13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 1/12

Dissertation Index

All Dissertations | See New Dissertations

Author Title Institution Completed

Adams, Kyle A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century CUNY Graduate CenterSeptember2006

Adlington, RobertC.

Temporality in post-tonal music University of SussexSeptember1996

Akpakpan.Johnson James

Contemporary Compositional Approach To The Creation Of Ekpo Spirit-Manifest Music Of TheAnnang People

Department of Music,Faculty of Arts NnamdiAzikiwe University, Awka

December2011

Alegant, Brian The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications Eastman School of MusicOctober1992

Amos, Laura

ChristineAn Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde

The University of Texas at

AustinMay 2007

Anson-

Cartwright, MarkThe Development Section in Haydn's Late Instrumental Works

City University of New

York

August

1998

Antonio Jardim Music: vigency of poetical thinking UFRJ Doctor in PoeticsDecember1997

Argentino, Joe R Transformations and Hexatonic Tonnetz Spaces in Late Works of SchoenbergThe University of Western

Ontario

February

2010

Arndt, Matthew Schenker and Schoenberg on the Tone and the GeniusUniversity of Wisconsin–

Madison

August

2008

Arthurs, Daniel J. Reconstructing Tonal Principles in the Music of Brad MehldauIndiana University,Bloomington

May 2011

Atkinson, Sean EAn Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist

MusicFlorida State University April 2009

Attar, Ron Analysis of Bela Bartok's Performances to Selected Compositions Bar-Ilan University, Israel June 2007

Attas, Robin E.S. Meter as Process in Groove-Based Popular Music The University of British

ColumbiaApril 2011

Auerbach, Brent,

L

The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes

Brahms

University of Rochester -

Eastman School of MusicMay 2005

Auerbach,

Jennifer Sadoff

Drafts, Page Proofs, and Revisions of Heinrich Schenker’s Der freie Satz: the Collection at the

Austrian National Library and Schenker’s Generative ProcessUniversity of North Texas May 2009

Austin, Michael L The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic ArtUniversity of Texas atDallas

June 2011

Ayotte, BenjaminMcKay

Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker Michigan State University May 2008

BaileyShea,Matthew L.

The Wagnerian Satz: The Rhetoric of the Sentence in Wagner's Post-Lohengrin Operas Yale University May 2003

Ballard, Jack D.,Jr.

Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones:Chromatic Consonance in a Tertian Context

Kent State UniversityDecember2008

Balter, Tamara A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven.

Indiana University,

Bloomington (MusicTheory)

November2009

Barker, NaomiJoy

Analytical Issues in the Toccatas of Girolamo Frescobaldi University of London July 1995

Bauer, Amy, M Compositional Process and Parody in the Music of Gyorgy Ligeti Yale UniversityAugust1996

Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and February

MTO Home Current Issue Previous Issues Submit Jobs Dissertations Events Webinars About Links SMT

13/02/07 MTO Dissertation Index

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Beaudoin, Paul ERhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello andPiano, op. 69

Brandeis UniversityFebruary2002

Bell, Vicki P.Shaker Music Theory: The Nineteenth-Century Treatises of Isaac Newton Youngs and RusselHaskell

University of Kentucky May 1998

Benoit, John R. An Alternative Model of Fundamental Structure in Selected Lieder by Franz SchubertThe University of Texas at

Austin

August

1994

Berry, David

CarsonStravinsky's "Skeletons": Reconnoitering the Evolutionary Paths from Variation Sets to Serialism Yale University March 2002

Bhogal,Gurminder

Maurice Ravel, Metric Dissonance, Art Nouveau, Ornament, French Aesthetics, Symbolism,Arabesque

University of ChicagoAugust2004

Biamonte, NicoleV

The Modes in Romantic Music Yale University March 1998

Blom-Smith,Richard N. W.

A Theory of Accent in Tonal Music with an Assessment of Selected Modern AccentologiesKing's College London,University of London

April 1994

Boland,Marguerite M

The All-Trichord Hexachord: Compositional Strategies in Elliott Carter's "Con Leggerezza" and"Gra".

La Trobe University,Melbourne, Australia

December1999

Bor, MustafaContour Reduction Algorithms: A Theory of Pitch and Duration Hierarchies for Post-Tonal

Music

University of British

ColumbiaApril 2009

Botelho, Mauro Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos University of Michigan March 1993

Boyd, James W. Mahler and Directional Tonality University of MichiganSeptember1993

Brasky, Jill Tovah'Far Have I Flown': Chromatic Dominants and Functional Transformations in Schoenberg'sGurrelieder

University of Buffalo May 2005

Brass, Christophe La basse fondamentale dans le Clavier bien tempéré de J. S. BachUniversité Strasbourg II (=

Université Marc Bloch)

September

2001

Bribitzer-Stull,

Matthew, P.Thematic Development and Dramatic Association in Wagner's Der Ring des Nibelungen Eastman School of Music July 2001

Brover-Lubovsky,

BellaVivaldi's Harmony: Practice and Theory

Hebrew University of

Jerusalem, Israel

October

2000

Brown, Stephen

C.Dual Interval Space in Twentieth-Century Music Yale University May 1999

Bruno, LucaTheory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (1542-

1545)University of Trento, Italy

January

2009

Bryden, Kristy A.Musical Conclusions: Exploring Closural Processes in Five Late Twentieth-Century Chamber

Works

University of Wisconsin-

MadisonMay 2001

Buchler, Michael

H.

Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class

SimilarityEastman School of Music

October

1997

Buehrer,Theodore E.

An Alternative Pedagogical Paradigm for Aural Skills: An Examination of ConstructivistLearning Theory and its Potential for Implementation into Aural Skills Curricula

Indiana UniversityDecember1998

Buhler, JamesInformal Music Analysis: A Critique of Formalism, Semiology, and Narratology As Discourses onMusic

University of Pennsylvania May 1996

Burkett, LynEllen Thornblad

Tensile Involvement: Counterpoint and Compositional Pedagogy in the Work of Seeger,Hindemith, and Krenek

Indiana University April 2001

Burns, KristineH.

