PANL 2009 #18

18 003

Index

INDEX

004

intro-duction

ronaldhooft

ErikkEssEls

nikkigonnissEn

PiEtEr-rim dE kroon

BErt Pot

docu-mEntary& lifE

intErior & ExtErior

lifEstylE & fashion

PEoPlE &Portraits

stilllifE

studEnt work

P 006-007

P 128-129

P 102-144

P 008-025

P 064-065

P 160-161

P 146-169

P 026-073 P 074-101

P 080-081

P 176-177

P 170-207

IndexcrEdits allmEmBErs sPonsorscoloPhon ads

allEntriEs

INDEX

thE JudgEs

thE nominEEs

P 208- 227

P 240

P 235

P 228-233

P 241-256

P 236-237 P 238-239

P 234

005

dutchlight

The PANL BoardINTroDucTIoN

006

The PANL Board

dutchlight

007

INTroDucTIoN

18th SONY AWARDS

PANL was founded 19 years ago, in 1989, to repre-sent a broad community of editorial, fashion and advertising photographers. It is an extremely visible and highly influential force in Dutch Photography. We gather together every year to celebrate great pho-tography at our PANL Awards prize giving, this year in the magnificent Oude Kerk (Old Church) in the heart of old Amsterdam.

the nominated and winning work is showcased in this book has been

selected by an independent jury, composed of photographers and those

who commission or work intensely with photography. Photography is

their daily business and above all their passion. their choice will hope-

fully stimulate and surprise you.

this year, more than other years, there has been a more outspoken range

of criticism by our invited contributors to the jurys selection. Criticism

that has created heated discussion within the PANL Board. On one side,

there are some who feel that being too critical works counterproductive

and is therefore unnecessary to make a point, while others believe that

being sharp and critical should be applauded and encouraged. We col-

lectively believe that the dynamic difference of opinion within PANL

reflects a healthy and self-critical organisation.

this year has been a year of streamlining our organisation. the in-

creased workload, which is a direct fall out of our increased ambition,

has had a direct impact on the back office as well as board members.

to address this we have introduced a number of changes that are hav-

ing a direct effect on the effectiveness and efficiency of both the Board

members and the back office.

Once again we are fortunate to have a strong supporter in SONY. their

global experience and insights to the world of photography has been an

invaluable source of inspiration. We look forward to a flourishing and

continuing relationship in the coming years.

Like all organisations we have no idea of what the immediate future

will bring us. however we in the Board believe that the active partici-

pation of our members will continue to make PANL strong and flexible

in the coming years.

this book is the second in a series of three. Last years Blue Book

(17th edition) launched the series. It represented the open and inclusive

mentality of our organisation. We strive to bring together the wide and

diverse range of work created by our members. this years Glow in the

Dark, White Book, focuses on the high visibility of our members work

in the public domain. Next years book will complete the series.

the PANL board wishes you an illuminating and rewarding read.

Eugene Bay, Chairman PANL

commIssIoNEDBest of members

hans de Vries

page 16-21

NoN commIssIoNEDNomination

maurice heesen

page 22-23

NoN commIssIoNEDBest of members

marjolein van Veen

page 24

010

documentary & LifeovErvIEw The winners

documentary & LifeovErvIEw The winners

011

documentary & LifeovErvIEw All winners

012

013

documentary & LifeovErvIEw All winners

Hans de vriesQuoTE

'I prefer raIsIng questIons rather than provIdIng answers.'

014

Hans de vriesQuoTE

'I prefer raIsIng questIons rather than provIdIng answers.'

015

Hans de Vries Best of members documentary & Life

017


018


019


020


023

Maurice Heesen Nominationdocumentary & Life

024

Marjolein van Veen Best of membersdocumentary & Life

QuoTE

025

Marjolein van Veen

'the worLd of words wIthout words.'

