Katayoon Forouhesh's portfolio

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KATAYOONFOROUHESH

Portfolio

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Born 11/04/1986Tehran EducationUniversity of the Arts London, London 2010• M.A. Graphic Moving ImageArt University, Tehran 2004-2008• B.A. Pint Media

EXHIBITIONGroup Exhibition, Film Screening, Ragfactory, London January 2011MA Show Exhibition, London College of Communication November 2010Photo slide show screening, SOAS, London October 2010The 11th Iranian National Photo Biennal,Saba Museum December 2008Tehran Avenue One shot film competition,Mehrva Gallery June 2007Water Color Painting- Reza Abbasi Museum- Tehran September 2002

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1.

Parallel Vision Co. 2.Unit one projectvisual summary

3.AIPEX Co.

4.Archi Progress

7.Illustration

5.Baset-Pazouh- Novin (BPN)

6.Tadbir Shahr-e-Farda

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Parallel Vision Co.

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1.Parallel VisionParallel Vision, London Freelance Motion Graphic Designer September 2010Designing company’s brand, logo, film Leaflet, film catalogue

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Logo Design

VISION

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Logo Design

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‘John Hughes’ is a 30-year-old businessman working in th city of london. The witnessing of an horrific event changes his lfe for the worst, he happend to be at the wrong place at the wrong time.John loses everything he has worked so hard to achieve. falling deeper into his subconscious he begin to question his reality.

Writer and Director Anna Jurkowiekca and Producer Paris Chaliha are currently studying BA (Hons) Film and Television course at the London College of Communication.

This short graduation film will explorethe character’s unique journey through the london metropolis. To make this important film, we welcome a small donation from you. The film will be screened at the British film institue in June 2011. We would be very grateful for your support. Please visit our website: ‘www.parallelvision.co.uk’ to make a donation.

Thank you.

www.parallelvision.co.ukSpetember 2010

a short film by annajurkowiekca

JOHN Hughes

JOHN

‘John Hughes’ is a 30-year-old businessman working in th city of london. The witnessing of an horrific event changes his lfe for the worst, he happend to be at the wrong place at the wrong time.John loses everything he has worked so hard to achieve. falling deeper into his subconscious he begin to question his reality.

Writer and Director Anna Jurkowiekca and Producer Paris Chaliha are currently studying BA (Hons) Film and Television course at the London College of Communication.

This short graduation film will explorethe character’s unique journey through the london metropolis. To make this important film, we welcome a small donation from you. The film will be screened at the British film institue in June 2011. We would be very grateful for your support. Please visit our website: ‘www.parallelvision.co.uk’ to make a donation.

Thank you.

www.parallelvision.co.ukSpetember 2010

a short film by annajurkowiekca

Hughes

Leaflet Design

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11; 2.

Unit one projectvisual summary

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2 3

Index

1-Form

-Line,Plain,Space -Color -Void

2-Context

-Pixlation -Impressionism -Censorship

3-Out put

Unit 1.1Design Literacy

Katayoon Forouhesh TehraniM.A Graphic Moving Image

Tutor:Penny HiltonLondon College Communication

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Co orl

2.Unit One 1.1.1LCC, LondonMarch 2010Unit one project-visual summary

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4 5

F RM

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50 51

o v dimass

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Document

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I m p r e s s i o n i s m

I m p r e s s i o n i s t

Taking their name from Claude Monet’s

‘Impression, Sunrise’, the Impressionists

were established in Paris during the 1870’s.

Concentrating on relaying the immediate

visual effect of the world around them,

using bold brush strokes and contrasts of

colour, the artists initially drew heavy

criticism for their perceived naive and

trivial approach to art.

The subject matter varied from Monet’s

landscapes to Renoir’s boulevards of

bustling Paris life and Degas’ delicate

ballerinas, but all pertained to capture

the impression of the moment.

From the late 1880’s, public perception

gradually changed and the Impressionists

received reverence, paving the way for their

followers Guaguin, Seurat and Van Gogh.

