Mary Poppins

Disney and

CAMERON MACKINTOSH

present

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Official PrOgram fOr BrOadway in detrOit at the detrOit OPera hOuse

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Proof: 11/15/10; 1:20PMLucidoPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12/16/10–1/2/11Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; [email protected]

the day-date

the l e a d e r ’ s w a t c h

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Lin-Manuel Miranda at the 2008 Tony Awards

Lin-ManueL Miranda: at the tony awards &

Lin-Manuel Miranda, who conceived the Tony Award-winning In the Heights and wrote the music and lyrics, is a new voice

with an old soul. The show is propelled by the rhythms of hip hop and Latin music–un-common sounds, to be sure, in musical the-ater–but the invigorating beat belies a musi-cal steeped in Broadway tradition.

In the Heights follows a close-knit com-munity of hard-working Latino immigrants as they strive for a better life; search for love; dream the American Dream; and create a ha-ven, a home. The central figure in the piece is Usnavi, who, like Tevye in Fiddler on the Roof, is both leading man and storyteller.

“Fiddler is in the DNA of Heights,” says Miranda. “If you look at our opening num-ber, it’s ‘Tradition’ with hip hop. It’s very deliberately modeled after ‘Tradition.’ Tevye speaks of ‘the circle of our little village,’ and in Heights, Usnavi starts with the business owners and widens the scope, moving on to the people who are important in his life. Fiddler is about a community where noth-ing’s changed for hundreds of years. Heights is about a community where everything is changing every day. And if we all come from different communities with our own tradi-

tions, what do we take with us, what do we keep? When Jerome Robbins was directing Fiddler, he said, ‘This show is about tradi-tion, and if there’s anything that doesn’t have to do with tradition, it’s out.’ For us, the watchword was ‘home.’ If there was any-thing in the show that didn’t have to do with the concept of home, we took it out.”

“I’m a lifelong New Yorker,” says Miran-da, “and one of the things I love about Wash-ington Heights is that it’s always been an immigrant neighborhood. In many ways, the show is a valentine to Washington Heights.”

It didn’t start out that way. Miranda be-gan writing In the Heights in his sophomore year at Wesleyan University in Middletown, Connecticut, and it was a very different show. “My high school sweetheart was going

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In the Heights tour full company Photo Joan Marcus 2009

the tony awardsIn the Heights received 2008 Tony Awards for: . Best Musical . Best original score written for the theatre,

Lin-Manuel Miranda. Best Choreography, Andy Blankenbuehler. Best orchestrations, Alex Lacamoire and

Bill Sherman

PBs tV special saturday, January 15Don’t miss the acclaimed PBS special “Great Performances: In the Heights—Chasing Broad-way Dreams” Saturday, January 15 at 9PM on Detroit Public TV WTVS, Channel 56 (subject to change; please check listings).

at the Fisher theatre February 1–13Tickets are on sale now for as low as $24 on se-lect performances by using the code TONY at the Fisher Theatre box office, charge by phone (800) 982-2787 or online at Ticketmaster.com. Groups of 12 or more call (313) 871-1132 or email [email protected].

abroad to study in the Dominican Republic. We’d been together for about four years, and this was my first time on my own. It was all about the angst I had over the relationship. The first version was not about community at all. That came later, when I moved back home, back into my neighborhood, and real-ized how much material was there.”

But his college effort was such a success that two Wesleyan seniors, Neil Stewart and John Mailer, who had plans to start a theater company, told Miranda that they wanted to help him bring In the Heights to New York.

“The credit for this show getting from Wesleyan to Broadway really goes to Tommy Kail,” says Miranda. “He’s an incredible di-rector. He’s excellent at making sure that ev-eryone’s writing the same show, which is one of the hardest things to do in musicals. Even before we had producers, he had us meet ev-ery Friday, bring in songs, bring in scenes, and pick them apart. There have been five different plots, and sixty cut songs. Writing this show was like my grad school degree.”

In the Heights opened off-Broadway on February 8, 2007, and was an instant hit with critics and audiences. It opened on Broad-way on March 9, 2008 where it won the 2008 Tony Awards for Best Musical, Best Score, Best Choreography and Best Orchestrations.

There is a consider-able amount of Span-ish spoken and sung in the show, but it’s not necessary to be bilin-gual to understand the thoughts and emotions expressed. “Most of our audience is your typi-cal, theatergoing audi-ence,” says Miranda. “The overwhelming majority of people who come to see our show don’t speak a word of Spanish. And they come away loving it. They understand it. We’ve taken great care to make sure you get everything in context. We’ve tried to use Spanish in the way that Je-rome Robbins used dance: when we get to a point where English won’t suffice, we break into Spanish.”

Miranda hopes that In the Heights en-ables audiences to appreciate his culture, his neighborhood, his community. “What I want most is for people to be aware of the neigh-borhood that I love. I think what’s universal about the show is that we’ve all had some-one in our lives who wanted us to do better. We’ve all had a place we call home, or we’ve yearned to find home.” n

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5200 Woodward Ave., Detroit

This exhibition has been organized by the Detroit Institute of Arts. Generous support has been provided by Chase. Additional support has been provided by the Michigan Council for Arts and Cultural Affairs, National Endowment for the Arts, and the City of Detroit.

November 21, 2010–April 10, 2011November 21, 2010–April 10, 2011

Members receive FREE tickets. Join today! 313.833.7971.

To purchase tickets, visit dia.org or the DIA Box Offi ce.

Don’t forget to bring your cell phone to access audio commentary on the exhibition.

Left: Tomb Guardian, about 1850–1929, terra cotta. Imitator of Chinese art, unknown culture. Formerly unknown artist, Northern Wei (Chinese, about 400). Collection of the Detroit Institute of Arts.Right: Portrait of a Young Woman, about 1880–1920, paint on panel. Italian imitator of Andrea Verrocchio. Formerly attributed, in order, to Leonardo da Vinci (Italian, 1452–1519); Andrea Verrocchio (Italian, 1435–1488); and workshop of Domenico Ghirlandaio (Italian, 1448–94). Collection of the Detroit Institute of Arts.

Discover how museum experts work behind the scenes—using science, technology and art historical research—to reveal the DIA’s greatest art mysteries.

©Dis

ney/

CML

A MUSICAL BASED ON THE STORIES OF P.L. TRAVERS AND THE WALT DISNEY FILM

Starring

CAROLINE SHEEN NICOLAS DROMARDwith

LAIRD MACKINTOSH BLYTHE WILSONRACHEL IZEN DENNIS MOENCH

ELLEN HARVEY MARY VANARSDEL MICHAEL McCARTYTALON ACKERMAN CADE CANON BALL CAMILLE MANCUSO PAIGE SIMUNOVICH

DEBRA CARDONA ERIC COLES MARK HARAPIAK GARETT HAWE MICHAEL DEAN MORGAN NICK SANCHEZQ. SMITH JACOB ben WIDMAR KIARA BENNETT ELIZABETH BROADHURST JONATHAN BRODY CAROL ANGELI DILLARD

CASE DILLARD ELIZABETH EARLEY STEFFI GARRARD GEOFFREY GOLDBERG ERIC HATCH TIFFANY HOWARDKELLY JACOBS SAM KIERNAN STEPHANIE MARTIGNETTI KOH MOCHIZUKI SHUA POTTER JESSE SWIMM JEN TAYLOR

Original Music and Lyrics by

RICHARD M. SHERMAN and ROBERT B. SHERMAN Book by

JULIAN FELLOWESNew Songs and Additional Music and Lyrics by

GEORGE STILES and ANTHONY DREWECo-created by

CAMERON MACKINTOSH

Produced for Disney Theatrical Productions by

THOMAS SCHUMACHER Music Supervisor Music Director

DAVID CADDICK JAMES DODGSONOrchestrations by

WILLIAM DAVID BROHN Sound Design Dance and Vocal Arrangements

STEVE CANYON KENNEDY GEORGE STILES Co-choreographer Lighting Design

STEPHEN MEAR HOWARD HARRISONScenic and Costume Design

BOB CROWLEYCo-direction and Choreography

MATTHEW BOURNEDirected by

RICHARD EYRE Makeup Design Associate Costume Designer Associate Scenic Designers Casting NAOMI DONNE CHRISTINE ROWLAND ROSALIND COOMBES TARA RUBIN CASTING & MATT KINLEY Associate Scenic Designer-US Technical Supervision Production Stage Manager Associate Producer BRYAN JOHNSON DAVID BENKEN JIMMIE LEE SMITH ANNE QUART

Original Direction Adapted byJAMES POWELL

Associate Choreographer and Original Choreography Adapted byGEOFFREY GARRATT

Tour Directed byANTHONY LYN

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CAST IN ORDER OF APPEARANCEBert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nicolas DromardGeorge Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Laird MackintoshWinifred Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Blythe WilsonJane Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Camille Mancuso or Paige SimunovichMichael Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Talon Ackerman or Cade Canon BallKatie Nanna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jen TaylorPoliceman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan BrodyMiss Lark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Debra CardonaAdmiral Boom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael McCartyMrs . Brill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rachel IzenRobertson Ay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dennis MoenchMary Poppins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Caroline SheenPark Keeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Dean MorganNeleus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Garett HaweQueen Victoria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ellen HarveyBank Chairman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael McCartyMiss Smythe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ellen HarveyVon Hussler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mark HarapiakNorthbrook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Eric ColesBird Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary VanArsdelMrs . Corry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Q . SmithValentine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Nick SanchezMiss Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ellen Harvey

ENSEmblEJacob ben Widmar, Kiara Bennett, Elizabeth Broadhurst, Jonathan Brody, Debra Cardona, Eric Coles,

Carol Angeli Dillard, Case Dillard, Steffi Garrard, Mark Harapiak, Eric Hatch, Garett Hawe, Tiffany Howard, Sam Kiernan, Stephanie Martignetti, Koh Mochizuki, Michael Dean Morgan, Shua Potter,

Nick Sanchez, Q . Smith, Jen Taylor

SWINGSElizabeth Earley, Geoffrey Goldberg, Kelly Jacobs, Jesse Swimm

UNDERSTUDIES(Understudies never substitute for listed players unless announced at the time of the performance)

Mary Poppins: ELIZABETH BROADHURST, STEFFI GARRARD; Bert: ERIC COLES, LAIRD MACKINTOSH, JESSE SWIMM;

George Banks: JONATHAN BRODY, MICHAEL DEAN MORGAN; Winifred Banks: ELIZABETH BROADHURST; STEPHANIE MARTIGNETTI;

Mrs. Brill: DEBRA CARDONA, JEN TAYLOR; Robertson Ay: JACOB ben WIDMAR, SHUA POTTER; Bird Woman: DEBRA CARDONA, Q . SMITH;

Miss Andrew/Queen Victoria/Miss Smythe: DEBRA CARDONA, Q . SMITH; Admiral Boom/Chairman: MARK HARAPIAK, MICHAEL DEAN MORGAN;

Mrs. Corry: KIARA BENNETT, JEN TAYLOR; Katie Nanna: KIARA BENNETT, ELIZABETH EARLEY, KELLY JACOBS; Miss Lark: ELIZABETH BROADHURST, KELLY JACOBS,

JEN TAYLOR; Neleus: ERIC HATCH, SHUA POTTER; Von Hussler: KOH MOCHIZUKI, JESSE SWIMM; Northbrook: GEOFFREY GOLDBERG, SAM KIERNAN;

Policeman: GEOFFREY GOLDBERG, MARK HARAPIAK, JESSE SWIMM; Park Keeper: JONATHAN BRODY, MARK HARAPIAK;

Valentine: JACOB ben WIDMAR, GEOFFREY GOLDBERG .

