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The author discussion translator's activities as acts of creativity.
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2012
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811.111255255.4 81.2-7
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TAP Think-Aloud Protocol
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Although creativity is, so to speak, an icon of our time, its study is a problematic area of psychology in general and translation-related psychology in particular. It is impossible to compress creativity into a few theoretical statements which serve as the key for unlocking all its secrets and for building up a set of distinctive features which, taken together, suffice to conceive of a formula for creativity on which to build creative translator performance. (W. Willss, Translator Awareness)
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. The
Sad Happy Ending Story of the Bald Twit Lion. ,
,
, ,
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, . .
:
Once, twice and thrice upon a time there lived a Jungle. It started at the bottom
and went upwards till it reached the monkeys, who had been waiting years for the
trees to reach them, and as soon as they did the monkeys invented climbing down.
Most trees were made of wood, and so were the rest. It was a really good
Jungle: great scarlet lilies, yellow irises, thousands of grasses all grew very happily,
and this Jungle was always on time. Some people are always late, like the late King
George V. But not this Jungle. (Milligan, The Sad Happy Ending Story of the Bald
Twit Lion)
.
Once upon a time,
115
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. , ,
Once, twice and thrice upon a time
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,
( V,
1936 ).
late ,
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(Kolobok),
, Johnnycake.
: Johnnycake (!)
,
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,
Ukrainian Folk Tales. . :
Kolobok the Johnnycake lay there for a while, then he jumped from the sill onto
the ground, and from there he bounced into the yard, and from the yard he rolled
beyond the gate and off onto the highway. ( ,
. , . 18)
,
, (flatbread)
(bounce), (roll).
, ,
,
.
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.
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123
. . ,
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-
. Giraffe 1:
We come now to
the stately Giraffe
Whos never been known
to smile or to laugh. (Milligan, A Book of Milliganimals, p. 32)
(). , ,
,
(stately), (to smile, to laugh),
. , , ,
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. :
124
(1) ,
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151
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[ 1982: 17].
,
:
Yes. Youll hear his voice in a moment, Mr. Pickwick. Hell speak to me. The
other gentleman with him, in the red under-waistcoat and dark moustache, is the
Honourable Mr. Crushton, his bosom friend. How do you do, my Lord?
Veway hot, Bantam, said his Lordship.
It IS very warm, my Lord, replied the M.C.
Confounded, assented the Honourable Mr. Crushton.
Have you seen his Lordships mail-cart, Bantam? inquired the Honourable
Mr. Crushton, after a short pause, during which young Lord Mutanhed had been
endeavouring to stare Mr. Pickwick out of countenance, and Mr. Crushton had been
reflecting what subject his Lordship could talk about best.
Dear me, no, replied the M.C. A mail-cart! What an excellent idea. Re-
markable!
Gwacious heavens! said his Lordship, I thought evewebody had seen the new
mail-cart; its the neatest, pwettiest, gwacefullest thing that ever wan upon wheels.
Painted wed, with a cweam piebald.
With a real box for the letters, and all complete, said the Honourable Mr.
Crushton.
And a little seat in fwont, with an iwon wail, for the dwiver, added his
Lordship. I dwove it over to Bwistol the other morning, in a cwimson coat, with two
servants widing a quarter of a mile behind; and confound me if the people didnt wush
out of their cottages, and awest my pwogwess, to know if I wasnt the post.
Glorwiousglorwious!
152
At this anecdote his Lordship laughed very heartily, as did the listeners, of
course. Then, drawing his arm through that of the obsequious Mr. Crushton, Lord
Mutanhed walked away.
Delightful young man, his Lordship, said the Master of the Ceremonies.
So I should think, rejoined Mr. Pickwick drily. (Dickens, The Posthumous
Papers of the Pickwick Club)
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. . . The Hobbit or There and Back Again.
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(1) Bless us and splash us, my precioussss! I guess its a choice feast; at least a
tasty morsel it'd make us, gollum!
(2) What iss he, my preciouss? whispered Gollum.
(3) Sssss, said Gollum, and became quite polite. Praps ye sits here and chats
with it a bitsy, my preciousss. It like riddles, praps it does, does it? (Tolkien, The
Hobbit or There and Back Again)
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Ow, eez ye-ooa san, is e? Wal, fewd dan y de-ooty bawmz a mather should, eed
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Now, aint we rich in beauty this here joyful arternoon, Im sure. I knows a
lady, which her name, Ill not deceive you, Mrs Chuzzlewit, is Harris, her husbands
brother bein six foot three, and marked with a mad bull in Wellington boots upon his
left arm, on account of his precious mother havin been worrited by one into a
shoemaker's shop, when in a sitiwation which blessed is the man as has his quiver full
of sech, as many times Ive said to Gamp when words has roge betwixt us on account
of the expense and often have I said to Mrs Harris, Oh, Mrs Harris, maam! your
countenance is quite a angels! Which, but for Pimples, it would be. No, Sairey
Gamp, says she, you best of hard-working and industrious creeturs as ever was
underpaid at any price, which underpaid you are, quite diffrent. Harris had it done
afore marriage at ten and six, she says, and wore it faithful next his heart till the
colour run, when the money was declined to be give back, and no arrangement could
be come to. But he never said it was a angels, Sairey, wotever he might have
thought. If Mrs. Harriss husband was here now, said Mrs. Gamp, looking round,
and chuckling as she dropped a general curtsey, hed speak out plain, he would, and
his dear wife would be the last to blame him! (Dickens, The Life and Adventures of
Martin Chuzzlewit)
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quiver full of sech quiver full of children
160
roge rage
Sairey Sarah
creeturs creatures
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I knows I know
marked with a mad
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I'll not deceive you
your countenance is
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Interesting Times.
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(1) How are you? she said, in fractured but recognizable Morporkian. We
are very sorry. All better now? We speak you in language of celestial city of Ankh-
More-Pork. Language of freedom and progress.
(2) Then it are true, she said, in Rincewinds own language. You are the
Great Wizard!
(3) The younger girl, who had been trying to follow this, stepped forward and
gripped his arm.
You come seeing Red Army now, she said. (Pratchett, Interesting Times, p. 86
87)
162
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