Larry Young (musician)From Wikipedia, the free encyclopedia

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Larry Young

Also known as Khalid Yasin

Born October 7, 1940

Newark, New Jersey

Died March 30, 1978

New York City

Genres Jazz, hard bop, soul jazz, jazz-funk

Occupations Musician, songwriter

Instruments Electric organ

Labels Blue Note Records

Larry Young (also known as Khalid Yasin (Abdul Aziz); October 7, 1940, in Newark, New Jersey – March 30, 1978, in New York City) was anAmerican jazz organist and occasional pianist. Young pioneered a modal approach to the Hammond B-3 (in contrast to Jimmy Smith's soul-jazzstyle). However, he did play soul-jazz also, among other styles.[1]

Contents  [hide] 

1 Biography

2 Discography

o 2.1 As leader

o 2.2 As sideman

3 References

Biography[edit]

Young played with various R&B bands in the 1950s before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul-jazz discs, Testifying, Young Blues and Groove Street. When Young went to Blue Note in 1964, his music began to show the

marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded many times as part of a trio with guitarist Grant Green and drummer Elvin Jones, occasionally augmented by additional players; most of this sequence of albums was released under Green's name, though Into Somethin' (with Sam Rivers on saxophone) became Young's Blue Note debut. Unity, recorded in 1965, remains his best-known album; it features a front line of Joe Henderson and the young Woody Shaw. Subsequent albums for Blue Note (Contrasts,Of Love and Peace, Heaven On Earth, Mother Ship) also drew on elements of the '60s avant-garde and utilised local musicians from Young's hometown of Newark. Young then became a part of some of the earliest fusion experiments: first in Lifetime, Emergency! with Tony Williams and John McLaughlin and also on Miles Davis's Bitches Brew. His sound with Lifetime was made distinct by his often very percussive approach and often heavy use of guitar and synthesizer-like effects. He is also known to rock fans for a jam he recorded with Jimi Hendrix , which was released after Hendrix's death on the album Nine to the Universe.

His characteristic sound involved management of the stops on the Hammond organ, producing overtone series that caused an ethereal, drifting effect; a sound that is simultaneously lead and background.

In March 1978 he checked into the hospital for stomach pains. He died there on March 30, 1978, while being treated for what is said to be pneumonia. However, his actual cause of death is unclear.[2][3]

Discography[edit]

As leader[edit]Prestige Records

1960: Testifying

1960: Young Blues

1962: Groove StreetBlue Note Records

1964: Into Somethin'

1965: Unity

1966: Of Love and Peace

1967: Contrasts

1968: Heaven on Earth

1969: Mother ShipOthers

1973: Lawrence of Newark (Perception Records)

1975: Fuel (Arista)

1976: Spaceball (Arista)

1977: The Magician (Acanta/Bellaphon)

As sideman[edit]With Joe Chambers

Double Exposure (1978, Muse)

With Miles Davis

Bitches Brew  (1969, Columbia)

Big Fun

With Jimmy Forrest

Forrest Fire  (New Jazz, 1960)

With Grant Green

Talkin' About!  (1963, Blue Note)

Street of Dreams  (1964, Blue Note)

I Want to Hold Your Hand  (1965, Blue Note)

His Majesty King Funk  (1965, Verve)

With Etta Jones

Love Shout  (Prestige, 1963)

With Gildo Mahones

I'm Shooting High  (Prestige, 1963)

The Great Gildo  (Prestige, 1964)

With John McLaughlin

Devotion  (1969, Douglas)

Love Devotion Surrender  (1972, Columbia) - with Carlos Santana

With Woody Shaw

In the Beginning  (Muse 1965 [1983])

With Tony Williams

Emergency  (1969, Polydor)

Turn It Over (1970, Polydor)

Ego (1971, Polydor)

With Love Cry Want

Love Cry Want  (1997, Newjazz.com)