Los Angeles Jewelry, Antique & Design Show

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January 15-19, 2014

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LOCATIONLos Angeles Convention CenterSouth Hall H1201 South Figueroa StreetLos Angeles, CA 90015

OPENING NIGHT PrEvIEw PArTYWednesday, January 15, 2014Vanguard Reception: 7pm - 8pmOpening Night Preview Party: 8pm - 11pmBenefiting FIDM Museum Fashion Council

GENErAL SHOw DATES Thursday 16 11am - 7pmFriday 17 11am - 7pmSaturday 18 11am - 7pmSunday 19 11am - 5pm

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Welcome to the

inaugural Los

Angeles Jewelry,

Antique & Design

Show, presenting

preeminent

exhibitors

showcasing

impressive

collections of

antique and

estate jewelry, Asian antiquities, sculpture, textiles,

American and European silver, furniture, tribal art,

and more. The Palm Beach Show Group proudly

brings their highly respected production expertise

and carefully cultivated dealer relationships

to Southern California. Enjoy shopping for the

unique, the rare, and the one-of-a-kind at a

world-class venue in the heart of downtown L.A.’s

entertainment and cultural hub.

In addition to booths filled with beautiful items,

enjoy our special exhibitions that draw from the

past and present, our designer vignettes, Treasures

of the Maya, and the Tribal & American Indian Arts

section. Your ticket also permits admission to the

neighboring LA Art Show where you can continue

your exploration, and experience Dialogs LA

discussions and symposia.

Welcome

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Molly Barnes

Suzanne Deal Booth

Vicangelo Bulluck

Jonathan & Annie Burrows

Tony & Cindy Canzoneri

George Chakiris

Harry Chandler

Jill Tavelman Collins

Lily Collins

Dr. James Cuno

Julie Delpy

Gabrielle, Duchess of Schoeneberg

Olga Garay-English

Sukey & Gil Garcetti

Jay Geller

Tom Gilmore

Barbara & Glenn Golenberg

Michael Govan

Janice & Charles Holland

Elliott & Adrienne Horwitch

Jennifer Howell

Beatriz Hyp

Annie Kelly

Nancy Kwan

A SPECIAL THANK YOuTO OuR 2014 HOST COMMITTEE

Helen Lewis

Kai Loebach

Natasha & Cheech Marin

Thomas Morgan

Mona Lee Nesseth

Esthella Provas

Mima & Dale Ransom

Wayne Ratkovich

Tim Robbins

Eugene Sadovoy

Dr. Bruce & Susan Samuels

Boyd S. Smith

Michael & Terri Smooke

Lauren & Steve Spilman

Tim Street-Porter

Elinor & Rubin Turner

Valaree & Robert Wahler

Billie Milam Weisman

Zheng Wen

Ruth & Hutton Wilkinson

Sue Wong

Ernest Wooden, Jr.

Adele Yoshioka

Mayor Eric Garcetti

Councilmember Tom Labonge

Councilmember Curren D. Price, Jr.

Council member Mitch O’Farrell

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ContentsLetters of Greeting 6

Preview Party 8

upgrading your Collection 14by Bill Rau of M.S. Rau Antiques

Participating Exhibitors 19

Tribal and american Indian art Section 55

Treasures of the Maya Spirit 60

Participating Organizations 69

Index of Exhibitors 83

advertisements 85

COVERTiffany Lamp, Lillian nassauBaCk COVERExquisite Diamond Earrings, Jewels by VIGGI

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From the Organizers,

It is with great pleasure that we introduce the Inaugural Los Angeles Jewelry, Antique & Design Show to the beautiful city of LA. As organizers, we strive for excellence, traveling to the finest art and antique shows worldwide, in addition to frequenting the most important shows in the nation. As a result, it is our pleasure to present an international array of unique and highly esteemed exhibitors in each category.

A show of this magnitude presents exciting challenges from inception and requires a coordinated effort from a myriad of people. We would like to show our gratitude by congratulating everyone involved in making the Los Angeles Jewelry, Antique & Design Show a success. It is truly a team effort that requires seamless production, from our hardworking office staff to our technical and creative personnel, that bring this event to life. We are proud to partner with the FIDM Museum Fashion Council, beneficiary of the Opening Night Preview Party. We support their efforts to acquire the Helen Larson Historic Fashion Collection and encourage educational collaborations with art, fashion and design.

We would also like to thank Kim Martindale for believing our vision and helping to make this show special.

Most importantly, we would like to give a special thanks to our exhibitors from around the world who travel here so that we may enjoy spectacular works of art, rare antiques and timeless treasures. To each participant, we offer our deep appreciation and gratitude.

To our visitors, we extend our warmest welcome, and invite you to take advantage of this cultural experience and the opportunity to meet many of the worlds most renowned and respected jewelry, fine art and antique dealers who are eager to share their knowledge and treasures with you. We are also pleased to welcome you to other Palm Beach Show Group events:

Naples Art, Antique & Jewelry Show, February 6-10, 2014Palm Beach Jewelry, Art & Antique Show February 14-18, 2014

Chicago International Art, Antique & Jewelry Show, April 24-28, 2014Baltimore Summer Antiques Show, August 21-24, 2014

Art Baltimore, August 21-24, 2014New York Art, Antique & Jewelry Show, September 17-21, 2014

Dallas International Art, Antique & Jewelry Show, November 6-10, 2014Palm Beach Jewelry & Watch Show, November 13-16, 2014

LA Art Show, January 14-18, 2015Los Angeles Jewelry, Antique & Design Show, January 14-18, 2015

“It would take a lifetime of travel to experience all that the Palm Beach Show Group has to offer.”

Enjoy the Show!

Scott Diament Rob SamuelsPresident/CEO Vice PresidentPalm Beach Show Group Palm Beach Show Group

Scott Diament, GG, G.I.A Robert Samuels, GG, G.I.A

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Kim Martindale

As a producer of Antique and Art shows for the past 36 years, it is with great pleasure that I am able to welcome you to the new Los Angeles Jewelry, Antique & Design Show. From ancient tribal to dazzling estate jewels, it is our goal to gather the most beautiful and intriguing items from around the world and present them to the savvy and eclectic collectors of Southern California. From the de Young to the Metropolitan, great museums have recently featured exhibits beyond paintings and sculptures, honoring the artistry of jewelry, clothing, and furniture. We believe that holding our new show at the same time and next door to our strongly established LA Art Show is a perfect opportunity to follow in this tradition.

I am an avid collector and relish the excitement of the hunt and the satisfaction of finding that perfect “something.” For me that might be a Navajo Germantown weaving, a Japanese netsuke, or a contemporary Chinese brush painting. Whatever your perfect “something” is, I invite you to search for it from among the 60 carefully chosen dealers at our fair.

Proceeds from our Opening Night Premiere Party benefit the FIDM Museum Council and their efforts to acquire the tremendous Helen Larson Historic Fashion Collection. Supporting a local and specifically downtown neighbor was of particular importance to us, a practice we intend to extend into the future.

Los Angeles’ extensive creative community is showcased in our Designer Vignettes and our opening night couture fashion show. I would like to thank the designers for donating their time and efforts to tell a story and illustrate how, in the hands of an artist, the functional can be elevated to the fantastic.