(http://www.bbc.co.uk/arts/multimedia/impres-

sionism/)

• Impressionists in France:1. Eduard Manet

2. Claude Monet

3. Pierre Auguste Renoir

4. Alfred Sisley

5. Edgar Degas

6. Camille Pissarro

7. Berthe Morisot

8. Armand Guillaumin

9. Frédéric Bazille

• Neo-Impressionists in France: 1. Georges-Pierre Seurat2. Camille Pissarro3. Paul Signac4. Charles Angrand5. Maximilien Luce6. Henry Edmond Cross

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Part2

1-After examination of square as a form, in order to find the context, first, I focused on square Pixels which videos and photos have been made of. I took pictures of people in street and some portrait and by reducing the resolution of pic-tures; consequently the amount of pixels has been decreased and make the photo like an abstract painting. After that, I played with those pix-els by changing the color and reducing or adding pixels in some parts.

2-Furthermore, I found Impressionism art so close to the concept of pixel. As impressionists tried to paint mostly by dots and color spots, I made some moving image like impressionism painting. I made the moving image from still image, by chang-ing the amount of square pixels; it gives the im-pression of moving on still image.

3-Third, the idea of pixilation reminded me cen-sorship in films in which the particular scene had been pixilated in order to prevent audience from watching that scene regarding of indecent content. In this stage, I attracted to film cen-sorship in purpose of how it may change the con-tent of film and distract the audiences from main points.

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76 77

MaskingPhotos

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Part 1

For investigating square as a form, I tried to find and observe squares in environment, such as squares in tiles, train seats, windows etc. Then, after interrogating enough in environment, I started three approaches regarding studying line, dots, plane, mass and volume etc. first, I created square by using torch light in inside and outside environment. To do so, I reduced the speed of camera in dark room, make square from line and dots. Second, for studying color, I discovered colorful square forms in “Tetris”. Thus, I decide to make a moving image like Tetris that these colorful squares come together and make a big one and then the colors begin to change. Third, in Flash I made three squares that they came together to make a volume then these volumes spread through the screen regularly and start to vanish irregularly.

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OC NTEXT

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3.AIPEX Co.

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Post Code : 1586873434Mohammad reza ShamsabadiChair man of the Board

[email protected]

Association of Iranian steel products Exporters

(AISPEX)

No. 392, unit 10, Ghaem magham junc,

Beheshti Ave

Tehran, Iran

Tel : (+9821)88540874-6 Fax : (+9821) 88736665

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(AISPEX)Post Code : 1586873434

[email protected]

Tel : (+9821)88540874-6 Fax : (+9821) 88736665

Mohammad reza ShamsabadiChair man of the Board

No. 392, unit 10, Ghaem magham junc,

Beheshti Ave

Tehran, Iran

3.AISPEX Co.AISPEX Co., TehranFreelance Graphic Designer November 2008Creating, branding and designing Catalogue and Business Card.

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www.AISPEX.com

www.AISPEX.com

[email protected]

[email protected]


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(+9821)88736665 : oMIµº

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1586873434 : ÂTvQk¨(+9821)8854087 : ¸Ÿ±U

Association of Iranian steel products Exporters (AISPEX)

Address : Ghaem magham junc,

No. 392, unit 10, 2nd flat,Beheshti Ave,Tehran, Iran

P.O Box : 1586873434Tel : Fax : (+9821) 88736665

(+9821)88540874-6


10 keH» ,³»j Á ¾£LŠ ,392 ·IµTiIw

P.O Box : 1586873434Mohammad reza Shamsabadi

Chair man of the Board

[email protected]


(AISPEX)

No. 392, unit 10, 2nd flat,Ghaem magham junc,Beheshti Ave,

Tehran, Iran

Tel : Fax : (+9821) 88736665

(+9821)88540874-6 P.O Box : 1586873434

Mohammad reza Shamsabadi

Chair man of the Board

www.AISPEX.com

[email protected]

Association of Iranian steel

products Exporters (AISPEX)

Address : Ghaem magham junc,No. 392, unit 10, 2nd flat,

Beheshti Ave,

Tehran, Iran

Tel :

Fax : (+9821) 88736665 (+9821)88540874-6


,·Ho¿U ,·HoÄH

[email protected]