CategorysuBjEcT Name

026

peopLe

&

portraI

ts

InterIor

&exterI

or

doCume

nta026

027


027

peopLe

&

portraI

ts

InterIor

&exterI

or

doCume

nta027

028

028

Interior & exteriorovErvIEw The winners

commIssIoNEDSilver + Best of members

gerrit schreurs

page 32-33

commIssIoNEDMerit

robbert Jan de witte

page 34-37

commIssIoNEDMerit

mark Janssen

page 39-43

commIssIoNEDMerit

Joost Berndes

page 44-45

commIssIoNEDNomination

Joost Berndes

page 46-47

NoN commIssIoNEDGold + Best of members + PANL Sony Award

arthur mebius

page 50-55

NoN commIssIoNEDMerit

Eddo hartmann

page 56-59


Eddo hartmann

page 60-63


Jonathan andrew

page 68-69


Ebo fraterman

page 70-71

#18

029

Interior & exteriorovErvIEw The winners

029

030

Interior & exteriorovErvIEw All winners

031

Interior & exteriorovErvIEw All winners

033

Gerrit SchreursInterior & exterior silver + Best of members

034

Robbert Jan de WitteInterior & exterior merit

035


037


038

Mark JanssenInterior & exterior merit

041


043


045

Joost BerndesInterior & exterior merit

047

Joost BerndesInterior & exterior Nomination

048

Joost BerndescLIENT sBs

Majestic

Menacing

049

The Big winner

051

Arthur MebiusInterior & exterior Gold + Best of members

052


053


055


056

Eddo HartmannInterior & exterior merit

057


058


059


060


061


062


063


064

ronald hooftINTErvIEw Photo by jan Zwart

without light you dont sEE a fuck

065

Ronald HooftIntervIew Photo by Jan Zwart

064

Ronald HooftIntervIew Photo by Jan Zwart

Without light you dont see a fuck

065

ronald hooftINTErvIEw Photo by jan Zwart

jonathan AndrewQuoTE

'drove 5000 km, Crashed the Car, ran Into bad weather, mIssed my gIrLfrIend, got 1 deCent photograph.'

066

jonathan AndrewQuoTE

'drove 5000 km, Crashed the Car, ran Into bad weather, mIssed my gIrLfrIend, got 1 deCent photograph.'

067

069

Jonathan AndrewInterior & exterior Nomination

071

Ebo FratermanInterior & exterior Nomination


074074

InterIor

& exterI

or

LIfestyL

e

&fashIo

n

peopLe&

portraI

ts

075


075

InterIor

& exterI

or

LIfestyL

e

&fashIo

n

peopLe&

portraI

ts

075

commIssIoNEDMerit

maurice heesen

page 82-83

commIssIoNEDMerit

maurice heesen

page 84-85

commIssIoNEDMerit

arjaan hamel

page 88-89


oof Verschuren

page 92-96


tjitske van leeuwen

page 98-99

NoN commIssIoNEDNomination +Best of members

simon warmer

page 100-101

076

Lifestyle & fashionovErvIEw The winners

077077

Lifestyle & fashionovErvIEw The winners

078

Lifestyle & fashionovErvIEw All winners

079

Lifestyle & fashionovErvIEw All winners

080080

pieter-rim de kroonINTErvIEw Photo by jan Zwart

081081

Pieter-Rim de KroonIntervIew Photo by Jan Zwart

Dutch light is in our genes

080080

Pieter-Rim de KroonIntervIew Photo by Jan Zwart

081081

pieter-rim de kroonINTErvIEw Photo by jan Zwart

dutch light is in our gEnEs

083

Maurice HeesenLifestyle & fashion merit

085

Maurice HeesenLifestyle & fashion merit

087

cLIENT frENcHurcH Maurice Heesen

088088

089089

Arjaan HamelLifestyle & fashion Nomination

091

Arjaan HamelcLIENT THE HILD

092

Oof VerschurenLifestyle & fashion Best of members

093


094


095



096

IconIc

IndIvIdual

099

Tjitske van LeeuwenLifestyle & fashion merit

101

Simon WarmerLifestyle & fashion Nomination + Best of members

0102102

LIfestyL

e

&fashIo

n

peopLe&

portraI

ts

stILLLIf

estu-

dent wo

rk

0103

LIfestyL

e

&fashIo

n

peopLe&

portraI

ts

stILLLIf

estu-

dent wo

rk103

104

people & portraitsovErvIEw The winners

commIssIoNEDMerit + Best of members

Jens van der Velde

page 108-111

commIssIoNEDGold

willeke duijvekam

page 113

commIssIoNEDMerit

Jeroen hofman

page 116

NoN commIssIoNEDGold

willeke duijvekam

page 118-121

NoN commIssIoNEDSilver

Patricia ribas

page 122-123


maarten de groot

page 124-127


Ebo fraterman

page 130-131


dindi van de hoek

page 132-135


maurice heesen

page 136-137


mirjam Brinkhof

page 138-139


sofie knijff

page 140-141


rutger van der Bent

page 142-144

0105

people & portraitsovErvIEw The winners

105

106

people & portraitsovErvIEw All winners

107

people & portraitsovErvIEw All winners

108

Jens van der Veldepeople & portraits merit + Best of members

110


111


112

QuoTE Jens van der Velde

rICh? yes, I am. aLthough It Can be tough, my Craft doesnt feeL as work and that's a very rICh prIvILege.'

