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1 The SCHOLARS PROGRAM Aesthetics & Culture Updated Version 2.2021 – For Scholars entering the program in 2021

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1

The

SCHOLARS PROGRAM Aesthetics &

Culture

Updated Version 2.2021 – For Scholars entering the program in 2021

Aesthetics & Culture

2

Table of Contents

Requirements for Distinction ……………………………............................. 3 – 6

Grade Requirements…………………………………………………………..………… 7

Hands On Learning Rubrics ……………………………………………………………8 – 13

Extracurricular Analysis……………………………………………………………….. 14 – 15

Teaching Opportunity …………………………………………………………………… 16 – 17

Integrative Seminar.……………………………………………………………………… 18

Portfolio ………………………………………………………………………………………..19 – 20

Aesthetics & Culture Requirements for Distinction

3

Mission The goal of the work for the Aesthetics & Culture distinction is to encourage students to recognize how the different disciplines of the Humanities and Arts are drawn upon to answer enduring questions. We expect our scholars to be able to use the skills they have learned from these respective disciplines to take a broader view and answer questions that require them to be informed by their explorations of literature, history, visual and performing arts.

Course Requirements Scholars must earn 12 aesthetics trimester credits and must have courses in at least 2 of the following three course elective lists: Visual (V), Performing (P) and Textual (T). The average of all grades must be at minimum a B+ with no grade lower than B- in the courses selected to count towards distinction.

Courses Taken Course Name V, P or T Credits Final Grade _____________________________________ ______________ ____________

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_____________________________________ ______________ ____________ _____________________________________ ______________ ____________

GPA Requirements Average course grade of B+ Pass | Fail

No final course grade lower than B- Pass | Fail

Aesthetics & Culture Requirements for Distinction

4

Course OptionsVisual (V) Electives Survey of Art History (3)

AP Art History (3)

AP Studio Art (3)

Photography (3) Pottery (3)

Sculpture (3)

Studio Art (3)

Film Making (3)

Video Production (1-3)

Performing (P) Electives Theatre (3)

Advanced Theatre (3)

Broadcast Journalism (1-2)

Instrumental Music (3) Chorus (3)

AP Music Theory (3)

Independent Studies in Music Theory (1-3)

Textual (T) Electives Creative Writing (1)

Fantasy and Science Fiction (3)

Intercultural Leadership (1)

Mongol & Indian Cultures (1)

AP European History (3)

AP English Literature (3)

AP French Language & Culture (3)

AP Spanish Language & Culture (3)

AP Latin (3)

Ancient Greek (2)

Greek Civilization & Culture (1)

Aesthetics & Culture Requirements for Distinction

5

Hands-On Learning Scholars must complete two of the following hands-on learning activities accompanied with a critique for each and at least one submission to an authentic institution in the hopes of being published or displayed whether in a competition, through an exhibition, or in an anthology. All work must be done and submitted by end of Trimester 2 of senior year.

Select 2 of the following Activity & Critique Date Completed Grade 10 original artwork pieces (minimum 2 before senior year) ____________ ____________

Translation project ____________ ____________ Three pieces of original creative writing submitted to

student journal.____________ ____________

Two book reviews submitted to student journal ____________ ____________

An approved internship at an appropriate institution(gallery, museum, publisher, etc.)

____________ ____________

An approved combination of the above. ____________ ____________

Extracurricular Analysis Scholars must complete four critiques in the following areas: museum visit, play/performance, art critique, literary critique, translation critique, or other as approved by the Aesthetics Coordinator.

Critique Due Date Grade ______________________________ End of Trimester 1 of senior year ____________

______________________________ End of Trimester 1 of senior year ____________

______________________________ End of Trimester 1 of senior year ____________

______________________________ End of Trimester 1 of senior year ____________

Aesthetics & Culture Requirements for Distinction

6

Teaching Opportunity Each scholar will be required to teach a pre-approved lesson to an authentic audience on a subject relating to the Aesthetics & Culture theme.

Component Due Date Grade Lesson Design Prior to delivery ____________

Lesson Delivery End of Trimester 1 Senior Year ____________

Integrative Seminar Each scholar will be required to write their Integrative paper on a topic related to Aesthetics &Culture. Additionally, scholars will provide a more detailed expert interview with the objective of producing a higher quality product for integrative.

