JOHN HITCHCOCK Department of Art University of Wisconsin-Madison 455 North Park Street 6101 Mosse Humanities Building Madison, Wisconsin 53706 jhitchcock@education.wisc.edu website.education.wisc.edu/jhitchcock/index.html

EDUCATION 1997 Texas Tech University Lubbock, Texas

M.F.A. Emphasis: Printmaking/Photography/Painting MFA paper: Polychronicle. Major Professors: Lynwood Kreneck, Terry Morrow, Rick Dingus. Thesis exhibition: Hybrid at TTU FOVA Galleries

1999 Frogman’s Print and Paper Workshop, University of South Dakota Vermillion

Safe Etch non-toxic intaglio workshop, Professor: Elizabeth Dove. 1990 Cameron University Lawton, Oklahoma B.F.A. Emphasis: Printmaking/Drawing. Major

Professor: Katherine Liontas-Warren.

TEACHING APPOINTMENTS 2009- present University of Wisconsin-Madison Associate Professor of Art and Graduate Chair. 2006- present University of Wisconsin-Madison Associate Professor of Art.

Relief/Screenprinting/Installation Art 2001-2006 University of Wisconsin-Madison Assistant Professor of Art.

Relief/Screenprinting/Installation Art 2000-2001 University of Minnesota, Morris Discipline Coordinator 1998-2001 University of Minnesota, Morris Assistant Professor of Studio Arts.

Printmaking/Foundations/Drawing 1997-1998 Texas Tech University Visiting Artist, Printmaking/Foundations GRANTS, HONORS, AWARDS AND FELLOWSHIPS 2010-2011 Graduate School Research Grant University of Wisconsin-Madison. 2009-2010 Graduate School Research Grant University of Wisconsin-Madison. 2008-2009 Graduate School Research Grant University of Wisconsin-Madison. 2008 Sabbatical leave for spring semester. 2007-2008 Graduate School Research Grant University of Wisconsin-Madison. 2007 Graduate School International Travel Grant to attend the Impact International Print

Conference in Tallinn, Estonia. 2007 The Dr. Brenda Pfaehler Award of Excellence, Tri Student Support Service Program

University of Wisconsin-Madison. 2006 Graduate School Travel Grant to attend the Mid-American Print Council Conference. 2006-2007 Graduate School Research Grant University of Wisconsin-Madison. 2005-2006 Graduate School Research-Service Grant University of Wisconsin-Madison. 2005-2006 Graduate School Research Grant University of Wisconsin-Madison. 2004-2005 Graduate School Research Grant Shared with Jennifer Angus, School of Human

Ecology, University of Wisconsin-Madison, Project Assistant. 2004 Madison CitiArts Grant Shared with Derrick Busich.

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2004 Graduate School Travel Grant to attend the College Art Association Conference. 2003-2005 Vilas Associate Grant The Graduate School, University of Wisconsin-Madison. 2003 Graduate School International Travel Grant to attend the Impact International Print

Conference in Cape Town, South Africa. 2003 Distinguished Alumni from the School of Art, Texas Tech University, Lubbock, Texas. 2003-2004 Graduate School Research Grant University of Wisconsin-Madison,

Project Assistant. 2001-2002 Graduate School Research Grant University of Wisconsin-Madison. 2001 Flexible Research Funds Graduate School, University of Wisconsin-Madison. 2001 Faculty Center for Learning and Teaching University of Minnesota, Morris.

Course Based Service Learning Grant for community based mural project in Morris, Minnesota.

2001 Out-of- State Travel Funds University of Minnesota, Morris, for travel to the Southern Graphic Council Printmaking Conference in Austin, Texas.

2000 Faculty Center for Learning and Teaching Travel Supplement Grant University of Minnesota, Morris, for travel to 12 Annual United Tribes Indian Art Expo, Bismarck, North Dakota.

2000 Out-of- State Travel Funds University of Minnesota, Morris, for travel to the American Photography Institute National Graduate Seminar in New York.

2000 Morris Academic Partner Grant University of Minnesota, Morris, for studio assistant for production of artwork.

1999 Grant in Aid of Research University of Minnesota, Twin Cities, for research and development of installation art works in Oklahoma and Minnesota.