Our special exhibit from Guatemala, Treasures of the Maya Spirit, brings together ancient and contemporary creations, featuring more than 200 extraordinary examples of Mayan art from the Pre-Classic period of Maya civilization (250 BC - 900 AD) through the early part of the twentieth-century, and several contemporary prize-winning works of art from the Guatemalan Biennale. Don’t miss this early glimpse of the awe inspiring exhibits that will one day be housed in The Museo Maya de América to be located in Guatemala City.

So get ready to be enticed and inspired by the blend of form and utility, from time tested to startlingly fresh, at the Los Angeles Jewelry, Antique & Design Show.

Kim MartindaleGeneral Manager/PartnerLos Angeles Jewelry, Antique & Design Show

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Be among the first to view rare gems, jewelry, antique and modern silver, asian art, textiles, books, porcelain, furnishings, tribal art and more. Proceeds benefit FIDM Museum Fashion Council, in support of the acquisition of the Helen Larson Historic Fashion Collection.

Top-tier interior designers present a selection of stylish and eclectic design vignettes, staged to tell a story of how art, furniture and antiquities complement the comforts of home and everyday life. The vignettes offer visitors a snapshot of how to create an inspiring environment out of any sized space.

The world’s most comprehensive Mayan art exhibition, featuring more than 200 extraordinary cultural treasures from the Pre-Classic period of Maya civilization (250 BC - 900 aD), through the early part of the twentieth century, and several contemporary prize-winning works from the Guatemalan Biennale.

an exclusive fashion show featuring several couture designers including top designer, Kevan Hall, and celebrity and upmarket retail designer, Sue Wong. Showcasing a beautiful collection of dresses and costumes, the event will feature professional models posing on pedestals and mingling in the crowd.

Treasures of the Maya SpiritPresented by Museo Maya de america in conjunction with La ruta Maya Foundation.

Opening Night Preview PartyBenefiting the FIDM Museum Fashion Council.

Design VignettesFeaturing renowned interior designers: Hutton Wilkinson, Tony Duquette Incorporated, Sandra Espinet and Patrick Dragonette of Dragonette Limited.

Fashion Event Taking place during the Opening night Preview Party.

FOR MORE INFO aND TO PURCHaSE TICkETS GO TO LaWINTERSHOW.COM

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BENEfITING:

wEDNESDAY, JANuArY 15Vanguard Reception: 7–8 PMOpening Night Preview Party: 8-11 PM

Los angeles Convention Center / South Hall H1201 S. Figueroa Street, Los angeles, Ca 90015

NIGHTPREVIEW PARTY

OPENING

A P A L m B E A C H S H O w G r O u P E v E N T

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Court BodiceGreat Britain, 1761

Day HatEurope, c. 1910

Ball GownUnited States, c. 1853

Donations are fully tax-deductible. For more information, contact:

Kevin Jones, FIDM Museum [email protected] 213 624-5821 x3367

or donate online: www.FIDMmuseum.org/support/donate-online/ Ph

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Royal gowns worn by Queens Victoria, Alexandra, and Mary of Great Britain; Czarina Marie of Russia; and Empress Eugénie of France. Haute couture from designers Worth, Fortuny, Poiret, Lanvin, Vionnet, and Chanel. These ar

Royal gowns worn by Queens Victoria, Alexandra, and Mary of Great Britain; Czarina Marie of Russia; and Empress Eugénie of France. Haute couture from designers Worth, Fortuny, Poiret, Lanvin, Vionnet, and Chanel. These are some of the 1,400

Royal gowns worn by

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Court BodiceGreat Britain, 1761

Day HatEurope, c. 1910

Ball GownUnited States, c. 1853

Donations are fully tax-deductible. For more information, contact:

Kevin Jones, FIDM Museum [email protected] 213 624-5821 x3367

or donate online: www.FIDMmuseum.org/support/donate-online/ Ph

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ph

y b

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Royal gowns worn by Queens Victoria, Alexandra, and Mary of Great Britain; Czarina Marie of Russia; and Empress Eugénie of France. Haute couture from designers Worth, Fortuny, Poiret, Lanvin, Vionnet, and Chanel. These ar

Royal gowns worn by Queens Victoria, Alexandra, and Mary of Great Britain; Czarina Marie of Russia; and Empress Eugénie of France. Haute couture from designers Worth, Fortuny, Poiret, Lanvin, Vionnet, and Chanel. These are some of the 1,400

Royal gowns worn by

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The Laocoön sculpture inspired countless artists, including the legendary Michelangelo. Of the handful of Pre-18th-century Laocoön marbles known, this one is in the best condition of all the celebrated existing models, and is also the only known example that is not presently housed in a museum.

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Most young collectors, and even the seasoned veterans, look incredulous when

they hear this for the first time. Surprising as it may seem, in most cases, this statement is 100 percent true.

Cabinets will swell, mantels will overflow and floor space will disappear, all filled with the treasured items collected over a period of years. And, ironically, this overflow seems to happen at just about the time that most people are in a position to afford to add important pieces to their collections. That’s when the inevitable happens—you see the perfect piece, the one you have searched for or couldn’t afford before and—you pass it by. Was the price too high? No, not really. Was the piece damaged in any way? Well, no. Then why do so many people let such a golden opportunity pass them by? The answer will sound all too familiar to many collectors: “We simply don’t have any room for it!”

Making room for more important pieces in a collection is a bittersweet task, but an inevitable

UpgradingYour Collection

“You will almost certainly

run out of room before you

run out of money.”

ARTICLE BY BILL RAu OF M.S. RAu ANTIquES

one that will keep a collection fresh and interesting. Most collectors have a hard time letting go of anything they have acquired. Fond, and sometimes not so fond, memories are rekindled by an item and parting with it can be difficult. It’s the nature of collecting, especially if pieces in your collection are tied to wonderful vacations, were serendipitous finds on an outing or were a gift from a loved one.

Keep in mind, however, that improving a collection often means letting go. Trade the least valuable piece in your collection for one more valuable and you will be duly rewarded, not only with a better collection but also with a renewed vigor for collecting. Of course, if a piece in your collection came from your mother-in-law, who visits often, for the sake of family harmony, you might consider carefully before trading it in (or you might not!).

HOW TO TRADE uP

There are several ways to sell pieces from your collection and with the advent of Internet auction

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services, the number of venues for selling is ever increasing. You will want to do your research, however, when selecting a venue in order to maximize the return on the piece you are auctioning.

By far the easiest and most reliable way to sell your item is to return it to the dealer from whom you purchased it. Any reputable dealer should take back a piece in trade against a better item. In fact, most quality dealers encourage their clients to upgrade their collections in this manner.

Even though the returned item may be of a lesser quality and harder to resell than the one purchased, making a customer happy and improving their collection is their goal in the long run. Even if you did not purchase your trade-in item from the dealer

who possesses the item you are seeking, ask if they will accept a piece in trade. You will find that some dealers are willing to do this. You can also run your item through an auction house. Most auctions will take pieces on consignment, and many will let you set the lowest

limit at which you will allow the piece to sell. unfortunately, the prices realized at auction can be unpredictable and lower-grade pieces often perform below expectations. Again, do your research. Try to find an auction house that perhaps specializes in the type of item you are selling, or at least one that has a reputation for producing acceptable

returns for their clients. Online auctions such as Ebay

are an extremely popular way for private collectors to sell their pieces, though high returns are

Try to find an auction house that perhaps specializes in the type of item you are selling, or at least one that has a reputation for producing

acceptable returns for their clients.

