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MARIA X. LANDIVARARCHITECTURE PORTFOLIO- 2011
Content Introduction 1Main concept of the project Sketches Drawings and creation of the project 3D Views Floor Plans Elevation Diargrams Section Views Site and location of the project Render Views with different backgrounds Isometric renderized views Isometric renderized views Aerospace Engineer House's model 1 Aerospace Engineer House's model 2 Aerospace Engineer House's model 3
Collage PaintingCollage Paintig zoomed inDrawing (art work)
Introduction 2ConceptSketches & ConceptTheather Render viewsSocial features & InteriorSite and placement
Cal Poly San Louis Obispo Design Village 2011Cal Poly San Louis Obispo Design Village 2011
-In this project I worked as an Architect for an aerospace Engineer. His name is Burt Rutan andhe is passionate about his work.
1Aerospace Engineer
-Concept developement
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-2DRoofSketch
-3D RoofSketch
-6Pieces
-JointPoints
Level 4 Roof
1 First I wanted to create a roof that wasgoing to connect the block that is inbetweenthe galleria and the front part of the House.2 It was a curved roof with a glass section inthe middle.3 Later I decided to shift down this roof 1floor.I shortened the leght and curve of it to make itsimplerby just making the back curve of it andto keep the concept of the glass, I surroundedthe area with glass walls.This two sections of the hause are a fun partof the hause. I placed a jacuzzi and a socialarea (pool table, tv, etc.) on the roof.
4 In addition you have a view and my client hasa big platform as a balcony for inspiration withall these items for inspiration to do his work.
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43D VIEWS
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Galleria Galleria
Kitchen
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Curved Roof 1 Curved Roof 23
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1" = 20'-0"1 Level 1 Floor Plan
1" = 20'-0"2 Level 2 Floor Plan
1" = 20'-0"3 Level 3 Floor Plan 1" = 20'-0"
4 Level 4 Floor Plan
1" = 20'-0"5 Level 5 Floor Plan
Water fountainBarbecuearea
Living Room
Pool Pool
Pool Closet
Bathroom 1Closet 1
Bedroom 1 Bedroom 2
Social area
Master Bedroom
Walk in Closet
Bathroom 2
Bathroom 3Bathroom 4
Walk in closet 4Walk in Closet 3
WorkshopWorkshop
Jacuzzi area
Balcony
Social Area
Balcony
Street:Palmer Av.
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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1" = 20'-0"1 East Elevation
1" = 20'-0"2 West Elevation
1" = 20'-0"3 North Elevation
1" = 20'-0"4 South Elevation
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DN
DN
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PUBLIC SPACE
PRIVATESPACE
PUBLIC SPACE
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Main supports
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1" = 20'-0"1 Enclosure Diagram
1" = 20'-0"2 Parti Diagram
1" = 20'-0"4 Program Diagram
1" = 20'-0"5 Structure Diagram
3 Circulation Diagram 1
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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Level 1 Floor Plan0' - 0"
Program Diagram10' - 0"
Level 3 Floor Plan20' - 0"
Level 430' - 0"
Level 5 Floor Plan40' - 0"
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1" = 20'-0"1 East Section View
1" = 20'-0"2 South Section View
1" = 20'-0"3 West Section View
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Site
Actual Site where Hause is located 1" = 20'-0"
1 Site Plan
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Norhteast Isometric View
Southwest Isometric View
Northwest Isometric View
Rendering with differentbackgrounds
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- I created 3 roof-blocks with a curved shape on the top of itand corners ending towards up. This is to keep the same concept of the roofs in this part of the House too.
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-Aerospace Engineer'sHause Models
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Front View
EastView
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West View
South View
Isometric View
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Jesuitics churches of Southamerica
Wood anchorsJesuitics drawings and paintingsin the walls I used in my design
This project is created for a city called Santa Cruz in the country of Bolivia. One of my main goalswith this theather is to encourage people to practice the traditional Art established in the city sincethe time of the Colonization. During this time new ways of theather and music with instruments withtraditional materias were created. A mixed of indian and Spanish ways were used in order to createArt in this city. I applied this concept to make my theather.
Outdoor Theather for Cultural & National Park 1A
-Therefore I wanted to make it modern but since I used characteristics and a styles used duringthe IX century for these Missionary churches, it encourages this type of Art and use of it.
Curves,ovals and half circles are part of the traditional paintings in the walls of these churches, I used that concept to create the theather's roof. Since it is an Outdoors theather, the roof only covers the curves of the circle where the inside stairs are located and a small part of the outside space for shadow.