Component Due Date Grade Topic related to Aesthetics & Culture November 15 Senior Year ____________ Expert Interview January 15 Senior Year ____________

Portfolio The final step in the distinction process involves a review and defense of all of the student’s work over the past two years. All requirements must be met and approved by the Aesthetics & Culture Coordinator. The final defense will take place in April or May of senior year.

Component Due Date Grade Assemble Portfolio May 1 Senior Year ____________

Student Statement May 1 Senior Year ____________

Oral Defense to Scholars Committee May 20 Senior Year ____________

Aesthetics & Culture Grade Requirements

7

The grade requirement to achieve distinction in Aesthetics & Culture is the final letter grade (not percentage) in each class. There is no additional weighting for an AP or Honors course, nor is there a difference in the length of course—a one trimester course has the same weight as a three-trimester course and only final grades factor into the average.

Grades will be reviewed from the scholar’s official transcript and scholars must have no final grades below an B- to qualify for the distinction. Grades will be reviewed at the end of junior year and again with the Trimester2 report card of senior year to ensure eligibility. Scholars can choose which 12 trimesters of preapprovedcoursework to meet the distinction and the grade requirements.

Aesthetics & Culture Hands-On Learning: Art Submissions

8

Below is the grading rubric for the art submissions to the scholars program. Scholars will submit 10 original artwork pieces of which a minimum 2 must be complete before the beginning of senior year.

STUDENT: WORK:

ART ASSESSMENT EXCELLENT – 5 points GOOD - 3 points POOR - 1 point Points

MATERIALS - Choice Materials used enhance the message of the subject

Support, tools and/or medium needs adjusting

Poor choice of materials for subject matter

ELEMENTS* – Technique

All elements addressed well

Most but not all elements addressed

Poor use of elements

COMPOSITION** Rich composition with well used ‘hows’

Most but not all composition issues met

Only couple of ‘hows’ evident

STUDENT’S VOICE Very strong personal voice clearly evident

Some personal touches No individual message evident

CULTURAL INFLUENCE

Strong evidence of outside influence from norm

Some detectable stylistic or subject matter influence

No outside influence evident

QUESTION/EXPLORE FURTHER

Intriguing for further research or discussion

Evokes a question from the artist

Does not provoke further Exploration from viewer

GROWTH (within student’s work)

Totally different Some change –style, materials, subject

No change from previous Works Total points

TOTAL: 35 MINIMUM PASSING: 28 with no “poor” ratings in any category *Elements (THE WHATs): color, texture, line, shape, light, space, form**Composition (THE HOWs): unity/variety, balance, movement/rhythm, gradation, perspective/proportions, harmony

Aesthetics & Culture Hands-On Learning: Translation Project

9

A scholar may choose to translate a work of literature from its original language into English. This will require working in collaboration with a teacher qualified to evaluate the text in its original language and the scholar’s translation. This process should consist of the following steps:

1. Identify the piece of literature with the help of a faculty mentor.

2. Research and compose a brief literature review of the piece that covers the following:

a. Biographical information on the author

b. Overview of cultural context in which text was composed

c. Brief overview of previous translations (i.e. has it been widely translated, not done recently,etc.)

d. Reasons for choosing to translate the text. (language used by other translators out of date, etc.)

3. Translate the text.

4. Annotate key terms throughout the text and provide a thorough commentary. (See rubric for details).

The scholar will be graded using the following rubric. A minimum passing grade of 80% (40/50) is required for distinction with no “unacceptable” ratings.

Aesthetics & Culture Hands-On Learning: Translation Project

10

Student Name: Mentor:

Text: Author:

Excellent 10 Acceptable 8 Unacceptable 6Quality of Research

Good research —the information is accurate; sources are legitimate; appropriate ‘reading’ of the situations observed or information collected.

Information is mostly accurate; ‘reading’ of one aspect of text may be questionable; sources good but not varied enough.

Information is unreliable and/or inaccurate; translation does not convey meaning of original text.

Commentary Translation is accompanied by an extensive commentary that addresses cultural and lexicographical connotations of important words.

Translation is accompanied by a commentary that addresses cultural and lexicographical connotations of important words. Some questions remain.

Translation is accompanied by an insufficient commentary that omits relevant information.

