Twenty-four Italian songs and arias of the seventeenth and ... - 24... · CONTENTS Page BONONCINI Perlagloriad'adorarvi 3 CACCINI Amarilli,miabella 8 CALDARA Almadelcore 11 Comeraggiodisol

NY PUBLIC L BRARY THE BRANCH

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» kmu 7 84.R 3 3333 07582 1773TWENTY-FOUR ITALIANSONGS AND ARIAS OF THE* I

3.50+MNNBR 8010.94753

The NewarkPublic LibraryAster, Lenox and Tilden Foundations

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MYMUS

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24 ITALIAN SONGS AND ARIAS Medium Low Voice

SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

Vol. 1723

Twenty-FourItalian Songsand Arias

of the

Seventeenth and

Eighteenth Centuries

For Medium Low Voice

$3.50

A P

Ml

SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

Twenty-Four Italian Songsand Arias

of the

Seventeenth and Eighteenth

Centuries

FOR MEDIUM HIGH VOICE

Library Vol. 1722

FOR MEDIUM LOW VOICE

Library Vol. 1723

W

G. SCHIRMER New York/London

Copyright, 1894, by G. Schirmer, Inc.

Copyright Renewal Assigned, 1926, to G. Schirmer, Inc.

Copyright, 1948, by G. Schirmer, Inc

International Copyright Secured

Pilntad In th« U. S. A.

CONTENTSPage

BONONCINI Per la gloria d'adorarvi 3

CACCINI Amarilli, mia bella 8

CALDARA Alma del core 11

Come raggio di sol 16

Sebben, crudele 19

CARISSIMI Vittoria, mio core! 23

De LUCA Non posso disperar 60

DURANTE Danza, danza, fanciulla gentile 28

Vergin, tutto amor 32

GIORDANI Caromioben 35

GLUCK O del mio dolce ardor 38

LEGRENZI Che fiero costume 44

LOTTI Pur dicesti, o bocca bella 49

MARCELLO II mio bel foco 54

MONTEVERDI Lasciatemi morire! 65

PAISIELLO Nel cor piu non mi sento 66

PERGOLESI Se tu m'ami, se sospiri 68

Nina (attributed to Pergolesi) 72

SCARLATTI, A. Gia il sole dal Gange 74

LeViolette 79

O cessate di piagarmi 84

Se Florindo e fedele 86

STRADELLA Pieta, Signore! 92

TORELLI Tu lo sai 98

r Per la gloria d'adorarvi

For the love my heart doth prizefrom the opera "Griselda"

3

Ml.

&15&3. \773

English version by

Dr. Theodore Baker

Giovanni Battista Bononcini

(1672-1750)

Voice

Andante J=so

Piano

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rar - vi vo-glioji

prize, charm-ful

mar -vi^jo lu - ci ca - re

;

eyes, I would a - doreper.For.

la

the

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Copyright renewed, 1922, by Theodore BakerPrinted in the U. S. A.

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ye

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8

Amarilli, mia bella

Amarilli, my fair one

Madrigal

English version byDr. Theodore Baker

Giulio Caccini

(1546-1618)

Moderato affettuoso J = 66

ice ^P^V-f^Voicer i r

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AA

ma - ril -li, mia bel

ma - ril -li, my fair

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mlegato sempre

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41573

10

mort'as-sa - le,

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Alma del core

Fairest adored

11

English version byEverett Helm

Antonio Caldara

(1670-1736)

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41673

14

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16

Come raggio di sol

As on the swelling wave

Aria


Voice^Sostenuto J = 46

PianoPUiiitt l *mm

Antonio Caldara

(1670-1736)

pp.

Co - me rag-gio di

As on the swell-ing

i if im iiiiii

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co - me rag-gio di

As on the swell-ing

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41573

Copyright f 1894, by G. Schirmer, Inc.

Copyright renewal assigned, 1926, to G. Schirmer, Inr.

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18

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41B73

Sebben, crudele

Tho' not deservingCanzonetta


19

Antonio Caldara

(1670-1736)

Allegretto grazioso J:84

Piano

=±«==

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J» smorz.

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Tho' not de - servle, mi fai_ Ian

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21

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ev - er un - swerv- ing Thee on -ly I—

m ipp iPP Wppfcresc.m mm piu cresc.

-&- w p^41573

22

M a tempo mf

mar.

love.

m ^

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' Jvo - glioon -

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le,

Tho1 not de - serv - ing

mi fai Ian

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rit. assai- > mz. ass

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41573

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English version byH.Millard

Vittoria, mio core!Victorious my heart is!

Cantata

Voice

Allegro con brio J = i68

23

Giacomo Carissimi

(1605-1674)

Vit - to - ria! Vit - to - ria! Vit - to - ria! Vit - to -ria, mio

Vic - to-rious, Vic - to-rious, Vic - to-rious, Vic - to-rious my

Piano

Upiu, Evain, For

sciol - ta d'A - mo - re La vil ser - vi -tu;

love now has bro-ken its shack-les in twain.

Vit - to - ria! Vit

Vic - to-rious, Vic

3=^=± 3= mr3L

£r-s;

êr

3-2»£- V

^r*tt mrû

to -ria,

to- rious

mio

myCO

heart_re!

is!

Non la - gri-mar piu, BAnd tears are in vain, For

r^P FP^l1 j; J

Si ^r T r r r

^5^:

F* » r «•

41573 Copyright, 1880, by G. Schirmer, Inc.

24

bpJ-j Jl

l^ JJIJ^p^P cresc.

-&- 1sciol-ta_ d'A - mo - re_ La_ vil ser vi - tu, E sciol

love now has bro-ken its_ shack-les in twain, For love.

I

fct3±

^m^m

T WIE

np

^

6*77'

£

cresc.cresc.

ft*# -»-^3 î rrrrjJ i J J n J J

r i r~r

/?\

5^^fe

,#ft*I f

sa

î^

ta d'A - mo - re La ser vi - tu.

now has bro - ken its shack - les in twain.

* 1i i

*f

-&

Gs

5 £22

Ift*

fneno mosso e dolce assaiP

6-

7JS 1i^P^ £ p^?^

ft*

Gia l'em-piaa' tuoi dan- ni, Pra stuo-lo di sguar-di, Con vez - zi buThe false one is van-quish'd, her glanc-es a - muse me, De - cep-tion no

W-

3up fneno mosso e dolce assai

"~G

&: &' «t

$*NNEcresc. mpp ^t

;#ft*

giar - di Di - spo - se_ gl'in - gan -

long-er with arts can con - fuse_ni; Le fro - de, gli_afme! No false -hood or

fan - ni Nonsor-row op

F ^w.*

Mlcresc.

-ZZ2 3W573

25

I4*£ 3 ZZ- T ^ j

ri

J J Ji

r £KJ'

han - no piu lo

press me with rig

co, Del cru - do suo

or, The flame, once so

fo - co E spen - to_ l'ar -

cru -el, has spent all_ its_

i iPFi

f

#

3^g5j

mmTempo 1°

_xJ i nJ

Ujm i

*fe

do -

vig -

re! Vit - to - ria! Vit - to - ria! Vit

or! Vic - to-rious! Vic - to-rious! Vic

to - ria! Vit

to- rious! Vic

to - ria, mioto - rious my

s== Wâp

-&*-

x3f

^^sr

r

*

ms

^*

ir

§^^^f

§yt ^ s /

i'

J. ji-^CO -

heart

re!

is!

I*

Non la - gri-mar piu, NonAnd tears are in vain, And

la - gri-mar piu, Etears are in vain, For^ m ^^

f r

^m.^r r

^s 1 32:

r=f

$**

p cresc.

B 1r r r tsciol

love

sciol -ta dA - mo - re La vil ser

love now has bro-ken its shack- les

vi - til. Ein twain, For

IfagH 1=3=3 ^^ i3=1£:

a**/ p

3CTVSC.

5 ^4157U

26

§i/ ^ /T\^^ «

ta d'A - mo - re La ser

now has bro-ken its shack- lesmm3tf

if * 5 5 i

g ^wa— i I ^

vi - tu!

in twain!

?^>/ */

i

32

^^ £

f&=*meno mosso e dolce assai

6-2

i^ ^P ? i^;#

y=

Da lu - ei ri - den - ti

Her smile once en - tranc - ing

Non e - see pift stra -le, Che

no darts is re - veal -ing, The

ftp meno mosso e dolce assai

mm s cresc.

PP i^f

;#ft*

pia - ga mor - ta - le Nel pet - to m'av - ven -

wounds in my bo - som with time are_ all_ heal -

ti: Nel duol, ne' tor

ing; All sor-row and

£I^ f F^r ^

cresc.

«* m3 -&*- ^«•

Ift*1 ^ ^Pf £

men - ti lo piu non mitor-ment no long-er I'm

sfac

fear

cio E rot-too -gni lac-cio, Spaing, Now bro - ken each tie is, all

^V¥

^mi

Ti

J:

ft^^:

?

#

41673

m^mTempo 1°

27

=i=^^

**

ri -tq_il ti - mo -

fears dis - ap - pear

- re! Vit - to - ria! Vit - to-ria! Vit - to-ria! Vit- ing! Vic- to-rious, Vic - to-rious, Vic - to-rious, Vic

i £ mm wmfe %/ss £- Y r

% wm15

&' •&'

§ai^

z> ^J U. «N u"73

—re!

is!

to - ria, mio eo -

to - rious my heart

Non la - gri-mar piii, Non la - gri-marAnd tears are in vain, And tears are in

=m^y r"rSi

£ ^Jr

PJ \o "r=rjtf:

/i

^5 1r r r t

piu,

vain.

