Total Tattoo November 2012

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£4.20TTM097

November 2012

Artist Feature

Tin-TinA conversation withLeah & Lianne

Moule

Private View

Claudia

de SabeJolie Rouge Tattoo

TheMummiesof Siberia2500 year old tattoos

Exclusive Interview

Brad Fink

TattooShowsPortsmouthStockholm

Max

Pniewskiin our Mugshot hot seat

Marcus KuhnThe GypsyGentleman

Gallery

PlusOur 20-pagetattoo photo

section







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Please note that we are unable to accept adverts for tattoo supplies – machines, needles, inks, etc.However, we are happy to accept adverts for auxiliary products such as hygiene equipment

and studio furniture. Please do not hesitate to contact us for further information or advice on this.



please mention total tattoo when replying to adverts • please mention total tattoo when replying to adverts





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f%e*+ I /(%d ) 5A+ +ee' "' Ed Ha*d6+

Ta(("&e6!4

A e "&e a(("' "' Ne/ Y(*$ /a+

"%%ea%. F"'$ *eca%%+ a(("' ( (f M"ce%%e6+

a)a*&e' a'd e"' *eae'"' ca%%+ f*(&

)e()%e, e%%"' "& e6d bee* e ( (f

(/'. 3L(($"' bac$, I *ea%% a))*ec"ae

(+e "'+. Ta(("' a+ %(+ +(&e"'

a+ fa* a+ I6& c('ce*'ed. I /a+ e

a'"-e+ab%"+&e' a+)ec a "'""a%% d*e/

&e "'. N(/ a "6+ c(&&(')%ace, "6+ '(

+( +)ec"a% a'&(*e. Of c(*+e, I +"%% fee%

)a++"('ae ab( a(("', b I ( "'( "

a a ((d "&e beca+e a a'"-c%*e

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+(%.4

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1997 a'd M"ce%%e a'd B*ad ()e'ed

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+()+ "' e c". Te '(/ a%+( (/' Ne/

Y(*$6+ F' C" Ta(( a'd I*(' Ae Ta((

"' e"* (&e (/' (f S L("+. B*ad +)%"+"+ "&e be/ee' e *ee +()+, a+ /e%% a+

""' e *(ad ( c('e'"('+ a*('d e

/(*%d.






18 T%)a" Ta))%% Maga/i$e

The 'ece$) b%%# i$ )a))%%i$g ha( $% d%*b) he"&ed

f*e" )he (*cce(( %f a')i()( "ie Fi$ b*) )he idea %f

'idi$g )he a+e a( $%) (%#e)hi$g he c%$(ci%*("

&"a$$ed )% d%. 1O$e %f )he )hi$g( )ha) # )eache'

Mi)ch *(ed )% (a 0 a$d i)3( ()*c i)h #e 0 a( )% "e)

%*' %' (&ea f%' i)(e"f. I3+e $e+e' 'ea"" cha(ed )he

)a))%% #edia. I #ea$, i)3( )ae$ %* a$d I (e+e'a" ea'(

)% (i) d%$ i$ )hi( '%%# a$d (&ea, ha($3) i)?

N%ada( )a))%%e'( a'e %$ a h%"e diffe'e$) "e+e",

i)h 'e&'e(e$)a)i+e( a$d age$)( a$d #a$age'(. I3# $%)

$%ci$g )ha), b*) i)3( *() $%) #e. I fee" )ha)e+e')hi$g fa""( i$)% &"ace he$ i) fa""( i$)% &"ace.

L%%i$g bac %+e' # "ife, )ha)3( )he a i)3( a""

ha&&e$ed. I3# $%) )he i$d %f g* h% (i)( d%$ a$d

&"%)(, a$a"(e( a$d (%*" (ea'che(. I d%$3) g% i$)%

(%#e)hi$g i)h a b*(i$e(( &"a$. I *() d% i) a$d )he$ I

fig*'e %*) h% )% ade #(e"f %*) %f )he (hi) &%%"

I3+e g%))e$ #(e"f i$)%! I)3( *(*a"" (i$ %' (i# a) )ha)

&%i$).2

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e"" (% fa', b*) #ae $% #i()ae, i)3( baced *& b a

()'%$g de(i'e )% ee& #%+i$g f%'a'd. I) i( a"(% he"&ed

b )he fac) )he'e i( $% eg% )% ge) i$ )he a. Fi$ i(

'ef'e(hi$g" (e"f-effaci$g he$ i) c%#e( )% hi( %$)a))%% %': 1Q*i)e h%$e()", I ()i"" )hi$ # )a))%%i$g

(*c(. I3# $e+e' (a)i(fied b*) &e'ha&( )ha)3( h I3# (%

d'i+e$.2

The e&a$(i%$ %f )a))%%i$g ha( b'%*gh) i)( 'ea'd(

b*) i) ha( a"(% i$)'%d*ced a fa()-)'ac c*")*'e hich

"ac( )he (%*" hich Fi$ h%"d( (% dea'. 1I3# a bi)

di(g*()ed i)h (%#e %f )he %*$ge' )a))%%e'( h%

a$) )% ge) f'%# A )% Z i)h%*) g%i$g )% B, C, D, E

a$d F e)c. Pe%&"e a$) )% d% ha)3( i$ +%g*e a) )ha)

&'e(e$) )i#e, a$d )he )hi$ )he a'e 'ei$+e$)i$g )he

hee" b*) )he3'e $%). The3'e *() 'eg*'gi)a)i$g

(%#e)hi$g )ha) ha( a"'ead bee$ 'eg*'gi)a)ed a

$*#be' %f )i#e(. Pe%&"e d%$3) a$) )% d% )hei''e(ea'ch. The ca$ d% a g%%d "%%i$g )a))%% b*) $i$e

%*) %f )e$ d%$3) ha+e a "%) %f (%*", b*) )ha)3( *() #

%&i$i%$. I %*"d$3) ge) (a)i(fac)i%$ f'%# d%i$g a )a))%%

)ha) "%%( "ie H%'i%(hi did i). Of c%*'(e I3#

i$f"*e$ced b hi# b*) I )ae )h%(e i$f"*e$ce( a$d I )'

)% &*) i) i$)% # %$ )hi$g. That’s he$ I ge) (%#e

(a)i(fac)i%$.2






20 T$al Ta$$ Maga)ine

Thi# #%mme" 'ill ma"k 24 (ea"# $ha$ B"ad ha#

been $a$$ing, and &e" $ha$ $ime he ha#

ab#"bed a h%ge &a"ie$( f &i#%al infl%ence#,

'hich i# e&iden$ in hi# $a$$ '"k. He i# an

a&id cllec$" f bk#: a $"i $ Am#$e"dam

f" $he cn&en$in in $he ea"l( 1990#

nece##i$a$ed $he %"cha#e f a ne' #%i$ca#e

j%#$ $ ca""( hme all $he bk# B"ad had

b%gh$! A# 'ell a# h(#ical bk# and

a"$'"k#, B"ad ha# 'ha$ he call# hi# *inne"lib"a"(+ 'he"e he #$"e# all $he man( image#

he #ee# n hi# $"a&el#, $ be d"a'n %n 'hen

he need# f"e#h idea# and in#i"a$in.

One f $he $hing# I 'ill $ake a'a( f"m $he

$ime I #en$ 'i$h B"ad i# $ha$ he de#n-$

#%b#c"ibe $ $he %#%al cnce$ and meaning f

#%cce##-. *I ha&e al'a(# been &e"( g"a$ef%l f"

$he 'a( m( life ha# e&l&ed, b$h in#ide and

%$#ide f $a$$ing. E&en $h%gh $he"e ha&e

been a l$ diffic%l$ $ime# &e" $he (ea"#, I lk

back a$ $h#e e"id# and #ee $ha$ #me$hing

gd ha# al'a(# cme %$ f $hem. M( hea"$

ha# al'a(# been in $he "igh$ lace and, lkingback, $h#e e&en$# ha&e made me a be$$e"

f"iend, a be$$e" a"$i#$ and a be$$e" e"#n. I-m

in a lace n' 'he"e if I l#$ e&e"($hing

$m""' and had $ li&e in a $en$, I '%ld

#$ill be cmf"$able 'i$h m(#elf. I #%#e

'hen I 'a# (%nge" I '%ld ha&e defined

#%cce## b( mne$a"( gain and belnging#, b%$

n' I c%ldn-$ gi&e a f%ck ab%$ $ha$, beca%#e

I-&e "eached a lace in m( life 'he"e I-m

#a$i#fied 'i$hin m(#elf.+

Brad’s website

www.bradfink.com






22 Total Tattoo Magazine

Two and a half thousand years ago the tattooed bodies of two Payryk

nomads were buried in the froen Siberian earth. Many centuries

later, they were brought out from their icy graves for all the world to

see. Today, carefully preserved and the subject of much fascination

amongst archaeologists, anthropologists and anyone interested in tattoo

imagery, there is bitter wrangling over where their final resting place

should be. On a recent trip to Russia, Travellin! Mick was given a

privileged look at these fantastically decorated prehistoric mummies.

