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This is a collection of undergraduate studio projects from The Illinois Institute of Art- Chicago.
Citation preview
CHANDI CAMPBELL
KASKASKIA HOUSE
CONCEPTUAL DESIGN CONCEPT: PG. 1
PROCESS SKETCH: PG. 2
FIG. 1 FIG. 3
FIG. 2
FINAL MODEL: PG. 7-8
STUDY MODEL: PG. 2
BUILDING SECTION: PG. 6
EXTERIOR ELEVATIONS: PG. 5
FIG. 5
FIG. 6
FIG. 4
INTERIOR PERSPECTIVE: PG. 3
CONSTRUCTION DETAILS: PG. 4
FIG. 1 FIG. 2
FIG. 1
FIG. 2
CONCEPT
COWDEN BRIDGE
SHELBY COUNTY, IL
1
Around the turn of the last century,
the U.S. constructed a transit system of
railways with high concentrations in the
Midwest and on the east coast. On these
lines, steel bridges were constructed,
many of which are now abandoned. These
unused frames inspire design possibilities
as sustainable buildings. For example,
the proximity to running water could
allow the occupants abundant electricity
from water turbines. Kaskaskia House
will serve as an artist’s retreat built
of salvaged materials with a focus on
creating closed loop systems for energy
and water, thus connecting the occupants
to their surrounding environment in a
direct, tactile way.
Students derived a concept from a particular area of interest on which to base a large
scale project.
PROJECT DESCRIPTION
CONCEPT
PROCESS SKETCHES & STUDY MODELS
FIG. 1 FIG. 3
FIG. 2 FIG. 4 FIG. 6
EXPERIMENTATION WITH REBAR STRUCTURES* *
* *
* FIG. 6
FIG. 5FIG 1*
2
INTERIOR PERSPECTIVE3
DECK LEVEL: STUDIO * * *
CONSTRUCTION DETAILS 4
FIG. 1 *
FLOOR TRANSITION *
CARGO WINDOW *
FIG. 2 *
EXTERIOR ELEVATIONS5
FIG. 1 FIG. 2
NORTH ELEVATION
* * WEST ELEVATION*
*
BUILDING SECTION: STRUCTURE 6
LEVEL 1
LEVEL 2
LEVEL 3
LEVEL 4
LEVEL 5
MANUAL LIFT #2
MANUAL LIFT #1
MANUAL LIFT #2
MANUAL LIFT #1
FINAL MODEL7
FINAL MODEL 8
INSECTILE OBJECTS
INTERIOR OBJECTS
FIG. 5 FIG. 3
FINAL PIECE: PG. 6
STUDY MODEL: PG. 2
FIREFLY PENDANT
CICADA CABINET
STUDY MODEL: PG. 3
CONCEPT: PG. 1
CONCEPT: PG. 1
FINAL PIECE: PG. 5
PROCESS SKETCH: PG. 2
PROCESS SKETCH: PG. 3
CUT SHEET: PG. 4FIG. 5
FIG. 1
FIG. 2
FIG. 3
FIG. 1
FIG. 2
ISOMETRIC: PG. 4
FIG. 4
FIG. 4
CONCEPT
The dynamic form of an insect’s naturally segmented exoskeleton can inspire interesting design
solutions in terms of both structure & aesthetics.
*
Cicadas live out most of their lives
underground until the time comes to emerge
from the soil and shed their nymph shells.
The adult male cicada is well known for
it’s summer song. The Cicada Cabinet will
capture the insect’s transition from an
earth dwelling burrower to the spectacular
winged adult. The unique cellular wing
pattern of the adult cicada as well as an
earthy matte finish will be utilized to
communicate this concept.