Protect

Provoke

113

Willeke Duijvekampeople & portraits Gold

0114114

0115115

cLIENT PrIcEwATErHousE cooPErs Willeke Duijvekam

Jeroen Hofmanpeople & portraits merit

117

118


119


120


121


123

Patricia Ribaspeople & portraits silver

124

Maarten de Grootpeople & portraits merit

Maarten de Grootpeople & portraits merit

0128128

nikki gonnissenINTErvIEw Photo by jan Zwart

i want to discoVEr morE aBout thE man or woman BEhind thE lEns

0129129

Nikki GonnissenIntervIew Photo by Jan Zwart

0128128

Nikki GonnissenIntervIew Photo by Jan Zwart

I want to dIscover more about the man or woman behInd the lens

0129129

nikki gonnissenINTErvIEw Photo by jan Zwart

131

Ebo Fratermanpeople & portraits merit

132

Dindi van der Hoekpeople & portraits Best of members

133


135


137

Maurice Heesenpeople & portraits Nomination

138

Mirjam Brinkhofpeople & portraits Nomination

140

Sofie Knijffpeople & portraits Nomination

142

Rutger van der Bentpeople & portraits Nomination

143


144



0146146

peopLe&

portraI

ts

stILLLIf

e

studen

t

work

146

0147


0147

peopLe&

portraI

ts

stILLLIf

e

studen

t

work

147

commIssIoNEDMerit


page 16

commIssIoNEDMerit


page 17

commIssIoNEDNomination + Best of members

Jeroen hofman

page 18-19


martijn de Vries

page 22-23


maurice heesen

page 20-21


lucia ganieva

page 24-26

0148

commIssIoNEDSilver

Eddo hartmann

page 152-153

commIssIoNEDNomination

manon van der Zwaal

page 154-157


ren mesman

page 158-159

NoN commIssIoNEDMerit + Best of members

Erik van gurp

page 162-165


karin van mierlo

page 166


Joost Berndes

page 168-169

148

still LifeovErvIEw The winners

still LifeovErvIEw The winners

149

150

still LifeovErvIEw All winners

151


153

Eddo Hartmannstill Life silver

154

Manon van der Zwaalstill Life Nomination

155


156


157


159

Ren Mesmanstill Life Best of members

160

erik kesselsINTErvIEw Photo by jan Zwart

EVEryonE should rEally sEnd thEir work in to thE Panl comPEtition so that wE gEt a full cross-sEction of dutch PhotograPhy

Erik KesselsIntervIew Photo by Jan Zwart

161

160

Erik KesselsIntervIew Photo by Jan Zwart

EvEryonE should rEally sEnd thEir work in to thE Panl comPEtition so that wE gEt a full cross-sEction of dutch PhotograPhy

erik kesselsINTErvIEw Photo by jan Zwart

161

162

Erik van Gurpstill Life merit + Best of members

163


165


167

Karin van Mierlostill Life Nomination

169

Joost Berndesstill Life Nomination

portraI

ts

stILLLIf

e

student

workdo

Cu-

mentary

170

portraI

ts

stILLLIf

e

student

workdo

Cu-

mentary

171

Gold

arjen haantjes

page 178-181

Silver

marc driessen

page 182-187

Merit

remco muntz

page 188

Merit

christine van rooijen

page 190-194

Nomination

remco muntz

page 196-197

Nomination

robin de Puy

page 198-199

Nomination

Petra Pijlgroms

page 200

Nomination

marc kruse

page 202

Best of members

sonja de ridder

page 204-207

172

student workovErvIEw The winners

173

student workovErvIEw The winners

174


175


176

bert potINTErvIEw Photo by jan Zwart

an imagE must BE undErstood in a singlE sEcond

177

Bert PotIntervIew Photo by Jan Zwart

176

Bert PotIntervIew Photo by Jan Zwart

An imAge must be understood in A single second

177

bert potINTErvIEw Photo by jan Zwart

178

Arjen Haantjes Goldstudent work

179

Arjen Haantjesstudent work Gold

180

Arjen Haantjes Goldstudent work

183

Marc Driessenstudent work silver

184


185


187


189

Remco Muntzstudent work merit

190

Christine van Rooijenstudent work merit

191


192


193


194


195

QuoTE Christine van Rooijen

'peopLe who gIve In to theIr passIon sImpLy fasCInate me.'