1999 Educational Development Program Grant University of Minnesota, Morris, for non- toxic intaglio printmaking procedures and travel to the Frogman’s Printmaking workshop, Vermillion, South Dakota.

1999 Morris Academic Partner Grant University of Minnesota, Morris, for studio assistant for production of art work.

1999-2000 Out-of- State Travel Funds University of Minnesota, Morris, for travel to the College Art Association National Conference in New York.

1999 Annual Fergus Falls Community College Area Art Show. Waage Art Center, Fergus Falls, Minnesota. Merit award.

1999 Faculty Enrichment Project University of Minnesota, Morris, for professional development.

1999-2000 Jerome Foundation Artist in Space Program Intermedia Arts, Installation Art Commission. Minneapolis, Minnesota.

1999 Start Up Funds University of Minnesota, Morris, for printmaking photo unit. 1998-1999 Out-of- State Travel Funds University of Minnesota, Morris, for travel to the College

Art Association National Conference in Los Angels, California 1999. 1998 Out-of-State Travel -Funds University of Minnesota, Morris, for travel to Kansas State

University, Manhattan, Kansas. 1998 Project Funds for Days of Invention: Emerging Artists of the South Plains panel

discussion with artists Steve Deo, Rosalie Favell, John Hitchcock, Wendy Mahsetky Poolaw and Tom Poolaw. Moderator, Edgar Heap of Birds. Texas Tech University Art Department, Lubbock, Texas.

1997 American Photography Institute, National Graduate Seminar Tisch School of Art, New York University, New York. Fellowship.

ARTIST IN RESIDENCE 2011 (upcoming) Guanlan Original Printmaking Base, Shenzhen, China. 2009 Frans Masereel Centrum for Graphix Kasterlee, Belgium. 2008 Proyecto’ace, International Center for Visual arts in South America Buenos Aires,

Argentina. 2007 Vermont Studios Center Full Fellowship, Johnson, Vermont.

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2005 Cultural Collision! U.S. – N.Z. Arts Residency/Workshop at the ‘Te Kura Toi O Buck Nin – Buck Nin School of Arts’ Te Wananga O Aotearoa, Manukau Campus Gadsby Road, Mangere, South Auckland, New Zealand.

2005 Te Mata Gathering of Contemporary Indigenous Visual Artists Residency/Workshop/Exhibition, Toimairangi School of Maori Visual Culture Te Wananga o Aotearoa, Hastings, Hawke’s Bay, New Zealand.

2004 The University of Arizona, Tucson Artist in Residency/Workshop, Tucson, Arizona. 2000 Living Arts of Tulsa and Project 12 Tulsa Alternative Public School, Tulsa, Oklahoma. 1998 Lubbock Independent School District Lubbock, Texas. 1998 City of Lubbock Fine Arts Center Lubbock, Texas. PROFESSIONAL ORGANIZATION MEMBERSHIPS New Media Caucus organization (Affiliated with the College Art Association) 2001-current Center for Exploratory and Perceptual Art (CEPA) Buffalo, New York. 2001-2003 En Foco, Bronx, New York. 2001-2002 Print Australia. 2001-current Florida Printmakers Society, Tampa, Florida. 2000-2001 The Print Center, Philadelphia, Pennsylvania. 2000-2003 Southern Graphics Council. 2000-current (Voting Member at Large 2004-06, co-organized for the 2006 SGC conference at UW-Madison) Mid-American Print Council, Athens, Ohio. 1998-current (Voting Member at Large 2006-08) College Art Association of America, New York, New York. 1997-2006, 2010 SOLO EXHIBITIONS (INTERNATIONAL) 2009 Urgency and Agency: Multiples in the Public Space IMPACT 6 International Print

Conference, Bristol School of Creative Arts, Bristol, England (UK). 2008 Expansion Proyecto’ace, International Center for Visual Arts in South America,

