83
INTRODUCTION TO OPERATIONAL ART By DR. M. VEGO JMO DEPARTMENT, U.S. NAVAL WAR COLLEGE, NEWPORT, RI.

on operational art

Embed Size (px)

Citation preview

Page 1: on operational art

INTRODUCTION TO OPERATIONAL ART

ByDR. M. VEGOJMO DEPARTMENT,

U.S. NAVAL WAR COLLEGE, NEWPORT, RI.

Page 2: on operational art

“WAR IS NOT AN AFFAIR OF CHANCE. A GREAT DEAL OF KNOWLEDGE, STUDY AND MEDITATION IS NECESSARY TO CONDUCT IT WELL.”

FREDERICK THE GREAT, 1747

Page 3: on operational art

TERMS USED• GRAND TACTICS• OPERATIONS (OPERATIONS)• OPERATIONAL ART (OPERATIONSKUNST)• OPERATIONAL ART (OPERATIVNOYE

ISKUSSTVO)• OPERATIONAL LEADERSHIP

(OPERATIONSFUEHRUNG; OPERATIVE FUEHRUNG)

• OPERATIONAL WARFARE• OPERATIONAL WARFIGHTING

Page 4: on operational art

HISTORICAL EVOLUTION OF COMPONENTS OF MILITARY ART

PPT-98-VEG0-38A (PFR)

TACTICS

OPERATIONS(Operational Art)

STRATEGY

Page 5: on operational art

ON OPERATIONAL ART• AN INTERMEDIATE FIELD OF STUDY AND PRACTICE

BETWEEN STRATEGY AND TACTICS• IT IS APPLIED ACROSS THE ENTIRE “OPERATIONAL

CONTINUUM”• IT DEALS WITH THEORY AND PRACTICE OF PLANNING,

PREPARING, CONDUCTING, AND SUSTAINING MAJOR OPERATIONS AND CAMPAIGNS AIMED AT ACCOMPLISHING OPERATIONAL OR STRATEGIC OBJECTIVES IN A THEATER.

Page 6: on operational art

“THE NATION THAT WILL INSIST ON DRAWING A BROAD LINE BETWEEN THE FIGHTING MAN AND THE THINKING MAN IS LIABLE TO FIND ITS FIGHTING DONE BY FOOLS AND ITS THINKING DONE BY COWARDS.”

SIR WILLIAM FRANCIS BUTLER

Page 7: on operational art

MILITARY SCIENCE AND MILITARY ART

STRATEGY TACTICS

OPERATIONS(OPERATIONAL ART)

MILITARYART

MILITARYSCIENCE

PPT-98-VEG0-10A (PFR)

Page 8: on operational art

IMPORTANCE• TACTICS ALONE CANNOT ACCOMPLISH

STRATEGIC OBJECTIVES IN A THEATER OR WIN THE WAR; RESULTS OF TACTICAL ACTIONS ARE USEFUL ONLY WHEN LINKED TOGETHER AS A PART OF SOME LARGER DESIGN FRAMED BY STRATEGY AND ORCEHSTRATED BY OPERATIONAL ART

• THE GAP BETWEEN STRATEGY AND TACTICS IS TOO LARGE TO BE BRIDGED WITHOUT AN INTERMEDIATE FIELD OF STUDY AND PRACTICE -- OPERATIONAL ART

Page 9: on operational art

• OPERATIONAL ART SEQUENCES AND SYNCHRONIZES SERIES OF TACTICAL ACTIONS TO ACCOMPLISH OPERATIONAL OBJECTIVES THROUGH THE CONDUCT OF MAJOR OPERATIONS; STRATEGIC OBJECTIVES IN A THEATER ARE NORMALLY ACCOMPLISHED THROUGH SERIES OF MAJOR OPERATIONS

• OPERATIONAL ART ALLOWS A SMALLER, BUT BETTER TRAINED AND SKILLFULLY LED FORCE GUIDED BY SOUND STRATEGY TO DEFEAT QUICKLY AND DECISIVELY A MUCH STRONGER FORCE.

Page 10: on operational art

• OPERATIONAL ART HELPS TO AVOID MORE COSTLY AND TIME-CONSUMING ATTRITIONAL WARFARE AT THE OPERATIONAL AND STRATEGIC LEVELS

• IT PROVIDES A FRAMEWORK AND KEY INPUTS FOR WRITING SERVICE AND JOINT/COMBINED DOCTRINE

• IT REINFORCES THE NEED FOR THE CLOSEST COOPERATION AMONG THE SERVICES --JOINTNESS.

Page 11: on operational art

CHARACTERISTICS• MOVEMENTS OF LARGE MULTI-SERVICE OR

MULTI-NATIONAL FORCES OVER LARGE PART OF THE THEATER

• THE DEPLOYMENT FORMS THE VERY BASIS OF A PLAN FOR CAMPAIGN OR MAJOR OPERATION

• SEQUENCED AND SYNCHRONIZED EMPLOYMENT OF MILITARY AND NON-MILITARY SOURCES OF POWER

Page 12: on operational art

PREREQUISITES• A SUFFICIENT PHYSICAL SPACE FOR

MOVEMENTS OF LARGE FORMATIONS• FULL MASTERY OF TACTICS • THE COMMANDERS MUST HAVE THAT

RARE ABILITY TO THINK BEYOND THE REALM OF PHYSICAL COMBAT

• THE EXISTENCE OF THE THEATER-WIDE STRUCTURE (C2; C2W; INTELLIGENCE; FIRES; LOGISTICS; AND PROTECTION).