In #he S$mme! of 1993, P!ofe""o! Na#alia Polo"mak of #he R$""ian In"#i#$#e fo! A!chaeolog( andE#hnog!ah( in No%o"ibi!"k di"co%e!ed an $n#o$ched b$!ial mo$nd in #he e!maf!o"# of Sibe!ia"

!emo#e Ukok Pla#ea$. I# con#ained #he almo"# e!fec#l( !e"e!%ed bod( of a Pa)(!(k &oman. In

#he "$b)e!o #eme!a#$!e" of #he Al#ai Mo$n#ain !egion, &a#e! "eeing in#o he! &ooden coffin

chambe! had !aidl( #$!ned #o ice. The bod( and all i#" ado!nmen#" had been dee-f!o)en,

enabling i# #o !emain !ema!kabl( in#ac# #h!o$gh #he cen#$!ie". *The P!ince"" of Ukok+, a" "he

"oon became kno&n, &a" clea!l( of high !ank. She had been b$!ied f$ll(-clo#hed along"ide "i'

!ichl( deco!a#ed ho!"e" and "he had a"#o$ndingl( bea$#if$l #a##oo" on he! a!m" and "ho$lde!". I#

&a" e"#ima#ed #ha# "he &o$ld ha%e been in he! #&en#ie" &hen "he died.

Te'# and Pho#o": T!a%ellin Mick

Ta##ooedM$mmie"

of Sibe!ia

The Princess of Ukok’s tattoos



Rssian Institte for Archaeolog" and Ethnograph", No!osibirsk

The Princess of Ukok in her coffin

2500 "ear old mmmified Princess of Ukok

Total Tattoo Maga#ine 23



24 Total Tattoo Magaz ine

A ea* $ae*, a&'!e* *e%a*#ab$e %%% /a+

f'&d. T!"+ "%e " /a+ !e *e%a"&+ 'f a '&%a&, be$"eed ' be a /a**"'*, /"! a $'&

b$'&de $a" 'f !a"* a&d a %!"ca$ a&"%a$

a''ed ac*'++ !"+ +!'$de*. He /a+

d"+c'e*ed b P*'fe++'* P'$'+%a#+ !+ba&d

a&d /'*# c'$$eae, Vac!e+$a M'$'d"&.

T!e /' %%%"e+ /e*e *a&+'*ed '

M'+c'/, ' !e fa%'+ VILAR *e+ea*c!

"&+"e (!e '*a&"+a"'& !a /a+ *e+'&+"b$e

f'* !e *e+e*a"'& 'f !e b'd 'f Le&"&).

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"&+"e "& N''+"b"*+# /!e*e !e a*e &'/

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!e ca& '&$ be "e/ed b +ec"a$ e*%"++"'&

'* "&"a"'&.

T!e+e /' Pa2*# %%%"e+ f*'% !e "c

!"!$a&d+ 'f !e A$a" /e*e &' !e f"*+

+ecac$a* f"&d+ f*'% !a c$*e !a '&ce

*$ed !e a+ S"be*"a& $a"&+. I& 1948, f'*e0a%$e, a*c!ae'$'"+ Se*e" Ia&'"c!

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a&d d'c%e&ed !e /e$$-*e+e*ed a''+

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'f !e+e %%%"e+ a*e &'/ *e+e*ed a T!e

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*ece& +c"e&"f"c "&e+"a"'&+ /"! "&f*a*ed

$"! !ae *eea$ed *e"'+$ &+ee& a''+

'& !e"* d*"ed a&d da*#e&ed +#"&+.

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%%%"e+ 3 !e P*"&ce++ 'f U#'# a&d !e

'& %a$e /a**"'* "& N''+"b"*+#, a&d

!e %%%"e+ "& S Pee*+b* 3

"&c'*'*ae %a& /'&de*f$$ +$"+ed

"%ae+ 'f a&"%a$+. T!e+e dee*, !'*+e+,

$"'&+, *a%+ a&d 'a+ a&d f"+! a*e &'

*ea$"+"c de"c"'&+; !e a*e %!"ca$

a%a$a%+ 'f a*"'+ +ec"e+, f$$ 'f

e&e* a&d +'%e"%e+ 'dd$ /"+ed f'*d&a%"c effec (a+ ca& a$+' be +ee& "&

ce*a"& f'*%+ 'f ea*$ C!"&e+e a*).

W!' /e*e !e+e Pa2*# e'$e? H'/ d"d

!e $"e, a&d /! d"d !e dec'*ae !e"*

b'd"e+ /"! !e+e a*"c$a* de+"&+?

N'b'd ca& a&+/e* !e+e e+"'&+ /"!

a& ce*a"& 'f c'*+e, b " "+ "&*""&

' +ec$ae.Modern interpretation of Pazyryk tattoosby Kai Faust, Kunsten på Kroppen (Denmark)

The male warriors tattoos

Mummified Pazyryk warrior



Total Tattoo Maga!ine 25

The Pazyryk People

The Pa%k *e%e a &e!i-"#!adic $e#$e

i"habi'i"g 'he Uk#k Pa'ea i" 'he A'ai

M#"'ai"& #" 'he b#%de%& #f *ha' i& "#*

R&&ia, Chi"a, M#"g#ia a"d Kaakh&'a"

i" 'he $e%i#d 500BC '# 235BC. Pa%k

!e" a"d *#!e" #f a ce%'ai" &#cia %a"k

*e%e b%ied i" a%ch *##d c#ffi" cha!be%&

"de% b%ia !#"d& k"#*" a& kurgans.

P%i#% '# b%ia, 'he i"'e%"a #%ga"& *#d

be %e!#ed f%#! 'he c#%$&e a"d 'he b#d

cai'ie& *#d be fied *i'h a%i#& $a"'

!a'e%ia& eae&, ba%k, &eed& 'ha' *#d

c#"'%ib'e '# 'he !!!ifica'i#" $%#ce&&.

Wa'e% !e'i"g d%i"g 'he da *#d &ee$

i"'# 'he '#!b f%#! 'he &%face, 'he" f%eee

&#id *he" 'e!$e%a'%e& $!!e'ed be#*

e%# a' "igh', $%e&e%i"g 'he b#d f#%

e'e%"i' i" 'he f%#e" g%#"d.

U"f#%'"a'e, 'h#&e "di&c#e%ed '#!b&

'ha' hae "#' a%ead bee" %a"&acked i"

$a&' ce"'%ie& a%e "#* "de% &ee%e 'h%ea'

de '# g#ba *a%!i"g.

B#'h !e" a"d *#!e" *e%e 'a''##ed *i'h

&i!ia% i!age&, &# 'he !ea"i"g #% $%$#&e#f 'hei% 'a''##& *a& cea% "#' ge"de%

&$ecific (%e&e%ed e+c&ie f#% a !ae

*a%%i#% ca&&, f#% e+a!$e). We ca" #"

a&&!e 'ha' 'he Pa%k ch#&e '# 'a''##

'he!&ee& *i'h de&ig"& i"&$i%ed b 'hei%

ee%da &%%#"di"g& $ic'#%ia

%e$%e&e"'a'i#"& #f ee%'hi"g 'ha' *a&

i!$#%'a"' i" 'hei% ie&.

Ridi"g #" h#%&eback ac%#&& 'he Sibe%ia"

$ai"&, 'e"di"g f#ck& a"d h"'i"g f#% f##d...a"i!a&, *id a"d d#!e&'ica'ed, *e%e a"

ab&#'e ce"'%a $a%' #f dai e+i&'e"ce f#%

'he Pa%k. The *e%e &kied h#%&e!e", 'he

ke$' g#a'& a"d 'he h"'ed dee% a"d !#"'ai"

%a!. D%i"g 'he f%eei"g *i"'e% !#"'h& 'he

g%aed 'hei% ca''e i" 'he high a'i'de& #f 'he

*i"d&*e$' (a"d 'h& &"#*-f%ee) A'ai

!#"'ai"&. P%eda'#%& &ch a& &"#* e#$a%d&

Pa!rk coat, probabl marten fur, c. 450 BC

The Princess of Ukok"s larch wood coffin chamber Museum reconstruction of the Princess of Ukok



26 Total Tattoo Maga#ine

Bibliography:

I' M: &6% I' M%, NO#A '%, 1998

P%6>+6, P6* D6 H6% % $%+6, H%, D *6@ B6 A %6 E66,E6%' M%+%> EM 01-07, 2007

P%/, N%%% % O R%6, C%6, A M= "%6 *6 P%6 * H%,N%% G+6%', O' 1994, 82-103

R/, 6+, F6> !& * &6%: ! P%>=6=/ B6% * I6-A+ H6,B6/= % L A+, 1970

P66% * F6> !& * A% M%, "NECO P%6, M%6' 2008

$'>6/, A, !&%', M, % R%, $ (): M: D6 !6% + L&,M%, 2007

% 6 *%6 % 6' % =

%& 5% * *

*, %6+ *6'= % %= %

%666 % %'56. P6%

' * %% %+'%= '*66

' 6 %66 * %.

