John Lasseter Enters the Picture

TINKER BELL AND THE LOST TREASURE

WALT DISNEY PICTURES

presentsTINKER BELL AND THE LOST TREASURE

Step beyond the secret world of Pixie Hollow and embark on the enchanted adventure of a lifetime with one of the worlds most beloved characters in Walt Disney Pictures TINKER BELL AND THE LOST TREASURE. This all-new animated spectacular marks the return of Tinker Bell and her fairy friends in their second magical movie together, following the success of the debut film in the Disney Fairies Franchise, TINKER BELL.

In TINKER BELL, fans were delighted to hear the voice of the worlds most famous fairy for the first time and discover her origins. Now, audiences can follow Tinker Bell on a daring voyage of discovery as she sets out on a magical mission to save Pixie Hollows supply of pixie dust. Its a perilous journey full of astonishing encounters, narrow escapes and a true discovery for everyones favorite fairy and a whole host of memorable new characters.

Overflowing with fun and imagination, TINKER BELL AND THE LOST TREASURE is a celebration of the beloved fairy brought to the screen by the storytellers at Walt Disney Pictures and executive produced by two-time Academy Award winner John Lasseter - chief creative officer of Pixar and Disney Animation Studios. The animated adventure is a sweet, heartfelt and daring tale to inspire the very core of every childs imagination.

Tinker Bell is one of the greatest characters ever created by Walt Disney, notes Lasseter. To be able to tell new stories with her and show what this whole new world is about is so exciting. It is a new mythology that no one has ever seen before.

Produced by DisneyToon Studios, TINKER BELL AND THE LOST TREASURE features an impassioned voice cast widely acclaimed for performances on stage and screen.

Composer Joel McNeely (HOLES, HEFFALUMP MOVIE, YOUNG INDIANA JONES, RETURN TO NEVER LAND) continues to delight audiences with an ethereal score in his second movie for the Disney Fairies series. The music weaves an emotional, connecting thread throughout the movie by combining world music influences with an over-riding Celtic sensibility, which is assisted by world-renowned violinist Mairead Nesbitt, along with Lisa Kelly and Meav Ni Mhaolchatha of the group, Celtic Woman. Disney Channel star Demi Lovato (Camp Rock, Princess Protection Program, Sonny With a Chance) also joins the musical team by singing the powerful closing credit song, The Gift of a Friend.

Under executive producer John Lasseters guidance, the film is directed by Klay Hall (The Simpsons) and produced by Sean Lurie (THE RUGRATS MOVIE) from a screenplay by Evan Spiliotopoulos (THE LITTLE MERMAID: ARIELS BEGINNING). Art director Ellen Jin Over (TARZAN II), animation director Sheryl Sardina Sackett (POOHS HEFFALUMP MOVIE) and editor Jeremy Milton (BAMBI II) were essential elements to bring the tale to the screen.

TINKER BELL AND THE LOST TREASURE is the second in an ongoing series of films featuring the Disney Fairies. As a major corporate initiative, Fairy activities will be prevalent across The Walt Disney Company, touching divisions as diverse and far-reaching as Disney Consumer Products, Disney Publishing, Disney Interactive Studios, Disney on Ice, Parks and Resorts, and Disney Online.

THE STORY...

Tinker Bells greatest adventure commences as the fairy community prepares for autumn. On the mainland, many are busy changing the colors of the leaves, tending to pumpkin patches and helping geese find their way south.

However, back at Pixie Hollow, Tinker Bell is excited because she has just received a royal summons. The rare Blue Moon is going to rise - a very rare occurrence, indeed. When its light passes through a magical moonstone in the special ceremonial scepter that Tinker Bell has been chosen to create, Pixie Hollows supply of pixie dust will be restored.

Tinks best friend, Terence, is on hand to help our happy hero every step of the way, but disaster strikes when an argument between the fun-loving twosome sees the moonstone - a rare and precious fairy gem - smashed to pieces. What has Tink done? Has she jeopardized Pixie Hollows pixie dust supply? She blames Terence for the tragedy - and their friendship teeters on the edge.

In a state of panic, Tink is desperate to find a new moonstone to save their magical land and restore the supply of pixie dust. However, she is reluctant to ask Terence for assistance after their spat. Instead, the clever fairy uses her tinkering talent to build a cotton-ball-balloon and she heads off on a top-secret mission to find the enchanted Mirror of Incanta, which holds the power to grant any wish.

The quest takes our brave hero north of Never Land in search of a legendary pirate ship hiding a magical treasure. Its a long and treacherous adventure beyond Pixie Hollow, to a land of incredible creatures, thrills and surprises - but Tink is lucky to have a cute and courageous firefly called Blaze to help her on her mission. Will Tinker Bell save Pixie Hollow? Can she return home before the Blue Moon rises? Will her friendship with Terence be restored? Only time will tell...

TINKER BELL AND THE LOST TREASURE features much-loved characters from the debut Disney Fairies movie, TINKER BELL. These include Tinks favorite friends - Fawn, Iridessa, Rosetta and Silvermist - as well as appearances from the mentoring, benevolent Queen Clarion, the nurturing Fairy Mary and the comically-talented tinkers, Clank and Bobble.

Ultimately, Tinker Bell makes a heartwarming discovery in this epic tale of adventure: that there is no greater treasure than a true friend. With the power of faith, trust and a little bit of pixie dust, she learns the importance of being true to herself and the wonderful strength of friendship.

THE PRODUCTION...

The filmmakers faced a tough challenge in creating a new movie for the much-loved Disney icon, Tinker Bell. With public adoration of the feisty fairy so high, the audiences expectations would be likewise - a fact not lost on the creative team.

Director Klay Hall felt a great responsibility to the audience. The chance to play with an iconic character like Tinker Bell is a dream come true. Ive been a fan of Peter Pan and the classic Walt Disney feature film ever since I was a little boy, so the opportunity to play with this classic character was very inspiring and lots of fun. Tinker Bell appeals to everyone, so its wonderful to work in a world of such wide appeal and to create an epic new adventure for the fairies of Pixie Hollow. Tinker Bell is a sassy, feisty, strong-willed and determined young woman. She means well in everything she does, but sometimes she accidentally gets caught up in things that are not supposed to happen. She perseveres and she always rights her wrongs because she has a big heart. It was a joy to move her story forward with this second movie in the Disney Fairies series.

Producer Sean Lurie adds, Tinker Bell is a wonderful character loved by millions, so this movie was a big responsibility to undertake. Its been great to get huge, positive support and feedback on how the movie plays and how we are portraying the character. Tinker Bell has a very special place in the heart of a lot of people. There is something very admirable about her passion and the way she approaches everything with all of her being. I think all of us can admire that passion. I think there's a little of that in everyone.

The magical world of Pixie Hollow was explored in detail in the first movie, TINKER BELL - and this is something for which Hall is thankful. The creators of the first movie in the Tinker Bell franchise did such a great job of setting up the origin of the character, Tinker Bell, and how she came about, as well as the wonderful world of Pixie Hollow. Once that was put out there, we were able to play in the sand box of Pixie Hollow with all of the other fairies to create our own story.

Lurie adds, It enabled us to focus less on establishing Tinker Bell as a character and less on Pixie Hollow, because these were already set up. We could put our focus on trying to make the strongest story possible.

Lurie goes on to explain the themes of the movie. The heart of the movie is a story about friendship and forgiveness - and this is explored by the two best friends: Tinker Bell and Terence. They argue at the start of the story, which leads Tink to leap into this crazy journey on her own, but there are some great scenes that give her the opportunity to see friendship work and reflect on where she went wrong with Terence. She also gets to discover how she may have blamed Terence unfairly.

How does she come to this realization? She hooks up with this great character in the film called Blaze. Blaze is a firefly who becomes Tinks companion on this journey to find the Mirror of Incanta and she soon sees the value of his companionship, which causes her to reflect on her friendship with Terence. There's this great scene where Tinker Bell is really down. Shes at one of her lowest points in the movie and Blaze helps her, but this causes Tink to realize how important it is to have friends.

The friendship theme is further explored when Tinker Bell meets two trolls in the movie. Hall explains, We got to have a lot of fun with these two entertaining guys who have been guarding a passage for hundreds and hundreds of years. They start to argue, which is when the bigger troll accidentally insults the smaller troll by calling him a garden gnome. Its a great moment in the movie because the big guy realizes he's hurt the little guys feelings - and he ends up apologizing. Tink and Blaze are watching this whole dialogue unfold and its a moment that really lands with Tink because she realizes their caring relationship is just like her and Terence.

Lurie adds, Its a wonderful scene because these really creepy-looking troll guys are initially very mean with each other, but you soon realize that they would never want to hurt the other ones feelings. Many people who have seen the movie have identified them as the most charming characters in the entire film, which is so great when you consider they look extremely scary and ugly. They have a significant role in the movie in making Tinker Bell realize the value of friendship in all its guises.

No Disney movie is complete without a splash of humor, so the characters of Clank and Bobble - as well as the two trolls - serve as the comic relief in the story. Clank and Bobble remind me of Laurel and Hardy or Abbot and Costello in their approach to comedy, admits Hall. Bradley Raymond [the director of the first TINKER BELL movie] did such a great job setting up their characters in the first film. They are very ingenious guys who are very industrious and, most importantly, extremely humorous. They have been best friends for a long time and they have fun together. They are like big brothers to Tinker Bells little sister and they are protective of her, but they are a pair that we can have a lot of laughs with.

