Upload
david-glen
View
219
Download
0
Embed Size (px)
Citation preview
7/30/2019 The Advertising Spiral
1/42
Faisal K. Qureishi
7/30/2019 The Advertising Spiral
2/42
7/30/2019 The Advertising Spiral
3/42
To educate consumers about new product To show people they have a need and that
advertised product can fulfill it
To show that a product now exists that iscapable of meeting a need that had beenrecognized but previously unfulfilled
7/30/2019 The Advertising Spiral
4/42
7/30/2019 The Advertising Spiral
5/42
Abbotintroduced thecategory ofinsectrepellants in
Pakistan
7/30/2019 The Advertising Spiral
6/42
7/30/2019 The Advertising Spiral
7/42
The competitive stage is the advertising stagea product reaches when its generalusefulness is recognized but its superiorityover similar brands has to be established in
order to gain preference.
7/30/2019 The Advertising Spiral
8/42
7/30/2019 The Advertising Spiral
9/42
The retentive stage is the third advertisingstage of a product, reached when its generalusefulness is widely known, its individualqualities are thoroughly appreciated, and it is
satisfied to retain its patronage merely on thestrength of its past reputation.
All that the brand needs now is constantreminder advertising
7/30/2019 The Advertising Spiral
10/42
7/30/2019 The Advertising Spiral
11/42
7/30/2019 The Advertising Spiral
12/42
7/30/2019 The Advertising Spiral
13/42
The newer &newest pioneeringstages focus ongetting morepeopleto use the productby continuouslyfinding innovativeways to advertise
7/30/2019 The Advertising Spiral
14/42
SafeguardCommunity &School HealthPrograms
7/30/2019 The Advertising Spiral
15/42
7/30/2019 The Advertising Spiral
16/42
In which stage is the product? Should we use pioneering advertising to attract
new users?
Should we work harder at competitive advertising
to obtain a larger market share? What portion of our advertising should be
pioneering? Competitive?
Are we coasting in the retentive stage?
7/30/2019 The Advertising Spiral
17/42
Semiotic analysis sees the world as symbolic Every advertisement has 3 basic components:
An Object (Brand) A Sign (Symbol)
An Interpretation (Meaning)
7/30/2019 The Advertising Spiral
18/42
Marlboro (Object) The Marlboro Man
(Sign)
Tough, Rugged,American Male(Interpretation)
7/30/2019 The Advertising Spiral
19/42
While the objectremains the same,the symbol isextended to include aHarley rider along
with the traditionalMarlboro cowboy tomake theinterpretation morerelevant in an age
when HollywoodWestern flicks are nolonger in fashion
7/30/2019 The Advertising Spiral
20/42
Semiotic analysis is cultural Interpretation (meaning) attached to a symbol
is always culturally defined
A symbol that works in one culture may justend up confusing audience in another
Consider this example:
7/30/2019 The Advertising Spiral
21/42
Confused? Rightly so
Because the
interpretation ofcarrots is purelyAmerican insemantics
7/30/2019 The Advertising Spiral
22/42
Elaborate cultures require and expect a highamount of verbal information symbols usedin ads may often have to be backed up byexplanations (e.g. South-Eastern cultures)
Advertising in succinct cultures can beimpressionistic with minimum amount ofwords; the audience is expected to be smartenough to draw the correct interpretation(North-Western cultures)
7/30/2019 The Advertising Spiral
23/42
7/30/2019 The Advertising Spiral
24/42
7/30/2019 The Advertising Spiral
25/42
Is semiotic framework always explicit? Studies suggest that is far from the case.
Semiotic frameworks can and do containsubliminal (hidden) symbols, meant to targetthe sub-conscious mind to influence behavior
To understand, let us take a few pages out ofhistory:
7/30/2019 The Advertising Spiral
26/42
A movie reel contains24 frames persecond, which is theoptimum amount of
optical data that canbe registered in brain A 25th frame would
render the additionredundant as it
would fail to have animpact in theconscious mind
7/30/2019 The Advertising Spiral
27/42
In 1940s, as part of asecretive research, a groupof subjects were shown amovie reel which (unknownto the audience) containeda 25th frame.
The 25
th
frame consisted ofrandom images that,apparently, went unnoticedby the subjects
A few weeks late, the samecontrol group was shownthe images present in the
25thframe and, Viola! Every participant in
the group claimed to haveseen the images earlier!!!