The History and Development of Algorithms in Music Composition, 1957-93 Ball State University April 1994

Burton, Deborah,E.

An Analysis of Puccini's Tosca: a heuristic approach to the unifying elements of the opera University of Michigan May 1995

Butterfield,

Matthew W.Jazz Analysis and the Production of Musical Community: A Situational Perspective University of Pennsylvania May 2000

Byron, Avior Schoenberg as Performer: An Aesthetics in PracticeRoyal Holloway,

University of LondonJune 2007

Cahn, Steven J.Variations in Manifold Time: Historical Consciousness in the Music and Writings of Arnold

SchoenbergSUNY at Stony Brook

August

1996

Cairns, Zachary

A.Multiple-Row Serialism in Three Works by Edison Denisov

University of Rochester

(Eastman School ofMusic)

April 2010

Campbell,

Edward Boulez and Expression: A Deleuzoguattarian Approach University of Edinburgh June 2000

Capuzzo, GuyVariety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter,1983-1994

Eastman School of Music,University of Rochester

December1999

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 3/12

Capuzzo, Guy1983-1994 University of Rochester 1999

Carey, Norman,

ADistribution Modulo 1 and Musical Scales University of Rochester

February

1998

Carter, Chandler The Progress in "The Rake's" ReturnThe City University of

New York

January

1995

Castine, PeterSet Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and

Atonal Music

Technische Universitaet

Berlin

January

1994

Castren, Marcus RECREL: A Similarity Measure for Set-Classes Sibelius AcademyDecember

1994

Cavanagh, Lynn,

M.Tonal Multiplicity in Schoenberg's First String Quartet, Op. 7

The University of British

ColumbiaJune 1996

Chang, Sangtae Boulez's Sonatine and the Genesis of his Twelve-tone PracticeThe University of North

TexasMarch 1998

Chong, Eddy K.

M.Extending Schenker’s Neue musikalische Theorien und Phantasien: Towards a Schenkerian

University of Rochester,

Eastman School of MusicMay 2002

Chor, Ives Cognitive Frameworks for the Production of Musical Rhythm Northwestern University June 2010

Clement, Brett A Study of the Instrumental Music of Frank Zappa University of Cincinnati July 2009

Clevenger, John

R.The Origins of Debussy's Style University of Rochester March 1993

Coenen, Alcedo,

E.Meta-Plus: Stockhausen's Plus-Minus computerized and analyzed University of Amsterdam

November

1995

Collaros, Pandel,L.

Quanti-MAS: A Quantitative System of Melodic Analysis Ohio State UniversityDecember1996

Cornicello,Anthony M.

Timbral Organization in Tristan Murail's "Désintégrations" and "Rituals" Brandeis University May 2000

Cotner, John S. Archetypes of Progressive Rock, ca. 1966-1973University of Wisconsin-Madison

December1999

Cox, Arnie W. The Metaphoric Logic of Musical Motion and Space University of Oregon June 1999

Cramer, Alfred

W.

Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of

Schoenberg, Webern, and Berg, 1908 to the First World WarUniversity of Pennsylvania April 1997

Crownfield,

Elizabeth E.The Intellectual Backgrounds of Morley's Plaine and Easie Introduction New York University

January

2000

Cuciurean, John

D.A Theory of Pitch, Rhythm, and Intertextual Allusion for the Late Music of György Ligeti

State University of New

York at Buffalo

August

2000

Cutler, Timothy

S.

Orchestration and the Analysis of Tonal Music: Interaction between Orchestration and Other

Musical Parameters in Selected Symphonic Compositions, c. 1785-1835Yale University March 2000

Cvetkov, Vasil A. “CHROMATIC FANTASY SONATA” BY DAVE BRUBECK Louisiana State UniversityDecember

2010

Danby, Judd Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral MusicUniversity of Illinois atUrbana-Champaign

November1997

de Clercq, TrevorO.

Sections and Successions in Successful Songs: A Prototype Approach to Form in Rock MusicEastman School of Music,University of Rochester

January2012

Decker, Bradley

D

Preserving the Fragment: Techniques and Traits of Franco Donatoni's Joyous Period (1977 to

2000)

University of Illinois at

Urbana - Champaign

January

2006

Decker, Gregory

J.

The Language of Baroque Opera: Topic, Structure, and Characterization in Handel's Italian-

Language OperasFlorida State University April 2011

Deguchi,

TomokoForms of Temporal Experience in the Music of Toru Takemitsu

University at Buffalo,

SUNY

November

2005

Demske, Thomas

R.Recognizing Melodic Motion in Musical Scores: Rules and Contexts Yale University March 1993

Derfler, Brandon Single-Voice Transformations: A Model for Parsimonious Voice Leading University of WashingtonNovember

2007

Derkert, JacobTonalitet och harmonisk artikulation i Claude Debussys verk. Om reception, armonikteori och

analysUniversity of Stockholm

October

1998

DeThorne, Jeffrey

D.

ORCHESTRATING ELECTROACOUSTICS: ON THE AESTHETICS OF

INSTRUMENTATION, ORCHESTRATION, AND ELECTRONIC MUSIC

University of Wisconsin-

Madison

August

2010

Djordjevic,

Michael, L.

Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional

Sound-Musical Continuum

Radio Belgrade,

Hilandarska 2, 11000

Belgrade, Serbia, YU

June 1995

Dodds, Michael January

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 4/12

Dodds, Michael

R.The Baroque Church Tones in Theory and Practice University of Rochester

January

1999

Doerksen, John

F.