197

Remco Muntzstudent work Nomination

199

Robin de Puystudent work Nomination

201

Petra Pijlgromsstudent work Nomination

202

Marc Krusestudent work Nomination

204

Sonja de Ridderstudent work Best of members

205


206


207


entrIe

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se

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208208

209

All Other Entriessecond round

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212


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217

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218

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219

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220


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222

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223

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225

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226

second round All Other Entries

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228228

A cosmopolitan group gathers together in

Spaces on a cold, sunny December morning.

For the last few months, this stately build-

ing on Amsterdams Herengracht has been

the meeting place for the PANL jury. Todays

an important day, when the entries for the

2008 competition will be judged for the

PANL Sony Alpha Awards #18. Its no easy

task. After the initial digital round, there

are still 536 entries shortlisted out of a total

of over 1,200 in all categories. In short, the

genial mood in which early morning coffee

is being drunk will probably have evapo-

rated by this evening. By then, swords will

have been crossed and the debate about what

is and isnt beautiful, innovative or quite

simply breathtaking will have been raging

for some time.

Many judges, one result. Thats the fervent

hope of the PANL organisation, represented

on this occasion by Jacqueline van Stiphout,

Laura Mars, Carlfried Verwaayen and

Annemiek Klijn. But inviting a jury made

up of experts from practically all corners of

the world inevitably means you will be try-

ing to marshal a wide range of approaches

and highly divergent tastes. This will lead to

a tough, though hopefully fair and equitable,

exchange of views.

The members of the jury are introduced

to each other by Jeannette van Zee (De

Informatiekamer), who has been given the

task of coaxing all these varied opinions

towards a shared consensus. There are three

photographers: documentary photographer

Brian Finke from New York, Kurt Stallaert,

a Flemish photographer who describes his

own work as surrealistic, and Olaf Veltman,

a commercial photographer who works from

his farm in Drenthe, where he attracts com-

missions from all over the world. They are

joined by Magnus Olsson from Sweden,

who has worked in Helsinki, London and

Stockholm and has been creative direc-

tor of Saatchi & Saatchi Nederland for just

over two years. Anneke Krul, former co-

owner of the 020 design agency, now works

in Amsterdam as a freelance art director,

graphic designer and creative consultant. The

international tone of the jury is completed

by Kirsten Rendtel, art buyer at Scholz und

Friends Berlin.

Van Zee, who has been jury coordinator

before, outlines the procedure. The group

must select approximately 120 photos for

inclusion in the PANL book. Wherever pos-

sible, they should try to include nomina-

tions from all the categories in the interests

of diversity. A chairman must also be chosen

to preserve integrity. Cant we all be chair-

men? suggests Krull. Perhaps we dont

need a chairman, replies Olsson. Nods of

agreement - anarchy!

Reconnaissance! The initial roundThe jury cheerfully begins its work. Several

rooms on the ground floor are filled with a

series of long tables on which the entries are

spread out, all anonymously of course. The

group is shown around by Van Zee, whose

calm yet alert approach will pilot them

through this long, exacting day. To add to the

tension, photographer Jacqueline Dersjant

follows them all with a large camera, reg-

istering each enthusiastic gesture, expres-

sion of hesitation or outburst of delight or

disgust. For the moment, theres absolute

silence and total concentration, interspersed

with a frequent raised eyebrow or cautious

smile. The jury takes its work very seriously.

Three votes per entry are enough to keep a

work in the competition. Raise your hand

if youd like to discuss anything, says Van

Zee, trying to encourage the initially some-

what reticent group to get a debate going.

In the category People Portraits, a series of

classic black and white portraits in filmic

THe JudGes Text by Annemiek van Grondel

The baTTle foR silveR and gold

229

style is given five votes. But the other pho-

tos attract a draconian response. Photo

after photo is rejected. On the other hand,

art buyer Kirstel Rendtel is noticeably gen-

erous compared to her colleagues. In this

category (and in others, as it later proves),

her hand goes up again and again. Which is

good news in these economically straitened

times: clearly, there are still buyers out there

for many of these photos.

As they walk past the Interior & Exterior

category, the jury appears to be slowly but

surely melting. Minimalism dominates in

this category. The desolate landscapes and

old model aircraft parts are proving espe-

cially popular. In the Non-Commissioned

subsection of the Still Life category, a series

of reptiles enclosed by hands is the clear

favourite. A tree trunk also meets with uni-

versal approval. But a photograph of female

genitals positioned above a tulip stalk is

ruthlessly voted out. Next, is the unrelent-

ing verdict and the jury resolutely turns its

back on yet another room containing pic-

tures of the children of many of the photog-

raphers. Yet before this, the room displaying

the Still Life (Commissioned) work causes

five hands to promptly rise in response to a

photo of a black and white shoe. Olsson asks

his colleagues to reconsider. Ive seen this

kind of work so often! he cries. He points

to another series above it which failed to get

through the initial selection round: In that

case, this series should also be reconsidered.

