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MannerismMannerism is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance around 1520 until the arrival of the Baroque around 1600. Stylistically, it identifies a variety of individual approaches influenced by, and reacting to, the harmonious ideals associated with Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its artificial, as opposed to naturalistic, and its intellectual qualities
More important than his carefully recreated observation of nature was the artist’s mental conception and its elaboration. This intellectual bias was, in part, a natural consequence of the artist’s new status in society. No longer regarded as craftsmen, painters and sculptors took their place with scholars, poets, and humanists in a climate that fostered an appreciation for elegance, complexity, and even precocity.
el Greco
The Trinity
1577-79, oil on canvas, Museo del Prado, Madrid
The Burial of the Count of Orgaz1586-88Oil on canvas, 480 x 360 cmSanto Tomé, Toledo
The Burial of the Count of Orgaz
Agony in the Garden
Saint Martin and the Beggar
Tintoretto
The Last Supper
The Crucifixion
Baroque
• In the arts, Baroque is a period as well as the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music. The style started around 1600 in Rome, Italy and spread to most of Europe. In music, the Baroque applies to the final period of dominance of imitative counterpoint, where different voices and instruments echo each other but at different pitches, sometimes inverting the echo, and even reversing thematic material.[
Caravaggio
Judith Slaying Holofernes
c. 1598Oil on canvas, 145 x 195 cm
Galleria Nazionale d'Arte Antica, Rome
The Calling of Saint Matthew
1599-1600Oil on canvas, 322 x 340 cm
Contarelli Chapel, San Luigi dei Francesi, Rome
The Crucifixion of Saint Peter
1600Oil on canvas
Cerasi Chapel, Santa Maria del Popolo, Rome
The Conversion of St. Paul
1600Oil on cypress wood, 237 x 189 cmOdescalchi Balbi Collection, Rome
The Conversion on the Way to Damascus
1600Oil on canvas, 230 x 175 cm
Cerasi Chapel, Santa Maria del Popolo, Rome
c. 1605Oil on canvas, 116 x 173 cm
Piasecka-Johnson Collection, Princeton
The Sacrifice of Isaac
The Crowning with Thorns
Gentileschi
Judith Slaying Holofernes
Susanna and the Elders (1610)
Rembrandt
The Blinding of Samson
RembrandtThe Blinding of Samson, 1636,
Stadelscleskunstinstut, Frankfurt
Anatomy Lesson of Dr. Nicolas Tulp
Rembrandt, 1632Oil on canvas, 169,5 x 216,5 cm
Mauritshuis, The Hague
Descent from the Cross
Rembrandt1633, oil on wood
Pinakothek at Munich
Rubens
The Garden of Love
Rubens,1630oil on canvas, Museo del Prado, Madrid
Reception of Marie de Medici in Marsaille
Rubens, 1622-24oil on canvas, Musée du Louvre, Paris
1612-14Oil on panel, 421 x 311 cm (centre panel)
Descent from the Cross Rubens
Bernini
1623-24Marble, height 170 cmGalleria Borghese, Rome
David by Bernini
Ecstasy of St. Theresa, 1647-52
Bernini
Vermeer
5.53 Johannes Vermeer Interior with a Woman Reading a Letter c. 1662-4 Oil on canvas. 18 1/3” x 15 1/3” Dutch Baroque
Johannes VermeerA Maidservant Pouring Milkc. 1660. Oil on canvas1’57/8” x. 1’ 4 1/8” Dutch Baroque
Woman Holding a Balance
1664, National Gallery of Art at Washington D.C.
Rococo
•Rocaille, coquille•Interior design for aristocracy•Gilded molding, ornamentation•Fun, frivolous•Silvers, pastels•intimacy•Bach, Viladi•Age of Enlightenment (18th century) •salonnières
Jean Honoré Fragonard The Swing 1767 Rococo
William Hogarth Marriage à la mode II 1745 Oil on canvasEnglish Rococo