1B
Jesuitic Drawings shown in churches as a pattern around the walls of the theather
Entrance This is the main entrance to the theather. I put waterfalls in the lateral walls of the entrance in order to make it interesting while you are heading to see the show and before you walk in to the actual theather.
Wood anchors with stucco, metalwater and the drawings are used tocreate the modern- traditionallooking theather.
2A
Materials
Back - I put a restaurantin the area enclosured by the walls in the back and also put a social area right next to it. This is suporting thetheatherconcept by having also an after-show social area.
There are two water features next to each ending ofthe stairs supporting the social area and the followingwater pattern.
Interior -The circular stage follows the drawings patterns, andits perfect for the type of music and contemporarytheather performed.It has same wood anchors from the outside. Also onefloor opening for the stairs that lead to the dressingrooms in the basement.
2B
D E S I G N V I L L A G E 2011SOCIAL PARAMETRICS
GLENDALE COMMUNITY COLLEGE TEAMGORDON AURONALD HERNANDEZMARIA X. LANDIVARARVIN SHIRINYANSARMEN SARKISIAN
TEAM NUMBER 40
CALPOLY SAN LUIS OBISPO
THE DESIGN CONCEPT IS TO CREATE A PORTABLE MACHINE MADE OUT OF MOVABLEPARTS WHICH WILL CREATE AND PROMOTE SPACES FOR SOCIAL INTERACTION BETWEENTHE USERS WITH THE HELP OF THE SKIN OF THE STRUCTURE.
THE PARAMETRIC COMPONENTS ARE THE SUPPORTING COLUMNS, ROOFS, ROOFSUPPORTS AND THE SPILT LEVEL FLOOR DECKS. IT IS A RELATIONSHIP BETWEENDIMENSIONS AND VARIABLES TO GEOMETRY ORIENTATION IN SUCH A WAY THAT WHENTHE DIMENSIONS AND VARIABLES CHANGE, THE PARTS CHANGE THEIR ORIENTATION ASWELL, FOR EXAMPLE THE OPENING AND CLOSING MOVEMENT OF A SWISS ARMY KNIFE.A SPILT LEVEL DECK ACTS AS STRUCTURAL SKELETON TO ADAPT THE SLOPEDLANDSCAPE. (THIS CONCEPT ALSO GOES ALONG WITH THE TWO ATTACHING PORTALS.)THE PORTALS WILL ACT AS ENTRANCES TO THE MAIN STRUCTURE.
THE MAIN FULLY OPENED STRUCTURE WILL FORM THREE DIFFERENT SPACES INSIDE THESTRUCTURE, THE UPPER DECK, LOWER DECK AND THE LOWER DECK PATIO.
THE MATERIAL OF THE ROOF AND WALLS ARE FORMING AND INSULATING AS THE SKINSOF THE STRUCTURE. THE CHOICE OF MATERIAL - COLORFUL BUBBLE WRAP SKIN IS TOSTIMULATE THE USER TO POP THE BUBBLES. THE POPPING SOUND ACTS AS AMETAPHOR OF THE SOUND OF FIREWORKS AND IT RELATES TO THE CELEBRATION OF ASOCIAL EVENT.
OPENING AND CLOSING MOVEMENT OF A SWISS ARMY KNIFEABOVE IMAGE IS BOUGHT TO YOU REFERENCED BY COOLEST GADGETS
BUBBLE WRAP AS A SOCIAL AND PLAYFUL TOOL.ABOVE IMAGE IS BOUGHT TO YOU REFERENCED
BY ORBLE
.ABOVE IMAGE IS BOUGHT TO YOUREFERENCED BY MATT AND SARAH
STUDY MODEL
OPENING PROCESSSTARTING HERE VIEW CLOCKWISE UPPER DECK
LOWER DECKPATIO
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D E S I G N V I L L A G E 2011SOCIAL PARAMETRICS
GLENDALE COMMUNITY COLLEGE TEAMGORDON AURONALD HERNANDEZMARIA X. LANDIVARARVIN SHIRINYANSARMEN SARKISIAN
FEATURINGMARIA X. LANDIVAR
CALPOLY SAN LUIS OBISPO
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MARIA X. LANDIVAR
ARCHITECTURE PORTFOLIO
2011
Programs:
AUTODESK REVITAUTOCAD3D MAX RENDER
THANK YOU!!!!!!!!!!!!!!!