7/30/2019 The Advertising Spiral
28/42
In 1957, marketresearcher James Vicaryclaimed that quicklyflashing messages on amovie screen, in Fort Lee,New Jersey, had
influenced people topurchase more food anddrinks. Vicary coined theterm subliminaladvertising and formedthe Subliminal Projection
Company based on asix-week test.
7/30/2019 The Advertising Spiral
29/42
Vicary claimed that duringthe presentation of themovie Picniche used atachistoscope (developedwith the help of hisassociate, Renshaw) toproject the words "DrinkCoca-Cola" and "Hungry?Eat popcorn" for 1/3000 ofa second at five-secondintervals. Vicary assertedthat during the test, salesof popcorn and Coke in that
New Jersey theaterincreased 57.8% and 18.1%respectively
7/30/2019 The Advertising Spiral
30/42
Vicary titled his research as theIncremental Effects Theory, whichargued that repetitively presentingan image on the subconsciousplace will ultimately influencebehavior
Vicarys research and his ideasgave rise to a huge controversy.
Under pressure from variouspublic groups, US Congress tableda bill to ban SubliminalAdvertising; the Congress failed topass the bill with a majority vote
Therefore, subliminal advertisingstill remains (technically) legal, yettoo controversial to be openlyproclaimed by advertisers
7/30/2019 The Advertising Spiral
31/42
More sophisticated andadvanced versions of thetachistoscope weresubsequently produced.
Openly, no movie theater inthe world proclaims using it
It is, however, alleged byconspiracy theorists thattachistoscope and othersuch devices continue to beused, not only in movietheaters, but acrosselectronic media
(television), not (just) byadvertisers but bygovernments trying toinfluence public opinion
7/30/2019 The Advertising Spiral
32/42
The Psychodynamic Perspective This theory argues that even without the use
of high-tech devices like tachistoscopes, thesub-conscious can be influenced by using
hidden symbols in a basic semioticframework
This is the current understanding given tosubliminal advertising
Let us take begin with a few basic examples:
7/30/2019 The Advertising Spiral
33/42
7/30/2019 The Advertising Spiral
34/42
7/30/2019 The Advertising Spiral
35/42
7/30/2019 The Advertising Spiral
36/42
7/30/2019 The Advertising Spiral
37/42
Q: When did subliminal advertising first make itsimpact in Pakistan?
Ans: As long ago as 1966 even before theintroduction of television
You must have listened to the song MairayKhayalon PayChayehai ek surat matwalisee,KOKO KOREENA KOKO KOREENA (from the filmARMAAN)
What is KOKO KOREENA and why did the lyricistchoose such absurd but catchy words why notRORO ROZINA orGOGO GORINA for that matter?
7/30/2019 The Advertising Spiral
38/42
7/30/2019 The Advertising Spiral
39/42
If you freeze the frames displaying WaheedMuraddancing, clapping, drumming, amidstrandom soft drink bottles, not-so-beautifulgirls and cheerfulness, but wait a minute!
Did we just mention soft drinks in the song?Yes! The Song was full of Coke bottles and itsbranding all over the place. All of a suddenit starts making sense! KOKO KOREENA or
COKE-COKE KOREENA!
7/30/2019 The Advertising Spiral
40/42
The launch-ad campaignof Magnum in Pakistanbecame controversial asits implicit messagestarted becoming clear topeople
This ad had to be takenoff air in a hurry
It was, perhaps,introduced at awrongtime as till then therewas still only Ptv a
strictly monitored state-run channel
7/30/2019 The Advertising Spiral
41/42
Another hurriedlycalled-off campaign Engro Foods deviated
from their tried andtested policy of
culturally acceptableadvertising usingfamily and Islamicsymbolism
Result: Disaster not
only for the adcampaign, but for thebrand itself
7/30/2019 The Advertising Spiral
42/42
Journalist, Vance Packard published his seminal book, The HiddenPersuaders, about the inner workings of advertising. The bookdiscussed various techniques employed by advertisers to influence andeven manipulate consumers into buying certain products.
Noted media analyst and researcher, Wilson Bryan Key, notes thatadvertisers spend a considerable amount of money on communicationsthat contain subliminal messages. Why would they spend such vast
sums if subliminal persuasion is ineffective? The fact that these subliminal messages cannot be readily identified or
seen and that the advertisers deny their use further demonstrates thecraftiness of the advertiser and at the same time highlights thepersuasive power of subliminal messages.
The debate about the effectiveness of subliminal advertising continues
to this day but no conclusions have been reached. We dont know how effective it is; what we do know is it is practiced!