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ТРУБАЧКА РЕПУБЛИКА Trumpets’ Republic A documentary film by Stefano Missio & Alessandro Gori 48 minutes, 2006 Gvozden Rosić, chief of a small orchestra in a small rural village in the heart of Serbia trains for the hugest brass competition in the world. Used to launch the attacks in the wartime, the trumpet lost its military significance to become an emotional part of the life of Serbian people; it is played when children are born, when people move to their new house but it also escorts the deceased in his last trip. Special prize “for talent” at “Saratov Sufferings 2007 The International Documentary Drama Film Festival” (Russia) www.trumpetsrepublic.com contact : [email protected] contents: the project technical specifications festivals Stefano Missio’s Biography & Filmography Alessandro Gori’s Biography

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Page 1: Trumpets’ Republic

ТРУБАЧКА РЕПУБЛИКАTrumpets’ Republic

A documentary film by Stefano Missio & Alessandro Gori48 minutes, 2006

Gvozden Rosić, chief of a small orchestra in a small rural village in the heart of Serbia trains for the hugest brass competition in the world. Used to launch the attacks in the wartime, the trumpet lost its military significance to become an emotional part of the life of Serbian people; it is played when children are born, when people move to their new house but it also escorts the deceased in his last trip.

Special prize “for talent”at “Saratov Sufferings 2007

The International Documentary Drama Film Festival” (Russia)

www.trumpetsrepublic.com

contact :

[email protected]

contents:

• the project • technical specifications • festivals • Stefano Missio’s Biography & Filmography • Alessandro Gori’s Biography

Page 2: Trumpets’ Republic

ТРУБАЧКА РЕПУБЛИКАTrumpets’ Republic

A documentary film by Stefano Missio & Alessandro Gori

In Serbia trumpets play when children are born. They are also played for their baptism, when boys leave to do their military service, when they come back, when they get married and when they move to their new house.

The trumpet’s festival Guča, a village of 5.000 inhabitants in Central Serbia enjoys an extreme popularity in the Balkans.

They are played in the popular feasts where people dance and sing, but they also play in funerals: trumpet music accompanies the deceased also in his last trip. Not surpri-singly, the trumpet became an emotional part of the life of Serbian people.

The Serbian army was mainly formed by peasants and hence becoming popular in nature. When, at the end of XIX century, soldiers were demobilised, they took their trumpets in the bands of their v i l lages were they would cont inue playing.

At some 160 km from Belgrade, every August for the last 50 years a festival has been held: the Sabor Trubača, the biggest competition for Brass Orchestras in the world. In the last 150 years Serbia has faced various wars confronting different invaders. It is one of the reasons why here brass orchestras have a military origin.

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the assassination of Prime Minister Zoran Đinđić. With the help of Radio B92, historical radio that opposed Milošević, we follow step by step this last dramatic event and its influence on the people: t wo months af ter the murder of the Pr ime M inister a s i lent process ion of c i t izens st i l l f lows to his grave.

Present day Serbia Trumpets’ Republic describes also the times Serbia is going through. When the country was trying to get out of the spiral o f v i o l e n c e f ro m t h e 1 9 9 0 s , t h e l o n g i n t e r n a t i o n a l embargo and NATO’s bombing and the economic depression, in March 2003 a new, tragic happening took place:

The trumpet in the life of the Serbs The film tells the story of the Guča’s festival but also wants to explain the deep relation between Serbs and the trumpet. Even if at the beginning it was not a traditional Serbian instrument. Our film follows the daily life of Gvozden Rosić, a peasant of Rti, a village five km from Guča. Gvozden, chief of a local orchestra, in 2001 won the prize for the Best Trumpet.

His band plays in the region whenever is called for different occasions. In Rti we see Gvozden and his group in an impressive funeral, in the way it is still celebrated only in some parts of Serbian province: the tractor tows a cart with the coffin on it along the small way that clambers from the house of the deceasad up to the village cemetery.

In front of the procession stand the cross and some cakes, just behind them Gvozden’s orchestra. At the end of the funeral all the participants eat and drink on the grave of the deceased.

