TM | PRESENTATION - acústica |architectural acousticsgroup of architects who were specialized in architectural and environmental acoustics. They had the common ob-jective to offer

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TM| PRESENTATION

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Architectural acoustics

Acoustic consultant

Acoustic study

Acoustic project manager

Acoustic Control

Final Report

Environmental Acoustics

Stage Equipment

Architectural project

Berklee College of Music

“La Nau” Theater - Auditorium

“Des Born” Municipal Theater

“El Canal” Performing Arts Center

Torrevieja International Auditorium

Capitol Theater

South Forum International Trade

Dubai British School Auditorium

Cine Rex Auditorium

XIX Production House Recording Studio

Lecture Room Building of Elche

Grau Environmental Acoustic

WHO WE ARE

HOW WEWORK

WHAT WE DO

6 | WHO WE ARE

arquison™ was formed in Valencia (Spain) in 2004 by a group of architects who were specialized in architectural and environmental acoustics. They had the common ob-jective to offer projects that combined the best acoustic properties with constructive and aesthetic values. In our work we join acoustics and architecture equally.

As acoustic consultants, we provide services in all kind of spaces and to a wider set of clients, creating per-sonalized acoustic solutions to each situation and mo-ment. We work added values such as mounting details, shop drawings, budgets, analysis of structures, energy efficiency, environmental aspects… from initial designs to post-contract documents.

As acoustic project managers, we integrate acous-tic design and execution of works. Our large experience in construction works, the collaborating factories network and on-site installers allow us to offer a complete service or ‘turnkey project’. Our procedures enable us to anticipate the requirements and needs of the supplies and installa-tions, removing uncertainty and risks, coordinating the work of each group,…everything with the goal of achieving an acoustic success in your project.

From the beginning, arquison™ can be distinguished by its strong presence during the construction process as a distinctive and quality value. For us, the acoustics can’t be separated from the other disciplines involved in the con-struction of a building.

WHO WE ARE

VALUES

The value as an acoustic quality avail-able for all agents in a subjective science, where experience and knowledge with some magic meet equally.The most rewarding thing is to be able to participate and contribute our value in the execution of large scale infrastruc-tures that allow to some people (artists, musicians, singers...) to convey feelings, messages, moods... and for others (spec-tators), to receive and participate.

VISION

ARCHITECTURE + ACOUSTICSIn arquison™, we strive to be a reference in acoustic consulting providing our on-site expertise. The acoustics as a final el-ement where a large group of trades and occupations are joined, acoustics as part of a whole and target.We are working hard to create a brand recommended regarding quality and acoustic comfort in all engineering con-sulting, forums and communities.

reverberation timebass ratiouniformity

LF80C80, D50

STI

comfortvisibility

practicalityuseful

deadlinesstructure

constructive detailpanel

rubber bandbudget

ARCHITECT ENGINEER

BUILDER

OWNERUSERS

AUDIENCE

dry or deadwarmth

ensemblepresence

MUSICIAN

3 | WHO WE ARE2 | WHO WE ARE

MISSION

Our target is to contribute effectively in the construction and the urban develop-ment through acoustic consulting, pro-viding more especially our expertise and experience.Our projects have always focused on solving acoustic issues for institutions, architects, engineers, musicians, artists,... providing in each specific case solutions adapted to their specific environment, economic, technological, ...The acoustic study becomes an acoustic project when it reaches the level of ex-ecution and integrates with the general documentation of the project.

ACOUSTIC STUDY

The acoustic study consists in adjusting the values of the acoustic parameters to the specific use of the room. In order to achieve the right values of the acoustic parameters we define geometric features of the space, finishes and closings.

- Internal geometry of the room and the stage.- Acoustic shell.- Interior covering materials.- 3D modeling of the space.- Parameters estimation by simulation.- Definition of wall sections and entrances.- Construction details of the solutions proposed.- Analysis and evaluation of the background noise.

ENVIRONMENTAL ACOUSTICS - NOISE MAPS

The aim of this section shall be the intention to avoid, prevent or reduce the harmful effects due to exposure to environmental noise.Noise levels are calculated considering real scenarios and analyzing the worst cases of noise emission. In the next step these are compared with the limits established in the applicable legislation. The soft-ware used is ‘Predictor’ (version 7.1) by Bruel&Kjaer.

