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The Arts Live Advisory Board Ron ThomasGraduated from The Art Institute of Chicago {BFA]; Indiana University [MS]; SIU-E [MFA]. Began the Sculpture and Painting Department at St. Louis Community College @ Meramec and also taught 2D @ 3D Design, Drawing and Figure Drawing and Advanced Special Problems courses. Retired after 40 years. Solo exhibitions at St. Louis Art Museum, Laumeier Sculpture Gallery, The Art Foundry in St Charles and other galleries. Winner of The National Endowment for the Arts for “Excellence in Draw-ing”. Currently experimenting with oils on wood and traveling with artist-wife Harriet to museums and art galleries through U.S. and Canada.Email: Ronwthomas@aol.com

Bryan HaynesThe commercial work of the artist has graced the pages of national magazines, international advertis-ing campaigns, CD covers, posters, and book covers from Agatha Christie to the cover of “Scarlett” the sequel to “Gone With the Wind”. Since graduating of the Art Center College of Design in 1983 his artwork has been represented by Bernstein & Andriulli in New York, Ron Sweet in San Francisco, and Foster Represents in St. Louis. Recent corporate and institutional commissions include murals and large scale paintings for; The Kauffman Foundation in Kansas City, The Missouri Botanical Garden’s permanent collection, The Westward Expansion Memorial Museum at the Arch, Novus International Inc., and the Danforth Plant Science Center. Additional patrons include Disney, Estee Lauder, Warner Bros., Toblerone –Switzerland, Universal Studios, IBM, Nike, Sony Music Corp., and Anhueser Busch.www.artbybryanhaynes.com artbybry@aol.com

Vic BarrI design and work with the North American and exotic hardwoods of the world. I create contemporary jewelry chests and towers. I hand turn a lot of writing instruments, pens and pencils. I’ve begun to do some contemporary table-top sculptural pieces. I design custom pieces to meet the needs of individual clients.Email: VicBarr@sbcglobal.net

Sandy KoldeAfter retiring from a long professional career in health care I now devote my life to art, which has always been a vital interest of mine. I have taken many classes at the Craft Alliance, as well as work-shops at Penland School of Fine Craft and Arrowmont. Contemporary ceramic figurative sculpture is my focus and these sculptures have recently beenshown in exhibits at William Woods University, and the St. Charles Arts Council. I have served on Boards of Directors of several arts organizations and believe strongly that art contributes to the quality of life for all who are interested in either viewing art as a patron or producing art themselves.Email: sandykolde@charter.net

Adam LongAdam Long is a nationally known sculptor in St. Charles, Missouri. Educated in the St. Louis region he has an MFA in Sculpture from Fontbonne University. He has been an art educator for over fifteen years, working in public middle and high schools and the university level. Locally, his work has been featured in articles in the St. Louis Post-Dispatch, Street Scape Magazine, Suburban Journals Weekend, At Home: St. Louis Magazine, the St. Charles County Post, and LifeScape Magazine and shown on the FOX, CBS, and PBS network affiliates. He has exhibited across the region, including shows at the Arts Incubator of Kansas City, the Schmidt Art Center at Southwestern Illinois College, the Baker Arts Center in Kansas, the Foundry Art Center in St. Charles, the O’Fallon Cultural Arts Center, and the St. Louis Artists’ Guild. His sculptures have received prizes and cash awards in numerous juried exhibitions. His work is in many private, national collections. His work can be viewed at www.AdamLongSculpture.com

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EDITORSLETTER

Welcome!The Arts Live we are onstantly growing to better serve its increasing number of visitors. Arts and culture are part of a broader creative economy and to make an important contribution of economic growth and cultural tourism. The primary role of the Arts live will always be to cel-ebrate and support the extraordinary achievements of the arts, artists, galleries, museums and the performing arts in our community.Our Mission- is to be a catalyst and support a dynamic dialogue between artist, events, galleries, arts organizations and those who work within, participate in or simply enjoy art.Our Vision – The arts Live is the pre-eminent showcase for the arts to be an important part of the art scene. The Arts Live has begun rapidly moving the next generation of internet technology to the arts.The On-line magazine of “The Arts Live” Features Studio Visits increase access for the public to see work and meeting artist, documents art events and happenings in each issue. Enjoy great editorial diversity, articles of exceptional interest and quality written by curators, artists, gallery owners and experts in their field. For more information, please contact us at 314.910.0764.