E sciol-ta dA-mo-re La vil ser - vi -tii, E sciol

For love now has bro-ken its shack-les in twain, For love_

;#«t

r*>y J

^^s^-y.

»/

iF Ir -ir

S^

&'

? 5-S^

r/? largamente stent.

- ta d'A - mo - re La ser - vi

now has bro-ken its shack-les in

fct i

M fI cresc.

£^=

^?

¥f m

»/ <p $

msf col canto

m- til!

twain!

0\

'/

i

-•- «-

/7\

f41573

28

Danza, danza, fanciulla gentileDance, O dance, maiden gay

Arietta


Francesco Durante(1684-1755)

VoicemAllegro con spirito J = 138

fP^fh

$h.

^5!Piano

mik^m

j r r r=s^^

^g/ ^<

^ *^=J^£?

#

Dan - za,_ dan -za, fan - ciul - la,_ al mi - o can - tar. dan - za,_

Dance, O— dance, maid - en gay, to the_ song that I sing; dance, O

=k

i 5iri j)

5^|j| J, * * * **

^

w^ iiW^FP 3=

fe J Q{ij

io j '

^"jji j^dan - za,_ fan - ciul - la_ gen - ti -

le, al mi -'

o can - tar.

dance, maid-en_ gay, to_ the_ song, to the song that I sing.

P^HS

~a

* * *if

^/ Pm ^

i^3*-*

41573

Copyright, 1894, by G Schirmer, Inc.


29

$ Gi - ra leg - ge - ra, sot - ti

Light- ly and air - i-

ly fly-

i# IP5

35/

^^7 a :

^1iPPf¥S

^P«s

3

* hs^ IIle

While

al

bound

P^suo

ing,

no,re

al

sound -

'4 tl| | |5

E9E3zz—9-

^j t

f

1^=1: I H"*s

J^J ' J J J

WWWs^

^3?

*^

^ £ ^r f ~o—mar.

ring!

suo - no del

ing, the

lbn - de_ del.

bil - lows out

Sen -ti_il

Dost thou

;#5 5= 5 P=3=l

^l^jp3=1=4 1=3i=i=i;

m p ^^w^ r'" j ; ' -&-

m jju ij mmp p ^ ? Stat

va - go_ ru - mo - re del

hear the low_ voic - es of

lau - ra_ scher - zo - sa che par - la.

breez - es_ soft_ blend -ing Ap - peal to_

al_thy_

~m m w _ 1 m*^: S *# ri

js:

=^

41673

30

iHHIF

fc*cresc.

W ^Îan - g"ui - do suon, con_

heart with their blan - dish - ing_ tone, their.co - re con Ian

blan

;*£=* w •<

J> ^ -'77J^^5 * _ M

#i=S ^

^ fvi -

ta_a dan - zar

vite to a dancesen

nev

zaer

poend

m ^ m m b:

j. Iffl % r? frfp

m ^ ^^ 4z— * ^^ f*P£

*pp

ifi*-5- U J

' i Jira^

sa,

ing,

sen

Andza

whispo - sa, chejnper, "Dance

vi - ta_a dan -

on! dance

s

m ^Wf^F^ Pî &

31

i j'j j ^ fzar. Dan -

za, dan -za, fan

on!" Dance, O dance, maid - enciul - la-

gay, To.gen - ti -

le, fan

the song that I

gjw£= nn mm i mm3

^ -&-*

icresc.

4J ' u j i ^ 'J 4ciul - la gensing, Dance, O

ti -le, al

dance, maid - enmi - o can - ta - re, al

gay, to the song, to the

as mm =5PÊE 3=1f

^ 1Sc-<5^

f rail. m^^ 8*L $mi - o can

song that I

- 6 11.

| T

-tar, dan - za, dan - za, al mi

sing, Dance, O dance, to_ the_ song that.

canI

* dsi ^M* *

m j g m / m 4jf ra//

s:a 9 "©"

41573

32


Vergin, tutto amorVirgin, fount of love

PreghieraPrayer

Francesco Durante(1684-1755)

Largo religioso J. = 40

Piano

^f3 ^ *rm^y v i ^^£ £pmor,

love,

o ma - dre di bon - ta -

Dear Moth -er, thou of mer -

de, o ma - dre pi-

a, ma - dre

cy, whose heart was riv- en, whose heart was

4444 <j j j i i j fli irn i~n j SI

simile* *j. ^

£^ :V Sf^ Pdolce

3 U-K ^ ^*

fe^ Jl4^ ifgf^£

piriv

a,

en,

a - scol

O hearkta, dol-ce Ma - ri

en, Queen of Heava, la vo

en, Heark - en to

ce del pec-caa sin - ner's

m H 4 i i i 1 ^^z

* *

^ m -t—

r- 5 -y—y- 7 y s

41S73



33

*ffftor,,

cry,.

:i—del.

to

^_ peca sin

ca

ner's

tor.

cry.

if # # #i iii«l^ j an mj ^#

^ fs £^ -r—r- «h j

* S 5^^ ÊE^ £f>

5 P#*II pian - to suo ti muo - va, giun-ga-nq_a te i suoi la

Let kind com-pas - sion move thee, In mer - cy hear_ her sad la

I iildli iPN i i ; i i ; » » : ; r »i=»

•* )• 7jji r :z * P y y ^ ^$ #* «i

(g^yp r v t^m m m3=

if

men ti, suo duol, suoitri-sti ac - cen -ti, sen-ti pie- to - so quel_ tuo

ment -ing, Her mourn - ful moar_ as - cend - ing Un-to thy throne of grace_ on

P ^ ifljî ^J ^J^P ^ :

J J jîî iHm ^m

cresc. assai

* 5

cor,_ pie -to -

high, thy throne .

so, pie -to

of grace.

so, pie- to

on high,.

so quel_ tuo

un - to— thy

îiitt Mî J

i m-m i i I I Icresc. assai

S m ^^ -^-r £ S -y—y-

—^"

41673

34

#iP

cor,

throne.quel

- •> J> J ly gtuo

oncor.

high.

ma - dre di_ bon-

O Moth -er, thou of

w^-{ i iiiiiiii Pit I«^m * * # *

m m i ^ -y—y- £

# 7 7 55 p lis* <—

*-s-

to_aof

ta - de, Ver

mer -cy, Vir

gin, tut

gin, fountmor,

love,

o ma - dre di bonO Moth -

er, thou of

# *i

n , n

r/t.sc.

*i

? ^g ^m.ta - de, o Ver - gin, tut -

to_a- mo -

re, Ver - gin, tut -tq_a

- mor,_mer -

cy, O Vir - gin, fount of love, O Vir - gin, fount of love,

4f3

tr ^m x\

13Fâ - mor.of love.

iiiiiiiiis $

sit

P r j^gT^^^jj^

J0CK70 7y'£

"•— "

41673


Voice

Piano

* Larghetto J = 6o

i^mdolce^ ^

Caro mio ben

Thou, all my bliss

35

Arietta

Giuseppe Giordani (Giordanello)

(1744-1798)

^mr r

w

^rrr^ i

mWr rr olargamente

m£ i

#n^ ^py ^£ i j?j> i>

#

Ca - ro mio ben, ere - di-mi_al-men, sen - za di

Thou, all my bliss, Be- lieve but this: When thou art

te

far

pmlan -

g-ui-scejl

My heart is

Pi W6-77

S ja dolce r r r f r 77

£

J?

? ?£ £

* S g1 J ^ J' #cor,

lorn

ca - ro mio ben, sen - za di te_

Thou, all my bliss, When thou art far_

lan -g-ui

-sce_il

My_ heart_ is

r^ f pp=r

f=*^»

r rrr r^^g^ ir

4157:{



36

P

II tuo fe - del

Thy lov-er true

so

Evspi-ra_p-er doth

tf & m^ n |

Jignor.

sigh;

Ces

Do- sa, cru

but for

del,_ tan - to ri - g-or!

go Such cru - el scorn!

Ces -sa, cru-

Do but for-

;* i nHI8|»H :

mITT/

±\\ P £ i ^ P

*/ rit.

a tempoppp

fîj J r ^ m?del,

go

tan - to ri - gor,Such cru- el scorn,_

tan - to ri -g-or!

such cru -el scorn!

: fl ijTTiTji

^ r -*^-tM i S

Ca - ro mio

Thou, all my

a tempo

1f r't f

jtpp

w^41573

37

** j j. >«/

s gJ Ji J^l

ben,

bliss,

ere - di -mi_al-men,Be - lieve but this:

• ^sen - za di te Ian -

gnii-

scejlWhen thou art far My heart— is

3F=F3?mr r

m ? ?

n p^r

Z& £

f i

P

*^ cresc.

^ ^J A Jt

/^w cresc.

5^ £ ^cor, ca - ro mio ben,

lorn, Thou, all my bliss,

ere - di - mi_al-men,Be - lieve but this,

sen - za di

When thou art

r7\

rl

i j J. j i i^

te_far.

Ian - gui -scejl cor.

My heart is lorn.