! P%>=6=/ %%' 6%= %%6 . I % 6 &* %, %*6

%, %6 %%6 % % %+

6 ='% +6** 6% *. P6%

% = 6 6 *%'%

6=. D6 %6 6

%6 6%+ +6** %, 6 %6+

% &%/-/ %/ % 6 %

++%' &6 * 6= ( % %+ %&).

' P%>=6=/ % 6

%+%+, 6 6 % 6

'= 6 6=6 6 %%,

6'6+ 6= * 6 %

6*6+ %'6 6%. ! P6' *

"// ' % & ' % 6; %

'6%= + . $ * 6

6%6= 6%/ % 6 6% 6 %666

*6 <% 6 6 &6 %,

% '6%= ' &6 *

%%& 6. (D &+ 6*66 % %6', / % % ,

*%', 6=%=; 6=% &6% 6 ' 6

%&6% % ' + 6% %

% %'6*'.) +*'%=, 6%

* 6 % 6 * '% &

' % = 6 % % % 6 *

%%+ %, % * '%

'6%6= 6&% '.

I* P6' * "// % % %%,

* % 6 %+' % '=

%=. %*6 6 % &= %

N&6/, 66 * % '6 %6.

$% 6% /+ 6+

% 6& 6 6%

6? A6'%+ * '/,

'6 % '6%

&= &%6, % 6*6+6%

*%. $ % %%+

%65%/ A% 6&'

2003, % A%

+6 % 66 *

*6 R%. !'% * P%>=6=/,

6%'+ % %%' 6+,

% %/ '%6 * 6 %'6

% &6%/ '6.

! R% %6 6* 6

65 &'% 6 6 %&

6%+ *%' G6-A%/ (

6&' '%%) % %,

% '66%= 6%,

% %6+ % 6 % *

%'6% /%+ & P%>=6=/

* % A%% * %=. I

6, A% +6 &%*66 %6'%+'% <'%%

"// P%%. A % %,

6, *%= +% %

*%' G6-A%/

% & % 6%6% *6

%66% * . A =

6 %66 *6 N&6/ %

& 6%= %=. I %

'% 6%++ '+

% 6 % + % *

'6%= %& 6 6

P6' * "// * 6 *%

6+ %'.

M$ grai!de goes o Vicor Me$er,

Pa"el Angel, Sanisla" P!sko" and he

saff of he Saigon and Dmirij Chikaiaoo s!dios in No"osibirsk, and

also o he R!ssian Insi!e for

Archaeolog$ and Ehnograph$,

#iho! #hom his aricle #o!ldn%

ha"e been possible.

Pa#"r"k brial artefact

Siberian rock paintings c. 450 BC

Modern interpretation of Pa#"r"k tattoosb" Golandes, Re!olcion Tattoo (Rssia)







Cover Model Profile




Modelling, hanging out on the beach and getting

tattooed sounds like a nice lifest!le. Throw in a few

rounds down at the bowling alle! and a couple of

beers to top it off, and life is looking prett! good for this

month"s cover model Megan Renee.

Can !ou tell us a bit about !ourself?

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How would !ou describe !our tattoos and

!our st!le in general?

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Where does !our interest in tattoos come

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How did !ou get into modelling?

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When did !ou get !our first tattoo and

how do !ou feel about it now?

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b"0 #"+ a+ 0%" 0+$"0 "+ I +3.

What do !our parents think about the

etent of !our tattoos?

T%"5 +90 "a5 *+ *5 0a00. M5 a

'0 "+90 3a+0 *" 0 $"0 0 *a+5 a+

0%"+ "$"0 0%"* +" a5. (T5a a

3"!) T%"5 a" a*a6+$, 02"

a"+0 0%$%.

Have !ou ever felt that !our tattoos have

held !ou back in life, or have the! worked

for !ou?M5 0a00 %a2" *0" "0a+ *"+$

'b # *", b0 0%"+ a$a+ 0 %a "+"

*a+5 0%" + 0%a0 3, 0 a

3" 0 + 0%" "+. I09 %a" 0 *"

# *a+0"a* 0%+$ +" b"a" 0%"5

*a+5 " ++-0a00" *" b0 I ""

0a00 ""+$ + *" a+ *" +

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+" " # *5 b5 0, I a+

##""+0 + # %0 0%a0 +90

+""a5 %3 0%"*.

Do !ou have favourites among !our

tattoo collection?

I 2" "a% a+ "2"5 +" # *5 0a00.

Ea% +" %a a *"*5 a *"a++$ 0 0,

b0 *5 #a20" 0a00 bab5 0%"

%"+4 + *5 0%$%. I 2" 0%"

a+ 0%" #"a0%" a+ "2"50%+$ ab0 0.

I09 % a 0+$ 0a00 a+ *%

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b5 0%" a*" a00, Ja+ Ja5 Da3$9

Ka0 # L"#059 Ta00 + Oa+$",

Ca#+a.

What tattoos do !ou have planned for

the future?

I a* a+++$ + $"00+$ a 0a0 # *5

C%%a%a + *5 "$ + a+ I 3

a " 0 $"0 *5 ++a*" 0%a0 *5 **

$a2" *" *"3%"" b0 I %a2"+90 #$"

0 3%"" I 3a+0 0%a0 0a00 5"0. T%""

+ %.

Do !ou have an! vices we should know

about?

I " 0 + b""... *"0*".



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32 Ta& Ta Maa4#e

stockholminkbash

Re*),. a(d *").)- b3 T,a0e&&#(6 M#c%

Wi'h#' a d#b' 'he S'#ckh#! I"kba&h i& a"d *i

$%#bab %e!ai" #"e #f 'he '#$ ee"'& #" 'he

E%#$ea" &ce"e. F#% 'he 16'h 'i!e, H#&e #f Pai"

Ta''## a"d Sha%k P%#dc'i#"& i"i'ed 'he S*edi&h a"d

i"'e%"a'i#"a ei'e f#% a ga'he%i"g a' 'he bea'if %e&'#%ed

b%e*e% M"che"b%gge%i'. Ee% ea% 'hi& e+cee"' 'a''##&h#* $%#e& '# be 'he $e%fec' #$e"e% f#% 'he a'!"

c#"e"'i#" &ea&#".

I "a bec'e a&' a #/a&: "e "e /''e &&3 c'e a ed, #" "e da3 ad

c&e ee#, #6 #'e "#% ab/ aed# a ce# aa#. J/&3 ad A// ae

ad##a&&3 "e +/#ee '" "e', a ee a# "ae %#d ad *ae " "e3

&ad # "e# ca a a'#&3 "&#da3 b3 "e ea, ad "adce #% a "#% #ce bee

*#&# "e# beac" / b3 e# a e" a a a ce#. B/, "e "e &a ee%ed

A// bec%, a a# a/d "e &be a3 db3e a#d *ae ad *#, */

a**e#ce # c"ae "e "* ad "ae a &a / #* bee #e e #. Ad #6 a&& d/e

"e Sc%"&' I%ba"!

T"ee ae 'a3 ac c#b/# "e /cce "# &-/# ": "e de/&

a'*"ee "e "##c e/e, "e ece&&e cae#, "e #ed&#e "e a ad ec/#3('e "' "ae bee #" "e ee 'e "a a decade), "e #ece de#e "e

Sed#" */b&#c #%... B/ ' a&&, # # "e / "a ee3bd3 "a a "# ". I "a a ea&

*a3 a'*"ee, "#c" # *a&3 a e/& #'#: # # a&a3 "e&d "e &a ee%ed "e

'", c#c#d# #" *a3da3 # Sede! Accd# d &d Scad#a#a ad##, "#

'ea "a ee3bd3 */ / # "e ee #" b/&# *c%e, # de e a&&3

d/%. A e*ecab&e a# /&d */ #% # "e %# 'ebd3 that aed, #

ac/a&&3 'ea "a "e #eb#aed Sede e'a#ed &ae&3 /aed ad *eeed c%

/ "e /e eea#e S%# K# "e ae "e M5c"eb3e#!

T"e ee /c# a a %#d a a&e *& "e be Sed#" a#, " c'e "ee

de'ae "e# a##c *e "e e "e &d. Ad "e a#e, T/'**# H/e

Pa# Sc%"&' ad J/%%a ad Ade S"a% Pd/c#, a&a3 'aae b# 'e

"e b#e a'e # "e b/#e ' a/d "e &be deced "e Sed#" ca*#a&.

Oce "e3 "ae %ed a "e ee, a# "ad&3 ee c#de ## /* "e# * a "e

I%ba", "#c" 'ea "a &3 a e b" bec'e aa#&ab&e eac" 3ea, ad d4e a**&#caae a## e #. I 2012, a' "e &/c%3 e e a e * ee Fab# M, "e

"#"&3 ##a& Ia&#a 'ae c&/ ca3 a#, ad V&% ad S#'e, "e /*ea

Ge'a36 B/ea V#a Ta C&/b. A&& "e' e$3ed a e"/#a#c e*e "e# cea#e

% ad "ad a '/c" % a "e3 aed. V&% ad S#'e ae $/##ab&3 a'/ "e#

1.

2.

