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Lightly and rhythmically, in two (h = ca. 80)
Music by ANTONIO VIVALDI (1678-1741)Edited and Arranged, with new Words,
by PATRICK M. LIEBERGEN
Copyright © 2015 by Alfred MusicAll Rights Reserved. Printed in USA.
To purchase a full-length performance recording of this piece, go to alfred.com/downloads
for S.A.B. voices and pianowith optional flute and PianoTrax CD*
JUBILATE! JOY WE BRING!
FLUTE(optional)
PIANO
4
mf
mf
SOPRANO
Ju
mf
bi- -
ALTO
Ju
mf
bi- -
BARITONE
*Also available for 2-part (43193). PianoTrax 7 Accompaniment CD available (43182). Please visit alfred.com/choralparts to download a free flute part.
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la te!- Joy we bring! Ex sul- ta- te!- Now we
la te!- Joy we bring! Ex sul- ta- te!- Now we
sing! Al le- lu,- al le- lu!- Joy we
sing! Al le- lu,- al le- lu!- Joy we
Ju
mf
bi- la- te!- Joy we
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bring! Al le- lu- ia!- Sing al le- -
bring! Al le- lu- ia!- Sing al le- -
bring! Ex sul- ta- te!- Now we sing!
lu, al le- lu,- al le- lu!- Al
f
le- lu,- al le- lu- -
lu, al le- lu,- al le- lu!- Al
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le- lu,- al le- lu- -
Al le- lu!- Al
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ia!
Ju
mf
bi- -
ia!
Ju
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bi- -
ia!
decresc.
decresc. mf
la te!- Joy we bring! Ex sul- ta- te!- Now we
la te!- Joy we bring! Ex sul- ta- te!- Now we
Ju
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bi- la- te!- Joy we bring! Ex sul- -
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sing! Ju bi- la- te!- Joy we bring! Ju bi- -
sing! Ju bi- la- te!- Joy we bring! Ju bi- -
ta te!- Now we sing! Joy we bring!
la te!- Ex sul- ta- te!- Ju bi- la- te!- Joy we
la te!- Ex sul- ta- te!- Ju bi- la- te!- Joy we
Ex sul- ta- te!- Ju bi- la- te!- Joy we
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bring! Sing al le- lu,- al le- lu,- al le- lu!- Sing
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al le- -
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al le- -
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cresc. f
f
cresc.
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Let
mf smoothly
all hear the mu sic-
Let
mf smoothly
all hear the mu sic-
Hear
mp
the
accented
mu sic-
mf
mp accented
mf accented
ring! Let all hear the mu sic- ring! Let all
ring! Let all hear the mu sic- ring! Let all
ring! Hear the mu sic- ring! Let
mf smoothly
all
smoothly
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hear the mu sic- ring! Al le- lu- ia,- al le- lu- -
hear the mu sic- ring! Al le- lu- ia,- al le- lu- -
hear the mu sic- ring! Al le- lu- ia,- al le- lu- -
mf smoothly
ia! Ju
f
bi- la- te!- Joy we bring! Ex sul- -
ia! Ju
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bi- la- te!- Joy we
ia! Ju
f
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ta te!- Now we sing! Ju bi- la- te!- Joy we
bring! Ex sul- ta- te!- Now we sing! Ju bi- -
bring! Ex sul- ta- te!- Now we sing! Ju bi- -
bring! Ex sul- ta- te!- Now we sing! Al le- lu- -
la te!- Joy we bring! Now we sing! Al le- lu- -
la te!- Joy we bring! Now we sing! Al le- lu- -
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ia! Ju
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bi- la- te!- Joy we
ia! Ju
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bi- la- te!- Joy we
ia!
mf
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bring! Ex sul- ta- te!- Now we sing! Al le- lu,- al le- -
bring! Ex sul- ta- te!- Now we sing! Al le- lu,- al le- -
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lu! Joy we bring! Al le- lu- -
lu! Joy we bring! Al le- lu- -
Ju
mf
bi- la- te!- Joy we bring! Ex sul- -
ia! Sing al le- lu,- al le- lu,- al le- -
ia! Sing al le- lu,- al le- lu,- al le- -
ta te!- Now we sing! Sing al le- lu,- al le- lu,- al le- -
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lu! Sing
mp
al le- lu,- al le- lu,- al le- lu!- Ju
mf
bi- -
lu! Sing
mp
al le- lu,- al le- lu,- al le- lu!- Ju
mf
bi- -
lu! Sing
mp
al le- lu,- al le- lu,- al le- lu!- Ju
mf
bi- -
mp mf
mp mf
la te!- Joy we bring!
f rit. al fine
Al le- lu- -
la te!- Joy we bring!
f rit. al fine
Al le- lu- -
la te!- Joy we bring!
f rit. al fine
Al le- lu- -
f rit. al fine
f
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43192
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Antonio Vivaldi was a renowned composer and violin virtuoso in Venice, Italyduring the Baroque era. Besides completing over 400 concertos, including the famousLe Quattro Station (The Four Seasons), he wrote chamber works, operas, and a varietyof sacred choral works. “Jubilate! Joy We Bring!” is from his opera La fida ninfa,which was completed in 1732 for the opening of the newTeatro Filarmonico in Verona.This pastoral opera in three acts involves six characters in a complex plot, and itincludes shepherds, nymphs, and mythological characters set in woods and mountains.
The chorus featured here is a joyful and energetic song at the end of the firstact. Originally scored for S.A.T. solo voices and an accompaniment of strings andcontinuo, this arrangement includes a piano reduction of the instrumental parts.Although Vivaldi’s original music has been shortened and simplified for thispublication, the call and response between the vocal parts and the da capo format,indicated by the return to the opening musical ideas in measure 72, have been retained.The original score has been transposed down a minor third. Additionally, modern clefs,tempo and dynamic indications, an optional flute part, and a new text have been addedby the editor. This exuberant chorus should be sung very lightly with emphasis givento the two pulsations of each measure.
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