Bioluminescence is a well known wonder
of the natural world. Most of the earth’s
bioluminescent flora and fauna reside in
the deep oceans, however one well known
exception is the much loved firefly. The
Firefly Pendant light will capture the
moment of a glowing form in flight. The
goal is to evoke warm images or memories of
summer evenings and the childlike wonder
inspired by expanses of greenery twinkling
with life. *
*
1
FIREFLY: PROCESS SKETCHES & STUDY MODEL
FIG. 1
FIG. 2* FIG. 4
FIG. 2*
FIG. 5
FIG. 2FIG. 2**
FIG 2FIG 2**FIG. 2
FIG. 3
2
CICADA: PROCESS SKETCHES & STUDY MODEL
FIG. 1
FIG. 2 FIG. 2* FIG. 5FIG. 2FIG. 2**
FIG. 3
FIG. 4
3
CICADA: COMPLETED CAD MODEL & CUT SHEET
4’ x 8’ PLYWOOD SHEET TO BE CNC CUT
4
COMPLETED FIREFLY PENDANT 5
COMPLETED CICADA CABINET 6
SUMMARHUS
RESTAURANT DESIGN
FIG. 1
FIG. 2
FIG. 3
CONCEPT: PG. 1 DINING ROOM ELEVATIONS: PG. 5
PROCESS SKETCHES: PG. 2
RESTAURANT - FLOOR PLAN: PG. 3
RESTAURANT - R.C.P.: PG. 4
FIG. 1
FIG. 2
DINING ROOM PERSPECTIVE: PG. 6
FIG. 4
1 CONCEPT
The city of Stockholm is composed of fourteen islands. The city’s waterways have played a
key role in its’ history. While the inhabitants
are very forward thinking in regards to design
and sustainability, they take the time to pay
homage to the past by retreating to iconic summer
cottages outside of the city where they celebrate
summer solstice during the short months of sun
and warmth. Summarhus will reflect the spirit of
these quaint retreats through earthy palettes
and textures and curvilinear millwork which
will represent the city’s relationship with the
waterways. The “story” of Sweden’s summers will be
told through the lens of Functionalism; Sweden’s
dominant modern design style.
Students were required to design a luxury hotel lobby restaurant located in an assigned city which
can accommodate up to 200 guests.
PROJECT DESCRIPTION
CONCEPT
PROCESS SKETCHES 2
FIG. 1
FIG. 2 FIG. 3 FIG. 4
FIG. 1
3 RESTAURANT: FLOOR PLAN
RESTAURANT: R.C.P. 4
5 MAIN DINING: ELEVATIONS
FIG. 2*
BANQUETTE SEATING*
BOOTH SEATING*
FIG. 1*
6MAIN DINING: PERSPECTIVE
MANGA HOLMAR
HOSPITALITY DESIGN
FIG. 1
FIG. 2
CONCEPT: PG. 1 ELEVATIONS: PG. 10
PROCESS SKETCHES: PG. 2
KING GUESTROOM
GUESTROOM CORRIDOR: PG. 8
FIG. 1
FIG. 2
PERSPECTIVE: PG. 14
ELEVATIONS: PG. 13
FIG. 1
FIG. 2
DELUXE SUITE
FIG. 1
FIG. 2
FIG. 3
FLOOR PLAN: PG. 9
R.C.P.: PG. 9
FLOOR PLAN: PG. 11
R.C.P.: PG. 12
GUEST LIFT: PG. 7
FLOOR PLAN: PG. 3
R.C.P.: PG. 4 ELEVATIONS: PG. 5
PERSPECTIVE: PG. 6HOTEL LOBBY
FIG. 1 FIG. 2 FIG. 3 FIG. 4
FIG. 3
FIG. 4
1 CONCEPT
The city of Stockholm is composed of four-teen islands. The city’s waterways have
played a key role in Stockholm’s history.
These waterways divide not only the city,
but it’s architectural history. Remnants
of the Middle Ages can be found on one
island, while another may hold spectacu-
lar examples of the Renaissance, Baroque
or Modern styles. The hotel will reflect
the idea of waterways flowing and inter-
secting, creating “islands” of the city’s
distant past which will be represented by
birch tree patterns and accents. These
organic elements will be framed by the
rectilinear waterways. The use of blonde
beech wood throughout will create the
quintessential Swedish Functional style
atmosphere.
