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Directed by: David Fincher Certificate: 12A Running time: 120 mins Release date: 15 October 2010 Synopsis: Harvard University, 2003. Zuckerberg develops the idea for Facebook with the financial help of his friend Saverin, but as the site soars in popularity, the pair fall out over the direction the company should take. Meanwhile, three other students claim that key ideas behind Facebook were stolen from them. As the site becomes more and more successful, Zuckerberg finds himself increasingly alone and learns that huge success can come at the cost of true friendship. Based on true events, The Social Network charts the foundation of Facebook, the relationship between its co-founders Mark Zuckerberg (Jesse Eisenberg) and Eduardo Saverin (Andrew Garfield), and the two court cases over the site’s origins that followed. These Study Notes are designed for use with Media and Film Studies GCSE and A-level and related qualifications. The Social Network Study Notes ©Sony Pictures Releasing 1 ©Film Education July 2011. Film Education is not responsible for the content of external websites. www.filmeducation.org www.nationalschoolsfilmweek.org

The Social Network Study Notes

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Directed by: DavidFincher

Certificate: 12A

Running time: 120minsRelease date: 15October2010

Synopsis:HarvardUniversity,2003.ZuckerbergdevelopstheideaforFacebookwiththefinancialhelpofhis friendSaverin,butas thesitesoars inpopularity, thepair falloutover thedirectionthecompanyshouldtake.Meanwhile,threeotherstudentsclaimthatkeyideasbehindFacebookwerestolenfromthem.Asthesitebecomesmoreandmoresuccessful,Zuckerbergfindshimselfincreasinglyaloneandlearnsthathugesuccesscancomeatthecostoftruefriendship.Basedontrueevents,The Social NetworkchartsthefoundationofFacebook,therelationshipbetweenitsco-foundersMarkZuckerberg(JesseEisenberg)andEduardoSaverin(AndrewGarfield),andthetwocourtcasesoverthesite’soriginsthatfollowed.

These Study Notes are designed for use with Media and Film Studies GCSE and A-level and related qualifications.

The Social NetworkStudy Notes

©SonyPicturesReleasing

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©Film Education July 2011. Film Education is not responsible for the content of external websites.

www.filmeducation.org www.nationalschoolsfilmweek.org

Before viewing: cinema for the digital ageForanumberofyears,filmshavebeencaptureddigitallyasopposedtorecordingontofilmstockbyeveryonefromGeorgeLucas(Star Wars Episode II: Attack of the Cloneswasthefirstfilmtobeentirelycapturedtoadigitalsource) tonumerous independentfilmmakersusingsmall,cheapdigitalcameras.Currentlydigitalexhibitionisbecomingincreasinglycommon:cinemasareconvertingtheirscreensandnolongerneedtoprojectheavy,unwieldyrollsoffilmthroughprojectors,butcannowreceivepristinedigitalfilmsonharddrives.Currently,aroundhalfofallcinemascreensintheUKaredigital.The Social Network isanexampleofafilmcaptureddigitallyand, inselectedcinemas,exhibiteddigitally.

z Whenviewingafilminthecinema,howcanyoutellwhetheritisadigitalprintorafilmprint?z ItisanticipatedthatallcinemascreensintheUKwillbedigitalwithinthenexttwotofiveyears.Whatmightbethefinancial,socialandaestheticimplicationsforcinemaofthischange?z EvenThe Social Network’sextrafeaturesanddocumentarieswerefilmeddigitally.HavealookataBlu-rayeditionofthefilmorlookataversioninanonlineshop.HowdotheextrafeaturesonBlu-raydiscsencourage:

- Interactivity - Useofothermediaplatforms(internet,gamesconsolesetc.) - Experiencesbeyondthefilm - Widerunderstandingofthefilm?