1. &'#ckh#! ci' ha a"d ha%b#%

2. b f%edde edi",

"# %e!#%&e 'a''## (&*ede")

3. b &id &ia!e&e,

i"fi"i' 'a''## (&*ede")

4. b &a"d%a *ikbe%g,

a %bia #ca (&*ede")

5. b ed $e%d#!#, heidi ha 'a''##

(&*ede")

6 b b%i, icea"dic 'a''## c#%$,

(icea"d)

7. 'he bea'if igh'-fied e"e



cllab#a%in$, and %he) demn$%#a%ed 'h) n Sa%&#da) 'hen %he) $eamle$$l)

$'a!!ed clien%$ mid-%a%%. Wha% a %eam.

O!!$i%e %he Ge#man d&, B#i$ had $e% &! hi$ b%h. The H&nga#ian %a%%

!inee# 'ill $n be !ening a $%&di in %he A&$%#ian ca!i%al f Vienna, 'hich 'ill

mean he i$ m#e acce$$ible % hi$ in%e#na%inal clien%$. In S%ckhlm, he did a

'nde#f&l B&ddha head n ne f hi$ !#%+g+$, %alen%ed S'edi$h %a%%i$% Pn%&$

Jn$$n.

Al$ n g#ea% f#m 'a$ Chican $!eciali$% Bg, 'h i$ ac%&all) n% Me(ican, b&%

f Ame#ican-Indian de$cen%. Le%%e#ing, ne f hi$ %#adema#k $%)le$, i$ $%ill ne f

%he bigge$% %#end$ in %a%%ing '#ld'ide, a$ i% 'a$ a% %he S%ckhlm Inkba$h.

H&$e f Pain, %he $%&di f $h' #gani$e# T&m!!i, i$ 'ell-kn'n f# a#%i$%$ 'h

!#d&ce high "&ali%) black and g#e) '#k. The ne e(ce!%in in #ecen% )ea#$ i$

Sand#a Wikbe#g. He# %a%%$ a#e a$ b#igh% and cl&#f&l a$ cand)fl$$, making he#

3. 4. 5.

6. 7.

T%al Ta%% Maga*ine 33



34 T&+a# Ta++&& Maga1%e

a%d he) &)" *+a%d &+ f)&$ +he c)&d. A+ +he I%"ba*h, *he had d&b#e )ea*&% +& )e&ce: *he

&% he) f)*+ +)&'h0, b)%g%g h&$e +he +&' ')1e % +he h&+#0 c&%+e*+ed Be*+ C&#&) ca+eg&)0,a%d *he ha* *+ &'e%ed he) f)*+ *+d& La Rba L&ca. Af+e) $a%0 0ea)* &f h&)* &f c&$$+%g

+& S+&c"h&#$ e-e)0 da0, *he f%a##0 &'e%ed he) &% b*%e** % he) h&$e +&% &f U''*a#a.

M&)e *+d& %e* c&$%g &+ &f +he I%"ba*h a* +he &'e%%g &f +he K#+ Ta++&& Fe*+ *+d& %

&%e &f +he $a% *h&''%g *+)ee+* % S+&c"h&#$. The P&#*h c)e +ha+ '+* &% +he Ta++&& Fe*+

c&%-e%+&% % K)a"& ch&*e +& '+ +he) f#ag*h' *+&)e % a ')$e #&ca+&% a%d + ## ha-e *ch

g)ea+ a)+*+* a* Da-eee, Ede" a%d T&f +a"%g +)%* &)"%g +he)e.

Rea#*+c +a++&&%g c&%+%e* +& be '&'#a) a%d a* )e')e*e%+ed % S+&c"h&#$ b0 g)ea+ a)+*+*

#"e Re$* f)&$ I)e#a%d, N&)a03* E#ec+)c L%da, +he G)ee" *h&&+%g *+a) Tha%a*** P$'a*, B2)

f)&$ Ice#a%d, Fa+ f)&$ +he Ba*(e c&%+)0 a* e## a* #&ca# he)& F)ede)" &f E-# E0e. N&+ $a%0

B)+*h a)+*+* &)" a+ +he I%"ba*h, b+ +h* 0ea) a %&+ab#e e/ce'+&% a* E$#0 W&&d f)&$ B#ac"

Hea)+ Ta++&&, *ha)%g he) b&&+h +h Rche C#a)"e f)&$ F&)e-e) T)e. E$#0 a* acc&$'a%ed b0

he) h*ba%d W&&d0, &)ga%*e) &f +he B)gh+&% *h&, h& c#ea)#0 e%&0ed not be%g % cha)ge +h*

ee"e%d!I+ *ee$* +ha+ +he +)e%d &f g)ea+ Sca%d%a-a% c&%-e%+&%* c&%+%e*, +h Sede% #ead%g +he a0

+h +he I%"ba*h b+ &+he) c&%+)e* *ch a* De%$a)", F%#a%d, N&)a0 a%d Ice#a%d a)e h&+ &%

+* hee#*.

8. 9.

10.




11. 12.

13. 14.

8. boog (usa) and olko, buena

ista tattoo club (german#)

9. b# bella, rough stuff (s!eden)

10. b# johan losand, imperial tattoo (s!eden)11. b# joll# johnn#, king carlos (s!eden)

12. b# den #akole, negatie karma (russia)

13. b# danne, house of pain (s!eden)

14. b# ma" stahlhammer,

stockholm classic tattoo (s!eden)




15. 16. 17.

18.

19.




20.

21.

22. 23. 24.

15. b' edek, k$l# #a##oo

(oland/"eden)

16 & 17. b' jimm'lajnen ("eden)

18. b' f!ed!ik,

e%il e'e #a##oo ("eden)

19. b' f!edde,

no !emo!"e #a##oo ("eden)

20. b' leila, infini#' ink ("eden)

21. b' mankan, !o$gh "#$ff ("eden)

22. b' niki, heidi ha' #a##oo ("eden)

23. b' #hana""i" ima",

e!e%o" c!ea#ion" (g!eece)24. b' fabbe, ci!cle #a##oo ("eden)




25. 26.

27.

28.25. by fabbe, circle tattoo

(sweden)

26. by victor policheri,

heidi hay tattoo (sweden)

27. by tofi, ink-ognito (poland)

28. by daniel ekdahl,ekdahl tattoo family (sweden)





40 T0a) Ta00 Ma$a+"

I!&e$% "f %i%&e$ ac&% i! UK &a&&""i!g &he$e $eall+ i%

"!l+ "!e: Leah a!d Lia!!e M"'le. B"&h )"e! a$e

h'gel+ &ale!&ed a!d c"!%i%&e!&l+ #$"d'ce )"$k "f &he

highe%& calib$e; &he+ b"&h a##$e!&iced '!de$ Ja%"! B'&che$ a&

I"$&al I!k a!d +e& &hei$ $"'&e% i!&" &a&&""i!g )e$e (e$+ diffe$e!&; &hei$ %&+le% a$e like chalk a!d chee%e b'& &he+ %ha$e

a! a$&i%&ic backg$"'!d &ha& hel#ed b$i!g &he &" )he$e &he+

a$e &"da+. Leah% b$a!d "f !e) %ch""l &a&&""i!g ha% %c""#ed

he$ !'e$"'% a)a$d% a!d %ee! he$ #$"jec&ed "!&" &he

i!&e$!a&i"!al %&age )i&h he$ ")! %ec&i"! i! &he e#ic b""k

C"l"'$ Ta&&"" A$&. Lia!!e cae &" &a&&""i!g a li&&le la&e$ b'&,

like he$ "lde$ %i%&e$% )"$k, he$ &a&&""% a$e '!i%&akeable;

)i&h a fl'id )a&e$c"l"'$-i!%#i$ed %&+le %he ha% de(el"#ed i!&"

a! e*ci&i!g a$&i%& i! he$ ")! $igh&.

I+0"2"3 b5 Ja*"/ Sa+"(

P%0/ 0"/5 # L"a% & La++"

Whe! +"' )e$e g$")i!g '# h") big

a #a$& did a$& #la+ i! +"'$ li(e%?

Lianne: Q0" a )0 "a))5 b"a/" a))

#a*)5 a" "a02" + ##""+0 3a5/.

Leah: F +/0a+", 3" %a2" 03 +)"/ 3%

a" 2"5 a0/0 a+ 3% /)0. I "*"*b"

+" # 0%"*, Fa/", *+$ + a0 0%"

3""("+ a+ $"00+$ 0%" P)a/0+" 0, *a(+$

)00)" 3*/ a+ 00+$ 0%"* + 0%" #0

b3). T"a%+$ *" %3 0 a3, %" 3) /a5

7L"a%, a3 0%a0 #8 a+ I 3) /a5 7I a+90, I

a+90.8 S %"9 /a5 7W")), )( a0 0/ #a": 09/

)(" a 0a+$)", / a3 a 0a+$)".8

Lianne: O ** / a *a%+/0 a+ /"3/

# a )2+$ / 0%a0 3a/ a)3a5/ a+ /. W"

3"" /+$ a /"3+$ *a%+" #* 0%" a$" #

# #2". Ga+*a 0a$%0 / 0 ( a+

Ga+a 3a/ a $a% a0/0. A)) /0/ #

##""+0 05"/ # "a0205.