Students were required to design a luxury hotel located in an assigned city, including
a main lobby & guest room package.
PROJECT DESCRIPTION
CONCEPT
2PROCESS SKETCHES
FIG. 2
FIG. 1 FIG. 3
FIG. 4FIG. 2
3 LOBBY: FLOOR PLAN
LOBBY: R.C.P. 4
5 LOBBY: ELEVATIONS
EAST ELEVATION*
WEST ELEVATION*
FIG. 2*
FIG. 1*
6LOBBY: PERSPECTIVE
7 GUEST LIFT: PLANS & ELEVATIONS
BACK WALLSIDE WALLR.C.P.FLOOR PLAN
8GUEST CORRIDOR
CORRIDOR: FLOOR PLAN *
CORRIDOR: ELEVATION *
CORRIDOR: R.C.P. *
FIG. 1FIG. 1*
FIG. 2FIG. 2*
FIG. 3FIG. 3*
9 KING ROOM: FLOOR PLAN & R.C.P.
10KING ROOM: ELEVATIONS
FIG. 2*
FIG. 1*
HEADBOARD WALL*
BATH: TUB & SHOWER*
11 SUITE: FLOOR PLAN
12SUITE: R.C.P.
13 SUITE: ELEVATIONS
FIG. 2*
LIVING ROOM AREA*
BEDROOM: HEADBOARD WALL*
FIG. 1*
14SUITE: MASTER BATH - PERSPECTIVE
ARCH DENTAL STUDIO
COMMERCIAL DESIGN
FIG. 1 - PG. 1
FIG. 2 - PG. 2
FIG. 3 - PG. 3
PROJECT DESCRIPTION: PG. 1
PROJECT MANAGER - DANIEL BAPST
DESIGN MANAGER - SHANNON BRIDGES
JOB CAPTAIN - CHANDI CAMPBELL
FIG. 4 - PG. 4
FIG. 5 - PG. 5
FIG. 6 - PG. 6
The objective of the
project was to create
a professional quality
set of construction
drawings for a dental
office in Chicago, IL.
As job caption, my duties
and responsibilities
included:
G.0 - PROJECT COVER SHEET
PROJECT DESCRIPTION
•Formatting all sheets
•File management
•Notes & text styles
•Symbols
•Drawing attributes/blocks
•Dimensioning
•Title blocks
•Key plans
•Attributes & X references
•Sheet plotting/printing
•Line weights
•Demolition plan
•Door hardware schedules
1
D1.1 - DEMOLITION PLAN 2
A1.1 - FLOOR PLAN
FLOOR PLAN DESIGN BY: SHANNON BRIDGES * *
3
*
A1.2 - REFLECTED CEILING PLAN
CEILING DESIGN BY: DANIEL BAPST * *
4
*
A2.2 - TREATMENT AREA: ENLARGED PLAN & ELEVATIONS 5
A5.2 DOOR HARDWARE SCHEDULE 6
ANOKPOK
CONCEPTUAL DESIGN
FIG. 1
FIG. 2
FIG. 3
CONCEPT: PG. 1
PROCESS SKETCHES: PG. 2
FINAL MODEL: PG. 5-6
FIG. 4
SITE PLAN: PG. 4
STUDY MODEL: PG. 3
PROJECT DESCRIPTION: PG. 1
FIG. 5
FIG. 6
PROJECT MANAGER: CASEY BENSON
DESIGN MANAGER: CHANDI CAMPBELL
In the film, “Memento”, Leonard is a man who has lost his short-term memory due to brain damage that he
suffered during an attack on himself and his wife.
It’s revealed that he is reliving his investigation
of her death over and over. Many people can identify
with the compulsion to relive destructive cycles,
particulary drug/alcohol addicts. Alaska has one
of the highest alcoholism rates in the U.S. This
may be partially due to prolonged isolation during
long, dark winters. Anokpok will be a free, public
sculpture park, located in Barrow, Alaska which
provides an alcohol-free, therapeutic environment
where the community can gather. The park’s structures
will blend in with the winter landscape but will also
provide an oasis of color and movement, alive with
blue and green lighting to reflect the fantastic
aroura borealis that fills the skies of Northern
Alaska.