Joyce Rosen, Founder of “The Arts Live” jrosen@theartslive.com www.theartslive.com Click Here to subscribe: www.theartslive.com/magazine

The Art of GivingYour contribution will be acknowledged on our web site sponsor page and listing page on the Arts Live magazine. Your contribution will vastly enable The Arts Live to continue and expand our coverage of artists, galleries, performance arts and art organizations in the State of Missouri.

Click here Advertise Rates PDFClick here-Connect with Contact page other ways to support The Arts Live

On-Line Publication

Publisher and Editor Joyce Rosen

Design The Design Company

Sandy Ferrario

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Digital-Media Direct Sandra Kolde

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Calendar Submit your event See www.theartslive.com

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Published 4 times per year, Spring, Summer, Fall, Winter

The Arts Live 200 South Brentwood,

Ste. 5B, St. Louis, Mo. 63105

Phone: (314).910.0764

e-mail: jrosen@theartslive.com

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Spring2013 ContentsFEATURESStudio VisitsEncouraging the public to meet artist, see new work, make purchases and nurture potentialnew collectors. Increase access for the public to see work and meet artists, Interviews withContemporary Artists’ working across the United States in a variety of media, painting,sculpture, fiber, ceramics and photography.

Dawson Morgan 6DJ Berard 14Philip Perschbacher 20

Art on ViewArt Saint Louis by Chandler Branch 24

Art Festivals 2013 27

Missouri Galleries & Museums 28 and 29

Advisory Board Is made up of artists, persons of knowledge experience and judgment who have an inter-est in the arts. Ron Thomas, Bryan Haynes, Vic Barr, Adam Long and Sandy Kolde

IN EVERY ISSUE

Dialog with Us An open forum on contemporary

art and culture.

Performing Arts

Art Festivals

Art Organizations

Cover DJ Berard

Dawson Morgan

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Dawson MorganSTUDIOVISITS

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Above: “Leaves Through Branches”22x44x5, linden,tinted lacquer,elm

$6900Right: “Leafy Arc” (left) “Amber Arc” (right)

Q. When did you first realize you were an artist?A. I declared that I would become an artist in fourth grade. All artistic activities drew me in.

Q. Description of your art?A. Nature is my greatest muse and the technical side of creating with hand built clay my biggest challenge. I love making a huge piece that looks and feels whimsical, yet is precise in all the exact steps along the way.

Q. Current Medium ? A. Quite simply, I love to have my hands working in clay. My focus was hand built ceramics 25 years ago and I never strayed away from that.

Q. Previous Medium?A. Do you have a Favorite Subject Matter? No, I really don’t. My work is naturally very seasonal. Iris bloom for about two weeks so that is the focus. Then they fade and lavender or daises are the preferred subject matter. I work with Raku in the winter when there is little outdoor inspiration and the fire will get me outside when it is cold.

Q. Have you been Influenced by what artist and how?What inspires and motivates you? A. I use natural textures directly in my clay designs. Collecting indig-enous plants (also known as weeds), picking flowers, or any foliage while hiking becomes the texture burned into the clay. Each differ-ent natural resource I use creates another learning curve. I get hyper motivated when the season is close to an end. Let’s take Vine Collec-tion. I have an agreement with local vineyards to clip grape vines. I incorporate these fresh clippings in the designs. The Midwest growing season wraps up around September. I have all summer long to work

with these vines. Yet, every September, I’m scrambling to complete enough vine work to get me through until the next growing season. Is this motivation or procrastination? I don’t know, but it works for me.

Q. How has your work changed as you developed as an artist?A. We lived in beautiful Lausanne Switzerland for four years. There I rented studio space from a local ceramic artist. The tools, clay, scen-ery, everything was different. The whole experience freed my artistic mojo and taught me not to give up. One day I was alone in the studio gallery. A lady walked in to buy a piece from the window. At that time my French speaking ability was similar to that of a preschooler. With my childish vocabulary and poor conjugation I sold her the piece from the window. That was an “aha” moment for me. I figured if I can do this in a foreign country with hand gestures and poor language skills, then I can definitely make it work in my own country.

Q. Studio Space where is it and describe your studio what is it like? A. I love my basement studio. It is 420 square feet of sacred space. I can get our 2 children on the bus and head to work. I call it “work”, but honestly the studio side of Dawson Morgan Ceramic Works of Art is pure joy. Studio time feels more like a good conversation with a close friend.