Políglota Gallery, Buenos Aires, Argentina. SOLO EXHIBITIONS (NATIONAL) 2011 (upcoming) Brutality Ghosts University of Texas, Arlington. 2011 (upcoming) Epicenter Herron School of Art, Indianapolis Indiana. 2010 Epicenter Texas Woman’s University, Denton, Texas. 2009 Impractically Political Pyramid Atlantic Art Center, Silver Spring, Maryland (Fall). 2008 Fear Mongers! Visual Arts Center, Boise State University, Boise, Idaho. 2007 Collateral Consumption University of Maryland, College Park, Maryland. 2007 They’re Moving Their Feet--But Nobody’s Dancing A 24 hour Print Action! The

School of Art & Design Coyne Gallery, Syracuse University, Syracuse, New York. 2007 Random Acts of Discipline Leslie Powell Foundation Gallery, Lawton, Oklahoma. 2005 Invisible Invaders University of New Mexico-Gallup, New Mexico. 2004 Terminal The University of Arizona, School of Art Tucson, Arizona. 2004 E-Motion An Interactive multimedia Installation and Works on Paper by John

Hitchcock. AICH Gallery, New York, New York. 2004 When We Reach 87 Billion STOP! Interactive Print Action University of North

Texas, Denton, Texas. 2004 Frenzy Feeds Addiction Brookhaven College, Dallas Texas. 2003 Boilermaker Performance/Give-Away. Georgia College & State University, Department

of Art, Milledgeville, Georgia.

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2003 Conspicuous Consumption Xavier University, Department of Art Cohen Center Art Gallery, Cincinnati, Ohio.

2003 Sleeper at Work The Southwest School of Art and Craft, San Antonio, Texas. 2002 Fragments installation concurrent with Cross Generational exhibition.

North Dakota Museum of Art, Grand Forks, North Dakota. 2002 Fragments Laredo Community College, Laredo, Texas. 2000 Ritual Device: Curios From the New Frontier Living Arts of Tulsa, Tulsa, Oklahoma. 1998 What is a Family Western Texas College, Snyder, Texas. 1997 Transmission Texas Tech University Center, Lubbock, Texas. 1997 Hybrid MFA Thesis Exhibition. FOVA Galleries, Texas Tech University, Lubbock,

Texas. 1996 Polychronicle University of Oklahoma, Norman, Oklahoma. 1995 Polychronicle Gary Stewart Gallery, Lubbock, Texas. 1994 Memorial Installation with natural materials in Llano River, Junction, Texas. SOLO EXHIBITIONS (REGIONAL) 2005 Fright Sleep Taste Offering Shift Slow Down Clown Western Michigan

University, Gallery II, Sangren Hall, Kalamazoo, Michigan. 2004 Exit Strategies: current works on paper and interactive art Macalester College

Art Gallery, St Paul, Minnesota. 2004 Sleeper at Work Gail Floether Steinhilber Art Gallery, University of Wisconsin,

Oshkosh, Oshkosh, Wisconsin. 2003 Buyers Remorse: works on paper Citi Arts Space, Madison, Wisconsin. 2003 Recent works by John Hitchcock Bemidji State University, Minnesota. 2003 What Would John Wayne Do? Wisconsin Academy Gallery, Madison, Wisconsin. 2001 Progress Kiehle Gallery, St. Cloud State University, St. Cloud, Minnesota. 1999 Ritual Device: Curios From the New Frontier University of Northern Iowa Gallery of

Art, Cedar Falls, Iowa. 1999 Ritual Device Intermedia Arts, Artist in Space Installation, Jerome Foundation,

Minneapolis, Minnesota. 1999 Removed Barringers, Fergus Falls, Minnesota. TWO PERSON EXHIBITIONS (INTERNATIONAL) 2007 Diagnosis of a knot, a lump, an Itch and Scratch a collaborative Installation between

Jennifer Angus and John Hitchcock. Open Studio, Toronto, Ontario, Canada. 2006 Diagnosis of a knot, a lump, an Itch and Scratch a collaborative Installation between

Jennifer Angus and John Hitchcock. London Print Studio, London, England, UK. TWO, THREE, AND FOUR PERSON EXHIBITIONS (NATIONAL AND REGIONAL) 2011 Wind Weaver and the Whirling Wheel: a tale of Wolfbat romance John Hancock,

John Hitchcock, and Dennis McNett. University of North Florida Contemporary Museum of Art, Jacksonville, Florida.