After viewing: opening sequenceDirectorDavidFincher is famous for creating startlingopeningcredit sequences.The Social Networkopenswithanincrediblyeffectivebreak-upscenefollowedbyarelativelyunderstatedcredit sequence.The ‘break-up’ scenehasbeen recognisedasaclassicscenethatfusesfilmmakingexpertise,characterandnarrativetomemorableeffect.

z WhatkeydetailsdowelearnaboutZuckerberg’scharacterinthesequence?z Howisthescenehumorous?z Whatisuniqueabouttheeditingandpaceofthesequence?z Look at the opening sequences of Fincher’s previous films, especiallySe7en(1995),Fight Club (1999),Panic Room (2002)andZodiac (2007).Howdotheysetthetoneofthefilm?z Considertheuseofmusicinthesequences.WhattypeofmusicdoesFinchertendtouse?Whateffectsdoesthemusichaveineachopeningsequence?

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©Film Education July 2011. Film Education is not responsible for the content of external websites.

www.filmeducation.org www.nationalschoolsfilmweek.org

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©Film Education July 2011. Film Education is not responsible for the content of external websites.

www.filmeducation.org www.nationalschoolsfilmweek.org

Fincherisfamousforshootingmultipletakesofscenes,oftentotheexasperationandamazementofhisactors.Theopeningsequencealonecomprisedoffootagefromoverninetytakes!

z Whatadvantagesarethereforadirectorwhoshootsmultipletakes?z StanleyKubrickusedthesamemethod.ArehisfilmscomparabletoFincher’sintermsoftone?LookupKubrick’sfilmsifyouarenotalreadyfamiliarwiththem.

Facebook, representation & target audienceThe Social Network presents a ‘new breed’ of youngsters who are culturally andtechnologically savvy. Ironically, increatingFacebook–a virtualnetworkdesigned tobringpeopletogether–theyareultimatelydrivenapart,personallyandprofessionally.SetinHarvardUniversity,Massachusetts,thefilmcapturesaverydistinctiveclass,placeandmomentinhistory.

z ThereisrarelyascenewhereMarkZuckerbergisalone.Howdoesthischaracterviewothersandhowdotheyviewhim?Howisthisconveyed?Inwhatsituationsdowefindhimaloneandwhatishedoingwhenheisbyhimself?z Towhatextentarethestudents,mostofwhomcomefromrichfamilies,portrayedinanunsympatheticlight?z Isthereanythingstereotypicalabouttherepresentationofadults?z Thefilmissetaroundadecadeago.Howdoesthefilmrelatetothe16-25agebracketoftoday?Considercasting,locationsandmise-en-scène.z Howcouldthefilmappealtoasecondary/otheraudiencewhohavelittleinterestorexperienceofFacebook?ConsiderthesettingandthecredentialsofwriterAaronSorkin(lookhimupifyou’renotfamiliarwithhiswork).z DoesthefilmtakeastancefororagainsttheexistenceofFacebook?Doesitcommentinanywayontheimpactithashadontheworldtoday?

MusicThe Social Network’scelebratedscorewascreatedbyAtticusRossandNineInchNails’frontmanTrentReznor(whohavebothsinceworkedonFincher’sadaptationofTheGirlwithTheDragonTattoo).Thescorefrequentlyswitchesbetweensombre,hauntingandminimalpianomelodiestotechnoorindustrialdance.

z Whattoneorsensationsdoesthemusicevoke?z What is unique about the piece ofmusic that accompanies the boat race inEngland?

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©Film Education July 2011. Film Education is not responsible for the content of external websites.

www.filmeducation.org www.nationalschoolsfilmweek.org

Activitiesz DesignafakeFacebookpageforacharacterinthefilm.Whatwouldtheirbeliefs,quotesandinterestsbe?Ifyoudon’thaveaccesstoFacebookatschool,writeoutorsketchthepageonpaper.z FilmaconversationbetweentwopeopleinthestyleofThe Social Network’sopeningscene.Howwillyoukeepthesceneinteresting,kinetic,humorousanddramaticthroughediting,performanceandcameramovementandframing?

Written by Gareth C Evans