Concatenative Sound Synthesis

Gabriel VigliensoniMusic Technology AreaSchulich School of Music

McGill University

Real-timeSound Freezing

Smalley, D. 1997. Spectromorphology: explaining sound-shapes.Organized Sound 2(2):107–26.

Dudas, R., and C. Lippe. 2006. The Phase Vocoder.http://cycling74.com/2006/11/02/the-phase-vocoder-part-i/

Charles, J. F. 2008. A tutorial on spectral sound processing using Max/MSP and Jitter.Computer Music Journal 32(3):87–102.

*

*

References

Charles, J. F. 2008. A tutorial on spectral sound processing using Max/MSP and Jitter. Computer Music Journal 32(3): 87–102.

Dolson, M. 1986. The phase vocoder: a tutorial. Computer Music Journal 10(4): 14–27.

Dudas, R. 2002. Spectral Envelope Correction for real-time transposition: proposal of “floating-formant” method. In Proceedings of the International Computer Music Conference.

Jones, R, and B. Neville. 2005. Creating visual music in Jitter: approaches and techniques. Computer Music Journal 29(4):55–70.

Khosravi, P. 2007. On the design of spectral tools in Blue. CSound Journal Vol. 7 Hearon, J. and S. Yi, eds. Available online at http://www.csounds.com/journal/issue7/onTheDesignOfSpectralToolsInBlue.html

Puckette, M. 1995. Phase-locked vocoder. IEEE ASSP Conference on Applications of Signal Processing to Audio and Acoustics

Smalley, D. 1997. Spectromorphology: explaining sound-shapes. Organized Sound 2(2): 107–26.

Wishart, T. Computer sound transformation. Available online at http://www.trevorwishart.co.uk/transformation.html

Charles, J. F. 2008. A tutorial on spectral sound processing using Max/MSP and Jitter.Computer Music Journal 32(3):87–102.

Dudas, R. 2002. Spectral Envelope Correction for real-time transposition: proposal of “floating-formant” method. In Proceedings of the International Computer Music Conference.

Dudas, R. 2002. Spectral Envelope Correction for real-time transposition: proposal of “floating-formant” method. In Proceedings of the International Computer Music Conference.

Dudas, R. 2002. Spectral Envelope Correction for real-time transposition: proposal of “floating-formant” method. In Proceedings of the International Computer Music Conference.