1586873434 : ÂTvQk¨(+9821)8854087 : ¸Ÿ±U(+9821)88736665 : oMIµº

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1586873434 : ÂTvQk¨(+9821)8854087 : ¸Ÿ±U

(+9821)88736665 : oMIµº

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(AISPEX)

P.O Box : 1586873434

www.AISPEX.com

[email protected]

Address : Ghaem magham junc,No. 392, unit 10, 2nd flat,

Beheshti Ave,

Tehran, Iran

Tel :

Fax : (+9821) 88736665 (+9821)88540874-6


www.AISPEX.com

www.AISPEX.com

[email protected]

[email protected]



(+9821)88736665 : oMIµº

: tnjA

1586873434 : ÂTvQk¨

(+9821)8854087 : ¸Ÿ±U

Association of Iranian steel products Exporters (AISPEX)

Address Ghaem magham junc,

: No. 392, unit 10, 2nd flat,Beheshti Ave,Tehran, Iran

P.O Box : 1586873434Tel : Fax : (+9821) 88736665

(+9821)88540874-6




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www.AISPEX.com

www.AISPEX.com

[email protected]

[email protected]

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(+9821)88736665 : oMIµº

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1586873434 : ÂTvQk¨(+9821)8854087 : ¸Ÿ±U

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[email protected]



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www.AISPEX.com

[email protected]

[email protected]



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(+9821)88736665 : oMIµº(+9821)88540874-6 : ¸Ÿ±U

1586873434 ÂTvQk¨

[email protected]

10 keH» ,392 ·IµTiIw

Association of Iranian Steel Products Exporters (AISPEX)

U 392, Beheshti Ave,

nit 10, No.

[email protected]

Post Code 1586873434

Fax : (+9821) 88736665Tel : (+9821)88540874-6

Ghaem Magham junction, Tehran, Iran,³I£¶ ´GI¤ ·IMIÃi yLº

اهد اف انجمن صاد ركنند گان محصوالت فوالد ي ايران

انجام هر گونه فعاليت تشكيالتي قانوني با توجه به امكانات اعضاء د ر جهت تسهيل و •توسعه صاد رات محصوالت فوالد ي

تباد ل اطالعات ضروري در امر صاد رات و تجارت بين المللي محصوالت فوالد ي •اطالع رساني به اعضاء جهت آگاهي در زمينه توسعه امر صاد رات •

چهار چوب در خارج كشور و داخل در تحقيقاتي و علمي فعاليت هاي گونه انجام هر •قوانين موضوعه براي نيل به اهد اف انجمن

حمايت از منافع مشترك اعضاء •تشويق و حمايت از سرمايه گذاري در بخش فوالد كه زمينه افزايش توليد و صاد رات •

را فراهم نمايدتشويق و ترغيب اعضاء به عد م رقابت ناسالم د ر بازارهاي بين المللي •

ايجاد و كشور صادراتي كاالهاي جهاني بازارهاي به د سترسي افزايش براي تالش •فرصت هاي مناسب براي كليه اعضاء جهت ورود به بازارهاي هدف صادراتي

شناسائي موانع صاد رات محصوالت فوالد ي و انعكاس بموقع و مناسب آن به مسئولين •ذيربط

همكاري د ر تدوين و اجراي استاند ارد هاي مورد نياز كاالهاي صاد راتي موضوع فعاليت •انجمن

به كارشناسي حل راه ارائه در تالش و اعضاء صادرات مشكالت و مسائل دريافت •سازمانهاي ذيربط و رفع آنها

سازمانهاي و ها وزارتخانه صادراتي امور با مرتبط اجرائي وظايف از آند سته اجراي •اقتصاد ي كه به انجمن تفويض مي شود

برگزاري دوره هاي آموزشي و انجام تحقيقات علمي ، صنعتي و تجارتي مورد نياز اعضاء •برگزاري همايش هاي تخصصي و ميزگرد ها و همچنين حضور د ر همايش هاي مختلف •

