskustvo

Sensorno iskustvo

Studija I: Priroda dodatnih iskustava

Page 36: Vidna kognicija IV

Colour-opponency in synaesthetic experiences

Page 37: Vidna kognicija IV

Activation in colour-specific areas

• fMRI provided evidence for an activation of the colour specific areas V4/V8 of the visual cortex during synaesthetic color experience. (e.g., Hubbard et al., 2005; Sperling et al., 2006)

• This suggests the involvement of early stages of visual processing

Page 38: Vidna kognicija IV

Colour opponency Theory

• First stage: Receptor stage consists of the three photopigments (blue, green and red cones).

• Second stage: neural processing stage where the colour opponency occurs.

Page 40: Vidna kognicija IV

Krug boja:

Sinestetska boja

Oponentna boja

Nezavisna boja

Page 41: Vidna kognicija IV

Color-opponency in synesthesia• Test color opponency in synaestetic experiences by Stroop

task

+-

+-

or

• Stroop effect can occur for non-synaesthetic associations. For example, “I know that lemon has yellow color”.

• Typical Stroop task is not a direct proof that synaesthesia produces a real perceptual-like experience.

Page 42: Vidna kognicija IV

Hipoteze• Grafem-boja sinestezija

-

-Sem. Real

Oponentne boje

Sem. Real

-

-

Ne oponentne boje

+

+Syn. Real

Iste boje

• Semantičke asociacije (npr. žuti limun)

-

-Syn. Real

Oponentne boje

Syn. Real

Ne oponentne boje

Page 43: Vidna kognicija IV

Congruentwith synesthetic (C)

Incongruent opponent (O)

Dizajn:

C I O B

Page 44: Vidna kognicija IV

Design

• 6 synaesthetes: 2 projectors, 4 associators

• 5 graphemes per participant, presented in three colours plus baseline condition

• Each grapheme was presented 10 times; a total of 200 trials

• 2 control participants per synaesthete, matched by gender and age

Page 45: Vidna kognicija IV

C G :

IH :

N B :

8 A E O U

U I E A 3

3 5 9 M A

K L :

T Q :

K T :

4 A E 3 U

A E I O U

2 5 7 E O

Six synaesthetes:

Page 46: Vidna kognicija IV

Distribution of colors

Page 47: Vidna kognicija IV

ResultsR

esp

on

seT

ime

[ms]

Stimulation condition

650

700

750

800

850

900

950

1000

1050

1100

C I O B

Control subjects(n=12)

Res

po

nse

Tim

e[m

s]

Stimu lation condition

650

700

750

800

850

900

950

1000

1050

1100

C I O B

Synaesthetes(n=6)

p=0.89 p=0.005

Page 48: Vidna kognicija IV

C I O B C I O B C I O B C I O B C I O B C I O B

Stimu lation condition (individual)

6 00

7 00

8 00

9 00

1 00 0

110 0

1 20 0

(C G ) (T Q ) (IH ) (N B) (KL ) (KT )

Individual synaesthete subjects

Page 49: Vidna kognicija IV

Stimu lation cond ition (grapheme)

IH :

Individual graphemes for one subject

Page 50: Vidna kognicija IV

Conclusions

• Reaction times for incongruent colours were overall slower than the congruent condition

• Reaction times for the congruent colour showed a facilitation

• Strong indication that synaesthesia arises within colour-opponency

Page 51: Vidna kognicija IV

Congruent(C)

Incongruentopponen t (O)

Incongruentindependen t (I)

Kontrolni eksperiment

Semantičke veze:

Tri objekta:

Page 52: Vidna kognicija IV

Res

po

nse

Tim

e[m

s]

C CI IO O

ResultsControl subjects

(n=8)Synaesthetes

(n=4)

~50 ms

p=0.19

Page 53: Vidna kognicija IV

Res

po

nse

Tim

e[m

s]

Stimulation condition

650

700

750

800

850

900

950

1000

1050

1100

C I O B

Res

po

nse

Tim

e[m

s]Stimu lation condition

650

700

750

800

850

900

950

1000

1050

1100

C I O B

Page 54: Vidna kognicija IV

Res

po

nse

Tim

e[m

s]

C C CI I IO O O

IH :

Individual results for one subject

Page 55: Vidna kognicija IV

Conclusions• In grapheme color synaesthesia, the interference in

the Stroop task has two components: – i) semantic component and – ii) color-opponent component.

Nikolić, Lichti & Singer, Psychological Science (2007)

• This indicates early visual representation of synaesthetic color experiences.

• Colour-opponency Stroop task is an objective method to test whether someone is a synaesthete.

Page 56: Vidna kognicija IV

Sensorno iskustvo

Induktor Dodatno iskustvo

Sensorno iskustvo

Zaključak

Colour opponency

task

Page 57: Vidna kognicija IV

Second study

Serial visual search

[Zweite Studie. Ein Studie über serielle visuelle Suche in der Synästhesie.]