ACOUSTIC PROJECT MANAGER

ARCHITECTURE + ACOUSTICS. The practice of architecture as a base of ongoing professional devel-opment in order to fulfill both practical and expressive requirements, and utilitarian and aesthetic ends. Architecture and acoustics are developed in parallel complementing each other.

STAGE EQUIPMENT

The principal aim of the stage equipment is the coherent and functional design of spaces that allow the execution of events that are witnessed by the audience.

FINAL REPORT OF ACOUSTIC QUALITY

Although the reverberation time is a very important measure, a number of acoustic parameters that are significant for acoustic quality are also taken into account, these relate to the temporal develop-ment and the direction of the reflections that arrive to every listener. This is possible with the help of DIRAC Room Acoustic Software Brüel & Kjaer type 7841 program.

PROFILE

ACOUSTIC CONTROL - SITE SUPERVISION

It aims the following goal: execution management of solutions proposed, redesign of alternative solutions and architectural acoustic consultancy.


HISTORICAL OVERVIEW

1997 20072004 20122001 2002 2010

FIRST COLLABORATION

Palace of Beaux Arts in Altea, Ali-cante, as a student of architecture at the Acarma group, UPV, Spain.

ALGINET ‘MODERNO’ THEATRE

First prize. It was the first of six awards competitions won.

BERKLE COLLEGE OF MUSIC - CAMPUS VALENCIA

Acoustic design, project and site management works of Valen-cia Campus-Academic Area of the prestigious Berklee College of Music

‘LA NAU’ THEATRE-AUDITORIUM

First prize in competition for the drafting of execution project. It will be the far-reaching project carried out by Arquison until now.

FIRST ACOUSTIC PROJECT

His first professional experience was drafting and site management of Segor-be Auditorium.

TORREVIEJA AUDITORIUM

Acoustic design and acoustic control works began and these were finished in 2013 with the inauguration of the main audito-rium that can hold 1300 people.

Palacio of Beaux Arts, Altea Segorbe Auditorium Torrevieja Auditorium Alginet Modern Theatre Berklee College of Music, Valencia Campus Nau Theatre Auditorium, Denia

ARQUISON

arquison™ is created as an architectural firm with specialization in architectural and environmental acoustic consulting.

BACHELOR DEGREE

José Mª Forteza graduated as an architect specialized in building from the Polytechnic University of Valencia, Spain.

6 | WHO WE ARE 7 | WHO WE ARE

LOCATIONS

ARQUISON is developing an international ex-pansion process of their areas of work, as an acoustic consultants as an acoustic project managers.

It should be noted the acoustic studies made for the Exhibition Center and Comunication Tower in Batumi (Georgia), on top the recent initial acoustic studies for:- CTS-THEATER 800 SEATS- Lecture hall-Salalah Sports Academy- Burj AlSahya Towers - Ballrooms- CMA Tower Auditorium- CMA Podium

CLIENTS


NATIONAL PUBLIC ADMINISTRATION

LOCAL PUBLIC ADMINISTRATION

MUSIC SOCIETY

CONTRACTORS

ARCHITECT/ENGINEERING

OFFICE

PRINCIPAL OFFICE

TRUSTED PARTNERS

INTERNATIONAL REPRESENTATIVE

RAFAELCODINAROCHER

ARCHITECT

LUIS JUNQUERA

HERNANDEZ

ARCHITECT

NADIA ATA-ALI

MAHMUD

ARCHITECT

JOSE M.FORTEZA

OLIVER

ARCHITECT& CEO

[email protected]

[email protected]

MATERIALDESIGN

VIBRATION ISOLATION

EQUIPMENT

ELECTROACOUSTIC

SUSTAINABLESOLUTIONS

VALUE ADDED SERVICES


Partner in Middle East

AIMANHAMADA

REPRESENTATIVE

CLIENTSUSERS

AUDIENCE

ESTHER MOLLAR

BORT

ARCHITECT

[email protected]

ANTONIASOLBES

CAMARENA

TECHNICAL ARCHITECT

[email protected]

Partner in Beijing

JUAN MIGUEL RIBES

GRANELL

ARCHITECT

SALOMEHERNANDEZDOMINGUEZ

GRAPHIC & DESIGN

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ARCHITECTURAL ACOUSTICSRelationship between sound produ-ced in a space and its listeners, of par-ticular concern in the design of concert halls and auditoriums. Good acoustic design takes into account such issues as reverberation time; sound absorp-tion of the finish materials; echoes; acoustic shadows; sound intimacy, texture, and blend; and external noi-se. Architectural modifications (e.g., orchestral shells, canopies, and undu-lating or angled ceilings and walls) may act as focusing elements to improve sound quality.