داخلي و خارجي و تاليف و ترجمه مقاالت علمي در زمينه موضوع فعاليت انجمنبرگزاري و يا حضور در نمايشگاه هاي د اخلي و خارجي مرتبط با اهد اف و وظايف انجمن •

كميته هاي مشورتي انجمن

1.كميته آمار و اطالعات2.كميته مطالعات فني و تخصصي

3.كميته امور حقوقي4.كميته امور بين الملل

5.كميته اقتصاد ي ، مالي و بانكي6.كميته تبليغات و تشريفات

7.كميته آموزش8.كميته حل اختالف بين اعضاء

9.كميته پذيرش اعضاء جديد

آشنائي با انجمن صاد ركنند گان محصوالت فوالد ي ايران

نام : انجمن صاد ركنند گان محصوالت فوالد ي ايران ، ثبت شد ه به شماره 221 مورخ 1386/2/30د ر اتاق بازرگاني و صنايع و معاد ن ايران

موضوع فعاليت : ساماند هي فرآيند صادرات كاالهاي فوالد ي و فراهم كردن امكان بهره برداري بيشتر از سرمايه گذاري وصاد رات و همچنين استفاد ه و انتقال تجربيات علمي و عملي د ست اند ركاران و به

هنگام نمودن آن براي نيل به اهد اف توسعه و دفاع از منافع مشروع و قانوني اعضاء.حوزه فعاليت : حوزه فعاليت انجمن سراسر ايران مي باشد .

مركز اصلي : خيابان د كتر بهشتي ،نبش خيابان قائم مقام فراهاني ، ساختمان 392 ، واحد 10شرايط عضويت : كليه صادركنندگان محصوالت فوالدي اعم از اشخاص حقيقي و حقوقي با رعايت ضوابط

و مقررات و تصويب هيات مد يره مي توانند عضو انجمن شوند .مد يريت :انجمن به وسيله هيات مد يره اي مركب از پنج نفر عضو و دو نفر عضو علي البد ل كه به وسيله مجمع عمومي از بين اعضاء انتخاب مي شوند براي مد ت 3 سال عهد ه د ار مديريت انجمن مي باشند و

فعاليتهاي اجرايي انجمن توسط دبير انجمن انجام مي شود .

پيش گفتار

د اشتن اختيار د ر و كشور د ر آهن سنگ ذخيره تن ميليارد 4/5 از بيش وجود آن ذخيره كشف شد ه مكعب متر تريليون كه 940 جهان طبيعي گاز ذخائر دومين مي باشد. همچنين نيروي انساني ماهر و تجربه 40 ساله د ر صنعت فوالد و سرمايه د اخل د ر د انش فني، ساخت قطعات تجهيزات، انجام شد ه در توسعه گذاري هاي اوليه مواد تامين براي فوالد باالدست معد ني توسعه صنايع و طرف يك از كشور مصرفي از جمله نسوزها و فرو آلياژها از طرف د يگر و بومي شد ن تعمير و نگهد اري سيستم هاي سخت افزاري و نرم افزاري اين صنعت، همه و همه ما را بر آن ميد ارد كه اهميت ويژه اي براي صنعت فوالد قائل شد ه و د ر راستاي جهاني شدن اقتصاد از وجود اين منابع و امكانات بهترين بهره گيري را نمود ه و به عنوان بزرگترين توليد كنند ه منطقه و يكي از توليد كنند گان شاخص فوالد د ر د نيا مطرح شويم. در حال حاضر ويژگيهاي اين سرزمين و ساختار اقتصاد ي و اجتماعي آن و همچنين فقد ان زير صنعت يك عنوان به صنعت اين رشد از مانع توسعه اي هد فمند برنامه يك بنائي متناسب با پتانسيل هاي موجود د ر كشورمان شد ه است. به هر حال با همه اين امكانات و د ستاورد ها رشد توليد فوالد به گونه اي است كه در آيند ه نزد يك ميزان توليد از مصرف د اخلي فراتر رفته و لذا از هم اكنون برنامه ريزي و راهيابي

مناسب براي توسعه صاد رات محصوالت فوالد ي ضروري بنظر ميرسد.بدين لحاظ عد ه اي از صنعت گران فعال اين بخش بر آن شد ند تا به منظور ساماند هي فرآيند صاد رات محصوالت فوالد ي شامل فوالد خام، مقاطع تخت و طويل و

انواع لوله و پروفيل و ميلگرد و ساير محصوالت سفارشي، با موافقت و نظارت اتاق بازرگاني و صنايع و معاد ن ايران، صنعت فعال گان صادركنند از متشكل صنفي انجمني

فوالد تاسيس نمايند.