1 CONCEPT & PROJECT DESCRIPTION
Students were required to derive a concept from a film on which to base an architectural design with
a specific community function.
PROJECT DESCRIPTION
CONCEPT
2PROCESS SKETCHES
FIG. 1
FIG. 2
FIG. 3
FIG. 4 FIG. 6
FIG. 5
3 STUDY MODEL
4SITE PLAN
BUILT-IN UV LIGHTS
BUILT-IN UV LIGHTS
SALVAGED STEEL
SCULPTURAL TREES
RADIANT HEAT DECKING
BUILT-IN UV LIGHTS
5 FINAL MODEL
6FINAL MODEL
GALLERY DESIGN
FIG. 1
FIG. 2
FIG. 3
PROCESS SKETCHES: PG. 2
STUDY MODEL: PG. 7
FIG. 4
FIG. 5
FIG. 6
FIG. 7
BUILDING SECTION: PG. 5
CONCEPT: PG. 1 INTERIOR ELEVATIONS: PG. 6
FINAL MODEL: PG. 8
WALL SYSTEM DETAIL: PG. 7
FLOOR PLAN: PG. 3
R.C.P.: PG. 4
FIG. 1
FIG. 2
FIG. 1
FIG. 2
STRUCTURAL KINESIS
Santiago Calatrava is well known for the organic moveable elements of his build-
ings. Some of these elements have been
inspired by the skelatol structures of
various animals. The gallery will embrace
the same movement and style through form
and function. This will be achieved, in
part, by a brise soleil roof structure
with transluscent panels that rotate with
the wind creating fluttering shadow pat-
terns within. These will be inspired by
the graceful movement of a snake and the
organic pattern of its’ scales. Moveable
wall systems will also reinforce the con-
cept while allowing maximum versatility
for changing exhibits.
1 CONCEPT
Students were required to design a gallery, located in Chicago, IL which would showcase
the works of an architect of the student’s
choosing.
PROJECT DESCRIPTION
CONCEPT
PROCESS SKETCHES 2
FIG. 3
FIG. 2
FIG. 6
FIG. 7
FIG. 1
FIG. 5
FIG. 4
3 FLOOR PLAN: 1ST & 2ND FLOOR
1ST FLOOR: PLAN*
2ND FLOOR: PLAN*
FIG. 2*
FIG. 1*
STORAGE ROOMOPEN TO ABOVE
CONFERENCE ROOMRECEPTION
OPEN TO BELOW
MAIN GALLERY SPACE
R.C.P.: 1ST & 2ND FLOOR 4
FIG. 2*
2ND FLOOR: R.C.P.*
1ST FLOOR: R.C.P.*
FIG. 1*
OPEN TO ABOVE
OPEN TO ABOVE
5 BUILDING SECTION
FIG. 2FIG. 2*
FIG. 1FIG. 1*
6INTERIOR ELEVATIONS
2ND FLOOR: GALLERY - WEST ELEVATION*
1ST FLOOR: RECEPTION - EAST ELEVATION*
7 SYUDY MODEL & WALL DETAIL
MOVEABLE WALL CONFIGURATIONS* * *
FINAL MODEL 8
IMAGE SOURCES
“COWDEN BRIDGE”< http://bridgehunter.com/il/shelby/cowden/ >
“FIREFLY”< http://bioweb.uwlax.edu/bio203/2011/smith_ash2/adaptation.htm >
“CICADA”< http://theketelsens.blogspot.com/2010/07/cicada-season.html >
“BIRCH TREES”< http://www.etsy.com/listing/82518698/birch-tree-photo-black-and-white-winter >
“RIVER”< http://mpccreative.com/wp-content/uploads/2010/01/mpcc-windingriver.jpg >
“AROURA BOREALIS”< http://www.alaskaphotographyblog.com/2011/03/northern-lights/ >
“SNAKE”< http://www.talismancoins.com/servlet/Detail?no=1234 >