© 2014 Encyclopedia Britannica, Inc.

WHAT WE DO

15 | WHAT WE DO14 | WHAT WE DO

LINDSAY’S WHEEL OF ACOUSTICS

ACOUSTIC CONSULTANT

The acoustic study is the cornerstone of all our activity.

Apart from our great acoustic calculation skills, our academic knowledge enables us to understand how the structure works, prepare construction details and approximate the design costs.

Our mission, provide to the clients a precise information and meets their expectations.

Our cooperation starts with interviewing the client, so that we can prepare detailed preview of the space that will be developed.


ACOUSTIC STUDY

NOISE MAPPING

- Daytime noise maps, which mean the values of LA,eq., LA,5 and LA,95

- Test of noise level in Nighttime

- Graph of noise levels caused by the highway at different heights and volume

- Graph of noise levels caused by the activity itself

ACOUSTIC ISOLATION

In this section the different types of partitions are analyzed, as vertical as horizontal position, and their composition are described in order to get an airborne sound insulation and impact.

- Zoning and requirements - NC Críteria

- Airborne sound between enclosures

- Noise isolation impact between enclosures

- Section details

RENDER

- Virtual image of the interior of the room - 3D Model

ADVANCED ACOUSTIC DESIGN

- Modeling 3D Odeon

- Avanced RT Study for each position in the room

- EDT, T R30, SPL(A), STI, C80, D50, LFI

- Annexed Spaces

- Importance of access and environment

NOISE OF INSTALLATION

- Acoustic criteria for Achieving an exact NC curve

- Technical specifications for the prevention of noise emitted by installations

- Distribution system and silencers - Analysis

- Calculation of the main systems

- Ducts and treatment

- Hanger isolators, tubing and ducts

- Elastic tubes

- Covered air-conditioning units

- Hanger isolators of air-conditioning units and connect machinery

- Treatment of the machinery rooms

ACOUSTIC DESIGN

- Identification of the enclosures

- Decision of requirements

- Minimum values of absorption

- Maximum values of reverberation time

- Choice of materials and verification of requirement

- Previous data

- Calculation of absorption

- Calculation of reverberation time

· Acoustic Objectives - Proposed uses

· Simplified RT calculations - Sabine/Eyring

· Cladding material distribution

GEOMETRICAL ACOUSTIC DESIGN

- Basic Proportions - Volumes - Spectators

- Visability from all locations

- Geometry of interior areas

- Initial reflexión study

- Uniform ditribution of sound energy

- Diffusion considerations


ACOUSTIC PROJECT MANAGER

As managers, through our partners, a wide dossier of materials are at our disposal, from wooden panels to fabric, metallic, plaster or rock wool panels that give us the tools to develop our design proposals for each room and provide them the quality to maximise the use of this space in every project.

FABRIC PANELS

METALLIC WALL PANELS METALLIC CEILING PANELS

PLASTER CEILING PANELS ROCKWOOL CEILING PANELS

WOODEN PANELS

19 | WHAT WE DO


ACOUSTIC CONTROL OF THE BUILDING EXECUTION

The acoustic control is the supervision of the execution of acoustic solutions designed. This is the best way to anticipate the problems that can occur, consequently optimize economic resources and minimize unexpected situations.

Tools:-On-site work visits.-In situ tests of acoustic parameters.-Acoustic models. Monitoring and prediction of results.-Architectural acoustic consultancy. Details, shop drawings, structure, costs,...

FINAL REPORT OF ACOUSTIC QUALITY

The goal of the final report is to quantify the final acoustic quality of the room.With this measurements we intend to do the evaluation of acoustic properties, the verification of the project parameters and finally the evaluation of suitability and acoustic quality of the room.