Leah: Ga+a b)0 / a ))/9 %/" 3%"+

3" 3"" ab0 0"+. H" "3 0%" )a+/ #

0. I "*"*b" /""+$ 0%"* a+ 0%+(+$ %3

a*a+$ 0%"5 3"".

H") d"e% &he fail+ feel ab"'& &he

fac& &ha& +"' a$e b"&h &a&&""i%&%?

Lianne:T%"5 )2" 0. E2"5+" "/, +90

0%"5, L"a%?

Leah: Y"/, a)0%$% I 0%+( ** / 0%"

%a"/0 "/+ 0 )"a/". S%" / 0%" */0

0a), 0%" %a"/0 0 )"a/" "/+ "2". S%"

3)) +0 $2" 5 a *)*"+0 +)"// 09/

)0a-"/"2".

Lianne: Y a+ /%3 %" /*"0%+$ a+, #

/%" )("/ 0, /%" 3)) /a5 /. I# /%" "/+90, /%"

3)) /a5 7U***8 a+ '/0 3a)( ##! B0 /%" /

# /.

Leah: W%"+ I /%3 %" *5 0#) /%" 3))

/a5 0%+$/ )(" 7W%5 %a/ 0%a0 a0 $0 /% b$

"5"/?8 7W%5 %a/ 0%a0 )a5 $0 a $""+

#a"?8 7M*, 09/ +"3 /%)!8 B0 3%"+ /%")("/ /*" 0%+$/ 09/... 5"/!

Y"'$ %&+le% "f &a&&""i!g a$e (e$+

diffe$e!& f$" each "&he$. Wa% i&

"b(i"'% &ha& +"' )a!&ed &" d$a)

diffe$e!& &hi!g% $igh& f$" &he %&a$&?

Both: N!

Leah: A0 /%) 5 %a 0 a3 3%a0 0%"5

3a+0" 5 0 a3. Y a+90 "a))5 "2") a

/05)" a0 14.

Lianne: Y 3"" a)3a5/ (+3+ # b"+$

$ a0 a3+$ / I /" 0 5 5. I +90

0%+( 5 "a))5 (+"3 I ) a3 +0) +"

a5, 3%"+ I 3a/ ab0 16, 5 /a3 /*"0%+$ I

%a +" a+ /a 7O%, )( /%" a+

/*"0%+$.8

) " # 0 : ) & a +

+ "

. & $ % 0 : ) " a %

) " a %




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42 T'+a$ Ta++'' Maga0&e

Leah: I &e-e) *a /' a* +e a)+*+c +/(e &+$ /' ca%e bac# f)'% a)+ c'$$ege + b$ac# a) a&d a

b)g+ (&# f)&ge a&d I fe$+ $#e, ' %/ g'd, +* * a+ a)+ c'$$ege a* d'&e +' e), b+ *e * )ea$$/

g''d a+ (a&+&g &'!

Leah, what were you doing while Lianne was at art college?

Leah: I ad "*+ f&*ed %/ 3A4 $e-e$* a&d I ad ad e&'g 'f edca+'&; I a&+ed +' ')# a&d a-e

f&, ea)& %'&e/ a&d *(e&d +. I "*+ dd a b&c 'f %&da&e "'b*. I dd&4+ )ea$$/ #&' a+ I a&+ed

+' d' *' I "*+ e&ded ( d'&g a&/+&g +a+ ca%e a$'&g.

Lianne: H' '$d e)e /' e& /' *+a)+ed +a++''&g?

Leah: I a* ab'+ 19 e& I e&+ &+' I%%')+a$ I&#.

Lianne: Ye*, /' e&+ &+' +e *'( a&d %e+ Ja*'& [B+ce)] bef')e I dd, beca*e /' a&+ed +'

be a +a++''*+.

Leah: N' I dd&4+.

Lianne: B+ /' dd *' % /') (')+f'$' a&d /' g'+ a "'b +e)e. I )e%e%be) /' ca%e '%e

a&d a&&'&ced /' e)e g'&g +' be a +a++''*+. M% a&d I *ad Yea, OK, a+e-e)2 beca*e +'

ee#* bef')e +a+ /' e)e g'&g +' $-e & C/()* a&d fe ee#* bef')e +a+ /' e)e g'&g +'

I)e$a&d +' ')# [laughing].

Leah: I "*+ e&+ +' +e *'( +' ge+ %/ &'*e (e)ced. M/ f)e&d *ad +' +e% Lea )ea$$/ a&+* +'be a +a++''*+. Y' *'$d *ee e) (')+f'$'.2 Ja*'& *ad We &eed +' +)a& *'%e'&e ( *' b)&g + &.2

S' I dd a&d e *ad OK, +* * ' %c + $$ c'*+ f') a$$ /') *+ff. If /'4)e *e)'*, c'%e bac#

+ +e %'&e/.2 S' I b)'g+ a$$ +e %'&e/ & a c'++'& bd ('+ a&d a&ded + '-e). Ta+ a* +. I

*+a/ed +e)e f') ab'+ a /ea) a&d +e& I %'-ed +' B)%&ga%.

$ e a

$ ! a

& & e

$ e a

$ ! a & & e




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44 T$al Ta$$ Maga)ine

At this point Lianne, were you

thinking that tattooing looked

appealing?

Lianne: N... 'ell, #"$ f. Leah g$ he"

a"en$ice#hi and $ha$# h' I me$ Ja#n. I

'a# #$ill a$ cllege ding #$%id $eenage #$%ff,

ge$$ing d"%nk and #$a(ing %$ all nigh$. Beca%#e

Ja#n and Leah 'e"e b$h $a$$i#$#, I 'a#

de$e"mined $ d m( 'n $hing. I fini#hed

cllege and 'en$ $ %ni&e"#i$( $ d a c%"#e

in cn$em"a"( a"$. T'a"d# $he end f $he

c%"#e I began $ "eall( enj( il ain$ing. I

'a# ding $he#e gian$ "$"ai$# 'hich 'e"e

#e&en fee$ b( ele&en fee$. Ta$$ing 'a#n$ in

m( mind a$ all a# a ca"ee". I l&ed ge$$ing $hem

and l&ed #eeing $hem being dne, b%$ i$ 'a#

n$ %n$il I 'a# ab%$ 24 $ha$ I began $ feel

like I 'an$ed $ gi&e i$ a g.

Leah: I "emembe" $ha$. Y% did #me $"ibal

n an "ange and I $h%gh$ *Oh, f" gd#

#ake, 'h( de# #he 'an$ $ be a $a$$i#$

n'?+

Lianne: I "emembe" 'hen I $ld (%, $he fi"#$

$hing (% #aid $ me 'a# *Well, i$# n$ a# ea#(

a# i$ lk#!+

Leah: I 'a# in#$an$l( jeal%# beca%#e I kne'

h' gd (% 'e"e ging $ be. I$ fel$ like (%

'e"e c(ing me. I 'a# ha&ing a "eall( gd

$ime and nbd( el#e I kne' 'a# $a$$ing

and $hen #%ddenl( (% 'an$ed $ d i$. I 'a#

like gddamn, beca%#e I kne' (%" ain$ing#

and I kne' (% 'e"e ging $ be a'e#me

and I wanted to be the awesome one! B%$ $hen I

'a# $hinking #ec"e$l(, ma(be #he 'n$ like i$...

b%$ f" f%ck# #ake, $ha$ $"ibal n $he "ange i#

"eall( gd.

Lianne: Tha$# 'h( I didn$ 'an$ $ d i$ a$

fi"#$. I '%ld #h' (% $he li$$le $"ibal $hing# I

'a# ding and (% '%ldn$ #a( if $he( 'e"e

gd " bad. Y% '%ld j%#$ lk a$ $hem g

*Ummm+ and $hen 'alk ff.

Leah: I$# beca%#e I 'a# jeal%#.

[A short period of silence... we eat sweets.]

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Lianne, did you feel under any pressure to succeed?

Lianne: There as some pressure. Because I as Jason Butcher%s apprentice and Leah Moule%s

sister, people e"pected things of me, hich as not fair because those connections didn%t

guarantee an#thing.

Your styles of tattooing are vastly different. Can we talk a bit about that?

Lianne: Your ork has ala#s been highl# st#lised, Leah. At first I didn%t kno here mine as

going to go but I kne I didn%t ant to do stuff like that.

Leah: I couldn%t do realistic to sae m# life no. It just doesn%t ork in m# head an#more. If it

hasn%t got a poerline, I%m not interested. And I like to smash the colour in.

Lianne: Yes, #ou do. I felt broken after #ou tattooed me!

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Total Tattoo Maga$ine 45



l i a n n e

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Has that been a positive, the fact

that you work so differently? Do you

think it would have been more

difficult to appreciate each other if

you had been working in a similar

style?

Leah:Yes, I !ould definitel# feel pressurised

b# that.

Lianne: And I !ould feel like people !ould

just think I !as cop#ing m# big sister.

So, Lianne, when you started to

tattoo you used lines, but not

anymore. Are your tattoos more like

your paintings now?