انجمن صاد ر كنند گان محصوالت فوالد ي ايران

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“ 4.Archi Progress

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LOGMENTESFCPE - Siège à Paris 108, rue Ledru-Rollin -75011- Paris

ORGANUM-Salle de receptions

PROJETS &RELISATION

ORGANUM-reception hall in Saint-Denis

FCPE - Head office in Paris

4.Archi ProgressArchi Progress, FranceFreelance Graphic Designer August 2008Design Catalogue and Business Card

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BUREAUX

LOGEMENTS - Un ensemble de logements - Nigeria

RESIDENTIAL COMPLEX

LOGEMENTS-Un ensemble de logements- Iran- Shiraz

RESIDENTIAL COMPLEX

OFFICE

LOGMENTESFRANCE LOISIRS-100 et 102 av. de Suffren -75015 - Paris

PROJETS ENCOLLABORATION

LOGEMENTS MAISON INDIVIDUELLE à Beautheuil

LOGEMENTS

RESIDENTIAL COMPLEX

RESIDENTIAL COMPLEX

INDIVIDUAL HOUSE in Beautheuil

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Les boutiques AMORINOESPACE COMMERCIAUX

HERMES- Rue fbg st Honore

BUREAUX

France Loisirs -Amènagement de 1000m2 de bureaux à Paris France Loisirs -1000m2 of office spaces reconstruction

AMORINO stores

HERMES

France LoisirsOFFICES

STORE

FRANCE LOISIRS-100 et 102 av. de Suffren -75015 - Paris

Les boutiques AMORINOESPACE COMMERCIAUX

HERMES- Rue fbg st Honore

BUREAUX FRANCE LOISIRS-100 et 102 av. de Suffren -75015 - Paris

France Loisirs -Amènagement de 1000m2 de bureaux à Paris France Loisirs -1000m2 of office spaces reconstruction

AMORINO stores

HERMES

France LoisirsOFFICES

STORE

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5.Baset-Pazouh- Novin (BPN)6.Tadbir Shahr-e-Farda

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5.Baset Pazhouh-e-NovinBaset Pazhouh-e-Novin, TehranFreelance Graphic Designer October 2006&2007Creating, branding and design-ing Poster,Catalogue and Business card.

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6.Tadbir Shahr-e-FardaTadbir Shahr-e-Farda, TehranFreelance Graphic Designer October 2005Creating, branding and designing stationary.

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7.Poster Design Workshop Poster Design workshop, TehranUniversity of Art, June 2005

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IllustrationFreelance Illustrator August/September 2009Illustrating children Book by Mohsen Sharifi, U.S.APublished in Washington D.C in August 2010

:Chapter OneAli and The Tiger Nambi

On a beautiful but hot day, his father decided to take Ali with him so he could learn the art of hunting. Usually Ali’s father hunted for wild boars, deer or sometimes a tiger for its fur. He could sell it to the merchant market, which were about twenty miles away and a much bigger village. Ali was very excited to go hunting and he felt like a big powerful man. His father told him, «Ali, you are now growing up to be a young warrior and it is important for you to learn the art and tradition of hunting, as our forefathershave done, so that one day you will be a great warriorand hunter.»

ALI AND THE TIGER NAMBI

In the deep jungle of India lived a little boy Ali, who had just turned twelve years old. Ali livedin a little hut with his parents. Although they didn’t have much, they had a simple and happy life. The whole village was not more than two hundred people and most men were hunters and traders. Most of the time, Ali>s father would go hunting while his mother would take care of the house and cook. Ali didn’t haave many friends or fancy toys to play with like many children in other parts of the world. He spent his time roaming around the house. He would go deep into the jungle to make friends with big and little animals, anything from small lizards to baby elephants. He, like any other boy his age, had a little chipmunk for a pet, named Balu. He would carry him in his pocket when he went out on all his excursions.