-Airborne noise isolation tests.-Impact isolation tests.-Tests and measurements of background noise.-Acoustic quality of the room tests.

Acoustic quality test:-Background noise.-Distribution of pressure levels (SPL(A)).-Reverberation time - middle (RTmid) and early (EDTmid). -Warmth (BR) and Brilliance (Br). -Definition (D50). -Intimacy (LF80). -Voice clarity (C50) and music clarity (C80).-Speech intelligibility (STI).


ENVIRONMENTAL ACOUSTICS -

NOISE MAPPING

“The aim of this section shall be intend to avoid, prevent or re-duce on a prioritized basis the harmful effects, including annoy-ance, due to exposure to environmental noise. To that end the following actions shall be implemented progressively:

1. The determination of exposure to environmental noise, through noise mapping.

2. Ensuring that information on environmental noise and its effects is made available to the public.

3. Adoption of action plans based upon noise mapping re-sults, with a view to preventing and reducing environmental noise where necessary and particularly where exposure levels can induce harmful effects on human health and to preserving environmental noise quality where it is good.

“Noise mapping” shall mean the presentation of data on an exist-ing or predicted noise situation in terms of a noise indicator, in-dicating breaches of any relevant limit value in force, the number of people affected in a certain area, or the number of dwellings exposed to certain values of a noise indicator in a certain area.

“Acoustical planning” shall mean controlling future noise by planned measures, such as land-use planning, systems engineer-ing for traffic, traffic planning, abatement by sound-insulation measures and noise control of sources.”

DIRECTIVE 2002/49/EC OF THE EUROPEAN PARLIAMENT

ARCHITECTURAL PROJECTSTAGE EQUIPMENT

The flexibility that you can give to the room, the pos-sibility of holding a very different kind and formats of events such as a theatre play, a symphony concert or a professional congress, obliges to have technical re-sources that enable to achieve requirements of each one. These technical resources are defined as “stage equipment”. We talk about creating theatre spaces.In the development of the stage equipment the fol-lowing sections are studied:

- Support structures.- Stage curtains, drapery.- Stage rigging

• Counterweight rigging.• Motorized rigging.• Motor control systems.• Orchestra shells and pit lifts.

- Dimming & Control.- Professional lighting.

- Audiovisual.- Professional audio.- Communication equipment.

Our professional organization can also develop the complete function of architectural firm in drafting projects, structures calculation, budgets, Safety and Health studies, building permissions,...One of the most developed areas in our firm has been the public buildings and the acquisition of public contest.

1 PRE-CONCEPTUAL

2 CONCEPTUAL DESIGN

3 SCHEMATIC DESIGN

4 DESIGN DEVELOPMENT

5 CONSTRUCTIONS DOCUMENTS

6 BID AND AWARDS - CONTRACT ADMINISTRATION

7 SITE SUPERVISION

8 POST CONTRACT

The development of an architectural design almost always alternating process between the general and the particular, large and small scale, the overall con-cept and detail.

We are convinced of the importance of acoustics in each of them and their implications in the final proj-ect quality.

Acoustics are increasingly recognized as an import-ant feature of building design. Acoustics are contrib-uting to LEED points.

24 | WHAT WE DO

VALUE ADDEDSERVICES

We understand that the limit of acoustic archi-tecture is permeable as it involves other areas to benefit the project.

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25 | WHAT WE DO

LABORATORY

The Laboratory of Architectural and Environmental Acoustic of E.T.S. Architecture of the Polytechnic University of Valencia has a partnership with ARQUISON so allow working in almost every field of Applied Acoustics, such as:

- Determination of the sound power of all kinds of machines,both “in situ” and laboratory according to the number of UNE - EN ISO 3740.- Measurement of sound insulation against airborne noise and impact noise of all kinds of walls, both “in situ” and labo-ratory according to the number of UNE -EN ISO 140.- Determination of sound absorption of materials in rever-beration chamber according to UNE -EN 20354.- Determination of exposure to noise at work and estimationof hearing loss caused by noise according to UNE 74023 or following the requirements established by Royal Decree 286 /2006.- Studies about acoustic design of enclosures.- Studies on noise impact produced by different types of ac-tivities and making noise maps- Materials and noise sources studies using the sound inten-sity distribution technique.