A Theory of Set-class Salience for Post-tonal Music, with Analyses of Selected Lieder by Anton

Webern

University of Western

OntarioJune 1994

Dogantan, Mine Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive PerformanceColumbia University, New

YorkMay 1997

Dolenko, Elena Schoenberg. The Early Years. [Molodoy Schoenberg]Moscow State

Tchaikovsky ConservatoryMay 2003

Doll, Christopher Listening to Rock Harmony Columbia University May 2007

Douw, Andre, M.The Construction of Order and Direction in Igor Stravinsky's In Memoriam Dylan Thomas,

Canticum Sacrum, and ThreniUtrecht University March 1995

Dudeque, Norton

E.Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) University of Reading April 2002

Dudeque, Norton

E.Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg Universidade de Sao Paulo June 1997

Duncan, Stuart P The Concept of New Complexity: Notation, Interpretation and Analysis Cornell University May 2010

Easley, David B."It's not my imagination, I've got a gun on my back!": Style and Sound in Early American

Hardcore Punk, 1978–1983 Florida State University April 2011

Edith, Zack Carmen and Turandot: femme fatale to femme creatrice in opera Bar-Ilan University, Israel June 2000

Endrinal,

Christopher

James Scott

Form and Style in the Music of U2 Florida State University April 2008

Eng, Clare Sher

LingMotif and Closure in Twentieth-Century Music: Bartók, Britten and Fauré Yale University March 2012

Essl, Karlheinz

Das Synthese-Denken bei Anton Webern. Studien zur Musikauffassung des spaeten Webern

unter besonderen Beruecksichtigung seiner eigenen Analysen zu op. 28 und op. 30. ("Anton

Webern's idea of synthesis". Studies on the musical thinking of the late Webern c

University of Vienna May 1989

Fancher, Joseph

E.Pitch Organization in the Turangalîla-Symphonie of Olivier Messiaen University of Oregon March 2003

Fiore, Carlo I mottetti di Josquin Desprez: interpretazione attraverso l'analisi

University of Bologna,

Dipartimento di Musica e

Spettacolo

April 1998

Flinn, John W.Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with

Reference to the Third Movement of Luciano BerioUniversity of Cincinnati May 2011

Foley, Gretchen Pitch and Interval Structures in George Perle's Theory of Twelve-Tone TonalityUniversity of Western

Ontario

January

1999

Follet, Diane W. Echo - A Chamber Opera in One Act: The Woman's Voice in the Twentieth CenturyUniversity of Northern

Colorado

August

2000

Forrest, David L. Prolongation in the Choral Music of Benjamin Britten Texas Tech University May 2009

Foulkes-Levy,

Laurdella

A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications

for Aural Perception and CognitionSUNY Buffalo

September

1996

Fung, Eric W.M.The Performance of Chopin's First Movement of Piano Sonata in B Minor, op. 58: A Schenkerian

Approach

The Chinese University of

Hong KongJune 1995

Fyr, Kyle R. Proportion, Temporality, and Performance Issues in Piano Works of John Adams Indiana University July 2011

Gadd, Robin N. Theorizing Musical StyleUniversity of

SouthamptonJuly 1997

Garrison, Rodney Schenker's Ausfaltung Unfolded: Notation, Terminology, and Practice University at BuffaloDecember

2011

Gerlach, Oliver

Im Labyrinth des Oktōīchos —

Über die Rekonstruktion einer mittelalterlichen Improvisationspraxis in der Musik der Ost- &

Westkirche

Humboldt University July 2006

Gersh, Jason AText-Setting in William Byrd's Liber primus sacrarum cantionum quinque vocum (1589): Toward an

Analytic Methodology

University of North

Carolina at Chapel Hill

December

2006

Giovinazzo,

Joseph

Timbral Design of Primary Melody in the First Movement of Bartok's Concerto for Orchestra La Trobe University June 1992

Gloag, Kenneth Structure, Syntax and Style in the Music of Stravinsky University of ExeterFebruary

1995

Goldenberg,

YosefProlongation of Seventh Chords in Tonal Music

Hebrew University,

Jerusalem

December

2001

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 5/12

Yosef Jerusalem 2001

Gollin, Edward

H.Representations of Space and Conceptions of Distance in Transformational Music Theories Harvard University June 2000

Gonzales,

Cynthia I.Text-Music Relationships in the Early Songs of Arnold Schoenberg Harvard University

October

2005

Gonzales-

Lizausaba,

Oswaldo

A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach

Ecole des Hautes Etudes

en Sciences Sociales,

IRCAM, CNRS (Paris)

June 1997

Gonzalez-

LizausabaOswaldo

L'analyse ondulatoire : une approche morphologique de l'analyse musicale

Doctor in Arts & Sciences

of art - Université de Paris1

March 2010

Gosman, Alan R. Compositional Approaches to Canons from Ockeghem to Brahms Harvard UniversityAugust

2000

Grall, Jeremy N.

An Analytical Edition of Giovanni Kapsberger's "Partite sulla folia" for Chitarrone:

Ornamentation, Performance Practices, and Compositional Structures in Kapsberger's FoliaVariations

University of Memphis April 2009

Greitzer, Mary L Tormented Voices Harvard UniversityAugust2007

Grossman, E.Lary

Fugal Procedures in the Symphonies of Joseph Haydn Northwestern UniversityDecember1993

Grove, Paul R.Doctrine of the Canon: An Annotated Translation of the Second Counterpoint Book of Sergei

Ivanovich TaneevUniversity of Arizona

January

1996

Guigue, DidierUne Étude "pour les Sonorités Opposées": Pour une analyse "orientée objets" de l'oeuvre pour

piano de Debussy et de la musique du 20è siècle

Ecole des Hautes Etudes

en Sciences Sociales, ParisApril 1996

Hafner, Everett Time DividedUniversity of

Massachusetts at Amherst

August

1995

Hansen, Thomas

Holme

From Mode to Key. An Investigation of European Modal/Tonal Theories in the Seventeenth

Century [in Danish]

University of Aarhus

(Denmark)June 1996

Hare, Belva JeanThe Uses and Aesthetics of Musical Borrowing in Erik Satie’s Humoristic Piano Suites, 1913-

1917

University of Texas at

Austin

December

2005

Harley, Maria, A. Space and spatialization in contemporary music: History and analysis, ideas and implementations McGill University June 1994

Harper, Steven A. Minimal Interval Content DescriptionsUniversity of Texas at

AustinMay 1994

Harris, Joseph H. Harmony in Olivier Messiaen's Eclairs sur l'Au-Dela University of IowaSeptember

2000

Hastings, Charise

Y.The Performer's Role: Storytelling in Ballades of Chopin and Brahms

University of Michigan--

Ann ArborApril 2006

Heinzelmann,

Sigrun B Sonata Form in Ravel's Pre-War Chamber Music CUNY Graduate CenterFebruary

2008

Herlin, Thomas

R.Carl Ruggles and the Viennese Tradition: A Comparative Analysis

University of Illinois at

Urbana-ChampaignApril 2000

Hibberd, Kristian

P. G.Shostakovich and Bakhtin: A Critical Investigation of the Late Works (1974-1975)

Goldsmiths College,

University of LondonJune 2005

Hill, David S. The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale SUNY at Stony Brook April 1994

Hoag, Melissa E. Multiply-Directed Moments in the Music of Brahms Indiana University May 2008

Hodson, RobertD.