Dance Captains: Geoffrey Goldberg, Kelly Jacobs

mARY POPPINS ORCHESTRA Music Director/Conductor: James Dodgson

Assistant Conductor/Keyboard 1: D . Scott Ferguson; Associate Conductor/Keyboard 2: William Johnson; Substitute Keyboard: Chip Prince; Guitars: Justin Smith; Percussion: Mark O’Kain .

Trumpet 1/Flug./Cornet/Pic.: David Ammer; Trumpet 2/Flug./Cor.: Gordon Simmons; Tenor Trombone/Euph.: Greg Near; Bass Trombone/Tuba: Chris Hernacki; French Horn 1: Andrew Pelletier; French Horn 2: Carrie Banfield; Oboe / English Horn: Sally Pituch; Flute/Piccolo/Recorder: Laura Larson;

Clarinet/Bass Cl./Eb Cl.: J . William King; Cello: Nadine Deleury; Bass/Elect./Aucoustic: Clark Suttle; Percussion: John Dorsey; Detroit Opera House Music Contractor: Diane Bredesen

Caroline Sheen is appearing with the support of Actors’ Equity Association pursuant to an exchange program between American Equity and UK Equity .

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Proof: #5; 11/30/10; 4:17PMIn The HeightsPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12-16-10 to 1-2-11Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; [email protected]

about home, family and finding where you belong.

The Tony-Winning BesT Musical®

Fisher Theatre - Feb. 1-13Buy now & save! Tickets as low as $24* on select performances*use code Tony at Fisher Theatre box office, Ticketmaster.com & 800-982-2787

not valid on previously purchased tickets or with any other offer

Groups of 12+: [email protected] or 313-871-1132 Info: 313-872-1000 & BroadwayInDetroit.com • Broadway in Detroit

sponsored by your southeastern Michigan Lincoln dealers • DriveLM.com

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Don’T MIss “Great

Performances: In the Heights—Chasing

Broadway Dreams” sat. Jan. 15, 9PM* Detroit Public Tv

wTvs *subject to change

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mUSICAl NUmbERSMary Poppins takes place in and around the Banks’ household

somewhere in London at the turn of the last century.

ACT I“Chim Chim Cher-ee”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert“Cherry Tree Lane” (Part 1)* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George and Winifred Banks,

Jane and Michael, Mrs . Brill, and Robertson Ay“The Perfect Nanny” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jane and Michael“Cherry Tree Lane” (Part 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George and Winifred Banks, Jane, and Michael,

Mrs . Brill, and Robertson Ay“Practically Perfect”* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Poppins, Jane, and Michael“Jolly Holiday”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bert, Mary Poppins, Jane, Michael, Neleus, and the Statues“Cherry Tree Lane” (Reprise), “Being Mrs . Banks,”*

“Jolly Holiday” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George, Winifred, Jane, and Michael“A Spoonful of Sugar” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Poppins, Jane, Michael, Robertson Ay, and Winifred“Precision and Order”* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bank Chairman and the Bank Clerks“A Man Has Dreams”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Banks“Feed the Birds” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bird Woman and Mary Poppins“Supercalifragilisticexpialidocious”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mary Poppins, Mrs . Corry, Bert, Jane,

Michael, Fannie, Annie, and Customers“Playing The Game”* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Poppins, Valentine, and other Toys“Chim Chim Cher-ee” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert and Mary Poppins

ACT II“Cherry Tree Lane” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs . Brill, Michael, Jane, Winifred,

Robertson Ay, and George“Brimstone and Treacle” (Part 1)* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miss Andrew“Let’s Go Fly a Kite” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bert, Park Keeper, Jane, and Michael“Cherry Tree Lane” (Reprise), “Being Mrs . Banks” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George and Winifred“Brimstone and Treacle” (Part 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Poppins and Miss Andrew“Practically Perfect” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jane, Michael, and Mary Poppins“Chim Chim Cher-ee” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bert“Step in Time”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert, Mary Poppins, Jane, Michael, and the Sweeps“A Man Has Dreams,” “A Spoonful of Sugar” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .George and Bert“Anything Can Happen”* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jane, Michael, Mary Poppins, and the Company“A Spoonful of Sugar” (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Poppins“A Shooting Star”† . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra

SONG CREDITS“The Perfect Nanny,” “A Spoonful of Sugar,” “Feed the Birds” and “Let’s Go Fly A Kite” written by

Richard M . Sherman and Robert B . Sherman .

“Chim Chim Cher-ee,” “Jolly Holiday,” “A Man Has Dreams,” “Supercalifragi listicexpialidocious,” and “Step in Time” written by Richard M . Sherman and Robert B . Sherman, with new material by George Stiles and Anthony Drewe .

“Cherry Tree Lane,” “Practically Perfect,” “Being Mrs . Banks,” “Precision and Order,” “Playing The Game,” “Brimstone and Treacle” and “Anything Can Happen” written by George Stiles and Anthony Drewe .

WARNINGThe photographing or sound recording of any performance or the possession of any device for such

photo graphing or sound recording inside the theatre, without the written permission of the management, is prohibited by law . Offenders may be ejected and liable for damages and other lawful remedies .

*New Songs † Adapted Songs

THERE WILL BE ONE 15-MINUTE INTERMISSION

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CAROLINESHEEN

NICOLAS DROMARD

LAIRDMACKINTOSH

BLYTHEWILSON

RACHELIZEN

DENNISMOENCH

ELLEN HARVEY

MARY VANARSDEL

MICHAEL McCARTY

TALONACKERMAN

CADE CANONBALL

DEBRACARDONA

ERICCOLES

PAIGE SIMUNOVICH

CAMILLE MANCUSO

MARKHARAPIAK

GARETTHAWE

NICK SANCHEZ

Q. SMITH

MICHAEL DEANMORGAN

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JACOBben WIDMAR

KIARA BENNETT

ELIZABETH BROADHURST

JONATHANBRODY

CAROL ANGELI DILLARD

CASEDILLARD

ELIZABETHEARLEY

STEFFIGARRARD

GEOFFREY GOLDBERG

ERICHATCH

TIFFANY HOWARD

KELLY JACOBS

SAMKIERNAN

KOH MOCHIZUKI

STEPHANIE MARTIGNETTI

SHUA POTTER

JESSE SWIMM

JENTAYLOR

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Who’s Who in the CastCAROlINE SHEEN (Mary Poppins) Born in Wales . Theatre-West End and UK: Clara, The Light in the Piazza, (European Premiere), Mary, Mary Poppins, Susan, Once in a Lifetime, Philia, A Funny Thing Happened on the Way to the Forum, Truly Scrumptious, Chitty Chitty Bang Bang, Sandy, Grease, Eponine, Les Miserables, Jennifer, The Witches of Eastwick (Original Cast), Sophie(u/s) in Mamma Mia! (Original Cast), Florinda in Into the Woods. New York: Carrie, Three Sides, NYMF2006 . TV – “Hotel Babylon,” “Torchwood,” “Doctors,” and “Henry VII .” Concert performances at the Royal Opera House, Royal Albert Hall and the Wales Millennium Centre . Debut Album – “Raise The Curtain .” www .CarolineSheen .com

NICOlAS DROmARD (Bert). After playing the role of Fiyero in Wicked in San Francisco for the last year and a half, Nicolas is thrilled to come back to Mary Poppins and join this great company . Broadway: 3 . National Tours: 2 . Broadway North (Toronto): 2 . Regional shows: Yes . Astrological sign: Libra . Proud Canadian: YES! Nicolas would like to thank everyone who trained, guided, tutored and mentored him, Pete, Jed, Dave and Bruce at the Talent House, and he dedicates his perfor-mance to mom and dad . For more go to www .nicolasdromard .com . Proud Equity member . Much love to my GG .

lAIRD mACkINTOSH (George Banks) The Phantom of the Opera – Toronto (Raoul, Phantom u/s), The Drowsy Chaperone (Robert), White Christmas (Phil), Arcadia (Septimus) . Stratford Festival: My One and Only (Billy), South Pacific (Lieutenant Cable), Hello, Dolly! (Cornelius), Fuente Ovejuna (Leonelo), Into the Woods (Rapunzel’s Prince), Anything Goes (Lord Evelyn) and My Fair Lady (Freddy) . Other credits: World premiere of Earnest, the Importance of Being (Algernon), The Land of Smiles (Gustl), Opera Atelier, Houston Grand Opera, National Ballet of Canada .

blYTHE WIlSON (Winifred Banks) is delighted to be joining Mary Poppins. Most recently: Baroness in Andrew Lloyd Webber’s Toronto production of Sound of

Music. Recent: Milady/George Stile’s Three Musketeers, Donna/Mamma Mia!, Narrator/Joseph... Dreamcoat (National Tour) . Stratford Festival: Laurie/Oklahoma, Nancy/Oliver, Lucy/Three Penny Opera. Company member at the Shaw Festival . Other: Cathy/Last Five Years, Eva Peron/Evita (Betty Nominee), Faye/Anyone Can Whistle, Title Role/Mystery of Edwin Drood. Blythe lives in Toronto with her husband Mark .

RACHEl IZEN (Mrs. Brill). Rachel is mak-ing her US debut having appeared in count-less London West End shows including A Chorus Line (Maggie), Chicago (June), Guys and Dolls (Agatha), Singin’ in the Rain (Dora Bailey), Bitter Sweet (Gussie), Beauty and the Beast (Mrs . Potts), Annie (Miss Hannigan) and Thoroughly Modern Millie (Miss Flannery) . Regional productions include Gypsy (Rose), Sweeney Todd (Beggar Woman), The Winslow Boy (Miss Barnes), The Pajama Game (Gladys), Follies (Hattie), and The Witches of Eastwick (Felicia Gabriel) .

DENNIS mOENCH (Robertson Ay) is thrilled and honored to be touring with this incredible company . Broadway: Mary Poppins (Valentine/Robertson Ay u/s) . National Tour: All Shook Up (Dennis) . Off-Broadway: Altar Boyz (Abraham), Fame (Schlomo) . Regional Theatre: All Shook Up (Dennis, Jeff Award Nom .), Fiddler... (Motel), Hair (Woof) . BFA: NYU/Tisch . Visit dennismoench .com . Thank you Antz and everyone in the Disney family for this unbelievable opportunity; my fam-ily in NY, NC, and IA; and Eric, for saying “yes” . . . and for driving .