Page 13: on operational art

COMPONENTS

Page 14: on operational art

MILITARY ART COMPONENTS COMPONENT

PPT-99-VEGO-40 (PFR)

STRATEGY

TACTICS

LEVEL OF WAR

STRATEGIC

• NATIONAL-STRATEGIC

• THEATER-STRATEGIC

OPERATIONAL

TACTICAL

OPERATIONAL-TACTICAL

NATIONAL SECURITY STRATEGYOR ALLIANCE/COALITION STRATEGY)

DETERMINATIONOF PRIMARY

AND SECONDARYTHEATERS

NATIONAL MILITARY STRATEGY

CONFLICT/WAR TERMINATION

ALLOCATION OF MILITARY RESOURCESAMONG THEATERS

OPERATIONAL

FACTORSOPERATIONAL ART

(OPERATIONS)OPERATIONAL

LEADERSHIP

METHODS OF COMBATFORCE EMPLOYMENT

OPERATIONALFUNTIONSOPERATIONAL

PLANNINGPRINCIPLES OFOPERATIONAL

WARFAREELEMENTS OF

OPERATIONAL

WARFARE

TACTICS OF

BRANCHES

TACTICSTACTICAL

PLANNING

TYPES OFSHIPS / AIRCRAFT

COMBATARMS TACTICSTACTICS OFWEAPONS

PLATFORMSTACTICS OF

COMBINEDARMS

OPERATIONALART

(OPERATIONS)

THEORY AND PRACTICE

ISSUING STRATEGIC GUIDANCE

BUILDING ALLIANCE/COALITIONENHANCING COUNTRY’S GEOSTRATEGIC POSITION

THEORY AND PRACTICE

INPUT TO CONFLICT/WAR TERMINATION

OPERATIONALTRAINING

OPERATIONAL-STRATEGIC

METHODS OF TACTICALEMPLOYMENT

THEORY AND PRACTICE

TACTICALFUNCTIONS

TACTICS OFTYPE OF SHIPS/

AIRCRAFT

Page 15: on operational art

RELATIONSHIP BETWEEN COMPONENTS OF MILITARY ART AND THE LEVELS OF WAR

NATIONAL-STRATEGIC LEVEL

LEVEL OF WAR

THEATER-STRATEGIC LEVEL

OPERATIONAL-TACTICAL LEVEL

TACTICAL LEVEL

NATIONAL-STRATEGIC

COMMAND ECHELON

THEATER-STRATEGIC

OPERATIONAL

OPERATIONAL-TACTICAL

TACTICAL

GLOBAL

PHYSICAL ENVIRONMENT

THEATER OF WAR

THEATER OF OPERATIONS

AREA OF OPERATIONS

COMBAT ZONE (SECTOR)

(LAND, MARITIME)

(LAND, MARITIME, AIR)

(LAND, MARITIME, AIR)

COMPONENTS OFMILITARY ART

STR

ATE

GY

OPE

RA

TIO

NA

L A

RT

TAC

TIC

S

OPERATIONAL

PPT-97VEG024A (PFR)

Page 16: on operational art

OPERATIONAL FACTORS

Page 17: on operational art

OPERATIONAL FACTORS

PPT-96VEG040B

OPERATIONALFACTORS

TIMESPACE FORCE

SPACE- FORCE

TIME-SPACE TIME-FORCE

SPACE - TIME - FORCE

INFORMATION

OBJECTIVE

BALANCING

Page 18: on operational art

THE FACTOR OF SPACE

MILITARYORGANIZATION

OF SPACE

DYNAMICSOF SPACE

GEOSTRATEGICPOSITIONS

SHAPE

PHYSICALCHARACTERISTICS

SIZE

DISTANCES

FACTORSPACE

ELEMENTS OFTHE THEATER

PPT-97VEG022 6/14/2004

Page 19: on operational art

THE FACTOR OF TIME

FOR WAR

OPENINGHOSTILITIES

COLLECTING, PROCESSING

AND EVALUATINGINFORMATION

MANEUVER/COUNTER-MANEUVER

DURATIONOF WARDECISION

CYCLE

PLANNING

TIME BETWEENCONSECUTIVE

MAJOR OPERATIONS/CAMPAIGNS

TIMING

ACCOMPLISHMENT OF THE MISSION

REGENERATION OFCOMBAT POWER

BRINGING UPREINFORCEMENTS

FORCERECONSTITUTION

ETC.MASTERING NEW

WEAPONS/EQUIPMENT

FOR A MAJOROPERATION/CAMPAIGN

PREPARATION

DEPLOYMENT

MOBILIZATION

REACTION

WARNING

REDEPLOYMENT

CONCENTRATION/COUNTER-CONCENTRATION

COMMITMENT OFRESERVES

TRANSITTIME FOR:

PPT-96VEG032A (PFR)

Page 20: on operational art

ACTIVATIONOF COMBAT

POWER

COMBAT POTENTIAL vs. COMBAT POWER

PPT-00-VEGO-38 (PFR)

COMBAT POTENTIAL

DESIGNED

PEACETIMENON-COMBAT

HOSTILITIESCOMBAT

AVAILABLE

COMBATEFFECTIVENESS

RELATIVECOMBATPOWER

COMBAT POWER

ENEMYCOMBATPOWER

Page 21: on operational art

COMBAT POWER

PPT-00-VEGO-36 (PFR)

AVAILABLE COMBATPOTENTIAL

FORCE

SPACE

TIME

SURPRISE

DECEPTION

FATIGUE

CHANCE / LUCK

FOG OF WAR

FRICTION

FREEDOM OF ACTION / INITIATIVE

LOGISTICAL SUSTAINMENT

DOCTRINE

DECISIONS MADE

ETC.

INTELLIGENCE

INFLUENCESOF:

PLUSCOMBATPOWER

NON-COMBAT COMBATPEACETIME HOSTILITIES

Page 22: on operational art

THE THEATER

Page 23: on operational art

THEATER STRUCTURE AND LEVELS OF WAR

PPT-97VEG035

LEVELS OF WAR

THEATER-STRATEGIC

OPERATIONAL-TACTICAL

TACTICAL

OPERATIONAL

THEATER (OF WAR)

THEATER OF OPERATIONS

THEATER OF OPERATIONS

THEATER OF OPERATIONS

AREAS OFOPERATIONS

AIR(SPACE) MARITIME LAND JOINT

COMBATZONES/SECTORS

AIR (SPACE) MARITIME LAND

ULTIMATE OBJECTIVENATIONAL OR

ALLIANCE/COALITIONSTRATEGIC OBJECTIVE

THEATER-STRATEGIC(OR MILITARY STRATEGIC)OBJECTIVE

OPERATIONALOBJECTIVE

ORMAJOR TACTICAL

TACTICALOBJECTIVE

Page 24: on operational art

THEATER GEOEMETRY

PPT-96VEG08

LINE OFCOMMUNICATIONS

(LOC)

DECISIVEPOINTS

THEATERGEOMETRY

INTERIOREXTERIOR

PARALLELCONVERGING

DIVERGING

LINE OFOPERATIONS

(LOO)

SINGLEDOUBLE

MULTIPLESHORT

LONG

CENTRAL(INTERIOR)

EXTERIORAIR

(ALOC)