TINKER BELL AND THE LOST TREASURE also holds some memorable bonus features from the filmmakers. There are deleted scenes and funny outtakes, as well as a music video for the end credit song, The Gift of a Friend, which is performed by the wonderful Disney Channel star Demi Lovato, reveals Lurie. Theres a tremendous amount of comedy material there - and it makes us laugh every time we see it. There were some great sequences in the film that were cut for one reason or another, so we went back and resurrected our favorite segments.

Hall continues, There are a couple of great moments in the bonus features, including Tinker Bell and Terence having a race on a frog. We also have a scene where Terence goes to the girls for advice to get back in Tinks good grace. He goes to Iridessa and learns etiquette, which is a lot of fun to watch. And then theres an extra troll scene, too.

My favorite insult from the trolls is actually in the bonus material, admits Lurie. Its very funny, so if youre a fan of the trolls, take a look at the great little out-take with them where they're vying for who's the stinkiest. The worst insult they give each other is that they smell good, which is hilarious. Its a lot of fun.

In all, we were not only hoping for a brand new, fun, adventure movie - but also a lot of excitement, danger, laughs and exotic new places for Tinker Bell to visit, concludes Hall. We feel very fortunate that we get to venture outside of Pixie Hollow and have fun with the adventure. There are cool new characters, as well as a charming little sidekick for the feisty fairy. We cant wait for people to be able to watch it.

JOHN LASSETERS INFLUENCE...

I always believed that in order to make a really great animated film, you needed to do three things, explains John Lasseter. Tell a compelling story that keeps people on the edge of their seat, populate that story with really memorable and appealing characters - and put that compelling story and these memorable characters in a believable world. If you can do those three things really well, then the audience will be swept away and totally entertained.

John Lasseter has been involved in every step of our movie-making process, admits Hall. He is very passionate about Tinker Bell. He deeply cares about who she is and how her story will play out, so he's been there to guide us into how she would behave and who she really is. It's been a great collaborative effort.

Lasseter gives his amazing input into everything, Hall continues. For example, we wanted to have as much fun as we could with the trolls, so they are very stinky and scary. John Lasseter certainly weighed in on this to make them look like trolls weve never seen before. We made them partially out of wood and then covered them with this green moss - but they have bumps, boils, bug-eyes, pointy ears and hair where it's not supposed to be. Even with all this ugliness about them, what comes through is the fact that they are actually very charming and heartfelt.

Indeed, Lasseters influence was evident to all of the filmmakers, including Joel McNeely, composer of the original TINKER BELL movie and this follow-up TINKER BELL AND THE LOST TREASURE. John always helps with his insightful comments, McNeely explains. We had these musical worlds living within an orchestra and a small band and the choir, and his comments helped send me on my way to uniting all of those worlds.

Once again, Joel McNeely is such a, a huge component to this film, adds Hall. Hes a musical genius and he found a great way to emotionally support the movie through the music. Hes a master at comedic timing, too. He lets the scene breathe and then can hit it, which rounds off the movie experience. In a lot of ways, it feels that we animated to his music at times because it fits so well together. It was so awesome and such a great collaboration. His score is beautiful.

CREATING THE STORY...

The filmmakers were eager for the new story to be universal in its appeal, which is one of the reasons why they opted to create an epic adventure for Tinker Bell.

Lurie explains, Klay and I really wanted to make a movie about fairies appeal to a broad audience. We wanted to be entertaining for dads and brothers, as well as daughters, little girls and mothers. That was an important objective for us and we feel that the movie has a great balance because it has something for everyone to take away. It has something for everyone to connect with.

Hall continues, Ive got two sons - and so has Sean Lurie - so it was a great opportunity to let that inspire some aspects of the story. We love Tink and we love Pixie Hollow, but it was a great opportunity to push the boundaries and have her explore more, which is why she heads off on this quest. The movie is an adventure film to appeal to everyone - and once Tink gets going, she really goes for it. She battles bats, she battles trolls, she battles the weather elements and she battles big rats. She has to head onto a scary pirate ship to find this treasure - and while this is all going on, we have a ticking time clock because shes got to get back by a certain hour. Tinker Bell is really under pressure here.

The filmmakers were extremely conscious that the frightening elements of the film should never overstep the mark and be too scary for the universal audience - and this notion can be highlighted clearly by the rats in the movie. Rats are the size of a horse to Tinker Bell because shes only five-and-a-half inches tall, says Hall. Its pretty scary when you see them in the film - especially when they're chasing Tink and Terence. The rats are pretty darn big and scary, but they're a good element to have in there. We had to walk the line with them, though. We couldn't make them too scary and threatening, so we made them fun, too. We didnt want to emotionally scar anyone in the audience.

When it comes to the plot of the movie, the filmmakers were overjoyed with the storyline and its various themes. When autumn falls, the fairies are very busy changing the color of the leaves, ripening pumpkins and they help young animals that hibernate in the winter to get settled and ready, reveals Hall. Theyre very busy - and thats where we enter the movie.

Lurie continues, Every eight years, there's a very special autumn moon commemorated in Pixie Hollow. Its called the Blue Moon and theres a huge celebration for which Tinker Bell is given the honor of creating an autumn scepter. The centerpiece of the scepter is a special moonstone, which is very rare fairy gemstone - but disaster ensues when it comes to this precious jewel.

We look at this autumn celebration very much like the closing ceremonies of the Olympics, adds Hall. That was what we used for our back-story motivation. Tink has the honor of building the autumn scepter and she has to place it in line with the Blue Moon to create a special blue pixie dust, which restores the Pixie Dust Tree in Pixie Hollow - the source of all their pixie dust.

Tinker Bell is very enthusiastic about the scepter - and her best friend, Terence, offers to help her, so they begin the process of building the scepter together. Sadly, one thing leads to another, and the moonstone breaks. Tinker Bell is a bit of a hot head and she gets angry with Terence - and a huge rift opens up in their friendship. Not only is the scepter damaged, but their friendship is damaged as well.

The moonstone is very important component to the scepter because its the only one that's been found in the last 150 years. So when its accidentally broken, Tink is in a world of trouble. Soon after, she finds out about the Mirror of Incanta, which is a magical mirror that had three wishes. Two of them have been used, but one is left and so she starts to get the idea that if she can find this mirror, she can wish the moonstone back and her problems will be solved. That's what starts her on her journey. She really sees this as her only hope.

NATURE IN THE MOVIE...

Have you ever wondered how nature gets its glow - who gives it light and color as the seasons come and go? Its the work of fairies and this is why nature is evident in every scene of the film. Nature serves as a provider of every location, domicile, vehicle and prop - and, more importantly, it serves as a springboard for every childs imagination.

Whether it be strolling through a meadow or glancing out a window, children are constantly asking the most basic questions about the world around them: How do leaves change colors? What brings a rainbow its myriad colors? From where does the morning dew come? The first TINKER BELL movie answered these questions with inventive use of fairies and their relationship with nature - and TINKER BELL AND THE LOST TREASURE carries this message through to the second movie, especially when it comes to the new costumes for the characters.

Having the movie set in autumn gave us a a great opportunity to have fun with Tinks outfit and change it up a little bit, explains Hall. It gets a little chilly when autumn arrives, so we sat down with our character designer, Ritsuko Notani, and art director, Ellen Jin Over, to explore different ideas for Tinks fashion. The fairies outfits are a bit too skimpy for autumn, so we covered them up a little bit by giving them leggings, capes and shawls - but we stuck with the natural theme by making sure these new additions were all made from organic items found in Pixie Hollow. Its been John Lasseters mantra from the very beginning that this world needs to feel very organic, so we wanted to pull some realistic elements into the outfits with leaves, twigs, seeds, flower petals and moss.

Ellen Jin Over adds, Tinker Bell is a fairy fashionista who is very eco-friendly. Everything she makes her clothes out of is recyclable. Its all organic and shes very conscious of recycling materials and being green. A lot of effort went into trying to find things that we could pull from nature to make her clothes and accessories from. Autumn is probably the most exciting season when it comes to color because trees are in various shades of yellow, green, red and brown. Its been really exciting to use these colors for the clothes.

Creating and updating the fairies outfits was a tough challenge for the crew. Over explains, Its a huge responsibility to be entrusted with Tinker Bells clothes. We have to design outfits that express Tinker Bells endearing personality and her adventurous spirit, which is really important. In this movie, Tinker Bells going on a journey and she travels through a lot of different environments. She walks, jumps and climbs - but she cannot do all of that with a short dress because she wouldnt look too good. So weve given her some outdoor-inspired clothing, such as a hat and leggings. Now she can jump, she can run and she can fall. Tinker Bell is going off to Never Land on this journey and she doesnt know what the weathers going to be like, so she makes herself a shawl just in case it gets cold. She also gives herself boots just in case she has to climb up a big mountain. She doesnt know whats ahead of her in her journey, so she is going to be prepared for anything.

We wanted to keep Tinker Bells original dress because it symbolizes the character, continues Over. Its her signature, vibrant green leaf dress, but underneath shes wearing long leggings and fabulous boots made of green leaves. The boots are pulled together with a red strap, made from a flower stamen, along with cute cotton pom poms - just like the ones on her original shoes. Shes also got a shawl made from a thicker leaf to keep her warm - and we added a seed button so that she can close it up. Shes also got a hat made from green leaf with a hint of red feather.

Lurie adds, Tinker Bells belt is particularly interesting because its made out of a twiney-type material. Its like a stem of a branch and you can peel off pieces and weave them together like vines. I love her outfits because nothing is manufactured on Tinker Bell. She inspires all of us to find ways that we can incorporate the natural resources that exist on the Earth into our own lives.