;#g£1 #SMp^ -C.

ry5B=

colla voce J9 /g V, ^

* 3 J.

rit.ff

i

4'573

38

del mio dolce ardorO thou belov'd

Aria

English version by

Dr. Theodore Baker

Christoph Willibald von Gluck

(1714- 1787)

Moderato J = 46

Voice Sp dolcissimo

del mio dol - ce_arO thou be - lov'd

,whom

iiiHii ;,tiirmPiano

^^ H- ^==^ h- * * 5?

mdor _

long.

bra

my

maheart

tojDg- getde - sir

yjflyflfyflîl l^t^=$z4zt

m $ h *•

* ^ ^îF F

^ ^ £to,

eth,

bra - mamy heart

tq_°g-

^de

getsir

to,

eth,

41576


Copyright renewal assigned, 1926}to G. Schirmer Inc.

39

*p ~

I I

> d

L'au

At

ra che tu re

length the air thou

P^spi

breath est

#/) * -ll

^^# âl - fin re

my soul in

spi

spir

ro,

eth,

3 ^ J *

^*

T7

y 5

f

Sa £ £"P 7

[J7~ "^ 7 ~^ 7

#/

*= ss ^

f'^ÎJIJ sal

my

fin_

soul.

re - spi

in - spir

«\

«

tftftfi/v

3:r\

P^^ S

41573

40—*

i PSro.

eth. Whervime'er

quejl guarmine eye

dojomay

^^^^^^S^ * h

fp—«^t

jn^ni »fl^s*

\ ^

# ?wan

ro, Le tue va

der, Still of thee

S ^^ghe sem - bian

some vague semze A -

blance Doth

y

jjjîi-yjii

fjff^*9 \ 1

p? i^^ p^-fT^—f#^=^ ;>

> J8

] j^ja^^ «j j ^\ ^ 7 !?• *P

mo -re_in me_ di - pin

Love a - wake with- in _ge: II

me, Mymio pen-sier si fin

ev - 'ry thought doth win.geme

"*"•"*" www »y * W m m • w • cresc.

k

>\, J' 7 J' 7 b y J'

Le piii lie

To yet fond

te speer re

f' yffl*fll*£3*jj3

^ ^cresc.

^ =&-

«.

^ i i i

/fill*ffl

1 i. S41573

41

*lim.>assai P

m m m*ranmem

ze ;

brance;

EAnd

nel de

in this

dim. P^^^£ £ ^^___^£_

o che co - si_

dor that all. mymembo

piesom

il

sopetfir

to

eth

^y^y^f |?fll?ffl'*

r

£il?jjj

P f^ crvsc.

dolce4^m* *

[T |> J* I

*p p J > P

Cer-co te,

Thee I seek,

chia-mo te,

Thee I call,

speFond^^ 3^5 ¥

,» :Tl: i »: i»n % -j

—%—f^^P 7

£7

"V 7 P 7

P7

p7

ft7

ft7

^ ten.^PPm ^Pfa piacere)P

P tro

fib

i* i

e so

and e'er.

spi

fond

ro.

er.

Ah!.

Ah!.

WM ^S £isJ? col canto pp

^r

« r^^^ £

*c\

^ ^41573

42

tPô

^ J^ J

del mio dol

thou be - lov'd,

£ =^ce_arwhom

dor_long.

bra

my

£1*4 «* t444

^h h

Pp^'

^'^

m m ^d *i d

maheart

toog- - getde - sir

to,

eth,

bra - mamy heart

to_pgde

p h h ^

HTi^mHiPflrh- *v5^p^3

p

I^

*r

get=sir

to,

eth,

L'au

Atra che tu

length the air

re

thou

Mi'ttuuviBm h t Ji < h *

1«i^^=j l§

^ni iiviii lit

£=

1573

43

i P * P^Pspi

breath est

al - fin re

my soul in

7 |

s ;\ 5cLffljJB

fI

3 ^s£ t

£ £ ^-r^T

"

j I 7 p EE

(CN -c\ >

{[ff p iJvJjt.

fin,

soul,

al - fin_

my soul

£\

re

inspi

spir

iffmsiPiii1>

ii if«**41- C

o>

g ^J^

T

J-'

J

41573

44

Che fiero costumeHow void of compassion

Arietta


Giovanni Legrenzi(1626-1690)

1 1 ^> j I•

Allegretto con motoJ-=_56

tst&£=PP^ * **^ *Voice -*—+

*Che fie - ro co-stu-me d'a - li - ge-ro nu - me, che_aHow void of com-pas-sion Is Cu - pid his fash-ion, Who

leggero e grazioso

Piano*

^ ^ J> J^ $ 1"p$ A b ^5 / P

v pr r

chejiWho

for - za di pe - ne si fac-ciajt-

do-rar, si fac-ciaja- do-rar,

drives me by tor-ment him-self to a-dore, him - self to a - dore,

%D. * %b. * %b. *

f h 1' i* ^ J> J'. 1^for - za di pe - ne si fae-cia_a

- do-rar!_drives me by tor-ment,him-self to a-dore!

P*P-

m £?

%2L *

Copyright , /#£4, *y (?. Schirmer, Inc.


%X *

I te^mf un poco meno "fz —^

m t- t JM J^Jy^JVf iii> J^pE pur nell' ar- do- re il dio tra - di - to - re un

And yet in my ar-dor I fol-low the hard-er The

JTEJ1* L^

peg r

ejgr^_ dQl-====_ ^»

*E^^va - go sem-bian-te mi feî

- do -la-trar,.

vi-sion e - lu-sive he shad-ows be-fore,.

un va- go sem-bian-te mi

The vi-sion e - lu-sive he

I 2:2zzz

f ¥ f ^p£ g^g v ^

f~

itWM^77

/S*&L *

J

j.u Vr *M^^

%3l * %). * %D. *

$ feratf.

sy ju a 3=5

Tempo 1°

sfz

¥rdim.

^m Jij,i yîg £

feU - do - la-trar.

shad-ows be-fore.

Che fie - ro co-stu-me d'a-li - ge-ro nu-me,che_aHow void of com-pas-sion Is Cu -pid his fash-ion, Who

Isfz

p_5Uam r

1

p r p<&& * %x * %x * %x

41573

46

cresc.

I>l> JlJ^J^p J^ J\ Jl J JM^/ w/

p- ft r g Pfor- za di pe - ne si fac-ciaa - do-rar, si fae-eiaja

- do-rar!_

drives me by tor-ment him-self to a-dore, him -self to a-dore!.che_aWho

%b. * # 'Jto. * %).

I i>" i> r> JUi/

P P P F' Psfor - za di pe - ne si fac-cia_a - do-rar!

drives me by tor-ment him-self to a-dore!

m 5pi vnP

?m^/

i ii

1S2T%a %a * %a *

fefc^ ™/ */* «±s

i

*=* m s ^p5=5

±Efe

Che cru-do de-sti - no chejm cie-co bam-bi - no con

O Des-ti - ny sense-less! A boy so de-fence-less, Scarce

r*~±tJr^

cresc. f

gj^m/ ^

A*-ftP ^p r p

%& * %x * %a *

41573

47

& fcte

cresc. f P

boc - ca di lat - te si fac-cia sti-mar, si fac-cia sti-mar, con

wean'd, yet can make us his fa - vor im-plore, his fa-vor im-plore, Scarce

111^ tjcresc.

»^ ^r-r i 5 »i «iÊ tB

Wn«Sa * %& * 9k #

j^ J> J^ JW'rJ^'-M S

boc - ca di lat- te si fac-cia sti-mar!_

wean'd, yet can make us his fa -vor im-plore!.

Ite

^—

g^f^

7 y

^^ ?

1 . rT3 -3a:

cresc.m mc&>. *

mfun poco meno rfz

41573

*®espr. . ,

-

tran-do perglij)c-chi, mi fe' so - spi- rar; _ en-tran-do per gli

Sbar-bar-ous wiles till we sigh and give o'er,

oc-chi miWith bar - bar-ous wiles till we

*1*

ill i-f i/JîJ.î#a

^ t

rit.Tempo_P#,r

^FFf^ -v—

r-

dim.

<&a *

fe' so -spi-rar.

sigh and give o'er.

" >rp' ^ J^' y-^ 1^ JChe cru -do de - sti - no cheun cie - co bam-bi - no con

O Des-ti-ny senseless! A boy so de-fence-less, Scarce

%& * <&3. #<!&>. * %a. *

|th>j> ;< J' ; J^

?J> ;. }\ j J' i

J' I p r

~r

* *^hoc - ca di lat - te si fac-cia sti-mar, si fac-cia sti-mar!.

wean'd.yet can make us his fa-vor im-plore, his fa-vor im-plore!.

con

Scarce

I1*

ft*s/i

*B ^ *«J tJ f^ £ 3 4 y?^f

%>. * %a *%a. *

iji^ n^^ PVfe i

*fe

boc - ca di lat-te si fac-cia sti-mar!

wean'd,yet can make us his fa-vor im-plore!r\ 3ka

*?T T »

^*V

^£ ^^s^z col canto/

i C afe P*

%). • *fia *gEfS^5

'Sa.fc'Bfll41573

Pur dicesti, o bocca bellaMouth so charmful

AriettaEnglish version byDr. Theodore Baker

49

Antonio Lotti

(1607-1740)

Allegretto grazioso J =69

\j% fti^ f

^^Pten.

SI m ^7 ^ -

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SpJ J.

£ ^ P 3

I£3S si P m ^ pn ^^

3few.

im/ jRPS S .*^ ^^^33

IVoice

JmJ'- b p Jmj a JmJ'-p p-^5 ^

PurMouthM

di ce sti, o hoc - ca, hoc - ca bel - la, o hoe - ca, hoc - ca

so_ charmful, O tell me now, O tell me, O tell me now, O

* £ X **} 5

Nf-^Jr

_p sempre

2£ P P £^PP P

#

#-tbeltell_

la,me.