Still Life with Two Sacks and a Bottle by the Post-Impressionist master Vincent van Gogh. Canvas laid on panel, 12” high x 16” wide. Painted circa 1884-85.

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rare and results can be sporadic. Again, know your market. Ebay sells everything from junk to jewels and you don’t want your item to get lost in the millions of items up for sale. There are numerous books on effectively selling on Ebay and other online auctions. Read the fine print and be sure to place your item appropriately. Do not be discouraged, however, if you have to take a bit of a loss on a lower-grade piece. You will be more than adequately rewarded by the appreciation of the finer pieces you

replace it with when you upgrade. Finally, your children may be

the perfect outlets for clearing out cabinet and floor space. Many children are more than happy to continue the collecting traditions started by their parents and are ready recipients for the pieces you now want to upgrade.

KNOWING WHEN TO uPGRADE

Generally, space becomes the driving force behind upgrading a collection. When you literally can’t place another item in your home—it’s time. If you are a painting collector and you find yourself hanging paintings one on top of the other, or their frames are literally touching— it’s time! Many collectors know it’s time when they simply lose the passion for what they are collecting.

So you’ve made a decision to improve your collection, or you’ve decided to start a collection. For beginners and even long-time collectors, one piece of advice is indispensable—be discriminating. Look for the best piece you can possibly afford. It is better to spend $10,000 on a single incredible piece than to spend $1,000 each on 10 pieces of average quality.

It is far better to have empty space than to try to quickly fill

Paysage de Bretagne by French Impressionist legend Pierre-Auguste Renoir. Oil on canvas, 13 1/8” high x 14 1/8” wide. Painted in 1892.

Still Life with Chrysanthemums and a View of Montmartre

by Dutch Modernist Kees van Dongen. Oil

on panel, 18” high by

24” wide. Painted in 1920.

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out a collection with below-average pieces. Be patient and wait for the right piece to become available. It will cost more for rare and important items, but you will certainly be happier with it in the long run. Higher-grade items will also certainly appreciate more in value over the years, leaving you better off financially as well.

You might ask what criteria must a piece meet in order to be a part of a fine collection? Always ask yourself these seven simple questions:

1. Is the piece in question aesthetically pleasing? Of course, depending on what you are collecting, beauty is in the eye of the beholder, but no matter what, an item must appeal to you aesthetically no matter how important or rare it might be.

2. Is the item in good condition? In most cases, chips, cracks and missing pieces will certainly detract from the value of an item, unless the item’s provenance or rarity is outstanding.

3. Is it rare? Remember, value is often directly proportionate to an

Master English silversmith Paul Storr crafted this George III-period Silver Soup Tureen for Sir Richard Carr Glyn, the Sheriff (1790) and

Lord Mayor (1798) of London. Hallmarked London, 1805

item’s rarity. 4. Was the item crafted by a

well-known or respected maker? If the maker is not known, is the quality of the work exceptional?

5. Is there a known provenance? Knowing who owned a piece in the past, especially if that owner was well known, can add a great deal of value to a piece. Ask for documentation to prove authenticity.

6. Is the item something a museum would be proud to own? It may sound corny, but the words museum-quality, when used appropriately, are very strong words to a collector.

7. Finally, and perhaps most importantly, is the item one that you would be proud to own? Pride in acquiring and owning a high-quality piece is the key ingredient to keeping the passion for collecting alive.

If you answer yes to most of these seven questions, you can be confident that trading places to make room for this item is worthwhile. Years down the road, you will be glad you did. n

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PARTICIPATING

ExHIbITORs

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aFrODIT

Acin Cad. No : 15 / 1 06670 GOP - Ankara, Turkey tel: uSA 917 855 1355 Turkey +90 312 436 21 29 fax: +90 312 447 59 48

email: [email protected]

anTIQuE & DECOraTIVE OrIEnTaL CarPETS, KILIMS & CEnTraL aSIan TEXTILES

Antique Persian Serapi Rug9’5“ x 10‘5“

Perfect condition

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anTIQuE aMErICan InDIan arT, InC.SPECIaLIzInG In 19TH anD EarLy 20TH CEnTury nOrTH aMErICan InDIan arT

naVaJO ruGS, InDIan BaSKETS, PuEBLO POTTEry, TurQuOISE anD SILVEr JEWELry, FInE arT anD arTIFaCTS

8 Argonaut, #160Aliso Viejo, CA 92656

tel: 949-813-7202email: [email protected]

Classic Period Navajo Bayetta & Indigo Shoulder Blanket, circa 1855Zuni Kiva Jar with Frog and Butterflies, circa 1900

Mission Indian Cahuilla Basket by Dolores Lubo, circa 1940Black Pottery by Maria Martinez, circa 1956-1965

Zuni Turquoise and Sterling Silver Squash Blossom Necklace, circa 1950

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678 East Main StreetBlue Ridge, GA 30513

tel: 800-790-9033, 706-369-3553email: [email protected]

benchmarkofpalmbeach.com

David Webb, Gold and Diamond Bangle

BEnCHMarK OF PaLM BEaCHEXQuISITE ESTaTE JEWELry

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One-of-a-kind Butterfly Brooch set in 18k white and yellow goldBiwa pearl 11.18 cts

Oval faceted rubies 2.84 ctsRound cut diamonds 1.50 cts

BuCCELLaTIITaLIan JEWELEr & SILVErSMITH

810 Madison AvenueNew York, NY 10065


buccellati.com

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Collection of Kieselstein - Cord Jewelry

CHaraMOnDE JEWELErSFInE ESTaTE JEWELry

contact: Kris Charamonde500 North Dixie Highway

Lake Worth, FL 33460tel: 561-245-0333


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Otto Jakob b. 1951Gold Pendant “Hoopoe’s Head on a Cloud” 198522kt and 18kt gold, rock crystal, emerald, enamel

1 ½ x 1 inch

DaI ICHI arTS, LTD.

New York, New Yorktel: 212-230-1680


Appointment only

LIMITED EDITIOnED, arTIST JEWELry

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Furniture from Francis Linke and Emanuel J. Zwiener

SPECIaLIzInG In 19TH CEnTury FrEnCH FurnITurE anD OBJECT D’arTS FrOM THE MOST TaLEnTED & FaMOuS CaBInET MaKErS OF THaT PErIOD

FrEnCH KInGS anTIQuES

538 and 540 N. La Cienega BlvdWest Hollywood, CA 90048


frenchantiques.com

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An Iznik polychrome jar with tombak (gold plated copper lid)Height: 50 cm (20 inches)

Diameter: 36 cm (14 inches)

IznIK CLaSSICSCLaSSIC IznIK anD COnTEMPOrary TILES & CEraMICS By TurKISH MaSTErS

utangac Sokak No: 13-17 Sultanahmet-Istanbul, Turkeytel: + 90 212 516 88 74, + 90 212 516 88 73


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18 Karat White Gold and Diamond Cuff Bracelet by Buccellati, Italy

FInE anTIQuE anD ESTaTE JEWELry

J.S. FEarnLEy

contact: Steven Fearnley or David McKeone87 West Paces Ferry Road

Atlanta, GA 30305tel: 404-812-6464 fax: 404-812-6463

email: steven@jsfearnley, [email protected] jsfearnley.com

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JaCOB’S DIaMOnD &ESTaTE JEWELry

anTIQuE & ESTaTE JEWELry

607 S. Hill Street, Suite 304Los Angeles, CA 90014


jacobsestatejewelry.com

David Webb Rock Crystal & Diamond Flower Brooch, Circa 1962,

2½ x 1½ inches overall.