Stallaert invites his colleagues to look more

favourably on a photo of a horse theyve pre-

viously rejected. But both arguments fall on

deaf ears.

Veltmans lobbying in the Student category

is more successful and he manages to win

extra support for an interior shot in primary

colours which the others have more or less

missed. This photo will go on to win a merit

award. Almost all hands go up for a black

and white series of three portraits. High

quality, notes Olsson. Hope for the future!

The Lifestyle & Fashion category generates

quite a bit of controversy. Two series of pho-

tos are heatedly debated. Its felt that they

reflect a desire to over-submit. One photo

in each series is warmly praised but the rest

come in for heavy criticism. The jury thinks

its a real shame that a photo of this kind cant

be judged as a single entry. The discussion

results in a series which was initially voted

in being taken out of the running after the

second round. Krull makes a case for a series

showing women in black clothing. This is

the only series of fashion photos in the com-

petition which radiates genuine quality,

she argues. The photo gets through but falls

by the wayside in the final selection round.

The jury feels that the Lifestyle & Fashion

category is a bit thin this year. I really havent

seen any work by the quality lifestyle and

fashion photographers who are working in

the Netherlands today, says Krull.

Motivation! The second roundThe remaining shortlisted work now has to

achieve four out of six votes to stay in the

running. Theres a great deal at stake: will

this work or that make it into the book? Van

Zee is hoping for a final result that includes at

least three entries in each category. But that

turns out to be wishful thinking. The jury,

now warning to its task, has other ideas.

The Documentary & Life category hasnt

attracted an enormous number of entries, yet

it is still striking how few photos are given

the thumbs up. A series of wedding photos

receives just one vote (Finkes) while a series

of photos of babies, apparently taken in an

orphanage in Eastern Europe, only attracts

three. Stereotypical, opines Krull. No!

A really good example of photojournalism!

counters Finke. The jury agrees: each photo

in the series tells a story. Touch. The series

gets through.

Further on in the Interior & Exterior category,

a minimalistic white interior also generates

debate. This is too correct, remarks Olsson.

But only he and Stallaert vote against it, so

this entry also appears to have secured its

place in the book. Olsson isnt pleased. The

centring is the aesthetics of the idiot, some-

one told us. Duly noted. Krull now shares

her burgeoning doubts with the others and

withdraws her vote. The photo is rejected.

The subject of boyhood dreams clearly

appeals to this jury, although the many sin-

gle photos and series of cars make less of an

impression than the pictures of aircraft com-

ponents. Find as many vehicles in different

parts of the street as you can, is the dis-

missive remark that accompanies the voting

out of one series of automobile photos. Too

stock is another merciless comment applied

to an over-stylised series in dark tones show-

ing male models and elevators. But Stallaert,

who much admires this series, rushes to its

defence. He manages to convince the others.

A series of photos of plants is reclassified in

the Still Life category at Veltmans sugges-

tion, and later wins a place in the book.

In the People & Portraits area, the jury

spends a long time considering the merits

of a portrait of film-maker Paul Verhoeven.

Eventually its voted down, much to the dis-

appointment of Veltman, who immediately

afterwards is galled to see a rather formal

portrait of a soldier next to a pot plant voted

in. Those days are over, he says firmly.

Portraits should say more about the person

they portray. And it requires talent to por-

tray a major ego like Paul Verhoeven in this

way. Krull disagrees, saying shes seen too

many of this kind of portrait. Stallaert thinks

Verhoeven is acting on the photo: The sol-

dier portrait is far more natural and therefore

stronger. In the end, though, neither photo

makes it to the next round.

Van Zee suggests it might be time for lunch,

but the jurys now got the bit between its

teeth and wants to go on. The next category

awaiting consideration is Student Work. The

graphic black and white series of three

moving portraits gets a unanimous go. Its

a historic moment - the first time today that

the entire jury has been unanimous. I like

the student work! they all say, somewhat

surprised. Work by no less than eight young

photographers is included in the book,

including four series.