Q. Do you work in your studio every day? A. I wish. There is no set rhythm for when I need to work. It seems like commissions and acceptance to juried shows pile up at the same time. I am too busy. Then I’ll get overlooked for a few things and all I want to do is get in there and create. In a perfect world I’d have just the studio work and let someone else update my website, keep me alive in social media, deliver/install, and red flag shows that I should submit to.

Dawson Morgan’s award winning ceramic works of art are durable stoneware pieces inspired by found local flora and natural textures. The artist perfected her techniques through working in a Swiss ceramic studio, bringing a unique approach to her hand built ceramic art.

Above: Illumiontated platter 24 x23 x 4Left: top to botton: Wall Flower 14 x 7,

Vineyard bowl 124 x 7,Blue Raku 23 x 24 x 11

Q. What do you do for fun? A. I’m a water person, sailing, skiing, and fishing. Sitting on the dock of the bay or swinging in the hammock are a high priority too.

Q. What kind of music do you listen to while creating?A. I listen to everything, truly everything typically at an obscene volume. My husband is a huge RAP fan. Over the years I have grown to appreciate the brilliant poetry and hu-mor found in RAP/Hip Hop. I grew up playing the piano and had season tickets to the symphony. Yet, nothing is better than standing on your cooler in a mowed down field enjoying BB King or Erma Thomas.

Q. Did your family have an influence on your decision to become an artist’s?A. My parents would have talked me out of it if they could have. It is very difficult to find a lucrative combination of art and business. I must be honest; I waited on my fair share of tables to supplement a stable income with that BFA.

Q. Why does the world need art? A. Whoa! Now this is a weighted question for another article.

Dawson Morgan—Artist Statement *Often I am asked about the process of getting into shows. For those who are not involved in an art career it is like the game of BINGO. You do your research and find out when and where game night is happening. You show up at the right time i.e. complete the submission forms by the deadline. You pay $5 for your card. Well, most shows and galleries charge $20-

50. There is a judge who calls out the numbers. This is much like the juror who accepts and declines art work for the show. Sometimes it all lines up and BINGO your work is selected, other times you just did not have B10 and that is that. You do this over and over again and eventually it adds up to a full calendar of artistic outreach and hopefully income.An interesting submission for me this year was creating The Missouri Humanities Council awards. Through The Best of Missouri Hands there was a call to artists interested in “win-ning” the opportunity to create 10 pieces of original art. These pieces would be presented to individuals and organizations whose achievements set an example worthy of statewide atten-tion. The awards recognize outstanding teaching in Missouri schools, community outreach activities by individuals and hu-manities institutions, and exemplary achievement in literature. Well BINGO, my work was selected. I created 10 Illuminated Vessels and attended the banquet. It was thrilling to see my creations represented as an award and shake hands with the people making a difference in Missouri.

Artists Statement- 250 words see attachmentBirthplace Mobile, AlabamaCurrent Home Saint Louis, MissouriPrice Range of your work $49-$1200Gallery RepresentativesMC&Co New York, New YorkWood Icing Gallery, Chesterfield Mall, Chesterfield, MissouriSaint Louis Artist’s Guild Boutique, Clayton, MissouriAugusta Wood Ltd, Augusta MissouriWebster House Gallery, Webster, MissouriWeb Site: www.dawsonmorgan.comEmail: art@dawsonmorgan.com

Left: Dogwood vessel Right: Dawson Morgon in

studion

14Above: Gallery Showing

Right: Stairs Up 48x72Following page: Ice Machine 48x72

STUDIOVISITS

DJ Berard

Q. When did you first re-alize you were an artist? A. I have always had art in my heart. As a kid I thought I had to pass some test to make it official. Looking back now I would say I have always been an artist but I did not recognize that I was ‘til about 10 years ago. I won my first art contest at the age of 8 and I started selling my creations around the age of 10.

Q. Description of your artA. I create representational works in a variety of sizes and mediums, but I am most well known for my Found wood sculpture.

Q. Current Medium A. Found Osage Orange Wood aka Hedge Q. Previous Medium A. Oil paint, and any other medium I can get my hands on

Q. Do you have a favorite subject matter? A. Horses and my Daughters

Q. Have you been influenced by what artist and how?A. I come from a community rich with local artists… In high school not only did I have a talented Art Teacher (John Fitzgibbon/watercolorist) but I was also lucky enough to be selected for a job shadowing program That allowed me to meet and watch our local artists. It made becoming an artist “real” to me. I would say that they may have not influenced my work but the definitely influenced me.