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Early in the morning, the sun was just shining over the horizon as the villagers got up and saw the last few smoke clouds from the burning forest in the sky. Finally, one of the elders said, «We have to go back to our homes and we must rebuild our village.» So, they decided to go back to their boats and steer back home. When they arrived home and saw the devastation, they didnt know what to do or where to start. At the end, the chief, whose name was Ida, said, «It’s no use to cry over spilled milk. We have to fix the damage.

I will assign each of you a task according to your skills and abilities.» So everyone was given a special project. Ali was in charge of building the animal shelter where they used to keep a few domestic animals such as goats, cows, and hogs and so on. He was also in charge of rebuilding the hen house that was destroyed completely by the fire.

All of the villagers, including Ali, were in tears; but they were helpless. Nevertheless, they decided to sleep over that night to see what the next day might bring. As they were trying to build some temporary shelter and campfire, they heard heavy thunder and lightning in the sky. It was so strong that one might have thought the world was coming to an end. The sky was full of dark clouds and the lightning split them apart.

It poured literary «cats and dogs». The people saw this as a blessing since it put out the fire and the forest had been partly saved.

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Two hours passed before Ali, his father and the rest of the crew came back to the village with the slain tiger. Everybody was happy and they gathered around the tiger and danced, sang and arranged a feast.One of the more skilled hunters skinned the animal. The women took the skin, prepared it with salt, herbs and some exotic ointments and dried it in the sun. The others made a big barbecue fire and put the tiger on the skew. Nevertgtheless, the whole village was celebrating, except Ali, who felt sad about the tiger; but also a little happy because he found a new friend. Ali was too preoccupied with his new pal to join the other members of the village for the big feast. Instead, he spent the rest of the evening in the hut trying to cheer up the little cub. Finally, he took the bottle of milk and whispered in its ear, «I am going to call you Nambi. You are going to be my best friend;

but you must eat. You know when you grow up and are as big as your mother; you can always protect me and make me feel strong.» As though the cub was waiting for this great moment to be inspired and cheered up by Ali, he accepted the bottle. Like a little baby that hadn>t eaten for a whole day, Nambi drank all the milk in no time. Ali was so overjoyed to see Nambi drink the milk, that he ran out of the hut in a flash, joined the others and danced and sang all night. Ali was so happy that he forgot about Nambi. When he returned to his hut, he saw him deep asleep on the floor mat, where Ali lay down dead tired and fell asleep, too.

From the distance, they were watching their forest and village burn down. A lot of the animals tried to escape, but were either drowned or killed by the fire. The people tried to save as much wild life as possible by taking them into their boats, but there were just too many of them to carry.

It so happened while everybody was deep asleep; a forest fire began to brew towards the village. Nambi sensed the danger and woke up Ali and the other tribesmen right in time to escape the devastation. The people of the village were as helpless as the animals. They left everything behind them and ran as fast as they could towards the sea to save their lives. It took four hours or more until everybody was on the other side of the sea. Luckily there were enough wooden boats to carry everyone to safety to a nearby island, which was one-hour away form the village. It was a tiny island, but the two hundred men, women and children were grateful they escaped with their lives.

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The real essence of my story “Hannah and the Living Rainforest” starts way before man has set foot on Earth.It all started from the spark of light and eneeergy billions of years ago that ignited the first sign of primitive living organism ……. and slowly the light and energy worked its way to perfection over millions and millions of years ago. If it weren’t for the light and energy given to us by a higher power, we wouldn’t be here.Before I start the story, I want to give you an insight view to the importance of the rainforest and why so much of our life depends on it.

