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SEPTEMBER 22 - DECEMBER 15, 2012. No. 1. ] [ One Penny. CREATED BY THE YOUNG EXPLAINERS U n l o c k i n g E a s t l a k e OF PLYMOUTH CITY MUSEUM AND ART GALLERY A STROKE OF GENIUS.

U n l o c k i ng Eastla ke - PLYMOUTH.GOV.UK...5. Charles Eastlake experimented with the …. of the walls to suit the pictures hung on them. 6. In 1841 Charles Eastlake was responsible

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  • SEPTEMBER 22 - DECEMBER 15, 2012. No. 1. ] [ One Penny.

    CREATED BY THE YOUNG EXPLAINERS

    Unlocking Eastlake

    OF PLYMOUTH CITY MUSEUM AND ART GALLERY

    A Stroke of GeniuS.

  • UNLOCKING EASTLAKE UNLOCKING EASTLAKE

    It may be because of his reserved nature that Eastlake is not remembered as much as he deserves to be. Apart from securing more than 150 paintings for the nation, Eastlake was a key figure in helping the public gain a better understanding of the history of western art. Through detailed catalogues, simpler ways of picture display, and the introduction of labels enabling free access to information, Eastlake gave the us public art.

    During Eastlake’s lifetime his home city of Plymouth dramatically altered as it transformed itself from an ancient dockland to a modern 19th century metropolis.

    At the beginning of the 1800s Plymouth’s old town had a population of 19,000. By 1851 this figure had more than doubled. There was a serious shortage of housing with an average number of ten people living under one roof. These cramped conditions meant epidemics were rife, with two cholera outbreaks in 1832 and 1849, killing almost 3,000 citizens.

    Smuggling was also widespread and at the beginning of the 19th Century it was reported that each year more brandy and rum was smuggled into Devon than was imported legally into London. Sailors, discharged in Plymouth following the Napoleonic Wars, were signed up by the smuggling gangs. Customs workers, whose wages were solely dependent on custom charges they placed on ships, were more likely to take profitable bribes than turn in those involved in illegal trade.

    Around 1832, the effects of the industrial revolution finally began to show, with the streets lit by gas and regular horse drawn buses running. The biggest change however, came in 1848 when the railway finally reached Plymouth. By the end of the century four public parks, a public library, an aquarium and a museum had opened.

    Sir Charles Lock Eastlake...The Nation Salutes You

    (1793-1865)

    ART BITESWednesday 10th October 2012: Eastlake’s Scholarly and Artistic AchievementsWednesday 31st October 2012: Eastlake and NapoleonWednesday 21st November 2012: Eastlake and the Gallery RevolutionWednesday 5th December 2012: Eastlake, Plymouth and his Circle

    These are FREE to attend, however you will need to book your place in advance. For bookings or more information: 01752 304774 Full details are available from: www.plymouth.gov.uk/museumartbites

    [There will be 2-3 minute MP3 versions of all the above available online for those not able to attend]

    Staff at the City Museum and Art Gallery are organising a range of events connected to the exhibition, including lunchtime talks and family-friendly holiday workshops.

    Visit www.plymouth.gov.uk/museumeastlake to stay up to date with what’s on offer!

    WALKING TRAILSThursday 20th September 2012:Grand Art History Freshers Tour

    A chance for Art History Freshers to make friends as well as see what the Museum and the Young Explainershave to offer. The tour will focus onEastlake, Napoleon and Plymouth.

    Saturday 3rd November 2012: Eastlake’s Plymouth: A Family Adventure Through TimeStarting at the Museum with interactive characters and child friendly activities.

    A brief version of the tours, booking details and a downloadable map can be found

    online at: www.plymouth.gov.uk/museumspecialevents

    Please visit our blog:

    http://youngexplainers1.wordpress.com/ A weekly online update with the team’s activities and discoveries along the way

    Article: Laura HughesChildren’s Actities / Map: Joanne LeesEditor: Charlotte SlaterDesigner: Sarah StaggIllustrator (front): Alex HancockIllustrator (inside): Abi Hodgson Lorente

    With special thanks to:Sara Norrish - Programme Leader

    All staff at the City Museum and Art Gallery

    Scan these codes with your smart phoneAllowing you to visit our blog and the City

    Museum and Art Gallery website:

    INTRODUCINGEASTLAKE: BRITISH ART’S PUBLIC SERVANT

    W

    e would

    like to introduceTHE

    YOUNG EXPLAINERS

    < Blog

    Museum >

    Almost 150 years after his death, the name of Sir Charles Eastlake has failed to live up to the celebrity of his legacy. Even in his hometown of Plymouth, blank faces usually meet the question: “Who is Sir Charles Eastlake?” Yet this cultural heavyweight was acknowledged to be one of the ablest men of his time. Not only did he carve out a career as a distinguished artist, collector, writer and connoisseur, he was almost single-handedly responsible for the growth of British Art History, management and promotion, whilst juggling several of the most important positions in the Art World.

    Eastlake was inspired to become a painter during his attendance at Plympton Grammar School. This school is described by many as the birthplace of British Art thanks to Eastlake’s fellow pupils, the famed artists Sir Joshua Reynolds and Benjamin Haydon. His accomplishments as the Director of the National Gallery and President of the Royal Academy often overshadow his skill as an artist, however, Eastlake’s pictures should also be praised.

    Eastlake’s lasting reputation is that of the typical Victorian gentleman; disciplined, knowledgeable, tactful and universally respected by grand society, royalty and the public alike.