Page 58: Vidna kognicija IV

Sensorno iskustvo

Induktor Dodatno iskustvo

Sensorno iskustvo

Studija II: Sensorna priroda induktora

Page 59: Vidna kognicija IV
Page 60: Vidna kognicija IV

Serial visual search

Set size

Tim

e

Pop out

Serial search

Page 61: Vidna kognicija IV

Palmeri et al., PNAS, 2002

One synaesthete:

Page 62: Vidna kognicija IV

However, Edquist et al. (2006) could not replicate these results on a larger group of synaesthetes.

Page 63: Vidna kognicija IV

Larger sample than 1

• Six synaesthetes with grapheme-colour synaesthesia. • Synaesthesia proven by colour opponency task. • Also, highly consistent selection of colours over several

month period. • Four ‘associators’ and two ‘projectors’.• No “pre-selection” procedure. Everyone who responded to

our advertisement was taken into the study. The sample represents the population.

• Every synaesthete had different colours associated to digits 2 and 5.

• Two control subjects per synaesthete, matched by gender and age (±1 year).

Hypothesis 1: Only projectors can search fast

Page 64: Vidna kognicija IV

Hypothesis 2: Need to be aware that shapes represent digits

Two sessions:1st) Without instruction: No mention of digit shape; No instruction to use synaesthesia.

--half an hour break--

2nd) With instruction: subjects informed that shapes indicate digits and are asked to take advantage of synaesthetic colour associations.

Page 65: Vidna kognicija IV

Hypothesis 3: Fast processing of distractors

Page 66: Vidna kognicija IV

Familiar shapes increase the speed of normal visual search (i.e., without synaesthesia); Malinowski & Hübner (2001).

Res

pons

e ti

me

(ms)

Page 67: Vidna kognicija IV

Ciljni objekt Distraktor

Naša studija:

- Veći broj različitih podražaja:

Page 68: Vidna kognicija IV

Type of stimuli

×

Digit instruction

×

Synaesthesia

×

Target

5×2×2×2

Repeated measure design

Page 69: Vidna kognicija IV

Sample• The same six synaesthetes • No “pre-selection” procedure. Everyone who

responded to our advertisement was taken into the study. The sample represents the population.

• Highly consistent selection of colours over several month period.

• Four ‘associators’ and two ‘projectors’.• Two matched control subjects per synaesthete.

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Results

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Target-present synaesthetes

-500

500

1500

2500

3500

4500

0 10 20 30 40

Size

RT [m

s]

T D

Page 76: Vidna kognicija IV

0

20

40

60

80

100

120

1 2 3 4 5

Slo

pe

[ms/

elem

ent]

Synaesthetes

Controls

Target present

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0

10

20

30

40

50

60

70

Synaesthetes Controls

Slo

pe

(ms/

elem

ent)

Overall average:

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48

50

52

54

56

58

60

62

64

CG Controls

0

10

20

30

40

50

60

70

80

90

100

KT Controls

0

5

10

15

20

25

30

35

40

45

TQ Controls

0

5

10

15

20

25

30

35

40

45

50

KL Controls

0

10

20

30

40

50

60

70

IH Controls

54

56

58

60

62

64

66

NB Controls

Slo

pe (

ms/

elem

ent)

Slo

pe (

ms/

elem

ent)

Projectors Associators

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0

20

40

60

80

100

120

140

2,5 rot M,2 2,5 4, inv4 inv4, 4

CGControl

0

20

40

60

80

100

120

140

2,5 rot M,2 2,5 4, inv4 inv4, 4

KTControl

0

10

20

30

40

50

60

70

80

90

2,5 rot M,2 2,5 4, inv4 inv4, 4

TQControl

0

20

40

60

80

100

120

2,5 rot M,2 2,5 4, inv4 inv4, 4

KLControl

0

20

40

60

80

100

120

2,5 rot M,2 2,5 4, inv4 inv4, 4

IHControl

0

20

40

60

80

100

120

140

2,5 rot M,2 2,5 4, inv4 inv4, 4

NBControl

Projectors Associators

Slo

pe (

ms/

elem

ent)

Slo

pe (

ms/

elem

ent)

Page 80: Vidna kognicija IV

0

5 0

1 0 0

1 5 0

2 0 0

2 5 0

3 0 0

C G

C o n tro ls

0

20

40

60

80

100

120

140

C G

C ontro ls

Target present Target absent

Page 81: Vidna kognicija IV

0

10

20

30

40

50

60

70

80

Session1 Session2

Slo

pes

(m

s/el

emen

t)

SynaesthetesControls

Instruction about shapes representing letters

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Synaesthetes

0

20

40

60

80

100

120

2,5 rot M,2 2,5 4, inv4 inv4, 4

Session1Session2

Controls

0

20

40

60

80

100

120

2,5 rot M,2 2,5 4, inv4 inv4, 4

Session1

Session2

Slo

pe (

ms/

elem

ent)

Digit instruction, details:

Page 83: Vidna kognicija IV

Conclusions I

• Synaesthetes do not process distractors faster than do non-synaesthetes.

