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8/13/2019 TC Portfolio
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portfolio
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wine + wifi digital tasting
thermae intersection and sequence
folding material studies
connectivity crenshaw urban housing
hybridity boyle heights civic center
independent research thesis los angeles: linear city
f ield studies i ta ly study abroad
workplace of the future gensler internship work samples
palettes gensler internship work samples
N
T
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WINE + WIFI digital tasting @ villa olmo
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wine + wifi
wine + wi-fdigital tasting@ villa olmowine bar + tasting as a historically signicant part of italian culture;
and internet cafe + hotspots as an integral part of modern society.
what
how
where
why
-
* historically significant part of italian culture
* involves the senses of taste, touch, and smell
wine
wi-fi
* integral part of a contemporary, global society
* involves visual and aural senses
An architectural [REFRESH] project based in Como, Italy,this was a conceptual investigation that aimed tocreate a social gathering hub in a historic but under-used villa. As wine is such a large part of Italian cultureand is invested in the cultivation of physical interaction,
the inclusion of this culturally rooted tradition within thenew digital realm allows locals and tourists to experiencesocial interaction in a new, revitalized way. By integrat-
ing these two elements (wine and wi), this “refresh” ofsocialization experiments with varying degrees ofphysical interaction mixed with the dynamic of digitalsocial gathering.
Applied to the interior of Villa Olmo (a local landmark inthe city of Como), this concept can be thought of as aphysical manifestation of the ‘iPhone.’ Different rooms
become nodes for different internet activities, such asblogging, gaming, online shopping, and emailing. The
separation of these functions encourages people tophysically engage with the villa by moving between the
spaces and thus engage in a “digital tasting” of spaceand experience.
User-induced manipulation of wall surfaces also create a
physical connection between rooms, allowing for differentcircumstances to occur based on the varying activitiesoccurring in each room. These shared thresholds start todene larger “neighborhoods” which blur the distinction
between independent digital activities, and allows usersof different rooms to engage with each other visually, audi-bly, and physically. Ultimately, this project reintegrates thephysical and social aspect of human interaction into the
impersonal digital realm, dening a new means ofinteraction.
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wine + wifi -
digital communication -
problem
-
physical communication-
solution
-
facebook youtube world of warcraft
diggbloggerskype
social networking entertainment gaming
researchpublishingcommunication
-
hardware software user
-
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wine + wifi
-
red wines
white wines
sparkling wines
types of
wine
dessert wines
social networking
entertainment
publishing
researching
types of
web use
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wine + wifi -
-
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wine + wifi
-
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wine + wifi -
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wine + wifi
-
-
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wine + wifi -
order drinks from
the table screen
see what others
ordering
order drinks from
bar counter
update your
facebook status
order drinks from
your pod
check email
and fb from pods
skype with others
from counter
chat or play
with other pods
change music/
lighting from table
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INTERSECTION + SEQUENCE Water and Atmosphere: Thermae
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thermae
PRIVATE PUBLIC
LIGHT DARK
INNER OUTER
OPEN ENCLOSED
INTERSECTION
site analysis + courtyard typology investigation
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thermae
study models
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thermae
A
B
:
s a u
a
bath 2
bath 3
massage
t h e r a
y
rst floor
main indoor [30]
:
office
storagetech
a h
reception
below ground
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thermae
outdoor [22] [35]
i n d o o r
[ 2 2 ]
sauna
h a y
:
third floorsecond floor
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thermae
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thermae
south elevation
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thermae
section A
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th
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thermae
section B
th
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thermae
thermae
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thermae
thermae
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thermae
north elevation
thermae
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thermae
west elevation
thermae
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thermae
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MATERIAL + PROCESS concrete// masonry// metal
material + process
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material + process folding // concrete
This project is an study offolding iterations, geometriccasting experimentation, and
solid void relationships that
are created by intersectingfolding ribbons.
The use of folding techniquesallows for a controlledprocess through which the“ribbon” can be manipulated
in both direction and form.
material + process
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material + process folding // masonryThe creation of an iterative patterningsystem interacts with the landscape byvaried porosities. Studies of the moduleas an aggregated system allows for the
structure to reflect a textile-like quality,as different portions of patterning can bepieced together as a whole
material + processf ldi l
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material process folding // metalThis folded metal skin system combines thefolding techniques of the previous two: investi-gating the geometric folding of the masonry tilepatterning, and how these geometric folds can
provide for direction changes first explored inthe concrete project. This iterative process andresultant system was ultimately one testing thetrue material capabilities of metal as a structuralelement.