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A unique 18k Gold Coral, Diamond Diamond Necklace and 18k Gold, Coral,Diamond and Emerald Earrings, circa 1960s

JOyCE & STEVE GrOuSSMan

contact: Joyce & Steve Groussman7201 East Camelback Road, Suite 285

Scottsdale, AZ 82501tel: 786-972-4485


anTIQuES & FInE JEWELry

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Tiffany Glass and Decorating CompanyFavrile Glass mosaic fireplace surround from the Howell Hinds house

American, circa 18984ft x 3 ¾ inches high, 5 ft ¾ inches long

FOrEMOST DEaLEr In TIFFany STuDIOS LaMPS anD FaVrILE GLaSS19TH anD 20TH CEnTury arT, DESIGn, anD SCuLPTurE

MID-CEnTury MODErn anD STuDIO FurnITurE

LILLIan naSSau

220 East 57th StreetNew York, NY 10022


lilliannassau.com

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LIOn HEarT auTOGraPHSOnE OF THE WOrLD’S LEaDInG SOurCES FOr rarE

anD IMPOrTanT LETTErS, ManuSCrIPTS & InSCrIBED PHOTOGraPHS InarT, HISTOry, LITEraTurE, MuSIC & SCIEnCE

contact: David Lowenherz216 East 45th Street, Suite 1100

New York, NY 10017tel: 212-779-7050


a Night To Remember: Original eyewitness account of the sinking of the Titanic, penned by the Captain of the rescue ship, Carpathia, 12 days after the tragic events of April 15, 1912 (excerpted above): “At 12:35 a.m... informed that the ... Titanic was

sending out urgent distress signals by wireless, that she had struck ice and required immediate assistance… The pitiable orderliness maintained by all the survivors as

they were helped aboard from the boats was heart-rending, the pluck & endurance of the women & children was remarkable.”

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An exceptional matching pair of Russian Orthodox icons in gilded silver, cloisonné enamel, and pearl cover by maker Pavel Ovchinnikov. Ca. 1900, Moscow.

MaDE In ruSSIaSInCE 1994 a LEaDInG PurVEyOr OF FInE ruSSIan OrTHODOX ICOnS, CaTHOLIC rELIQuarIES, anD OTHEr CHrISTIan rELIGIOuS arTIFaCTS

Contact: Dennis EasterLocations in Palm Beach, FL and New York, NY

P.O. Box 3075Palm Beach, Fl 33480

tel: 561-723-3131e-mail: [email protected]

russianstore.com

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Outstanding mahogany ceremonial table circa 1820 with mahogany veneer. Its polychrome wood bears gorgeously chiseled and gilded bronze ornaments. This

exceptional piece by many standards has belonged to The Earl De Lafarge. Dimen-sions when fully extended: 17 ‘ X 6.56 ‘.

Its exceptional quality is enhanced by a rich bronze decors including palmetto leafs, badges and stars. With exceptional rich features such as ’’ Lion’s head’’ and ‘’Lion’s

paws’’ polychrome gilded legs.

unEarTH rarE OBJECTS WITH THE PaSSIOn OF arT

MarC raVET anTIQuaIrE

Francetel: +33 674 061 194


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A fantastic selection of our snake bangles, showing examples of the differing styles and techniques, featuring enamelled, scale and woven designs, set with gemstones.

MOIra OF nEW BOnD STrEETTHE rarEST JEWELS, THE FInEST anTIQuES

11 New Bond StreetLondon WIS 3SR, united Kingdom

tel: +44 20 7629 0160 fax: +44 20 7945 3343email: [email protected]

moira-jewels.com

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nEIL MarrS

New York City, NYtel: 917-603-7402

[email protected]

Rare Suzanne Belperron platinum and diamond earclips/dress clips, French, ca. 1935.

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OrIEnTaL TrEaSurE BOXJaPanESE anTIQuES & arT

2310-A Kettner BoulevardSan Diego, CA 92101


orientaltreasurebox.com

Japanese Shino Ware Vase by Contemporary Ceramic Artist Hayashi Shotaro15 x 18 x 18 inches

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Extraordinary 19th Century Diamond Parrot Brooch set in Silver on Gold with a Sapphire Eye

PaT SaLInG

608 5th Avenue, Suite 801New York, NY 10020


patsaling.com

FInE ESTaTE & PrECIOuS JEWELry

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Antique Old Mine Cut diamond “Star & Moon” pendants

PLaTT BOuTIQuE JEWELry

8763 Rosewood AvenueWest Hollywood, CA 90048


plattjewels.com

unIQuE & ECLECTIC. JEWELS FrOM yEarS PaST TO PrESEnT

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Spectacular one-of-a-kind emerald & diamond necklace with approximately 56 carats of emeralds

and approximately 80 carats of diamonds set in platinum

PrOVIDEnT JEWELryWest Palm Beach tel: 561-833-7755

Jupiter tel: 561-747-4449Boca Raton tel: 561-488-7737

Naples tel: 239-649-7737Naples tel: 239-649-7200

Ft. Myers tel: 239-274-7777providentjewelry.com

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An extraordinary piece by a highly collected Wounaan master weaver. Large, colorful butterflies in a encircle this basket 19 Months in construction. The base displays a butterfly

flame design encircled in a colorful design. Coil construction basket from Chunga & Naguala palm fibers, all-natural vegetal dyes. 16.5” W x 11.5” H.

raInFOrEST BaSKETSraInFOrEST BaSKETS SPECIaLIzES EXCLuSIVELy In IMPOrTanT, auTHEnTIC MuSEuM-QuaLITy WOunaan HöSIG DI arTWOrKS (WOVEn BaSKETS) FrOM THE DarIén raInFOrEST OF PanaMá.

Portland, ORtel: 505-920-6712


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Patek Philippe 5070J Chronograph men’s watch.

rayMOnD LEE JEWELErSESTaTE, VInTaGE, anTIQuE anD PrE-OWnED JEWELry & WaTCHES

contact: Lee Josephson22191 Powerline RoadBoca Raton, FL 33433

tel: 561-750-7808 fax: 561-750-8005email: [email protected]

raymondleejewelers.net

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18k gold, diamonds, and green tourmaline necklace.

SHErry’Scontact: Sherry Fehr and Gail Fehr

21090 Saint Andrews Blvd.Boca Raton, FL


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Antiquarian & Rare, Vellum and Leather BoundPrize Bindings, Fore-Edge Paintings, Limited Editions

SOnny IDEKEr, BOOKSELLErSPECIaLIzInG In MEDICaL, EXPLOraTIOn, anD LIMITED EDITIOnS.

700 Holcomb Bridge Road, Suite 100Roswell, GA 30076

tel: 770-853-3311, 678-524-6527email: [email protected]

SonnyIdeker.com

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18K yellow gold Lalanounis neck comprised on hammered gold flutedspherical orbs and shaped bead spacers.

