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 Keywords in Threshold Concepts: Time-Binding and Methodologizing Disciplinary Lexicon Derek Mueller, Eastern Michigan University, [email protected]  ver the last two years, rhetoric/composition/writing studies scholars have granted more serious attention to threshold con- cepts (Meyer and Land, 2005) as a theoretical frame both for organiz- ing the eld and for documenting knowledge transfer related to writ- ing instruction. Threshold concepts have grown precipitously in popu- larity and proven useful as a cur- ricular and programmatic heuristic, and yet much of this early atten- tion to them has been philosophi- cal, conceptual, and speculative. As such, this poster presentation enters the conversation about threshold concepts with an under- standing that they remain due for further examination and elabora- tion, especially in terms of the methodologies used to identify and trace them. K        e         y      w     o  r    d   TC K     e      y    w    o    r    d     K    e    y   w   o  r   d    K   e   y  w  o  r  d   K  e  y w o r d K eyword   K  e   y   w  o  r  d    K   e   y   w   o   r   d      K    e    y    w    o    r     d      K       e       y       w       o       r         d    P    h   a   n    t   o   m     i   n   d   e    x    i   c   a    l  P  h  a  n  t  o  m  i  n  d  e  x  i  c  a  l P h a n t o m  i n d e x i c a l P   h  a  n  t  o  m   i   n  d   e  x  i   c  a  l    c       o     m      p      u  t      e  r    TC c     r     a     f       t      d    e   s   i     g   n   i  m a  g  e  g e n r e materiality  m  u   l   t   i  m  o  d  a   l   n   e    t   w   o   r    k      t     e    c       h    n    o     l    o    g    y     w       r         i            t      i       n       g      P    h   a   n    t   o   m     i   n   d   e    x    i   c   a    l  P  h  a  n  t  o  m  i  n  d  e  x  i  c  a  l P h a n t o m  i n d e x i c a l P   h  a  n  t  o  m   i   n  d   e  x  i   c  a  l   All writing is multimodal.  c       o     m      p      u  t      e  r    TC c     r     a     f       t      d    e   s   i     g   n   i  m a  g  e  g e n r e materiality  m  u   l   t   i  m  o  d  a   l   n   e    t   w   o   r    k      t     e    c       h    n    o     l    o    g    y     w       r         i            t      i       n       g      t    h   e   o   r    y  m e  d  i  a m e t h o d r  h  e  t  o  r  i   c  All writing is multimodal.  The above illustrati ons operate as a modelling system more than a representational system following a distinction ex- pressed by Johanna Drucker: “They [modelling systems] are concerned with generating new knowledge through the use of visual means, not assuming that knowledge exists a priori ” (40). { { {   {        {  The modelling system ou tlined here will be fo cal in the Fall 2015 pil ot of WRTG500: Introduction to Graduate Studies in Written Communication  at Eastern Michigan University. WRTG500 is an MA-level course focused on threshold concepts, keywords, and the maturation of the discipline.  This basic model indicat es envelopment: TCs coalesce indexically, amassing a lexi- con and solidifying in a wraparound of materially circulating disciplinary dis- course. Tracing the rising and falling of TC-associat ed keywords provides a meth- odological basis for know- ing the full life cycle of a TC, through nascence, matura- tion, and expiration.  To i llustrate, consider the TC shown here: All writing is multimodal. These ten key- words (left; six from Heilker and Vandenberg’s Keywords in Writing Studies (2015) and four additional) function as threshold-concep tual foot- ings, over the past two de- cades marshalling the now - articulable TC into promi- nence. Keywords are not alone, however, in mobilizing threshold concepts. TCs also gain buoyancy from what I call phantom indexicals - -formidable (if ellusive and tacit) accomplices to a TC that may not circulate with high frequency in published scholarship.  Time-binding refers to a con- ceptual framework and nota- tion practice designed to specify chronos. Introduced by Alfred Korzybski in 1924, in association with the Gen- eral Semantics movement, the practice failed to catch on. Yet, as a modelling opera- tion, it alerts us to the rela- tionship between time, TCs, and the rising and falling key- words enveloping them.  Ten ke ywords fro m the T C-Keyword model are listed her e with sparkline s plotting their frequency in College Composition and Communication from 1989 through 2013.  The twenty- ve year corpus covers 507 articles and co nsists of 3,943,528 wor ds. The graphs oer perspective on the rising and falling of keywords over time. What does this suggest about the life cycle of a threshold concept? While this approach cannot on its own provide a comprehensive empirical basis for TCs, it advances inquiry into the temporality of TCs. 2. TCs are simultaneously catalyzed by phantom indexi- cals, organizing concepts that do not surface in high fre- quency using text-mining methods. 3. TCs participate in semantic networks and as such they are en- veloped in keywords and phantom indexicals. Traci ng keywords attunes us to a TC’s accretion and avulsion in time. Q: How can researchers attend to the nascence, maturation, and expiration of threshold concepts over time? 4. Although its application requires qualication and careful reframing, time-binding, or time-based superscript notations, can direct explicit attention to temporal anchors in accounts of relationships among TCs, keywords, and phantom indexicals. 1. Keywords operate as setae-like mobilizers for threshold concepts (TCs). Proposal and references available at http://goo.gl/Q3XhjM. computer  Token craft design genre image materiality multimodal network technology writing Frequency in CCC , 1989-2013 ( n=t ok ens/ 10 0 0w or ds) Peakn (year) .85 (2004) .34 (2010) .83 (1989) 1.28 (1993) .47 (2001) .05 (2000) .47 (2007) .29 (2011) .68 (1999) 8.42 (2010) Keywords featured in Heilker and Vandenberg’s Keywordsin WritingStudies (2015).  Thesparklinefor “writing”uses a max-1 0y-scale dueto its high freque ncy relativeto theother keywords. Consider design 1993  vs. design 2013 image 1989  vs. image 2009 genre 1991  vs. genre 2011 as a basis for exploring When are keywords? When are threshold concepts?        1        9        8        9        1        9        9        4        1        9        9        9        2        0        0        4        2        0        0        9        2        0        1        3 ^ ^ ^ ^ ^ ^ ! ^ !

