Another Architecture

Media Kit 2017

MarkAnother Architecture

Mark magazine is a platform for the practice and perception of architecture at the dawn of the third millennium. Since its launch in 2005, the magazine has proven to be a timely, visual, non-academic publication fu ll of fi rst-hand information from creative people. Mark has a radically international perspective, shining its spotlight on starchitects and new talent alike. Th e magazine explores the boundaries of architecture and anticipates the industry's fu ture.

‘The comment thread is

an ecosystem of its own’

The Guardian’s Oliver Wainwrighttalks about architecture

criticism in the 21st century.

Text

Grant GibsonPhoto

Andrew Meredith

AA couple of things struck me on meeting Oliver Wainwright. The first is that he’s irritatingly young: The Guardian architecture and design critic has just made it into his 30s and, as a result, can pull off that beard and scraped-back long hair look convincingly. And the sec-ond is that he’s fantastically late for our 6 p.m. meeting in a Shoreditch-based coffeehouse around the corner from his office. However, his excuse is properly juicy: he’s been leaked a letter suggesting that Boris Johnson – London mayor and, if you believe the hype, Britain’s prime-minister-in-waiting – has been less

than honest about how the city’s proposed Gar-den Bridge will be funded. While Johnson has gone on record denying that any further taxpayers’ money

will be used to subsidize the Heather-wick Studio-designed scheme, the letter implies that the public will be liable for the bridge’s annual £3.5-million mainte-nance bill in perpetuity. Wainwright had to get the piece out before our meet-ing and receives a couple of calls about while we’re talking. An 1,800-word story is duly published later that night, and people are already talking about it when I arrive in my office the next morning.

Oliver Wainwright in his studio in East London.

175174 Long Section Oliver Wainwright Bookmark London | UK

The large amount of wood in the interior balances the white aluminium exterior and is reminiscent of the warm atmosphere of mountain huts.Photo Hufton+Crow

098 099Mark 59 Long Section Beijing — ChinaMad Architects

Flat-PackPhilanthropy

Produced with the support of the Ikea Foundation, the Better Shelter home naturally comes in a cardboard box. Mark unpacks one.

TextPiet Vollaard

PhotosBetter Shelter

Better Shelter prototypes in use in Kobe refugee camp, Dollo Ado, Ethiopia, in 2013. Five camps in this region house around 180,000 refugees from Somalia.Photo Ikea Foundation

062 Mark 62 Perspective Better Shelter Various Places 063

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Exploded view

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+ 2

01 Entrance02 Kitchen03 Bathroom04 Living space / studio05 Roof terrace

Opposite Full-length curtains separate the interior from the glazed façade.

Right Inside the building, original wall openings determine the spatial organization.

The house before renovation.

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01

04

04

02

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078 079Mark 63 Perspective Tokyo — JapanShingo Masuda+Katsuhisa Otsubo

The new concert hall in Szczecin by Barozzi Veiga echoes both Hanseatic architecture

and projects by German expressionists.

Urban Iceberg

Text

Michał Haduch and Bartosz Haduch

Photos

Jakub Certowicz

The concert hall facing north, with in the background Park im. Stefana Zeromskiego.Photo Jarosław Syrek

095094 095094 Concert Hall Szczecin | PolandLong Section Estudio Barozzi Veiga

MagazineMark is all about:Curated and exclusive architectural projects that have not been published anywhere else

In-depth interviews with the movers and shakers in architecture from all over the world

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Connecting with decision makers in architecture

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Stunning images by internationally renowned photographers

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“A synthesis of arts”:

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The minimalist forms of Le Corbusier‘s buildings, furniture and studies, as well as his exceptional “Poly-

chromie architecturale”, continue to infl uence the world of architecture. In appreciation of Le Corbusier‘s

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AZ_LC_450x297_Mark_2016-10_RZ2.indd Alle Seiten 18.10.16 09:00