Interaction and Improvisation: Group Interplay in Jazz PerformanceUniversity of Wisconsin--Madison

August2000

Hoffman, StanleyM.

Extended Tonality and Voice Leading in Twelve Songs, Op. 27 by Alexander Zemlinsky Brandeis UniversityFebruary1993

Hoffmann, PeterMusic Out of Nothing? The Dynamic Stochastic Synthesis: a Rigorous Approach to Algorithmic

Composition by Iannis Xenakis

Technische Universitaet

Berlin

January

1998

Hoffmann, Peter Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis Xenakis Technische UniversitDecember

2009

Hook, Julian L. Uniform Triadic Transformations Indiana University May 2002

Hughes, Bryn Harmonic Expectation in Twelve-Bar Blues Progressions Florida State UniversityAugust

2011

Hussey, William

Gregory

Compositional Modeling and Quotation in the Works of Johannes Brahms: An Application of

Harold Bloom's Theory of Influence to Music

University of Texas at

Austin

December

1996

Igoudin, Lane Impact of MIDI on Electroacoustic Art Music Stanford University June 1997

Isaacson (Gozali) November

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 6/12

Isaacson (Gozali)

AtaraCantabile in the Romantic Piano Concerti with Emphasis on Schumann, Liszt and Brahms Bar Ilan University

November

2006

Iverson, Jennifer Historical Memory and György Ligeti's Sound-Mass Music, 1958-1968University of Texas at

AustinMay 2009

Jacobus-Freund,

Suzanne A.

The Art of Development: Development and the Development section Seen Through the Eyes of

Theorists, ca. 1775-1830Yale University May 1998

Jardim, Antonio Music: another density of real - to a philosophy of a substantive languageConservatorio Brasileiro

de MusicaMarch 1988

Johnson, Barrett

A

An Original Composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord,

Harp and Orchestra and A Comparative Study Between the Pedagogical Methodologies of

Arnold Schoenberg and Nadia Boulanger Regarding Training the Composer

Louisiana State UniversityNovember

2007

Johnson, Russell

W.Essais sur les Principes de l'Harmonie by Jean-Adam Serre: An Annotated Translation Florida State University

November

1994

Johnson, Shersten

R.

Hearing the Unvoiceable: Writer's Block in Benjamin Britten's Death in Venice University of Wisconsin--

Madison

August

2002

Joichi, Janet M. Closure, Context, and Hierarchical Grouping in Music: A Theoretical and Empirical Investigation Northwestern University June 2006

Jones, Jr. MelvinE

Key Classes and Textural Dissonance: An Instrument-Specific Study of the Idioms, Textures, andStructures of Selected Early Romantic Music for the Guitar (1799-1850)

Indiana UniversityAugust2004

Judd, CristleCollins

Aspects of Tonal Coherence in the Motets of JosquinKing's College, Universityof London

January1993

Julien, Patricia A.The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963

University of Maryland May 2003

Kaastra, Linda T. Systematic Approaches to the Study of Cognition in Western Art Music PerformanceUniversity of BritishColumbia

May 2008

Kahr, Michael Aspects of Context and Harmony in the Music of Clare Fischer University of Sydney March 2009

Karamahmutoglu,

GulayNr:1637 Hamparsum Notation Manuscripts at Istanbul Ataturk Library

ITU Institute of Social

Science

December

1999

Kelley, Robert T. Modulo-Seven Transformations in Post-Functional Music Florida State University April 2005

Khannanov, Ildar Russian Methodology of Music Theory and AnalysisUniversity of California,Santa Barbara

December2003

Kievman, Carson Ockeghem and Ligeti: The Music of Transcendence Princeton University June 2003

Kim, Jung-Jin A Barthesian Analysis of Britten's The Holy Sonnets of John Donne, Op. 35University of Wisconsin-

Madison

December

1996

Kinton, Leslie A Documentary Study and Schenkerian Analysis of Dvořák’s Symphony in D minor, op. 70 University of TorontoNovember2008

Kizas, Andrew J.From Octatonicism to Dodecaphony: A Study of Pitch Organization in Selected Works byDonald Martino

University of WesternOntario

December2004

Klein, MichaelA Theoretical Study of the Late Music of Witold Lutoslawski: New Interactions of Pitch,Rhythm, and Form

SUNY Buffalo May 1995

Kleppinger,Stanley V

Tonal Coherence in Copland's Music of the 1940s Indiana University May 2006

Kochavi,

Jonathan, H.Contextually Defined Musical Transformations SUNY Buffalo April 2002

Konov Yavor S. The first treatise of harpsichord "Les Principes du Clavecin" by Saint Lambert (Paris, M. DCCII) State Academy of MusicSeptember1997

Konstantinou,

ElenaNikos Skalkottas: The Piano Music

University of Reading,

Reading, U.K.