URBAN CONNECTIVITY
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URBAN CONNECTIVITY los angeles urban housing
connectivity
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y
This project was an exploration in creatingurban connectivity in housing through theuse of an interactive shifting grid. The plane
of the ground floor is shifted topographicallyin accordance with the needs of the auxil-
iary program. The entire housing complex isconnected as one surface, and at the same
time segmented into different communitiesthrough the shifts on the grid. An explorationof a wood paneling system creates differentground layers and varies in densities to
delineate green space and walkways. Thisalso serves as a sustainable means ofrainwater capture and thermal mass.
BOYLE HEIGHTS CIVIC CENTER
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BOYLE HEIGHTS CIVIC CENTER hybrid collaborative learning center
hybridity
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Located east of Los Angeles, Boyle Heights is one of the city’s old-est neighborhoods. With a large immigrant and Latino population,the site is extremely culturally and historically diverse. The hybrid
Collaborative Learning Center program of this Community Centerlinks its programs to the existing library and expansions upon
existing community programs.
The striated banding of programmatic and circulation elements notonly creates a language of weaving between the Library and CivicCenter, but also explore dynamic sectional relationships between
programs. Through the exploration of programmatic banding, shift-ing sectional relationships, and a striated shear wall system, thisproject ultimately aimed to weave civic presence with the culturallyevolving community.
Arts/ MultimediaStudio
Collaborative LearningLab/ Classroom
Intimate Performing Arts/Amphitheater Space
HYBRIDCollaborative Learning Center
ADULT programs Computer classes Adult Literacy Program (ALP) Limited English Proficiency (LEP) Families for Literacy (FFL)
TEEN programs Online Resource Education Teen manga/ anime Teen web
Librarian Office SpaceRestroomsBook StorageDonation CenterSmall Exhibition
CHILDRENS programs Storytime
LIBRARY
Los Angeles Public Library
(Benjamin Franklin Branch)
COMMUNITY CIVIC CENTER
OFFICES Council Members Community Leaders Civic Employees
Administrative SOCIAL HALL
COUNCIL CHAMBER
LOBBY
RestroomsStorage
Utility Space
CLASSROOMS
EXTERIOR SPACE
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hybridity
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ocial halllobby
collaborativeclassrooms
seminar/lecturehall lri
library/resourcerublic sittingsteps /up to councili i t
outdoor roofdeck
upto council i
hybridity
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HVAC SYSTEM
Shear Wall + Paneling
undulating roof planes
U N C I L C H A M B E R
C O
S O C
A L H A
S E M I
N A R
Y B R I D P E R O R M
A N T E
C L A S R O O M S
E N T E R F O M
M E R O
A D M I N.
F F I C E
. . .
PROGRAM + CIRCULATION
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workplace of the future
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p
a workplace project + integrated research/ design model
By mapping our patterns and activities in the work place, and analyzing how
our clients truly ultilized the spaces they worked in, the project team worked
to dene new work space typologies which would better represent thedynamic interplay of private, public, impromptu and semi-public activities intoday’s work environment.
workplace of the future
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workplace of the future
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workplace of the future
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palettes
t i l t l i ti ti
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a material + conceptual space investigation A study of strong material palattes in color andtexture which are interpreted formally as a dynamicspatial experience
: sculptural ribbons // geometric facets
palettes
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: warm modern // linear
independent research
LINEAR CITY
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Inspired by Reyner Banham’s “4 Ecologies of Los Angeles,” I
was interested in investigating LA’s unconventional and perhapslack of urban spatial form in the commonly accepted sense of“outward sprawl from a central nucleus.” As many haveassumed that downtown LA will never qualify as the heart of thecity, partly because Wilshire Boulevard already exists as a“linear downtown,” the geometries, nodes, solids, voids, andtemporal dimensions of the city are all variables that ultimatelymake up the dynamic network of relationships that evolve anddene it. Though Los Angeles is largely dened by majorgeographical or historical landmarks that correspond to themany nuclei it has generated over time, the evolution of the LAfreeway system has also redened transportation from aninterstitiary element to a solid formal foundation of Los Angelesurban language. In my research I hope to diagram, map, andperhaps challenge the “unconventional” formal nature of LA byoverlaying comparisons with other urban cities around the world.Can we break down the urban fabric of Los Angeles in thecontext of Wilshire Boulevard, to inform and extrapolate uponthe relationships of the built environment and its interactivity withthe temporal dimension of space and time?