Q. What inspires and motivates you?

A. My 4 children are my greatest motivators!

Q. How has your work changed as you developed as an artist?

A. I have become less worried if others will like it and more concerned with whether I am happy with it. I am still growing and changing as an artist.

Q. What interests do you have besides?A. With 4 kids my interests have become PTO, basketball, softball, football and anything else my kids are into. I really never enjoyed sports before, but now that my kids play… I have discovered I am that crazy mom who is standing up yell-ing “That’s my Baby” in the middle of the game. Q. Studio Space where is it and describe your studio what is it like?A. My space is here at my home. Last year we built a large workshop with a gallery in front. The shop allows me to be home for my kids and still be available to meet with collectors in the formal space of the gallery. I have a classroom upstairs for private classes, 4 -h art project meetings and a painting studio when I have time.

Q. Do you work in your studio every day? A. I work in my studio when Life allows me to. Typically I work 3 days a week unless I am working on a commission with a tight deadline. With 4 kiddos, one that is not in school yet… I have to work when I can.

Q. What do you do for fun?A. Play with my kids. Go to dinner with my husband. Talk to my friends or my horses .

This article is a celebration of DJ Berard achieving her MFA in Studio Arts and Painting at Lindenwood University, St. Charles, Mo

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Q. What kind of music do you listen to while creating?A. I’ll listen to just about anything, but usually I am working in silence. I like to be alone with my thoughts. I don’t usually get that any other time. It helps me focus on where I want the piece to go.

Q. Did your family have an influence on your decision to become an artist’s?A. My parents / family have always been supportive of my art.

Q. Why does the world need art?A. Well for me personally… art is that thing that makes me feel like I am shinning from the inside out. I couldn’t live without it. It’s a way to express emotions, beauty, or the ugliness of how you are feeling with out saying a word.

DJ Berard—Artist Statement

I work on raw canvas, using the structure of a drawn image to provide a sense of a place while color works to create the feeling of place, color patterns on sunlit spaces to the deep recessed shadows of protective places. Layered splashes of color provide the essence of what organic spaces can be while drawn in structures with conte or charcoal provide context for that space. My subjects are familiar, the images and scenes that turn my head as I drive past, a shadowed alleyway with unexpected splashes of greens with

purple shadows, dumpsters with looming tall oaks that protectively shade parking lots, deep shadows that invite exploration. I use paint sparingly, preferring to communicate the essence of a place without painting in all, working to paint more with less.

The minimalist approach reflects the organic focus of my work and the contrast between forms, lose spontaneous color and the drawn planned, deliberate structures. It is not the landscape alone that is important, but its context. The relationship of free explod-ing forms in green, yellow, purples is all the more striking when seen in contrast to more mundane structures, often only suggested by an outlined curb, sign or dumpster. The color of paint may draw viewers in, but it is the rec-ognition of where the space is that makes the image memorable. Intersections are remem-bered because of the light filtering thru trees that seems to dance above the asphalt, favor-ite gas stations remembered because of the shade of an old oak near the air pumps, a wel-come cool, dark shade retreat on a hot bright day. These spaces of unexpected landscapes I appreciate because the are surprises of color, and space that are unplanned, unexpected and often unseen by others. Landscapes that are ignored or unseen, I see, and I paint.

Above: Fuel Enter Only Left: St Chalres Parking Lot 48x72

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Q. When did you first realize you were an artist?A. I have always been an artist. I don’t know that there was one defining moment that confirmed my idea to become an artist. My teachers from grade school through graduate school always encouraged me to continue working.

Q. Description of your art?A. My art fits into two categories. One is work that I do on my own and the other is work that is commissioned. My artwork fo-cuses on depictions of the human body. My commissioned work is for churches, schools, retirement homes or other public venues.

Q. Current Medium ? A. Sculpture, Drawing and some Painting

Q. Previous Medium?

A. I have worked with everything from paper to stone to bronze unless you also consider animal and human anatomy to be a me-dium. I have dissected a lot of animals.

Q. Do you have a Favorite Subject Matter?A. The human body and its structure, psychology and emotion are the main subjects of my art

Q. Have you been Influenced by what artist and how?A. Many artists inspire me. I am fascinated by Hellenistic and Gothic sculptures. I recently was able to see “The Boxer” on loan to the Metropolitan Museum of Art. It was amazing sculpturally including a flawless bronze casting technique. I constantly return to the work of Leonardo Da Vinci, Verrocchio, Donatello and Rodin.