Keywords in Threshold Concepts: Time-Binding and Methodologizing Disciplinary Lexicon

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Poster presentation for the 2015 CCCC, Tampa, Fla., March 18-21.

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  • Keywords in Threshold Concepts: Time-Binding and Methodologizing Disciplinary Lexicon Derek Mueller, Eastern Michigan University, [email protected]

    ver the last two years, rhetoric/composition/writing studies scholars have granted more serious attention to threshold con-cepts (Meyer and Land, 2005) as a theoretical frame both for organiz-ing the eld and for documenting knowledge transfer related to writ-ing instruction. Threshold concepts have grown precipitously in popu-larity and proven useful as a cur-ricular and programmatic heuristic, and yet much of this early atten-tion to them has been philosophi-cal, conceptual, and speculative. As such, this poster presentation enters the conversation about threshold concepts with an under-standing that they remain due for further examination and elabora-tion, especially in terms of the methodologies used to identify and trace them.

    Keyword

    TC

    Keyword

    Keyword

    KeywordKeywordKeyword

    Keywor

    d

    Keyw

    ord

    Keyw

    ord

    Keyw

    ord

    Phan

    tom

    index

    ical

    Phantom ind

    exical

    Phantom indexicalPhantom indexical

    computer

    TC

    craft

    designimagegenre

    materiality

    multim

    odal

    netw

    ork

    tech

    nolo

    gyw

    ritin

    g

    Phan

    tom

    index

    ical

    Phantom ind

    exical

    Phantom indexicalPhantom indexical

    All writing is multimodal.

    computer

    TC

    craft

    designimagegenre

    materiality

    multim

    odal

    netw

    ork

    tech

    nolo

    gyw

    ritin

    g

    theo

    ry

    media

    methodrhetoric

    All writing is multimodal.