October

2001

Korstvedt,Benjamin Marcus

The First Edition of Anton Bruckner's Fourth Symphony: Authorship, Production and Reception University of Pennsylvania May 1995

Kosovsky, Robert Bernard Herrmann's Radio Music for the Columbia WorkshopGraduate Center, the City

University of New York

September

2000

Krumbholz, Jay Friedrich Wilhelm Marpurg's Abhandlung von der Fuge University of Rochester August

1994

Kurth, Richard B.Mosaic Isomorphism and Mosaic Polyphony: Balance and Imbalance in Schoenberg's Twelve-tone Rhetoric

Harvard University April 1993

Kuusi, TuireSet-Class and Chord: Examining Connection between Theoretical Resemblance and Perceived

Closeness Sibelius AcademyNovember

2001

Kwan, Kenneth Compositional Design in Recent Works of Chou Wen Chung SUNY BuffaloSeptember

1995

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 7/12

1995

Lai, Eric C. A Theory of Pitch Organization in the Early Music of Chou Wen-chung Indiana University May 1994

Laine, Pauli A. A Method for Musical Motion Patterns University of Helsinki April 2000

Lapidaki, Eleni Consistency of Tempo Judgments as a Measure of Time Experience in Music ListeningNorthwestern University,

School of MusicJune 1996

Laurson, Mikael "PATCHWORK: A Visual Programming Language and some Musical Applications" Sibelius Academy April 1996

Lavacek, Justin Contrapuntal Confrontation and Expressive Signification in the Motets of Machaut Indiana UniversityDecember2011

Lehman, Frank M Reading Tonality Through Film: Transformational Hermeneutics and the Music of Hollywood Harvard University May 2012

Leinberger,

Charles, F.

"An Austrian in Hollywood: Leitmotifs and Thematic Transformation in Max Steiner's Film

Score 'Now, Voyager'"University of Arizona May 1996

Lemieux, GlennC.

"Music in Twelve Parts" by Philip Glass: Reconstruction, Construction and Deconstruction University of Iowa June 1999

Leong, DaphneA Theory of Time-Spaces for the Analysis of Twentieth-Century Music: Applications to the

Music of Bela BartokEastman School of Music April 1999

Lerch, Alexander Software-Based Extraction of Objective Parameters from Music PerformancesTechnical UniversityBerlin

November2008

Letts, Marianne

Tatom"How to Disappear Completely": Radiohead and the Resistant Concept Album

University of Texas at

Austin

December

2005

Leydon, RebeccaV.

Narrative Strategies and Debussy's Late Style McGill UniversityDecember1996

Lilja, Esa Theory and Analysis of Classic Heavy Metal Harmony University of HelsinkiOctober

2009

Lima, Paulo C. Surface and Structure in the Music of Ernst Widmer: Octatonic Compositional StrategiesUniversidade de São Paulo(USP - Brasil)

October2000

Lin, Wei-Chieh In Search of Time: Musical Time and Form in Dérive 2 by Pierre Boulez The Juilliard School May 2012

Lind, StephanieK

Replicative Network Structures: Theoretical Definitions and Analytical ApplicationsUniversity of BritishColumbia

January2009

Link, John, F. Long-Range Polyrhythms in Elliott Carter's Recent MusicCity University of New

York

January

1994

Linklater, Mary L. From Procedure to Technique: Canonic Works of the Fifteenth Century University of Rochester May 2001

Lippus, Urve Linear Musical Thinking University of Helsinki April 1995

Lipscomb, ScottD.

Cognition of musical and visual accent structure alignment in film and animationUniversity of California,Los Angeles

March 1995

Longo, Lauren,

M.

Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's "L'Art de la basse

fondamentale"--An Annotated Translation and Critical Edition of Part I

City University of New

YorkJuly 1997

Lopes, Eduardo Just In Time: towards a theory of rhythm and metreUniversity ofSouthampton March 2003

Lorenz, Ralph Pedagogical Implications of musica practica in Sixteenth-Century Wittenberg Indiana University March 1994

Love, Stefan E On Phrase Rhythm in Jazz University of Rochester April 2011

Lowe, Bethany L. Performance, Analysis, and Interpretation in Sibelius's Fifth SymphonyUniversity of

Southampton

November

2000

Luchese, Diane Olivier Messiaen's Slow Music: Glimpses of Eternity in Time Northwestern University May 1998

MacKay, James S. Motivic Structure and Tonal Organization in Selected Motets of William Byrd McGill UniversityAugust1999

Mailman, Joshua

B.Temporal Dynamic Form in Music: Atonal, Tonal, and Other

Eastman School of Music,

University of RochesterApril 2010

Mak, Su YinStructure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Worksby Franz Schubert

Eastman School of MusicJanuary2009

Mak, Su Yin.Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works

by Franz SchubertEastman School of Music

December

1997

Malawey,Victoria L.

Temporal Process, Repetition, and Voice in Björk's MedúllaIndiana UniversityBloomington

December2007

Manning, David

J.Harmony, Tonality and Structure in Vaughan Williams's Music Cardiff University

December

2003

Marlowe, SarahR.

Fugue in Context: Schenkerian Theory and Dmitri Shostakovich's 24 Preludes and Fugues, Op.87Eastman School of Musicof the University of

Rochester

May 2012

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 8/12

Martens, Peter A. Beat-Finding, Listener Strategies, and Musical Meter University of Chicago June 2005

Martins, JoséOliveira

Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century Music University of Chicago March 2006

McCallum, Peter,

H.J.The Analytical Significance of Beethoven's Sketches for the String Quartet in F major, opus 135 University of Sydney March 1995

McCandless,Gregory R.

Rhythm and Meter in the Music of Dream Theater Florida State UniversityJanuary2010

McClatchie,

StephenAlfred Lorenz as Theorist and Analyst

The University of Western

OntarioApril 1994

McDonnell,

Donald R.

Roger Sessions' Symphony No. 3, First Movement: Form, Hexachordal Polarity, and Harmonic

Language (and) Nexus/Dreamscape for Chamber Ensemble. (Original Composition) Brandeis University

February

1994

McGinness, John,

R."Playing with Debussy's Jeux: Music and Modernism"

University of California,

Santa Barbara

September

1996

McGowan, JamesJ

Dynamic Consonance in Selected Piano Performances of Tonal Jazz University of RochesterFebruary2005

McKee, Eric, J. The Interaction of Tonal Structure and Phrase Structure as an Aspect of Form in Tonal Music University of Michigan April 1994

Mengozzi,

Stefano Between Humanistic Ideals and Scientific Thought in Glareanus's Dodecachordon University of Chicago March 1997

Mooney, Kevin The Table of Relations and Music Psychology in Hugo Riemann's Harmonic Theory Columbia UniversityDecember

1995

Moreno, EnriqueI.