Lianne: I think so. It%s taken me a !hile to get

here. With all m# artistic outlets, from painting

to se!ing, from baking cakes to tattooing, I

seem to put them in their o!n separate

section. This is ho! I do a painting, this is ho!

I tattoo a rose and so on. I al!a#s had to step

a!a# from one to do another, but no! I%m

beginning to link them all together. It%s slo!l#eoling into just one artistic enture. I !ant

to be the sort of artist !here tattooing is just

another means of e"pression. It !ill get there,

it%s just taking time. I%m alread# !orking

differentl# to the !a# I !as 12 months ago

though. No! things feel more natural, less

structured and the#%re just happening.

Leah: Your !ork is so loose and so free. I

en# that. You seem to be able to knock out

these loel# fluid things. I do multiple sketches

to familiarise m#self totall# !ith the piece. I

hae to concentrate all the time to make surethe shado!s and highlights are in the right

place for the light source. I%m do!nstairs in m#

studio dra!ing for fie or si" hours a night for

m# ne"t da#%s customer. And that%s before I

decide to get adenturous and mi" it up a bit.

l e a h

l e a h

l e a h




48 T#'a Ta''## Magai"e

Would ou like to tr a collaborative

piece? Do ou think our stles could

be mixed?

Leah: I/d ike '#, b(' i' *#(d be ha%d beca(&e

'he+ a%e &# diffe%e"'.

Lianne: I' *#(d be "ice '# gi)e i' a '%+ b('

*i'hi" fi)e i"('e& *e igh' %e)e%' '# bei"g

12 +ea%& #d a"d ha'e each #'he%!

Leah: Wha' a%e +#( d#i"g i' ike 'ha' f#%?

Ge' #ff, 'ha'/& + bi'!

Lianne: M(, Leah kicked e.

[Laughter.]

I can see it now, strangel enough.

Do ou inspire each other?

Lianne: I'/& diffic(' beca(&e *e i)e &# fa%

a$a%', b(' +#( defi"i'e+ i"&$i%e e $%#bab+

#%e #" a &(bc#"&ci#(& e)e. I %e&$ec' +#( a

he #f a #'. Beca(&e I 'a''## a& *e, I k"#**hich bi'& a%e ha%d a"d *hich bi'& a%e '#(gh. I

k"#* *he%e +#( ache, &# I %e&$ec' e)e%+'hi"g

+#( d#. Y#( ca" 'a''## f#% 11 h#(%& &#id. I

ca"/' c#"ce"'%a'e f#% 'ha' #"g.

Leah:Tha' ea"& a #' '# e. Tha"k +#(.

Last but not least, what do ou wish

for each other in the future?

Leah:Tha' Ja&#"/& "#' '## ea" ab#(' +#(%

'a''##i"g; 'ha' e)e%+ "#* a"d 'he", #" a

%eg(a% ba&i&, he j(&' &a+& Tha'/& a*e&#e! I

a&# *a"' $e#$e '# ("de%&'a"d 'ha' 'he%e i&

"# &ibi"g %i)a%+ be'*ee" (&. We *#%k &#

diffe%e"'+ a"d a%e &'a"d-a#"e a%'i&'& i" #(%

#*" %igh'.

Lianne: Ja&#" d#e& 'e e *he" he 'hi"k&

'hi"g& a%e g##d. Tha'/& g%ea' beca(&e I k"#*

he %ea+ ea"& i', beca(&e he *#(d "#' 'e

e #'he%*i&e. E)e%+'hi"g I d# i" ife, I *a"' '#

d# beca(&e i' ake& e a ha$$+ $e%&#". S# I

j(&' *i&h 'he &ae f#% +#(: f#% +#( '# d# &'(ff

'ha' ake& +#( ha$$+ a"d c#"'e"'.

Leah Moule

Spear Studio

***.&$ea%&'(di#.c#.(k

Lianne Moule

Immortal Ink

***.i#%'ai"k.c#.(k

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One tattooed nation under a groove? Mel Noir contemplates our demographic and dermographic differences

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Mel Noir writes the news & views blog site

www.tattoosdauk.com

OPINION

Like a child prodding a slug in the garden,

for quite some time I have been intentl

and curiousl interested in the ideas behind

the stereotpes about people who get tattooed. For

the most part, I don"t blame anone for having

outdated or sill ideas about those with tattoos.

It"s human nature. One thing I have never

understood, though, is how some of these ideascome from within the tattoo !industr" itself.






Welcome to Gallery Plus showcasing some of the world’s best tattoos

BLACK WORK • JAPANESE • REALISMMODERN CLASSIC • NEW SCHOOL






black

work

jed harwood, tattoo workshop

paula converse, in2u

ma r co g a ldo, tr a f f ica nte d’a r te( ita ly )

gar y burns, ta t too workshop




chris higgins,

higgins & co

daniel di mattia,

calypso tattoo

(belgium)

chicho, ba by lou ta ttoo ( denma r k )




jondix (spain)




japanese

jess yen, m y ta t too ( usa )

rich pearson, gung ho! tattoo

billy ha y , custom inc

dan sinnes, woods tattoo crew

(luxembourg)

oleg turyanskiy (russia)




horimasa (japan)




pino cafero, elektrik revolver (germany)

jens gössling, blue har ves t ta t too ( ge

rman y )

ueo, ueo tattoo (italy)

pa ul a nthony doblemen, spider mur phy ’s ta ttoo ( usa )




greg orie, dragon tattoo (holland)slick nick, 25 to li fe

( holland )

shannon richards,

s tr bod y modi fica tion

( aus tralia )

zi yu, tattoo works (china)




realismmike de vries, md ta t toos ( usa )

oleg turyanskiy (russia)

riccardo bottino, trieste tattoo (italy)

liz cook, rebel muse s tudio ( us

a )




dmitriy samohin (ukraine)

guil zekri, reinkarnation tattoo (germany) ha des mcculloug h, ta ttoo ha des ( new zea la nd )

cecil porter, cecil porter tattoo (usa)



alex de pase (italy)




electric linda, attitude studio (norway)

and y engel,

and y’s ta t too s tudio

( german y )

mirek stotker, stotker tattoo

ma r k bester , ma r k ed f or lif e



modern

classicnick baldwin, gung ho!

craigy lee, electric vintage tattoo

ben ha r r is, sink the ink ta ttoo ( usa )

fingers dött,

swahili bobs

(sweden)



tim pangburn, art machine (usa)

suz y q, hold fas t ta t too ( aus tralia )

porky pete, porky royale (sweden)

ja v ier ber mudez, jolie r oug e



joe frost, thou art

tiny miss becca , ja y ne doe ta ttoo

mischa matulich, classic tattoo (usa)

adriaan machete, machete ink gallery (germany)68 Total Tattoo Magaz ine



dawnii, painted lady tattoo parlour

mi ke adair, ta t too booga

loo ( usa )

r ich w a r bo, sta ined cla ss

james kiley, cult classic

sneaky mitch, inspirations




new school

rick james, mata mata

jolene sher r a r d, f or ev er a nd ev er

tim pangburn, ar t machine ( usa )

patrick mcfarlane, on the road




otto ( on the road )

er in cha nce, thunder house ( usa )

joako, human fly (spain)

evan lovett, entity tattoo (usa)

chr is o, pha t r obot ta ttoo compa ny




kristel oreto, art machine productions (usa)

billy ha y , custom inc

toni moore,

broad s tree t ta t too

callum berr y, draconian ta t too

patrick mc farlane, on the road




jesse smith, loose scr ew ta ttoo ( usa )

jesse smi th, loose scre w ta t too ( usa )



74 Total Tattoo Magaine

Two years ago tattooist Marcus Kuhn started his Gypsy

Gentleman film project. The objective was simply to show

what tattooing meant to him, which was a far cry from

the fast food version of tattooing currently being served

up by television and the mass media.

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Words by James Sandercock

Images courtesy of The Gypsy Gentleman

Marcus on the streets of London. Episode 5



#hink i#+" &o!king and eole a!e !eall( in#o i#.

I don+# #hink I+m #he be"# ho"# o! film make!

b( an( mean" b$# &e "#ill manage #o $ll i#

#oge#he! and &e a!e ge##ing be##e! &i#h each

one.*

Wo!king &i#h a film c!e& &ho needed #o "ha!e

K$hn+" %i"ion a" &ell a" hi" e'#!eme &o!k

e#hic &a" al&a(" going #o ha%e i#" challenge".