Its not just Tinker Bell who receives an autumn makeover. The other fairies are very couture in this movie too, reveals Hall. Theyve all got new outfits.

Over explains, In coming up with these new clothes, we were inspired by the characters original costumes. We have four main fairies and they all have different personalities, so we stuck with these characteristics. We extended Silvermists skirt and gave her sleeves that she didnt have before. She also has really little cute boots, but we made her neckline really wide to have some of her feminine personality reflected in her clothes. Fawn wears a long-sleeve T-shirt, as well as longer, orange-colored pants made from moss.

We decided to give Iridessa a hair band and a sunflower petal jacket, as well as leggings and some pretty, short boots, continues Ritsuko Notani. And Rosetta wears a rose petal jacket with long boots.

The boy fairies also get a makeover in the movie, as Over reveals. We didnt want to dress the boys in reds, blues and yellows because they are really feminine colors used for the girls. Instead, we decided to give them shades of yellows and browns, especially Terence.

Lurie adds, We were thrilled with the design work that went into creating these new costumes. It gives us something new to our beloved characters and it really sets the scene in the movie.

Im extremely proud of the outfits weve created and I think girls will find the fashions of TINKER BELL AND THE LOST TREASURE very appealing because theres something for every occasion, concludes Over. Fairies have awesome clothes and Tinker Bell is a highly fashionable fairy who would look fabulous on a catwalk. Accessories are very important to Tinker Bell - and to fashion - which is why we gave her a cute hat, shawl, belt and boots. She is very happening girl, so I think she has around 150 bags in total. All girls do, right? No, in all honesty, she has a number of bags with her for various purposes. One holds all the food shes carrying for the journey and another is used to hold her pixie dust. Then theres another to carry the broken pieces of the moonstone. I love all of the outfits and accessories weve created. I can even imagine myself wearing the fairy boots to work because theyre not fantasy designs - theyre organic, practical, wearable and, most of all, theyre cute.

ANIMATING TINKER BELL IN CG...

Bringing to life an international icon is a monumental challenge. However, much of the hard work translating the Walt Disney 2D character into a computer-generated animation was undertaken in the first Disney Fairies movie, TINKER BELL.

Next to Mickey Mouse, Tink is the symbol of magic for The Walt Disney Company - so we had to make sure she was perfect, explains Doug Little, digital producer on both Tinker Bell movies. I think we went through over 20 versions of her model before everyone signed off on her.

Of greatest debate was Tinkers Bells true height and the shape of her eyes. The first question was answered quickly with a little international research - in 2005, the Great Ormand Street Hospital in London erected the citys smallest statue - of Tink. The statues dimensions: seven inches tall with a nine-and-a-half inch wingspan. This gave the filmmakers a perspective to work within, establishing Tinker Bell at five and one-half inches tall.

Tinks eye shape proved to be more difficult to settle upon as her original creator - Marc Davis - varied his drawings dependent upon her pose. He changed his mind on her quite a bit, Little says of Davis concepts. A lot of times she had almond-shaped eyes, but in her best poses she had round eyes. Marc Davis drew her differently depending on how her head tilted, so we varied her eyes as well.

We wanted to stay true to the Tinker Bell everyone knows and loves, but that was tricky as things play differently in CG - particularly in the proportions of the design and especially in the shape of her eyes and the location of her nose and mouth. The 3-D world is fairly realistic, so we really had to play with her profile as she moves. We got there in the end, though - and were extremely pleased with the results.

THE ALLURE OF TINKER BELL...

The much-loved character of Tinker Bell has a special appeal to people across the planet. Polling the cast and crew of the film about their impression and memories of Tinker Bell offers a wide perspective on the characters long-lasting allure.

Even though she's a little fairy who is just over 5 inches tall, she feels very real to me, admits director, Klay Hall. She is almost human. She gets into trouble and she loses her temper every once in a while. She has very relatable emotions and I think that is universal in its appeal. Shes a wonderful character with a lot of heart.

Producer Sean Lurie agrees. I can remember watching PETER PAN so many times when I was growing up - and Tinker bell is such a strong, memorable character from that film. I also remember watching The Wonderful World of Disney with her at the beginning, with the music and her ding. Theyre such great memories for such a great icon.

Tinker Bell was a very big part of me growing up because Peter Pan was my favorite story, Mae Whitman, the voice of Tinker Bell recalls. I used to have the biggest crush on Peter Pan, so I was a little jealous of Tinker Bell because she got to be around him all the time. But after a while I really started to admire her snippiness and her strong attitude. I had never seen that before within any cartoon - there wasnt anybody like that. I think Tinker Bell is a great role model for young girls because shes not the perfect little princess in pink. Shes a tomboy. Shes rough and tumble. She gets into trouble. Shes cranky and she has a big temper. Shes really got a personality and shes not just a pretty face.

The first time I became aware of Tinker Bell was in the book Peter Pan, Angelica Huston, the voice of Queen Clarion reveals. I had very definite ideas about her back then. Tinker Bell was maybe my favorite character growing up because she combines humor and a kind of gentle slapstick with intelligence. Plus, she is very beautiful. I grew up in Ireland, so I didnt see a lot of cartoons - but I remember her flickering little presence very well. She had a little circle of light around her and I thought her naughtiness was amusing and alluring. Shes a sassy little fairy.

I was a huge fan of Tinker Bell and Im actually excited that she has so many fairy friends because they all come in different sizes and shapes and colors, Lucy Liu, the voice of Silvermist reveals. Tinker Bell is very stubborn and very wonderful and loyal, but she has a strong will and she believes what she believes. She has a huge heart and she wants to help and she wants to be a part of things. I think shes great.

Fairies are the epitome of imagination, Raven-Symon, the voice of Iridessa says. When you think of Tinker Bell, you think of all of those dreams that you've always wanted to be or those characters that you've always wanted to be. Fairies are the ones that make it come true - and Tinker Bell is the best-known fairy.

I was taken by PETER PAN when I was a child - and the Mary Martin musical was very influential on me, musically, composer Joel McNeely admits. Having written the soundtrack for RETURN TO NEVER LAND, I have already kind-of been in that world. But with TINKER BELL, I really got inside the characters to figure out what they were seeing and what their feelings are, so I could translate that into music. I feel like I know her pretty well now.

I think Tinker Bell has had this universal appeal for so many generations because everybody wants a bit of magic in their lives, says violinist Mirad Nesbitt. I think Tinker Bell is fantastic because shes very complex and she has a huge heart. She has a few accidents along the way, but her heart is in the right place and she really tries to make things right. I think thats why we all love her.

Everyone loves Tinker Bell because we can all relate to her, explains art director, Ellen Jin Over. I think girls growing up today have more opinions and its a little different to the older generation. Tinker Bell is all that we look up to when it comes to adventurous spirits and making decisions. I think its the personality that we love about her.

I think Tinker Bell is so relatable to boys and girls because she is this beautifully feminine character with so much power and courage, reveals Jeff Bennett, the voice of Bobble. I love the fact that shell step up and say, I dont like it that way, I want to do it my way. Even if she breaks the rules, at least shes being honest with herself. Its like shes saying it doesnt always mean youre going to get into trouble if you speak your mind. The world isnt going to come crashing down on you.

Rob Paulsen, the voice of Clank adds, I think theres something really magical about the story of Peter Pan and everything connected with it, whether its Tinker Bell or Peter or Wendy or the Lost Boys. I can clearly remember watching the TV version with Cyril Ritchard and Mary Martin, when Tinker Bell was basically a little light shining on the screen, but the image stuck with me through the years. A lot of people have Peter Pan syndrome because they dont want to grow up, but now you can just fire up the DVD player for an hour and a half and experience this wonderful, creative and constructive form of escapism. Im a little surprised it took so long to find something to do with Tinker Bell because shes such a wonderful character. Tinker Bell is amazing.

THE CAST OF CHARACTERS...

Pixie Hollow is home to a number of Tinker Bells fairy friends, including Fawn, Iridessa, Rosetta and Silvermist. Each of these cute and colorful characters is equipped with a different talent and each is designed to reflect their way of life and their role in the greater Pixie Hollow community. Of course, when they arent wrangling their feisty tinker pal, theyre busy bringing nature to the world. Indeed, many of the characters in Pixie Hollow were introduced in the first Disney Fairies movie - but there are also new additions discovered in TINKER BELL AND THE LOST TREASURE. Heres a handy guide to all of them - both new and old...

Tinker Bell

Tinker Bell is the fairy we all know and love. Shes feisty, rebellious, impatient, impulsive, determined, persistent, temperamental - and yet still charming and lovable. She has a talent for tinkering, a love of lost things, and she is braver than most fairies when it comes to getting close to humans. Of course, her temper can often get the better of her, but shes always a selfless and dedicated friend when the chips are down.

Fawn

Fawn is a rough-and-tumble animal fairy, full of mirth and mischief. She is a tomboy prankster - who loves to play tricks on Iridessa - and Tink loves her mischievous nature. Fawn speaks many different animal languages, although the burp-like toad-speak is her favorite. The other fairies have outfits made from flowers and leaves, but Fawns costume offers a different texture because its made of orange moss (animal fairies live in the trees, where moss grows, of course!). Fawn has a feistiness about her that will echo in Tink later - like when she challenges Captain Hook or disobeys Peter Pan. Bottom line: Fawn doesnt mind getting dirt under her fingernails.