Laboratory equipment:Brüel & Kjaer Type 4418 Building Acoustic Analyzer. Bruel & Kjaer Type 3204 Tapping Machine. Bruel & Kjaer Type 4224 Three Sound Sources. Bruel & Kjaer Type 2231 Two Modular Precision Sound Level Meters. Magnetic DAT recorder. Bruel & Kjaer Type 2133 Real-Time Frequen-cy Analyzer. Bruel & Kjaer Type 3545 Sound Intensity Probe. Bruel & Kjaer Type 2515 Vibration Analyzer. Bruel & Kjaer Type 2148 Portable Real-Time Analyzer. Bruel & Kjaer Type 2260 Five Sound Analyzers. Bruel & Kjaer Type 2822 Microphone multiplexer 12 channels. Bruel & Kjaer Type 3923 Two Rotate Microphone Booms. Bruel & Kjaer Type 4204 Reference Sound Source. Bruel & Kjaer Type 2235 and 2236 Precision Sound Level Meter. Bruel & Kjaer Noise Prediction Software ‘Predictor’ V 4, V 701 and V 8.0. Bruel & Kjaer ODEON Room Acoustics Software. DIRAC Room Acoustics Software V3.1. Bruel & Kjaer Type 22368 Four Precision Sound Level Meter ‘Mediator’. Bruel & Kjaer Type 2260 Four Precision Sound Level Meter ‘Investigator’.

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The different alternatives of the speaker systems for a room will be analyzed from knowledge of the architectural constraints of it, as well as from the requirements of its acoustic quality:-Constraints due to interior finishes of the room.Systems that can integrate them into the aesthetics of the room are proposed in order to go completely unnoticed.-Acoustic quality requirements.Any musical or recital of contemporary music groups uses equipment and their own speaker systems and very specific, taking care themselves their assembly. Therefore, the pro-posed systems offer us a guarantee of uniform distribution of levels and a suitable speech intelligibility.-Location of elements in places easy to reach.

All phases of the development of an electroacoustic project are met:

-Preliminary Study of the client´s needs.-Analysis of the technical details of the installation.-Drafting the audiovisual project:-Audio.-Video.-Scenic lighting.-Scenic mechanics.-Stage draperies.-Control systems (Automation).-Digital signage.-Technology for simultaneous translation and lectures.-Teletraining systems.

We have collaboration from main brands as Meyer Sound, Sonoidea, Chemtrol, Amara Sonido Imagen y Comunicación,…

ELECTROACOUSTICSTAGE EQUIPMENT+ VIBRATION ISOLATION+


We support projects in many occasions with personality or peculiarities where is difficult to use specific materials. For this cases we can develop a custom material that fulfill both acoustic and aesthetic needs.

To design a product, it can appeal to many manufacturing processes and types of materials with advanced technology or more traditional, used for the sake of sustainable devel-opment or productivity, economic or luxurious... Because of lack of information, clients sometimes abandon an idea, thus depriving themselves of an invaluable source of inspiration.

There are now about 300.000 different known materials and as materials scientists create and combine materials in new ways, the number can be infinite. That’s why we can use a wide range of them to provide satisfaction on each project for each client and make a unique design in the world.

BIOCLIMATIC DESIGNBioclimatic architecture refers to the design of buildings and spaces (interior, exterior, outdoor) based on local climate, aimed at providing thermal and visual comfort, making use of solar energy and other environmental sources.

LEED CERTIFICATIONLEED certification is the recognized standard for measuring building sustainability. Achieving LEED certification is the best way to demonstrate that your building project is truly “green.”

- ACTIVE SYSTEMS STRATEGIES

- CLIMATE STUDY

- LIFE CYCLE ASSESSMENT

- CFD ANALYSIS

- BUILDING MONITORING

- ENERGY PERFORMANCE

- THERMOGRAPHIC STUDY

- SOLAR ANALYSIS

- ENERGY RETROFITTING

- BLOWER DOOR TEST

MATERIAL DESIGN+ SUSTAINABLE SOLUTIONS+

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LINDSAY’S WHEEL ACOUSTICS

We enjoy exploring and innovating. Our goal is developing solutions that meet customer expectations, while providing high level of functionality, aesthetics and highest acoustic requirements.