SEA(SLOC)

LAND(LLOC)

OCEANIC

COASTAL

FORCE-ORIENTEDGEOGRAPHIC-ORIENTED STRATEGIC

TACTICAL

OPERATIONALMAJORMINOR

PHYSICALOBJECTIVES

STRATEGICOPERATIONAL

TACTICAL

POSITIONS

LONGSHORT

BASE OFOPERATIONS

CENTRAL(INTERIOR)EXTERIOR

CYBER-ORIENTED

MAININTERMEDIATE

Page 25: on operational art

THEATER GEOMETRY

LOO

LOO

LOO

LOO

SLOC

LLOC

ALOC

ENEMYCENTER OF

GRAVITYPRINCIPALOBJECTIVE

BA

SE O

FO

PER

ATI

ON

S

DECISIVE POINTSGEOGRAPHIC-ORIENTEDFORCE=ORIENTED

INTER

ME D

IAT E

BA

S EO

PE RA

T ION

S

NEW LOOS

NEW LOOS

97-VEG032.PPT

Page 26: on operational art

OPERATIONAL FUNCTIONS

Page 27: on operational art

OPERATIONAL FUNCTIONS(IN GENERIC TERMS)

PPT-96VEG07

OPERATIONALFIRES

OPERATIONALPROTECTION

COMMAND, CONTROL,COMMUNICATIONS, COMPUTERS

(C3)

OPERATIONALINTELLIGENCE

OPERATIONALLOGISTICS

COMMANDAND CONTROL

(C2)

OPERATIONALFUNCTIONS

COMMAND & CONTROLWARFARE (C2W)

INTELLIGENCESUPPORTFUNCTION

C2

Page 28: on operational art

SCALE OF INTELLIGENCE EFFORT

LEVEL OF WAR

STRATEGIC

OPERATIONAL

TACTICALTACTICAL

INTELLIGENCE

STRATEGICINTELLIGENCE

OPERATIONALINTELLIGENCE

LEVELS OF COMMAND IN SUPPORT OF

NATIONAL-STRATEGIC LEADERSHIP

NATIONAL ALLIANCE AND/OR COALITION POLICY

& STRATEGY

THEATER-STRATEGIC COMMANDER

THEATER CAMPAIGNS & LOW-INTENSITY CONFLICT

THEATER OF OPERATIONS COMMANDER

A SINGLE CAMPAIGN

OPERATIONAL – TACTICAL COMMANDER

A SINGLE MAJOR OPERATION

TACTICAL COMMANDER TACTICAL ACTIONS (BATTLES, ENGAGEMENTS, STRIKES, ATTACKS, ETC.)

PPT-96VEG03A (PFR)

Page 29: on operational art

C2W COMPONENTS

C2W

PPT-96VEG02

INFORMATIONWARFARE (IW)

ELECTRONICWARFARE

(EW)

OPERATIONSSECURITY(OPSEC)

PSYCHOLOGICALOPERATIONS

(PSYOPS)

MILITARYDECEPTION

(MILDEC)PHYSICAL

DESTRUCTION

EW SUPPORTELECTRONIC ATTACK

(EA)ELECTRONIC PROTECTION

(EP)

INTELLIGENCESUPPORT

Page 30: on operational art

TYPE OF OPERATIONAL FIRES

OPERATIONALFIRES

LETHAL

CONVENTIONALWEAPONS

WEAPONS OFMASS DESTRUCTION

(WMD)NUCLEAR

CHEMICALBIOLOGICAL

SPECIALFORCESGROUND-

BASED

SEA-BASED

AIR-BASED

NON-LETHAL

ELECTRONICWARFARE (EW)

ELECTRONICATTACK (EA)

PSYCHOLOGICALOPERATIONS

(PSYOP)

PPT-96VEG011

Page 31: on operational art

SCALE OF LOGISTICAL SUPPORT

THE COMMUNICATIONS ZONE

COMBAT ZONE (SECTOR)

HOMEBASE

THEATERSUSTAINMENT

BASE

THEATER OF OPERATIONS

OPERATIONAL LOGISTICS

TACTICAL LOGISTICS

THEATER OF WAR THEATER OF WAR

INTER-THEATER LOCs INTRA-THEATER LOCs

STRATEGIC LOGISTICS

PPT-97VEG020 (PFR)

Page 32: on operational art

OPERATIONAL PROTECTION(IN GENERIC TERMS)

AIR DEFENSEAND AIRSPACE

CONTROL

FORCE PROTECTION

REAR AREADEFENSE

DEFENSE AGAINST WEAPONS OF MASS

DESTRUCTION (WMD)

PROTECTIONOF LOGISTICS

INFRASTRUCTURE

MARITIME SECURITY

OF PORTS / HARBORS

AIR BASE GROUND DEFENSE

(ABGD)

PROTECTION OFINFORMATION

COMPONENTS

COLLECTION OF INTELLIGENCE FOR

INDICATORS &WARNING (I&W)

PPT-99-VEG0-61 (PFR)

Page 33: on operational art

STAGES OF COMBAT FORCE EMPLOYMENT

Page 34: on operational art

STAGES AND ELEMENTS OF COMBAT FORCE EMPLOYMENT

DEPLOYMENT

PPT-98-VEGO-8 (PFR)

PEACETIME MOBILIZATION PRE-DEPLOYMENT

ACTIVITIESSTRATEGIC

OPERATIONAL/

TACTICAL

COMBATEMPLOYMENT

&SUSTAINMENT

CONFLICT/WAR

TERMINATION

POST-HOSTILITIES

ACTIONSREDEPLOYMENT DEMOBILIZATION RECON-

STITUTION PEACETIME

PRACTICAL APPLICATION OF THE PRINCIPLES OF WAR

OFFENSE OR DEFENSE

CONCENTRATION/COUNTER CONCENTRATION

CRITICAL FACTORS

MANEUVER / COUNTER MANEUVER

CULMINATINGPOINT

COMBATSUCCESS

CONSOLIDATIONOF COMBAT

SUCCESS

REGENERATIONOF COMBAT

POWER

MILITARY DECISION-MAKING AND PLANNING

PURSUIT/COUNTER-PURSUIT

MAJOR STAGES

CENTERS OFGRAVITY

ELEMENTS OF COMBAT FORCE EMPLOYMENT

Page 35: on operational art

ELEMENTS OF OPERATIONAL WARFARE

Page 36: on operational art

“CONCRETE”(TANGIBLE)

CONCEPT OF CRITICAL FACTORS

“ABSTRACT”(INTANGIBLE)

97-VEG033.PPT

CRITICALFACTORS

CRITICALSTRENGTHS

CENTER OFGRAVITY

(COG)

CRITICALVULNERABILITIES

(CVs)

CRITICALWEAKNESSES

IF OPEN TO ATTACK

OBJECTIVE(S)

Page 37: on operational art

CRITICAL FACTORS

97-VEG030.PPT

“PHYSICAL”(TANGIBLE)

“ABSTRACT”(INTANGIBLE)GEOGRAPHIC

GEOSTRATEGIC POSITIONGEOPOLITICAL POSITIONPOSITIONSBASE OF OPERATIONSLINES OF OPERATIONSLINES OF COMMUNICATIONSETC.