Iridessa

Iridessa is a light fairy who helps to illuminate the season with tricks like giving fireflies their light. Probably the most rational of all of Tinker Bells friends, shes willing to help Tink but knows deep inside that Tinker Bell will always be a tinker. Iridessa is logical, smart and a perfectionist. Shes a girl scout at heart and shes passionate about her work, but she can also be a worry wart. She tries to see the bright side of things, but often smells disaster. It can take some convincing to get her to go along with a risky or dangerous plan, which is a stubbornness that Tink certainly has too. Sometimes its just Dess being Dess, but other times her cautious stance turns out to be well-founded. In the end, though, she will always do anything to help a friend.

Rosetta

Rosetta is a garden fairy with a penchant for the prim and proper. She is genteel and well-mannered, but also armed with quick wit, a true sass and a ton of charm. Fairies never tell their age, of course, but Rosetta arrived in Pixie Hollow before most of her friends, so shes a little wiser than the others. Rosetta is the unsaid leader of this group of fairy friends. Shes quick to offer beauty tips and makeovers for her friends and the flowers. Her dress is, quite poetically, an upside-down rose.

Silvermist

Silvermist is a water fairy who has a delightfully endearing, offbeat way of looking at the world. Shes a free spirit who often listens to her heart more than her head. However, she is also a laid-back soul who is eager to please. Silvermist makes friends easily and her sense of loyalty is unmatched, which is something that rubs off on Tinker Bell. Silvermists duties revolve around anything with water - from making the brooks babble to ensuring dewdrops are strategically placed in the morning. Shes always upbeat, quirky and unusual - and her outfit is made of a calla lily.

Terence

Terence is a fairy dust keeper who distributes the magical substance as needed by the fairies. He has an incredible vision of the fairy world and a keen insight into Tinker Bells psyche. Well, hes her best fairy friend after all. Though he loves to have fun, he also is kind and thoughtful - and he has great wisdom of the heart. Terence has one of the most important jobs in Pixie Hollow. Each day, he rises before dawn to help hand out pixie dust to the other fairies. Fairies need a measured teacup of dust each day in order to fly and perform their magic duties.

Fairy Mary

Fairy Mary serves as the no-nonsense mother hen of the tinker fairies, managing the group with a nurturing, loving attitude at every turn. She is big, bold, brash and bossy. She loves what she does and is proud of the place tinkers hold. Mary can see that Tinker Bell has taken tinkering to a whole new level and is a fervent supporter of her little prodigy. Still, you never want to make her mad.

Clank

Tinker fairy Clank is a big, boisterous, lovable lug who revels in being a tinker, along with his best pal, Bobble. Surprisingly, Clank plugs his ears with fluff when he's hammering things. You'd think that if anyone would love the sound of fairy work it would be him, but he insists he has delicate ears. When not found enthusiastically helping his fellow fairies around Pixie Hollow, chances are he's working on some half-finished contraption that was probably a silly idea in the first place.

Bobble

Bobble is a friendly tinker fairy with dewdrop goggles for detail work, so his near-sightedness sometimes gets him in others' personal space. He thinks he's more refined and smarter than the average tinker. He is, in fact, a tinker geek who loves to talk shop and often finds himself - and his best pal Clank - in trouble with Fairy Mary, who has little patience for shenanigans. Bobble admires his good friend and neighbor, Tinker Bell, for her talent and skill.

Blaze

Blaze is a cute and courageous little firefly. He does not speak, but he buzzes around with puppy-like enthusiasm. Though he's a tiny guy, his bravery knows no bounds - maybe because of his tough-sounding name. He takes to Tinker Bell right away, but Tink doesn't want or need his help. However, because he's so cute, she allows him to tag along. Blaze has the ability to brighten up anyone's day... and night!

Cheese

Yes, he's a mouse and his name is Cheese. Or at least the fairies think that's his name because he always comes when they call it. A cheerful and friendly helper of the tinkers, Cheese is Tinker Bells trusty steed in times of need - even when he's not sure about whatever misadventure they're getting into. Despite his occasional nervousness and reluctance, he is a kind and trusted friend. He can always tell when Tink is feeling down and needs a nuzzle. Cheese didnt initially have a name, but once John Lasseter saw the characters impact in the first Tinker Bell movie, the mandate to come up with a moniker was issued. Cheese was the winner.

Queen Clarion

Queen Clarion is the regal leader of Pixie Hollow. She has a genuine love for her loyal subjects, although she has a particular fondness for the feisty Tinker Bell. An ethereal being, she is practically Mother Nature, as well as a mother figure to all the fairies. Her knowledge of the fairies magic is so advanced that she can even travel as a stream of pure pixie dust. Despite her wisdom and power, she doesnt take her station too seriously, so she is warm, approachable, kind and loving. However, she can also be firm when she has to be.

Fairy Gary

Fairy Gary is a very strict fairy. He's the taskmaster in charge of the Dust Depot and its a lot of fun to listen to this old timer as he tells everyone what they need to do. Fairy Gary keeps track of who uses their pixie dust and who doesn't because he needs to keep the line of product moving at all times. Fairy Gary has a tough exterior, but a soft interior. He's smitten by Tinker Bell and he's captivated by her - but theres no way he will give in and break the rules for her.

MUSICAL MAGIC...

Prior to starting work on TINKER BELL AND THE LOST TREASURE, composer Joel McNeely had spent more than his share of time in the realm of fairies - most notably with his acclaimed score for RETURN TO NEVERLAND, as well as his work on the debut Pixie Hollow movie, TINKER BELL.

Joel McNeely is a musical genius, reveals Hall. We couldnt have asked for a better score for the new movie. The sound feels so organic and he puts everything together perfectly. Its beautiful.

McNeely focused on creating the score primarily through the use of world music elements, emphasizing a heavy Celtic base fortified by musical influences from cultures across the planet. Thus, the orchestral composition is colored with the sounds of instruments as varied as pennywhistles of all different shapes and size, Indian bamboo flutes, Scottish bagpipes, a Russian Balalaika, as well as Peruvian and Italian ocarinas, not to mention tequila bottles filled with water to make low resonant airy bass notes. Percussion was added utilizing drums from Africa, India, Ireland and China. A small band comprised of a hurdy-gurdy, mandolin, bass and guitar further buoys the score.

McNeely reveals, Weve been able to create a very eclectic world thats truly non-exclusive to one culture and that co-mingling of musical cultures really lends itself well to the world of the fairies.

Celtic overtones permeate the melodies of the score, particularly in the contributions of solo violinist Mirad Nesbitt. Her inimitable sound becomes a character in itself in the Tinker Bell movies. McNeely was searching for a unifying component for the original film's score when he saw Nesbitt's performance on a PBS special and immediately knew her captivating combination of expressive Celtic style and full-bodied classical sound would provide the perfect complement to his rich score.

Mirads approach to music is very ethereal and spiritual - and she even looks like Tinker Bell, explains Hall. Shes from Ireland, shes charming, shes little, shes blonde and shes sweet. When you watch her play, she puts herself into the music and she becomes at one with the music. She brought another level of sensitivity and emotion to the score. She has great skill, as well as a lot of passion.

McNeely composed music specifically to fit Nesbitt's distinctive style and collaborated with the soloist to further polish the music for Celtic authenticity. The result is an old world, ethereal overtone that resonates with heartfelt emotion and color - and it is particularly evident in Nesbitt's inspired, lyrical solo performances throughout the movie.

Music is the heart and soul of a film in telling the story from an emotional sense and I think people know instantly when someone is sad or happy or excited from the music - its so important, Nesbitt says. The mood and color that I bring to the music is one of emotion and heart.

Tinker Bell embarks on an exciting adventure in TINKER BELL AND THE LOST TREASURE, which is very different to the first TINKER BELL movie where the character and the peaceful world of Pixie Hollow were introduced to the audience. The music in the new movie reflects this change of pace. A lot of the music in the first Tinker Bell movie was very emotive and emotional, explains Mirad. There are still emotional tracks in this movie, but there are also joyous, big, huge tracks with beautiful orchestrations.

Before creating the score for TINKER BELL, McNeely did heavy research on Celtic and old Irish music - and having Nesbitt on-board for the film further buoyed that knowledge and experience in those musical realms. McNeely and Nesbitt collaborated on many of the tracks, ensuring genuineness to the tones of the film.

I think we got each other right off the bat, McNeely recalls. Mirad was really enthusiastic about the project and I really seemed to understand how to write to her strengths. Id do a demo, send it off to her - but shed be on tour, so shed record it into her laptop, then shed make changes and send it back. In the end it helped me write things that were authentic and thematic for her to play.

Ultimately, McNeely opted to incorporate Nesbitts violin throughout the score, using the unique sound to unify the music across the entire film. Mirad brought a very distinctive voice to this score and it sets it apart as something very different, McNeely says. Mirad has this combination of authentic Celtic playing with the sensibilities of an expressive classical style. Shes an incredibly emotional player and she communicates emotions really well through her phrasing, bringing even greater depth to many of the scenes.

Nesbitt has nothing but praise for her collaborator. Joel McNeely is an amazing composer. I was really excited to jump on board with the second movie after working on TINKER BELL. The experience has been amazing.

Beyond McNeelys score, the film includes the end credit song The Gift of a Friend, performed by Disney Channel star Demi Lovato (Camp Rock, Princess Protection Program, Sonny With a Chance).

Hall explains, Demi was very thorough and enthusiastic. She came to watch the movie and was very engaged at the screening - but she didnt leave her research to just a solo viewing of the film. Afterwards, she asked for a script, as well as some artwork to take home and think about it some more. She re-read the script and co-wrote a beautiful song with Adam Watts and Andy Dodd (High School Musical 3) thats emotional and personal. Demi is a true artist in every sense - and the end result is a wonderful song.