2009 Diagnosis of a knot, a lump, an Itch and Scratch Watrous Gallery, Wisconsin Academy of Arts, letters and Science, Overture Center, Madison, Wisconsin (Spring).

2008 One in…(What’s Your Sugar & Brutality Ghosts) Marwin Beagay and John Hitchcock: Screen Print Action at Gallery 5 for the 36th Southern Graphics Conference Command Print, Virginia Commonwealth University, Richmond, Virginia.

2007 The Day of the Chicken The Amazing Hancock Brothers and John Hitchcock, Gilrose Studios, Wichita Falls, Texas.

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2007 Diagnosis of a knot, a lump, an Itch and Scratch University of Wisconsin-Fox Valley, Aaron Bohrod Gallery, Menasha, Wisconsin.

2006 BIG: Collaboration and Innovation in the Print Medium The Design Gallery, University of Wisconsin School of Human Ecology, Madison, Wisconsin.

2005 On and Off the Wall: Installations by John Hitchcock, Adam Davis, Cathleen Lewis and Jennifer Angus University of Wisconsin-Stevens Point, Stevens Point, Wisconsin.

2005 Social Consciousness John Hitchcock, Tim Dooley, Kristin Nowlin, Dusty Herbig. Mt. Mercy College Art Department, Cedar Rapids, Iowa.

2004 Overlays: Collaborations by Derrick Buisch and John Hitchcock Commonwealth Gallery, Madison, Wisconsin.

2004 Art & Politics: Prints and Cartoons by Mike Konopacki and John Hitchcock Jackie Macaulay Gallery, Social Justice Center, Madison, Wisconsin.

2003 Print Blitz! The Aftermath! Prints by John Hitchcock, Joel Peck, and Sean (StarWars) Stewart. Organized by Michael Barnes. University of Northern Illinois, Dekalb, Illinois.

2002 Printmaking Invitational Curator: Cathryn Mallory. Gallery of Visual Arts, University of Montana, Missoula, Montana.

2001 Shifting Landscapes: Consideration of Time, Place, and Culture Hosted jointly by the Southwest Collection, the School of Art at Texas Tech University, and The Society for Photographic Education. Artists: John Hitchcock, Tessa Morin, Cindy Sims, Beckwith Thompson. TTU Studio Gallery, Lubbock, Texas.

2000 Over and Over and Over and Over and..... John Hitchcock and Jessica Larson University of Minnesota, Morris, Minnesota.

2000 Current Works By: John Hitchcock and Tim Saupitty Pride Gallery, Lawton, Oklahoma.

1999 Diverse Views: Current works by Gary Brown, Eddy Grigsby, and John Hitchcock Cameron University, Lawton, Oklahoma.

1997 A Stranger In Paradise installation by Doug Oland and John Hitchcock. One Zero One Gallery, Architecture Department, Texas Tech University, Lubbock, Texas.

1996 Pictogram & Polygraph Two artists collaborative by Gary Brown and John Hitchcock. Garden and Arts Center, Lubbock, Texas.

PUBLIC ART PROJECTS (INTERNATIONAL) 2008 Objetivos Moviles/Moving Targets exhibited on the Metrovias train system in Buenos

Aires, Argentina On Friday February 29, 2008. The print action took place between the station Federico Lacroze and Station F. Moreno of the railroad Gral. Urquiza (stations that unite Proyecto’ace, International Center for Visual Arts in South America to the Centro de Producción y Edición Gráfica de Buenos Aires (Litho Workshop in Saénz Peña). Co-organized by Alicia Candiani, Director of Proyecto Ace. The banners were exhibited at: Metrovias train system in Buenos Aires, Argentina. On Friday February 29, 2008. Proyecto’ace, International Center for Visual Arts in South America. March 5-21, 2008 Centro de Producción y Edición Gráfica de Buenos Aires. February 29, 2008 Gallery 5, Richmond, Virginia. Part of the Repressed III exhibition. March 28, 2008 Pyramid Atlantic Art Center, Silver Spring, Maryland. August 1-October 3, 2009

