PolysixEX Tutorial 3 Lead Sound

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  • 8/13/2019 PolysixEX Tutorial 3 Lead Sound

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    By dongfang (Kris Oosting) - November 2012

    PolysixEX Tutorial 3

    Programming a Lead Sound

    Material: PolysixEX Reference Cards and a KORG Kronos.

    Level: Beginner.

    Time: 10-15 min.Goals: Program a lead sound using the PolysixEX and add Kronos effects.

    This tutorial describes step by step how to program a lead sound with the KORG Kronos PolysixEX. Further, the MG is discussed.

    This tutorial consists of four parts:

    1. Setting up the Basic Sound.

    2. Shape the Sound.

    3. The Beauty Pass - Kronosification.

    4. Summary Schema of all settings.

    TheLead

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    By dongfang (Kris Oosting) - November 2012

    1. Setting up the Basic Sound

    1. Select a free USER Program and set in the Commontab the EXi 1 Instrument Typeto Po

    2. Select the EXi 1tab.

    3. First reset the PolysixEX by setting:

    VCO VCF PW/PWM = 0 CUTOFF = 5 PWM SPEED = 0 RESONANCE = 0SUB OSC = OFF

    EG INTENSITY = 0

    VCA EFFECTS MODE = gate MODE = OFFEG DECAY = 0 SUSTAIN = 0Leave the other values at their default settings.

    Were going for a lead type sound this t

    During experimentation a Formant Synt

    by. For those who are born after 1980,

    background: the Formant Synthesizer, a

    was published in Elektor magazine betw

    It was the first mini analogue synthesize

    modular construction that could be buil

    affordable price.

    I remember looking at it as a kid, but co

    started to build computers instead. This

    different story which will not be covered

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    By dongfang (Kris Oosting) - November 2012

    1. Setting up the Basic Sound

    4. Set WAVEFORM = PWMto create a synthy lead sound.

    5. Next, set the Pulse Width by setting PW/PWM = 7. You can hear already a thin lead com

    We start with the basic sound source- theVCO-Voltage Controlled Oscillator.

    You can try some settings for the PWM SPEED- the speed of modulation - to create a more

    wobbly type sound.But for now we leave it on 0.

    6. To give the sound a little more body set SUB OSC = 1 OCT.

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    By dongfang (Kris Oosting) - November 2012

    2. Shaping the Sound

    7. To make the sound more edgy some resonance has to added to the scene. Resonance

    frequencies around the cutoff frequency.To do that, set RESONANCE = 5 in this case. Y

    values if you like.

    Next you have to shape the sound, by determining which frequencies we want to cut off.For this we look at theVCF-Voltage Controlled Filter.

    Time to shape the sound further with the EG ADSR. SeeTutorial 2 -Programming a Bass Soundfor more information about the ADSR.

    The sound should have a slight soft start, then decay in medium time to a

    sustain level. When the key is released create a soft afterglow of some sort.

    8. Set of the EG:ATTACK = 1, DECAY = 5, SUSTAIN = 3, and RELEASE = 1.

    Play some notes ...

    Attack

    D

    Key

    down

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    By dongfang (Kris Oosting) - November 2012

    2. Shaping the Sound

    9. To do that, select EG INTENSITY and change the value with the value slider slowly from 0

    soft spot between 1 and 2. For this tutorial set EG INTENSITY = 1.5.

    What?! No difference. Thats because theVCFis not yet shaped by the ADSR.To do this, you have to set the EG INTENSITYof theVCF, i.e. how intensive the EGwill influe

    Time to shape the sound further with the Modulation Generator MG.

    Lets add a little wah-wahto our lead sound.As you could read in the Reference Cards, this can be achieved with selecting theVCFas th

    component that will be modulated by the MG.

    10.First, of the MGset MODE = VCF.

    11.Then, set LEVEL = 0.5. Remember that level is very sensitive. Just try some higher value

    wild fluctuations. Maybe something for special effects?

    D

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    By dongfang (Kris Oosting) - November 2012

    2. Shaping the Sound

    12.To do that, of the MGset DELAY = 4. Play some notes and hold the keys ... The wah-w

    short while. Nice!

    You dont want the wah-wah to start as soon as you touched a key.You want a wah-wah after a short delay (while pressing a key).

    The speed of the wah-wah is controlled by FREQUENCY/TIMESof the MG.

    Note that when both SYNCare off, this knob controls the frequency of the MG.

    13.Select FREQUENCY/TIMESon the screen and change the values using the value slider

    while playing. Leave FREQUENCY/TIMES = 6. This should give a nice wah-wah.