RiederA concrete skin to withstand the harshest conditions

Just because a building is small, it’s not necessarily easier to design or to construct than one many times larger. That’s doubly true when the tiny structure in question perches on a mountain, like the Alpine shelter built by OFIS Architects, students from Harvard Graduate School of Design, and Austrian concrete company Rieder. An inaccessible location, coupled with the hostile climate, multiplied the challenges involved in the project and called for some radical solutions. The shelter replaces a 50-year-old structure made from iron sheet that stood in the same location: some 2,118 m up on the face of Mount Skuta in the Kamnik–Savinja Alps in Slovenia. The new version started life in an architectural-design studio at the Harvard Graduate School of Design, led by Rok Oman and Spela Videcnik of Slovenian studio OFIS Architects. Several student groups working on the challenge produced 12 proposals that met site

conditions, material requirements and programmatic considerations. Of these, the design by Frederick Kim, Katie MacDonald and Erin Pellegrino was selected for further development with OFIS. Inspired by traditional Alpine architecture, the shelter, which provides basic accommodation for eight climbers, is divided into three sections, each with its own pitched roof. Glazed gables allow for spectacular, vertigo-inducing views. The outer shell, in Rieder’s silvery grey, glass-fibre-reinforced öko skin concrete panels, harmonizes with the rugged landscape in colour and texture while wrapping the building in a highly weather-resistant, protective skin. Although only 13 mm thick, and thus relatively lightweight and easy to transport, öko skin offers excellent protection from the elements while needing little to no maintenance for a period of up to 50 years. It is the result of 55 years of experience and experimentation in concrete

Thanks to the colour and texture of öko skin, the shelter blends into its environment.Photos OFIS Architects

materials by the company, which has developed a special competence centre for façade claddings. Rieder’s involvement with the project began with an invitation to company owner Wolfgang Rieder from the dean of Harvard University to attend the GSD Talks in Cambridge, MA, to talk about innovations and cross-disciplinary changes in architecture. ‘The exchange of ideas with talented young people is vital,’ says Wolfgang Rieder. ‘We can learn a lot from them.’ He emphasizes that Rieder is not only a product supplier, but also a provider of solutions, offering comprehensive services in the areas of substructure, mounting and logistics. ‘It has always been our quest,’ he says, ‘to tackle the problems faced by the world of architecture and to find solutions together with architects and planners.’ The Alpine shelter is no exception to this approach. In addition to the façade, Rieder

sponsored the substructure and helped the students develop the modular design. Rieder’s support allowed the hut to be manufactured off-site and then airlifted in three sections to the mountain face by helicopter, courtesy of the Slovenian army and the local mountain rescue team. Transport and on-site construction took only one day – time being of the essence in such an inhospitable location. ‘It was wonderful to see this building, designed at Harvard, come to life in the Slovenian mountains,’ says Wolfgang Rieder. ‘The whole project contributes to our aim to build a global network of academics, researchers, designers and architects to develop a better world. Merely adding a new colour or a new surface to our product range is not enough. Through our network, we are developing some really innovative ideas, and we hope to bring them to the market soon.’rieder.cc

188 189Mark 61 Tools Mount Skuta — SloveniaRieder

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Location:Johannesburg, SAS 26° 12' 14" E 28° 02' 50" Surface: Collection⁄ Bianco Lucidato

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Essenceof a surface— Outdoor FluxmansBuilding,Johannesburg

Doors and Windows

Aluminium framesAllaert AluminiumSince 1955, Valentin Allaert has produced aluminium constructions. Before that, he made windows, doors and hardware in steel, copper and bronze. In 1980, Serge Allaert succeeded his father. Serge’s son Thomas joined him recently. He’s the seventh consecutive generation in the building and construction sector. This villa in Harelbeke, Belgium, was designed by Francisca Hautekeete Architectuur. The architect used a combination of Reynaers and Otiima profiles. The Alinel wall cladding is also an accomplishment by Allaert Aluminium.allaertaluminium.be