2008 No Danger: An International Exhibition of printed airplanes for the Southern Graphics Council Conference Command Print at Virginia Commonwealth University, Richmond, Virginia. The airplane print will be exhibited at the Richmond Airport as an initial exposure to the SGC Conference as a way to heighten public awareness of print media. “No Danger” will emphasize the positive aspect of cultural interchange, relationships, and travel instead of the negative connotations we now associate with flying objects in this era of constant violence and war. This show will travel to Graz, Austria in 2010. Curators: Ed Bernstein (University of Indiana) and Franco Vecchiet (Il Museo di Aerei di Carta).

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2007 Forest Art Wisconsin: Native/Invasive a series of 21 public signs titled "Inherited Pedigree" installed on the Raven Trail in the Northern Highland American Legion State Forest, Minocqua, Wisconsin.

2005 Cultural Transport/Moving Targets a print exhibition of invited international artists presented at the Universität der Künste Berlin, Academy of Fine Art, Poznan and on the train from Berlin, Germany to Poznan, Poland as part of the IMPACT 4 – KONTAKT International Print Conference. Curated and Organized by John Hitchcock and Keith Christensen. The project addresses issues of public transportation, crossing borders, and national identity.

2005 IMPACT 4 Offset Poster Project: KONTAKT A select number of artists associated with the IMPACT 4 International Printmaking Conference were invited to produce black/white offset posters on the theme of “Kontakt” using the offset press at the Academy of Fine Art in Poznan, Poland. Fifty of the posters from each edition were posted in Berlin and Poznan during the conference. Participating artists include Keith Christensen, David Ferry, John Hitchcock, Anita Jung, Beauvais Lyons, Barbara Madsen, and Paul Thirkell.

2004 International Darmstadt Waldkunstpfad (Forest-Art-Path) - “Expeditions” and Symposium Curator: Ute Ritschel. Darmstadt, Germany and State Highway 49, Medicine Park, Oklahoma. Site-specific Public sign project: “Strength Renewal: Frozen Ground Fear.”

2003 TransitARTen - Vogelfrei 5 Kunstentdeckungen in Privatgärten Curators: Ute Ritschel Horst Bürkle, Stephanie Junge, Petia Knebel. Darmstadt, Germany.

Temporary Site-specific Interactive Installation: “Consumption.” PUBLIC ART PROJECTS (NATIONAL) 2006 University of Tennessee, Knoxville Knoxville, Tennessee.

Site-specific Public sign project: Migration/ Relocation. 2003 Consumption Xavier University Campus Mall, Cincinnati, Ohio. Temporary Interactive Installation: “Consumption.” 2001 Abundance Downtown Banner Project sponsored by the Plains Art Museum, Fargo,

North Dakota. 2000 Technology v Nature Interior public Mural at the Project 12 Alternative School. Artist in

Residence with Greg De Verges and sixteen students. Tulsa, Oklahoma. 1998 Reach for the Stars Interior public mural at the Optimist Boys and Girls Club. Lubbock,

Texas. Summer. 1998 Choose Your Destiny Exterior public mural located at Greenfair Manor Housing Area.

Lubbock, Texas. Collaborative mural with Juan Logan and youth from Greenfair Manor. 1998 Viva la Musica-Mira la Musica A art project revolving around Lubbock Symphony’s

Orchestra performance of Silvestre Revueltas’ La noche de los Mayas. Artist in Residence at Lubbock Independent School District. Exhibition at Civic Center Theater, Lubbock, Texas.

1997 International Cultural Project A collaborative installation with three youth displayed at 4th on Broadway Celebration and other city events, Lubbock, Texas.

GROUP EXHIBITIONS (INTERNATIONAL) 2010 HOT PLATE Curated by Sue Gollifer. Phoenix Brighton Gallery, England, UK. 2010 5th International Printmaking Biennial of Douro – 2010 Curated by Nuno Canelas,

Director of the Biennial, Printmaking Museum of Douro, Alijó, Portugal. 2010 International Print Triennial-Vienna 2010 Chaired by prof. Georg Lebzelter.