    [Photo courtesy: Francesca Didymus]

    Alice KnightChris Ratcliffe

    Francesca DidymusJamie Ruers

    Kerry MessamKirsty MunroKirsty WeeksLauren WayLizzie Hill

    Rachael MorrisRosamond King

    Sarah HodgeVictoria Smith

    Xia Yu

    The plaque is situated on the middle of thebrick wall which surrounds the old grammar school in Plympton, St Maurice just off Fore Street.

    UNLOCKING EASTLAKE’S PLYMOUTH

  • Eastlake’s

    Family

    Adven

    ture

    Map

    1.Plym

    outh City

    Museum

    and Art

    Gallery is w

    here Girardet’s

    painting ‘Napoleon on H

    MS

    Bellerophon in Plym

    outh Sound’ is stored. C

    harles E

    astlake and others also painted N

    apoleon whilst

    in the Sound.

    3. From

    here, look right. A

    t the end of this road (near T

    oys ‘R’ U

    s) is where E

    astlake’s father w

    orked as a lawyer. T

    his is also w

    here the Bow

    den Gallery

    was located and w

    here Charles

    Eastlake’s ‘N

    apoleon on the B

    ellerophon’ painting was

    exhibited. in 1816.

    2.T

    his street was

    named to rem

    ember all of

    Eastlake’s great achievem

    ents both as a painter and for

    collecting many of the N

    ational G

    allery’s art works in L

    ondon.

    4.H

    MS B

    ellerophon w

    as floating near Plymouth

    Breakw

    ater (the stone wall out

    in the sea) when C

    harles Eastlake

    rowed out to sketch the boat.

    Napoleon w

    as imprisoned on this

    boat before being exiled. Every

    day people rowed out to see him

    as he w

    as such a celebrity.

  • UNLOCKING EASTLAKE UNLOCKING EASTLAKE

    The Ultimate Eastlake Activities

    Can you unlock the secrets about Sir Charles Eastlake to find the code word? Write your code word on the tear off strip (found on the back page of this zine) and hand it in to the staff at the Welcome Desk at the City Museum and Art Gallery to enter our prize draw!

    Hunt down your favourite painting in the exhibition

    and using your best analysing skills,

    draw it in the frame on the right, for visual evidence.

    Now show your friends!

    Can you be a detective tooand find all of the words?

    AcademyAdministratorCollectorConservatorEastlakeGalleryHaydonInnovatorJohnsNapoleonNationalPainterPlymouthProutReynoldsRoyalTurnerVictorian

    Bicorn Hat MaterialsMeasuring TapeA Page of Newspaper

    Top Hat Materials1 Plate

    Black Marker/Paint

    1. Who did Charles Eastlake receive his art education from? – Benjamin Haydon and Samuel …2. What type of painting did Charles Eastlake find most interesting but was unable to do

    because of an eye complaint?3. What was founded in May 1824 to provide an educational resource for artists? –

    The National …4. Charles Eastlake abandoned his career as an artist in 1855 when he became the first Director

    of the Royal …5. Charles Eastlake experimented with the …. of the walls to suit the pictures hung on them.6. In 1841 Charles Eastlake was responsible for finding artists to paint …. in the new Houses

    of Parliament.7. What had Lady Eastlake hoped to make her living as?8. Where did Charles Eastlake come in the list of Presidents for the Royal Academy?

    1

    2

    3

    4

    5

    6

    7

    8

    Art historians work like detectives when they research- like Eastlake tracking down paintings for his collections.

    How to make Napoleon’s Bicorn Hat and Eastlake’s Top Hat!Step back into the 19th Century and have a go at making one of our featured hats to wear on

    the ‘Family Adventure Through Time’ event.

    Just log on to: http://youngexplainers1.wordpress.com/activities/and click on the images for a full set of instructions.

    For BothStaplerPencil

    Scissors4 Pages of Black Card

    Hole PunchString/Ribbon/Wool

    Embellishments to decorate

    All answers can be found in the

    ‘In Pursuit of Art: Charles Eastlake’s

    Journey from Plymouth to the National

    Gallery at Plymouth City Museum

    and Art Gallery.

    (22nd September to 15th December 2012)

  • UNLOCKING EASTLAKE

    Competition SlipYour code word:

    Name/Age:Telephone Number:Email:Have you visited Plymouth City Museum and Art Gallery before?Have you learnt anything new and exciting about Sir Charles Eastlake?.. if so, please tell us more!

    Thank you and good luck!

    MINGULAY BOAT SONG CHORUS

    Heel ya ho boys, let her go boys.

    Heave her head round to the weather.

    Heel ya ho boys, let her go, boys.

    Sailing homeward to Mingulay.

    What care we though white the Minch is,

    What care we boys, the wind and the weather.

    When we know that every inch is,

    Closer homeward to Mingulay.

    CHORUS

    What care we though white the Minch is,

    What care we boys, the wind and the weather.

    When we know that every inch is,

    Closer homeward to Mingulay.

    CHORUS

    This sea shanty was written by Sir Hugh S. Roberton (1874–1952) in the 1930s and will be performed by the scurvy

    seadogs ‘Tobacco Road’ at Smeaton’s Tower, Plymouth on 03/11/2012 during the Eastlake walking tour,

    ‘A Family Adventure Through Time’

    For more information about this event and to book it please contact the City Museum and Art Gallery.