Media Education in England

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    Media Education in England

    Dr Chris Richards

    Centre for the Study of Children, Youth and

    Media, Institute of Education, University of

    London

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    Outline

    1. Popular media as resources for young people.

    2. Old and new media in young peoples lives.

    3. The opportunities media education can offer youngpeople.

    4. What does media education look like? Aconceptual framework for the media curriculum.

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    Media Power

    In one persistent,enduring and influentialtradition in media

    studies, the media areregarded asoverwhelminglypowerful and theiraudiences as mostly

    powerless. See, for example:

    http://www.mediaed.org

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    Young Audiences But what if the way people, including young people,

    engage with the media is not at this sub-intellectual level?What if young people, though certainly subject to the

    power of the media to frame, form and determine some

    aspects of their lives, are also drawing on media texts moreproductively in their talk and their play?

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    Research

    What meaning and significance do young people

    give to the media with which they engage?

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    Play

    even when children try their hardest to match their own play behavior to that modeled for them bytelevisionthey are forced by their need for cooperation to make all kinds of compromises, such asbargaining for who takes the negative roles, deciding how they can adapt their unique power

    feelings to the scenario, devising costumes, weapons, gestures, and sequences. What they reproduceis a playful theatric adaptation. There is no tabula rasa. The point is, no matter what the culturalstimuli might be (toys or television shows), they have to be mediated by childrens fantasy in orderto be accepted, and adjusted to their play norms and social competence in order to be assimilatedinto the active theatric play forms of childhood. (Sutton-Smith, 1997: 154)

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    Resources and Constraints

    But they are also, like

    us, caught up in

    processes ofidentification and

    idealization that may

    be oppressive and

    limiting.

    Claims about the

    power of the media

    need to be qualified byattention to what

    children and young

    people themselves

    have to say about theirown media interests.

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    Old and New Media

    It is important to be wary ofcaricatures (cyber kids forexample) that construe wholegenerations as singularly

    devoted to just one, whethercelebrated or reviled, newlyemergent media form. Mediaeducation should be concernedwith both old and new forms,

    with their interconnectednessin young peoples lives andwith both the strengths and

    limits of what they know.

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    Media Education: Opportunities

    But the current UKapproach to teaching themedia also emphasizes

    and engages with youngpeoples enjoyment of themedia and seeks to furtherboth their enjoyment andtheir understanding

    through various forms ofstudent focusedproduction work.

    There is a continuing

    emphasis on a critical

    study of the media,

    making critique and

    analysis the rationale

    for, and priority of, a

    great deal of media

    education.

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    What does media education look like?

    Language

    Representation

    Production

    Audience

    How do we know what it means? How dothe media produce meanings? Media asconstructions.

    How does it present its subject? Media

    show a mediated version of the world.

    Who is communicating what and why?Economics and ideology of mediaindustries, organisations, institutions.

    Who receives it, and what sense do theymake of it? How are audiences identified,

    constructed, addressed and reached?

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    Conclusion

    The version of media education that I have presented to you does notabandon criticism of the media. But it does acknowledge the value ofyoung peoples experience of the media that interest them. It alsoemphasizes that teaching is not simply a matter of inculcating critical skills

    but must always engage with young peoples existing knowledge andinterests andfacilitate productive, enjoyable and exploratory forms of

    learning about the media.

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    Some References Buckingham, D. (2000)After the Death of Childhood: Growing up in the Age of Electronic Media, Cambridge:

    Polity.

    Buckingham, D. (2003) Media Education: Literacy, Learning and Contemporary Culture, Cambridge: PolityPress.

    Buckingham, D., Grahame, J. and Sefton-Green, J. (1995) Making Media: Practical Production in Media

    Education, London: The English and Media Centre.

    Buckingham, D. and Willett, R. (eds.) (2006)Digital Generations: Children, Young People, and the NewMedia, London: Routledge.

    Jenkins, H. (2006) Convergence Culture: Where Old and New Media Collide, New York: New York UniversityPress.

    Sutton-Smith, B. (1997) The Ambiguity of Play,Cambridge, Mass.: Harvard University Press.