Embedding Equal Pitch Spaces and The Question Of Expanded Stanford UniversityDecember1995

Morse, Michael

WilliamThe Tune in Jazz as a Social Process--Prolegomena to a Sociology of Music York University April 1996

Mullin, CarolynD.

Global Coherence in Selected Atonal Works of Anton Webern University of Oregon June 2005

Murphy, Paul T.The Thoroughbass Theory of Jose de Torres y Martinez Bravo with an Annotated Translation of

Reglas Generales (1736)

The University of Texas at

AustinMay 1995

Nelson, Mark, DQuieting the Mind, Manifesting Mind: The Zen Buddhist Roots of John Cage's Early Chance-Determined and Indeterminate Compositions

Princeton UniversityFebruary1995

Nelson, Thomas

K.The Fantasy of Absolute Music University of Minnesota June 1998

Ng, Samuel A Grundgestalt Interpretation of Metric Dissonance in the Music of Johannes BrahmsEastman School of Music,University of Rochester

July 2005

Nicholson, G.

Gordon

The Experience of Successful Contemporary Classical Musical Composition for Non-Computer-

Assisted Performance: A Qualitative Study

Saybrook Institute, San

Francisco, CA

November

1997

Nivans, David B. Brahms and the Binary Sonata: A Structuralist InterpretationUniversity of California,Los Angeles

January1992

Noll, ThomasMorphologische Grundlagen der abendlaendischen Harmonik (Morphological Foundations of

Occidental Harmony)

Technical University of

BerlinJuly 1995

Novak, John, K.The Programmatic Orchestral Works of Leos Janacek: Their Style And Their Musical andExtramusical Content

The University of Texas atAustin

May 1994

NWAMARA,Alvan-IkokuOkwudiri

CONTEMPORARY ART MUSIC FOR CHRISTIAN WORSHIP IN IGBO LITURGY:

ORIGINAL COMPOSITIONS IN AFRICAN IDIOM WITH BIBLICAL TEXTS

Nnamdi Azikiwe

University, Awka. Nigeria

August

2008

O Maidin,

Donncha SeanA Programmer's Environment for Music Analysis

National University of

Ireland at UniversityCollege Cork

October

1995

O'Donnell,

Shaugn J.Transformational Voice Leading in Atonal Music City University of New

YorkMarch 1997

Oravitz, Michael Metric Patterning and its Effects on Phrasing and Form in Selected Debussy Preludes Indiana University July 2005

Osborn, Brad T. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music University of Washington June 2010

Pacun, David E. Large-scale Form in Selected Variation Sets of Johannes Brahms University of ChicagoDecember

1998

Paget, Laurie The Madrigals of Marc'Antonio Ingegneri University of London June 1995

Paley, ElizabethS. Narratives of 'Incidental' Music in German Romantic Theater

University of Wisconsin-Madison July 1998

September

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 9/12

Palombini, C. V. Pierre Schaeffer's Typo-Morphology of Sonic Objects University of DurhamSeptember1992

Pausina, Melissa

A"Bartleby": An Intertextual Music Drama. Temple University

January

2010

Perlman, Marc A. Unplayed Melodies: Music Theory in Postcolonial Java Wesleyan UniversityAugust1993

Petrocelli, Paolo William Walton and the Violin Concerto in England between the 1900 and 1940 University of RomeDecember

2007

Polyvios,Androutsos

Development and Experimental Implementation of a Model of Teaching the History of Music inSecondary Education

Aristotle University ofThessaloniki

December2002

Post, William D.Part One: Emanations for Orchestra (original composition); Part Two: Anton Webern and the

Golden Ratio: Temporal Proportions as a Formative Principle in Three Late Works, Opp. 27-29.Kent State University May 2007

Poudrier, ÈveToward a general theory of polymeter: Polymetric potential and realization in Elliott Carter's soloand chamber instrumental works after 1980

City University of NewYork

September2008

Power, Richard S. An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2University of Illinois at

Urbana-ChampaignJuly 1995

Powles, JonathanC.

Continuity and Discontinuity in the Music of Stravinsky: Analysis, Theory and Meta-Theory University of Oxford March 1995

Pye, Richard, C. The Music of William Schuman University of NewcastleJanuary

1999

Quaglia, Bruce,W.

Compositional Practice and Analytic Technique; Schoenberg’s Atonal Works: ReconcilingApproaches to Sets, Lines and Developing Variation

University of UtahOctober1998

Raickovich, Milos Einstein on the Beach" by Philip Glass: A Musical AnalysisCity University of New

YorkMay 1994

Randall, RichardR.

A General Theory of Comparative Music AnalysisUniversity of Rochester,Eastman School of Music

May 2006

Reddick, Carissa

A

Formal Fusion and Rotational Overlap in Sonata Forms from the Chamber Music of Brahms,

Dvořák, Franck, and GriegUniversity of Connecticut

November

2009

Ricci, Adam A Theory of the Harmonic Sequence

Eastman School of Music,

University of Rochester May 2004

Richards, Mark C. Analyzing Tension and Drama in Beethoven’s First-Movement Sonata Forms University of Toronto April 2011

Richards, William

H.Transformation and Generic Interaction in the Early Serial Music of Igor Stravinsky

University of Western

OntarioJune 2003

Riddick, Frank C. An Analytical Study of Zemlinsky's Second String QuartetUniversity of Colorado,Boulder

May 1994

Rifkin, DeborahTonal Coherence in Prokofiev's Music: A Study of the Interrelationships of Structure, Motives,

and DesignEastman School of Music April 2000

Riley, Matthew JAttentive Listening: The Concept of Aufmerksamkeit and its Significance in German MusicalThought, 1770-1790 University of London June 2000

Rivest, JohanneLe Concert for Piano and Orchestra de John Cage ou les limites de l'indetermination ("JohnCage's Concert for Piano and Orchestra: the limits of indeterminacy")

Universite de MontrealSeptember1996

Robison, Brian

Carl

Carmen arcadiae mechanicae perpetuum: Toward a methodology for analyzing Harrison Birtwistle's

music since 1977Cornell University May 1997

Rockwell, Joti Drive, Lonesomeness, and the Genre of Bluegrass Music University of Chicago June 2007

Rogers, Nancy M. The Role of Verbal Encoding in Memory for Musical Timbre and Pitch Patterns University of Rochester July 2000

Roller, JonathanB

An Analysis of Selected Movements from the Symphonies of Charles Ives Using Linear and SetTheoretical Analytical Models

University of KentuckyOctober1995

Romig, JamesTwelve-Tone Rhythmic Structure and its Application to Form: Time-Point Nesting and Rotationin 'Spin'

Rutgers University April 2000

Rosenberg,Nancy E.