Connection to research

Deep and logical connection between research and translation.

Some connections to research conducted, but other important findings are not addressed.

Little or no connection to the research conducted.

Rigorous lexicographical explorations

1) Alternatives exploredifferent facets of use; 2)form evokes appropriatemeanings; and 3) scenarioscover several dimensions ofuse.

2 of 3 components are addressed such as: Alternatives explore different facets of use and form evokes appropriate meanings but scenarios are weak.

1 of 3 components are addressed such as: Alternatives explore different facets of use but form evokes inappropriate meanings and scenarios don’t seem to connect to realistic use.

Final translation Translation reads smoothly, is free of awkward phrasing, doesn’t use jargon, and demonstrates knowledge of key points.

Translation is coherent for the most part, but missing 1 or 2 important elements.

Translation lacks coherence and sounds awkward throughout.

Total: /40

Aesthetics & Culture Hands-On Learning: Creative Writing

11

Below is a sample rubric for creative writing. A minimum passing grade of 80% (24/30) is required for distinction with no “1” ratings. * Voice in poetry may not be applicable, therefore for poems a grade of 20/25 is needed.

Attribute 5 4 3 2 1 Points Earned

Ideas

An interesting experience is shared with

details that help create the interest.

This interesting experience needs more

details.

The narrative needs to focus on one

experience. Some details do not fit the

narrative.

The narrative needs to focus on one experience.

Details are needed.

The narrative needs to share an experience

and use details.

Organization

The narrative is well organized,

with a clear beginning, middle,

and ending. Transitions are

used well.

The narrative is well organized.

Most of the transitions are

helpful.

The order of events needs to be

corrected. More transitions need to be used. One part

(beginning, middle, or ending) of the narrative is weak.

The beginning, middle, and

ending all run together. The

order of events is unclear.

The narrative needs to be reorganized.

Voice *

The personal voice creates interest in the

narrative. Dialogue is used.

The voice creates

interest in the narrative.

More dialogue is needed.

The voice can usually be heard. More dialogue is

needed.

The voice is weak. Dialogue is

needed.

The voice shows no

involvement in the narrative.

Dialogue is needed.

Word Choice

Specific nouns, strong verbs, and

well-chosen modifiers create

vivid pictures and express clear

feelings.

Specific nouns and strong

verbs are used. Modifiers are

needed to create a

clearer picture.

Strong nouns, verbs, and modifiers

are needed to create a clear

picture.

General and overused words do not create a clear picture.

Word choice has not been considered.

Sentence Fluency

The sentences show variety and are easy to read and understand.

The sentences are varied, but some should

flow more smoothly.

A better variety of sentences is

needed. Sentences do not read smoothly.

Many short or incomplete

sentences need to be combined

to keep the writing from

being choppy.

Most sentences need to be

rewritten. Help is needed.

Conventions

The narrative has a few minor errors

in punctuation, spelling, or grammar.

The narrative has several

errors in punctuation, spelling, or grammar.

Some errors cause confusion.

Many errors make the narrative

confusing and hard to read.

Help is needed to make

corrections.

Notes: Total

Aesthetics & Culture Hands-On Learning: Book Review

12

Scholar will begin by becoming familiar with book reviews. Well-written reviews consider a piece of literature from a range of perspectives, contextualizing the work within the author’s oeuvre, its more specific genre, and in light of contemporary or preceding works to which it relates. Scholar will become acquainted with this style by scanning several current book reviews of novels, story collections and poetry, as well as use the search feature to find reviews of older books. Below is a will find a list of several reputable sources for book reviews. These are composed by authorities within the field, rather than enthusiasts.

• http://www.nytimes.com/section/books/review• http://www.nybooks.com/• http://www.the-tls.co.uk/tls/

It is important to examine common elements that appear in reviews, such as a plot summary, discussion of themes, comparison of the writer’s work to their earlier works and those of their contemporaries, and influences that are evident on the work.

As part of the Aesthetics & Culture area of distinction, Scholars will write original reviews for several pieces of literature. Scholars should avoid reading professional reviews until after having crafted their own. Each book review must be a unique reflection of the scholar’s engagement with the book.