THE FILMMAKERS...

Emmy-nominated KLAY HALL (Director) was born in Burbank, California - a short distance from the Walt Disney Studios, meaning he was never far from his dream of being a Disney artist. But it wasnt until he received a Disney Scholarship from the California Institute of the Arts Character Animation program that his dream came true.

While at Cal Arts, Hall honed his artistic skills under former Disney animators Hal Ambro and Ray Aragon, whose roots can be traced all the way back to Walts earliest productions.

Hall was also mentored by many of Disneys nine old men, including Frank Thomas, Ollie Johnston, Marc Davis and Ken Anderson. He even became a train companion of the legendary Ward Kimball and received years of guidance as a pen pal of Milt Kahl.

After graduating with a film degree from Cal Arts, Hall was immediately hired by Disney Studios to work on the featurette, Sport Goofy. Then, opportunity called again when Brad Bird invited Klay to join the crew on Amblin Entertainments Family Dog. As his skills blossomed, Ralph Bakshi and John Kricfalusi took notice and hired him on the Rolling Stones music video, Harlem Shuffle.

But it was his Emmy Award nominated work at Fox Studios that landed Hall firmly on the map of animations rising stars. While on the The Simpsons crew, he directed what is widely known to be one of Matt Groenings favorite episodes. And as a supervising director, he helped Greg Daniels (The Office) and Mike Judge develop Foxs animated hit King of the Hill. This all lead to Jeffrey Katzenberg hand-selecting Klay as Supervising Animator on the NBC prime time computer animated series, Father of the Pride.

Klays career finally came full circle when he re-joined the ranks of the Walt Disney Company as a director for DisneyToon Studios, Disney/Pixars franchise driven feature production unit. TINKER BELL AND THE LOST TREASURE is his film directorial debut for DisneyToon Studios. Currently, he is developing his next animated film for the studio.

SEAN LURIE (Producer) is a model of success and achievement in the animation business, with nearly two decades of animated feature production experience and a track record of top grossing and Oscar-nominated films. But long before he planted his flag at the Walt Disney Company, Seans path took him on the unlikeliest of journeys.

Raised in Zuma Beach, California, Sean grew up passionate about the sea. That passion, coupled with his deep commitment to education and community led him on a year-long South Pacific sailing expedition as a speaker in partnership with the Bahai community. From the islands of New Zealand to Tonga and American Samoa, Sean spoke at villages, organizations and schools about issues of world peace and social and economic development. His efforts contributed to the betterment of the living conditions of people in those regions.

So its no wonder Sean began producing educational interactive multimedia. While at Lightspan Partnership, Inc., Sean specialized in educational products that integrated compelling animated characters into curriculum-based materials. In just over three years, Sean produced 20 titles including Mona and Moki, The Secret of Googol and Jambalaya.

Sean also performed production work for Marvel on the animated series, Attack of the Killer Tomatoes and CBS primetime special, The Magic Paintbrush. But it was his production management on Amblin Entertainments, Were Back: A Dinosaurs Story, which caught the attention of Klasky Csupo.

Sean was recruited by Klasky to serve as production manager on Paramount/Nickelodeons unprecedented box office hit THE RUGRATS MOVIE. Fast becoming an integral part of the Rugrats film franchise, he then line produced RUGRATS IN PARIS. Shortly thereafter, he was elevated to co-producer status on the Oscar and Golden Globe nominated WILD THORNBERRYS MOVIE.

Armed with critical and commercial experience, Sean has found his way to the Walt Disney Company. Under the creative leadership of Disney/Pixars John Lasseter, he worked as Producer on TINKER BELL AND THE LOST TREASURE, but he is also preparing production on TINKER BELL: A WINTER STORY - both for DisneyToon Studios.

DOUG LITTLE (Digital Producer) is a master of technology within the animation arena. Little served as technical director on the landmark THE LION KING II: SIMBAS PRIDE before becoming digital producer on a pair of Winnie the Pooh feature films - THE TIGGER MOVIE and PIGLETS BIG ADVENTURE - as well as for the challenging THE JUNGLE BOOK 2 and RETURN TO NEVER LAND. He has also acted as digital producer on the popular DVD premieres TINKER BELL, TARZAN II, WINNIE THE POOH: SPRINGTIME FOR ROO and KIM POSSIBLE: SO THE DRAMA.

JOEL MCNEELY (Composer) has been responsible for creating the scores for more than 50 films and television series, including TINKER BELL, HOLES, RETURN TO NEVER LAND, THE JUNGLE BOOK 2, SOLDIER, VEGAS VACATION and POOHS HEFFALUMP MOVIE, as well as Jim Camerons series Dark Angel, The Young Indiana Jones Chronicles for Lucasfilm, and the animated series Tiny Toon Adventures. He has conducted more than 30 albums of classic film music, including an entire collection of works by noted Hitchcock film composer Bernard Herrmann for Varese Records. Those works include the first-ever Gramophone Award for his work on an album of the score to VERTIGO.

Joel has delivered for us time and time again, and his work on RETURN TO NEVER LAND made him an obvious choice for the first TINKER BELL movie, says Brett Swain, vice president of casting and music. Joels sensibilities for Disneys historic relationship between animated picture and complementary sound made him the choice. Joels strengths lie in creating great melodies and thematic materials that are instantly identifiable and recognizable. He treats his scores like a developing story, creating themes that perfectly complement the characters and the visuals.

DEMI LOVATO currently stars as Sonny in the Disney Channel original series Sonny With A Chance. Sonny is a talented Midwestern girl who moves to Los Angeles to join the cast of So Random! - the most popular sketch comedy show for kids and tweens.

Born August 20, 1992 in Dallas, Texas, Lovato participated in local and state level pageants from the time she was seven years old. A skilled singer, musician, songwriter and dancer, Lovato studied under the leading area vocal coach, Linda Septien, winning a coveted invitation to her Master Class. She studied hip-hop dance with renowned instructor Kat Garcia. Lovato studies piano, guitar and songwriting and has written over 100 songs.

Lovato appeared as Angela on Barney & Friends, a role she played for two years alongside Selena Gomez (of Disney Channel's Wizard's of Waverly Place). Her television credits also include a starring role as Charlotte in the Disney Channel short-form series As the Bell Rings, in which she showcased her singing talents, a lead role on Nickelodeon's Just Jordan and a guest appearance on Fox's Prison Break. She was also featured in national television commercials for Hasbro, the Fort Worth Zoo and DirecTV.

In June 2008, Lovato rose to stardom after starring in the hugely popular Disney Channel Original Movie CAMP ROCK as Mitchie opposite the Jonas Brothers, and will reprise her role in CAMP ROCK 2. She was also featured in Walt Disney Studios JONAS BROTHERS: THE 3D CONCERT EXPERIENCE feature film.

Lovatos solo album, Don't Forget, released in September 2008 on Hollywood Records, features the smash hit single Get Back. Lovato collaborated with her friends and fellow recording artists the Jonas Brothers on several songs for the album and toured with them on their sold out Burnin Up concert tour during summer 2008. Lovato's Summer Tour 2009 kicked off June 22 in Toronto. Her 45-date headline tour featured American Idol alum, David Archuleta.

She has two sisters, Dallas and Madison, and now resides in Los Angeles.

EVAN SPILIOTOPOULOS (Writer) made his feature debut with the cult science-fiction film GANGSTER WORLD, a tongue-in-cheek mix of film noir and Hong Kong movie genres featuring Jerry Doyle (Babylon 5), David Leisure (AIRPLANE) and Sports Illustrated supermodel Stacey Williams. His second film, LEGION, a sci-fi thriller described as a cross between THE MAGNIFICENT SEVEN and ALIEN starred Terry Farrell (Star Trek: Deep Space Nine), Parker Stevenson, Rick Springfield, Troy Donahue and Corey Feldman. This was followed by the thriller BARE WITNESS, top-lining Angie Everhart, Daniel Baldwin and Kathleen Kinmont - and the William Baldwin/Ellen Pompeo starrer ART HEIST for DrimTim Entertainment.

In 2001, Spiliotopoulos was hired by Walt Disney Pictures to co-write JUNGLE BOOK 2, the sequel to the animated classic featuring the voices of John Goodman as Baloo, Haley Joel Osment as Mowgli and Phil Collins as Lucky, the vulture. The film went on to gross more than $100 million theatrically worldwide.

His relationship with Disney continued with 2003s THE THREE MUSKETEERS, the first feature length project in history to star the legendary trio of Mickey, Donald and Goofy. The movie was nominated for Three Annie Awards including Best Picture for a Home Video Release. It was also nominated for three DVDX Awards: Best Director, Best Song and Best Screenplay for Spiliotopoulos himself. The same year, Spiliotopoulos also made writing contributions to the blockbuster DVDs THE LION KING 1& and TARZAN 2.

His next animated feature, POOHS HEFFALUMP MOVIE, featuring the voice of two-time Academy Award nominee Brenda Blethyn, was released in 2005 and grossed more than $70 million worldwide. This was followed by the DVD sequel, POOHS HEFFALUMP HALLOWEEN.

The year 2008 saw the release of The Weinstein Company's NUTTY PROFESSOR, the Spiliotopoulos-written sequel to Jerry Lewis' classic 1963 original featuring the voices of Lewis himself and Drake Bell. It was also the year of release of BLUE ELEPHANT, Spiliotopoulos' English-language adaptation of the most successful animated movie in Thailand's history. The English production featured Martin Short and Carl Reiner.