Before lunch, the remaining work in the

People & Portraits (Non-Commissioned)

category is subjected to closer inspection. A

rip-off, Too easy but also Most uncomfort-

able but thats good and So emotional are

just a few of the comments made. A series

of photos of young gymnasts (presumably

taking part in a competition given the num-

bers on their gym slips) attracts widespread

approval. An image of a boy with a hare lip

and vulnerable expression also gains many

votes. Clearly, hunger hasnt yet dampened

interest in the job in hand. The jury decides

to complete its discussion of the photos in

the other series which still require fur-

ther consideration. In the Still Life (Non-

Commissioned) category, it decides to allow

the reptiles series to go through.


> lees verder op pagina 232

230230

From left to right: Brian Finke (USA) PhotographerOlaf Veltman (NL) PhotographerMagnus Olsson (S) Creative Director Saatchi & Saatchi NL

Kurt Stallaert (B) PhotographerAnneke Krull (NL) Art-directorKirsten Rendtel (D) Art-buyer Scolz & Friends Berlin

231

Photo by Jacqueline DersjantTHe JudGes

231

232232

However, Krull fails to get her series of

five fashion photos passed. But the jurys

hands shoot up for a still life showing two

young girls legs encased in plaster peeping

out from under a net curtain. It takes the

subject in another direction, says Stallaert

approvingly. It has something soft, adds

Krull. Formally it is beautiful, puts in

Finke cautiously. The aircraft parts also get

a unanimous vote.

War! The final round After lunch, Jeannette van Zee announces

that 99 entries have made it through from

the previous selection rounds. Its now time

for each jury member to make their own per-

sonal selections. They can choose an entire

series, a single work or even one photo from

a series. Each member also has a maximum

of three wild cards which they can use to get

work brought back into the arena. Veltman

uses one of his to secure an entry for the

Student Work category. I could see a Gucci

logo on it, he says in endorsement of a photo

of a young female model wearing lip gloss.

Hes supported by a majority vote and the

photo makes it into the book.

After a short break in which everyone

presents his or her own personal choices

(see box), its finally time to select the work

that will win the top prizes, including the

coveted PANL Award.

Olsson puts in a bid for his personal choice:

the wall series. During the voting round, this

was selected for silver, but Olssen thinks it

deserves gold. Veltman says teasingly: We

always knew there was something wrong

with art directors. But Olsson isnt put off:

Its uncomfortable and new. Flawless, from

a crafting point of view. The whole series!

It unites design, photography and art-

direction. Stallaert: Is it conceptual or pure

photography? The wall was already there.

So the question is: what exactly does it add?

Now the heavy guns are wheeled in. The mer-

its and demerits of each photo are discussed

in minute detail resulting in their promo-

tion to a higher award category or, in the

worst case, a demotion. Finke, for example,

wants the gymnast series to win gold and the

portrait of the boy with a hare lip to be given

silver. I didnt even vote for the gymnasts,

counters Olsson. Its done in a right way, but

it doesnt move things forward.

Eventually, each of these finalists is awarded

silver. But why gold for the reptiles series

when nothing else in this category has been

awarded anything? The jury decides to

take drastic measures and gives it a merit

instead. A series of photos of flowers, which

was initially set to walk away with silver, is

now given only an honourable mention.

During the final round of voting, emotions

either reach fever pitch or sink without trace.

A photo of a boy at a carwash, which was ini-

tially crowned with a gold, sparks off a lively

squabble. Maybe its a boy thing, comments

an incredulous female jury member. Veltman

replies jokingly: If you cant get sex into the

book, you should at least get a car in. But

four votes against two means the photo now

only gets an honourable mention.

In the Lifestyle & Fashion (Non-Commis-

sioned) category, too, in which only two

photos have survived the pruning exercise,

gold is now reduced to a merit award (for

the girls legs showing beneath the net cur-

tain) and silver is demoted to an honourable

mention (dog in a collar). One of Veltmans

favourites, the filmic black and white

series of young people (People & Portraits,

Commissioned), doesnt get any marks from

Krull. She wins over a fellow jury member

so now its four against two. One of the four

photos is also regarded as less good, so the

series gets a merit rather than a silver. But

theres very little dissent about what to award

the Student Work category. Everyone agrees

the black and white series deserves gold.

The judging is now drawing to an end. All

the proposed entries for gold, silver and

merit awards are laid next to each other.

This is the jurys final opportunity to make

a pitch to upgrade or downgrade the mate-

rial. Finke puts forward an argument for

awarding gold to the gymnast series, which

is currently down for a silver. He gets the rest

of the jury to agree. This prompts Olsson to

revive the case in favour of his wall series

(People & Portraits): The gymnasts are fairly

traditional, after all. As a signal, it would be

rock & roll to say that you can make portraits

like that but, indicating the wall series, also

like that. The votes are cast. Veltman: Its

a commissioned work. Someones breathing

down the photographers neck, after all. If we

award gold to the wall, weve also got to give

gold to the gymnasts.