P ^3g?ca

luressi,so,

^pbel

tell

#

la,

mequel

Whyso - a

thy sweet

vee ca

ness lures

ro

me81,

SO,

f^=^£ £ E

ff^_f F

g P S 1fe?i.

P41573 Copt/right, 1894

f by G. Schirmer, Inc.

50

dolce

si,

so.

;#

£ mclie

That

fa

in.

tut -

thee

to il

all

miobliss

piais

cer,

mine.

*mi b

¥

il

all

33S i=t

ten.zz;SP

zr ^f P

i—j-lMmio piabliss is_

#rit.

cer.

mine.

^

—»—» •

ce -sti,

charm -ful,

Pmio piabliss is

i^B

cer.

mine.

« tempo

Pur di - ce -sti, o

Mouth so— charm -ful, O

Wf12=!^ fc=*±=!* *=^=^

rit.

?» f^f n •-7

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m££ben cantando

tcresc.

^mcon graziapp rit.

mim/

.MJ J UpÛ^'Msboc - ca, boc-ca bel -

la, o boc - ca, boc - ca bel -la, quel .

tell me now, O tell 'me, O tell me now, O tell me Why_

so - a - vee

thy sweet - ness

'î¥^^ ^^5 5f

cresc. ppcol canto

m:£

/ten.

Pten.

P41573

51

jzj±fp' j^ i j^ J ' 7iJ~r

con graziaf &L portando

K \ mro sica ro si, si, quel_ so - a - vee ca

lures me so, so, why_ thy sweet - ness lures me so,

i^lten.

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iten.^

5=5

ten.

£

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-»—yv E

g

jiî^g////

Mif^^j i ^JJi •zd:

che fa tut - to il mio pia-

cer,

That_ in thee_ all bliss is mine,

il mi - o pia-

cer, _all bliss_ is mine,

i-^-p J li,JJjjJ p J> I J f^^quel.

Why.so

thy

a

sweetve_e ca - ro

ness lures me

f3 J J J ff yj njq- ^ i j-^^s^« t>-

il mio pia -cer,

all bliss is mine:quel

Why.so - a

thy sweetve_e caness lures.

ro

me

n\-7"

1 J.7 »im s p s

^ pifew.

=^M? ^ fe^. /e».

1=1 £

41573

52

^ cresc.

r">r r i-m j-ji

SI, SI,

so, so,

cer,.mine,.

f smorz.

% P* dim.

si, si,

so, so,

che fa tut - to il mio

That_ in thee_ all bliss

pia-cer, il mi - o pia

is mine, all bliss is.

<| j J j j j j ij J j p \b i jj <j^g

il mio pia- cer.

all bliss_ is mine.

J] J J J 1J J J p f J' l J jg jp§

cer, _

mine,

il mio piaall bliss is_

cer.

mine.

i ^: hr\

*? s ^s &^ y J 1 *

iî*i?

^=^» *~*

m 3 ^ i e^^^s^6'rc cantando

£ 5 15 E * E h 1^1s zJ

Fine

m ?=s ^ r

l™/

s i gzmm^ s* pi'-r r

Per o - nor di sua fa - eel - la con_ un_ ba - cio_A - mor t'a -

E'en thy_ charms to vow com - pel me Cu - pid_ ope'd thee with a

41573

53

iL>Cr»'r^mor t'a -

pri,with a kiss,—

PP^P imf

:s=

pri,

kiss,

$> HPs£

con_ un ba -ciq_A

- mor t'a -pri,

Cu - pid_ ope'd thee with a kiss,

dol - ce foil - te

Thou sweet fount of

er

\*i) JTi

pp

^ z

m

^

ir«v.

« tempoPP^&m^ ^ i JTi; s

riten.3 3

m* * •*del go - der,

joy di - vine,

i ^5

ah!

ah!

a tempo

ah!.

ah!.

ah!.

ah!.

fr—h fc=h 5 55B=** S^^s^:« 5 #IS n*col canto pp riten.

9E^ m^ ?=p ^

i j n a*•

^si,— del go - der.

fount of joy di - vine.

.^F*^ rail.

Ias

J P d'd

t^9-

8i, del go - der.

fount of joy di - vine.

Tempo 1°

D. S. al Fine

41573

54


Voice *

Piano

*Recitativo

^^

ia piacere

II mio bel foco

My joyful ardor

Recitativo ed Aria

mf_

Benedetto Marcello(1686-1739)

£

II mio bel

My joy-ful

J J'T $ j '

^5fo -

co, o Ion - ta -no_p vi

ar -dor, wheth-er near or far

P:sl.

mf

?P-WJ

S hOr 4

hr» O h.h.p ji

7 j U j^ ^ci - no ch'es-ser pos-s'i

-o,

dis - tant from thee I tar -ry,

'» .h hi . 5

sen - za can-giar mai tem -pre

Un - chang'd and con-stant ev -er,

it

perFor

ggjvx\ TltL

m w *•

tt;

* ^ ^M p rit.

? *« IPîle, ar - de - ra sem

ed, Shall lan-guish nevvoi, ca - re pu -

pil

thee, O my be - lovpre.er.

*j »i j "f r î #^fP35

/ prit.

^=3=1 ^ i# ^%D.

41573



Allegretto affettuoso

55

[J'Tj q.iij QjiQuel- la _ fiam-ma_ che m'ac

In my heart the flames that

cen - de,

burn me,

73

mi -a, che giam-mai s'e - stin-gue - ra, s'e - stin-gue - ra, s'e - stin-gue-

rav -ish, That they neêr shall cease to glow, shall cease to glow, shall cease to

,# tsfe It

8P rit.S ^f -&±

41573

NEW YORK PUBLIC LJBRARY FOB THF^j^BOBjtfHiS AEW4Q.LLN.GQUI-CfeT 1X3P,g-<AZANEW *X>R3£, NX '10033?"

'

56

p dolcemente legato e cresc. —-=

\ 3 S te

ra, pia-ce tan-tq_al- lal -

glow, All my soul do so—?m *w p n

ma_ mi - a che_ giam - maien - rav-ish, That they ne'er

s'e - stin - gue •

shall cease to

^mt t i- fe=i 3 t

f^^^^J—fl- ^^ P^T f*

pm ^ cresc. sempre

K i£ V

che giam-maithat they ne'er

gue -ra,

to glow,

ra,_ s'e - stin

glow, shall ceases'e - stin

shall ceasegueto_

& p n't.

ma tempo

wr$ SP 3EEfe

*ra, s'e - stin -gue -

ra, .

glow, shall cease to glow,r\

#=1s'e - stin- gue - ra.

shall cease to glow.

§>

^— is fEF? £cresc.

g£/ ^ _?? co/ canto a tempo

!=hi^

t i 1 1m i *p-r fuqt

iJO legato con grazia

?s

:*«

E sejl fa-toji voi miAnd should fate to ye re -

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i

I^P

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rs::

41673

$ s 1 s &=S

ren -de, va - ghi rai del mio bel

turn me, Wan - dVing rays of my fair

so -le, al

sun,_ Oth

s S 57

£tra lu -

cejjl- la

er light I covnonet

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vuo

none,.

le ne vo - ler

Nor the wishgiam-mai po -

tra, ne vocan ev - er know, nor the

z^lm m—n>

cresc.

m ±±poco a poco

» ^ ^fe S=p: &^ZJ*

I^ cresc. poco a poco

^S J'J'V J^ itler giam-mai po - tra,

wish can ev - er know,

ne vo -ler,

nor the wish,

ne vo - ler

nor the wishgiam-can_

po -tra, giam-mai po -

tra, _er— know, can ev - er know,

ne_ vo - ler giam-mai ponor_ the wish can ev - er

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41573

58

i ttra.

know.

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=t^n

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i

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"

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*

Quel - la , _

In my_

fiam- ma.heart the.

che m'ac

flames that.

cen - de

burn mepia-ce tan-tq_al-lal-maAll my soul do so en-

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J' J' Ji J> J'"^5## jî'WiJmirav

pia-ce tan-toal-1'al-maall my soul do so en

mi -a,

rav- ish,

che giam-mai s'e - stin-gueThat they ne'er shall cease to

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glow,

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pia - ce tan-to_al- l'al - ma.

All my soul do so en

1t m

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41573

#fe^cresc.

a che_

J. &p

J> 1 J^^ I-mi - a clie_ giam - mai s'e - stin - gue - ra,_ s'e - stin gue - ra,

rav-ish, That they ne'er shall cease to glow, shall cease to glow,

59

che giam-that they

m X ^99E 5S1cresc.

m ^Sj * r

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mmra tempo

m^^^ m9—d

maine'er

s'e - stin

shall ceasegue - ra, s'e - stin - gue -

ra, s'e - stin- gue -

to_ glow, shall cease to glow,_ shall cease to_m ^ & ^*=*^r

N col canto.cresc. r _

5^ =S ±Q ia tempo

£3=fe^ • F •f=

ft

tp dolce

P P P P P P^^/^

fra, quel - la

glow, that they.

fiam - ma giam- mai, giam-mai s'e - stin

ne'er shall cease, that they ne'er shall cease.