Helpful resources: http://writingcenter.unc.edu/handouts/book-reviews/ http://writingcenter.unc.edu/handouts/literature-reviews/

Presentation Checklist for the Review The heading of the paper is set up The header (the last name and page number) are present and in the right place The review has a unique title The title is in the correct format The citations for each piece of quoted evidence are done correctly Review is free from contractions Review does not use any first or second person pronouns Present tense is used correctly throughout Book titles italicized throughout the review Properly formatted Works Cited submitted with review

The scholar will be graded using the following rubric. A minimum passing grade of 80% (32/40) is required for distinction with no “unacceptable” ratings.

Aesthetics & Culture Hands-On Learning: Book Review

13

Student Name: Mentor:

Text: Author:

Excellent 10 Good 8 Unsatisfactory 6

Thesis Statement The review has a clear, concise thesis.

The review has a general, vague thesis.

The thesis is unclear or undeveloped; quotations are present but go unexplained.

Plot Summary And Discussion of Themes

Review clearly integrates the necessary quotations; supplies relevant and accurate information; and reflects a sophisticated understanding of the topics discussed.

Review supplies relevant quotations and integrates them into the text; and reflects a basic understanding of the topics discussed.

Information is present but is vague. The writer seems to have a limited understanding of the topic.

Contextualization of Work

Book is discussed at length within the context of the author’s other work and other authors’ treatment of the book’s theme. Leaves reader with a firm foundation in the author’s broader body of work and other exploration of theme.

Book is discussed within the context of the author’s other work or other authors’ treatment of the book’s theme. Leaves reader with a good grasp of author’s other work or a sense of other explorations of the theme. One or two areas of inquiry remain unexplored.

Book author’s other work is given only cursory treatment. Clear omission of other works treating a similar theme.

Conventions, Word Choice, Sentence Fluency

Review is free of errors in convention, issues with word choice, or sentence fluency. (See presentation checklist)

Review includes two to three errors in convention, word choice, or sentence fluency that do not compromise reader’s understanding.

Review includes four or more errors in convention, word choice, or sentence fluency.

Total: /40

Aesthetics & Culture Extracurricular Analysis

14

Scholars must complete four critiques in the following areas: museum visit, play/performance, art critique, literary critique, translation critique, or other as approved by the Aesthetics & Culture coordinator.

The scholar will be graded using the rubric on the following page. A minimum passing grade of 80% (40/50) is required for distinction with no “unacceptable” ratings.

Aesthetics & Culture Extracurricular Analysis

15

Student Name: Mentor:

Text: Author:

Excellent 10

Good 8

Unsatisfactory 6

Description

Describe the creator* of the piece. Include biographical

information.

Extensive biographical information is included.

Reader’s understanding is enhanced by this description.

Basic biographical information is included. Reader is left with some

questions.

Minimal biographical information is included.

Reader is left with many questions.

Analysis

Provide extensive description of the piece.

Analysis is extensive and addresses all aspects of piece.

Analysis considers most aspects of the piece. A couple of areas remain

unexplored.

Analysis is cursory and omits significant aspects

of the piece.

Interpretation

What is the message from the creator to you?

What is the impact of setting on your interpretation?

What is the impact of the title on your interpretation of the piece?

Interpretation is extensive. Includes personal

interpretation, consideration of setting, and reflection on

title.

Interpretation is good but less extensive. Addresses two

of the three questions in requirements.

Interpretation is cursory and does not address the

questions adequately.

Judgement

Offer your personal opinion on the piece.

Would you change anything? Would you recommend it to

others?

Did you enjoy the show/presentation**

Judgement is extensive. Includes personal opinion, consideration of areas for changes, and thoughts on

whether to recommend to others.

Judgement is good but less extensive.

Addresses two of the three questions in requirements.

Judgement is cursory and does not address the questions adequately.

Conventions, Word Choice, Sentence Fluency

Writing should be proofread and well composed.

Review is free of errors in convention, issues with word choice, or sentence fluency. (See presentation checklist)

Review includes two to three errors in convention, word choice, or sentence fluency

that do not compromise reader’s understanding.

Review includes four or more errors in

convention, word choice, or sentence fluency.

Total: /50

Aesthetics & Culture Teaching Opportunity

16

To meet the “teaching” requirement for the Aesthetics & Culture Distinction, scholars are required to create and implement a presentation or lesson tailored to specific audience.

