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Representation in London to Brighton LO: To analyse how LTB uses the micro elements to represent the characters To introduce Propps character theory TASK: Who was your favourite character? Give at least 3 reasons

Ltb representation SECTION B

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Page 1: Ltb representation SECTION B

Representation in London to BrightonRepresentation in London to Brighton

LO: To analyse how LTB uses the micro elements to represent the charactersTo introduce Propps character theory

TASK: Who was your favourite character? Give at least 3 reasons

LO: To analyse how LTB uses the micro elements to represent the charactersTo introduce Propps character theory

TASK: Who was your favourite character? Give at least 3 reasons

Page 2: Ltb representation SECTION B

The film

Characters

Casting

costume

Personality

relationships

Living with crime

Macro analysis

Micro analysis

Key sequences

RepresentationGenre

Narrative

Key choices

Background

Other themes

What does this tell the audience?

Describe

Location

Does the film present a vision of Britain you are familiar with?

Does the film present a vision of Britain you are familiar with?

Page 3: Ltb representation SECTION B

How was LTB’s genre of social realism represented through the

micro elements?

Page 4: Ltb representation SECTION B

Social Realism conventions• Realistic settings• Realistic events and situations• Believable filming technique• Hard luck• Working class heroes• Economic hardship• Life’s struggles• Experiences of REAL Britons• Gritty style• Urban locations

Page 5: Ltb representation SECTION B

2 main Protagonists2 main Protagonists

Page 6: Ltb representation SECTION B

2 main antagonists2 main antagonists

Page 7: Ltb representation SECTION B

PROPPS THEORY• Spheres of Action: Vladimir Propp states there

are seven 'spheres of action' which characters can be well .... characterized to. These spheres are catergorised as the hero, villain, donor, helper, princess (though this can be exchanged for a prince), dispatcher and false hero. Not all spheres of action are needed to be addressed for a film as its also well to note characters can portray more than one sphere and vice versa, spheres can be composed of several characters.

• Vladimir Propp seven spheres of action:

Page 8: Ltb representation SECTION B

HEROHERO

VILLAINVILLAIN

FALSE HEROFALSE HERO

HELPERHELPER

PRINCESSPRINCESS

DONORDONOR

DISPATCHERDISPATCHER

Page 9: Ltb representation SECTION B

• Hero: Individual(s) who's quest is to restore the equilibrium.

• Villain: Individual(s) who's task is to disrupt the equilibrium.

• Donor: Individual(s) who gives the hero(s) something, advice, information or an object.

• Helper: Individual(s) who aids the hero(s) with their set task.

• Princess (Prince): Individual(s) which need help, protecting and saving.

• Dispatcher: Individual(s) who send the hero(s) on their quest.

• False Hero: Individual(s) who set out to undermine the hero's quest by pretending to aid them. Often unmasked at the end of the film.

Page 10: Ltb representation SECTION B

So Who is Who? Does Propps theory apply?So Who is Who? Does Propps theory apply?

CHUMCHUMDuncan AllenDuncan Allen

Derek & Stuart AllenDerek & Stuart Allen Kelly & JoanneKelly & Joanne

Page 11: Ltb representation SECTION B

Character breakdownCharacter breakdown• Age

• Gender

• Race – ethnicity

• Class

• Lifestyle

Page 12: Ltb representation SECTION B

Key scene analysisKey scene analysis

• Watch the following scene – focus on your area and your 2 micro elements

• How has _________ been represented?

• Watch the following scene – focus on your area and your 2 micro elements

• How has _________ been represented?

Page 13: Ltb representation SECTION B

HOMEWORK: CHOICESHOMEWORK: CHOICES

• Key turning points:

• Which choices were made that drove the narrative forward? (key scenes)

• Come prepared to discuss this at the start of tomorrow’s lesson – have decided on the 3 key scenes to the film

Page 14: Ltb representation SECTION B

Main locationsMain locations

Page 15: Ltb representation SECTION B

NARRATIVE of LTBNARRATIVE of LTB

• In pairs, discuss the narrative of the film

• Linear or non-linear?• Restricted or omniscient?• Open or closed ending?

• Was it effective in evoking a strong audience response?

• In pairs, discuss the narrative of the film

• Linear or non-linear?• Restricted or omniscient?• Open or closed ending?

• Was it effective in evoking a strong audience response?

Page 16: Ltb representation SECTION B

The film

Characters

Casting

costume

Personality

relationships

Living with crime

Macro analysis

Micro analysis

Key sequences

RepresentationGenre

Narrative

Key choices

Background

Other themes

What does this tell the audience?

Describe

Location

Does the film present a vision of Britain you are familiar with?

Does the film present a vision of Britain you are familiar with?

Page 17: Ltb representation SECTION B

Homework feedback

• What were the turning points in the film?

• Which scenes were key in driving the narrative forward?

Page 18: Ltb representation SECTION B

Themes & IssuesThemes & Issues• Child prositution / paedophilia• Prostitution• Life of crime - cycle• Greed• Poverty / Class• Hierarchical crime society• Abuse • Revenge• Survival

How were these dealt with in the film? – What was the message?

How were they represented?

How were these dealt with in the film? – What was the message?

How were they represented?