;#

(7\

gue-to

£€^t rinforz. e rit.

ggggre

Pa tempo

41573

60 Non posso disperarI do not dare despond

Arietta


Andante grazioso J=soa piacere

Voice

Piano

-6 "g

4gE

^

P^P^Non pos-so di-spe - rar,_I do not dare de - spond,

i yftr

S. De Luca(15... -16. J

^rrn:9 f

tp

IZZJI ^^ e^p^m £

non pos-so di-spe - rar,_ sei trop-po, trop-poI do not dare de - spond, For thou art all too

$fiwnti'rrr?

m w^m.

& r» ;> ;< iJ > j Jl > >h> i /? JJî^^

ca - ra, trop-po, trop-po ca -ra, sei trop-po ca-raal cor

;non pos

- so di-spe-dear,— thou art all too dear, too dear un-to my heart. I do not dare de-

$ h V

f3=^=^ tli ivi&t i Wfrfr2>

P^t H J J J I

J. ?JJMCopyright, 1894, by G. Schirmer, Inc.


41573

61

pp a tempocresc.% -f

™t-, pp a tempo

rar, sei trop-

po ca -ra, sei trop - po ca-raal cor-, non pos - so di - spe-

spond, For thou art all too dear, too dear un-to my heart; I do not dare de-

v—--/ cresc. ^——Z^r""^ piu cresc.rit.^^m

fn JrP3!"^%pjpa tempq^

*

?/ deciso e rail.

pp=p P3^Fmrar, sei trop - po ca - ra,

spond, For thou art all too dear,

sei trop -po, trop- poFor thou art all too

mm'Friprisn f> will. ^^**m \fdeciso e rail

^P-

^r_LLfr l

-m _ _,— wTT T

p P a

I P « ^J^ Ji-lj <

feh7 *' pF^ ig

ca -

dear.ra, ca-ra_al cor:

un-to my heart;

Sei trop -po, trop

- poFor thou art all too

assai rit.

\fa ,1_ J'Br^^

ca -

dear.ra, ca-ra_al cor.

un-to my heart.

tt OT^=gê=P=P=i» m m_ 5'

jj

Eflfifp si 1 4 ttjgf^fjgassai rit. ffe deciso

ûu JNassai rail, eff

;:a^ £¥^741573

62

^mp dolce e legato assai

m mm ^5iA i t ft

mPvII so - lo spe - ra - re,

'Tis on-ly hope so fond,—il so

'

lo spe - ra - re d'a -

'Tis on-ly hope so fond, The

Îr-p pi'J

j,^ |

J jiy p PI

J ^'^ ^ver a gio-i - re m'ejin dol - ce lan-guibliss -es of wait-ing, That soothe while ere - at

re,m'ejin ca - ro do-lor, m'eun ca -

ing The pain they im-part, the pain,

rff"H J J J *

r

3

*f

' *T

i^^ £

^ 5 *

- ro. m'^jm cathe pain.

ro do -lor, il so - lo spe - ra - re d'a -

they im-part. Tis on-ly hope so fond,_ The

^H g^Lir rr f 7 7

^t> H, J

l?J,

iJ * -h ^^^fl

—», . k .

"_^ cresc.

ver_ a gio-i -re, m'eun dol - ce lan-gui -

re, m'eun ca - ro

EE^ £L'ejin ca - ro do-lor, ah,

bliss-es of wait-ing, That soothe while cre-at - ing The pain they im-part, ah,

41573

et

m~^' t p p ' CiJl

*p r ^_ _,v _J==- ./? « piacere^^

si! m'eun dol - ce Ian- gui - re, m'ejin ca - ro do - lor. Non pos-so di-spe

yes! That soothe while ere - at - ing The pain they im-part. I do not dare de

¥ v—^

rar,_spond,

$^=f

l y U 1P 7 LJLL5

^^J?

^ feÊ ^^5 I fF?^5P M P £ ^

non pos-so di - spe - rar,_ sei trop -po, trop - po ca - ra, trop -po, trop-po

I do not dare de - spond, For thou art all too dear, thou art all too

#cresc.

E5h^j^j^'J^ i ;* J'J-^W 3& •—* f

ca -ra, sei trop - po ca-ra_al cor; non pos - so di - spe - rar, sei trop - po ca

dear, too dear un-to my heart; I do not dare de-spond, For thou art all too

f n>Jl i^mi I'tyixir

i 7 7p r-Tcresc.

41573

64piu cresc. f deciso e rail./'••»«y~« rif

y ppa tempo j aectso e ran. ^ ^

A1-

'\o p y P i fb

p r p ^- ji|

J'

p,r~r^^

ra, sei trop-

dear, too dearpo ca-raal cor

;non pos - so di -

spe-rar, sei trop - po ca

un-to my heart; I do not dare de-spond,For thou art al too

£*m J13 J--JTJ » mn Mp

* *p r

"^ TT^f ^—r

m piu cresc. rit.

fesljpp a tempo f deciso e rail

P ^fi

»

^ # J 1

J' Ji h#^£ 22

ra,

dear,

sei trop- po, trop - po ca -

For thou art all too dear.ra, ca-rajilun-to my

^ ssassai rit.

^ w—id9 a—i^f^

cor,

heart:

Sei trop -po, trop

- po ca -

Thou art too dear, too dear.ra, ca-ra_alun-to my

# m mraff§ rr^rr T

%1573


Lento J = 58

Lasciatemi morire!No longer let me languishCanto from the opera "Ariana"

65

CI audio Monteverdi

(1567-1643)

Voice

Piano

iP dolentv

gv<H- mLaNo

scia

long

~o c?

te - mi mo - ri - re!

er let me Ian - guish!

i J fcm 7 Vla - scia - te

no long - er

Bee <#

^s»

J9 dolente

35*

te

gE^J si ^fcfe

*^ A O ^fcfe r^f-o—

ri

Ian

I

milet

mome

re! E che vo - le

guish! What dost thou fan

te_

cy.

che mi concan stay one

a

It±

1

^ pi?

^ ?"F* rl# f ^rr

i ^*

-^ J^ ^'j^ l ^ ^ 7 J^^M'jO^W C7VSC. = /= S^3±

for - te

mo - mentin co - si du-ra sor -

te, in co-si granSo de-spair-ful a tor-ment, So un- re -lent

mar - ti - re? Laing_ an-guish? No

Im s :t i m 5E fe:*r#=f mST

r2 f2r rm TJ >^B 5iS

P p l» «J

i>/? r&-/?*-

4h « 5EES? s ^scia

long

te - mi mo - ri -re,

er let me lan-guish!

la - scia - te - mino long - er let

mo - ri

me Ian

s:

re!

guish!

_^v\> \y^ ^ ^m 5

I1^S If wcresc. assat

*s

-P&t;

U J J' i^ r

U573Copyright, 1894, by G. Schirmer, Inc.


66Nel cor piu non mi sento

Why feels my heart so dormantArietta


Giovanni Paisiello

(1740-1816)

Piano

Andantino J---58

dolce

*W¥*

Jfl* i f- 5

mmjfl* *Jj31 V m * *f—»h

W£

^mV I* _^j i v \*

3EJ^tJ^ 1

'

J^7 7 J^7~^cresc.

Ê

fe^k«

r-u pîcXJic V

I. Voice i>

£5 hn 5

T^ 1Nel cor piu non mi sen - to

Why feels my heart so dor - mant,

hril- lar la

No fire of_

g-io- ven-

youth di -

IS m P^fP ffî/ ^

gg # P P^ #^

Ih

o\

5EE* V SEEâr "p r p

tfe

tU;vine?

ca - gionThou cause

del mioof all _

tor

mymentor

to,

ment,

aO

4 4 j a j f^p5 5

^P^J^L

41573


Copyright renewal assigned, 1926, to G. Schirmer. Inc.

67

S PJg JM J^

p I

f nK P I

?^ J '

T *

mor, sei col - pa tu.

Love, the fault_ is thine!

Mi piz - zi-chi, mi stuz-zi-chi,He teas - es me, he pinch-es me,

miHe

:te ^JJTTJ i^P ±~t'^-» * »

^ # e^^ 4f

# rjm J j^^~> jiiij J^J^-J' i r--p^ £

pun - gi -chi, mi mas-ti-chi

;

squeez-es me, he wrench-es me;

die co-sa_e que -stq_ahi - me? pie

-

What tor-tures I must bear! Have

/7\

ta, pie

done, haveta, pie - ta!_

done, have done!

a - mo-rejuin cer - to che,

Thou, Love, art sure -ly one Will

m r\

P3S r\

5=*m2=fc

IP

risoluto

_# ^-9~-i ; m — fc£Sdi - spe-rar mi fa.

drive me to de-spair!

li^fpfi5

fcfc

^Ss S

^Sfo tev i

^1573

68

Se tu m'ami, se sospiriIf thou lov'st me

Arietta


Giovanni Battista Pergolesi(1710-1736)

Andantino J =58 fT\ PVoice

Piano

±^m s *

cresc. rit.

5 h i n j.

r\

W^ma

lov'st

mi,

me,

se tu

and sigh

so - spi - ri Sol per me, gen- til paest ev - er But for me, O gen - tie.

#

stor,

swain,

S h y s ^ y h«Tt: It*

cresc. rit.