Designing the Lesson Plan (must achieve a passing score of at least 48 / 60): I. Planning

A. Identify a target audience. (5 pts)B. Identify the needs, interests, and level of the audience. (15 pts)

i. What level will be taught- a Primary School classroom, or an Upper School class? A group ofinterested adults?ii. Determine how the lesson will fit into the broader context of the audience’s learning. Will theclass be exploring a topic they have learned about before? Was there a discussion with thegroup’s teacher to determine what they would like to have the group learn?iii. At what level of capability is the audience? Does the group have some familiarity with thetopic, or will this be entirely new to them?iv. Are materials appropriate for the audience’s level? (A scholarly essay will be too difficult forLower School students, just as a coloring page is too simplistic for older students).

II. Writing your Lesson PlanA. Introduction (10 pts)

i. Establish the goal or objective for the lesson plan.ii. Establish how the lesson plan goal relates to the overall subject.iii. Create an anticipatory Set: Sometimes referred to as a "hook." Use an informal creativeexercise, writing assignment, question, or anecdote to focus students' attention at the start ofclass. This activity should be brief and directly related to the lesson.

B. Body (20 pts)i. Present activities, including any discussion questions and transitions along the way.

C. Conclusion (10 pts)i. Summarize how the objectives will be met for the lesson.

Scholar must submit a lesson plan that meets the criteria for approval to the Aesthetics & Culture Coordinator prior to lesson delivery. Please submit at least two weeks before lesson delivery.

Once approved, scholar will present lesson and will be graded using the rubric on the next page. Host teacher can perform the evaluation or coordinator can do so. It is suggested that scholars record their lesson or ensure that grader is present at the lesson delivery. A minimum passing grade of 80% (48/60) is required for distinction with no “1” ratings.

Aesthetics & Culture Teaching Opportunity

17

Host Teacher or Coordinator Evaluation Form Scholar Name: _____________________

A minimum passing grade of 80% (24/30) is required for distinction with no “1” ratings.

Attribute 5 4 3 2 1 Points Earned

Content

Information in the lesson was

accurate and completely delivered

Some minor errors in content but

nothing that took away from main point of lesson

Lesson was not proper length or had one major content issue

Length and information

created multiple issues for lesson

presentation

Information was not accurate and length was not

appropriate

Creativity

Presentation was fun and used

activities or other active methods of

delivery

At times there could have been

more active methods used

Many times during the presentation there were lulls

and a clear lack of active delivery

Majority of presentation had

no creative element

Presentation was boring and only done in lecture

style

Classroom Management

Learners were engaged,

excellent control of classroom

A majority of the learners were

engaged for most of the time, good

control of class

A majority of the learners were

engaged some of the time, minimal attempt to control

A majority of learners were not

engaged and presenter did not attempt to gain

control

There was no control of the

classroom, learners ran amok, presenter seemed

indifferent

Subject Knowledge

Clear understanding and mastery of

material

A few instances of misunderstanding

of the material

Some questionable instances of

understanding

Lack of mastery of information presented

No understanding of material being

presented

Elocution

Spoke clearly and slowly so that learners could hear message

A few times in the presentation it was difficult to hear presenter

Multiple times during the

presentation it was hard to

understand the message

A majority of the presentation was

unintelligible

Voice could not be heard or

understood

Effective Communication

Spoke logically and provided

clear examples

A few structural issues in

presentation but overall logical

A major flaw in logic or an

example created confusion

Multiple flaws in logic or examples

Presentation was not in a logical

order and there were no examples

to help understanding

Notes: Total (out of 30)

Aesthetics & Culture Integrative Seminar

18

Integrative Components Component A: Topic Approval Component B: Expert Contact

Integrative Component A: Topic Approval Grading metric: Must receive an 80% or higher. Scholars are allowed to redo this assignment once in order to achieve a passing grade if they fail the first time as long as they meet the absolute deadline of November 15 of senior year. Beyond the deadline, there is no opportunity for revision. Late work will result in dismissal from the program.

In the Integrative Seminar class, the “Preliminary Topic Assignment” is normally due in November of senior year. Scholars must generate at least 3 topics / essential questions that are approved by Aesthetics & Culture Coordinator.