Q. What inspires and motivates you?A. I am inspired by the world around me, the structure and mechanics of the human body, and mathematical beauty as it is conveyed through harmonic proportions.

STUDIOVISITS

Philip Perschbacher

Left; clockwise from top left: Alan, $900, Plaster, Lifesized, Remember-ance, $750, Raku fired ceramic, Lifesized, National Sculpture Society Figure Sculpture Competition, Clay, 32”, Old Adam detail, $1250, Plaster, 48” Above; Good Shepherd, Commission St.Paul’s Bremen, IN, Paint on Canvas, Entire mural 6’6” x 20’ with artist Philip Perschbacher

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Q. How has your work changed as you developed as an artist?Q. My work is constantly changing as I research new techniques and concepts. I try to employ ideas from math and science to inform my work. At the same time my artwork is becoming more intellectual to me and more emotional to the viewer.

Q. What other interests do you have?A. Selling Artwork

Q. Studio Space where is it and describe your studio what is it like?A. Koken Art Factory. It is a space that is suited to my large scale 2D and 3D work

Q. Do you work in your studio every day? A. I would like to work in my studio everyday. I typically work in my studio 4-5 days a week as I also teach and have a part time job

Q. What do you do for fun?A. Draw and sleep on occasion

Q. What kind of music do you listen to while creating? A. Classic Rock, Beethoven and especially Palestrina

Q. Did your family have an influence on your decision to become an artist’s? A. Maybe genetically. I believe that I was born an artists. My fam-ily’s influence was with my college education at Webster Univer-sity and M.F.A. from The New York Academy of Art.

Q. Why does the world need art?A. The world would be sad, emotionless and pathetically boring without art.

Philip Perschbacher —Artist Statement Philip Perschbacher received a B.F.A. in Drawing from Webster University in 2003. In 2002 he studied at Webster University in Vienna, Austria and has made several trips to Germany and Italy since then. Philip received his M.F.A. in Sculpture from the New York Academy of Art in 2005. While at the Academy he studied with Harvey Citron, Martha Mayer Erlebacher, and was a class monitor for Frank Porcu. In 2006 Philip was hired as an Assistant Professor of Art at the age of 24 at Concordia University Ne-braska. In 2012 Philip was a visiting artist at North Dakota State University and led a figure sculpture workshop and cast sculptures in bronze. In 2012/2013 Philip began teaching adjunct at Forest Park College and Webster University in St. Louis Missouri. He is currently teaching workshops at St.Louis Artist’s Guild. Philip maintains a studio in St. Louis and leads private classes and creates public and private art commissions.

Birthplace St.LouisCurrent Home St.LouisPrice Range of your work: Sculpture: $500 - $5000 Commissions: $1500-$30000Gallery Representatives Clayton Fine Art GalleryWeb Site: http://www.perschbacherartist.com http://philipperschbacher.blogspot.comEmail: philipperschbacher@yahoo.com

Above left to rigtht: Window, Crown of Thorns, Commission St.John’s Bakersfield, CA, Stained Concrete Entryway, 12” diameter circle

Right, clockwise from top left: Old Adam, $1250, Plaster, 48”, Na-tional Sculpture Society Figure Sculpture Torso, Clay, 32”,

Polyhedra, $50, Folded Paper, 12”

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Mission Statement Art Saint Louis is dedicated to enriching lives through the creative activity of our region’s contemporary visual artists. Through exhibition, education, and exchange, we con-nect and inspire our community, and multiply the economic and cultural vitality of our region.

Focus Areas Art Saint Louis is all about fostering the development of local artists and helping more people discover and enjoy their work. In our case, “local artists” means contemporary visual artists at work within a 200-mile radius of St. Louis. Our work is focused on:GALLERY EXHIBITIONS – We produce an average of 12 exhibits per year in our gallery in downtown St. Louis. Exhibits encompass a wide spectrum of styles, mediums and expression by emerging and established artists, and include collaboration with 20 regional colleges and universities to showcase the work of student artists.OUTREACH EVENTS - We produce a variety of events to engage the community and contextualize the work of local artists. Recent events have included juror gallery talks, a catered dinner, a musical performance co-presented with the St. Louis Sympho-ny, a community potluck and wine tastings.