Künstlerhaus, Vienna, Austria. 2010 Ideal X Organized by The Moving Crew. Molekula, Rijeka Croatia. The Faulconer Gallery, Grinnell, IA, USA.

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2009 Get Free % group exhibition curated by Jesi Khadivi and Paul Tyree-Francis. Golden Parachutes Gallery, Berlin, Germany.

2009 Num_errance Biennale internationale d’estampe contemporaine de Trois-Rivières. Curator Marie-Jeanne Decoste. Trois-Rivières, Quebec, Canada.

2009 6th Novosibirsk Graphic Biennial Novosibirsk Curator Carson Fox. Novosibirsk, Russia.

2009 6th International Triennial of Graphic Art - Bitola, Macedonia. 2009 International Drawing Triennial Manu Propria National Library: ROOTS.

Curator Loit Jõekalda, Tallinn–Viinistu, Estonia. 2009 Another New Zealand, Another United States International Exchange Portfolio and

exhibition organized by Michael Reed and Melanie Yazzie. Christchurch Arts Festival, Christchurch, New Zealand. (Summer) IMPACT 6 International Print Conference, Bristol School of Creative Arts, Bristol, England (UK).

2009 Visual History of the George W. Bush Presidency International Exchange Portfolio and exhibition organized by William Mathie for the at the IMPACT 6 International Print Conference in the Bristol School of Creative Arts, Bristol, England (UK).

2009 Tower of Babel International Exchange Portfolio and exhibition organized by Ruthann Godollei for the at the IMPACT 6 International Print Conference in the Bristol School of Creative Arts, Bristol, England (UK).

2009 Are you looking at me? Curated by Justin Diggle. IMPACT 6 International Print Conference, Bristol School of Creative Arts, Bristol, England (UK). University of Utah, Salt Lake City Utah.

Bing-Davis Memorial Gallery, Upper Iowa University, Fayette, Iowa. 2009 Home Sweet Home print exchange portfolio. Curated by Julia Taylor. Memorial Union Galleries (Theater Gallery) Madison, Wisconsin.

National Academy of Fine Arts and Architecture, Kiev, Ukraine. Overture Center for the Arts, Gallery III, Madison Wisconsin (2010)

2009 Animal Connections International Print Portfolio Organized by Melanie Yazzie. Proyecto´ace, Dialogue Space / Mezzanine, Buenos Aires, Argentina. University of Colorado Special Collections, Boulder, Colorado. Richard F. Bush Gallery, St. Lawrence University, Canton, New York.

2009-2012 Monumental Ideas in Miniature Books Traveling Exhibition Organizers: Hui-Chu Ying and Alicia Candiani for the 2009 Southern Graphics Council Printmaking Conference “Global Implications.” Columbia College, Chicago, Illinois. Northern Illinois University, DeKalb Illinois. South Texas College, McAllen, Texas. Carleton College, Northfield, Minnesota. Savannah College of Art & Design, Savannah, Georgia. Birmingham-Southern College, Birmingham, Alabama. University of Alabama, Huntsville, Alabama. Morgan Conservatory, Cleveland, Ohio. Ohio University, Athens, Ohio. Youngstown State University, Youngstown, Ohio. Houghton College, Houghton, New York.

Universidad of País Vasco, Bilbao, Spain. Escuela de Arte de Oviedo, Spain. 2010 University of Texas at Arlington, Arlington, Texas. Louisiana State University, Baton Rouge, Louisiana. Texas Lutheran University, Seguin, Texas. Murray State University, Murray, Kentucky. Texas Tech University, Lubbock, Texas. University of Texas, Brownsville, Texas. Ohio Northern University, Ada, Ohio.

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Indiana University, Bloomington, Bloomington, Indiana. University of Michigan, Ann Arber, Michigan. Univ. of Wisconsin, Madison, Wisconsin. Mount St. Mary’s University, Emmitsburg, Maryland. Art House, Cleveland, Ohio. Cleveland Institute of Art, Cleveland, Ohio, Harvard University, Adams House Gallery, Cambridge, Massachusetts.