V* J -J- S^m

i8

jp a tempo

i'lJ '^r J'

I J1

/ /«'£

Ê5 -—«—_——* p^P£ s*^ ^PHo do- lor de' tuoi mar-ti-ri, Ho di-let-to del tuo_a-mor, Ma se pen- si

Sweet I find thy lov- ing fa-vor, Pi-ti-ful I feel thy pain. Should'st thou think tho',

%1—^3 » SB m &m

%> a tempo f

SE h-^-h Sth h . .h

h

T H¥ r=^f f r

41573

Copyright, 1894, £y £. Schirmer, Inc.


itppîeîi/?\

a tempo69

S

#I

che so - let - to Io ti— deb- ba ri

that de - mure -ly I— on_ thee a - lone

a- mar, Pa - sto-rel - lo,

may smile, Sim -pie shep-herd,

h

& h

Is;

h

r £

h

FA

r\

If

« tempo

~t— ir

I K. x

? ^s p5^ s

j?jt?

(i- JJJ^ I

p'JJ3

.Msei sog-get-to Fa - cil-men-te a t'in - gan-nar;thou art sure-ly Prone thy sens - es to be-guile;

Pa- sto-rel- lo, sei sog-get-toSim- pie shep-herd, thou art sure-ly

*:*=*

h.^ I*l=t:

be

«=*

SS=!:5 Hp=P

Ef^ ^=£

h h

P-^ W—#

^Tprcresc.

G&P& ^ g^^ V ffi^5

Fa - cil - men-te_a t'in-gan-nar.Prone thy_ sens-es_ to be-guile,

Fa - cil- men-tea t'in-gan-nar. Bel- la ro-sa

prone thy_ sens-es_ to be-guile. As a fair red

#fe^ m$ ^*=*=3*

poco cresc

3 P3 fr

por - po - ri - na Og - gi Sil - via see - glie- ra,

rose, a lover Fain might Syl - via choose to - day,

Con la scu - sa

Hap -ly if he

41573

70sempre cresc

l %J' p^/ji'p p

g I

fT pJ

I

pP |T^1^»>J

%

del- la spi- na Do-man poi la sprez-ze- ra, Do-man poi la sprez-ze- ra.

thorns dis- cov- er 'Tis to-mor-row thrown a- way, 'Tis to-mor-row thrown a- way.

^^ su :'g'

« « ^f asempre cresc.

PB&S ^ ^^^ ?

^^ M cresc. un poco

^B^5 ££-i h h £^5 P?Ma de -

glijK)mi-ni il con- si - glio Io per me non se-gui- ro. Nonper-che miAll men say of maid - en- fol -

ly Finds no fa - vor in mine eyes, Nor be-cause I

m m V= S mm &^ v &-

*£3 aSI

b h £ tv ^cresc. un poco

3=mP^^ ^ r^r *r^

/T\

pia -cejl gi - glio Glijil-tri fio - ri

love the lil - y Shall I oth-er

$ h *

sprez-ze - ro.

flow'rs de - spise . a tempo^m » m

& &rit.

P3B

1*c\

PJ5_ hL _h ^t

P^P i *m *pp p^p

* (T\ P cresc.

r &-N AIJ' J J'

I JJ ;. Jj .HSe tu_ m'a - mi, se tu so - spi- ri Sol perIf thou lov'st me, and sigh - est ev- er But for

41573

71

4t

rit C\ p a tempo

+-*- Xi.

T'

p J' * J* | J'

^' n JM^*£e£ a ^

s

me, gen- til pa - stor,

me, O gen-tle_ swain,

Ho do - lor de' tuoi mar - ti -ri, Ho di - let - to

Sweet I find thy lov-ing fa-vor, Pi- ti - ful I

'

'

J7

£i rit.

~*

^mmiO\

==±^ *

jo # tempom

r^r £

s=S±3jl ; ^F^F

^^fc=t

f=^\

i *ra£

5^5 iMpTr-ri'J' l ^-gîiUJ'C/P J1l g&

^• * i=±^

tdel tuoa-mor, Ma_ se pen- si che so - let - to Io_ ti deb-ba ri - a- mar,feel thy pain. Should'st thou think tho', that de-mure-ly I on thee a- lone_ may smile,

m M Jfr

h ^ J? - -

3h

i/TN

«tT^?a tempo

t r"

^Jr r£

a tempo —= =— pp

Pa- sto-rel -lo, sei sogget-to Fa- cil-men-te_a t'in - gan-nar, Pa-sto-rel -

lo,

Sim- pie shep-herd, thou art sure4y Prone thy sens - es to be-guile, Sim-pie shep-herd.,

WUr ^«P—r

i «.

cresc. rit. assai

£ EH.HJ?r?wir

«—>sei sog-get-to Fa - cil- men-teja t'in-gan-nar, Fa - cil - men-te_a t'in-gan-nar.thou art sure-ly Prone thy_sens-es_ to be-guile, prone thy_sens-es_ to be-guile.

_. k rit. assai /C\

41573

72Nina

Canzonetta


Attributed to

Giovanni Battista Pergolesi*(1710-1736)

tAndantinoP ^^ 3=i ^mVoice Ieee m 5^m ^mTre gior - ni son che Ni - na,

For three long days my Ni - na,

che

myNi

Nina,

na.

che

my

3Efe mûiPiano <

Py b « * <5

77

[f TTpJ ,Ju J ^ s^Ni

Ni

nana

in let - to se ne

up- on her bed has lain,.

in_ let - to se

up - on_ her_ bedne

has

iPPW jj'

jjiitJj iÛMSF3 ^

jtf/>

£ £aC7

y

« --

IN |;J- .hiiJ- >J\ | f ^ ?p If

~pt^

sta.

lain.

ih

j^jj^

Pif - fe- ri, tim - pa-ni, cem-ba-li, sve - gliaLoud- er and loud- er, ye play-ers all! A - wak

4 5-H

te mia Ni-

en my Ni-

t3r

I j^^-j:c: IB

^:9/

3

P

f \s:

*Although this song was long attributed to Pergolesi, it was composed by LegrenzioVincenzo Ciampi (1719- ?)

41573

Copyright, 190b, by G. Schirmer, Inc.

Copyright renewed, 1932, by Dr. Theodore Baker


73

^. « _ li„ * *-» >^.»o \Ti m£»4- to an

1net - ta,

net - ta,

sve- gliaa - wak

te mia Ni - net - ta,

en my Ni - net - ta,

ac - ci6 non dor - mathat she may sleep no

piu, ac - cio non dor - ma piu,

Tnnrfi, ( that she may sleep no more,

sve-glia-te mia Ni - net

A- wak-en my Ni- netta, sve-

ta, a-

jj^CT

r- r ^ ^

*

77

Sr

i^jjjjjjs.?

pglia- te_

wak- en.

mia.

my_Ni

Ni

net

net

I' it,

cLC

ta that

cio_ non_ dor - ma piu.she_ may_ sleep no more.

* IPS PUPfiji J jji»ijp t f ?^ ^

^ :s

^&Pf?\ a piacere

n$jT$!&^m ipiu,

more,

ac

that

cio

she

non

may

mi £

rdim.

V

-zr~

dor

sleep .

22>

mano

piu.more.

^c:

I2*pcolla parte

7> I

41573

b:

5 ;

nGia il sole dal GangeO'er Ganges now launches

Canzonetta


Alessandro Scarlatti

(1659- 1725)

Voice

Allegro giusto J = 126

Piano mf

fe^fe f ^^ r t^ i^g £

w/ brillante

Se feEfe £ £^Giaîl so - le

O'er Gan - ges_

dal_ Gan - ge, giajlnow_ launch - es, o'er

Pli'j m m J J J

t * *

gjpfleggero

pppr

t ^s p^p £1 ^Pso - le dal Gan- ge piu chia- ro, piu chia- ro sfa- vil - la, piuGan- ges now launches The sun- god, the sun- god his splen- dor, the

J J:—

J .iFt Pf*=fe

mr* r ur"nh, J i 3 *

-a U r r pp pp

4157S



t p? £ J^Jh. J.

poco rit.75

schia- ro sfa - vil

sun- god his splen

la, pin chia- ro, piii chia- ro sfa - vil -

dor, the sun- god, the sun- god his splen -

;#^=i=ri=i r^r^t jit iff

jpoco rit.

!=*

^ *

i« tempo m 5

3=?-S>-?-

la,

dor,

e ter-gej) - gni stil-la del - l'al - ba_ che pian- ge,With touchwarm and ten-der Morn's tear-drops he staunch-es,

; ^m ^m f^

'5"

a te?npom r r r r f

Be PP 1 £ P^ ^=^bSTTcrr

cresc. poco a poco e legatiss.

? i ' J J3£

l'al - ba che pian- ge, del - l'al- ba che pian- ge, del -

touch warm and ten - der Morn's tear-drops he staunch-es, Morn's

cresc. poco a poco e legatiss.

U^=±*U i±± idaUr c r r j*

r r r r

l'al - ba che piantear- drops he staunch

IftEEfe f

m/p brillante

ge.es.

Giaîl so - le_ dal

O'er Gan- ges now

41573

76

f# £ ^^=£ gGan- ge, giaîl so - le dal Gan - ge piii ehia- ro, piu chia - ro sfa-

launch-es, o'er Gan- ges now launches The sun- god, the sun- god his

[#n J J. J >f I1 t § # rrf^^ s*i 4 U r r pp p^

#>

i'U. J'1:JM. J

ratf. *•

5ki r t r ^ EZ

vil -la, piu chia- ro sfa - vil - la, piu chia-ro, piu chia-ro sfa - vil

splen-dor, the sun-god his splen -dor, the sun-god, the sun- god his splenm ** *=*=* i=t fflTT

vti, J- ^^^ rw

H&-5"

la.

dor.

|^^ £ ^^^^ 3e?y « tempo

r F—Fggpp ^f f^>

*ih < a

«/ brillante

=f^^ ^^ ^ ^

'M j r

Col

Hisrag - gio_ do

rays gold- en.

