Sample MLAformat

8/12/2019 Sample MLAformat

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Situating Normal: Questions of Centrality in American Studies

Jeff Allred

Associate Professor

Hunter College/CUNY

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Jeff Allred 10/17/12 10:55 AM

Comment [1]: Note that theres a title tha

gives some sense of the topic. And note that

its not on a separate page or underlined or

boldor italic.Jeff Allred 10/17/12 10:56 AM

Comment [2]: Here youll put your name

the course number, and perhaps the date and

instructor.


Comment [3]: Note that pages are

numbered! Always a helpful thing to do. A

note that the margins are normal (1

top/bottom; 1.25 sides) and Ive used a

regular workhorse font (here, Times New

Roman 10 pt, though youre encouraged to u

12 pt.)


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Comment [4]: Citations generally belong

parentheses in the MLA format. Footnotes o

endnotes are reserved (as in this case) to mak

a side point that would distract from the main

argument but doesnt fit in parentheses.


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Comment [5]: Heres the usual procedure

for citation: the authors last name. If youre

citing a particular page, the page number goe

after the name, separated by a single space

with no comma. Here, Im citing two entire

essays rather than pages or quotes within the

so theres no page number.


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Comment [6]: Since Ive included theauthors name and the book title above, I just

include the page #, since I know the reader w

find the work in the Works Cited below.


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Comment [7]: This is the classic citation:

authors last name and page #s with no extra

punctuation. I think you get the picture by

now, so skip to the works cited at the end.


7/21

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Schryer, Stephen.Fantasies of the New Class: Ideologies of Professionalism in Post-

World War II American Fiction. Columbia University Press, 2011. Print.

Sedgwick, Eve Kosofsky. Paranoid Reading and Reparative Reading, or, Youre so

Paranoid, You Probably Think This Introduction Is About You.Novel Gazing:

Queer Readings in Fiction. Ed. Eve Kosofsky Sedgwick. Duke University Press,

1997. 137. Print.

Taylor, Mark C. The Moment of Complexity: Emerging Network Culture. Chicago:

University of Chicago Press, 2001. Print.

1For representative visions/versions of post-national, transnational, borderlands, and Americas studies

respectively, see John Carlos Rowe,Post-Nationalist American Studies. Berkeley: University of California

Press, 2000; Paul Giles, Virtual Americas: Transnational Fictions and the Transatlantic Imaginary .

Durham: Duke University Press, 2002; Hctor ldern, ed. Criticism in the Borderlands Studies in Chicano

Literature, Culture, and Ideology. Durham: Duke University Press, 1991; Eric Cheyfitz, What Work IsThere for Us to Do? American Literary Studies or American Cultural Studies? American Literature67.4

(1995): 843853.2For an examination of the long history of the relationship between sovereignty and the state of the

exception in Western jurisprudence and culture, see Giorgio Agamben, State of Exception. Trans. Kevin

Attell. Chicago: University of Chicago Press, 2005.3The long tail refers to the phenomenon by which the digitalization of cultural media, with its shrinking

costs of production and distribution, allows for an ever-extending range of niche products consumed by

small pools of consumers. See Chris Anderson, The Long Tail, Revised and Updated Edition: Why the

Future of Business Is Selling Less of More. Hyperion, 2008.4For an extended argument that links Facebooks aesthetics to suburban houses and spaces of

consumption, see Charles Petersen, In the World of Facebook. The New York Review of Books25 Feb.2010. Web. 10 Aug. 2012.5Jacobson derives her use of spiritual geography as a lens for neodomestic fiction from the work of Ines

Salazar. See Ines Salazar, Can You Go Home Again? Transgression and Transformation in African-

American Womens and Chicana Literary Practice.Postcolonial Theory and the United States: Race,

Ethnicity and Literature.Eds. Amritjit Singh and Peter Schmidt. Jackson: University of Mississippi Press,

2000. 388-411.6As many readers will remember, in October of 2001, Franzens The Correctionswas chosen as an Oprah

Book Club selection, at which point Franzen made public comments criticizing the uneven quality of past

Club selections and insisting that his readership would be uninterested or perhaps hostile to the novels

being an Oprah book. Winfrey then withdrew the invitation, and much ink was spilled in defenses of

both sides of the issue and in more nuanced analyses of what the affair reveals about networks of culturalcapital in the twenty-first century.7Jamess long analogy likening the novel genre to a house with a million windows is found in the

preface toPortrait of a Lady; the analogy is particularly suited to discussions of the neodomestic, since it

emphasizes the way the novel genre makes any stable relation between subjectivity and object matter, or

form and content, impossible (James 45).


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8Criticism, Inc. refers to the title of an influential 1937 essay by New Critic John Crowe Ransom that

argued in behalf of the special technical expertise of the university-trained literary critic (Ransom 4961).9The series of posts on seasons four and five of the show are part ofKritiks broader project of opening up

theoretical discussions to a broader public: see http://unitcrit.blogspot.com/ [accessed August 10, 2012].

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