Spiliotopoulos wrote the blockbuster DVD release THE LITTLE MERMAID: ARIELS BEGINNING, starring two-time Academy Award winner Sally Field. After TINKER BELL AND THE LOST TREASURE, his next Disney feature TINKER BELL: MIDSUMMER STORM is set for release in 2010.

On the heels of these successes is the animated science-fiction epic BATTLE FOR TERRA, written by Spiliotopoulos for Snoot Pictures and director Aristomenis Tsirbas. It stars Evan Rachel Wood, Luke Wilson, Chris Evans, Amanda Peet, Dennis Quaid, Danny Glover, James Garner, Brian Cox, David Cross, Rosanna Arquette, Mark Hamill, Ron Perlman, Beverly DAngelo and Justin Long. The film received the Grand Prize at the Ottawa International Animation Festival.

Spiliotopoulos is currently in production with Exodus Films THE HERO OF COLOR CITY as well as developing an adaptation of the childrens classic THE CRICKET IN TIMES SQUARE for The Weinstein Company. In the live-action world, Spiliotopoulos is adapting Oni Press' graphic novel The Last Call for Universal Pictures and producer Barry Josephson, as well as Dave Roman's comic Agnes Quill for Paramount and director Thor Freudenthal. He is also working on WANTED 2, the sequel of Universal's 2008 summer blockbuster for producer Marc Platt and director Timur Bekmambetov.

Spiliotopoulos was born in Athens, Greece and lives in Los Angeles. He received his Bachelor's Degree in Film Theory from the University of Delaware and a Master's in Screenwriting from American University.

ELLEN JIN OVER (Art Director) is an Emmy Award-winning art director born in Seoul, Korea. She was first exposed to the world of Disney through books. As early as age five, Ellen was inspired to draw by the beautiful art from classic Disney books such as Walt Disneys Cinderella and Walt Disneys Sleeping Beauty. She never dreamt she would someday move to America and work for Disney.

Ellens career began at the world famous Otis College of Art and Design in Los Angeles. During her senior year, she had already begun working as a layout artist at Rainbow Animation and her talent caught the eye of Pixibox Studio (The Prince Of Atlantis) where she became one of the first digital background painters in the United States.

Overseas studios began to take notice of her advanced digital painting skills and Ellen was recruited by Hong Ying (Sonic The Hedgehog) in China and SO.B. Animation Group in New Zealand to train their background painting departments.

After a highly successful stint creating and training the digital background painting departments, she returned to the States to join Mike Young Productions on Clifford the Big Red Dog. Soon thereafter, she became Art Director on He-Man and the Masters of the Universe. Her following project at Mike Young was the computer-generated animated series Jakers! The Adventures of Piggley Winks where she received a 2004 Emmy in the Special Achievement category. This led to her feature-length work on DOCTOR STRANGE and IRON MAN for Marvel Lionsgate.

In 2006, Ellens dreams were realized when she went to work for Disney Animation. She was brought in as Art Director on TINKER BELL AND THE LOST TREASURE, the follow-up to the 2008 worldwide hit TINKER BELL. She is currently working on the fourth installment of the Disney Fairies film franchise.

Ellen lives in Los Angeles with her husband John Over who is a multi-Emmy- and BAFTA-winning writer and director.

SHERYL SARDINA SACKETT (Animation Director) was born in Wisconsin and attended Torontos esteemed Sheridan Animation College, where she studied 2-D animation and made an award winning short film called Eternity.

After graduating and before returning to the States, she worked at Bluth Studios in Ireland and Amblin Entertainment in London. Sheryl worked in various capacities from assistant animator to animator on such notable films as the Steven Spielberg-produced AN AMERICAN TAIL: FIEVEL GOES WEST.

An opportunity to come to the Walt Disney Studios brought her back to the USA. It was there that Sheryl went through an intensive 3-D animation-training program with some of the best animators in the industry. Her first job in 3-D was at Disney Feature Animation on DINOSAUR.

Her growing command of the 3-D animation space and expertise in the field caught the attention of DisneyToon Studios. Over the past several years, Sheryl has brought this studio through their transition to 3-D animation with the highly successful film, TINKER BELL. Currently, Sheryl continues to serve as animation director on all of DisneyToon Studios films.

JEREMY MILTON (Editor) moved to California to begin a career in film editing in 1986 after studying film and theater at Yale. He initially worked on live-action films, editing short projects and assisting on diverse feature-length productions including DUMB AND DUMBER and GHOST WORLD among others. He soon gravitated toward animation, following a life-long fascination with the medium.

He started working at Walt Disney Studios on a project that would eventually become THE EMPERORS NEW GROOVE. He enjoyed the experience so much that he has been working in animation ever since. His most recent projects include stints as an editor on KUNG FU PANDA for DreamWorks, and as the lead editor on BAMBI II and TINKER BELL AND THE LOST TREASURE for DisneyToon Studios.

He currently lives in Los Angeles with his wife and his two children. His 4-year-old daughter is looking forward to the continuing adventures of Tinker Bell. His 12-year-old son is patiently waiting for projects that contain a few more explosions.

A former All-Ireland fiddle champion, MIRAD NESBITT (Solo Violinist) began formal training in music at the Ursuline Convent in Thurles, and continued at The Waterford Institute of Technology, the Cork School of Music under Cornelia Zanidache and at the London Royal Academy, London Trinity College, with post graduate studies under Emanuel Hurwitz on violin and piano. She is also a past member of the National Youth Orchestra of Ireland.

Nesbitt began her professional career as violinist with the RT Concert Orchestra. Her blend of traditional Irish and classical styles earned her Irish Music Magazine's title of Best Traditional Female (2003) and has given her the opportunity to work with such illustrious acts as Nigel Kennedy, Van Morrison, Sinad O'Connor, Clannad, Emmylou Harris, Aslan, Chris De Burgh, Jimmy Webb, and Irish personalities Dnal Lunnys Coolfin, Sharon Shannon, Paul Brady, Frances Black, Cooney and Begley, and Jimmy McCarthy. She's played on the original soundtracks of the shows Riverdance, Lord of the Dance and Feet of Flames and subsequently performed in three world tours as the original lead fiddle in Lord of the Dance and Feet of Flames. She tours with her own band and has also played and recorded with the Afro-Celt Sound System. She has composed the original music score for the new dance show 'Invasion', to tour in 2006. Mirad also had the honor of performing privately for HRH The Princess Royal (Princess Anne) on her secret visit to Dublin in September 2004.

Raining Up, Mirad's first solo album captures her wide range of styles. From traditional Irish tunes to those composed by and for her, the 14 tracks have been praised by the likes of the Irish Post who said Raining Up is an album of considerable beauty and shows Nesbitt with one foot in the traditional camp and another in a chill-out ambient groove. The Birmingham Post called the CD a contemporary Celtic masterpiece.

MATT WALKER (Senior Vice President of Music for the Walt Disney Company) oversees music for The Walt Disney Companys President of Music, Chris Montan, dividing his time between the film, theatre and theme park divisions. Until recently, his primary focus has been producing the film scores and songs for Disney Animations DisneyToons Studios, working with a wide variety of artists and writers including Carly Simon, Phil Collins, Reba McEntire, Loreena McKennit, Alison Krauss, Melissa Etheridge, Jeanine Tesori, Dean Pitchford, Marcus Hummon, Tim Rice, Joel McNeely and Bruce Broughton. As Senior Vice President of Music for Disneys live action feature film division, he supervised or co-supervised music for SISTER ACT I & II, THE PREACHERS WIFE, PHENOMENON, FATHER OF THE BRIDE 1 & 2, UP CLOSE AND PERSONAL and JAMES AND THE GIANT PEACH. In the same position at 20th Century Fox, he guided music for films such as TITANIC, DR. DOLITTLE, EVER AFTER, HOW STELLA GOT HER GROOVE BACK and ENTRAPMENT.

During his 10 years at Disney, BRETT SWAIN (Vice President of Music, Casting and Post Production) has worked on feature films such as RETURN TO NEVER LAND, JUNGLE BOOK 2 and three Winnie the Pooh entries (THE TIGGER MOVIE, PIGLETS BIG MOVIE & POOHS HEFFALUMP MOVIE) as well as numerous DVD premieres dating back to LADY AND THE TRAMP II: SCAMPS ADVENTURE. Swain added both Casting and Post Production to his responsibilities in 2007.

JOHN LASSETER (Executive Producer) is chief creative officer of Walt Disney and Pixar Animation Studios and principal creative advisor of Walt Disney Imagineering. He is a two-time Academy Award-winning director and oversees all Pixar and Walt Disney Animation films and associated projects. Lasseter directed the groundbreaking and critically acclaimed films TOY STORY, A BUGS LIFE and TOY STORY 2. Additionally, he executive produced MONSTERS INC, FINDING NEMO, and THE INCREDIBLES, RATATOUILLE, WALLE and the current box-office hit, UP. Lasseter returned to the directors chair in 2006 with the release of Disney(Pixar film, CARS.

In 2004, Lasseter was honored by the Art Directors Guild with its prestigious Outstanding Contribution to Cinematic Imagery award, and received an honorary degree from the American Film Institute.

Under Lasseters supervision, Pixars animated feature and short films have received a multitude of critical accolades and film industry honors. He received a Special Achievement Oscar in 1995 for his inspired leadership of the TOY STORY Team. His work on TOY STORY also resulted in an Academy Award-nomination for Best Original Screenplay, the first time an animated feature had been recognized in that category. FINDING NEMO, released spring 2003, became the highest grossing animated feature of all time, and won the Oscar for Best Animated Feature Film.

