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An unknown Mendelssohn autograph Two volumes of music which once belonged to Queen Victoria have recently been acquired and reunited with the Royal Music Library. They are uniformly bound in half morocco with marbled boards. This simple style had been widely popular for music since the late eighteenth century. As usual, a label on the front names the owner—in this case 'The Queen'. The lettering on the spines shows that the volumes occupied 14th and i8th place in a series devoted entirely to piano duets. As this series was not deposited in the British Museum with the main music collection in 1911, it was presumably not housed with it but kept to hand for domestic use. The fate of the bulk of the volumes is unknown, but the two that have now come to light passed into the possession of the Queen's youngest daughter. Princess Beatrice. Volume 14 seems to have been the more heavily used; it consists of arrangements of sacred music by Handel, Rossini and others. But the chief interest of the discovery centres on volume 18. Here a neatly inlaid autograph fair copy of some hitherto unknown arrange- ments hy Mendelssohn has been bound up with a group of printed editions of his music. With it is preserved the following dedicatory letter, addressed to the Prince Consort and written from the house of Karl Klingemann, an old friend employed at the Hanoverian Legation with whom Mendelssohn frequently stayed when in London: Your Royal Highness, You have permitted me to make for you a four- hand arrangement of the fifth book of my Songs without Words. I therefore make so bold as to lay the same at the feet of Her Majesty the Queen and Your Royal Highness. I have done my best to follow the suggestions about the easy manner of Czerny's arrangements etc., and in order to outdo my pre- decessor in at least one respect I have added an as yet unpublished seventh Song in a four-hand version. May the composer be excused for any mistakes that the copyist may have made here and there—and vice versa! May Your Royal Highness occasionally play from these pieces and consider them as an earnest of sincerest gratitude for the gracious reception and the unforgettable hours in which you have allowed me to participate once again during my present visit in the past weeks. Always Your Royal Highness's most devoted Felix Mendelssohn Bartholdy. London, 4 Hobart Place, Eaton Square, 9th June 1844. Mendelssohn had first visited Buckingham Palace two years previously. In a detailed account of the occasion which he sent to his mother he describes how he accompanied the Queen in two songs—one of his sister's and one of his own—and finds much to praise in her singing; but there is little information about his later visits. The request that he should arrange the fifth book oi Songs without Words^ op. 62, which contains the popular Spring Song^ suggests that these pieces had found favour very quickly at the Palace, for the English edition had appeared only two or three months earlier. The seventh piece mentioned in the letter became the first one in the sixth book, op. 67, which was not published till the following-year. O. W. NEIGHBOUR NOTES ON OUTSIDE CONTRIBUTORS GILES BARBER: Librarian of the Taylor Institution and Fellow of Linacre College, Oxford. DAVID LINDLEY: Lecturer in English at the University of Leeds. 200

NOTES ON OUTSIDE CONTRIBUTORS - The British Library

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Page 1: NOTES ON OUTSIDE CONTRIBUTORS - The British Library

An unknown Mendelssohn autograph

Two volumes of music which once belongedto Queen Victoria have recently been acquiredand reunited with the Royal Music Library.They are uniformly bound in half moroccowith marbled boards. This simple style hadbeen widely popular for music since the lateeighteenth century. As usual, a label on thefront names the owner—in this case 'TheQueen'. The lettering on the spines shows thatthe volumes occupied 14th and i8th place ina series devoted entirely to piano duets. As thisseries was not deposited in the British Museumwith the main music collection in 1911, it waspresumably not housed with it but kept tohand for domestic use. The fate of the bulk ofthe volumes is unknown, but the two that havenow come to light passed into the possessionof the Queen's youngest daughter. PrincessBeatrice.

Volume 14 seems to have been the moreheavily used; it consists of arrangements ofsacred music by Handel, Rossini and others.But the chief interest of the discovery centreson volume 18. Here a neatly inlaid autographfair copy of some hitherto unknown arrange-ments hy Mendelssohn has been bound up witha group of printed editions of his music.With it is preserved the following dedicatoryletter, addressed to the Prince Consort andwritten from the house of Karl Klingemann,an old friend employed at the HanoverianLegation with whom Mendelssohn frequentlystayed when in London:

Your Royal Highness,You have permitted me to make for you a four-

hand arrangement of the fifth book of my Songswithout Words. I therefore make so bold as to lay thesame at the feet of Her Majesty the Queen and YourRoyal Highness. I have done my best to follow thesuggestions about the easy manner of Czerny'sarrangements etc., and in order to outdo my pre-decessor in at least one respect I have added an asyet unpublished seventh Song in a four-handversion. May the composer be excused for anymistakes that the copyist may have made here andthere—and vice versa! May Your Royal Highnessoccasionally play from these pieces and considerthem as an earnest of sincerest gratitude for thegracious reception and the unforgettable hours inwhich you have allowed me to participate onceagain during my present visit in the past weeks.

Always Your Royal Highness's most devoted

Felix Mendelssohn Bartholdy.

London, 4 Hobart Place, Eaton Square,9th June 1844.

Mendelssohn had first visited BuckinghamPalace two years previously. In a detailedaccount of the occasion which he sent to hismother he describes how he accompanied theQueen in two songs—one of his sister's andone of his own—and finds much to praise inher singing; but there is little informationabout his later visits. The request that heshould arrange the fifth book oi Songs withoutWords^ op. 62, which contains the popularSpring Song^ suggests that these pieces hadfound favour very quickly at the Palace, forthe English edition had appeared only two orthree months earlier. The seventh piecementioned in the letter became the first onein the sixth book, op. 67, which was notpublished till the following-year.

O. W. NEIGHBOUR

NOTES ON OUTSIDE CONTRIBUTORS

GILES BARBER: Librarian of the Taylor Institution and Fellow of Linacre College,Oxford.

DAVID L I N D L E Y : Lecturer in English at the University of Leeds.

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Page 2: NOTES ON OUTSIDE CONTRIBUTORS - The British Library

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Autograph letter from Felix Mendelssohn Bartholdy to Prince Albert. R.M. 2i.f.24

Page 3: NOTES ON OUTSIDE CONTRIBUTORS - The British Library