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Presented at Festivals

• Alpe Adria Cinema - Trieste Film Festival (Italy), 2006 : in competition• Premio Terzani (Italy), 2006 : selection• MedFest, Paestum (Italy), 2006 : in competition• Mediterraneo Film Festival, Sardinia (Italy), 2006 : in competition• Mittelfest - Mittelimmagini (Italy), 2007 : selection• Saratov Sufferings - The International Documentary Drama Film Festival, Saratov (Russia) 2007 : in competition, Special prize “for talent”.• Vidovin - Festival Etnografskega In Dokumentarnega Filma z Obrobja (Slovenia), 2007 : selection • 25th Reel Music Festival, Portland (USA), 2008 : selection• 10th International Short & Independent Film Festival, Dhaka (Bangladesh), 2008 : in competition• 26º Festival Internacional de Uruguay, Montevideo (Uruguay), 2008 : selection• 11th Skopje International Film Festival (Macedonia), 2008 : in competition• Balkan Trafik , Bruxelles (Belgium) 2008 : selection• Muzyka i Świat Documentary Film Festival (Poland), 2008 : in competition• South East European Fılm Festıval, Los Angeles (USA), 2008 : selection• 7th International Documentary Film Festival “Cronograf ”, Chişinău (Moldova) 2008 : in competition• Dnevi Etnografskega Filma, Ljubljana (Slovenia) 2008 : selection • Hai Visto Mai? Siena (Italy), 2008 : in competition• Festival “Città del Sole” (Italy), 2008 : selection• EtnoFilmFest (Italiy), 2008 : in competition, Special Mention.• Russian Festival of Anthropological Films, Salekhard (Russia) 2008 : in competition• Etnofilm, Čadca (Slovakia), 2008 : in competition• Document 6, Int’l Human Rights Documentary Film Festival, Glasgow (Scotland), 2008 : in competition• MOFFOM, Music on Film, Film on Music (Czech Republic), 2008 : selection• DocumFest, Timişoara (Romania), 2008 : in competition• XVII International Festival of Ethnological Film, Belgrade (Serbia), 2008 : selection• Serbia Movie Weekend, Washington (USA), 2008 : selection• Festival International du Film Ethnographique (Canada), 2009 : selection• Worldfilm, Festival of Visual Culture, Tartu (Estonia) 2009 : in competition• VII Festival Internacional del Cine Pobre de Humberto Solás, Gibara (Cuba) : selection• Eurorama, One Europe of peoples in ethnographic film festivals, Trento (Italy) 2009 : selection• Musikì -Notte bianca di cinema e musica (Italy), 2009 : selection• Jecheon International Music & Film Festival, Jecheon (South Corea), 2009 : in competition• Berdyansk International Film Festival, Berdyansk (Ukraine), 2009 : in competition• Silver Lake Tourfilm Festival, Veliko Gradiŝte (Serbia), 2009 : in competition• International Jahorina Eco&Tourfilm Festival, Jahorina (Bosnia & Herzegovina), 2009 : in competition• International 1001Documentary Film Festival, Istanbul (Turkey), 2009 : selection• Histoires d’It, le nouveau documentaire italien (France), 2010 : selection• Die lange Nacht der Filmmacher, Dresden (Germany), 2010 : selection• National Ethnografic Museum, Warszawa (Poland), 2010 : selection• Meetings in Siberia, Novosibirsk (Russia), 2010 : selection

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Technical specifications

Title: Trumpets’ Republic (Трубачка Република)

Authors: Stefano Missio & Alessandro Gori

Direction, photography: Stefano Missio

Scenario, sound: Alessandro Gori

Editing: Marco Perez, Stefano Missio

Assistant: Gabriel Dvoskin

Translation: Marina Banović, Dušan Babić

Type of film: Documentary

Running Time: 48 minutes

Date Completed: 2006

Country of Origin: Italy

Language:Original: SerbianSubtitled in: English

Available also Italian, French and Spanish versions.

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Stefano Missio’s Biography & FilmographyBorn in Udine in 1972, he studied cinema at “Sorbonne” in Paris and he graduated at “Centro Sperimentale di Cinematografia” in Rome in 1997; since then he has made various documentaries in film and digital.

He began his career with the work Quando l’Italia non era un paese povero (16 mm, 43 min) a short feature about Mattei ’s ENI and Italy in the Sixties seen by Joris Ivens (presented at Torino Film festival 1997, in competition at International Documentar y Filmfestival - IDFA in Amsterdam 1997).

In 1998 he carried out Siamo troppo sazi (We are full up) (35 mm, 18 min), a documentary film concerning characters and inns belonging to a borderline area (in competition at Torino Film Festival) .

In 2000 he directed Scusi, dov’è il Nord Est? (Nor th of Rome, East of Milan) (digibetacam, 47 minutes), produced by Fandango in association with La Sept ARTE and Tele+ (in competition at Torino Film Festival and at Premio Libero Bizzarri 2001).

Since Autumn, 2000 is the director of www.ildocumentario. it , an internet web site about documentary film in Italy.

His last work, Che Guevara - The body and the legend (2007), was broadcasted in 12 different countries.

Filmography

1995 Vesevus1996 Notte di Natale [fiction]1997 Quando l’Italia non era un paese povero (broadcasted by La7)1998 Siamo troppo sazi (broadcasted by Planète)1999 Lezione di cinema2000 Scusi, dov’è il Nord Est ? (broadcasted by Arte, Tele+, La7)2001 Gli italiani e gli elettrodomestici (broadcasted by Rai3)2004 (dis)occupazione2005 Il Ponte [fiction]2006 Trumpets’ Republic 2007 Che Guevara - The body and the legend (broadcasted by Arte, Fox Italia, SVT, YLE, SBS, ERT, RTE, LTV, ETV, VRT, RTSI)

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Biographie de Alessandro GoriBorn in Udine (Italy) in 1970, he graduated in “Foreign Languages and Literatures” (Portuguese, Catalan, Castilian) at “Ca’ Foscari” University in Venice with a 110 / 110 cum laude mark (First Class) with a thesis about Popular Music and Society in Brazil during the Military Rule, Chico Buarque and Caetano Veloso.

As freelance Journalist, since 1994 he has published in 15 countries pictures and reportages in 10 languages about different subjects: international politics, conflicts, culture, European affairs, the Balkans, former Soviet world, Latin America, minority issues, cinema.He participated in programmes and internships for journalists in France, Belgium, Wales, Finland, Spain, Japan, Cyprus, Romania.

Since 1991 he travels regularly to the Balkans and especially to Serbia. From this fascinating region he got the interest to deepen his knowledge about conflictive areas of the world.

With a friend he translated into Italian the first travel guide to Serbia (Serbia a portata di mano / Serbia in your hands): www.komshe.com.

He is writing a PhD thesis at “Universitat de Barcelona” about Brass orchestras’ tradition in the Balkans and their importance in Ser-bian cultural identity in recent years.

He participates in European Union missions as International Electoral Observer.

He lived in different European cities and he speaks 7 languages.

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