EllEN HARVEY (Miss Andrew, Queen Victoria, Miss Smythe) . Broadway: The Music Man, Thou Shalt Not . National Tours: Disney’s High School Musical (Ms . Darbus), Mamma Mia (Tanya), Doctor Dolittle, and Sunset Boulevard (Norma u/s) . Regional: Phantom (Carlotta) N .C . Theatre, Annie (Miss Han-nigan) Casa Mañana, No,No,Nanette (Lucille) Goodspeed, Beauty & The Beast (Wardrobe) Pittsburgh CLO… and many more . Film: The Producers, Music & Lyrics, The Hard Truth . Proud AEA member . www .ellenharvey .net

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Who’s Who in the Cast

mARY VANARSDEl (Bird Woman) . Off-Broadway: Cole Porter’s Paris . Regional: Mass and Camelot (with Jeremy Irons)– Hollywood Bowl; On The 20th Century (Reprise!); 110 In The Shade (Pasadena Play-house); Gypsy (Rose), Phantom (Carlotta), A Man of No Importance (Lily) and many more . TV/Film: In The Line of Fire, “LA Law,” “Melrose Place,” “Gilmore Girls,” etc . Thanks to Edward Sayegh (voice) and SCAW (Agents) . www .maryvanarsdel .com

mICHAEl mCCARTY (Admiral Boom/ Chair man). Broadway: Mary Poppins, To Be Or Not To Be, Oklahoma!, 42nd Street, Sweeney Todd, Big River, Teddy & Alice, Oliver!, Amadeus, King Of Hearts, Dirty Linen. Recent Nightmare Alley at L .A .’s Geffen and original L .A . run of Ragtime. Over 50 TV series, including current Father Clarence on “All My Children .” Many films including Robert Redford’s Legend Of Bagger Vance.

TAlON ACkERmAN (Michael Banks at certain performances) Equity/LORT: Disney’s Tarzan (Young Tarzan), Cats (Admetus), The Secret Garden (Collin Craven), Sleepy Hollow (Tom Brewer), Our Town (Wally Webb) . Regional: Seussical (Jojo), Beauty & the Beast (Chip), Peter Pan (Michael Darling) . Film/TV: “Daddy Day Camp” (Jack Mayhoffer), “One Good Man” (Michael Young), Disney Channel Feature Film Minutemen .

CADE CANON bAll (Michael Banks at certain performances), age 10,(AEA/SAG/AFTRA) is so excited to join the Mary Poppins National Tour! Credits: Seussical (Jo-Jo), A Christmas Carol (Tiny Tim), Sound of Music (Kurt Von Trapp), Narnia (Evil Dwarf); TV: CBS: “Medium” (boy) . A BIG thanks to Buchwald Talent Group and Dolores Cantu .

CAmIllE mANCUSO (Jane Banks at cer-tain performances) age 11, Columbus, Ohio; thrilled for her fourth National Tour: Chitty Chitty Bang Bang (Jemima), White Christmas (Susan), Little House on the Prairie (Ruby/Carrie-u/s) . Regional/Favorites: Music Man (Amaryllis), Annie (Molly), Sound of Music (Gretl), Charlotte’s Web (Wilbur) . National

Anthems: Rangers/Rockies . Thanks: Nancy Carson, Bob Marks, Jen Rudin, Lisa, Harriet, family . www .CamilleMancuso .com

PAIGE SImUNOVICH (Jane Banks at cer-tain performances), 13, is a proud member of AEA, SAG and AFTRA . Broadway and Cast Recording: Finian’s Rainbow (Diana); National Tours: 101 Dalmatians Musical (Ensemble, u/s Patch), Wizard of Oz (Lullaby Munchkin/Winkie); Favorites include: Annie (Annie), The Sound of Music (Marta), Rugrats (Larry); Voiceovers: Wonder Pets, Publix Supermarkets . www .paigesimunovich .com

DEbRA CARDONA (Miss Lark, Ensemble) . Broadway: A Christmas Carol; National Tours: My Fair Lady, Guys and Dolls, Fiddler on the Roof, Radio City Christmas Spectacular; Regional: The Light in the Piazza (Pioneer Theatre Company) Ragtime (Paper Mill Playhouse), Forbidden Broadway (Denver Center) . Love to Darin!

ERIC COlES (Northbrook, Ensemble) is thrilled to join the Mary Poppins family . Canada: Rock of Ages, The Producers, Kiss of the Spider Woman, Dirty Rotten Scoundrels, Man of La Mancha, Oklahoma!, Anyone Can Whistle. Love to Family, Friends, Alison, and The Great White North .

mARk HARAPIAk (Von Hussler, Ensemble) Five Seasons with the The Stratford Festival of Canada . Two seasons with The Shaw Festival, Arthur, Camelot (U .S Tour), Gaston, Beauty and The Beast, Jerry, Full Monty, Billy Bishop Goes to War. Mr . Harapiak is originally from Manitoba, Canada .

GARETT HAWE (Neleus, Ensemble) National Tour: The 101 Dalmatians Musical (Jerry Zaks, dir ., Warren Carlyle, chor .), Oklahoma!. Other: Babes in Arms (Larry, Randy Skinner, dir .), Sacramento Music Circus, North Shore Music Theatre . CCM 2009 . Thanks to Tara Rubin Casting, DGRW, family, and friends! www .garetthawe .com

mICHAEl DEAN mORGAN (Park Keeper, Ensemble) Disney’s The Lion King as Zazu; Disney’s Finding Nemo – The Musical (originated the role of Marlin); MFA from UC-Irvine . www .michael-morgan .com Only because of Shana .

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NICk SANCHEZ (Valentine, Ensemble). Broadway: Mary Poppins (Valentine), Tarzan, Rent (Angel u/s), Off-Broadway: Altar Boyz (Juan) . BFA from Marymount Manhattan College . Recent: Six Degrees of Separation (Paul), Original Disney’s High School Musical! workshops (Chad), XOXO Mom, Dad & family . Proud member of AEA .

Q. SmITH (Mrs. Corry, Ensemble). “For my brother Shannon–forever in our hearts .” Broadway: Les Misérables . Off Broadway/ Concerts: Fame: The Musical on 42nd Street, Carnegie Hall, Kennedy Center, soloist at Inaugural Breakfast . www .Qperstar .com . B .F .A . Ithaca College . Love to my parents! Psalm 27:4 .

JACOb ben WIDmAR (Ensemble) Broadway/ NYC: Xanadu (u/s Whoopi Goldberg,) Irving Berlin’s White Christmas, No, No, Nanette (Encores!) . Premiere works of Dancing in the Dark (Old Globe) and White Noise (La Petit) Performed at Goodspeed, Reprise!, Sacramento Music Circus, AMTSJ and more .

kIARA bENNETT (Ensemble) is supercali-fragilistically excited to be on stage with Mary Poppins! Recent Credits: Dream-girls 25th Anniv. (TOTS), The Wiz (Hangar), Broad way Bares (Roseland) . M .F .A Dance/Choreography (Smith College) . Thanks and Love to my amazing family, DDO Artists Agency, AEA .

ElIZAbETH bROADHURST (Ensemble) . Annie, 30th Anniversary Tour (Grace), Hair (European Tour), 1776 (Martha, Guthrie Theater), Two Gentleman of Verona (Baltimore Center Stage), The Producers (Ulla, Beef & Boards) . BFA; The Boston Conservatory . Love to Mom, Dad, Shaun, Corey, and Joey . More at www .elizabeth-broadhurst .com

JONATHAN bRODY (Policeman, Ensem-ble). Broadway: Spamalot, Titanic, Me and My Girl, Sally Marr...and her escorts. Tours: Spamalot, Funny Girl, My Fair Lady. Regional: Animal Crackers, Hamlet, Irma

Vep, Forever Plaid. TV: “Boardwalk Empire,” “Sondheim: A Celebration at Carnegie Hall,” “Porgy and Bess; an American Voice .”

CAROl ANGElI DIllARD (Ensem-ble). National Tour Debut! Favorite Regional Credits include: Miss Saigon (Kim), The Mistress Cycle (Ching)-Regional Premiere, Children of Eden (Yonah), Carousel (Louise u/s), West Side Story (Anita), Romeo and Juliet (Juliet), etc . Proud BFA Musical Theatre from Penn State! AEA . For My Casey .

CASE DIllARD (Ensemble): Broadway: Original Broadway Cast of Mary Poppins, workshop of Cry-Baby: The Musical. Regional: Footloose (Ren), Oklahoma (Curly), A Chorus Line (Bobby); Pittsburgh CLO season (Dance Captain) . BFA from Point Park University . Native of Little Rock, Arkansas . To Carol with love .

ElIZAbETH EARlEY (Swing) is thrilled to join this cast of Mary Poppins! Tours: Whistle Down the Wind, Beauty & the Beast. Regional: Ragtime (Kennedy Center), Bennett’s A Chorus Line (Cassie), Evita (Sacramento Music) . . . More at www .elizabethearley .com . BFA: NYU . Love & gratitude to my family, Jason & Judy Boals .

STEFFI GARRARD (Ensemble) Theater: Jacques Brel Is Alive and Well and Living in Paris at the Alliance Theater, three seasons at Pittsburgh CLO . Film/TV: They’re Out of the Business, “Gravity,” “I Can’t Believe I’m Still Single .” Training: BFA from Carnegie Mellon University .

GEOFFREY GOlDbERG (Swing, Dance Captain). Tours: Chitty Chitty Bang Bang, 42nd Street (Asia); New York: On The Town (benefit concert); Regional: Westchester Broadway, Carousel DT, Ordway Center . BFA, Tisch/ NYU . Love and thanks to fam-ily and friends . For mom and dad! www .geoffrey-goldberg .com

ERIC HATCH (Ensemble). Tour debut! Broadway: West Side Story 2009 Revival, Legally Blonde, Mary Poppins, and The Pirate Queen. Graduate of Point Park University . Thanks to the entire Disney family, especially Antz, whom I cannot thank enough, Charice, my family, and Dennis with whom I get to share this experience .

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TIFFANY HOWARD (Ensemble) is super excited about going on the road with Mary Poppins! National Tours: Fame, Smokey Joe’s Cafe, All Shook Up, Irving Berlin’s White Christmas . FSU grad . Love to family, friends, The Mine, my angel Mike, God for so many blessings!

kEllY JACObS (Swing, Dance Captain) is delighted to spread the magic of Mary Poppins! Favorite credits: Radio City Christmas Spectacular (NYC), Mame (Kennedy Center), Cats (Marri ott Theatre Lincolnshire), Camelot with Robert Goulet (Atlanta TOTS), Tokyo-Disney . Love to actor-husband, Adam, and her devoted family .