STEVEn nECKMan

36 NE 1st Street, Suite 1046Miami, FL 33132


StevenNeckman.com

DIaMOnD anD ESTaTE JEWELry

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Guillaume Seignac (1870-1924) Oil on Canvas “Girl On A Swing” SignedTiffany Studios Apple Blossom Lamp Circa 1910

Art Nouveau Amphora Vase Circa 1900Tiffany Studios Colonial Lamp Circa 1910

TanGIBLE InVESTMEnTS

1910 South Coast HighwayLaguna Beach, CA 92651


gocoins.com

SPECIaLIzInG In aMErICan anD EurOPEan PaInTInGS, SCuLPTurE, DECOraTIVE arTS anD EVEryTHInG FrOM THE arT nOuVEau

anD arT DECO PErIODS In aDDITIOn TO an EXQuISITE COLLECTIOn OF JEWELry anD WaTCHES

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THE r&J COLLECTIOn

contact: Joyce & Ron BronowP.O. Box 55153

Sherman Oaks, CA 91403tel: 818-640-7906

email: [email protected]/shops/therandjcollection

American Victorian figural napkin rings, large art nouveau silver plated pitcher,art nouveau silver overlay pitcher and perfume,

figural Victorian American silver plated celery holder

FIGuraL naPKIn rInGS, SMaLL STErLInG ITEMS, SILVEr OVErLayFIGuraL aMErICan VICTOrIan SILVErPLaTE

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THE WESTEr GaLLEry425 Hembree HollowRoswell, GA 30076


Mr. Wester teaches: The Lamps of Tiffany at Emory university in Atlanta, Georgia’s OLLI at Emory Division

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TOJ GaLLEry

420 Adams StreetAnnapolis, MD 21403

By appointmenttel: 410-626-0770 cell: 443-995-5377


EurOPEan CEraMICS anD JaPanESE WOrKS OF arT On PaPEr

A rare Boch Freres Keramis vase with stylized storks and partial original label.Signed by Charles Catteau and exhibited in Liege in 1930.

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VEnDOMEFInE SIGnED 20TH CEnTury ESTaTE JEWELry

contact: Deborah Wilson1187 Coast Village Road, #1-496

Santa Barbara, CA 93108tel: 805-969-5997 fax: 805-565-1112email: [email protected]

vendomeinc.com

CARTIER Tiger CuffHinged 18K Gold double headed tiger cuff with emerald eyes.

Signed Cartier No. 623208, French marks

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JEWELS By VIGGIFInE DIaMOnD JEWELS

Exclusively available from the Jewels by Viggi, Magnificent Collection.Handcrafted platinum drop earrings,

24.81 carats of perfectly matched Asscher-cut diamonds.

New YorkConnecticut


viggi.com

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Tiffany & Co. Brooch & Earring SetBvlgari Natural Color Diamond Necklace/Pin

7ct Platinum Diamond Deco RingNatural Pink Diamond Ring

Platinum Deco Bracelet with 5ct Center

VIVID DIaMOnDS & JEWELry169 E. Flagler Street, Suite 905

Miami, FL 33131tel: 888-970-GEMS (4367), 305-722-2753


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FInE anTIQuE JEWELry

Magnificent Harry Winston Diamond Necklace and Superb Mystery-set Ruby Harry Winston Diamond Bracelet.

yaFa SIGnED JEWELS

contact: Yafa & Maurice Moradof580 5th Avenue, Store 7

New York, NY 10036tel: 212-719-9828 cell: 516-652-2085 fax: 212-869-2016


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The 11th largest Emerald in the world combining 18k yellow gold necklace set with 5.82 ct. diamonds from the exotic Emerald Collection by Yvel

yVELJerusalem, Israel

tel: 972-2-673-5811email: [email protected]

yvel.com

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TRIbAl &

AmERICAN INdIAN

ART sECTION

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he Los Angeles Jewelry, Antique & Design Show is pleased to present the Tribal and American Indian Art Section, showcas-ing the finest examples of tribal art from all over the world. This section features pieces of African, American Indian, Oceanic, Pre-Columbian, Spanish Colonial periods and more.

To view these collections with an interest for the beauty and history of Tribal art is in and of itself reason to visit this sec-tion. Art lovers of more recent periods will find many works of inspiration for their favorite 20th century masters here as well, however. Picasso, Modigliani, Gauguin, Rousseau, Ma-tisse, and Kirchner, to name a few, were all collectors of tribal art, which is evident in the study of both tribal art and these masters’ works. As Picasso famously said, “Bad artists copy. Good artists steal.”

T

Much has been said about Picas-so and the Cubist Movement’s inspiration from African tribal art. Primary Source Gallery will present A Banza Throwing Knife (left), from the Congo Basin in Africa. The piece, circa 19th century has been likened to Henri Matisse’s cut out stencils from his Jazz portfolio of 1947.

Tribal & American Indian ART SeCTIOn

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Jerry Solomon Asian & Tribal Arts will exhibit a Chamba Daka Female Mask, northern Central nigeria (top). Masks of this type have inspired many modernist artists. Lesser known, is the link between ‘primitive art’ of the Americas and mod-ernism, both American Indian and particularly the ancient Pre-Columbian stone and ceramic works. The principal founder of the Surrealists, Andre Breton, as well as Wolfgang Paalen, found their primitive inspiration in works of the north-west Coast native American tribes. A Bella Coola Dance Mask, British Columbia, Circa 1870s, will be on view from Anthropos Gallery (right).

Masks of this style have been linked to Edvard Munch’s famous work, The Scream. The Los Angeles Jewelry, Antique & Design Show will present a grouping of top native American galler-ies showcasing diverse material from several tribal groups.

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Many of Paul Gauguin’s works were in-spired by the ancient pottery of Peru. From Diego Rivera to Rufino Tamayo, Pre-Co-lumbian art has always been a focal point in their Modernist creations.

Henry Moore’s famous sculptures were inspired by the ceramic and stone works of Pre-Columbian Mexico and the Oceanic art of the Pacific Islands . Anthropos Gallery will present a Pre-Columbian figure that is considered as the inspiration to Henry Moore’s conjoined couples (left).

Caskey-Lees will present a Gope Board, wooden ritual object from Papua new Guinea (19th or early 20th c. pictured left).

Mark A. Johnson Tribal Arts will show a Guardian Spirit of Nobility, from Borneo (below).