MILITARYARMED FORCESINDIVIDUAL SERVICES (ARMY, NAVY, AIR FORCE)THEATER ARMY, FLEET, AIR FORCENUMBERED ARMY, FLEET, AIR FORCEMAJOR FORCE ELEMENTS (AIR CORPS, NAVAL TASK FORCES, AIR TASK FORCES)TACTICAL UNITS (DIVISIONS, BRIGADES, REGIMENTS, NAVAL SQUADRONS / GROUPS, AIR DIVISIONS / REGIMENTS / SQUADRONS)INTELLIGENCEC3I NODESLOGISTICAL SUPPORT AND SUSTAINMENTBATTLEFIELD SURVEILLANCEINTELLIGENCE AND WARNING (I&W)ETC.

POLITICALDIPLOMATICPSYCHOLOGICALWILL TO FIGHTLEADERSHIPALLIANCE/COALITION COHESIONALLIANCE / COALITION’S COMMUNITY OF INTERESTSPUBLIC SUPPORTUNITY OF COMMANDSERVICE / JOINT DOCTRINEMORALEDISCIPLINECOMBAT TRAININGCOMBAT READINESSETC.

NON-MILITARYSTATE ORGANIZATIONECONOMYMINERAL RESOURCESAGRICULTUREFINANCESBANKINGENERGY RESOURCESETC.

CRITICALFACTORS

Page 38: on operational art

CENTER OF GRAVITY(IN GENERIC TERMS)

“IS A SOURCE OF ‘MASSED STRENGTH’ --PHYSICAL OR MORAL OR A SOURCE OF LEVERAGE WHOSE SERIOUS DEGRADATION, DISLOCATION, NEUTRALIZATION, OR DESTRUCTION WILL HAVE THE MOST DECISIVE IMPACT ON THE ENEMY’S OR ONE’S OWN ABILITY TO ACCOMPLISH A GIVEN MILITARY OBJECTIVE.”

Page 39: on operational art

CENTER OF GRAVITY’S COMPOSITION

FIREPOWERLEADERSHIP

MANEUVER

TANGIBLE INTANGIBLE

INNER CORE

SUPPORT

PROTECTION

INTEGRATION

ELEMENTS

OUTER CORE

INFORMATIONINFORMATION

PPT-98-VEG0-4 (PFR)

Page 40: on operational art

OPERATIONAL MANEUVER

Page 41: on operational art

MANEUVER

PPT-96VEG042

FORM

PENETRATIONCOMBINED WITH THE

ECCENTRIC (OR CONCENTRIC)MOVEMENT

ONE-SIDED

SCALE

TACTICALOPERATIONAL

STRATEGIC

PENETRATION LANDSEA

AIR/SPACE

MEDIUM

ENVELOPMENT

TWO-SIDED (DOUBLE)WIDE ENVELOPMENT

(TURNING MOVEMENT)

PENETRATIONCOMBINED WITH THE

ONE-SIDEDENVELOPMENT

SINGLEDOUBLE

ENCIRCLEMENT

NAVALAIR/

SPACE

GROUND

FORCES

MANEUVER

COMBINED

Page 42: on operational art

SUPPORTING ATTACK

SUPPORTING ATTACK

RE SERVE

PENETRATION MANEUVER

OPERATIONAL MANEUVER, PART 1

CD-98-V EGO-6 (JR N)

MAIN A TTA CK

S HOULDER

SHOULDER

ONE-SIDED ENVELOPMENT MANEUVER

ENE MY’SCOG

E NEM Y FORCE

FIXING FORCE

MOBI LE FORCE

TWO-SIDED (DOUBLE) ENVELOPMENT

MAINENEMY FORCE

MOBILE FORCE MOBILE FORCE

FIXING FORCE

Page 43: on operational art

TURNING MANEUVER (WIDE MOVEMENT)

OPERATIONAL MANEUVER, PART 2

CD-9 8-VEGO-7 (JRN)

ENEMY’SOPE RATIONAL

COG

ENEMYSUPPLY

LINES

SUPPORTING ATTACKOR

FIXING FORCE

ENE

MY’

S O

PE

RATI

ON

AL

DE

PTH

MOBILE FORCE

ENCIRCLEMENT

ESCAPEROUTEENCIRCLED

FORCE

OUTER FRONT

INNER

FRONT

DOUBLE ENCIRCLEMENT

OU TER FRO NT

OUTER F RONTINNER FRONT

INNER FRO NT

Page 44: on operational art

THEORY OF CULMINATING POINT

FACTOR OF SPACE

PPT-00-VEG0-22 (PFR)

ATTACKER’SOBJECTIVE

AREA OFUNCERTAINTY

CULMINATINGPOINT

EQUILIBRIUMOF RELATIVE

COMBAT POWER

FAC

TOR

OF

FOR

CE

FAC

TOR

OF

FOR

CE

ATTACKERCOMBAT POWER

COMBAT POWER

DEFENDER

RELA

TIVE CO

MB

AT PO

WER

DEFENDER’SOBJECTIVE

FACTOR OF TIME

Page 45: on operational art

ATTACKER’S CULMINATION

PPT-00-VEG0-24 (PFR)

SPACE GAINEDCANNOT BE HELD

FACTOR OF TIME

FAC

TOR

OF

FOR

CE

DIMINISHING

REL

ATI

VE C

OM

BA

T PO

WER

ATTACKER’SOBJECTIVE

STRENGTH OF THE ATTACKERCULMINATING POINT

OF OFFENSIVE (ATTACK)