We want our client´s project to be the best.

HOW WEWORK

33 | HOW WE WORK32 | HOW WE WORK

BERKLEE COLLEGE OF MUSICVALENCIA, VALENCIA

Nature of projectMusic School/Rehearsal

Year2011-2012

Project statusFinished

Size of the project2.100m2

Cost667.744,42€

ClientBerklee College of Music

CollaborationGupotec

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


LA NAUTHEATRE AUDITORIUMDENIA, ALICANTE

Nature of projectTheatre/Auditorium

Year2012-2013

Project statusNot built


Cost9.000.000,00€

ClientGeneralitat Valenciana

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


DES BORN MUNICIPALTHEATRECIUTADELLA MENORCA,ILLES BALEARS


Year2009-2014



Cost2.999.912,11€

ClientCity Council / Ministerio de Fomento

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


EL CANALPERFORMING ARTS CENTER SALT, GIRONA

Nature of projectMultipurpose Center

Year2010-2012



Cost1.765.466’42€

ClientCity Council

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


TORREVIEJAINTERNATIONALAUDITORIUMTORREVIEJA, ALICANTE

Nature of projectMusic Hall

Year2004-2012


Size of the project2.450+385seats

Cost

ClientTomas Llavador - arquitectos+ingenieros

CollaborationAcarma UPV

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


CAPITOL THEATRE

CIEZA, MURCIA


Year2011-2013


Size of the project627+167seats

Cost

ClientAcciona S.A.

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


SOUTH FORUM INTERNATIONAL TRADEVALENCIA, VALENCIA

Nature of projectMultipurpose Center

Year2005-2006


Size of the project710+406seats

Cost

ClientAreas Engineering

CollaborationAcarma UPV

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER

BIE

BIE

BIE

BIE

BIEBIE

BIE

BIE

BIE

BIE

BIE

BIE

BIE

BIE


DUBAI BRITISHSCHOOLAUDITORIUMJUMEIRAH PARK, DUBAI


Year2014-2015

Project statusUnder construction

Size of the project500seats

Cost

ClientArchen engineering

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


CINE REX MUNICIPALAUDITORIUMVILLANUEVA DE CASTELLÓN,VALENCIA

Nature of projectMusic Hall

Year2011


Size of the project480seats

Cost

ClientOPTA-arquitectura

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


XIX PRODUCTION HOUSEPUZOL, VALENCIA

Nature of projectStudios & Broadcast

Year2013


Size of the project218m2

Cost

ClientPrivate

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER


LECTURE ROOM BUILDING OF ELCHEELCHE, ALICANTE

GRAU ENVI-RONMENTAL ACOUSTIC VALENCIA, VALENCIA

Nature of projectEducational

Year2013

Project statusUnder construction


Cost

ClientGRupotec Engineering

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER

Nature of projectEnvironmental Acoustics

Year2008


Size of the project218m2

Cost

ClientAreas Engineering

Scope of works

ACOUSTIC DESIGN

ACOUSTIC CONTROL

ACOUSTIC REPORT

EXECUTION PROJECT

SITE SUPERVISION

PROJECT MANAGER

JOSÉ MARÍA FORTEZA OLIVER Architect

Cofounder & CEO at ARQUISON architectu-ral acoustics.In 1997 he collaborated in his first acoustic project, the Palace of Beaux Arts in Altea (Alicante), as a student of architecture at the Acarma group (UPV-Spain).

In September 2001 he graduated as an ar-chitect specializing in building, from the Polytechnic University of Valencia - Spain. In November 2001 he started his own architec-tural firm. In November 2004 he created AR-QUISON with specialization in architectural and environmental acoustics.

Currently he has more than 100 works of any kind regarding architectural and envi-ronmental acoustics.

Borrull 17 - 1, 46008 Valencia, Spain | T./F. +34 963 921 481 | arquison.com

TM

Documents

TM | PRESENTATION - acústica |architectural acousticsgroup of architects who were specialized in architectural and environmental acoustics. They had the common ob-jective to offer