Tribal & American Indian ART SeCTIOn

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ParticiPating galleries:Anthropos Gallery860 Glenneyre Steet, Suite 2Laguna Beach, CA [email protected]

Antique American Indian Art, Inc8 Argonaut Street, Suite 160Aliso Viejo, CA [email protected]

Caskey-LeesP.O. Box 1409 Topanga, CA [email protected]

Dimondstein Tribal Arts749 South Longwood AvenueLos Angeles, CA [email protected] Earl W. Duncan19800 Metcalf #100Stilwell, KS 66085913.980.3366

Federico Jimenez754 Milwood AvenueVenice, CA [email protected]

Jerry Solomon Asian & Tribal ArtsP.O. Box 48737Los Angeles, CA [email protected]

KR Martindale P.O. Box 661009 Los Angeles, CA 90066310.822.9145 [email protected]

Leonard Kalina Fine Arts4150 La Salle AvenueCulver City, CA 90232310.399.0136leonardkalinafinearts@verizon.netLeonardKalina.com

Mark A. Johnson Tribal Arts 578 Washington Blvd. #555 Marina Del Rey, CA [email protected]

Monterey Garage480 S. Fair Oaks AvenuePasadena, CA 91105323.376.6538MontereyGarageAntiques.com

Philip Garaway Native ArtsP.O. Box 1020 Venice, CA [email protected]

Primary Source4847 W. Jefferson Blvd. Los Angeles, CA 90016323.732.6131 [email protected]

Rainforest Baskets17199 nW Broken Top Drive Beaverton, OR [email protected]

Shiprock Trading Co.53 Old Santa Fe Trail, 2nd FloorSanta Fe, nM [email protected]

Stendhal Galleries7065 Hillside AvenueLos Angeles, CA [email protected]

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TREAsuREs Of

THE mAYA sPIRIT

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GUATEMALA:

TREASURES OF THE MAYA SPIRIT

Treasures of the Maya Spirit is an exhibition that celebrates Maya culture and its contributions to the world. The exhibition will present more than 200 extraordinary examples of Pre-Columbian Maya Art, and will also feature some of the finest examples of native Guatemalan textiles, antique masks, and dance costumes, as well as contemporary works of art by prize-winning artists and anonymous artist-artisans, reflecting the Maya region´s worldview.

Treasures of the Maya Spirit focuses on the art and civilization of the Maya people and is curated by several organizations headed by Gio Rossilli: Sofia Paredes Maury, Fundacion La Ruta Maya; Ines Guzman, Museo Maya de America; Raymond Senuk, Friends of Ixchel Museum; Professor Peter Markman & Dr. Alison Heney, Xipe Projects; and Adrian Lorenzana, Paiz Foundation.

La Ruta Maya Conservation Foundation

La Ruta Maya Conservation Foundation is a non-profit organization supporting the rescue, conservation, and preservation of Guatemalan cultural values by promoting education, dissemination, and valorisation of the Maya’s cultural heritage in the Mesoamerican region. The Foundation has a collection of more than 4,000 Pre-Columbian objects, and is responsible for the custody and management of these objects, duly registered at the Registry of Cultural Property. Among them are ornaments, figurines, monuments, sculptures, ceramic vessels, and examples of pictorial art in ceramic and stone.Visit www.larutamaya.com.gt

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These objects were manufactured using a variety of materials from different sources found in Mesoamerica such as clays and minerals for ceramics, shell, bone, coral, jade, obsidian, flint, and basalt, among others.

Polychrome Stucco Figure of a Warrior as a Crouching JaguarSouthern Maya lowlands, probably southwest of the Lakes region of Peten, Guatemala. Early Classic period (ca. 250 AD- 600 AD).Height: 66 cm; Length: 266 cm; Width: 105 cm (Register No.1.2.1.299)

Photo: Jorge Pérez de Lara

Mosaic Jade mask with coral and obsidian and inlaid shell Maya Lowlands Classic period (250-900 AD)Height: 12.3 cm; Width: 13.5 cm (Register No.1.2.1.299) Photo: Jorge Pérez

Carved Conch Shell with the image of a noble manTerminal Classic Period (900 - 1200 AD)Maya Lowlands Length: 34 cm; Width: 18 cm(Register No. 1.2.144.187) Photo: FLAAR

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GUATEMALA:


Friends of Ixchel Museum

The Friends of the Ixchel Museum, a US charitable foundation, was established in 1984. There are two primary missions for the organization: to promote interest in the Maya textile tradition through exhibitions, education and publications outside of Guatemala, and to support the work of the Museo Ixchel by funding selected projects. The textiles on exhibit are from the collection of the Friends of the Ixchel Museum. Over the years the collection has been built solely through the donation of textiles.

For the most part the textiles on exhibit are ceremonial textiles reserved for special occasions including but not limited to cofradia (religious co-fraternities), weddings, baptisms, and mass attendance. They date to the first half of the 20th century and represent some of the finest examples from the period. These kinds of textiles are still being produced today but in limited numbers and with very different materials.The textiles in this exhibition were curated by Raymond Senuk.Visit www.ixchelfriends.org

Cofradía Huipil (ceremonial woman’s blouse)Department of Chimaltenango, Language Group – Kaqchikel1940s/1950sSanchez Collection/Friends of the Ixchel Museum

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Xipe Projects:

Xipe Projects is a museum and a non-profit educational foundation, which houses the Peter and Roberta Markman collection of masks and popular art. The museum/Foundation is committed to the dissemination of information through exhibitions and publications aimed to stimulate interest in Latin American masking and popular art through conducting and underwriting research that will be presented in publications, lectures, and seminars; exhibitions of material drawn primarily, but not exclusively, from the Markman’s extensive collections; and acquiring, conserving, and publishing information about the masks, costumes, dance paraphernalia, and popular art of various Latin American traditions. The masks and folk saints in this exhibition were curated by Dr. Alison Heney. Visit www.xipeprojects.com

Dog Mask from the Dance of the DeerEarly 20th century

Moore Mask from the Dance of the ConquestMid to late 19th century

Monkey Mask from the Dance of the Monkeys Early 20th century

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GUATEMALA:


Paiz Foundation The Paiz Foundation for Education and Culture was founded by Carlos and Graciela Paiz in the 1970s. Their social work program started helping young Guatemalans achieve better access to education. Presently the Foundation has a yearly impact on more than 70,000 people and is dedicated to the cause of developing educational programs using the arts and culture as tools for social development.

In 1978, the Paiz Foundation started a Guatemalan art Biennial, a very ambitious program which now happens to be the area’s most important visual arts event. Many of the most renowned artists in Guatemala’s modern art history have had their first exposure through the Paiz Biennial. There have been 18 editions since the Biennial’s inception, spanning 36 years of building the Foundation’s visual arts collection, where some of the most outstanding works of art can be found. Guatemala is proud to be honored at this year’s LA Art Show and in response the Paiz Foundation will exhibit a special selection of pieces from the collection curated by Adrian Lorenzana to share with the viewing public.Visit www.fundacionpaiz.org.gt

Luis González PalmaLA ROSA(Photograph; 91.5 x 91.5cm)

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Fundación Museo Maya de América unveils the design of Central America’s largest museum of Maya artifacts and culture.

The Museo Maya de América, will be located in Guatemala City, and is to become a leading venue for the public to view objects, artifacts, artworks, textiles, and information on the history and culture of the Maya civilization. The institution is among the most ambitious cultural projects in the region, containing approximately 60,000 square meters (more than 600,000 square feet) of construction with a budget of US$60 million.

“With an enormous sense of optimism and a vision for the future, we aim to create a museum that celebrates Maya culture and carefully explains it,” states Fernando Paiz, President of the sponsoring organization Fundación Museo Maya de América. “We want the world to understand the sophistication and richness of this civilization in Guatemala and beyond.”

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GUATEMALA:


Organized for maximum public interaction with the site, the ground is given almost entirely to open space. The galleries reside within the floating box, which is connected to the lower levels by stairs that climb their way around a central courtyard. “The central court evokes a cenote, a type of natural sinkhole characteristic of the Yucatan and held sacred by the Maya,” states Roberto de Oliveira Castro, principal of over,under. “Open to the sky and lushly planted, the eight-story cenote functions as the heart of the museum, and it forms an orientation point within the museum that extends down to the parking levels below ground, providing an interesting route into the museum and a special place to display underworld-related artifacts.”The design of the Museo Maya de América has been developed by Harry Gugger Studio of Basel and over,under of Boston. Seis Arquitectos of Guatemala City will serve as the architect of record. Conceptual design work has been completed, and a fundraising campaign has commenced.