    The above illustrations operate as a modelling system more than a representational system following a distinction ex-pressed by Johanna Drucker: They [modelling systems] are concerned with generating new knowledge through the use of visual means, not assuming that knowledge exists a priori (40).

    {{

    {

    {

    {The modelling system outlined here will be focal in the Fall 2015 pilot of WRTG500: Introduction to Graduate Studies in Written Communication at Eastern Michigan University. WRTG500 is an MA-level course focused on threshold concepts, keywords, and the maturation of the discipline.

    This basic model indicates envelopment: TCs coalesce indexically, amassing a lexi-con and solidifying in a wraparound of materially circulating disciplinary dis-course. Tracing the rising and falling of TC-associated keywords provides a meth-odological basis for know-ing the full life cycle of a TC, through nascence, matura-tion, and expiration.

    To illustrate, consider the TC shown here: All writing is multimodal. These ten key-words (left; six from Heilker and Vandenbergs Keywords in Writing Studies (2015) and four additional) function as threshold-conceptual foot-ings, over the past two de-cades marshalling the now-articulable TC into promi-nence.

    Keywords are not alone, however, in mobilizing threshold concepts. TCs also gain buoyancy from what I call phantom indexicals--formidable (if ellusive and tacit) accomplices to a TC that may not circulate with high frequency in published scholarship.

    Time-binding refers to a con-ceptual framework and nota-tion practice designed to specify chronos. Introduced by Alfred Korzybski in 1924, in association with the Gen-eral Semantics movement, the practice failed to catch on. Yet, as a modelling opera-tion, it alerts us to the rela-tionship between time, TCs, and the rising and falling key-words enveloping them.

    Ten keywords from the TC-Keyword model are listed here with sparklines plotting their frequency in College Composition and Communication from 1989 through 2013. The twenty-ve year corpus covers 507 articles and consists of 3,943,528 words. The graphs oer perspective on the rising and falling of keywords over time. What does this suggest about the life cycle of a threshold concept? While this approach cannot on its own provide a comprehensive empirical basis for TCs, it advances inquiry into the temporality of TCs.

    2. TCs are simultaneously catalyzed by phantom indexi-cals, organizing concepts that do not surface in high fre-quency using text-mining methods.

    3. TCs participate in semantic networks and as such they are en-veloped in keywords and phantom indexicals. Tracing keywords attunes us to a TCs accretion and avulsion in time.

    Q: How can researchers attend to the nascence,

    maturation, and expiration of threshold concepts over

    time?

    4. Although its application requires qualication and carefulreframing, time-binding, or time-based superscript notations, can direct explicit attention to temporal anchors in accounts of relationships among TCs, keywords, and phantom indexicals.

    1. Keywords operate as setae-like mobilizers for threshold concepts (TCs).

    Proposal and references available at http://goo.gl/Q3XhjM.

    computer

    Token

    craft

    design

    genre

    image

    materiality

    multimodal

    network

    technology

    writing

    Frequency in CCC, 1989-2013 (n=tokens/1000 words) Peak n (year)

    .85 (2004)

    .34 (2010)

    .83 (1989)

    1.28 (1993)

    .47 (2001)

    .05 (2000)

    .47 (2007)

    .29 (2011)

    .68 (1999)

    8.42 (2010)

    Keywords featured in Heilker and Vandenbergs Keywords in Writing Studies (2015).The sparkline for writing uses a max-10 y-scale due to its high frequency relative to the other keywords.

    Consider

    design1993 vs. design2013

    image1989 vs. image2009

    genre1991 vs. genre2011

    as a basis for exploring

    When are keywords?

    When are threshold concepts?

    1989

    1994

    1999

    2004

    2009

    2013

    ^

    ^

    ^

    ^

    ^

    ^

    !

    ^

    !