EDUCATIONAL – We present artist residency programs in St. Louis area elementary, middle and high schools. These programs provide students the opportunity to work with professional artists, to study the artists’ media, techniques and styles, and learn about the life and career of an artist.OFF-SITE EXHIBITIONS – We

produce dynamic exhibits in a variety of private and public spaces as a way of enriching the environs of our region, including a series of pop-up galleries (www.Pop-UpSTL.com) in available commercial properties in downtown St. Louis.

Classes/Workshops We present workshops focused on professional development for visual artists, such as how to photograph your artwork.

What inspired your interest in art?My interest in art these days is driven by the many talented art-ist I’ve had the privilege of meeting in the St. Louis area. I’m inspired by what I see as a great importance in their creative activity as it relates to the vitality of the region as a whole. Artists are the aesthetic salt of the earth.

What is the first piece of art you purchased for yourself?Honestly, I’m not sure.

GalleryVISIT

Art Saint Louis Gallery

Interview with Chandler Branch

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Art Saint Louis Gallery

Are you an artist yourself?I’m a musician. I began studying violin when I was five years old, majored in music in college, and have been active as a composer as well.

Why does the world need art?Art helps us realize, understand and remember that our world is—and we ourselves are—more than a highly-organized collection of chemicals. From the ponderous to the frivolous, art ultimately points us to the numinous, to that which exists outside of our ability to fully comprehend, but to which we are nevertheless connected and irrepressibly attracted.

If money were no object, which artist’s work would you buy?That’s a tough question. I would buy local, from a St. Louis regional artist. I have my favorites, but given my position with Art Saint Louis am hesitant to play my hand.

What kind of art do you focus on? Contemporary. Regional. Visual. – In fact this is the tag line of Art Saint Louis. Stylistically, though, it is all over the map. There are contemporary artists at work in our region making art in all sorts of mediums and styles that traverse a wide span of historical art devel-opment. When it comes to music, however, my tastes run more to-ward the baroque era, though I do enjoy works by a number modern composers, including Aaron Jay Kernis, John Adams, Christopher Rouse and Arvo Pärt.

How would an aspiring artist get your attention for representation in your gallery?As much as I enjoy discovering the work of aspiring artists, truth-fully my interest in their work is irrelevant as it relates to exhibiting with Art Saint Louis. The path to exposure in the Art Saint Louis gal-lery is the same for all artists in our community: Respond to one of the many calls for entries we publish throughout the year by submit-ting your work for our jurors’ consideration. We engage new jurors’ for every exhibition as a way of keeping the process fair and fresh.

How does one judge quality is it a know-it-when you see it kind of thing?Knowing it when you see it is, to some degree, a matter of education. For instance, if one has never studied or practiced a particular craft, one can’t expect to recognize or fully appreciate the subtleties of the technique, the materials or the translation of ideas into a work of art. That said, the artworks we generally regard as truly great often have a way of sidestepping that barrier by immediately communicating at a visceral level. It’s an over-simplification, but one can think of qual-ity in terms of an ability to communicate. Do you represent only local artist at the gallery?Yes. All the art we champion has not only been created by an artist at work within 200 miles of downtown St. Louis (where our gallery is located) but that artwork is also, in most cases, no more than two years old.

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How economically rewarding is this business?When a work of art sells for seven figures, we’re likely to read about it in the news. At the highest level, the business of art is a lucrative one. But on the whole that’s far more of an exception to the norm. Art Saint Louis does seek and encourage the sale of our artists’ works, but we keep our commission fees low, and it represents only a small portion of the funds we raise annually as a nonprofit organization.

What the art scene in St. Louis really needs?To cultivate a culture of collecting. Most people don’t consider them-selves collectors. They’re not likely to ever consider spending $500 on an original work of art, but they wouldn’t blink at investing that much on a new coffee table or sofa.

What’s your greatest challenge?The greatest challenges Art Saint Louis faces are ones that are com-mon to most nonprofit organizations: limited financial resources to cover ongoing operating expenses and a small staff to execute on program opportunities. How well does the local media cover art?Of course I’m bias, but I would say you’re more likely to attract substantive media attention if you’re presenting a concert series, fes-tival or other performance-based event than you are by presenting an exhibit of visual art, and perhaps especially if all the artists are local. That’s an understandable but nevertheless disappointing reality.

What’s is Art Saint Louis working on currently?We are in the final stages of creating a new cultural and social destination in one of our city’s treasured historic buildings, the Park

Pacific building at 1223 Pine Street in downtown St. Louis. Working with architectural and design firm Lawrence Group, owners of the Park Pacific building, local coffee roaster Mississippi Mud Coffee and Niche Interior Design and Home Furnishings, our goal is to cre-ate a gallery/café hybrid, a place our community will repeatedly visit to enjoy dynamic exhibitions of local art and an inviting atmosphere in which to meet, study and relax.