2008 The Art of Collaboration Rakaia Centre, Christchurch Polytechnic Institute of Technology, Christchurch, New Zealand.

2008 Celebrating exhibition of 2008 RMASAR Conference Gyeonam Art Museum Korea, Sarim-dong Changwon-shi, South Korea.

2008 Creative Capitalism (West) and LabDNA (East) Dumpster Book Quartet collaborative Team at the Central Market Annexe, Kuala Lampur, Malaysia. http://www.labdna.com/

2008 Forest Art Wisconsin – Native/Invasive« eine Fotodokumentation der Ausstellung / a photo documentation of the exhibition in 2007 Museum Jagdschloß Kranichstein, Darmstadt, Germany.

2008 Tracing Distant Shorelines between University of Wisconsin-Madison and the China Academy of Art organized by Waverly Liu (UW-graduate student), Professor Zhang Yuanfan (China Academy of Art中国美术学院版画系), Frances Myers, John Hitchcock for the 36th Southern Graphics Conference Commandprint, Virginia Commonwealth University, Richmond, Virginia.

2007 Exchange III: contemporary prints from US and abroad East Gallery, Rueff Galleries, Purdue University, West Lafayette, Indiana.

2007 Forest Art Wisconsin Photographic Exhibition Organized by Cedar Marie and Tyler Robbins. University of Wisconsin-Madison Pyle Center, Madison, Wisconsin. (2008) Madison Municipal Building, Madison, Wisconsin. (2008) Dane County Regional Airport, Madison, Wisconsin. (2007-2008) University of Wisconsin-Madison Arboretum, Madison, Wisconsin. (2007-2008)

2007 Gyeongnam International Art Festival 2007 International Multiple Art Exhibition, Gyeong Nam Museum Masan, Korea.

2007 The 14th International Tallinn Print Triennial, Political Poetical, Kumu Art Museum of Estonia, Tallinn, Estonia.

2007 ADD: Analog Digital Disorder Organized by Dusty Herbig and Justin Strom for the IMPACT 5 International Print Conference. Kumu Art Museum of Estonia (The Art Museum of Estonia), Tallinn, Estonia.

2007 Time Machine, The IMPACT 5 International Print Conference, Swissôtel, Tallinn, Estonia.

2007 The Falun Triennial 2007-Contemporary Print Art/Falutriennalen 2007 Derived from ‘Printmaking at the Edge’ by Richard Noyce. Anne Seppanen curator, Dalarnas Museum, Falun, Sweden.

2007 Plot Influential: An International Print Exchange Organized by Kevin Shook. Birmingham-Southern College Durbin Gallery, Kennedy Art Center/Azar Art Studios, Birmingham, Alabama. (2007) Ortlip Art Gallery, Houghton College, Houghton, New York. (2008) Mount St. Mary's University, Emmitsburg, Maryland. (2008)

2007-2008 Varied Voices: A Collection of Prints by Known American Printmakers Curated by: Melanie Yazzie. The University of North Florida, Jacksonville, Florida (2007)

The University of Miami, Print and Drawing gallery, Miami, Florida. (2007) The Gus Fisher Gallery of The University of Auckland, Auckland, New Zealand. (2008) The Denver Museum of Contemporary Art, Denver, Colorado. (2008)

2006-2008 Further...Artists from the Book 'Printmaking at the Edge Organized by Scott Betz, Associate Professor of Art, Winston-Salem State University. Salem Fine Arts Center, Winston-Salem North Carolina. (2006) Galleria Harmonia, Jyvaskyla, Finland. (2006-07)

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Print Gallery (GRAFIKOS GALERIJA) Zamenhofo/Kurpiu, Kaunas, Lithuania (2007) Chameleon Gallery, Kansas City, Missouri. (2007) Proyecto’ace in Buenos Aires, Argentina. (2007) Frans Masereel Center in Kasterlee, Belgium. (2007) Graficki Kolektiv Gallery, Serbia. (2007) Falun Print Triennial, Galerie Hörnan, Falun Sweden. (2007) Gustav Klimt Villa, Vienna Austria. (2007) Silicon Gallery & Silicon Gallery Fine Art Prints, Philadelphia, Pennsylvania. (2007) The Museum of Photograph Hanmi Foundation of Arts & Culture, Seoul, Korea. (2007) Troy University Malone Gallery. Troy, Alabama. (2008)