FROM ROCK MUSIC TO THEORY PEDAGOGY:

From Rock Music to Theory Pedagogy: Rethinking U.S. College Music Theory Education from aPopular Music Perspective

Boston UniversityJanuary2010

Rosenhaus,

Steven L.Harmonic Motion in George Perle's Wind Quintet No.4 New York University May 1995

Rothstein, EvanJ.

The Tradition of Developing Variation and the Problem of ‘Folkloristic’ Music in Ives’s FirstViolin Sonata

Indiana University May 2001

Roy, Subroto, M

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 10/12

Roy, Subroto, M

CExamining Avartan in Khayal University of Pune, India May 2008

Rubin, Anna, I.Forêt Profonde: The Narrative, Sonic and Reception Design of Francis Dhomont's ForêtProfonde

Princeton UniversityJanuary1999

Rupprecht,

Philip, E.Tonal Stratification and Conflict in the Music of Benjamin Britten Yale University

November

1993

Russell, Todd B.Rhythm in Music: A Comparative Analysis of the Two Versions of Opus 18, No. 1 StringQuartet (I, IV) by Beethoven

University of Kentucky July 1993

Rust, Douglas, M. A Theory of Form for Lutoslawski's Late Symphonic Works Yale University September

1994

Sachania, Millan The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical StudyUniversity of Cambridge,England

July 1997

Samplaski, Arthur

G.

A Comparison of Perceived Chord Similarity and Predictions of Selected Twentieth-Century

Chord-Classification Schemes, Using Multidmensional Scaling and Cluster AnalysisIndiana University April 2000

Samuels, Robert Semiotics and Mahler: Analyses of Musical Signification in the Sixth Symphony Cambridge UniversitySeptember1993

Sandell, Gregory,

J.Concurrent Timbres in Orchestration: A Perceptual Study of Factors Determining 'Blend' Northwestern University

December

1991

Santa, MatthewS. Studies in Post-Tonal Diatonicism: A Mod7 Perspective

City University of NewYork May 1999

Saunders,

Michael, D.A Computer-based Notation for the Process of Musical Composition

University of Wales,

Cardiff

September

1998

Schuijer, Michiel Pitch-Class Set Theory and the Construction of Musical Competence University of UtrechtSeptember2005

Schultz, Rob A Diachronic-Transformational Theory of Musical Contour Relations University of Washington June 2009

Scotto, Ciro, G. Can Non-Tonal Systems Support Music as Richly as Tonal Systems? University of WashingtonDecember

1995

Scrivener, Julie A. Representations of Time and Space in the Player Piano Studies of Conlon Nancarrow Michigan State University May 2002

Searby, MichaelD

An investigation of the transformation of compositional process in György Ligeti's music 1974-85, with particular reference to pitch

Goldsmiths College.London

July 2006

Seltzer, Linda, A. The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande Princeton University 0000

Selvafiorita,

Fabio

Genesi della forma nella Composizione Assistita al Computer: modelli teorici e prospettivepoietiche nel'ambiente di programmazione OpenMusic (Genesis of form in Computer AidedComposition: theoretical models and poietical perspective)

Bologna UniversityJanuary

2007

Sheehan, Paul J.Twelve-Tone Enitities, Inquisitorial Mind, and the Network Model of the Multitude: AnalyzingLuigi Dallapiccola's Il prigioniero

Columbia UniversityNovember2007

Sheinberg, Ester The Semantics Of Irony In ShostakovichUniversity Of Edinburgh,

ScotlandJune 1995

Silberman, PeterS.

Neighbor Spaces: A Theory of Harmonic Embellishment for Twentieth-Century Neotonal Music Eastman School of Music May 2006

Simpson, Jasba Cochlear Modeling of Sensory Dissonance and Chord Roots University Of Waterloo April 1994

Slottow, Stephen

P.A Vast Simplicity: Pitch Organization in the works of Carl Ruggles

Graduate Center, City

University of New YorkApril 2001

Smith, KathleenBiddick

Musical Process in Selected Works by Michael Torke Florida State University May 2009

Solomon, Jason

W.

Spatialization in Music: The Analysis and Interpretation of Spatial Gestures University of Georgia May 2007

Solomon, LarryJoseph

Symmetry as a Determinant of Musical Composition West Virginia UniversityFebruary1973

Spicer, Mark British Pop-Rock Music in the Post-Beatles Era: Three Analytical Studies Yale UniversityDecember2001

Spicker, Volker New Piano ImprovisationUniversity of Giessen,Germany

December1997

Spiegelberg, ScottC.

The Psychoacoustics of Musical Articulation Eastman School of MusicJanuary2002

Squibbs, Ronald,J.

Analytical Issues in Recent Instrumental Works of Iannis Xenakis Yale University March 1996

Steege, Benjamin

A.Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality Harvard University April 2007

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 11/12

Steenstra, SytzeG.

We Are The Noise Between Stations: A philosophical exploration of the work of David Byrne, atthe crossroads of popular media

Maastricht University, TheNetherlands

June 2003

Steffen, Ralph

MartinMetalogik: The Music Theory of Walter Harburger

University of California,

Santa BarbaraJune 1999

Steinbeck, Paul Urban Magic: The Art Ensemble of Chicago's Great Black Music Columbia University May 2008

Stocken,Frederick

Anton Bruckner and Simon Sechter's Fundamental Bass TheoryManchester University,UK

December2007

Stover, Chris A Theory of Flexible Rhythmic Spaces for Diasporic African Music University of WashingtonDecember

2009

Sundin, Nils-Goran

Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance ofWestern Notated Instrumental Music after 1750

University of Jyvaskyla,Finland

August1994

Svistoonoff,

Katherine A.Cosmopolitanism in Two Twentieth-Century Piano Sonatas University of Houston

January

2011

Taylor, StephenAndrew

The Lamento Motif: Metamorphosis in Ligeti's Late Style Cornell University May 1994

Telesco, Paula J. Enharmonicism in Theory and Practice in 18th-Century Music The Ohio State UniversityAugust

1993

Thomas,Margaret E.