And thats eventually what happens. Theres

also universal consensus about the overall

PANL Award, which is to go to the series of

four photos of old aircraft parts in a hangar.

But despite all his ardent pleas, Olssons

wall series remains contentious. At the jurys

request, PANL is asked to find out whether

the photos satisfy the competition criteria,

for example in terms of copyrights. Further

enquiries at Pictoright unfortunately reveal

that the series has to be disqualified because

the photographer doesnt own the full cop-

yright. This infringes both copyright laws

and the entry rules governing the PANL

Awards. In the end, then, the final tally of

awards for the PANL 2008 edition is four

golds, four silvers and 15 merits. All in all,

a respectable haul.


> vervolg van pagina 229

233

Personal ChoicesTHe JudGes

Anneke Krull Single photo, Interior & Exterior, Commissioned: girl playing in a concrete jungle.

I see it as a fashion photo - by way of compensation, since so little good work was entered in

the Fashion & Lifestyle category. I think the contrast between the rigid architectonic environ-

ment and the playful little girl works very well. Its a razor-sharp photo in which the colours

make her spring out at the viewer. And then theres the threatening sky; theres an entire story

in this picture. I can imagine what the rest of the series might look like, if there were one.

Magnus Olsson Series of 5 photos in People/Portraits, Non-Commissioned: photos of walls with peeling black and white posters of Chinese people and characters.

It wasnt difficult to choose. They struck me right away. It feels big. Its got scale. A lovely

idea: doing portraits in a new way. Its the strong visual impact of the work. Perhaps its

because Im in advertising. The whole thing is very clear.

Kirsten Rendtel Single photo; People & Portraits, Non-Commissioned: portrait of a boy.

Very sensitive. I like the fact that the photographer was able to catch the confidence of an

adolescent. Normally they try to look very cool and grown-up, but he has a remarkable

vulnerability. The photographer has managed to get in to this and gives us a glimpse inside

the boy.

Kurt Stallaert Series of 4 photos in Interior & Exterior, Non-Commissioned: aircraft parts in a hangar.

I can find almost no flaws or disruptive elements in this photo series. The atmosphere, the

composition, its all perfect. I dont have any sense that its been staged. Its basic, apart from

the extra light thats been used, but which doesnt disturb the purity of the scene. Theres a

story behind it, it makes you wish the aircraft could speak. Im passionate about planes:

I myself fly a Piper Lance, a light aircraft built in 1979.

Brian FinkeSeries of 4 photos in Interior & Exterior, Non-Commissioned: aircraft parts in a hangar.

These aesthetically enticing pictures struck me as early as the first voting round. I love the

mystery that surrounds them. They make me curious about the story that is created by the

stillness. I want to go there and see them for myself. For me, the choice was between these

photos and the girls with their different emotions and the black gymslips. I can keep looking

at them. But the same is true of the planes. The spotlight, the metal, the broken glass,

the texture. Where is this place? Why are these bits and pieces of planes being kept?

Olaf Veltman People & Portraits, Commissioned: young Muslim woman with blue hijab.

I love this picture of a Muslim woman. And in combination with the series of gymnast pho-

tos; they must be by the same photographer. But in that series there was one photo I didnt

think was as good as the rest. This photo was more difficult to make, and unlike the gymnasts,

it was commissioned. Its so simple and retiring. It really grabbed me: the girl almost looks past

or through you, as if you werent there. The simplicity and use of colours is very striking.

I could tell you all about the aircraft series, but in my opinion it deserved silver, not gold.

234

THe noMInees All Categories

aRThuR MebiusaRjaan haMelaRjen haanTjesChRisTine van Rooijendindi van deR hoekebo fRaTeRManeddo haRTManneRik van guRpgeRRiT sChReuRshans de vRiesjens van deR veldejeRoen hofManjonaThan andReWjoosT beRndeskaRin van MieRlolisa koRTenhoRsTMaaRTen de gRooTManon van deR ZWaalMaRC dRiessen

MaRC kRuseMaRjolein van veenMaRk janssenMauRiCe heesenMiRjaM bRinkhofoof veRsChuRenpaTRiCia RibaspeTRa pijlgRoMsReMCo MunTZRen MesManRobbeRT jan de WiTTeRobin de puyRuTgeR van deR benTsiMon WaRMeRsofie knijffsonja de RiddeRTjiTske van leeuWenWilleke duijvekaM