40% - Each topic has clear relationship to Aesthetics & Culture 30% - Each topic is relevant and timely 30% - Each topic has no direct answer

Integrative Component B: Expert Contact Grading metric: Must receive an 80% or higher. Scholars are allowed to redo this assignment once in order to achieve a passing grade if they fail the first time, as long as they meet the absolute deadline of January 31 of senior year. Beyond the deadline, there is no opportunity for revision. Late work will result in dismissal from the program.

“Contacting the Expert” is an assignment that is normally done in January of senior year. In addition to the above integrative assignment, Aesthetics & Culture scholars must develop a series of 25 questions with the assumption that the expert is willing to do an interview. These questions must show a thought process that if answered will allow the scholar to delve deeper into the topic. For grading purposes the expert does not need to actually respond to the scholar nor does the scholar have to send the questions to the expert.

50% - 25 questions – well thought out, open ended questions 20% - Questions show a thought progression and would create a successful interview 30% - Questions show research has been done in field and questions are well informed

Aesthetics & Culture Portfolio

19

Portfolio Components Component A: Portfolio of Work Component B: Scholar Statement Component C: Defense of Portfolio

The final step in the distinction process involves a review and defense of all of the scholar’s work over the past two years. All requirements must be met and approved by Aesthetics & Culture Coordinator. The final defense will take place in April or May of senior year.

Portfolio Component A: Portfolio of Work Contents must include the entire scope of work that has been completed by the scholar. Scholar is responsible for providing required documentation unless otherwise noted:

• Application (Aesthetics & Culture Coordinator will provide)• Verification of all grade requirement through of Trimester 2 of senior year & Mock AP Exam Scores

(Aesthetics & Culture Coordinator will provide)• Trimester progress reports (6 in total)• Two critiques from Hands-On Experiences• Extracurricular Analysis• Teaching Opportunity: Lesson Plan & Evaluation Forms• Integrative: Expert Contact

Portfolio Component B: Scholar Statement Scholar must write a 1 – 2 page statement describing what they learned from their experience in the Scholar’s Program. Significant growth should be apparent through these experiences and the scholar should be able to identify key themes throughout the process. This statement will be the first page of the portfolio and the first thing the Aesthetics & Culture Committee will read.

Portfolio Component C: Defense of Portfolio In order to earn a distinction in this area, Scholars must successfully complete the requirements and defend their entire body of work from the previous two years to the Aesthetics & Culture Committee. The Mentor is allowed to attend, but must not participate in the defense. At the end of the defense the scholar will be excused and the committee members, with input from the mentor, will discuss whether the distinction should be awarded or not. Each committee member and the mentor get a vote with the tie breaker going to the Head of Upper School.

Aesthetics & Culture Portfolio

20

Portfolio Committee Evaluation Form Scholar Name: _____________________

A minimum passing grade of 80% (20/25) is required for distinction with no “1” ratings.

Attribute 5 4 3 2 1 Points Earned

Growth

Displayed significant and clear growth

throughout the process

Good growth demonstrated

through most of the project

Periods of growth are apparent, but only sporadically

Limited instances of growth displayed

No real growth demonstrated

Academic Curiosity

Went above and beyond

requirements to gain a deeper understanding

Usually delved deeper into the assignment to

gain better understanding

Sometimes went beyond the

requirements

Seldom did anything but the

bare requirements

Did not show any interest in gaining

a deeper understanding.

Balance within Discipline

Minimum of two key areas (visual,

performing or textual) were

strongly represented in

portfolio

One of the required areas may have been weaker but at

least two areas were represented

One of the required areas had flaws but at least two areas were

represented

One of the required areas was

very poorly represented but at

least two areas were represented

One of the required areas was not represented in

the portfolio

Overall Quality

The portfolio shows an excellent depth and breadth

of thought

Overall the portfolio is good

but some sections are

lacking or contain typo’s

One of the five sections of the

portfolio have a major flaw

At least two sections of the portfolio have

major flaws

The end portfolio shows little to no

thought

Handling of Defense

All questions were fully answered in a

concise and professional

manner

Most questions were fully

answered and showed

understanding

Some questions were not answered

completely

Answers were sometimes

confusing and did not address the

question

Questions were evaded and

answers were incomplete

Notes: Total