FTTra -

to, col

beam-ing, hisrag- gio

rays gold

do - ra - to in

en beam- ing De

£

TWT IPi r7

41STS

77

m £J r

i f rgem-ma, in- gem-mao - gni ste- lo, in - gem-maj - gni ste -

lo, in -

throne, de - throne night-

ly shad-ows, de - throne night-

ly shad - ows, de -

;#Se fSg=^=

^F=£=^r r f

*» ? ** «^t f^ p

#a £ ^^2>oco r&'£ a tempo

gem-ma, in- gem-majo - gni ste

throne,

de - throne night-ly shad

lo,

OWS,

fe* se gli as-tri del

While gem-ming the

i fcfc

f=l=*

IS

l=i"

a tempoTT?S r r

s 1PP E Pf-6>

i_-

fcfc-te

jRP cresc. poco a

C> ,.P^f î^fc ^1

cie -lp di - pin- ge nel_ pra -

to;

mead-ows With stars bright -ly gleam- ing;

di - pin- ge nel

While gem-ming the

;# p^ppisff r r r

ss u ;

2>P cresc. poco a

r Lks ^ rf r cx£r f ^^ r

*poco frit-& 4 J J 'J i J ^4-4pra -

to, di - pin- ge nel pra - to, di -

pin - ge nel

mead- ows, while gem-ming the mead- ows with stars bright- ly

mpoco

«s iAJ=r r

i4itTTT"

AJJ iJ=i

pra -

gleam

-Jril

Lkdr rtjT r r

41573

78

#a tempo

S 1to:

1 t* ^ r J r 'r r^£

Col rag- gio_ do - ra -to, col rag-gio do-

His rays gold-en_ beam-ing, his rays gold- en

M 3P$a tempo

îts

^* J r fit

i

rr?

i ^Sr f^P^PSzfc

ra - to, in - gem- ma, in - gem-majo - gni ste -lo, in - gem-ma - gni

beam- ing De - throne, de - throne night -ly shad-ows, While gem-ming, while

J J-, > **(sf f *^*—*w w r^rir

'' i r r PP ^ h-£

J^Jm. J s

«0oco r«'£

S ^^£ste -

lo, in- gem- ma, in- gem-ma - gni ste -

gem - ming the mead-ows With stars bright- ly gleam

lo.

ing.

'$b 1« 1 1 j I I J=i"=^: ww$^

I i i]> > ^ y a tempo

S i§J U _l ==s

#•7S

l# ^^ ^^ ?S n

G\

brillante

3 SCT7

O"

rr

P

¥ 9 ¥a tempo

~G-

^7

9:

ar z:

41578

Le Violette

The Violets

Canzone

79


(1659-17X5)

Voice IAllegretto

FfFF

4Ss I ^f

i' t %

Piano r

^s f_

sEX^m

f'i.$ tj^jo> Jju^t

< J* J 1

1J 1

j>>* ^

Ru-gia-do- se, o - do - ro- se,

Low-ly vio-let, si- lent blow-ing,

vi - o - let - te

Dew-y fra-grance

gra- zi

sweet be

42Jz t=5

P^^§S^ ^^^rjjj'irjTJ i rj <im

$B _h iJ^ * ^jU 'J'J'pJ3u^,p p (i

J'Jl ^

o - se,

stow-ing,

Pl jliM^ i

Ru-gia-do- se, o - do - ro - se, vi - o - let - te gra- zi -

Low-ly vio-let, si- lent blow-ing, Dew-y fra-grance sweetbe -

*

Be PP

wm iJ jjj^n MTj l

4U7»

80

I*fe£ h i h m g w fF^r ir^—ft

o - se, vi - o - let - te gra - zi - o - se, Voi vi sta - te ver - gostow - ing, dew - y fra-grance sweet be - stow - ing : Mod- est -

ly thy charms half

£ ^

m w^mj

*

j> i j ^^• A •

i i j^Jî n J* ;> J' ^^^s n*gno-se,

hid-ing

mez-zq_a- sco- se,

'Neath the leaf-lets,

mez-zo_a- sco- se fra le

'neath the leaf- lets green re

it&^p ^ b:

^T—r—a

/ i»

ill*j^^tW i M #-V. ^_ £_

*& i1^* \i yg **H I t ^ 3m^P^ ^ Pfo-glie, e sgri-da-te

cess-es, Thyex-am-ple

le mie vo-glie,calms and bless-es,

;#

che son trop-po am-bi- zi-

My am- bi - tion gen-tly

SeJ' J J

Tj? | jJ

TJ' J J

7ft

«/

î, j r

p mf

I£

* * i ^-n^r"\

p

^S

41673

81

* P^P w i *.M

chesontrop - po, sontrop-poam-bi-zi-o- se.

Myam-bi - tion_ gen - tly_ chid- ing.

Ru- gia-Bear this

|j^;-J' pJ]j. Jl

i u J>J'J* ^^5 5 w*

do- se, o - do - ro- se,

mes-sage,ten-der flow-er,

vi - o - let- te, vi - o - let-te gra-zi - o - se,

To my fair one, to my fair one in her bow- er;

«=# nu J9m*—+

p mfmm m f?HlW ==ws

X^

1 J^'J^ 1* J^J'>J^li^JJ^ J^t±

Ru- gia-do- se,

Bear this message,

o-do-ro-se, vi-o- let-te, vi- o - let- te gra-zi- o -

ten- der flow-er, bear this message To my fair one in her bow

m 1iafe mm ife m*=* i t %

pm m mf P f r~*

^gVriz

« tempo

l\t hh s s

se, vi-o - let- te gra-zi- o se.

er, to my fair one in herbow - er;

^rT J

£7 ' a tempo l——

Voi vi sta-te ver- go-

Say, like thee I d come un-

jh i - 4 J 4 J-

y^"a tempo

1 ^ ^ #^

^^41573

82

inez- zq_a- sco - se fra le fo

As thy fra-grance I would woo.

I Sfe It J'J'J'J't \ i j.jJ'^Fjignq-se ,

to her,

Ih

£J2 fmf.

#j^*

mez-zoja-sco- se,

As thy fra-grance,

mez-zqâ-sco- se fra le

as thy fra-grance I would

P

mM rjJi.

s

*glie,her,

gJ' ^

TP *i' J' J'* B >

i^J> *Q I B^^ 5

fo- glie,

woo her,

e sgri-da - te

As thy beau - ty

le mie vo - glie, che_ son trop- pq_am-bi - zi

o'er her steal- ing, From my fond heart love re

t fm rf r , m7

P LJ

^m l t J> Js jin J_J J_g^

o - se,

veal- ing,

e sgri-da - te

As thy beau - ty

le_ mie.

her_o'er

(jA J> B Jj J ^ > i p* > j rij <

vo - glie, che_ son tropsteal -ing, From my fond

po, son trop-po_am-bi- zi- o

heart, my fond heart love re - veal

se.

ing.

3 ^¥for

m?nf

41573

i fcfe > tj.jp J'p flj^t i* J'^ 83

s &3

^s Ru-gia-do- se, o - do - ro-se,Bear this mes-sage, ten-der flow-er,

vi - o - let- te, vi - o -

To my fair one, to my

^£m f

*=*p ^

ô - do

ten-der

ro -

flow

¥se,

er.

^Svi - o

To my

v\ J' s B I

J> ^ J> J^let-te gra-zi- o - se,

fair one in_ herbow-er,

iIt J^J'JW U J^J'J^^Ji

Ru- gia- do- se,

Bear thismes-sage,

o - do - ro-se, vi- o-

ten-der flow-er, To my

a m^ ? ? * «/

S**r

^PI^

ii *^s

v :

j -n *3^5* to

^ ^ j. » jj^p j^riten.

7 Jl j^ J^ T^let - te, vi - o - let - te gra- zi - o - se,fair one, to my fair one in her bow - er,

vi - o - let - te, vi- o -

Bear this mes - sage, ten-der

^PfCJ f u Z-J

*

let - te gra- zi - o

flow-er,_ ten- der flow

se!

er! a tempo rit.SV\>ft

v ft i ^ p=£5

^fts *

eo//0 voce f ^Btfc ^

w *

^41573

84cessate di piagarmi

O no longer seek to pain meArietta



(1659-1725)

» < , , La prima volta •• - 80Andante con moto

, . ____„ j. .

#La seconda volta

P50

i;

r r r pi r p r iVoice

ees- sa - te di pia- gar - mi,

no long - er seek to pain me,

agitato

Piano <

y'«r- »r P^^S p

m h p^ ^ *£

o la-scia - te - mi mo-rir,Or give o'er, and let me die,

o

Orla- scia

give o'er,

te - miand let

mo-rir.me die.

* m wm jWu33

f^ ^^ ^cresc. rinf. string, poco

"\ h * ^ ft 5

Lu

Eyes

$8

c in- graso fate

te,

ful.

di

sospie- ta

un- grate

te, lu

ful; eyes

cm- graso fate

te,

ful,

1*4 4 i

wt

mR. i

3 ^

*cresc. rinf. string, poco

ii

4i:<7 J


Copyright renewal assigned, 1926, in G. Srhirmer, Inc.

