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Mapping Reading Responses Maps, Mapping, and Modernity-Denis Cosgrove

Mapping Reading Responses

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Responses to 'Maps, Mapping, and Modernity' by Denis Cosgrove

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Page 1: Mapping Reading Responses

Mapping Reading Responses

Maps, Mapping, and Modernity-Denis Cosgrove

Page 2: Mapping Reading Responses

Maps, Mapping, and Modernity-A Response

Mapping and cartography have always been closely related, however there are

clear and distinct differences between the two. Cartography deals with the scientific

representation of data in a clear and logical manner. Mapping has the ability to present

the same range of data, but it is done so in an artistic way. When mapping the

presentation of data is done so according to principles of art such as line, shape, form,

color, etc. Cartography traditionally presents data in the most cohesive manner, but even scientists must be aware of the aesthetics of

their presentations.

Over time, cartography has evolved to include more elements than pure data.

For example, if a map contains an aerial view of a region, photographic angles

may be changed, insight into history may be included, and data of an unapparent

nature may be brought to light.

Mapping has always dealt with the subjective representation of data, yet further forms of abstraction were introduced during avant-garde and modernism periods. Something as simple as a line or the use of color (or the lack thereof) may be used to represent variations in information.

While cartography has begun to incorporate elements of art into its maps, both cartography and mapping have been able to separate themselves from the world of modern art in an effort to avoid the criticisms contained therein. Modern artists have been able to add their expertise to cartography, making maps a more enjoyable experience for those who read them. This is not to say that mapping is not obsolete. Mapping continues to push the boundaries of artistic representation, while cartography still holds true to its scientific roots.

Gy Debod, ‘Situationist Map of Paris Using G. P.llier’s 1956 Vue de Paris a vol d’oiseau’ in Guide psychoseographique de Paris:Discours sur les passions de I’amour {Denmark, The Imagitiist Bauhaiis, 1957) “...both cartography

and mapping have been able to separate themselves from the world of modern art...”

Page 3: Mapping Reading Responses

Mapping Reading

SourcesMaps, Mapping, and Modernity:Art and Cartography in the Twentieth Century-Denis Cosgrove (2004)

Lilla LoCto and William Oulcault, “Imag. of the artists- scanned bodies as globe gores”. 122 x 244cni, chromogenic printfrom Sclfportrait.ntap (2000)