As creative director of Pixar, Lasseter enjoyed the critical acclaim and box office success of THE INCREDIBLES in 2004. The film was recognized with a record-breaking 16 Annie Award nominations and several Best Of awards by The Wall Street Journal, American Film Institute, National Board of Review and many others.

Lasseter has also written, directed and animated a number of highly renowned short films and television commercials for Pixar, including LUXO, JR. (1986 Academy Award nominee); REDS DREAM (1987); TIN TOY (1988 Academy Award winner); and KNICKKNACK (1989), which was produced as a 3-D stereoscopic film. Pixars TIN TOY became the first computer animated film to win an Oscar when it received the 1988 Academy Award for Best Animated Short Film.

Prior to the formation of Pixar in 1986, Lasseter was a member of the Computer Division of Lucasfilm Ltd., where he designed and animated the computer-generated Stained Glass Knight character in the 1985 Steven Spielberg-produced film YOUNG SHERLOCK HOLMES.

Lasseter attended the inaugural year of the Character Animation program at California Institute of the Arts and received his BF.A. in film there in 1979. While attending California Institute of the Arts, Lasseter produced two animated films, both winners of the Student Academy Award for Animation; LADY AND THE LAMP in 1979 and NITEMARE in 1980. His very first award came at the age of five when he won $15.00 from the Model Grocery Market in Whittier, California, for a crayon drawing of the Headless Horseman.