Window systemsAluprofAluprof’s MB-FERROLINE window system is the perfect solution to renovating monumental buildings. The correct appearance of the windows is preserved by imitating the steel joinery, while exceptionally good technical design parameters are insured at the same time. Various types of inward opening, outward opening and fixed windows can be constructed that, in addition to their perfect thermal insulation, are characterized by their very good sound insulation, wind and water resistance and high durability.aluprof.eu

Sectional doorsBredaItalian manufacturer Breda, which produces sectional doors for residential and industrial use, has created the Multi Rib. The design is the result of a multiple combination of many small waves. The optical effect on the panels is very original with a flat coat. Multi Rib is available in the colours White C21, Grey RAL 9006, Grey RAL 7016, Brown C17, Green RAL 6005 and Green RAL 6009, for the most popular and appreciated Breda models. Another innovation by Breda is Micacea, paint that combines acrylic resins with micaceous iron pigments. The result is a refined metallic effect – available in Black Smoke, Green Pine, Old Red, Red Scorched Earth, Silver Grey, Metallic or Graphite – that reproduces an antique wrought iron effect. bredasys.com

Balcony windowsFakroFakro’s Galeria balcony windows make it possible to create a balcony in an attic space. In sloped roofs without a knee wall, you can glaze the entire roof with large balcony windows that provide ample natural light and a panoramic view. The FGH-V Galeria is an innovative window that creates a balcony when the sashes are opened. The upper sash opens upward and has an innovative mechanism that allows it to be left in any position, while the lower sash can be tilted forward. When the lower sash is closed, the balcony rails are hidden inside the window and are not visible above the roof surface, do not collect dirt or spoil the aesthetics of the roof.fakro.com

Photo Koen Van Damme koenvandamme.be

174 175Mark 65 Tools Doors and Windows

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Rein Janssen animates the features of Gaggenau’s combi-steam oven

Inspired by Gaggenau’s combi-steam oven 400 series, photographer Rein Janssen shot a series of compelling images showcasing the product’s features in an abstract and intriguing way...

Moooi showroom lets Londoners’ interiors go Dutch

LONDON – Recently topping a list as the best place to live in the city, London Fitzrovia is now home to Moooi’s newest showroom which imports Dutch stylings to invade British interiors...

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From: Marc Klis | Frame Publishers Marc@frameweb.comSubject: FW: Biweekly Roundup \ Koko Architects \ Studioninedots \ TD Architects \ Patterson Associates

Date: 30 Nov 2016 15:49To: Barbara Iwanicka | Frame Publishers barbara@frameweb.com

– N AT U R E L O D G E –

Koko Architects designs a place to interact for Norwegian hikersin an awe-inspiring setting

SODDATJØRN –A cluster of tents forms the social basis for a community ofcabins on a Norwegian hiking trail.

– M U S E U M –

Art Cascade: Stacked and staggered boxes connect park and city

QUEBEC – OMA's new museum building in Quebec ties together city and park.

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Inspired by the streets of London and the gritty backdrops of railways, tunnels of factories, workshops and warehouses. The surfaces – cracked paving stones and brick blocks make up the crumbling industrial landscape while the massive tidal River Thames splits the city in two, and the new reflective glass towers start to dominate the skyline.

The new Industrial Landscape collection is a series of seven carpet designs created by Tom Dixon in collaboration with ege carpets. Available in tiles and broadloom transforming into different expres-sions that reinterpret the rough, raw everyday surfaces that define the London landscape.

London – The Industrial Landscape. New carpet collection by Tom Dixon. Learn more at egecarpets.com

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concrete skin

| 1,200 m² cross-shaped facade panels

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Hotel Mount Stephen, Montreallemay architects © Ditz Fejer

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Uniqueness in series.

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SPAC E F O R T H INGST H I NG S F O R L I V EL I V I NG

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specific format. Regardless of their field of application

they create room for the things that matter.

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Fiera Milano – Rho 12-17 April, 2016

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The Mark editorial calendar 2017

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