SAm kIERNAN (Ensemble) is thrilled to join this cast . National tours: Gypsy (Tulsa), Get up N’ Dance (Back-up Dancer) . Regional: Pirates! (Huntington Theatre), Oklahoma and High School Musical (Paper Mill Playhouse) . Special thanks to his family . Training: WHS/Arts Ed London .

STEPHANIE mARTIGNETTI (Ensemble) is thrilled to be a part of Mary Poppins! Tours: A Chorus Line (original cast, Maggie, u/s Cassie, Sheila, Val), Oklahoma! Regional: Hairspray (Amber), Forum (Philia), Bye Bye Birdie (Kim) . BFA, Penn State . Many thanks to CTG, parents, friends and family .

kOH mOCHIZUkI (Ensemble) is excited for his third production with Disney Theatricals after Aida (B’way) and Disney’s On the Record (Nat’l tour) . Regional: Carnival (Kennedy Center), Julie Taymor’s Grendel (Lincoln Center) . TV: The Today Show, Satur day Night Live . Love to family and David .

SHUA POTTER (Ensemble) has been seen across the country in shows such as Altar Boyz, Hairspray, West Side Story, and The Servant of Two Masters . He’s overjoyed to be tapping on rooftops with Miss Poppins her-self . Thanks to family, friends, and RSDIII .

JESSE SWImm (Swing) is proud to be a part of Mary Poppins . Tours: Cameron Mackintosh’s My Fair Lady, Guys and Dolls , West Side Story ,

Grease. Proud member AEA . Thanks The Mine . Thanks Mom and Dad for all their support!

JEN TAYlOR (Ensemble) is thrilled to be joining Mary Poppins! Broadway: The Apple Tree. 1st National tour: The Drowsy Chaperone. Associate Director/Choreographer of The Drowsy Chaperone at Ogunquit and MT Wichita . Jen is also a Pilates based personal trainer . www .pilates-byjentaylor .com Love to Mark .

JImmIE lEE SmITH (Production Stage Manager). B’way credits include; The Lion King, Satur day Night Fever, Jekyll & Hyde, Play On!, Street Corner Symphony . Tours include: Satur day Night Fever, Evita (20th Anniversary), Jesus Christ Superstar & Jam on the Groove .

JENN lYONS (Stage Manager) Tours include: The Lion King, Beauty and the Beast, Cinderella, Show Boat and The Who’s Tommy. New York: The Little Mermaid, Roundabout Theater and Circle Rep . Happy to be on tour with her husband Mike and their little gypsy Madeline .

lORI bYARS (Assistant Stage Manager) Fourteen years on the road with Grease, Jersey Boys, Lion King, 42nd Street, Tallulah, Rugrats, Yankees, Spider Woman. Fundraising coordinator and Easter Bonnet designer for Broadway Cares/Equity Fights AIDS for the last eight years . www .broadwaycares .org

mOllY mEG lEGAl (Assistant Stage Manager) Broadway (Chicago Company): Jersey Boys. National Tours: Billy Elliot, the Musical; 30th Anniversary Tour of Annie; Cameron Mackintosh’s Oliver!; and Love, Janis. She is also a 9 year member of the Weathervane Theatre in NH including: Sideshow, Ragtime, and Smokey Joe’s Café.

P.l. TRAVERS (Author of the Mary Poppins stories) was born in 1899 in Australia in a residence above the bank where her father was branch manager . She began to write while a member of a touring stage company . In 1924, able to support herself as a journalist, she left Australia for England . She wrote a number of other books in addition to the Mary Poppins stories . She was fascinated by myth and fairy tales and traveled widely, living for a time

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In 1927, a reporter for the New York Tele-graph asked reporter turned playwright Maurine Watkins to talk about how she came up with the story for the original

play Chicago. She responded, “I’ll tell you. But don’t you love a good murder?”

Watkins nabbed her first job as a reporter with the Chicago Tribune immediately after college earning more than double a starting ‘cub’s’ wage. Capturing the eye of her edi-tors, she was quickly assigned a beat cover-ing Chicago’s murders. Her popular, colorful reports won her assignments and more ink.

When asked about it, she told the New York Telegraph, “I got to the point where I prayed for murders. Not that you have to pray

very long in vain in Chicago. But I prayed for good murders, and then I prayed that I would be sent out on murders. When I realized I was getting a murder-story complex, I quit. But I doubt if I’ll ever outgrow my love for murders. That’s why I wrote this play about them.”

With a series of fascinating stories about powerful, beautiful murderesses given to her from the pages of real life, she did what any good writer does, she penned them into an edge-of-your-seat story, the story of Chicago.

Almost fifty years after its premiere, Fred Ebb, John Kander, and Bob Fosse took Watkins fascinating play and turned it into Chicago: A Musical Vaudeville. The show

Don’t you love

a good murder?83 years, 23 countries, & more than 60 awards say yes.

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Brenda Braxton & Company in “All That Jazz” Photo: © Paul Kolnik

opened on Broad-way in June of 1975 and ran for more than 900 days gar-nering mixed re-views. The musical was nominated for more than ten Tony® Awards (includ-ing Jerry Orbach for Best Actor), two Drama Desk awards, and three Olivier awards. While the original production of A Chorus Line cap-tured most of the 1975/76 Tonys, the musical won the 1975 Drama Desk award for Outstanding Lighting Design. After a short London production, the musical closed and lay silent for nearly twenty years.

In 1996 New York City Centre’s Encores! program, which takes rarely heard works of America’s most important composers and lyricists and gives them a chance to be per-formed, selected Chicago for its three-show season. After an enthusiastic reception, pro-ducers Barry and Fran Weissler had the re-vival up and on stage at the Richard Rodgers Theatre on November 14, 1996. The show soon moved to the Shubert Theatre where it played until 2003 when it became a New York institution at the Ambassador Theatre on Broadway.

Since its revival, it’s hard to believe that such a dramatic and award winning piece of American musical history was once con-sidered “rarely heard.” After eleven record-breaking years on Broadway, the current revival has been performed in twenty-three countries, translated into ten languages and been graced by an incredible number of top stars.

With over 16,000 performances for more than 18 million people, Chicago has grossed more than $850 million. That’s a far cry from cub reporter Maurine Watkins’ $50 a week salary to pen the exploits of murder, greed, corruption, violence, exploitation, adultery and treachery. A salacious story in 1926, sul-try musical in 1975 and show stopping block-buster today, the tales of Roxie Hart, Velma Kelly and Billy Flynn seem like they could

be taken from today’s tabloid newsstand. It appears that the answer to Watkin’s “Don’t you love a good murder?” is a most resound-ing, Yes, yes we do. n

some of the awards…

• Grammy award for Original Cast Recording

• Six tony® awards including Musical Revival

• Five drama desk awards

• Five outer Critics’ Circle awards

• Eighteen International Theater Awards

some of the stars… who have made Chicago a classic: Bebe Neuwirth, Ann Reinking, James Naughton, Joel Grey, Jasmine Guy, Sharon Lawrence, Marilu Henner, Sandy Duncan, Michael C. Hall, Wayne Brady, Melanie Griffith, Paige Davis, Jennifer Holliday, Robert Urich, Alan Thicke, Angie Stone, Taye Diggs, Vicki Lewis, Brooke Shields, Kevin Richardson, Huey Lewis, Robin Givens, John O’Hurley, Usher, Lisa Rinna, Harry Hamlin, Aida Turturro, Vincent Pastore, Brian McKnight, & John Schneider.

ChICaGo at the fisher theatre for one week only march 8–13. Tickets are on sale now at the Fisher Theatre box office, charge by phone (800) 982-2787 or at Ticketmaster.com. Groups of 12 or more email [email protected] or call (313) 871-1132.

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with the Navajo . She was made “writer in residence” at both Smith and Radcliffe colleges in Massachusetts and also received an honorary doctor ate from Chatham College, Pittsburgh . She died in London in 1996 .

DISNEY (Producer). Since its founding in 1923, the Walt Disney Company has become a world leader in creating high quality family entertain-ment . Under the direction of president and CEO Robert A . Iger, the company’s diverse entertain-ment interests now include film, theatre, television, radio, home entertainment and music, as well as world-renowned theme parks and resorts . Mary Poppins, one of the most successful films in the company’s history, was released in 1964 20 years after Walt Disney first tried to secure the film rights to the P .L . Travers stories . The film was a phenomenal achievement, earning five Academy Awards®‚ including Best Music and Best Song, and remains one of Disney’s most enduring and best-loved films . DISNEY THEATRICAL PRODUCTIONS, a division of The Walt Disney Studios, was formed in 1994 and operates under the direction of Thomas Schumacher . With 15 pro-ductions currently produced or licensed by DTP worldwide, a Disney musical is being performed professionally somewhere on the planet virtually every hour of the day . The company’s inaugural production, Beauty and the Beast, opened in 1994 . It played a remarkable 13 year run on Broadway and has been produced in 28 countries worldwide . In November 1997, Disney opened The Lion King, which received six 1998 Tony® Awards including Best Musical and continues in its 14th smash year, having welcomed over 50 million visitors worldwide . In addition to its 3 North American productions, it can currently be seen in London, Hamburg and Tokyo with Singapore to open in 2011 . Elton John and Tim Rice’s Aida opened on Broadway next, winning four 2000 Tony® Awards, running for four-and-a-half years and spawning productions around the world . Mary Poppins, a co-production by Disney and Cameron Mackintosh, opened in London in 2004 and has established itself as one of the biggest stage musi-cal successes to emerge in recent years . The Tony Award®-winning Broadway production opened in 2006 at Disney’s New Amsterdam Theatre, where it continues to delight audiences . Mary Poppins can also be seen on tour across North America, in

Holland and Australia with four more productions scheduled to open this year . Tarzan®, which opened on Broadway in 2006, is now an international hit with an award-winning production in Germany and a record-setting one in Holland that closed in May 2009 . In January 2008, The Little Mermaid opened on Broadway and was the #1-selling new musical of that year, completing its run in August 2009 . In addition to producing musicals, DTP licenses stage performance rights to more than a dozen Disney musicals around the world through Music Theatre International .

CAmERON mACkINTOSH (Producer and Co-Creator) has been producing shows for more than 40 years, during which time he has put on hundreds of productions around the world including Cats, Les Misérables, The Phantom of the Opera–the three longest-running musicals of all time–and Miss Saigon . He has also produced Little Shop of Horrors, Side by Side by Sondheim, Follies, Martin Guerre, The Witches of Eastwick and acclaimed revivals of My Fair Lady, Oklahoma! and Oliver! His latest production of Oliver! has just opened at London’s historic Theatre Royal Drury Lane with Rowan Atkinson starring as Fagin, leading a huge company and orchestra of more than 100 . His recent musical co-produced with Disney, Mary Poppins (a subject that he has wanted to do for more than 30 years), has been an enormous success in London and on Broadway . An international touring production is touring the UK this spring followed by productions in Amsterdam and Sydney . Phantom is now the longest-running production in Broadway history; in 2006 Les Misérables overtook the previous record holder, Cats, to become the longest-running musical in the world and is now in its 24th year at the Queen’s Theatre in London . New productions of Les Misérables are continually opening all over the world, and an international touring company will open at the end of 2009 in a new staging, followed by a U .S . tour in 2010 . Miss Saigon in a new production is a success all over again, with several inter national companies opening around the world . Cameron owns seven theatres in London’s West End–the Prince of Wales, Gielgud, Queens, Wyndham’s, Noël Coward, Novello and Prince Edward–nearly all of which have undergone spectacular refur-

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bishment . In 1995 his company received the Queen’s Award for Export Achievement, and he was knighted in the 1996 New Year’s Honours for his services to British theatre . He is president of the Royal Scottish Academy of Music and Drama and in 1990 he endowed the Chair of Contemporary Theatre at St . Catherine’s College, Oxford, where he is also an Honorary Fellow and Member of the Court of Benefactors . In 2006 he received the national Enjoy England Award for Excellence for Outstanding Contribution to Tourism .