)Of co$!"e I !oman#ici"ed e%e!(#hing in #hebeginning. I didn+# !eall( fo!e"ee i""$e" like

ha%ing #o !oc$!e e!mi#" f!om #he en#i!e ci#(

of Pa!i", o! ge##ing a million dolla!"+ &o!#h of

in"$!ance: #ho"e kind" of #hing" didn+# e%en

occ$! #o me. I &a" j$"# like, OK, &e+ll ge#

"ome came!a" and call $ "ome folk" and i#

&ill all be fine. I+d decided #o do i# and I j$"#

began &i#h &ha#e%e! I had.*

The fac# #ha# film making i" an a!# like

#a##ooing i" no# lo"# on K$hn. A##en#ion #o

de#ail i" a!amo$n#. )We choo"e a diffe!en#

ale##e fo! each film, diffe!en# colo$!" fo! each

ci#(* Ma!c$" "a(". The !ojec# ha" al&a("been abo$# c!ea#i%e cinema#og!ah( and good

edi#ing. Fo! each ei"ode, #he c!e& "end fo$!

o! fi%e da(" on loca#ion, ending $ &i#h

a!o$nd #&en#( "e%en ho$!" of foo#age. Then

come" h$nd!ed" of ho$!" of edi#ing, #o end $

&i#h #he final 34 min$#e" fo! each fini"hed

film. Ob%io$"l( #he film" ha%e #o look good,

info!m and en#e!#ain, b$# #hi" i" no# K$hn+"

!ima!( conce!n: )The mo"# imo!#an# #hing i"

#ha# &e ha%e #o main#ain #he "i!i#$al in#eg!i#(

of #he !ojec# #he &hole #ime.*

In#eg!i#( i" a# #he co!e of &ha# Ma!c$" ha" "e#o$# #o do &i#h The G("( Gen#leman. In man(

&a(" i# &a" bo!n o$# of f!$"#!a#ion. )The

!oblem &i#h #he media i" #ha# i# i" one of #he

mo"# o&e!f$l #hing" o$# #he!e, b$# i#+" onl(

e%e! !eall( $"ed fo! financial gain o!

na!ci""i"#ic glo!(. I#+" ne%e! $"ed #o con%e(

&ha# #he &o!ld need" !igh# no&, like

"i!i#$ali#( and h$man in#e!ac#ion. I #hink (o$

ge# #o a oin# in (o$! life &hen (o$ !eali"e #he

mo"# imo!#an# momen#" a!e momen#" of

f!iend"hi and connec#ion, a# lea"# in m(

oinion. So &hen I "#a!#ed #hi" !ojec# I

&an#ed #o fill i# &i#h !eal h$man in#e!ac#ion,

&hich i" &h( I in%ol%ed m( f!iend". So

&hen eole a!e &a#ching i#, #he( feel #he

!eal in#imac( and #he lo%e be#&een #he

eole in i#. Tha#+" inc!edibl( imo!#an# #o

me.*

So #&o (ea!" on, &i#h fo$! film" !elea"ed

and #&o mo!e in #he bag, The G("(

Gen#leman ha" !o%ed #ha# eole &an# &ha#

i# ha" #o offe!. The $ne'ec#ed !ecogni#ion

and &a!m#h of "#!ange!" ha" #aken Ma!c$"b( "$!!i"e b$# i# ha" #$!ned o$# #o be hi"

g!ea#e"# !e&a!d. )The &hole #hing ha" been a

!e##( eic e'e!ience. To be hone"# &i#h

(o$, #he be"# #hing abo$# #he en#i!e !ojec# i"

#ha# I ge# #he"e email" f!om #a##ooe!" and

a!#i"#" o! j$"# eole &ho ha%e &a#ched i#,

"a(ing ma(be #ha# #he( a!e feeling a bi# lo"#

a# #he momen#, like a lo# of eole a!e, and

i#+" #o$ched #hem and #he( get it . Tha#+"

&o!#h mo!e #han an(#hing #o me. I al&a("

Marcs "ith Dante from Frith Street Tattoo

Marcs "ith Valarie Vargas & Ian Flo"er. Episode 5, London

Marcs "ith Ste!e B$rne. Episode 2,Te#as

Total Tattoo Maga%ine 75




The S!or% So Far...

Epiode 1 & Ne# York Ci!%

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fea-*"' Ja+(' K-'de%% a'd Ge(*eCa&)"+e

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fea-*"' B"%% Ca'a%e+ a'd R(b Be'a"de+

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c(&"' +(('...

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Marcus with Thomas HooperEpisode 1, New York





78 T(a% Ta(( Maa3"'e

portsmouthtattoo convention

Re)(+- a'd )!(-(, b2 Pe++2

If $o cas $or minds back, hose #ih a long enoghmemor$ migh remember a ime #hen here #asn% a

aoo con"enion in Porsmoh. No# he place isfornae enogh o ha"e #o! One of hem is a relai"ene#comer, b a hireen $ears old The Original PorsmohTaoo Con"enion is he longes conseci"el$ rnning sho# in

England.

1.

3.

4.

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5.

7. 8. 9.

6.

1. !he g"ildhall, por!mo"!h

2. por!mo"!h harbo"r

3. abb$ b$ pe!er kleg"e, acred ar!

4. rikki b$ filip, in!erkin

5. lee b$ !e#e h"n!er, !o"ch of ink

6. manneq"in b$ gar$ coole

7. am b$ n"!%, n"!% !a!!oo

8. michael b$ johnn$ doma,

meq"i!a !a!!oo (por!"gal)

9. na!hanial b$ pio!rek,

good !ime !a!!oo



80 Total Tattoo Maga%ine

11.

12. 13. 14.

10.

10. lucy by clint millard, age of elegance

11. samantha by sadee, ruby lou’s

12. nikki by samantha adams, age of elegance

13. sadee by eckel, times of grace (germany)

14. rebecca by simon blay, interskin

the 'Onl$ Work Done At The Con!ention( approach & "hich limits entries

and can be npoplar, bt does of corse retrn the fa!or b$ focsing

attention on the artists "ho ha!e spported the sho" b$ "orking there.

It also le!els the pla$ing field "ith regard to the time that can be pt into

a piece.

The Original Portsmoth Con!ention benefitted this $ear from increased

attendance. This led to periods of e#treme congestion copled "ith strange

times "here it seemed to empt$ ot completel$, the cro"ds seeming to

ebb and flo" on both da$s. Organisers Ton$ and Ste!e and Ste!e(s "ife

Shirle$ "ere on hand throghot the "eekend to ensre that e!er$bod$

"as happ$ and had e!er$thing the$ needed. The$ "ere sper-friendl$ and it"as reall$ lo!el$ to part of a sho" "ith sch a great famil$ feel.










Our sho!case for paintings, dra!ings and design !ork b# the most creatie tattooists on the planet.This month Claudia De Sabe, Jolie Rouge Tattoo StudioIf #ou !ould like us to consider #our !ork, please send e"amples to :Pri!ate Vie", Total Tattoo Maga%ine, PO Bo# 10038, Sdbr$, Sffolk, CO10 7WL, UK















I$*e(ie b/ Ma(c% A$$+$0ia*a

Ph%*%) b/ Ti$-Ti$ & Ma(c% A$$+$0ia*a

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Ti$-Ti$ c%$)ac)ed a #*)*a" f'ie$d )% c%$fi'# # c'ede$)ia"(. A "i))"e

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e$d"e)) $+#be() %f *a**%% a(*i)*) h% c%$*i$+e

*% i$)i(e #e.




What came first, the pencil or the tattoo machine? Do you think that drawing skills are

essential to being a good tattooist?

Absoltel# the pencil. It$s the onl# "a# to de!elop an idea on paper and control shapes and

proportions. Personall#, I learned ho" to dra" b# cop#ing "ork from art books. E!en if I lo!e

and respect the "ork of great tattoo artists from the past, I al"a#s considered cop#ing flash a

serios limitation on m# creati!e process.

How would you describe your style?

When I started tattooing, I didn$t follo" the sal trajector#. Most tattooers begin b# cop#ing

flash designs and making traditional American tattoos. As I said, m# starting point "as not

flash design. I started cop#ing other artists$ "ork, bt from paintings and art books rather than

tattoo-specific "ork. I sed to go to the librar# for hors, std#ing lines and shapes from

imager# that appealed to me. In this "a#, I learned to dra" almost e!er#thing. No", becase

of m# !ersatile training, I feel confident "orking "ithin a range of different st#les: Japanese,

traditional, black and gre#, and color portraits.




What was the first tattoo shop in which

you worked?

I b'+ a *'( "& T'$'*e e& I a* 20

ea)* '$d. I *+a)+ed +' ')# +e)e ee) da.

Te&, bef')e *e++$"& d'& e)e "& Pa)"*, I

+)ae$$ed a)'&d +e ')$d. I *+aed "& +e

USA f') a "$e, e)e I %e+ a&d ')#ed

"+ a)+"*+* *c a* Ed Ha)d a&d M"#e

Ma$'&e.

Who are the guys that work with you at

Tin-Tin Tatouages?

I $"#e ')#"& "+ e)*a+"$e a)+"*+* '

ae a b)'ad )a&e 'f *+$e* a&d d)a"&

*#"$$*, +' be++e) *a+"*f ') "&c)ea*"&

&%be) 'f de%a&d"& c*+'%e)*. I ae a

)ea+ +ea% a&d I a% ()'d +a+ %'*+ 'f

+e*e * e)e % a(()e&+"ce*: M"%",

I**a, Mad O1B'$'**, a&d a '& +a$e&+,

N"c# Be)+"'$". B)&' Sa"$') Kea "* a

F)e&c '$d +"%e) ' a* bee& ')#"& b

% *"de f') 20 ea)*. He "* a$*' a fa%'*

%ac"&e b"$de). I& % *'( +e)e a)e a $'+

'f b''+*. I a$a* "&"+e "&+e)&a+"'&a$e*+* +' ')# e)e. T"* a+%&, e1)e

e$c'%"& C$a We$c f)'% P')+$a&d,

O)e'&.