Conlon Nancarrow's 'Temporal dissonance': Rhythmic and Textural Stratification in the Studiesfor Player Piano

Yale University March 1996

Thurmaier, David

PTime and Compositional Process in Charles Ives's Holidays Symphony Indiana University May 2006

Tjoeme, Berit K.The Articulation of Sonata Form in Atonal Works by Fartein Valen. Analyses of his ViolinConcerto, Op. 37 and Symphony No. 3, Op. 41.

University of OsloAugust1995

Tong, Chee-yee,

J.Separate Discourses: A Study of Performance and Analysis

University of

Southampton

October

1994

Tsougras, Costas,

F

Generative Theory of Tonal Music and Modality - Research based on the analysis of "44 Greek

miniatures" by Yannis Constantinidis

Aristotle University of

Thessaloniki March 2002

Tucker, Gary R. Tonality and Atonality in Alban Berg's Four Songs, Op. 2University of Western

Ontario

August

1995

Turner, Mitchell

M.

Toward a General Theory of Pitch Structure: Unity Between Horizontal and Vertical Pitch-Class

SetsUniversity of Georgia

December

1999

Tuzun, Tolga CONTEXTUAL TRANSFORMATIONS IN TIMBRAL SPACESGraduate Center, The CityUniversity of New York

September2009

Uno, Yayoi Avant-garde Music circa 1950-60: Analysis of Works by Boulez, Cage, Babbitt, and Xenakis University of RochesterSeptember

1993

Vachon, Pierre Study of titles in the Piano Works of Robert Schumann, their function and meaning Universite de Montreal May 1998

Van Colle, S. J. Music therapy process with young people who have severe and multiple disabilities University of ReadingJanuary

2003

Van Colle, Sue, JMusic therapy process with cerebral palsied children: connections with psychoanalytic models,

particularly that of Winnicott

University of Reading,

Department of Music

October

1999

Varney, John

CharlesColombian Bambuco: The Evolution of a National Music Style Griffith University June 1999

Vives, Thomas E.The Effect of Timbre on the Chord Identification Accuracy of Sophomore-Level College MusicTheory Students

University of FloridaAugust1998

Vlagopoulos

PanosLe noble rhetorique: Mental Models in the Song Production of Guillaume de Machaut Ionion State University June 1998

Vojcic,

AleksandraRhythms as Form: Rhythmic Hierarchy in Later Twentieth-Century Piano Music Graduate Center CUNY

January

2009

Wacker, Lori J. Rhythmic and motivic procedures in selected late works of S.C. Eckhardt-Gramatte Indiana University May 1999

Walker, JonathanThe Work-Concept in Music and Musicology: A Philosophical Study." (provisional title) Queen's

University Belfast, School of Music, 1996Queen's University Belfast

September

1996

Wang, Yuhwen The Value of Values: Value Judgment in Edward T. Cone's Music Analyses Columbia UniversityDecember1996

Waters, Keith, J. Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger Eastman School of MusicJanuary1997

Waters, William J.A Study of Temporal Change in the Recorded Performances of Igor Stravinsky's, `The Rite of

Spring'Florida State University

December

1995

Weisser, Benedict

J.

Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano

Berio, John Cage, and Brian Ferneyhough)

The City University of

New YorkJuly 1998

13/02/07 MTO Dissertation Index

www.mtosmt.org/mto-dissertations.php?showall=true 12/12

J. Berio, John Cage, and Brian Ferneyhough) New York

Westerhaus,

Andrew JStravinsky and the Ludic Metaphor University of Chicago

December

2012

Weytjens,

Stephan

Text as a Crutch in Arnold Schoenberg’s “Pierrot Lunaire” op. 21? An Analysis of the

Relationship between Textual Aspects and Musical Structure in Free Atonality

Catholic University of

Leuven

December

2003

Wiens, Carl K. Igor Stravinsky and Agon University of Michigan January

1997

Wiering, Frans The Language of the Modes. Studies in the History of Polyphonic Modality University of AmsterdamAugust

1995

Wilde, Howard Towards a New Theory of Voice-Leading Structure in Sixteenth-Century Polyphony University of London July 1995

Wile, Kip, D. A Study of Collection in Neocentric Music University of ChicagoAugust1994

Wilkinson,

Carlton J.

Symphony in Five Movements: A Presentation and Analytical Discussion of a New Work in a

Symphonic Form

Rutgers, The State

University of New Jersey

January

1995

Williams, Justin A Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies University of NottinghamSeptember

2009

Windsor, LukeW. A Perceptual Approach to the Description and Analysis of Acousmatic Music City University, London

September1995

Wright, James K.Schoenberg, Wittgenstein, and the Vienna Circle: Epistemological Meta-Themes in HarmonicTheory, Aesthetics, and Logical Positivism

McGill UniversityFebruary2002

Yorgason, Brent Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric Drift Indiana UniversityAugust

2009

Yoshikawa,Christine M

Rachmaninoff’s Integrative Technique and Structural Organization: A Schenkerian Analysis ofAllegro Moderato, from Piano Sonata No. 1 in D Minor, Opus 28

Arizona State University May 2004

Yust, Jason D Formal Models of Prolongation University of WashingtonNovember

2006

Zagalaz, Juan C.Innovaciones melódico - armónicas en la improvisación Jazzística. Un recorrido a través de Body

and Soul. (1935 -1945).Universidad de Jaén

January

2010

Zamzow, BethAnn

The Influence of the Liturgy on the Fifteenth-Century English Carols The University of Iowa May 2000

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