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8/9/2019 Media Education in England
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Media Education in England
Dr Chris Richards
Centre for the Study of Children, Youth and
Media, Institute of Education, University of
London
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Outline
1. Popular media as resources for young people.
2. Old and new media in young peoples lives.
3. The opportunities media education can offer youngpeople.
4. What does media education look like? Aconceptual framework for the media curriculum.
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Media Power
In one persistent,enduring and influentialtradition in media
studies, the media areregarded asoverwhelminglypowerful and theiraudiences as mostly
powerless. See, for example:
http://www.mediaed.org
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Young Audiences But what if the way people, including young people,
engage with the media is not at this sub-intellectual level?What if young people, though certainly subject to the
power of the media to frame, form and determine some
aspects of their lives, are also drawing on media texts moreproductively in their talk and their play?
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Research
What meaning and significance do young people
give to the media with which they engage?
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Play
even when children try their hardest to match their own play behavior to that modeled for them bytelevisionthey are forced by their need for cooperation to make all kinds of compromises, such asbargaining for who takes the negative roles, deciding how they can adapt their unique power
feelings to the scenario, devising costumes, weapons, gestures, and sequences. What they reproduceis a playful theatric adaptation. There is no tabula rasa. The point is, no matter what the culturalstimuli might be (toys or television shows), they have to be mediated by childrens fantasy in orderto be accepted, and adjusted to their play norms and social competence in order to be assimilatedinto the active theatric play forms of childhood. (Sutton-Smith, 1997: 154)
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Resources and Constraints
But they are also, like
us, caught up in
processes ofidentification and
idealization that may
be oppressive and
limiting.
Claims about the
power of the media
need to be qualified byattention to what
children and young
people themselves
have to say about theirown media interests.
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Old and New Media
It is important to be wary ofcaricatures (cyber kids forexample) that construe wholegenerations as singularly
devoted to just one, whethercelebrated or reviled, newlyemergent media form. Mediaeducation should be concernedwith both old and new forms,
with their interconnectednessin young peoples lives andwith both the strengths and
limits of what they know.
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Media Education: Opportunities
But the current UKapproach to teaching themedia also emphasizes
and engages with youngpeoples enjoyment of themedia and seeks to furtherboth their enjoyment andtheir understanding
through various forms ofstudent focusedproduction work.
There is a continuing
emphasis on a critical
study of the media,
making critique and
analysis the rationale
for, and priority of, a
great deal of media
education.
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What does media education look like?
Language
Representation
Production
Audience
How do we know what it means? How dothe media produce meanings? Media asconstructions.
How does it present its subject? Media
show a mediated version of the world.
Who is communicating what and why?Economics and ideology of mediaindustries, organisations, institutions.
Who receives it, and what sense do theymake of it? How are audiences identified,
constructed, addressed and reached?
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Conclusion
The version of media education that I have presented to you does notabandon criticism of the media. But it does acknowledge the value ofyoung peoples experience of the media that interest them. It alsoemphasizes that teaching is not simply a matter of inculcating critical skills
but must always engage with young peoples existing knowledge andinterests andfacilitate productive, enjoyable and exploratory forms of
learning about the media.
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Some References Buckingham, D. (2000)After the Death of Childhood: Growing up in the Age of Electronic Media, Cambridge:
Polity.
Buckingham, D. (2003) Media Education: Literacy, Learning and Contemporary Culture, Cambridge: PolityPress.
Buckingham, D., Grahame, J. and Sefton-Green, J. (1995) Making Media: Practical Production in Media
Education, London: The English and Media Centre.
Buckingham, D. and Willett, R. (eds.) (2006)Digital Generations: Children, Young People, and the NewMedia, London: Routledge.
Jenkins, H. (2006) Convergence Culture: Where Old and New Media Collide, New York: New York UniversityPress.
Sutton-Smith, B. (1997) The Ambiguity of Play,Cambridge, Mass.: Harvard University Press.