LINEAR CITY: a morphology
Independent research project // summer 2010
image source: The Infrastructural City
independent research
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URBAN FABRICComparisons of urban fabrics around the world expose the inherent problem
of scale as perhaps one of the most signicant factors in determining
whether a city is characteristically suburban and auto-oriented or more
pedestrian-oriented. The traditional response in suburbia has been to
internalize pedestrian areas, in the form of the mall. “Square One (home to
the largest Walmart in the world)” as illustrated in the gure/ground of
Mississagua, is a classic example of the surburban pedestrian public space
(http://www.bricoleurbanism.org).
Copenhagen, on the other hand, is perhaps what many would consider the
ultimate pedestrian city. Though the two cities could arguably have the
same total “area” of pedestrian public space, it is ultimately the degree of
integration into the urban fabric that denes the temporal character of the
city. Various cities around the world all have different forms of the “urban
grid,” and thus there is no perfect form of street fabric. However, as Los
Angeles emerges from a quilt work of distinctive neighborhood fabrics
stitched together by the Wilshire corridor, the morphological characteristics
of each can perhaps begin to expose the possibilities of a more
interconnected city fabric.
image source: http://www.bricoleurbanism.org
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independent research
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SANTA MONICA
DOWNTOWN
WESTWOOD
HOLLYWOOD
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independent research
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2.9 miles/ 15, 325 ft 2.71 miles/ 14, 306 ft 2.58 miles/ 13,622 ft 2.64 miles/ 13,982 ft
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independent research
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As fundamental as the element of the city block, are the constructsthat form upon the delineation of these grids. While the shiny
towers of the “centralized” city nucei are indeed present along the
stretches of Wilshire Boulevard, what then lies in the interstitiary
spaces within the urban fabric? Not quite city, yet not exactly
surburban, “Grey Goo,” is the massive territory between city
centers and the “exburbs.” Endless and without clear structure, this
“goo” is quite literally the grey concrete and asphalt that has
seeped into the infrastructure of transportation throughways and
city blocks.
As Wilshire transcends the shifting geometry of block proportion anddistance, it also illustrates the graphic proliferation of “grey goo” in the
“in-betweens” of dened neighborhood fabrics. With the quaint
proportions of LA’s Westwood Village morphing into the corporate
scale of Century City, the signicant increase in buildable floor-area-
ratio perhaps gives an indication of Grey Goo as “ the actual material
apparatus necessary to sustain the shiny façade of the city center.”
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3 : 1 FAR
3 : 1 FAR
3 : 1 FAR
3 : 1 FAR
.75 : 1 FAR
.75 : 1 FAR
.75 : 1 FAR
3 : 1 FAR
3 : 1 FAR3 : 1 FAR
3 : 1 FAR
1.
Drivable sub-urban is:Very low densityFloor-Area-Ratio of between 0.05 and 0.30
Walkable urban is:At least ve times as dense as drivable sub-urbanFloor-Area-Ratio of between 0.8 and upwards to 40.0
independent research
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FAR
1.25 : 1 FAR
1 : 1 FAR
1 : 1 FAR
1 : 1 FAR
3 : 1 FAR
6 : 1 FAR
3 : 1 FAR
6 : 1 FAR
6 : 1 FAR
6 : 1 FAR
6 : 1 FAR
METRIC: Floor-Area-Ratio
independent research
SANTA MONICA
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GREY GOOThe material apparatus of this “grey” support system is
monotonous- asphalt, prefab homes, back ofces, and old
strip malls. As city blocks along Wilshire morph and fluctuate,
it is the interstitiary spaces that suffer from the inevitable need
of automobile and other support infrastructure. Scale becomes
forgotten and as the walkable city block transforms to meet a
more “metropolitan” fabric, the residual blocks in-between are
left at the cost of their urban efciency and pedestrian viability.
deurbanization of the mid 20th century, a formal and spatial
deterioration of the city into the boundaries of suburbia, the
linear organization of Wilshire Boulevard creates a
contrastingly cyclic phenomenon, one not necessarily
deteriorating but rather fluctuating in the ambiguity of fabric
shifts. As distinct neighborhoods weave together, the lost
identity of those spaces caught in-between are reflected in the
urban architecture of the “goo.”
190,230 sf
617 ft
338 ft
GREY GOO
if 0.2 miles ~ 3 min walk
2.5 min
1 min
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ITALIA
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USC school of architecture // study abroad 2011
field sketches
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field sketches
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field sketches
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field sketches
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