THOmAS SCHUmACHER (Producer and President, Disney Theatrical Group) Since 1988, Thomas Schumacher has worked with The Walt Disney Company setting new stan-dards of excellence in film, television and theatre . Currently, he serves as President of Disney Theatrical Group where he oversees the development, creation and execution of all Disney live entertainment around the globe including Broadway, touring and licensed pro-ductions, as well as Disney on Ice and Disney Live! shows produced in partnership with Feld Entertainment . His Broadway, West End, touring and international production credits include Beauty and the Beast, King David, The Lion King, Der Glockner von Notre Dame, Elton John and Tim Rice’s Aida, On the Record, High School Musical, TARZAN®, Mary Poppins and The Little Mermaid along with several new projects currently in devel-opment . Disney Theatrical Group has an unprecedented global reach with over 25 Disney produced and licensed productions performing daily around the world . Intensely passionate about theatre from an early age, Schumacher recognized the impact that theatre has on the lives of young people and developed a licensing program with Music Theatre International to make select Disney theatrical titles available for performance in schools and amateur theatres throughout the world . Schumacher’s career at Disney began in Walt Disney Feature Animation producing the animated classic The Rescuers Down Under. He was ultimately named President and over-saw some 21 animated features including The Lion King, The Nightmare Before Christmas,

Pocahontas, The Hunchback of Notre Dame, Mulan, Tarzan, and Lilo & Stitch, as well as working closely with Pixar on their first five films . Prior to joining Disney, he was associate director of the 1987 Los Angeles Festival of Arts, presenting the American premiere of Cirque du Soleil and the English-language premiere of Peter Brook’s The Mahabharta. Previously, he spent five years on staff at the Mark Taper Forum, served as a line producer on the 1984 Olympic Arts Festival, and served as assistant general manager of the Los Angeles Ballet . Mr . Schumacher is the author of the book “How Does the Show Go On? An Introduction to the Theater” as well as a member of the Board of Trustees for Broadway Cares/Equity Fights AIDS, the Tony® Administration Committee and the Advisory Committee of the American Theatre Wing . He is mentor for the TDF Open Doors program and serves as an adjunct professor at Columbia University .

RICHARD m. SHERmAN & RObERT b. SHERmAN (Original Music & Lyrics) . Honors include two Oscars® (Mary Poppins), nine Oscar® nominations, three GRAMMY® Awards, 24 gold/platinum albums, a star on Hollywood’s Walk of Fame and induction into the Songwriters Hall of Fame . Early hits, including “You’re 16” and “Tall Paul,” led to a long-term association with Walt Disney and more than 150 songs for Disney films, TV and theme parks (“It’s a Small World” being the world’s most translated and performed song) . Their Disney film credits include The Jungle Book, The Parent Trap, Bedknobs & Broom-sticks, Winnie the Pooh, The Aristocats and The Tigger Movie . Other films: Chitty Chitty Bang Bang, Tom Sawyer, The Slipper and the Rose, Charlotte’s Web and Beverly Hills Cop 3 . Stage credits include Over Here!, Chitty Chitty Bang Bang (London, Broadway, UK tour), Busker Alley, Mary Poppins (London and Broadway) .

JUlIAN FEllOWES (Book). A British, Oscar®-winning screenwriter, Julian is also an actor and director . He studied at Ampleforth College, Yorkshire and Magdalene College, Cambridge . His first script for cinema, Gosford Park (2001), won him the Best Original Screenplay Oscar®, plus honors from

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the Writers Guild of America, among others . He received the National Board of Review’s Best Directorial Debut Award for the film Separate Lies, based on his own screen-play . He most recently wrote and directed the feature film From Time To Time starring Maggie Smith . His other projects include the books Snobs and Past Imperfect, the televi-sion series, Downton Abbey, and the scripts for Vanity Fair, The Young Victoria and The Tourist.

GEORGE STIlES (New Songs, Additional Music, Dance & Vocal Arrangements) . Stiles and Drewe’s musical Honk! won London’s Olivier Award for Best New Musical (2000) and has since been seen in more than 2,000 productions worldwide . Their other shows include Just So (North Shore Music Theatre), Peter Pan, Tutankhamun and Soho Cinders . George’s new musical The Three Musketeers, with lyrics by Paul Leigh and book by Peter Raby, recently played at the Chicago Shake-speare Theater . Other work includes the scores for Sam Mendes’ Twelfth Night and Uncle Vanya (BAM), musical adaptations of Tom Jones and Moll Flanders, songs for the RSC’s Shakespeare Revue and a blissful spell as Dame Edna’s pink pianist and resident comp-oser . Mary Poppins marks his Broadway debut . www .StilesAndDrewe .com

ANTHONY DREWE (New Songs & Addi-tional Lyrics) . During his 23-year writing collaboration with composer George Stiles, Anthony has written the book and lyrics for Tutankhamun, Just So, Soho Cinders, the multi award-winning Honk! and the lyrics for Peter Pan - A Musical Adventure (book by Willis Hall) .With composer Tony Hatch, he wrote lyrics for The Card and, with Singaporean composer Dick Lee, the lyrics for A Twist of Fate . Work as a director includes Snoopy, Honk! (South Africa, Chicago, Tokyo and Singapore) and Just So (North Shore Music Theatre and Chichester Festival Theatre) . As a performer, recent work includes Rogues to Riches, The Three Musketeers and A Twist of Fate . Mary Poppins marks his Broadway debut . www .StilesAndDrewe .com

RICHARD EYRE (Director) was director of the Royal National Theatre (1988-1997) . He has directed many classics and new plays by David Hare, Christopher Hampton, Tom Stoppard, Alan Bennett, Trevor Griffiths, Tony Harrison and Nicholas Wright . He directed Arthur Miller’s The Crucible on Broadway in 2001 and Hedda Gabler in the West End in 2006 . He has won five Olivier Awards, four Evening Standard Awards, three Critics Circle Awards and a Lifetime Achievement Award from the Directors Guild . He has directed many award-winning films for TV and four feature films: The Ploughman’s Lunch, the Oscar®-nominated Iris (which he co-wrote), Stage Beauty and Notes on a Scandal with Judi Dench and Cate Blanchett .

mATTHEW bOURNE (Co-Director & Chor -eog rapher) . Widely hailed as the UK’s most popular and successful choreographer/ director, Matthew is the creator of the world’s longest-running ballet production, a five-time Olivier Award winner and the only British director to have won the Tony Award® for both choreog-rapher and director of a musical . He is Artistic Director of New Adventures, which has created an enormous new audience for dance with its groundbreaking dance/theatre productions Nutcracker!, Highland Fling, Swan Lake, Cinderella, The Car Man and Play Without Words . Musical theatre includes Oliver!, My Fair Lady (Olivier Award), South Pacific and Mary Poppins (Olivier Award) . Matthew’s latest production, Edward Scissor hands, based on Tim Burton’s classic film, is currently touring the U .S . www .MatthewBourne .org

bOb CROWlEY (Scenic and Costume Design) is an associate of the National Theatre . He has designed more than 50 productions in London for the National, Almeida, Donmar, Royal Shakespeare Company, Royal Ballet and Royal Opera House including Mary Poppins (London Evening Standard Award) . In New York for Lincoln Center Theater: The Coast of Utopia (Tony®, Drama Desk Awards), Carousel (Tony Award®), Hapgood, The Invention of Love (Tony® nomination, Drama Desk Award), Twelfth Night (Tony® nomination) . The Public Theater: The Seagull . On Broadway: The Cape man (Tony® nomination), The Iceman Cometh (Tony® nomination), Sweet Smell of

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Success, Disney’s Aida (Tony Award®), The History Boys (Tony Award®), Mary Poppins (Tony®, Drama Desk Awards) . In addition, he directed and designed Tarzan® (Broadway, The Netherlands).

STEPHEN mEAR (Co-Choreographer) . Broadway: The Little Mermaid (world prem-iere in Denver), Mary Poppins (Tony®‚ Drama Desk and OCC nominations) . London: Mary Poppins (Olivier Award for Best Choreography with Matthew Bourne), On the Town (Eno), Acorn Antiques, Tonight’s the Night, Anything Goes (What’s On Stage Award, Olivier Award for Outstanding Musical Production), Singin’ in the Rain (What’s On Stage Award, Olivier nomination), Soul Train (Olivier nomination), Witches of Eastwick (co-choreographer with Bob Avian) . Regional theatre: Just So, How to Succeed…, Putting It Together, Bouncers, Shakers, Honk, Snoopy, Half a Sixpence. Opera: Don Giovanni (Royal Opera House) . Music videos: “Number One” (Goldfrapp), “The Importance of Being Idle” (Oasis) .

HOWARD HARRISON (Lighting Designer) . Recent Broadway: Mamma Mia! (also Japan, Hamburg, Stuttgart, Moscow, Toronto, Madrid, Stockholm, Australia and national tour), Cat on a Hot Tin Roof, Putting It Together. Recent West End: Mary Poppins, Mamma Mia!, Guys and Dolls, Rock ‘n’ Roll, Donkeys’ Years, Edward Scissorhands, Heroes, Suddenly Last Summer, Skellig, The Master Builder, Oleanna, Ragtime, The Witches of Eastwick. Opera includes Aida, Il Trovatore and I Masnadieri (Royal Opera, Covent Garden), The Makro pulos Case, Nabucco (Metropolitan Opera) . Howard has been nominated seven times as Best Lighting Designer for the Laurence Olivier Awards and received the Australian Green Room Award in 2001 for his work on Mamma Mia!

STEVE CANYON kENNEDY (Broadway Sound Designer) was the production engineer on such Broadway shows as Cats, Starlight Express, Song & Dance, The Phantom of the Opera, Carrie and Aspects of Love . His Broad way sound design credits include Mary Poppins, The Lion King, Jersey Boys (Drama Desk Award), Billy Crystal’s 700 Sundays, Hairspray, The Producers, Aida, Titanic, Big,

How to Succeed in Business Without Really Trying, Carousel and The Who’s Tommy (Drama Desk Award) . Steve is married to actress Loni Ackerman and together they have two sons, Jack and George .