INCREASING STRENGTH OF THE DEFENDER

START OFOFFENSIVE

START OFATTACK

LINES OF SUPPLIES

FACTOR OF SPACEOFFENSIVESTALLED

ATTACKSTALLED

SUCCESS FORECLOSED

STALEMATE

Page 46: on operational art

DEFENDER’S CULMINATION

PPT-00-VEG0-23 (PFR)

SPACE LOST TOTHE ATTACKER

WINDOW OFOPPORTUNITY

OF SHIFTING TO

FACTOR OF TIME

FAC

TOR

OF

FOR

CE

DIMINISHING

REL

ATI

VE C

OM

BA

T PO

WER

DEFENDER’SOBJECTIVE

STRENGTH OF THE ATTACKER

INCREASING STRENGTH OF THE DEFENDER

START OF DEFENSIVE

START OFDEFENSE

TACTICALOFFENSIVE

COUNTER-ATTACKS

COUNTER-ATTACK

COUNTER-OFFENSIVE

CULMINATING POINT OF

COUNTER-ATTACK

COUNTER-OFFENSIVE

FACTOR OF SPACE

Page 47: on operational art

CULMINATING POINT AND THE LEVELS OF WAR

PPT-00-VEG0-25 (PFR)

WAR AS A WHOLE

FACTOR OF TIME

IT OCCURS ONLY ONCE IN A WAR

LEVEL OF WAR FACTOR OF SPACE OCCURRENCE

CULMINATING POINTOF VICTORY(OR DEFEAT)

CULMINATING POINTOF OFFENSIVE

(OR DEFENSIVE)

CULMINATING POINTOF ATTACK

(OR DEFENSE)

IT COULD OCCUR SEVERAL TIMES DURING A CAMPAIGN AND ONLY ONCE IN A MAJOR OPERATION

IT OCCURS ONLY ONCE IN A MAJOR BATTLE OR AN ENGAGEMENT

A MAJOR OPERATION

THEATER-STRATEGIC

NATIONAL-STRATEGIC

OPERATIONAL

A MAJOR BATTLE OR AN ENGAGEMENT

CAMPAIGNS AND MAJOR OPERATIONS

IT COULD OCCURONLY ONCE

OPERATIONAL-TACTICAL

TACTICAL

Page 48: on operational art

REGENERATION OF COMBAT POWER

PPT-98-VEG0-46 (PFR)

TASK-ORIENTEDTRAINING

REESTABLISHMENTOF COMMANDAND CONTROL

REPAIR &REPLACEMENTOF WEAPONS& EQUIPMENT

REST &RECREATION

OF PERSONNELREPLENISHMENT

OF SUPPLIES

LARGE-SCALEREPLACEMENTOF PERSONNEL

ELEMENTS

Page 49: on operational art

PRINCIPLES OF OPERATIONAL WARFARE

Page 50: on operational art

“THERE HAVE EXISTED IN ALL TIMES FUNDAMENTAL PRINCIPLES ON WHICH DEPEND GOOD RESULTS IN WARFARE…. THE PRINCIPLES ARE UNCHANGING, INDEPENDENT OF THE KIND OF WEAPONS, OF HISTORICAL TIME AND OF PLACE.”

BARON ANTOINE HENRI DE JOMINI

Page 51: on operational art

PRINCIPLES OF WAR(GENERIC)

PRINCIPLESOF WAR

PPT-96VEG041

SURPRISE

SECURITY

SIMPLICITY

OBJECTIVE

MASS

OFFENSIVE

ECONOMY OFFORCE

UNITY OFCOMMAND

COOPERATION

PURPOSE

TACTICALOPERATIONAL

STRATEGIC

MANEUVERUNITY OFEFFORT

Page 52: on operational art

METHODS OF COMBAT FORCE EMPLOYMENT

Page 53: on operational art

CAMPAIGNSMAJOR OPERATIONS“MILITARY OPERATIONS OTHER THAN WAR” (MOOTW)

PPT-98VEG049 (PFR)

A CAMPAIGN

MAJOR OPERATIONS

THEATERSTRATEGIC

LEVEL

OPERATIONALLEVEL

TACTICALLEVEL

LEVELS OF WAR AND COMBAT FORCES’ EMPLOYMENT

BATTLEENGAGEMENTSTRIKEATTACKENCOUNTERDUEL

SKIRMISHAMBUSHRAIDHARASSMENTINFILTRATIONPATROL

SEARCHSURVEILLANCEOBSERVATIONSCOUTINGRECONNAISSANCEETC.

TACTICAL ACTIONS

Page 54: on operational art

LEVELS OF COMMAND AND AND METHODS OF COMBAT FORCE EMPLOYMENT

• A SINGLE CAMPAIGN

PPT-96VEG09A

NATIONALSTRATEGIC

THEATER-STRATEGIC

OPERATIONAL-STRATEGIC

TACTICAL

OPERATIONAL

OPERATIONAL-TACTICAL

LEVEL OF COMMAND

TO CDR**

COMJTF***

• A MAJOR JOINT OPERATION• TACTICAL ACTIONS• NEO OPERATIONS

• MAJOR OPERATIONS

STR

ATE

GY

OPE

RA

TIO

NA

L A

RT

TAC

TIC

S

* NATIONAL COMMAND AUTHORITY

** THEATER OF OPERATIONSCINC

*** COMMANDER JOINT TASK FORCE

LEVEL OF WAR

MILITARYART

• CAMPAIGNS• MAJOR OPERATIONS THEATER

CDR

• MAJOR TACTICAL ACTIONS (BATTLES, ENGAGEMENTS, STRIKES)

• MINOR TACTICAL ACTIONSTACTICAL

COMMANDER

METHOD OBJECTIVESA SINGLE OR SEVERALNATIONAL-STRATEGIC

NATIONAL*(OR ALLIANCE/COALITION) LEVEL

NATIONAL-STRATEGIC

A SINGLE OR SEVERAL THEATER-STRATEGIC

A SINGLE THEATER-STRATEGIC

OPERATIONAL

MAJOR-TACTICAL

MINOR TACTICAL

Page 55: on operational art

MAJOR OPERATIONS

Page 56: on operational art

MAJOR OPERATION(IN GENERIC TERMS)

A MAJOR OPERATION CONSISTS OF A SERIES OF BATTLES, ENGAGEMENTS, STRIKES, AND OTHER TACTICAL ACTIONS SEQUENCED AND SYNCHRONIZED IN TERMS OF SPACE AND TIME TO ACCOMPLISH AN OPERATIONAL (AND SOMETIMES STRATEGIC) OBJECTIVE IN A GIVEN PART OF THE THEATER.