I know that when you work, you listen

to a lot of music and you love to sing out

loud. Have you tattooed a lot of

musicians?

I& +e *'(, e $"*+e& +' a $'+ 'f d"ffe)e&+

%*"c. M '"ce "* e) $', b+ I $'e +'

*"& '$d"e*. I1% a +' '& +e

e/+e)"'), b+ a *ee+ea)+ '& +e "&*"de.

I )ece&+$ +a++''ed a e) fa%'*A%e)"ca& c'($e +a+ I ca&1+ &a%e beca*e

'f +e c'&f"de&+"a$ c'&+)ac+. I '$d $'e

+' ae +a++''ed F)edd"e Me)c), J"%"

He&d)"/, J'& Le&&'&, Sd Ba))e++, Ke"+

M''& a&d Ea)+a K"++, "e& +e ca&ce.

What’s the weirdest thing anyone has asked

you to tattoo?

F)a&#$, "& a$$ +e*e ea)*, I1e +a++''ed

ee)+"&. N'+"& "* e")d +' %e. B+ I

&ee) e/(ec+ed +' (+ +a++''* '& a+ce*!

Sa+c a*#ed %e +' (+ % Ja(a&e*e-"&*(")ed

"%ae) '&+' +e d"a$*, ca*e* a&d *+)a(* 'f +)ee &e a+ce*. Te*e de*"&* a)e (a)+ 'f

+e") &e +a++''-"&*(")ed c'$$ec+"'& +a+ "* '+

+"* a+%&.



91To tal Tattoo Magazine




Would you like to tell us about the huge

convention that you are organising in Paris?

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Ta/a" $ Pa$-. S$c #, a a$-- ad

a- #a ca' # Baac&a c$ $

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-*d. T# Md$a& d/ Ta/a" $&& */d&&c' # 5&d-6, # &-- &d-, a- && a-

# /"- a'" # $- 5d&-6 #

&d.

B&$ $ , $&& b "a#$" "#

a$-- -/c# a- F$&$* L/, Ha% Pa%, Jd$,

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'$dd& # F&ad d$-$c, a # bd

# c$ ad # -/b/b-.




Paris is a city that is deeply connected to cinema and fashion. Did you ever work

with directors or fashion designers?

A "3 5a/ a#+, I 0a00++ Ja* Pa Ga0% a* I 3+' +* a "3 +&c0/ 3%0$

$% "+ /+ 0%. I a/+ 0a00++ Mac Jac+b/ a* J+$* Ga%a*+. I c+ab+a0 3%0$

G%2*c$5 "+ a* a20%/%*# caa%#*, /%*# E2a H6%#+2a. L0 0 5+

/+0$%*# %*0/0%*# ab+0 0$ b%%*# 5 /$+ %/ %*: %0 3a/ +%#%*a5 0$ 3+'/$+

+" L+%/ V%00+*! I 0$%*' %0/ a5 /%#*%"%ca*0 0$a0 0+a5, a"0 a 0$/ 5a/, 3 /0%

3+' 3%0$ a3%*#/, */, a* /'%*.

You are teaching your youngest daughter the art of tattooing. Do you consider

yourself a good teacher?

S$/ aa5 25 #++, c+*/%%*# $ 5+*# a#. I &/0 05 0+ #%2 $ ac0%ca

a2%c. I 0$%*' 0$a0 0+ a* 0$ a0, 5+ $a2 0+ "%/05 b ab 0+ +b/2. T$*, 5+

$a2 0+ ac0%/ a3%*# a/ c$ a/ +//%b. I* 1987, I 3a/ 0a2%*# %* Ca%"+*%a

a* I /0a5 3%0$ Ka% Baba %* A*a$%. J/0 3a0c$%*# $ 3+' "+ a +*0$ 0a#$0

a +0. I0/ b00 0+ a* b5 3a0c$%*# 0 a0%/0/ a0 3+' 0$a* b5 b%*# /+

/c+*-a0 0a00++ a0%/0/ a*0%c.

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a0%/0 */ a /0+*# %a#%*a0%+*. M5 a#$0 aa6/ 25 a5 3%0$ $

%*2*0%2*// a* "a*0a/5. I/*0 0$%/ "%/$ #a0? (T%*-T%*/ a#$0 3 a "%/$

3%0$ a b+* %* %0/ +0$ 0$a0 /$ 2*0a5 0a00++ +* Ga$a/ # *40 0+ J%%

H*%4).

Have you seen any changes in the tattoo

industry that concern you?

F+ $+/3%2/ 0+ a35/, /'a0/ 0+

+c0+/, 0$ "ac0 %/ 0$a0 0a00++/ a bc+%*#

+ c++*ac a* a%*/0a. I 0$%*'

%0/ a #++ 0$%*#. Ma5b I %// 0$ 5a/3$* 0a00++/ / 0+ b 0+#$ #5/: a5 0+

"%#$0, 0+ "* 0$% %a/ 0+ 0$ a0$. T$

a a +0 +" 0a00++/ 0+a5 a5b 0++ a*5

b0 I 0$%*' 0$%/ %/ #++ a/ %0 /$+3/ 0$

%""*c/ b03* #++ a* ba a0%/0/.

B5%*# a 0a00++ '%0 +* Eba5 +/*0 a' 5+

a 0a00++ a0%/0!

Tin-Tin Tatouages

37 Rue de Douai

75009 Paris

France

Website: www.tin-tin-tattoos.com



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N3:*'*6 2012

Artist Interview

wen

illiams

Artist Feature

Liz Cook

TempleTattooHong Kongs finest

Private View Marcus Maguire

Sailor JerryFlashRestoring the past

Artist Feature

Sam Ricketts

GalleryPlus

20 pagesof greattattoos

TattooShows

The LondonTattoo Show

Norwich BodyArt Festival

HazelNicholls

in our Mugshot hot seat



98 T#'a Ta''## Magai"e

Wha# make" (o$ happ(?

Fai, 'a''##i"g, hea e'a &ic, gi'a%

a"d PS3.

Wha# make" (o$ ang(?

R#ck &'a% a''i'de& a"d a $e#$e.

Wha# &a" #he la"# book (o$ ead?

R" '# 'he Hi& / 'he bi#g%a$h #f I%#"

Maide".

Wha# &a" #he la"# mo%ie (o$ "a&?

The W%e&'e%.

Wha# pe#" do (o$ ha%e?

I1e g#' a &a fi&h 'a"k *i'h '*# 'i" c#d

*a'e% fi&h.

Wha# &o$ld (o$ ea# fo (o$ la"#

meal on ea#h?

The bigge&' &'eak $#&&ibe

Wha# i" (o$ fa%o$i#e #a##oo #ha#

(o$ ha%e done and &h(?

I1 &'i *ai'i"g f#% #"e B' I1e g#' '#

e"'i#" 0'%'e1 f##' $iece. I did i' *i'h#'

a" $%ei#& idea #% h#* i' *#d '%" #'

a"d i'1& a c#e% $ #f a b##d '%iba 'a''##(I ha'e 'he *i'h a $a&&i#"!)

If (o$ &on #he lo##e( &ha# i" #he

fi"# #hing (o$ &o$ld b$(?

A c#$e #f fa'& a"d h#&e&.

Who &o$ld pla( (o$ in #he mo%ie of

(o$ life?

R#be%' De Ni%#.

Wha# keep" (o$ a&ake a# nigh#?

The kid&.

Wha# "ong &o$ld be #he "o$nd#ack#o (o$ life?

The T%##$e% b I%#" Maide".

Wha# &o$ld (o$ "$pe po&e be?

Maki"g $e#$e agh.

Wha# achie%emen# ae (o$ mo"#

po$d of?

M fai.

Wha# i" (o$ bigge"# ege#?

Tha' I "ee% *e"' '# a%' &ch##.

Wha# i" #he be"# le""on life ha"

#a$gh# (o$?

D#"1' '%&' $e#$e '## ch. The *#%d i& f

#f '*#-faced $e#$e.

Ho& &o$ld (o$ like #o be

emembeed?

A& a g##d a"d h#"e&' a", *h# did"1' hae '#

be a&haed #f a"'hi"g.

Fini"h #hi" "en#ence:

Ma+ i&... a *#%kah#ic addic'ed '# 'a''##i"g.

mugshotWe a"k #a##ooi"#" "ome pobing $e"#ion" and enco$age

#hem #o e%eal a diffeen# "ide of #hem"el%e"!

Thi" mon#h

Ma' Pnie&"kiSo$#hmead Ta##oo S#$dio

Ne'# Mon#hHa)el Nicholl"

De"ign 4 Life Ta##ooGe' #% #*" T#'a Ta''## Mg f%#

&&&.#o#al#a##oo.co.$k





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Total Tattoo November 2012