WIllIAm DAVID bROHN (Orchestra-tions) received the 1998 Tony Award® (Best Orchestrations) for Ragtime and Drama Desk awards for both Miss Saigon and The Secret Garden in 1991 . Other Broadway musicals he has orchestrated are Crazy for You, Carousel, Show Boat, Oklahoma!, Sweet Smell of Success and Wicked. After Cameron Mackintosh commissioned Brohn to orchestrate Miss Saigon (1989) for London’s Drury Lane Theatre, the association continued with Oliver!; Witches of Eastwick; Martin Guerre; and Hey, Mr. Producer! and co-productions at the National Theatre of Carousel, Oklahoma!, My Fair Lady and South Pacific. Brohn’s output includes arrangements for solo singers and instrumentalists, choruses, ballet companies and symphony orchestras .

DAVID CADDICk (Music Supervisor) has been the music director of numerous London and Broadway musicals including Evita, Cats, Song & Dance, Starlight Express, The Phantom of the Opera, Miss Saigon and Sunset Boule-vard. He was Executive Producer for Cameron Mackintosh’s Broadway production of Okla-homa! and music director for the world premiere of Stephen Sondheim’s Bounce . Music Direc-tor for the film of Evita starring Madonna . He won a GRAMMY® Award for producing the complete symphonic recording of Les Misér-ables and received nominations for the cast albums of A Chorus Line and South Pacific; he also produced the cast albums of Oliver, Okla-homa! My Fair Lady and Mary Poppins.

JAmES DODGSON (Music Director) . Music Director on over 45 productions for the Royal Shakespeare Company . Royal National Theatre: Oh What a Lovely War, The Villains Opera. London’s West End: The Phantom of the Opera, Mary Poppins, The Secret Garden, On a Clear Day, Peter Pan (with The Royal Philharmonic Orchestra) . Tours: Beauty and the Beast, Miss Saigon, Chicago. Many theater compositions .

NAOmI DONNE (Makeup Designer) . Films include License to Kill, The Crucible, Object of My Affection, Six Degrees of Separation,

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The Russia House, Little Women, Chocolat (BAFTA nomination), Zoolander, The Royal Tennenbaums (Hollywood Makeup Guild Award), Meet the Fockers, The Producers . London theatre: Song & Dance, Follies, Star-light Express, Mary Poppins; New York: Sweet Smell of Success, Elton John and Tim Rice’s Aida, Nine, Tarzan® .

CHRISTINE ROWlAND (Associate Cos-tume Designer) has worked extensively in the UK both at the National Theatre and the Royal Shakespeare Company, as well as on several musicals including Carousel, and My Fair Lady . Mary Poppins is the 24th produc tion she has worked on with Bob Crowley .

ROSAlIND COOmbES (Associate Scenic Designer). Mary Poppins–UK tour designer . Associate designer to Bob Crowley for London and Broadway along with Tarzan®, The Cape-man and Sweet Smell of Success (Broad way), The Witches of Eastwick (London) and The History Boys (NT and Broadway) . Other designers assisted include John Napier, Maria Bjornson, Paul Brown and Ian MacNeil .

mATT kINlEY (Associate Scenic Designer). Since leaving the National Theatre five years and forty productions ago, he has been an associate designer on shows including The Woman in White, My Fair Lady (UK and US Tours), Chitty Chitty Bang Bang (UK Tour), Les Misérables (Broadway revival/Holland), Equus (West End), Mary Poppins (UK/US/ AUS/Holland Tours) . Matt is currently devel-oping a new scenic and video design for a new Les Misérables international tour .

ANGElA CObbIN (Wig Creator) . Angela’s international career includes Madame Tussauds, Royal Opera House, Royal Company . National Theatre: Guys and Dolls, Madness of King George, Porgy and Bess. West End: The Graduate, Chicago, The Ice-man Cometh, Jesus Christ Superstar, Witches of Eastwick, Mary Poppins (London) .

GEOFFREY GARRATT (Associate Chor-eog rapher). Geoffrey’s Choreographic credits include Witches of Eastwick (UK Tour), Jack and the Beanstalk (Barbican), Blues in the Night (West Yorkshire Playhouse),

Fascinating Aida (UK Tour), Little Shop of Horrors (West Yorkshire Playhouse) and Jack and the Beanstalk (Opera House, Belfast) . Associate choreographic credits include the recent revival of Oliver! (West End), Mary Poppins (West End, Broadway and UK Tour), Miss Saigon (including recent productions in Australia, Korea and Brazil) The Witches of Eastwick (West End and Australia), South Pacific (National Theatre) and Dance Captain for Martin Guerre and Cats.

ANTHONY lYN (Tour Director) . Train ing: RWCMD, Cardiff . London theatre includes Anything Goes; Oklahoma!; Joseph…; Les Misérables; Damn Yankees; Miss Saigon; Hey, Mr. Producer!; The Lion King; and five royal performances . Lectured at Royal Acad emy, Actors Centre and Duke . Recently, world wide associate director of The Lion King and associate director of Mary Poppins on Broadway .

DAVID bENkEN (Technical Director) has supervised the technical aspects of numerous Broadway and touring productions around the world . Broadway credits include: The Little Mermaid, Mary Poppins, The Lion King, The Seafarer, The History Boys, The Woman in White, The Boy From Oz, Jumpers . National Tours: The Lion King, The Producers, Beauty and the Beast (US & UK), Kiss me Kate, Miss Saigon, Peter Pan, Les Misérables (US & UK) . Las Vegas: The Lion King, Phantom, The Producers, We Will Rock You . International: Dreamgirls Korea .

TARA RUbIN CASTING (Casting) . Broad-way: Pirate Queen, Les Misérables, History Boys, Spamalot, Jersey Boys, …Spelling Bee, The Producers, Mamma Mia!, Phantom…, Good Vibrations, Bombay Dreams, Oklahoma!, Flower Drum Song, Imaginary Friends, Metamorphoses . LCT: The Frogs, Contact, Thou Shalt Not, A Man of No Importance . Off-Broadway: Second Stage . Regional: Wil-liams town, Kennedy Center, La Jolla,Yale Rep . Film: The Producers.

Proof: #3, 11/22/10; 6:48PMBurn the FloorPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12-16-10 to 1-2-11Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; [email protected]

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Opening Night - December 17, 2010

STAFF FOR MARY POPPINS

COMPANY MANAGER . . . . . . . . . . . . . . . . STEVE LUKENSAssistant Company Manager . . . . . . . . . . . . Emily PowellShow Accountant . . . . . . . . . . . . . . . . . . . . . . . Joy SimsProduction Stage Manager . . . . . . . . . . Jimmie Lee SmithStage Manager . . . . . . . . . . . . . . . . . . . . . . . Jenn LyonsAssistant Stage Managers . . . . . . . . . . . . Molly Meg Legal,

Lori ByarsDance Supervisor . . . . . . . . . . . . . . . . . . . . .Brian CollierDance Captains . . . . . . . Geoffrey Goldberg, Kelly JacobsAssistant Director . . . . . . . . . . . . . . . . . . . . Corey AgnewProduction Manager . . . . . . . . . . . . . . . . Eduardo CastroAssistant to Associate Producer . . . . . . . . . Kerry McGrathProduction Assistants . . . . . . . . . . .Nikki Lint, Alicia Quirk

NATIONAL PRESS REPRESENTATIVE . . SCOTT A . HEMERLING

Assistant Costume Designer/ Production Wardrobe Supervisor . . . . . . . . . . .Helen Toth Wig Creator . . . . . . . . . . . . . . . . . . . . . . . . Angela CobbinProduction Hair Supervisor . . . . . . . . . . . . . . Gary MartoriIllusions Designer . . . . . . . . . . . . . . . . . . Jim SteinmeyerAssociate Lighting Designer . . . . . . . . . . . . Kristina KlossAssistant Lighting Designer . . . . . . . . Catherine CostanzoLighting Programmers . . . . . . . Joe Allegro, Chris HermanAssociate Sound Designer . . . . . . . . . . . . Andrew KeisterAssistant to the Wig Creator . . . . . . . . . . . . .Laura SolariHead Carpenter . . . . . . . . . . . . . . . . . . . . . . Michael NyeAutomation Carpenter . . . . . . . . . . . . . . . . . . Chad RoweAssistant Carpenter/Flyman . . . . . . . . . . . .Michael MueryAssistant Carpenter . . . . . . . . . . . . . . . . . . . . . .Luke NyeAdvance/Swing Carpenter . . . . . . . . . . . . . . . Bryan OdarProduction Electrician . . . . . . . . . . . . . . . Jimmy MaloneyHead Electrician . . . . . . . . . . . . . . . . . . . . . Vincent GogaAutomated Lighting Technician . . . . . . . . . . . Bruce TyrrellAssistant Electrician . . . . . . . . . . . . . . . . . . . Adam GrantAdvance/Swing Electrician . . . . . . . . . . . . David TrovarelliHead Propman . . . . . . . . . . . . . . . . . . . . . .Roger SnyderAssistant Props . . . . . . . . . . . . . . . . . . . . . Jill B . GounderProduction Sound Engineer . . . . . . . . . . . Walter TrarbachHead Sound . . . . . . . . . . . . . . . . . . . . . . . .Steve RogersAssistant Sound . . . . . . . . . . . . . . . . . Timothy W . RicheyWardrobe Supervisor . . . . . . . . . . . . . . . . . . .John FurrowAssistant Wardrobe Supervisor . . . . . . . . Elizabeth BradyStar Dresser . . . . . . . . . . . . . . . . . . . . . . . . . . Fran CurryAdvance Wardrobe . . . . . . . . . . . . . . . . . . . . Todd CantrellWardrobe Assistant . . . . . . . . . . . . . . . . . . Sandy WildingAssistant Hair . . . . . . . . . . . . . . . . . . . . Christina CarlsonMake-Up Supervisor . . . . . . . . . . . . . . . . Cheryl ThomasChild Guardian . . . . . . . . . . . . . . . . . . . . . . . Kim TobashDialect Coach . . . . . . . . . . . . . . . . . . . . . Christine Adaire

Music Copyist . . . . . . . . . Dakota Music & Emily GrishmanKeyboard Programming . . . . . . . . . . . . . . Stuart Andrews

MUSIC COORDINATOR DAVID LAI

Production Co-Counsel . . . . . . . . . . . . . F . Richard PappasCasting Directors . . . . . . . . . . . . Tara Rubin, Eric WoodallChildren’s Tutoring . . .On Location Education, Kim TobashPhysical Therapy . . . . . . Neuro Tour Physical Therapy, Inc .Medical Director . . . . . . . . . . . . Hugh C . McLeod, III M .D .Tour Booking Consultant . . . . . . . . . . . . .Steven SchneppProduction Photography . . . . . . . . . . . . . . . . Joan MarcusProduction Travel . . . . . . . . . . . . . . . . . . . . . . Jill L . CitronPayroll Manager . . . . . . . . Anthony DeLuca, Cathy GuerraCorporate Counsel . . . . . . . . . . . . . . . Michael Rosenfeld

CREDITS

Scenic Elements Provided by Scenic Technologies, a Division of Production Resource Group, L .L .C ., New Windsor, NY; Adirondack Scenic, Inc .; Hamilton Scenic Specialty, Inc .; Proof Productions, Inc .; Chicago Scenic Studios; Scenic Ar t Studios; Gordon Aldred; I . Weiss . Automation Equipment by PRG LLC . Prop Super visors MarcusHall Props – Lisa Buckley, Claire Sanderson, Bebe Barrett, Richard Ince, Mike and Rosi Compton, Carl Rober tshaw . Additional Props Provided by Proof Productions; The Spoon Group . Parrott’s Head Sculpture by MDM Props . Lighting Provided by Epic Production Technologies . Additional Lighting Truss Provided by Tyler Truss . Sound Provided by Masque Sound . Special Ef fects Provided by Jauchem and Meeh . Projection by Sound Associates . Costumes by Parsons-Meares, Ltd .; Eric Winterling; Werner Russold; Seamless Costumes; Claudia Diaz Costume Shop, Inc .; Jodi Zanetti; Kate Wyatt; David Plunkett . Millinery by Arnold Levine; Lynne Mackey; Rodney Gordon; Jenny Adey . Shoes by T .O . Dey; Capezio; Sam Vasili . Shir ts by Cego . Makeup provided by M•A•C .