• An explicit instruction to use synaesthesia did not improve performance.

• There is nothing special about projectors regarding serial search.

We had to reject all three hypotheses:

Page 84: Vidna kognicija IV

Conclusions II

• Synaesthetes do not perceive perceptual ‘pop-out’ in serial search tasks.

• Synaesthetes are not, in any way, faster than non-synaesthetes in this task.

• Fast serial search is not typical of synaesthesia.

• … in agreement with Edquist et al. (2006).

• It is dangerous to use sample size = 1.

Page 85: Vidna kognicija IV
Page 86: Vidna kognicija IV

Implications

(…what does it mean)

Page 87: Vidna kognicija IV

Sensory Sensory

Models of synaesthesia

Inducer Concurrent

Page 88: Vidna kognicija IV

Definicije sinestezije

osjet koji se obično odvija u jednom osjetnom modalitetu, odvija se i kada se podražuje drugi modalitet

izmješanost osjetila

percipiranje sensornih podataka jednoga osjetila sa drugimjedno sensorno iskustvo opisano u terminima drugog

križanje osjetnih percepcija

Page 89: Vidna kognicija IV

Sensory Sensory

Implications

Models of synaesthesia

Inducer Concurrent

Serial search task

Colour opponency

task

Page 90: Vidna kognicija IV

Sensory Sensory

- Much evidence about sensory concurrent

Inducer Concurrent

- Evidence about sensory inducer?

?

Page 91: Vidna kognicija IV

Massive evidence for the role of semantic inducers

Dixon et al. (2000): 5 + 2 =

Simner and Ward (2006) Taste of words on the tip of the tongue.

Simner: crossover of senses

Berteletti et al.: dice

Page 92: Vidna kognicija IV

All our synaesthetes reported, that the shape “O” changes its colour depending on the context, i.e., whether it is perceived as a letter or as a digit zero. Therefore, the meaning determines the colour.

A E I O U O 1 2 3 4 5

Test for context

Three homographs (same spelling, different pronunciation, different meaning): - Montage (installation or Monday)- Collagen (colleges or binding agent)- Heroin (narcotic or female hero)

The colours depended on the pronunciation/meaning.

Page 93: Vidna kognicija IV

Studija III: Semantička reprezentacija

Semantička reprezent.

Induktor

Dodatno iskustvo

Sensorno iskustvo

Sensorno iskustvo

Page 94: Vidna kognicija IV

Test učenjem:

Novo slovo

Crvena bojaA

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Glagoljica

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Od 16 ispitanika, 14 je izjavilo da je nakon kraće ili duže vježbe novo glagoljičko slovo dobilo sinestetsku boju originalnog latiničkog slova.

Obično je 5 do 10 minuta dovoljno.

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Semantička reprezent.

Induktor

Dodatno iskustvo

Sensorno iskustvo

Sensorno iskustvo

Zaključak:

Page 106: Vidna kognicija IV

Sensorno iskustvo

Induktor Dodatno iskustvo

Sensorno iskustvo

Klasični model:

Page 107: Vidna kognicija IV

Rezultati sugeriraju:

Semantička reprezent.

Induktor

Dodatno iskustvo

Sensorno iskustvo

Sensorno iskustvo

Page 108: Vidna kognicija IV

Definicije sinestezije

osjet koji se obično odvija u jednom osjetnom modalitetu, odvija se i kada se podražuje drugi modalitet

izmješanost osjetila

percipiranje sensornih podataka jednoga osjetila sa drugimjedno sensorno iskustvo opisano u terminima drugog

križanje osjetnih percepcija

Page 109: Vidna kognicija IV

SinestezijaPercepcija značenja

Osjećanje koncepata

Za ne-sinestete koncepti us abstraktni

Sinestete: koncepti postaju konkretna perceptivna iskustva

(zamenke, imena, melodije)

Page 110: Vidna kognicija IV

Sinestezija

Grčki: (syn) ujedinjenje + (aesthesis) osjeti

“Ujedinjenje osjetila”

Page 111: Vidna kognicija IV

“Osjećanje ideja”

Grčki (idea) ideja, koncept + (aesthesis) osjeti

Ideaestezija

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Sensory Sensory

Model of synaesthesia

Semantic

Inducer

Concurrent

Page 113: Vidna kognicija IV

Sensory Sensory

Semantic !

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