235

credITs

doCuMenTaRy & lifeCoMMissioned

Page 016-021Name hans de vries, RotterdamClient stichting vergeten kinderen van bulgarije

inTeRioR & exTeRioRCoMMissioned

Page 032-033Name gerrit schreursDesign studio ontwerpwerkClient den haag sculptuurLocation new york

Page 038-043Name Mark janssenAgency ubachsWisbrun/jWTClient RandstadLocation buenos aires

Page 034-037Name Robbert jan de WitteClient arkefly

Page 044-045Name joost berndesClient sbsLocation strandbad

Page 046-047Name joost berndesClient sbsLocation strandbad

inTeRioR & exTeRioRnon CoMMissioned

Page 050-055Name arthur MebiusLocation albania

Page 056-059Name eddo hartmannLocation new Mexico

Page 060-063Name eddo hartmannLocation new Mexico

Page 068-069Name jonathan andrewLocation durmitor, Montenegro

lifesTyle & fashionCoMMissioned

Page 092-096Name oof verschurenClient haags gemeente MuseumMake up kathinka gernant & Chao li -hsu @ house of orangeModelmaker kevin power

Page 082-083Name Maurice heesenAgency McCannClient fenchurchLocation Rotterdam

Page 084-085Name Maurice heesenAgency McCannClient fenchurchLocation Rotterdam

Page 088-089Name arjaan hamelClient The hild

lifesTyle & fashionnon CoMMissioned

Page 098-099Name Tjitske van leeuwenStyling friedaMariaModel elsa

Page 100-101Name simon WarmerModel gijs

people & poRTRaiTsCoMMissioned

Page 113Name Willeke duijvekamAgency 707Client pricewaterhouse CoopersModel fatima

Page 116Name jeroen hofmanAgency on internationalLocation MilanModel Clarence seedorf

Page 108-111Name jens van der veldeClient Tommy hilfiger

people & poRTRaiTsnon CoMMissioned

Page 132-135Name dindi van der hoekExhibitions pulchri den haag, open art fair, galerie pennings eindhoven, galerie lichtzone groningen

Page 136-137Name Maurice heesenLocation spain

Page 141Name sofie knijfLocation belgieModel Maarten

sTill lifeCoMMissioned

Page 152-153Name eddo hartmannAgency bsuR agency bvClient aT osborneLocation universiteit utrecht

Page 154-155Name Ren MesmanClient volkskrantStyling Claatje lindehout

Page 156-159Name Manon van der ZwaalClient hortus botanicus

sTudenT WoRk

Page 200Name petra pijlgromsMake up sarah jansenLocation amsterdamModel kim, ulla Models

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239

sPonsors

240

photographer panl jury The PANL jury

jury Members Brian Finke (VS) Anneke Krull (NL) Magnus Olsson (S) Kirsten Rendtel (D) Kurt Stallaert (B) Olaf Veltman (NL)

jury Report Annemiek van Grondel

panl board Members Eugene Bay (Chairman) Frank Deelstra (Treasurer/secretary) Ton Damen Annemiek Klijn Vincent Kruijt Maarten Modderman Carlfried Verwaayen Manon van der Zwaal publisher Photography Association of The Netherlands (PANL) office Manager Laura Marsproject Managers Jacqueline van Stiphout Petra van Velzen

Herengracht 124-128 1015 BT Amsterdam Phone +31 (0)20 794 45 45 [email protected] www.panl.nl

Concept & design Mattmo concept | design, Amsterdam& editorial production www.mattmo.com

production Modderman Drukwerk, Amsterdam www.modderman.nl

Translation Bosch & Bosch Translation and Copy Amsterdam ww.boschbosch.nl

lithography Straight Premedia www.straightpremedia.nl

print SMG-groep, Hasselt (O) www.smg-groep.nl

binder Boekbinderij Beelen, Zutphen silkscreen Cover All Screen, Amsterdam www.allscreen.nl

paper Satimat 150 grs IJsselprint 120 grs

Copyright 2009. The Photographers Association of the Netherlands, PANL The copyright of the individual photographs in this book remains with the photographers or clients credited, unless otherwise stated.

The compilation of the photographs is subject to the copyright of The Photographers Association of the Netherlands.

All rights reserved. No part of this book may be reproduced in any other form by print, photoprint or any other means without prior written permission from publisher.

ISBN/EAN 978-90-806287-9-3

coLoPHon

PANL_interviews B.pdfPANL_redactionelepagina_07

Documents

PANL 2009 #18