What will the gallery/café hybrid look like, and why are your creat-ing it?The gallery will feature sofas, tables and chairs in the heart of the exhibition areas, outdoor seating, free WiFi and a coffee shop serv-ing locally-roasted brews. We want our new gallery to be an inviting point of connection between artists and audiences in St. Louis, a playground for the ideas and conversations that shape our com-munity. We want to add to our nearly 30 years of service by more effectively developing an audience for contemporary visual art and connecting that audience with the artists of our region.

Our hopes for this project are tied to the economic and cultural vital-ity of St. Louis. We are choosing to maintain and develop our base of operations in the urban capital of our region, in downtown St. Louis. As a post-industrial community seeking vital population density, downtown needs strong cultural programming to further the efforts of civic and corporate leaders who are working to affect the city’s social and economic renaissance.

Art Saint Louis, 1223 Pine Street, St. Louis, Mo 63103 314.241.4810 www.artstlouis.org

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August 30, 31, September 1 2013

Fall Art Fair at Queeny ParkFriday 6-9 Saturday 10-6 Sunday 11-4

http://gslaa.org 314.889.0433

September 6,7, 8 2013

The Saint Louis Art FairClayton, Missouri

For more information: 314.863.0278http://www.saintlouisartfair.com

September 6 & 7, 2013

Cedarhurst Craft Fair, Mt Vernon Illinois www.cedarhurst.org 618.242.1236

Saturday and Sunday 10am-5pm

September 13-15, 2013

Mosaics Missouri Festival for the Arts 18th AnnualFriday 6-10 Saturday 11-10 Sunday 12-5

230 North Main, St. Charles, Missouri 63301For more information:636.946.3433

http://www.stcharlesmosaics.org

September 20-22, 2013

Plaza Art Fair Country Club Plaza 80th Annual Friday 5-10, Saturday 10-10, Sunday 11-5

Kansas City, Missouri 64112For more information:

www.countryclubplaza.com/events/plaza-art-fair

October 5 & 6, 2013

Historic Shaw Art FairSaturday 9-5 Sunday 10-5

St. Louis, Missouri For more information: 314.771.3101

http://www.shawartfair@aol.org

November 9 & 10, 2013

ARTstravaganza presented by Best of Missouri Hands at Saint Louis Artist Guild,

Two Oak Knoll, Clayton, Missouri 63105 For more information contact Don Crozier:

doncrozier@gamil.com www.thebestofmissourihands.org

August – October, 2013

28

MISSOURICape Girardeau

Edward Bernard Gallery 107 West Drive, Cape Girardeau, Missouri 63703 Tel 573.332.7733 www.edwardbernardgallery.com

Mozaic Art Studio #5 North Main, Cape Girardeau, Missouri Tel 573.339.9510 http://mozaicartstudio.com

Columbia

Columbia Art League 207 S. 9th St., Columbia, Mis-souri 65201 Tel 573.443.2131 Email:info@columbiaartleague.org

PS Gallery 1025 E. Walnut, Columbia, Mo 65201 Tel 573.442.4831 Email: info@perlow-stevensgallery.com

Hannibal

Hannibal Arts Council 105 S. Main Street, Hannibal, Mo 63401 573.221.6545 www.hannibalarts.com

Hannibal Alliance Art Gallery 112 N Main St., Hannibal, Mo 63401 573.221.2275 www.hanibalallianceartgallery.com

Kansas City

Nelson-Atkins Museum of Art 4525 Oak Street, Kansas City, Mo 64111 816.751.1278 http://www.nelson-atkins.org

Kansas City

Museum at Corinthian Hall 3218 Gladstone Blvd., Kansas City Mo 64123 816.483.8300 http://www.kansascitymuseum.org

Kirksville

Kirksville Arts Association 117 S. Franklin Street, Kirksville, Missouri 63501 660.665.0500 www.kirksvillearts.com

Parkville

Northland Exposure Artists’ Gallery 110 Main Street, Parkville, Mo 64152 816.746.6300 www.northlandartists.com

Saint Joseph

The Albrecht-Kemper Museum of Art 2818 Grderick Avenue, Saint Joseph, Missouri 64506 Tel 816.233.7003 http://albrecht-kemper.org