85

4a poco M J J' J £ £

* *

di - spie - ta - te, piu

so un- grate - ful; Ice

del ge - lo e piu del marnor stone could so dis-dain

mime,

ma poco

P

* i—i* 3=t=^ CBdim.

ms?norz.

r f LjJl

i r ^^pp

fred - de_e sor - de a' miei mar-tir,Nor so cold - ly hear my cry,

r P Q ^fred - de_e sor de\j&nor so cold -

ly

£ i=t 3^£ mI—

w: ff^ ^^ S£3:

P P£ £

*r&

^?/^ dolente ed appassionato

r p r Mr ^r P^^miei.

hear.

mar-tir.

_ my cry.

rit. .

ces- sa - te di pia-gar mi,

O no long - er seek to pain me,

1=* ~1 1 •& t5m>f^ i-

P£ P*

con dolore e rit. assai

15 1- SP^P ^ ±do la- scia - te - miOr give o'er, and let

mo-nr,me die,

o

Orla- scia

give o'er,

te - miand let

mo-nr.me die.

£ m mwm iPpr^s?3=2=$Sk ^

r#. assai

P 7

S ^ £^P 3$ tp

Za seconda volta

molto ritenuto

41573

86 Se Florindo e fedele

Should Florindo be faithful

Arietta



(1659-1725)

Allegretto grazioso, moderato as sai «P = i32

Piano ^1 iu

PiVoice

J' Cr O I

Se Flo

Should Flo

rin - do e_ fe

rin - do be.

* $ ^p£p

3¥^ P*=^ ^=5^ * ..^

de - le

faith - ful

10 min - na - mo - re

Sure -ly I'll fall in .

ro,

love;

#11 % p*^*i?

^f3f m p

4lffTt


Copyright renewal assigned, 1926, to O. Schirmer, Inc.

87

® mo . PR - ro. s'e fe - de - le Flo - rin - dcmo - re

fall in.

de - le.

love, Should Flo - rin - do be faith

do m'in

ful I'll

PHdolce E^^£pw s £ p

J^ p

na - mo - re

sure-ly fall in

ro,

love,

10 m in - na - mo - re

I1

!! sure - ly fall in.

ro, s'e— fe

love; If Flo

$ fft

§sp

^mi m f m p^

s:

£ P 'P' 7 PF^ 5

de - le Flo - rin - do m'in

rin - do be faith - ful I'll

na - mo - re

sure-ly fall in

ro,

love,

^ , l^> Ji^^ i,> )\ }\ |j II.-S at*

min-na-mo-re -ro,

I shall fall in love,

min-na-mo-re - ro,

I shall fall in love,.

v iJ' * ^^ s£co/ canto imitando la voce

41578

- fa tempodolce

f^0 sio m'in - na - mo - re - ro .

I'll sure-Iy, sure-ly fall in love.

^ a tempo

mîj J

j*~~— 5;:

1

«* t

* jj> J^JilJ^p £ Sfp7 7 4-

Po - tra

How art

ben Tap- co ten

ful e'er he drawde - re il fa re -

the bow, Well - vers'd in

* > J' |> j J,J' |J\ j^

tra-tqjir - cier,

arch-ers' wiles,

ch'io mi sa-pro di - fen -

My heart I can de - fend,

de - re d'un

I know, From

;##=*if

/i»^*w

Jj 'j

s»/

r^

ff^k

£U ^^ Jt?£?

guaran

do

y

^m & ^

it. f^ £

lu - sin - ghier.lur - ing smiles.

Pre - ghi,

Sigh- ing,

m fcresc.

»±±±-k

^mp

^^m

s41573

ji ij i

k j'l^ry i ^vÛ'89

pian- ti

weep-ing,

e que - re - le, io non a-scol - te - ro,

and im-plor-ing, My breast can nev - er move:

m #T-j^_m>

§.q^ ^^ 3«

con ffrazioso

» » Jt i

,-h ,m > i ;> j^t ^^^ £¥ W

ma se sa - ra fe - de

but if he should be faith

ma se sa - ra fe - de - le,

But if he should be faithful,

le io

ful I'll

S 3 * *=t S

r F

J* -A ^^ dolce

^ m% % % \£

mm-na-mo - re - ro,

sure- ly fall in love,

10

I'll

m in - na - mo - re

sure -ly fall in

$rail.

Pe£ i, }\\ j\ jÊ^ «M J'JHro,

love,

min- na- more - ro,I shall fall in love,

mm- na- more

I shall fall in

:#

Sfeco/ canto

Simitando il canto

£

41573

90

#a tempo

* fr

.^h.

ro,

love,

io m'in na mo - re - ro,

I'll sure-ly, sure-ly fall in lover

se Flo -

Should Flo -

J'' u nn j

^5 * ^m^^rin - dq_e fe

rin - do— be.

de - le

faith - ful

10 m in

1 11 sure

na

iy

mofall

re

in .

i =5-i3J^ • l

ro,love:

Pi^^ hf * f?t

*h & > mse Flo

Should Flo

rin - doJe_ fe

rin - do be.

de - le

faithful

* m^=*p^^

3—

*

^ P h

trzr^cresc.m m$ ^ ^^ ^

io minI'll sure

na

iy

mofall

re

in.

ro,

love;

seShould

fe

Flo

de

rin

I" i i i

^ ^1

cresc.1 f

le_

do.

Flo

be

41573

# m P,

i j •

£ 5^trin - do m'in ha - mo - re - ro,

faith - ful I'll sure-ly fall in love,

10 m in - na1 11 sure -

ly

mofall

re

in.

ro,

love;

s'e fe

Should Flo

de

rin

le.

doFlo - rin

be faith -

do m'in

ful I'll

na - mo - re

sure-ly fall in

f

(&>5 w^s W^m/

m -MUf= Q

rail.

J*> ii> |

iJ' » » |J > -M* b

ro,

love,

min-na- mo-re - ro,

I shall fall in love,

min-na- mo- re

I shall fall in

lNb N \,J ^^ 1 ^=T=fc

^ co/ canto imitando la voce

^pss-^/- jt? rit. assai

P $

io m'in

1 11 sure- ly,

W» ft

^^ 1

ro,_love,.

ha - mo - re - ro.

sure -ly fall in love .

mrit. assai

4* 3Hi ^ ^ T

41573

92

English version byH. Millard

Pieta, Signore!O Lord, have mercy

Alessandro Stradella(1645?- 1682?)

mAndantino

Piano

m^ 53

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41*71

I Schirmer's Library

SONG COLLECTIONS

Y

Y of Musical Classics

?YYY

M ALBUM OF SACRED SONGS. A Collection of 22 Favorite Songs suitable for use in the churches.

Hieh 113841: Low 113851

YYYy Brahms, J.

W FIFTY SELECTEr

y Chopin, F.

y SEVENTEEN POL

y FlELITZ. A. VONJj ELILAND. Acycl

fY>!< Franz, R1 VOCAL ALBUM. 62 Songs, g. e. High [1573]; Low [1573]

A Grieg, E.

1 SELECTED SONGS, g. e. 1 [1592]; Low [1593]

JL Liszt, F,

TWELVE SONGS, g. or f. & e. Low [1613]; High [1614]

i

A

The Library Volume Number is given in brackets: [1363]

High (13841; Low [1385]

ANTHOLOGY OF ITALIAN SONG OF THE 17TH AND 18TH CENTURIES. 59 Songs, i. e.

Book I [290]; Book II [291)

Beethoven, L. vanAN DIE FERNE GELIEBTE (To the Distant Beloved) A cycle of 6 songs. Op. 98. g. e. High [616]; Low [617]

SIX SONGS, g. e. High [618]; Low [619]

Foster, S. C.

ALBUM OK SONGS. 20 Favorite Compositions. Collected and edited by H. V. Milligan 11439]

A Mendelssohn, F.

SIXTEEN SELECTED SONGS, g. e. Low [1644]; High [I64SJ

SIXTEEN TWO-PART SONGS, g. e. [377]

Schubert, F.

FIRST VOCAL ALBUM (3 Cycles, and 24 Favorite Songs), g. e. High [342|; Low [343]i „.. _ ._. -.-.A THE MAID OF THE MILL (Die sch6ne Miillerin) A cycle of 20 songs, g. e. High [344]; Low [3451

WINTER-JOURNEY (Die Wintcrreise) A cycle of 24 songs, g. e. High [346]; Low [347]

TWENTY-FOUR FAVORITE SONGS, g. e. High [350]; Low [351]

SECOND VOCAL ALBUM. 82 Songs, g. e. [352]

Schumann, R.

VOCAL ALBUM. 55 Songs, g. e. High [120]; Low [121]

WOMAN'S LIFE AND LOVIi (Fraucnliebe und -leben) A cycle of 8 songs, g. e. High [1356]; Low [1357]

Tchaikovsky, P. I.

^ TWELVE SONGS, g. e. Low [1620]; High [1621]

A Wagner, R.

^ FIVE SONGS, g. c. Low [1181]; High [1233]

(Languages of texts are shown in small letters: e.-English: f.<-French; g. = German;i. = Italian. Where there is no other indication, texts are in English only.)

i

A G. SCHIRMER New York/Londonrp

A-IMS

Vtsmm copthiomt, %*n. by o. kninmis. inc.

mi

Documents

Twenty-four Italian songs and arias of the seventeenth and ... - 24... · CONTENTS Page BONONCINI Perlagloriad'adorarvi 3 CACCINI Amarilli,miabella 8 CALDARA Almadelcore 11 Comeraggiodisol