Visit www.museomayadeamerica.orgOr contact us at [email protected]

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Your generous contributions are welcome. Your participation will make you part of the selected group of friends of the museum, and as such we

will keep you informed of developments and our projects.

Future MUSEO MAYA DE AMERICA view of the “cenote”

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PARTICIPATING

ORGANIzATIONs

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At the age of six, Sue was able to flee Communist China with her mother, who bribed a border guard with her wedding jewels. Journeying to the United States by way of Hong Kong, mother and child reunited with Sue’s father in Los Angeles. As a child, her nascent creative tendencies drew her to art. In High School she was chosen from over three hundred female classmates to be a member of the May Company Teen Board, allowing her the opportunity to work in various capacities including modeling, assisting in window display and merchandising. While she was still trying to earn a fashion degree, she won first place in a scholarship sponsored by resource brand Arpeja company, where she interned and eventually rose to the position of chief designer for the label’s Young Edwardian. Her attempt at launching her own line at age 30 was ill timed. She was in the midst of an acrimonious divorce and raising two young sons. Un-deterred, she relaunched her brand five years later, rolling out an initial collection of Sue Wong day dresses to critical acclaim in 1985. Eventually, she introduced more elaborate evening pieces in 1999, a move that would firmly establish her signature style of haute glamour, femininity and romantic vintage sensibilities. With each new collection, Sue Wong never fails to astonish, employing the revered age-old couture techniques implemented by the finest Couture houses in Europe, and evoking the allure and glamour of various eras such as Weimar Berlin, 1930s Shanghai, Precode Hollywood and Manhattan’s gilded Jazz Age. While often adopting vintage style, every design belongs in the now and is decidedly very Sue Wong and rooted in undeniable prag-matic reality: exquisite fabrics shimmering with incandescent beads, unique embroideries and layered textures embellished with passementerie and soutache combine to create works of art that are graceful, elegant, unique and timelessly beautiful. Sue Wong truly captures and embodies through her work her mantra of Beauty. Magic. Transformation. It is the Eternal Feminine Goddess energy that Sue Wong aspires to honor in every woman, creating beauty and sor-cery that both enchants as it empowers, leaving a trail of wistful romantics speechless in its wake…

SUE WONG is a study in contrasts. She appears petite, yet possesses a commanding presence and grand energy that fills an entire room. While there is power and confidence in her designs, romantic fantasy and poetic lyricism inform her work. The elegant economy of her gestures belies the strength and determination with which she has managed her business for over two decades. This collision of polar opposites creates the frisson that fuels Sue Wong’s gorgeous designs and has established the Sue Wong signature style.

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Detroit-born Kevan Hall’s fashion creativity emerged early. By the age of seven, he knew he wanted to be a fashion designer. Years later, while studying in California, he made a vision-enhancing trip to Europe, where a visit to the houses of Cardin, Dior and most notably, Givenchy his lifelong love of luxury and haute couture was once again sparked.

Redefining glamour for a new generation is an interpretive art. Redefining the hallowed house of Halston into the next millen-nium was an even more challenging task. But Kevan Hall--who stepped into the prestigious position of Design and Creative Director from Fall 1998 - Spring 2000 revived the dormant brand to its former glory. His sleek eveningwear was worn by a distinguished coterie of celebrated artists- including Celine Dion, Sharon Stone, Charlize Theron, and Salma Hayek.

In 2002, he launched his own signature, Kevan Hall Collection with a fashion philosophy that emphasizes purity of style, incomparable tailoring and sensuously draped streamlined silhouettes; Hall has a natural design sense of sophisticated elegance and uncluttered modern design. Hall’s designs have been embraced by fashion re-tailers and the press. Hall has made guest appearances on national TV shows such as Inside Edition, Extreme Makeover, The Better Half, SoapTalk, the Jane Pauley Show, TV Guide’s- the Fashion Team and E! Fashion Police where he discussed fashion‘s current trends on and off the Red Carpet. He has given lectures at the Norman Lear Center of the University of Southern California and for the Costume Council at the Los Angeles Museum of Modern Art on his inspirations and influences when designing his collection.

Kevan Hall SPORT brings in the new year of 2014 with an active lifestyle brand of golfwear for women, from the green to the clubhouse. With his own Signature collection, his philosophy of fashion has remained true to his early days. “I enjoy the process of design from concept to execution,” he states. “But the most gratifying part is seeing a design come to life on a beautiful wom-an.” Rejecting trends and fads in favor of a lasting signature look, Hall’s hallmark of glamour with a modern sensibility is a priceless gift to the welcoming world.

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atrick Dragonette established his eponymous showroom in Los Angeles in 1997, after an earlier foray onto the stage. “I attended theater school in new York and thought I’d be an actor,” says Dragonette, “but I have always been drawn to antiques and design.” In the ensuing years, Dragonette Ltd has become one of the country’s top resources for high-end mid-20th-century design, including furniture, art and accessories, and has made a name for itself as a go-to source for designers across the country. Dragonette Ltd has made the works of William Haines a specialty, and Patrick has become a well-versed student of Haines’ work.

Dragonette Ltd’s offerings have expanded in recent years to include Dragonette Private Label, a collection of pieces with a modern mid-century bent designed by Patrick, as well as vintage jewelry, primarily vintage couture costume and runway pieces from the 1980s/90s.

In addition to curating the shop, Dragonette is an interior designer, and has helmed several important commissions, including the orches-tration of an astonishing collection of mid-cen-tury pieces for a Hal Levitt house in Trousdale estates. “My approach,” says Dragonette, “is to seek simplicity of shape and design, matched by genuine comfort.”

As a dealer as well as designer, Dragonette strives to use the best of the past to ground and set apart today’s interiors creating something new and interesting.

P

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Hutton Wilkinson was born in Los Angeles, Cali-fornia and grew up in the architectural offices of his father and grandfather. At age eighteen he had the opportunity to apprentice under the great American design icon, Tony Duquette. Wilkinson worked for Duquette as a volunteer apprentice for two years and then as a paid assistant designer for three years before starting his own interior design firm.

Besides his own commissions, Wilkinson, with Duquette, collaborated on numerous interiors. In 1994 Wilkinson and Duquette officially became business partners; Wilkinson purchased one half of the Tony Duquette Studios Inc. as well as the inter-national trademarks to the name “Tony Duquette.” In 1998, Wilkinson and Duquette, at the invitation of the Bergdorf Goodman store in Manhattan, launched a collection of one-of-a-kind, fine jewelry, which has been popularly accepted by both the public and the fashion press. Since the success of this new enter-prise, Wilkinson has devoted much of his time to the design of these unique jeweled creations under the “Tony Duquette” trademark.

Since Duquette’s passing, Wilkinson has served as the president of The Anthony and elizabeth Duquette Foundation for the Living Arts. He is also the pres-ident of The elsie de Wolfe Foundation and is also a member of the board of directors of “Save Venice Inc.” a non-profit American organization dedicated to preserving historic works of art and monuments in Venice, Italy.