    14.As you remember from Tutorial 2, to set the synth to monophonic: Select the Common

    tab, then the Basic/Vectortab, and then the Program Basictab. Look underVoice

    Assign Modefor Mono. Select it and the white circle gets a red dotinside. Done.

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    3. The Beauty Pass - Kronosificat

    15.Select the Commontab.

    16.Then the IFXtab, and then the Insert FXsubtab.

    17.Set IFX1 = On, and select for the effect: 040: Stereo Chorus.

    18.Select the IFX 1-12subtab and then IFX1(if not selected).

    19.Enter the following settings for the Stereo Chorus effect:

    Lets add some nice effects to this basic lead sound and make it Kronos worthy.

    Ster

    OUTPUT Wet/Dry: 10:90 Amount: +50Leave the other values at their default settings.We want a chorus type effect.

    But not the width of it, yet.

    You could also try Dry (0).

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    By dongfang (Kris Oosting) - November 2012

    3. The Beauty Pass - Kronosificat

    20.Select the Routingsubtab.

    21.In the Bus Select (IFX/Indiv.Out Assign)section set EXi 1&2to: IFX1.

    Pun

    The Stereo Chorus effect adds thickness and warmth to the sound by

    modulating the delay time of the input signal.

    Play some notes. We have a more punchy lead now.

    More information on the Stereo Chorus can be found on page 927 of the Kronos

    Parameter Guide.

    Lets add another effect.

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    By dongfang (Kris Oosting) - November 2012

    3. The Beauty Pass - Kronosificat

    22.Select the Insert FXsubtab.

    23.Set IFX2 = On, and select for the effect: 034: Bass Amp Model + Cabinet.

    24.Also select the little squareunder Chainof IFX1. The sound now travels

    through IFX1 to IFX2 and out.

    25.Select subtab IFX 1-12and side tab (left) IFX2(if not selected).

    26.Enter the following settings for the Bass Amp Model + Cabinet:

    Left over from tutorial 2 we have a Bass Amp Model + Cabinet standing in the corner.Lets put it to good use.

    BMod

    BASS AMP MODEL Type: Valve2CABINET SIMULATION Type: UK - 4x15OUTPUT Wet/Dry: 75:25Leave the other values at their

    Same settings as Tutorial 2.

    Some effect reuse this is.

    More information on the Bass Amp

    Model + Cabinet can be found on

    page 923 of the Kronos Parameter

    Guide.

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    By dongfang (Kris Oosting) - November 2012

    3. The Beauty Pass - Kronosificat

    27.Back to the Insert FXsubtab.

    28.Set IFX3 = On, and select for the effect: 051: Stereo Phaser. This effect creates a

    swell by shifting the phase.

    29.Also select the little squareunder Chainof IFX2. The sound now travels through

    IFX2 to IFX3 and out.

    30.Select subtab IFX 1-12and side tab (left) IFX3(if not selected).

    31.Enter the following settings for the Stereo Phaser:

    Hmm, almost there ... lets see what we have in the Effects Library ...The lead should not loose its presence. Nope, O-Verb doesnt sound right.

    St

    OUTPUT Wet/Dry: 30:70 (use value slider or knobs)Leave the other values at their default settings.

    Arbitrary selection. Y

    select another effect

    More information on the Stereo Phaser

    can be found on page 936 of the Kronos

    Parameter Guide.

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    By dongfang (Kris Oosting) - November 2012

    3. The Beauty Pass - Kronosificat

    Now its time to play some notes...

    Experiment with the sound?

    TryVCFCUTOFF = 4, or RESONANCE = 2, or both.

    TryVCOSUB OSC = 2 OCT.

    Try EFFECTSMODE = PHASEor ENSEMBLE.

    P

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    By dongfang (Kris Oosting) - November 2012

    4. Summary Schema

    Settings for the Lead Sound in this tutorial.

    In case you want to quickly program the sound again.

    KRONOS

    VCO

    create raw

    sound

    KBD

    VCF

    shape the

    sound

    VIOVWPWPWSU

    ATTACK = 1DECAY = 5SUSTAIN = 3RELEASE = 1

    VCA

    amplify the

    sound

    EG

    (Envelope

    Generator)CUREEG

    KB

    MAT

    EFFECTS

    apply effects

    MOSPSP

    IFX1

    IFX2

    04

    OU

    W034: Bass Amp Model + Cabinet

    BASS AMP MODEL

    Type: Valve2

    CABINET SIMULATION

    Type: UK - 4x15

    OUTPUT

    Wet/Dry: 75:25

    05

    OUW

    IFX3

    MG

    (Modulation

    Generator) (wah-wah)

    MODE = VCFFREQ = 6DELAY = 4LEVEL = 0 .5