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ARTETECNOLOGA
TRADICIN
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Inventando espacios con acero y torsiones.
Richard Serraen el MoMA
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Arne Quinzeat Burning Man
nomada.blogs.com/jfreire/arquitectura/index.html
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Here is a sequence of images showing the construction
and destruction of the giant wood sculpture designed by
Arne Quinze of Quinze & Milanat the Burning Man
festival in Death Valley, USA in September last year.
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The sculpture is a larger version of the timber installations
Quinze has built at design shows in London, Cologne and
Miami and required 150km of wooden laths.
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It took 25 people over three
weeks to build the structure,
which measured 60m x 30m
x 15m high.
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The structure was destroyed as the final burn of the week-long festival.
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arquitectura espaola en el moma
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Great Canfield
A Quinlan and Francis
Terry Architects project.
This is an example of
W.T.Lamb & Sons
Gauged Arches in our
Cut Face TLB RedRubber Material.
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Juniper HillA Quinlan and Francis Terry Architects project.
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Williamsberg, EastCoast USA
A Quinlan and
Francis Terry
Architects project.
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Private Residence, Dorset, UK
Known as Ferne Park, this private residence that Quinlan Terry designed in Dorset, UK,
was named "Best Modern Classical House" in 2003 by the Georgian Group.
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Merchants Square Meets Quinlan Terry
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Second aerial view
by William
Campbell for Arthur
Shurcliff's office,
c.1928, with then-
standing Methodist
Church at right rear,
where Richmond
and Jamestown
roads meet Duke of
Gloucester Street.
Such drawingsreveal the influence
of formal urban
planning like that for
Chicago's 1893
Columbian
Exposition and
1901-02 McMillanproposals for
Washington, D.C.,
ultimately gentled in
Williamsburg by the
small scale of the
Historic Area.
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July 3, 1930, sketch by Perry, Shaw & Hepburn showing the Methodist Church and
the north block much as built but before parking was moved to the rear.
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1930s view of the south block, with the Craft House, then A & P Grocery, on the left.
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Quinlan Terry'spreliminary design sketch, January, 2001, for the
west elevation of new additions to Merchants Square.
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January, 2002, Quinlan Terrydrawing for the west elevation of the newnorthwest building, issued by Richmond architects Glave and Holmes.
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Detail of brick niche centered on the upper wall of the northwest building.
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Erith and Terry detail for
brickwork crowning the
northwest corner of the
new building. Drawn by
Christine Terry for Erith
and Terry.
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The northwest
corner brickwork
detailed in the
sketch at left
nearing
completion.
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Model of the Quinlan Terry Riverside development
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El arquitecto luxemburgus Len Krier, ha diseado el anexo a la
Escuela de Arquitectura de la Universidad de Miami. Es una obrahistrica que juga "a hacer ciudad" con un simple edificio y un costo
reducido. Recuerdo que un da de presentaciones en la Universidad
de Miami, se me ocurri invitar al poeta cumanayagense Nstor
Daz de Villegas. Convenimos encontramos en la biblioteca de
Phillip Jonson (lugar al que Nstor era adicto). All cogimos el state
of the artMetrorail hasta University Station. Al llegar, ya la cosa
haba empezado.... Michael Graves, una de las estrellas delpostmodernismo yuma. Despus le toc el turno a Len: brillante,
lleno de ingenio, intolerante con la mediocridad.El jurado le
cuestionaba que su estilo historicista no se avena a la esttica
tecnolgica contempornea.
Len contest: Seores para conectar unacomputadora lo nico que se necesita es untomacorrientes -y a veces ni eso. Soy un creador de
formas y no ando mirando a qu perodo pertenecen...las empleo como convengan.
Len Krier
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I have tried to design ahouse that represents
"Home" the way a childwould draw it.My aim was todesign a real Kolonihavehus
with a bit of the fantasy and the
exotic that these small houses
symbolize.
The house is to be understoodas a place with a roof where
one can seek cover.
There is a fireplace, a bed, a
table and a walled-in garden. In
the garden is a little shed with
wood for the fireplace.It is important for architectsto design something peoplefeel good living in.Leon K r ier
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" To protest against the transfo rmat ion and destruct io n of cit ies servesno purpo se i f we do not have a global al ternat ive plan of reconstruct ion
in ou r hands. A cr it ique wh ich has n o project is another face of a
fragmented so ciety, of which th e city is the instrum ent and expressio n. "
Leon Krier
ReconstructionofFriedrichstrassein Berlin (1981)
IBA Competitionentry by MauriceCulot and LeonKrier
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LEON KRIERdesigned the master plan for
town of Poundbury in Dorset, England,
a project sponsored by the Prince of Wales
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http://wirednewyork.com/forum/showthread.php?t=3799
// /f / ?
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www.eurocouncil.net/id21.htm
http://www.cyburbia.org/forums/showthread.php?t=15355
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