The Rainforest:A rainforest is an environment that receives high rainfalls and is dominated by tall trees. This is the basic definition of a rainforest, but there is much more to it. When people talk about the rainforests, they mean the tropical rainforests, but a wide range of ecosystems fall into this category.Today’s rainforests are only 6 per cent of the Earth ground surface, but it holds 50 per cent of plant and animal species…… if we don’t destroy it through uncontrolled deforestation.The trees in the rainforests can grow to tremendous heights, up to 150 feet or 46 meters in the air. Their top branches spread wide in order to capture maximum sunlight. This creates a thick canopy level at the top of the forest, with thinner greenery levels underneath. Some large trees, called emergents, grow so tall, up to 250 feet or 76 meters, that they even tower over the canopy layer. The forest floor is made up of moss, fungi and decaying plant matter that has fallen from the upper layers.Also rainforest trees are dependent on bacteria that are always producing nueetrient in the ground. Rainforest bacteria and trees have a very close symbiotic relationship. The trees provide the bacteria with food, as leaves and other material, and the bacteria convert it into nutrient that the trees need to sureevive.

Food from the Rainforest:Today 80 percent of the food, for example, we eat, comes originally from the tropical rainforests. Without rainforests, we wouldn’t have the seeds that prodeduce coffee and chocolate. Other rainforest foods include tomatoes, potatoes, rice, bananas, black pepper, pineapples and corn. There are over 3,000 fruits found in the rainforests. People in the Western World make use of about 200 of them, but the indigenous tribes of the rainforests may have the knowledge and knowdhow of over 2000, which far exceeds the Western World’s knowldeedge.

One major problem with deforestation is the destructive effect it has on these tribes. As these cultures are lost, so is their extensive knowledge about the rainforests and its potential to help and cure people from many diseases.

Animal species in the Rainforest: Did you know that the rainforests are home to the majority of animal species in the world? There may be more than 10 million different animal species in a large rainforestThe numerous birds of the rainforest also play a major part in seed dispersal.

But today it was different, even her constant companion, a Spider Monkey, by the name of Moku, who lost his mother when a Jaguar killed him sensed that there was something wrong. He was not himself, not jumping up and down and playing with Hannah as usual. He was clinging steadfast to Hannah, as though the world is about to come to an end in a terrible storm or earthquake………Although they were both frightened, but it seemed like that Hannah was pulled forward by an invisible force to find her destiny…….So Hannah and Moku set out and went deep into the jungle and left a trail of pebbles behind them to find their way back. On her way deep into the jungle she would hear inner voices to call on her for an important mission and pull her deeper and deeper into the heart of the jungle to solve the mystery.It was already dusk as the golden rays of the sun imprinted their last marks on the trees and all the creatures small and big knew that it was time to rest, for everybody and everything, and soon, even the sun itself had to rest, too.Hannah had been so mesmerized by the Spirit and voice of Nature that she completely forgot about her Mother. When she looked behind her to find the trail of pebbles, she saw that all the pebbles were dispersed by the wind and she had no clue how to get back home now.A sudden cold chill engulfed her body. She was very frightened, but then she heard the soothing voice of Nature that gave her hope and a desire to coneetinue.When the last golden rays disappeared over the horizon and set an eerie feeling near and far, Hannah decided to rest and continue with her journey tomorrow at dawn. She made a shelter out of some woods and branches and covered it up with large leaves and crawled into it with Moku, who was shivering and shaking out of fear, but Hannah gave him comfort and told him: “Don’t be frightened Moku, everything will be all right – it is our destiny to continue with this joureeney.”Nevertheless, they both were so tired and out of energy that they fell asleep in an instant.

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Early Portfolio DesignPortfolio, TehranGraphic Designer November 2008

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Animator (Internship) February- May 2011Humpty Dumpty Ltd., LondonAnimating background shots of a 2D animation by usingAfterEffect. Moreover drawing and illustrating frame sequencesand also,colouring, texturising and making the shots ready in Photoshop.

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Freelance Motion Graphic Designer March 2011Parallel Vision Co., LondonDesigning Logo, title and credit of a short movie“John Hughes”, by using AfterEffect.

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Freelance Motion Graphic Designer March 2010Short B.A student film, LondonTitle and Credit Design of the film “where the Dream lies”

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Katayoon Forouhesh's portfolio