THANKS

Thanks to David Plunkett, Sean Barrett, Keith Watson, Kate Wyatt, Ivo and Kay Covney, Louise Dadd,

Nicola Kileen Textiles .

FOR CAMERON MACKINTOSH LIMITED

Directors . . . . . . . . . . . Nicholas Allott, Richard JohnstonDeputy Managing Director . . . . . . . . . . . . . .Robert NobleExecutive Producer & Casting Director . . . .Trevor JacksonTechnical Director . . . . . . . . . . . . . . . . . . . Nicolas HarrisFinancial Controller . . . . . . . . . . . . . . . . . . Richard KnibbAssociate Producer . . . . . . . . . . . . . . .Darinka NenadovicSales & Marketing Manager . . . . . . . . . . . . David DolmanHead of Musical Development . . . . . . . Stephen MetcalfeProduction Associate . . . . . . . . . . . . . . . . . Shidan Majidi

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DISNEY THEATRICAL PRODUCTIONSPresident . . . . . . . . . . . . . . . . . . . . . Thomas SchumacherExecutive Vice President & Managing Director . . . . . . . . . . . . . . . David Schrader

Senior Producer . . . . . . . . . . . . . . . . . . . Michele StecklerSenior Vice President, International . . . . . . . . . Ron KollenVice President, Operations . . . . . . . . . . . . .Dana AmendolaVice President, Worldwide Publicity & Communications . . . . . . . . . . . . . . . . . . Joe QuenquaVice President, Creative Development & Licensing . . . . . . . . . . . . . . . . . . . . . . Steve FickingerVice President, Domestic Distribution . . . . . . . . Jack EldonVice President, Human Resources . . . . . . . . . June HeindelDirector, Domestic Touring . . . . . . . . . . .Michael BuchananDirector, Labor Relations . . . . . . . . . . . . . . . Edward LieberManager, Labor Relations . . . . . . . . . . . .Stephanie CheekManager, Human Resources . . . . . . . . . . . . . . Jewel NealManager, Publicity & Communications . . Lindsay BravermanManager, Information Systems . . . . . . . . . . .Scott BenedictSenior Computer Support Analyst . . . . . . . Kevin A . McGuireIT/Business Analyst . . . . . . . . . . . . . . . William Boudiette

ProductionExecutive Music Producer . . . . . . . . . . . . . . Chris MontanDirector, International . . . . . . . . . . . . . . . . Michael CasselDirector, International Production . . . . . . . . . Felipe GambaManager, Physical Production . . . . . . . . . .Karl ChmielewskiManager, Creative Development . . . . . . . . . Jane AbramsonDramaturg & Literary Manager . . . . . . . . . . . .Ken Cerniglia

MarketingVice President, Broadway . . . . . . . . . . . . . . . . Andrew FlattVice President, International . . . . . . . . . . . . Fiona ThomasDirector, Digital Marketing . . . . . . . . . . . . . . . . Kyle YoungDirector, Broadway . . . . . . . . . . . . . . . . . . Michele GronerDirector, Domestic Tour Marketing . . . . . . Deborah WarrenManager, Digital Marketing . . . . . . . . . . . . Susana ZialcitaAssistant Manager, Advertising . . . . . . . . . Lauren Daghini

SalesVice President, National Sales . . . . . . . . . . . Bryan DockettManager, Sales & Ticketing . . . . . . . . . . . . . . . Nick FalzonManager, Sales & Ticketing . . . . . . . . . . . . . . David FelsenManager, National Sales . . . . . . . . . . . . . . . . Victoria CairlManager, Group Sales . . . . . . . . . . . . . . Hunter Robertson

Business and Legal AffairsSenior Vice President . . . . . . . . . . . . . . . . Jonathan OlsonDirector . . . . . . . . . . . . . . . . . . . . . . . . Daniel M . PosenerSenior Counsel . . . . . . . . . . . . . . . . . . . . . . . . .Seth StuhlParalegal . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica White

FinanceVice President, Finance & Business Development . . . . . . . . . . . . . .Mario IannettaDirector, Finance . . . . . . . . . . . . . . . . . . . . Joe McClaffertyDirector, Business Development . . . . . . . . . . Michael BarraDirector, Accounting . . . . . . . . . . . . . . . . . .Leena MathewFinancial Manager . . . . . . . . . . . . .Liz Jurist SchwarzwalderManager, Production Accounting . . . . . . . . . . . . Nick JudgeManager, Accounting & Customer Service . . . . . . . . . . . . .Adrineh GhoukassianSenior Business Analyst . . . . . . . . . . . . .Sven RittershausSenior Business Planner . . . . . . . . . . . . . . Jennifer AugustProduction Accountant . . . . . . . . . . . . . . . . Joy Sims BrownAssistant Production Accountant . . . . . . . . . Isander Rojas

Administrative Staff

Sarah Bills, Amy Caldamone, Preston Copley, Alanna Degner, Michael DeiCas, Brittany Dobbs, Cristi Finn, Jonathan Flood, Gregor y Hanoian, Abbie Harrison, Cyntia Leo, Colleen McCormack, Lisa Mitchell, Brendan Padgett, Ryan Pears, David Scott, Kattia Soriano, Anji Taylor, Christina Tuchman, Kyle Wilson, Jason Zammit

DISNEY THEATRICAL MERCHANDISEVice President . . . . . . . . . . . . . . . . . . . . . .Steven DowningMerchandise Manager . . . . . . . . . . . . . . . . . Neil MarkmanDistrict Manager . . . . . . . . . . . . . . . . . . . . Alyssa SomersAssociate Buyer . . . . . . . . . . . . . . . . . . . . Violeta BurlazaAssistant Manager, Inventory . . . . . . . . . . . .Suzanne JakelOn-site Retail Manager . . . . . . . . . . . . . . . . . . . Mario MeyOn-site Assistant Retail Manager . . . . . . .Dominique Hogue

Disney Theatrical Productions214 West 42nd StreetNew York, NY 10036

guestmail@disneytheatrical .com

The original Film Screenplay for Walt Disney’s MARY POPPINS

by Bill Walsh • Don Da Gradi Design Consultant, Tony Walton

This production is produced in collaboration with our profes-

sional, union-represented employees .

The actors and stage managers engaged in this production are members of Actors’ Equity Asso ciation . The union of pro-fes sional actors and stage managers in the United States .

Backstage and Front of the House Employees are repre-sented by the International Alliance of Theatrical Stage Employees (I .A .T .S .E .) .

United Scenic Artists represents designers and scenic painters for the American theatre .

The Press Agent and Company Man a ger em ployed in this production are repre sented by the Association of Theatrical Press Agents and Managers .

The Director is a member of the Society of Stage Directors and Choreographers, Inc ., an indepen dent national labor union .

The Musicians, Conductors, Music Preparation Per son nel and Librar ians employed in this production are members of the American Federation of Musi cians of the United States and Canada .

FIRE NOTICEThe exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street . In the event of a fire or other emergency please do not run—WALK TO THAT EXIT .

Thoughtless persons annoy patrons and endanger the safety of oth-ers by lighting matches or smoking in prohibited areas during the per form ance and intermissions . This violates a City ordinance and is punish able by law .

FIRE COMMISSIONER

Latecomers will be seated at the discretion of the management . Patrons with disabilities: wheelchair seating is available in a variety of theater locations . When ordering your tickets, please indicate any special needs . For our hearing- impaired guests, the theater is equipped with infra-red listening devices; please contact an usher for assistance .

32

DANCE2011

SEASON

For Tickets Call 313.237.SING

or visit michiganopera.org

THE JOFFREY BALLET January 29-30, 2011

ALVIN AILEY AMERICAN DANCE THEATER

March 3-4-5-6, 2011

EISENHOWER DANCE COMPANY MOTOWN IN MOTION

March 20, 2011

The Joffrey Ballet and Alvin Ailey American Dance Theater are supported by the Performing Arts Fund, a program of Arts Midwest,

funded by the National Endowment for the Arts, with additional contributions from MCACA, General Mills Foundation and Land O’Lakes Foundation.

master classes

All classes held in the Detroit Opera House Margo V. Cohen Dance Studio

FREE with ticket to corresponding Dance Performance. Class fee is $25 without corresponding ticket.

Pre-registration required: [email protected] Information: 313.237.3251

THE JOFFREY BALLETMaster Dance Class – Ballet Ages 14 and up Intermediate/Advanced Level Saturday, January 29, 2011 11:00 am-12:30 pm

ALVIN AILEY AMERICAN DANCE THEATERMaster Dance Class – Modern Ages 14 and up Intermediate/Advanced Level Saturday, March 5, 2011 11:00 am-12:30 pm

EISENHOWER DANCE ENSEMBLEMaster Dance Class – Modern Ages 14 and up Intermediate/Advanced Level Saturday, March 19, 2011 11:00 am-12:30 pm

W I N T E R S P R I N G

33

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www.unionstreetdetroit.com

Proof: 9/13/10; 5:24PMCuisinePublication: Broadway in Detroit program for “West Side Story”Run dates: 9/30/2010-10/16/2010Size: 1/4 pg. vert. (2-1/4” x 3-1/4”)For: Nederlander Detroit (Fisher Theatre & others)


A show-stopping dining experience!