Page 57: on operational art

SCHEME OF A MAJOR OPERATION

PPT-99-VEGO-15 (PFR)

BASE OFOPERATIONS

OPERATIONALDEPLOYMENT &

CONCENTRATION COMBAT EMPLOYMENT AND SUSTAINMENT

CONSOLIDATIONOF OPERATIONAL

SUCCESS REDEPLOYMENT

XX

MAJOR STAGES

FORCE ALFA

OPERATIONRESERVE

FORCE BRAVO

FORCE CHARLIE

OPERATIONAL MANEUVER

ENGAGEMENT

ENGAGEMENT

ENGAGEMENT

ENGAGEMENT

X

XX XX

FORCE DELTA

BATTLEBATTLE

BATTLE

ENGAGEMENT BATTLE

FORCE A

FORCE B

FORCE C

FORCE D

1ST PHASE 2ND PHASE…ETC

OPERATIONAL PAUSEREGENERATION OFCOMBAT POWER

LEGENDDECISIVE POINT

MINOR TACTICAL OBJECTIVE

MAJOR TACTICAL OBJECTIVE

OPERATIONAL OF STRATEGIC OBJECTIVEX

Page 58: on operational art

MAJOR OPERATIONS

PRELIMINARY

INITIAL

CONSECUTIVE(SUCCESSIVE)

SEQUENCE

MAJOROPERATIONS

OFFENSIVEDEFENSIVE

PRINCIPAL (MAIN)SUPPORTING

(ANCILLARY)

PURPOSE

LAND(GROUND)

NAVAL(MARITIME)

AIR (SPACE)

MEDIUM/SERVICE

JOINT (MULTI-SERVICE)COMBINED (MULTI-NATIONAL)

DEGREE OFSERVICE

PARTICIPATION

INDEPENDENT

PPT-97VEG027

Page 59: on operational art

CAMPAIGNS

Page 60: on operational art

CAMPAIGN(IN GENERIC TERMS)

A CAMPAIGN CONSISTS OF A SERIES OF MAJOR OPERATIONS SEQUENCED AND SYNCHRONIZED IN TERMS OF SPACE AND TIME AND AIMED TO ACCOMPLISH A STRATEGIC OBJECTIVE IN A GIVEN THEATER OF OPERATIONS.

Page 61: on operational art

SCHEME OF A CAMPAIGN

PPT-99-VEGO-16 (PFR)

MOBILIZATIONDEPLOYMENT

STRATEGIC INTRA-THEATER COMBAT EMPLOYMENT AND SUSTAINMENT

CONSOLIDATIONOF STRATEGIC

SUCCESS

REDEPLOYMENTFOR A NEW

CAMPAIGN ORDEMOBILIZATION

MAJOR STAGES

BASE OFOPERATIONS

X

LEGEND

STRATEGIC OBJECTIVE

OPERATIONAL OBJECTIVEX

X X X X X X

MAJOR NAVALOPERATION

THEATERSTRATEGICRESERVE

JOINT /COMBINED

MAJOR LAND(GROUND)

OPERATION

“INDEPENDENT”

DESIREDEND

STATE

MAJOR AIR(SPACE)

OPERATION

STRATEGICCONCENTRATION PHASE I PHASE II PHASE III…...ETC.

POST-HOSTILITIESACTIVITIES

RECONSTITUTION

OPERATIONALPAUSES

X

X

X

XX

X X

XX

XX

WAR/CONFLICTTERMINATION OR A

DISTINCT PHASE OF WAR

Page 62: on operational art

CAMPAIGNS

PPT-97VEG028

PLANNEDUNPLANNED

SEQUENTIAL(CONSECUTIVE)

SIMULTANEOUS(CONCURRENT)

GLOBAL(GENERAL)

REGIONAL(LOCAL)

OFFENSIVEDEFENSIVE

NATIONAL ORALLIANCE/COALITIONMILITARY STRATEGIC

THEATERSTRATEGIC

COMBINED(MULTI-NATIONAL)

JOINT(MULTISERVICE)

LANDMARITIME

PLANNING

TIMING

LOW INTENSITYCONFLICT**

PURPOSE

OBJECTIVE

SERVICE PARTICIPATION

PHYSICALENVIRONMENT(MEDIUM)

* Denotes predominant features of the medium in which acampaign in conducted

** MOOTW in U.S. terms

CAMPAIGNS

OPERATIONALCONTINUUM

WAR

Page 63: on operational art

OPERATIONAL PLANNING

Page 64: on operational art

DEVELOPMENT OF STRATEGY (IN GENERIC TERMS)

THEATER STRATEGYAND

THEATER-STRATEGICOBJECTIVE

STRATEGIC ESTIMATE

COURSES OF ACTION (COAs)

STRATEGIC CONCEPTS

DECISIONS

NATIONAL POLICY

NATIONAL OBJECTIVE

NATIONAL (GRAND) STRATEGY

POLITICAL OBJECTIVE

MILITARY STRATEGY

MILITARY STRATEGICOBJECTIVE

TRADITIONALNATIONAL INTERESTS

NATIONAL SOURCES OF POWER

OFFENSIVEOR

DEFENSIVE

STRATEGIC SITUATION

**STRATEGIC GUIDANCE

EROSION(ATTRITION)

ANNIHILATION

UNLIMITEDLIMITED

VITALINTERESTS

NATIONALGOALS/AIMS

*

MEANS

ENDS

* NATIONAL SECURITY STRATEGYIN U.S. TERMS

WHEN MULTIPLE THEATERS EXISTREVISED/UPDATED MILITARY

OR THEATER STRATEGY

SYMMETRIC OR ASYMMETRIC

SUPPO

RTIN

GSTR

ATEG

IES

**

NATIONAL ALLIANCE OR

COALITION POLITICAL

LEADERSHIP

EMPLOYMENT OF MILITARY AND NON-MILITARY SOURCES OF POWER

•POLITICAL•DIPLOMATIC•ECONOMIC•MILITARY•INFORMATIONAL•SCIENTIFIC•TECHNOLOGICAL•OTHER

•PHYSICAL SECURITY AND SURVIVAL

•POLITICAL AND TERRITORIAL INTEGRITY

•ECONOMIC STABILITY AND WELL BEING

•DOMESTIC PEACE AND STABILITY

Page 65: on operational art

TYPE OF PLANNING

PPT-97VEG047 (PFR)