Wilkinson has authored three books: Tony Duquette (2007, co-author with Wendy Goodman); More Is More, Tony Duquette (2009); and Tony Duquette, Hutton Wilkinson, Jewelry (2011).H

utto

n

W

ilkin

son

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Interior designer and lifelong traveler Sandra espinet is a mix-master of eclectic conver-gence, specializing in the fearless melding of exotic furniture, architectural elements, accessories, and art with traditional furnishings while creating alluring family living spaces. Her vignette will reflect her ability to blend cultural elements from around the world in her interior design projects in the Americas.

Sandra’s extensive world travels produce “finds” of exquisitely wrought artisanal furni-ture, dramatic artworks, and exotic accessories that are put to beautiful use in her clients’ homes worldwide, particularly in California, Latin America, Mexico and Central America, Florida, and the Bahamas. The results are stylish and unforgettable interiors appealing to a discerning clientele around the world.

This fall and winter, Sandra presents her first book, the “The Well-Traveled Home,” which glorifies the soul of luxury homes blending fabulous objects culled from particular corners of the globe. Sandra espinet’s work has graced the cover of Architectural Digest Latin America twice and been featured in the publication 8 times, as well as Cosmopolitan, House Beautiful, California Home + Design, Kitchens & Baths, and numerous other magazines. She has appeared on several HGTV shows, including “Celebrity Holiday Homes” and “Bang for Your Buck.” espinet is the 2011 winner of the American Society of Interior Designers’ Best Designer award for homes over 3,000 square feet. espinet, ASID, has degrees from the new england School of Design in Boston, the American College of Art in Atlanta, and the American Film Institute in Los Angeles. She lives between Beverly Hills and San Jose Del Cabo, Mexico.

Sandra Espinet

The

Wel

l-Tra

vele

d H

ome

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lOs ANGElEs Jewelry, Antique & design show

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Courtesy of:

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ALPHABETICAL LIST OF EXHIBITORSAfrODITACIN CAD. NO: 15 / 1 06670 GOP Ankara, TurkeyuS 917 855 13 55 Turkey +90 312 436 21 29 [email protected]

ANTIquE AmErICAN INDIAN ArT8 Argonaut, #160Aliso Viejo, CA 92656tel: [email protected]

BENCHmArk Of PALm BEACH678 East Main StreetBlue Ridge, GA 30513800-790-9033benchmarkofpalmbeach@hotmail.combenchmarkofpalmbeach.com

BuCCELLATI810 Madison AvenueNew York, NY [email protected]

CHArAmONDE JEwELErSKris Charamonde500 North Dixie HighwayLake Worth, FL [email protected]

DAI ICHI ArTS, LTD.New York, New Yorktel: [email protected] only

fAmE, LLC.3032 Dona Susana Dr. Studio City, CA 91604tel: 323-428-7534email: [email protected]

frENCH kINGS ANTIquES538 and 540 N. La Cienega BlvdWest Hollywood, CA 90048tel: [email protected]

IzNIk CLASSICSutangac Sokak No: 13-17 Sultanahmet-Istanbul/ Turkeytel: + 90-212-516 88 74, + 90-212-516 88 [email protected]

J.S. fEArNLEYSteven Fearnley 87 West Paces Ferry Road, Suite 2Atlanta, GA [email protected]

JACOB’S DIAmOND & ESTATE JEwELrY607 S. Hill Street, Suite 304Los Angeles, CA 90014213-627-0072jacobsjewelry@sbcglobal.netjacobsestatejewelry.com

JOYCE GrOuSSmAN ESTATE & fINE JEwELrYJoyce & Steve Groussman7201 East Camelback Road, Suite 285Scottsdale, AZ 82501786-972-4485joycegroussman@gmail.comjoycegroussmanjewelry.com

LILLIAN NASSAu220 East 57th StreetNew York, NY [email protected]

LION HEArT AuTOGrAPHSDavid Lowenherz216 East 45th Street, Suite 1100New York, NY 10017212-779-7050lionheart@lionheartinc.comlionheartautographs.com

mADE IN ruSSIADennis EasterP.O.Box 3075Palm Beach, FL [email protected]

mArC rAvET ANTIquAIrEFrance+33 674 061 [email protected]

mOIrA Of NEw BOND STrEET11 New Bond StreetLondon, W1S 3SR, united Kingdom+44 20 7629 0160 [email protected]

NEIL mArrSNew York City, [email protected]

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ALPHABETICAL LIST OF EXHIBITORSOrIENTAL TrEASurE BOx2310-A Kettner BoulevardSan Diego, CA 92101619-221-9071Kazuo@orientaltreasurebox.comorientaltreasurebox.com

PAT SALING608 Fifth Avenue, Suite 801New York, NY [email protected]

PLATT BOuTIquE JEwELrY8763 Rosewood AvenueWest Hollywood, CA [email protected]

PrOvIDENT JEwELrYWest Palm Beach, Jupiter, Boca Raton Naples I, Naples II, Ft. Myers 561-833-7755providentjewelry.com

rAINfOrEST BASkETSPortland, [email protected]

rAYmOND LEE JEwELErSLee Josephson22191 Powerline Rd.Boca Raton, FL 33433561-750-7808 [email protected]

SHErrY’SSherry Fehr, Gail Fehr21090 Saint Andrews Blvd.Boca Raton, [email protected]

SONNY IDEkEr, BOOkSELLEr 700 Holcomb Bridge Road, Suite 100, Roswell, GA 30076770-853-3311 / [email protected]

STEvEN NECkmAN36 NE 1St #1046Miami, FL [email protected]

TANGIBLE INvESTmENTS1910 South Coast HighwayLaguna Beach, California [email protected]

THE r&J COLLECTIONcontact: Joyce & Ron BronowP.O. Box 55153Sherman Oaks, CA [email protected]/shops/therandjcollec-tion

THE wESTEr GALLErY 425 Hembree HollowRoswell, Georgia [email protected]

TOJ GALLErY 420 Adams StreetAnnapolis, MD 21403By appointment410-626-0770 cell: [email protected]

vENDOmEDeborah Wilson1187 Coast Village Road, #1-496Santa Barbara, CA 93108805-969-5997 [email protected] JEwELS BY vIGGINew [email protected]

vIvID DIAmONDS & JEwELrY 169 E. Flagler Street, Suite 905Miami, FL 33131888-970-GEMS (4367), [email protected]

YAfA SIGNED JEwELSYafa & Maurice Moradof580 5th Ave. Store 7New York, NY. 10036212-719-9828 [email protected]

YvELJerusalem, [email protected] yvel.com

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THE INTERNATIONAL ART MAGAZINE

OCTOBER 2013 £5.95

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OCTOBER 2013 £5.95

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Plus . Ellsworth Kelly . Mr Chow . Turner and Constable

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Wasted TalentArt and the lure of alcohol

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16/9/13 12:28:10

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Plus . Grayson Perry . Parmigianino and Beauty . Dumfries House

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DECEMBER 2013 £5.95

AWARDS 2013

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Plus .Grayson Perry

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Turner and Constable

The InTernaTIonal arT MagazIne

noVeMBer 2013 £5.95

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Born before World War I.

Well cared for and in awless condition.

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Los Angeles Jewelry, Antique & Design Show