- CREDITS -+

Disney Fairies

TINKER BELL AND THE LOST TREASURE

Directed by

Klay Hall

Produced by

Sean Lurie

Original Story by

Klay Hall

Evan Spiliotopoulos

Screenplay by

Evan Spiliotopoulos

Executive Producer

John Lasseter

Original Score Composed and Conducted by

Joel McNeely

Art Director

Ellen Jin Over

Animation Director

Sheryl Sardina Sackett

Editor

Jeremy Milton

CAST

Mae Whitman as Tinker Bell

Jesse McCartney as Terence

Jane Horrocks as Fairy Mary

Lucy Liu as Silvermist

Raven-Symon as Iridessa

Kristin Chenoweth as Rosetta

Angela Bartys as Fawn

Rob Paulsen as Bobble

Jeff Bennett as Clank

Grey DeLisle as Lyria

John DiMaggio as Minister of Autumn

Jeff Bennett as Small Troll

Rob Paulsen as Tall Troll

Jeff Bennett as Fairy Gary

Eliza Pollack Zebert as Blaze

Grey DeLisle Narrator

Bob Bergen as Bugs and Creatures

Roger Craig Smith as Bolt/Stone

Rob Paulsen Owl

Grey DeLisle as Viola

Allison Roth as French Fairy

Thom Adcox as Flint

and Anjelica Huston as Queen Clarion

Associate Producer

Lorri Broda

Digital Producer

Doug Little

Production Manager

Keiji Kishi

Technical Director

Glo Minaya

Manager of Casting and Music

Jason Henkel

Production Accountant

Jenny Alemn-Holman

STORY

Story Artists

Peter Paul Bautista

Holly Forsyth

Carolyn Gair

Arturo A Hernandez

Carole Holliday

Christopher Hubbard

Emily Jiuliano

Truong Son Mai

Ray Nadeau

John Pomeroy

Jim Shellhorn

Larry Scholl

Additional Story Artists

Dan Abraham

Barry Caldwell

Francis Glebas

John Howley

Ray Shenusay

Story inspired in part by the book

Tink, North of Never Land

DESIGN

Character Design

Ritsuko Notani

Jean Gillmore

Character Modeling and Facial Set-Up

Edward Shurla

Character Visual Development

Joel Parod

Location and Prop Design

Dennis Greco

Ed Bellgan Li

Ronald Roesch

Jeff Starling

Location and Prop Visual Development

Barry N Atkinson

Natalie Franscioni-Karp

James Gallego

Miguel Gil

CG PRE-VISUALIZATION

Pre-Vis Lead

John Bermudes

Pre-Vis Artists

Geoff Darwin

Marc Ellis

Charles Trebino

Tanya T Wilson

Assistant Animation Supervisor

Michael Greenholt

Continuity Checker

Deirdre Creed

PRODUCTION

Production Supervisor

Christopher Craig

Production Co-ordinators

Benjamin W Bradford

Jared Heisterkamp

Pamela D Ho

Jasmine Johnson

Production Secretaries

Patrice Diane Messina

Susan Strohmaier

Digital Production Manager

Niki Carras Alexander

Additional Production Support

Lauren Prince

CG PRODUCTION BY

PRANA ANIMATION STUDIOS INC

CG Creative Director

Arish Fyzee

CG Producer

Kristin Dornig

CG Studio Operations

P.J. Gunsagar

CG Line Producers

Anish H Mulani

Josh Prikryl

CG Production Managers

Franklin Mascarenhas

Amit Mishra

CG Supervisor

Shana Koenig

Sequence Leads

Jouelle Baracho

Neelesh Gore

Jaykar R A

Gururaj Sundar

Animation Supervisors

Pushkaraj Bagwe

Vinod Lanjewar

CHARACTERS

Modeling Lead

M Balasubramanium

Modelers

Carl Castelino

R Durairaj

C Jayavel

S M Sathish Kumar

Yogesh Mulay

V Rajaguru

Somenath Rakshit

R Srinivasan

Hitesh Umrania

Surfacing Leads

Manivannan Madhesan

Prema Parab

Surfacing Artists

Muriel Dsouza

E Elangovan

Resha Kambli

Himanshu Khatri

Prashant Shivankar

Leena Teli

Facial Set-Up Lead

Anandha Sai

Rigging Leads

Venu Krishnamurthy

Jaidev Singh

Riggers

Manoj Bhandar

Mani Kumar M

R Mani

V Praveen

Peter Wrobel

Character Department Co-ordinators

Arpita Desai

Oliver D'mello

Esmeralda Fernandes

SETS & PROPS

Modeling Lead

Artyom Saakian

Modelers

P Jaithilak

S Jayakumar

Anthoni Jose K

Manoj K P

Sudipto Mukherjee

Ashutosh Munnar

Sushmita Patra

Provash Paul

V S Syam

Ketan Thakor

N Vijaykumar

T K Vinod

Surfacing Leads

J R Karthikeyan

M Hari Prathapan

Surfacing Artists

Ashok B K

M A M C Bhupal

Kirubanandan C

Viresh Dhawde

G Manjunatha Khatavate

Jimmy Machado

Abhishek Mitra

Surendran Narayanan

Jayaprakash P J

Santosh Patil

E Ramesh

Nagesh Rane

Biju Raphel

Mintu Sajeevalal

AppalaRaju Nali Sanyasi

Shirish Sarpotdar

Mangesh Zagade

Matte Lead

Umamaheshwara Rao

Matte Painters

Dibakar Parida

Sheshagiri

Shrinivasu

Sets & Props Department Co-ordinators

Raphael Fernandes

Amit Saha

LAYOUT

Layout Lead

Seshu Kumar Kota

Layout Artists

Sameer Keshav Bhagat

Swapanil Choudhary

Prafulla Naik

Parag Sorte

Sachin Thakkar

Layout Co-ordinator

K Vivek Kumar

CHARACTER ANIMATION

Animation Leads

Vishal Lewis

Rohan Mandke

B D V Prasad

Animators

Sameer Arab

Shailesh Arote

Munesh Babhulgaonkar

Siddhesh Bhandare

Kiran Bhusari

Reshma Bijam

V S Binoy

Abhijeet Borhade

Vasant Chavan

Umesh Chirmure

Abhijit Daripkar

Sandeep Deshpande

Joshua Fernandes

Surpur E G

Maharshi Joseph

George Kurian

Allwyn Lopes

Aju M

Mahesh M S

Emil D Melni

Ruchir Nabar

Devika Nagarkar

Biju Nair

Mangesh Nevarekar

Gaurav Pal

Majnu Panicker

Sulakshana Parab

Tanaji Parit

Chandrakant Patil

Vinay Patil

Bony Pinto

Mahesh Pujari

Swati Seth

Hiren Shah

Shashank Shinde

Shinoj T J

Swapnali Terse

Onil Vaidya

Nidhish Vasudevan

Rajeev Vedak

Sanjeev Vedak

Animation Production Manager

Ashish Thapar

Animation Co-ordinators

Prashant Shitole

Navneet Verma

SIMULATION DEPARTMENT

Simulation Supervisor

Abhishek Karmakar

Hair and Fur Lead

Naveen Kumar M

Hair and Fur Artists

Souranath Banerjee

Dipayan Bose

Jennifer Lasrado

Foliage Lead

Clinton Remedios

Foliage Artists

Saikat Bhattacharya

Souradip Biswas

Chandan Maji

Bapi Modak

Rohit Sali

Cloth Simulation Lead

Amitkumar Tembhare

Cloth Simulation Artists

Kaushik Bose

Sabyasachi Bose

Sachin Tyagi

Hair Simulation Lead

Manoj Kumar V

Hair Simulation Artists

Vipul Chaudhari

Santosh Pai

Indrajit Patel

Amish Pathak

Sandeep Pednekar

Kumar Rohan

Haresh Dattaram Talvanekar

Ashini Tiwari

YashKumar Vashistha

Simulation Manager

Swetha Shroff

EFFECTS DEPARTMENT

Effects Leads

Vidit Kundra

Perminder Singh

Anand Suthar

Effects Artists

M Chaitanya

Sunil Chatim

Nidell Durham

Anirbandeep Dutta

Alwin Fernandes

Sanjay Francis

Rohan Jain

K D Vinoth Khanna

Santosh S Khedkar

Shaffi Mahammad

Hitendra Parmar

Kamlesh Parmar

Bhushan Pawar

V Venkateshwar Rao

Srinivasa Rao Reddy

Dinesh Sehgal

Ashutosh Shah

Rohan Singha

Karthik Swamy

Pankaj Verma

Effects Production Manager

Rahul Bhansali

LIGHTING & COMPOSITING

Lighting Leads

Anupama Devi K

Rajesh Patil

TG Sathesh

Lighting Artists

Prathima Acharya

Aditya Agrawal

Hrishikesh Andurlekar

V Balaji

Ravindra Bhandi

Manikandan Bharathi

Terance Bhatia

Dalbir S Bhurji

Vikas Chidri

Ramesh Chinneri

Heten Daiya

Anil Dixit

Raghunandan G K

Roopak Ghadei

K V S Gowtham

Pratik Jadhav

Ashwin C John

S Satish Kanta

Vaibhav Kolge

B Radha Krishna

T Jeevan Kumar

Milind Kuri

Chaitanya M R P

Tushar Mantri

Kedar Nath

Arun P A

Anand Pathakoti

Sanjay Panchal

Abhishek Prasad

B R Rajeev

Aneel Ramanath

Satish Kumar Sangam

Viren Shah

Jinish Shah

Kayur Sheth

Gaurav Singh

T M Varaprasad

Compositing Leads

Milind Bagkar

Brijesh Bharatia

Sumeet R Chavan

Manoj Keer

Sayaji Parit

Vilas Patkar

Satish Saroj

Chetan Waghmare

Compositing Artists

Anbalagan Arasan

Chirag Chauhan

Kush Dhir

Nilesh Bhaguram Gamre

Amit S Jadhav

Srinivas Reddy Kandala

Ramaswamy Konar

V Naveen Kumar

Omkar Lavate

Subhadip Malakar

Anshul Mathuria

Harshal Mistry

Nishikant Mohapatra

Santosh More

Abhishek Naik

Ravi Nayak

Sudhir Nayak

Unmesh Nimbalkar

Kaustubh Pawaskar

Viral Rathod

Raj Sakpal

M Santosh

Kalai Selvan M

Ashish Shah

Subodh Soman

Sequence Co-ordinators

Shilpa Bobade

Aditya Deosthale

P N Swathi

SHOT FINALING

Shot Finaling Lead

Rupesh Gosavi

Shot Finaling Artists

Baskar C

Kunal Ingole

Ravi Kanojia

Kavita Katvi

Anil Kumar

S Mallesh

Munjal Mehta

Venkat Reddy

Soumyadip

Shot Finaling Co-ordinator

Maulik Rajpura

RENDER WRANGLERS

Rendering Lead

Bhavik Sukhadia

Render Wranglers

Rehan Baigh

Rushabh Joshi

Dinesh Mahajan

Kishore Mandal

Lokesh Mishra

Shakti Prakash Mohanty

Abhilash Das Mohapatra

Deepak K Nirmal

Sujeet Samant

Vipin Shah

UNIT EDITORIAL

Debajit Barman

UNIT PRODUCTION ACCOUNTANTS

Jasjit Anand

Mukhtar Shaikh

ADDITIONAL CG PRODUCTION SUPPORT

Aby John

Baptist D'Souza

TECHNOLOGY & DEVELOPMENT TEAM

Technology Manager

Arun Nath

Lead Engineer

Vijay N Anand

Software Engineers

Vaibhav Athavaria

Akesh Kulmi

Dhruva Pathak

Swapnil Pethkar

Sriram Viswanathan

DISNEYTOON STUDIOS

EDITORIAL & POST PRODUCTION

Second Editor

Alan Stewart

Additional Editor

Russell Eaton

Assistant Editor

Richard McCullough

Post Production Supervisor

Desi Scarpone

Track Reading

Skip Craig

Opening Title and End Credit Art

Donna Prince

Colette Van Mierlo

End Credits Layout

Amy D'Alessandro

FILM PRODUCTION

Digital Film Services

Walt Disney Animation Studios - Film and Digital Services

Color Timing

Jim Passon

Negative Cutting

Mary Beth Smith

Produced & Distributed on

KODAK VISION Premier

Prints by

Deluxe

SOUND

Supervising Sound Editor/Designer

Don Malouf

Re-recording Mixers

David E Fluhr, CAS

Kevin E Carpenter

ADR/Dialogue Supervisor

Thomas G Whiting

Sound FX Editor

Randy Babajtis

Dialogue Editor

Eliza Pollack Zebert

Foley Editor

Dan Yale

Assistant Sound Editor

Mark A Tracy

Foley Artists

Dan O'Connell

John Cucci

Foley Mixer

Jim Ashwill

Loop Group

Bob Bergen

Ranjani Brow

Kerry Gutierrez

Bridget Hoffman

Wendy Hoffman

Ashley Lambert

Scott Menville

Jacqueline Pinol

W.K. Stratton

Shane Sweet

Post Production Sound Services provided by

The Walt Disney Studios

Original Dialogue Recording

Cameron Davis

Paul McGrath

Carlos Sotolongo

Assistant Dialogue Engineers

Tyler Foster

ADR Group Mixer

Doc Kane

ADR Group Recordist

Jeanette Browning

Recordists

Rick Godin

Richard Green

Ken Troisi

Brian Dinkins

Erik Flockoi

MUSIC

"If You Believe"

Music and Lyrics by Brendan Milburn and Valerie Vigoda

Performed by Lisa Kelly of Celtic Woman

Produced by Joel McNeely and David Downes

"Fairy Tale Theatre"

Music by Joel McNeely

Lyrics by Seth Friedman

Performed by Grey DeLisle and Julie Garny

"The Gift Of A Friend"

Music and Lyrics by Adam Watts and Andy Dodd with Demi Lovato

Performed by Demi Lovato

Produced by John Fields

Arranged by Stephen Lu

Mixed by Bob Clearmountain

"Where The Sunbeams Play"

Music by Joel McNeely

Lyrics by Brendan Milburn and Valerie Vigoda

Performed by Mav N Mhaolchatha

Produced by Joel McNeely

Executive Music Producer

Matt Walker

Celtic Violin

Mirad Nesbitt

Ethnic Woodwinds

Joel McNeely

Choir

Rosemary Collier

Kira Deegan

Victoria Massey-Diala

Julie Feeney

Tom Kehoe

Jeffrey Ledwidge

Vincent Lynch

Simon MacHale

Paul McGough

John McKeown

Mav N Mhaolchatha

Simon Morgan

Deirdre Moynihan

Mary O'Sullivan

Ciaran Nagle

Choral Arrangements

David Downes

Music Editor

Dominick Certo MPSE

Music Editor, Temp Score

Tommy Holmes

Orchestrations by

David Slonaker

Additional Orchestrations

Eugene Mishustin

Score Recorded and Mixed by

Rich Breen

Score Recorded at

Sony Pictures Studios

Newman Scoring Stage

Orchestra Contractors

Sandy DeCrescent

Peter Rotter

Supervising Copyist

Booker White

Demi Lovato appears courtesy of Hollywood Records

WITH GRATITUDE TO

PIXAR AND WALT DISNEY ANIMATION STUDIOS

EXECUTIVE TEAM

Ed Catmull

Andrew Millstein

Ali Rowghani

STORY DEVELOPMENT

Mary Coleman

Maggie Malone

Kiel Murray

Karen Paik

MUSIC

Chris Montan

SPECIAL THANKS TO THE STAFF OF

DISNEYTOON STUDIOS AND

WALT DISNEY ANIMATION STUDIOS

WHOSE TIRELESS EFFORTS MADE THIS FILM POSSIBLE

EXECUTIVE TEAM

Meredith Roberts

Karen Ferguson

Amir Nasrabadi

PRODUCTION

Traci Balthazor

MUSIC, CASTING AND POST PRODUCTION

Brett Swain

SENIOR CREATIVE TEAM

Jeffrey M Howard

Bradley Raymond

HUMAN RESOURCES

Ann Le Cam

Nica Tahsequah

MARKETING & COMMUNICATIONS

Donald Evans

Curtis Hamlett

David E Siegel

Michael Simms

FINANCE

Chaz Murphy

Vicki Wertenberger Poiley

OPERATIONS

John Aguto

Steve Shaw

TECHNOLOGY

Tim Ackerly

Daniel Alberto

Joe Davenport

Robert Jones

Melissa Morris

William H Munsterman

David Hiroshi Oguri

Arsenio Ruiz

BUSINESS & LEGAL AFFAIRS

Cathleen Brown

Donna Cole-Brul

Melodie Crossley

Edwin Khanbeigi

RECRUITMENT RESOURCES

Chantal Bumgarner

Scott A Campbell

Alison Mann

EXECUTIVE ASSISTANTS

Michelle Wailus Booker

Angela Infranca

Jennifer Karafilis

Lance Laurienzo

Animated on Autodesk's Maya

Rendered with Pixar's Renderman

Powered by Cirque Digital's GDI

MPAA # 44962 IATSE

DOLBY

COPYRIGHT 2009 DISNEY ENTERPRISES, INC.

ALL RIGHTS RESERVED

THIS MOTION PICTURE WAS CREATED BY

WALT DISNEY PICTURES FOR PURPOSES

OF COPYRIGHT LAW IN THE UNITED KINGDOM.

WALT DISNEY PICTURES

is grateful to

Great Ormond Street Childrens Hospital, London

to which Sir James Barrie

gave his copyright to Peter Pan in 1929

PRODUCED BY

DisneyToon Studios

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