OPERATIONAL PLANNING(MAJOR OPERATIONS OR CAMPAIGNS)INTERMEDIATE MILITARY OBJECTIVES

ULTIMATEOBJECTIVE

HEREANDNOW

PROGRESSIVE PLANNING

INVERSE (REGRESSIVE) PLANNING

FUTURETASK

NEARTASK

(BATTLES / ENGAGEMENTS, ETC.)TACTICAL PLANNING

Page 66: on operational art

CAMPAIGN PLAN DEVELOPMENT

LOW INTENSITYCONFLICT (LIC)

STRATEGICVISION

STRATEGIC ESTIMATE

WAR

STRATEGIC GUIDANCE

•STAFFESTIMATES

CONCEPTS•OPERATIONAL• ORGANIZATIONAL• DEPLOYMENT• LOGISTICS•OTHER

COMMANDER’SESTIMATE OF THE

STRATEGIC SITUATION

CAMPAIGN PLANS

THE DECISION • THE DECISION STATEMENT• OPERATIONAL IDEA (SCHEME)• COMMANDER’S INTENT

PLANNINGCONSIDERATIONS

COMMAND ECHELON• MILITARY-STRATEGIC• THEATER-STRATEGIC

COMMANDER (CINC)• THEATER OF OPERATIONS

COMMANDER (CINC)

PPT-99-VEGO-04 (PFR)

Page 67: on operational art

MAJOR OPERATION PLAN DEVELOPMENT

COMMANDER’SESTIMATE OF THE

OPERATIONAL SITUATION

COMMANDER

OPERATIONALVISION

THE DECISION•THE DECISION STATEMENT•OPERATIONAL IDEA (SCHEME)•COMMANDER’S INTENT

OPERATIONALGUIDANCE

DOCUMENTS•CAMPAIGN PLAN•OPORD

PLAN FOR A MAJOR OPERATION (LAND, NAVAL, AIR/SPACE)

PPT-97VEGO15 (PFR)

STAFFESTIMATES

COMMAND ECHELON•SERVICE COMPONENT•JOINT/COMBINED TASK

FORCE•ARMY GROUP•ARMY•ARMY CORPS•NUMBERED AIR FORCE•NUMBERED FLEET

HIGHER COMMANDAUTHORITY

Page 68: on operational art

OPERATIONAL DESIGN

Page 69: on operational art

98-PPT-VEGO-03( es)

OPERATIONALOPERATIONALDESIGNDESIGN

OBJECTIVE

DESIREDEND STATE

IDENTIFICATION OFTHE ENEMY’S

CRITICAL FACTORS

DIRECTION/AXIS

OPERATIONALIDEA

(SCHEME)

GUIDANCE• STRATEGIC• OPERATIONAL

Page 70: on operational art

OPERATIONAL IDEA (SCHEME)

Page 71: on operational art

OPERATIONAL IDEA (SCHEME)

OPERATIONALIDEA TACTICAL

CONCEPTS

OPERATIONALIDEA (SCHEME)

MAJOROPERATIONCAMPAIGN

AIR (SPACE)ELEMENTS

MARITIMEELEMENTS

GROUNDELEMENTS

SPECIALFORCES

ELEMENTS

MAJOR LANDOPERATION

MAJOR AIR(SPACE)

OPERATION

MAJOR NAVALOPERATION

PPT-96VEG017 (PFR)

Page 72: on operational art

OPERATIONAL IDEA FEATURES

SPEED INEXECUTION

FULL USEOF AMBIGUITY

CREATIVEAND NOVEL

FULL USEOF DECEPTION

OPERATIONALIDEA

MULTIPLEOPTIONS

NODISCERNIBLE

PATTERNS

PPT-96VEG021

Page 73: on operational art

OPERATIONAL DESIGN FOR A CAMPAIGN(IN GENERIC TERMS)

DESIRED END STATE * INTERIOR VS. EXTERIORGEOSTRATEGIC POSITION

REQUIRED FORCES

AND ASSETS

OPERATIONALFACTORS

•ULTIMATE (STRATEGIC) OBJECTIVE•INTERMEDIATE (OPERATIONAL)

OBJECTIVES

IDENTIFICATION OF THEENEMY’S CRITICAL

FACTORS AND STRATEGICCENTER OF GRAVITY

BRANCHES AND SEQUELS

OPERATIONAL PHASING

OPERATIONAL PAUSE

ANTICIPATING ONE’S OWNSTRATEGIC CULMINATION

POINT

OPERATIONAL TEMPO

OPERATIONAL MOMENTUM

STRATEGIC ANDOPERATIONAL RESERVES

STRATEGIC ANDOPERATIONAL SUSTAINMENT

SELECTEDPRINCIPLES OF WAR

SECTOR OF MAINEFFORT (THRUST)

POINT OF MAIN ATTACK(DEFENSE)

APPLICATION OFMILITARY AND NON-MILITARY

SOURCES OF POWER

METHODS FORDEFEATING THE ENEMY

STRATEGIC OR OPERATIONALDIRECTION / AXIS

PROTECTION OF ONE’SOWN STRATEGIC COG

CONCENTRATION IN THESECTOR OF MAIN EFFORT

(THRUST)

OPERATIONALMANEUVER **

STRATEGIC ANDOPERATIONAL

DECEPTION

OPERATIONALDESIGN

COORDINATION

RECONSTITUTION

OPERATIONAL IDEA(SCHEME)

* FOR A CAMPAIGN THAT ENDS HOSTILITIES** FOR EACH MAJOR OPERATION IN A CAMPAIGN

Page 74: on operational art

OPERATIONAL DESIGN FOR A MAJOR OPERATION

DESIRED END STATE *INTERIOR VS.EXTERIOR

LINES

REQUIRED FORCES

AND ASSETS

OPERATIONALFACTORS

•ULTIMATE (OPERATIONAL)OBJECTIVE

•INTERMEDIATE (MAJORTACTICAL) OBJECTIVES

IDENTIFICATION OF THEENEMY’S CRITICAL

FACTORS AND OPERATIONALCENTER OFGRAVITY

BRANCHES AND SEQUELS

OPERATIONAL PHASING

OPERATIONAL PAUSE

ANTICIPATING ONE’S OWNCULMINATION POINT

OPERATIONAL TEMPO

OPERATIONAL MOMENTUM

OPERATIONAL RESERVE

OPERATIONAL SUSTAINMENT

SELECTEDPRINCIPLES OF WAR

SECTOR OF MAINEFFORT (THRUST)

POINT OF MAIN ATTACK(DEFENSE)

APPLICATION OFAVAILABLE COMBAT

POTENTIAL

METHODS OFDEFEATING THE ENEMY’S

OPERATIONAL COG

OPERATIONAL OR TACTICALDIRECTION / AXIS

PROTECTION OF ONE’SOWN OPERATIONAL COG

CONCENTRATION AT SECTOROF MAIN EFFORT (THRUST)

OPERATIONALMANEUVER

OPERATIONALDECEPTION

OPERATIONALDESIGN

* FOR A MAJOR OPERATION PLANNED TO ACCOMPLISH A STRATEGIC OBJECTIVE.