Saint Charles

Foundry Art Centre 520 North Main Center St. Charles 63301 636.255.0270 www.foundryartcentre.org

Framations Art Gallery 218 N. Main Street , St. Charles, 63301 636.724.8313http://www.framations.com

Gallery 501 at Art Glass Array 501 N. Kingshighway, St. Charles, 63301 636.724.0288 http://www.artglassarray.com

Missouri Artists on Main321 S. Main StreetSt. Charles, Mo 63301636.724.1260

St. Louis

Art St. Louis 1223 Pine Street, St. LouisMo 63101 Tel 314.241.4810 www.artstlouis.org

Art Trends Gallery 703 Long Road Crossing Drive, Chesterfield, Mo 63101 Tel 636.536.3266 www.arttrendsgallery.net

St. Louis Atrium Gallery 4814 Washington Ave, St. Louis, Mo 63108 • Tel 314.367.1076 www.artriumgallery.net

Bonsack Gallery at John Burroughs School 755 South Price Road, St. Louis Mo 63124 Tel 34.993.4040 www.jburroughs.org

Bruno David Gallery 3721 Washington Blvd., St. Louis, Mo 63108 Tel 314.531.3030 www.brunodavidgallery.com

Coca 524 Trinity Ave. St. Louis, Mo 63130 http://www.cocastl.org

Galleries & Museums

29

MISSOURIChesterfield Arts 444 Chesterfield Center Chesterfield, Mo 63017 Tel 636.242.1236 www.chesterfieldarts.org

Contemporary Art Museum 3750 Washington Ave., St. Louis, Mo 63108 Tel 314.535.4660 www.contemporarystl.org

Componere Gallery 6509 Delmar Blvd. St. Louis, Mo 63130 Tel 314.721.1181 www.componere.co

Craft Alliance - Delmar 6640 Delmar Blvd. University City, Mo 63103 314.535.7528 www.craftalliance.org

Craft Alliance- Grand Center 501 North Grand Blvd. 63103 314.535.7528 www.craftalliance.org

Duane Reed Gallery 4729 McPherson Ave. St. Louis Mo 63108 314.361.4100 www.duanereedgallery.com

Gateway Gallery 21 North Bemiston, Clay-ton, Mo 63105 Tel 314. www.gatewaygallery.com

Greenberg Van Doren Gallery 3540 Washington Avenue St. Louis 63103

St. Louis Mercantile Thomas Jefferson Library Building, One University Blvd. St. Louis, Mo 63121 314.561.7240 www.umsl.edu/mercantile/about/contact.html

Maryville Morton May Gallery 650 Maryville Library Drive, Creve Coeur Mo 63141 314,529.9381 www.maryville.edu

May Gallery Webster University, Severdrup Building 8300 Big Bend Blvd. Webster Groves Mo 63199 Tel 314.246.7673 www.webster.edu/maygallery

Mildred Lane Kemper Art Museum Washington University One Brooking Drive, St. Louis, Mo 63130 Tel 314.935.4523

Laumeier Sculpture Park 312580 Rott Road, St. Louis Mo 63127 314.615.5278 www.laumeier.org

Mocra 3700 West Pine Mall Blvd. St. Louis Mo 63103 314.997.7170 http://www.mocra@slu.edu

Pulitzer Foundation for the Arts 3716 Washington Blvd. St. Louis, Mo 63108 314.754.1850 Saint Louis Artist Guild Two Oak Knoll, Clayton, Mo 63105314.727.6266 www.stlouisartistsguild.com

Regional Arts Commission 6128 Delmar Blvd, University City 63112 314. 863.6811 www.art-stl.com

Saint Louis University Museum of Art 3663 Lindell, St. Louis Mo 63108 314.977.3399 www.slum.slu.edu

Saint Louis Art Museum One Fine Arts Drive, Forest Park, St. Louis Mo. 63110 314.721.0072 www.slam.org

Sedallia

Daum Museum 3201 West 16th Street, Sedalia, Mo 65301 Tel 660 530.5888 http://www.daummuseum.org

Art Impressions Gallery and Framing 412 S. Ohio, Sedalia, Mo 65301 660.826.4343Liberty Center Association for the Arts 111 W 5th Street, Sedalia, Mo 65301 660.827.3228

Springfield

Springfield Art Museum 1111 East Brookside Drive Spring-field, Mo 65807 417.837.5700 http://www.springfieldmo.gov/art

Galleries & Museums

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