Mention this ad and receive 10% off our theatre prix fixe menu

Executive Chef: Paul Grosz

Since 2001 • Open 5pm Tues–Sun

670 Lothrop • Detroit 313.872.5110 • cuisinedetroit.com

Proof: 11/19/10; 3:27PMMario’sPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12-16-10 to 1-2-11Size: 1/4 pg. vert. (2-1/4” x 3-1/4”)For: Nederlander Detroit (Fisher Theatre & others)


RestauRant • CelebRating 62 YeaRs

ComplimentaRY shuttle seRviCe to & From the Fisher theatre

live enteRtainment Fri. & sat. evenings

313-832-1616 www.mariosdetroit.com

4222 second ave. north of mack • Detroit

Preludes & Encores Special places—before & after the show

34

andiamoitalia.com

Metro Detroit’sMost-Awarded

ItalianRestaurant

DetroitRiverfront

Just minutes from the Fisher Theatre –at the water’s edge in the beautiful

GM Renaissance Center Wintergarden.For reservations call (313) 567-6700.Convenient valet parking available.

andiamoitalia.com

Metro Detroit’sMost-Awarded

ItalianRestaurant

DetroitRiverfront

Just minutes from the Fisher Theatre –at the water’s edge in the beautiful

GM Renaissance Center Wintergarden.For reservations call (313) 567-6700.Convenient valet parking available.

Preludes & Encores…

35

Proof: 10/27/10; 6:02PMComplimentary:EncoreMichigan.comPublication: Broadway in Detroit program for “Rock of Ages”Run dates: xxxxxxxxxxxxSize: 1/4 pg. vert. (2-1/4” x 260 pt.”)Design: Frank Bach, Bach & Associates; Phone 313-822-4303; [email protected]

The show closed

when?I should have gone to

encoremichigan.com

If it’s about Michigan theaters, it’s here.

.com

Restaurant GuideWe proudly present Broadway In Detroit’s Preludes & Encores, our recommendations for a spot for a great meal before the show, or where to close the night’s curtain with a delicious dessert. Whether you’re planning your visit to see Mary Poppins in December or January—or looking for a place to have dinner tomorrow—consider these wonderful restaurants. And please mention that you heard about them here. Thanks!

Guide:$ = <$10, $$ = $10-$25, $$$ = $25-$50, $$$$ = >$50, F=Free Parking, G = Groups, P=Prix fixe packages available, R = Reservations, S = Shuttle Service, V=Valet Parking

Andiamo Riverfront • andiamoitalia.comGM Renaissance Center Wintergarden, 400 Renaissance Center Suite A-403, Detroit, MI 48243, (313) 567-6700. Type of cuisine: Italian, Price: $$$, Amenities: GRV

The Capital Grille • thecapitalgrille.comThe Somerset Collection – North, 2800 W. Big Beaver Rd., Troy, MI 48084, (248) 649-5300. Type of cuisine: American, Price: $$$, Amenities: FGPRV. You are cordially invited to join us before or after the show. Ticket holders enjoy a specially priced three-course prix fixe lunch or dinner menu.

Cuisine • cuisinedetroit.comNew Center – Behind the Fisher Building, 670 Lothrop, Detroit, MI 48202, (313) 872-5110. Type of cuisine: French-American, Price: $$$, Amenities: GPR. Award-winning contemporary French-American cuisine, classic French desserts and world-class wines and spirits. Mention this listing and receive $10 off our theater prix fixe menu.

Majestic Café • majesticdetroit.comMidtown, 4120 Woodward Ave., Detroit, MI 48201, (313) 833-9700. Type of cuisine: American, Price: $$, Amenities: FGSR. Located in the historic Majestic complex in Midtown, this American/Mediterranean bistro offers affordable dining just minutes from the Fisher Theater. Complimentary shuttle provided.

Mario’s • mariosdetroit.comMidtown, 4222 Second St., Detroit, MI 48201, (313) 832-1616. Type of cuisine: Italian, Price: $$$, Amenities: GPRSV. Afterglow special: Show your tickets from the Fisher and receive a 15% discount on your food, appetizer, or dessert. Party with the people that performed!

Traffic Jam & Snug • trafficjamdetroit.com511 W. Canfield St., Detroit MI, 48201. (313) 831-9470, Type of cuisine: American, Price: $$, Amenities: FGR. Featuring an eclectic menu of vegetarian items, burgers, fresh fish, pastas & salads. Decadent house-made desserts. Free, guarded parking. Five minutes from the Fisher Theatre.

union Street • unionstreetdetroit.comMidtown, 4145 Woodward Ave, Detroit, MI 48201, (313)831-3965. Type of Cuisine: American, Price: $$, Amenities: GR. 15% OFF when you bring in your Mary Poppins ticket! Serving lunch, dinner, desserts & Sunday brunch. Kitchens open late. Large group tours welcomed.

Proof: #4; 11/24/10; 3:57PMLes MisérablesPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12-16-10 to 1-2-11Size: full page full bleed trim size: 5-3/8” x 8-3/8” bleed: 1/8” inside margin: 1/4”For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; [email protected]

CAMERON MACKINTOSH’SSPECTACULAR NEW PRODUCTION

BOUBLIL & SCHÖNBERG’SLEGENDARY MUSICALLyrics by HERBERT KRETZMER

ON SALE NOW! Fisher Theatre • March 22–April 3Ticketmaster.com, 800-982-2787, Fisher Theatre box office & outlets

Groups of 12+: [email protected] (subject: Les Mis) or 313-871-1132 Info: 313-872-1000 & BroadwayInDetroit.com

Broadway in Detroit sponsored by your Southeastern Michigan Lincoln dealers • DriveLM.com LesMis.com

37

www.divinechildhighschool.org

(313) 562-1990

• College Preparatory Curriculum• Honor/Advanced Placement Classes• Online Summer Courses Offered• Earn College Credits from U of M

Dearborn, Madonna University• Special Liturgies and Retreats• Largest Catholic Sports Program

in Michigan• Dozens of Extracurricular Activities

VIRTUSCUM

SCIENTIA

DIV

INE C

HILD HIGH SCHO

OL

DEARBORN MICHIG

AN

Dearborn, MichiganCelebrating over a half century of Catholic, coeducational education

www.dces.info

(313) 562-1090

Divine Child Schools

• Faith-filled Nurturing Environment• Exceeding State Curriculum Standards• Excellent Standardized Test Scores• Weekly Mass• 28 Competitive CYO Sports Teams• Challenging Extracurricular

Activities, Including 3 Bandsand Choir with Musicals

High School Open House

Tuesday, February 8, 20117-8:30pm

Elementary School Open House

Sunday, February 6, 201112-2:30pm

38

Proof: xxxxxxxxxxxxTitlePublication: Broadway in Detroit program for “xxxxxxxxxxx”Run dates: xxxxxxxxxxxxSize: 1/2 pg. vert. (2-1/4” x 7-5/8”)For: Nederlander Detroit (Fisher Theatre & others)


OUR HOUSE

Broadway In Detroit TicketExchange – buy and sell theater tickets online:

Buyers - print guaranteed tickets directly from subscribers.

Subscribers - enjoy automatic payment and ticket delivery.

Get a My Broadway In Detroit account

at BroadwayInDetroit.com or by calling

Subscriber Services at 313-872-1180.

Visit BroadwayInDetroit.com

IS YOUR HOUSEOUR HOUSE

Broadway In Detroit TicketExchange – buy and sell theater tickets online:

Buyers - print guaranteed tickets directly from subscribers.

Subscribers - enjoy automatic payment and ticket delivery.

Get a My Broadway In Detroit account

at BroadwayInDetroit.com or by calling

Subscriber Services at 313-872-1180.

Visit BroadwayInDetroit.com

IS YOUR HOUSE

BRoAdwAy in deTRoiT The Program for Broadway in detroit

at the detroit opera HouseVolume 49, number 3

december 16, 2010–January 2, 2011

under the management of nederlander detroit, LLC

Executive Director ............................................ Alan N. LichtensteinAssistant to Mr. Lichtenstein.......................................... Nancy KingDirector, Corporate Sales/Marketing .............................Scott MyersSenior Director, Marketing .......................................... Alyssa CohenAccounting ................................................................ Barbara JonesBox Office Treasurer...................................................... Marc RolandGroup Sales Manager .......................................................Amy YokinSubscription Manager .................................................Gwen HardenAdvertising Director ................................... Debbie Michelson, SMZAssociate Advertising Director ..............................Nicole Miller,SMZPress Agent................... Brendy Barr, Brendy Barr CommunicationsProgram Design................................ Frank Bach, Bach & Associates

The detroit opera House is owned and operated by Michigan opera Theatre

michiganopera.comGeneral DIrector ........................................................David DiChieraDirector of Operations .............................................Jason WarzechaHouse Manager ............................................................Randy ElliottPatron & Ticket Services Manager ................ Kimberly A. MogielskiTicket Services Assistant Manager .............................Kimberly Gray

Director of Production ............................................... David OsborneTechnical Director .................................................. Daniel T. BrinkerHead Carpenter ............................................................John KinsoraHead Electrician .......................................................... Gary GilmoreHead Propertyman ...................................................... Alan BigelowHead Sound ..................................................................... Henry RuizHead Flyman ..............................................................Robert MartinProduction Electrician ..................................................Fred GrahamHead of Wardrobe ............................................. Mary Ellen ShuffettMichigan Opera Theatre OrchestraPersonnel Manager ................................................. Diane Bredesen

The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theater without the written permission of the management is prohibited by law. Violations may be punishable by ejection and may render the offender liable for money damages.

The musicians employed in this production are members of the Detroit Federation of Musicians, Local 5.

Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E).

Lost and Found(Items will be held 30 days) ..................................... (313) 961-3500Emergencies/Security .............................................. (313) 237-3257Pre-paid Parking ...................................................... (313) 237-7464Opera House Parking Center ....................................(313) 965-4052Cadillac Café Reservations ................................... (313) 237-3487 or cadillaccafedetroit.com

An ATM is located in the Detroit Opera House Parking Center

39

Proof: 11/19/10; 12:06PMUniversity LiggittPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12/16/10–1/2/10Size: 1/2 pg. horiz. (4-5/8” x 3-3/4”)For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-4303; [email protected]

Come see what Liggett can do for your child.Contact Denise Deane, 313-884-4444, ext. 407 or [email protected]

Students learn through collaboration and experience, solve problemsthrough inquiry and investigation and acquire a love of learning.

Shaping lives that shape lives

Proof: 11/22/10; 9:57PMSLes MisérablesPublication: Broadway in Detroit program for “Mary Poppins”Run dates: 12-16-10 to 1-2-11Size: 1/2 pg. horiz. (4-5/8” x 3-3/4”)For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-43038; [email protected]

Experience theatre at an entirely new levelEnjoy an elegant, private environment with comfortable seating and many

amenities including food, beverages, private bar service, coat check and private restroom. The Spotlight Room comfortably accommodates parties of ten to thirty

guests and is available for pre-show, intermission and post-show events.

For more information visit BroadwayInDetroit.com or call (313) 872-1177.

Catering provided exclusively by

Spotlight Room

AT ThE FIShER ThEATRE

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Documents

Mary Poppins