COORDINATION *

REGENERATION OFCOMBAT POTENTIAL

OPERATIONAL IDEA(SCHEME)

Page 75: on operational art

OPERATIONAL LEADERSHIP

Page 76: on operational art

THEATER/NUMBERED

ARMYCOMMANDERS

OPERATIONAL LEADERSHIP

PPT-97VEGO53

SERVICE COMPONNENTCOMMANDERS

MILITARY/NAVALDISTRICT

COMMANDERS

THEATER/NUMBEREDFLEET COMMANDERS

THEATER-STRATEGIC

COMMANDERS

THEATER OFOPERATIONS

COMMANDERS

JOINT TASKFORCE

COMMANDERS

ARMY CORPSCOMMANDERS

THEATER/NUMBEREDAIR FORCE

COMMANDERS

OPERATIONALLEADERSHIP

??

Page 77: on operational art

OPERATIONAL COMMANDER’S REQUIREMENTS

PPT-97VEGO54B

OPERATIONAL THINKING

STEADFASTNESSOF PURPOSE

LEADING BYPERSONALEXAMPLE

CREATIVENESS

PERSISTENCE

MENTALAGILITY

PROFESSIONALKNOWLEDGE

INITIATIVE DECISIVENESS

MORALCOURAGE

SOUNDJUDGMENT

TOUGHNESS

BOLDNESS

ABILITY TO PROVIDEMOTIVATION ANDINSTILL PURPOSE

HIGH INTELLECT

REQUIREMENTSFOR SUCCESS

HONESTY

Page 78: on operational art

TENETS OF OPERATIONAL LEADERSHIP

INDIRECTAPPROACH

ABSOLUTE PRIMACY OFPOLICY & STRATEGY

APPLICATION OFOVERWHELMING

FORCE

SELECTION OFTHE PROPER

“WEIGHT OF EFFORT”

CONCENTRATIONAT THE “WEIGHT OFEFFORT”

PPT-97VEGO41 (PFR)

ACTING IN ANUNPREDICTABLE

MANNER

WILLINGNESS TOTAKE HIGH RISKS

JOINTNESS

OBTAINING AND MAINTAININGFREEDOM OF ACTION

BALANCING THE ENDS,MEANS, AND WAYS

UNWAVERING FOCUS ON THE OBJECTIVE

TENETS(CARDINAL

RULES)

INITIATIVE

EMPLOYMENT OF ALLAVAILABLE MILITARYAND NON-MILITARY

SOURCES OF POWER

Page 79: on operational art

POLIT

ICAL

- DI

PLO

MAT

IC -

ECO

NOM

IC EN

VIRONMEN

TAL - LEGAL FRAMEWORK FOR EXERCISING FREEDOM OF ACTIONCONSTRAINTS + RESTRAINTS = LIMITATIONS GIVEN SPACE - TIME - FO

RCES

-

OBTAINING AND MAINTAINING FREEDOM OF ACTION

PPT-97VEGO42 (PR)

FACTORS AFFECTING FACTORS AFFECTING FREEDOM OF ACTIONFREEDOM OF ACTION

OPERATIONALOPERATIONALCOMMANDERCOMMANDER INITIATIVEINITIATIVE

• TASK-ORIENTED ORDERS• MENTAL AGILITY• FORCES’ MOBILITY• SURPRISE• OFFENSIVE• ANTICIPATION• ABILITY TO DEPLOY• OPERATIONAL RESERVES• ETC.• DECISION CYCLE

• INTELLIGENCE• GIVEN SPACE• TIME AVAILABLE• FORCES AVAILABLE• FORCES BECOMING AVAILABLE• TECHNOLOGY• OPERATIONAL LOGISTICS AND

SUSTAINMENT• OPERATIONAL PROTECTION• OPERATIONAL RESERVE

• ASSIGNED OBJECTIVES/TASKS

• COMBAT POWER OF ONE’S OWN / FRIENDLY FORCES

• ENEMY’S COMBAT POWER• ENEMY’S DECISIONS AND

ACTIONS• COMMAND & CONTROL

STRUCTURE• COMMAND RELATIONSHIPS

Page 80: on operational art

TYPE OF DECISIONS

ORGANIZATIONAL

OPERATIONAL

OPERATIONALCOMMANDER

INFORMATIONAL

PPT-97VEGO52

Page 81: on operational art

THE FUTURE

Page 82: on operational art

• WARS WILL BE WON OR LOST AT THE OPERATIONAL AND STRATEGIC LEVEL; HENCE, THE CRITICAL IMPORTANCE OF OPERATIONAL ART WILL NOT BE REDUCED

• INFORMATION WILL INCREASINGLY AFFECT THE FACTORS OF SPACE, TIME AND FORCE

• NEW TECHNOLOGICAL ADVANCES WILL COMPRESS SPACE AND TIME SEPARATING LEVELS OF WAR

• HOWEVER, THE NEED FOR THE OPERATIONAL LEVELS OF COMMAND WILL REMAIN.

Page 83: on operational art

• NEW METHODS OF COMBAT FORCE EMPLOYMENT WILL EMERGE

• STRIKES WILL REPLACE BATTLES AND ENGAGEMENTS, WHILE MAJOR OPERATIONS WILL BECOME THE MAIN METHOD OF COMBAT EMPLOYMENT TO ACCOMPLISH NOT ONLY OPERATIONAL BUT ALSO STRATEGIC OBJECTIVES IN A GIVEN PART OF THE THEATER.