2006-2008 Pocahontas Meets Hello Kitty: A Select Group of Artists looking at the Past and Present of Native Women's History. Organized by Melanie Yazzie for the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. (2007) The University of North Florida Gallery, Jacksonville, Florida. (2006) Rueff Galleries, Purdue University, West Lafayette, Indiana. (2006) Southwest School of Art & Craft, San Antonio, Texas. (2007-2008) Artstation Gallery, Ponsonby, Auckland, Aotearoa/ New Zealand (2007) C.N. Gorman Museum, University of California Davis, California. (2007) University of Miami, Coral Gables, Florida (2007) Print Walls Gallery, University of Wisconsin-Madison, Madison, Wisconsin (2007) Graphic Communications, Gallery 6, Estonian National Library, Tallinn, Estonia (2007)

Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York. (2008) SUB Gallery, Boise State University, Boise, Idaho (2008)

2006 INKLANDIA: an international print exhibition East Gallery, Rueff Galleries, Yue-Kong Pao Hall for Visual and Performing Arts. Purdue University, West Lafayette, Indiana.

2006 Intimate Transmission: an artist print exchange between Artists from Cape Town, South Africa and Madison, Wisconsin, USA. Organized by Roderick Sauls, Michaelis School of Fine Art, University of Cape Town, South Africa and John Hitchcock for the 2006: Forging Connections, Mid-American Print Council Conference at Ohio University in Athens, Ohio.

2006 International Print Triennial Krakow: KRAKÓW LETTRA-2006 (vernissage 11.09.200) Biblioteka Jagielloñska, Krakow. Poland.

2006 draw_drawing_2 as part of the London Biennale The Foundry, London, England. 2006 Crossing Gene (Hybrid) -American and Korean Printmaking Exchange Exhibition

Organized by: Sujin Shin for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building 7th floor Gallery and Sun Contemporary Gallery, Seoul, Korea.

2006 Cross Polynations: Weaving/Raranga an international print exchange for exhibition in the USA and New Zealand. Organized by Vanessa Edwards and Mike Samuels from the Maori print collaborative and Joseph Velasquez, The Dirty Printmakers of America for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building.

2006 Looking at Nature in Our Changing World: artists from the United States, Australia and New Zealand. Organizers: Melanie Yazzie and Chris Dacre for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building.

2005 Exchange II: International and National Exchange Print Portfolios “Erasing Empire” and Print Action Rueff East Gallery, Purdue University, West Lafayette, Indiana.

2005-2006 American Prints in Troubled Times/Open Expression: Contemporary American Printmaking Art Curated by Karen Kunc. The American University in Cairo, Cairo, Egypt. Opera House Metro Gallery, Cairo, Egypt.

Haydon Art Center, Lincoln, Nebraska (March 2 - April 2, 2006) 2005 We're Not From Here: Emigrés, Aliens and Utopians Curated by Ruthann Godollei.

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Universität der Künste Berlin Gallery, Berlin, Germany. 2005-2008 Re-Interpreting the Middle East Curated by May Hariri Aboutaam and Melanie Yazzie

for the 33rd Annual Southern Graphics Council Conference, “Power in Print” in Washington DC. Exhibition at: The Corcoran College of Art & Design, Washington, DC.

Orfali Gallery, Amman, Jordan. Henry Ford Community College, Sisson Gallery, Dearborn, Michigan. West Virginia Tech. University, West Virginia. International Center of Bethlehem, Palestine (2006) The Khalil Sakakini Center, Ramallah, Palestine (2006) The Paltel Virtual Gallery at Birzeit University, Ramallah, Palestine (2006) Rueff Galleries, Purdue University, West Lafayette, Indiana. (2008) Positive Change: Exploring the Middle East The University of Arizona, Union Gallery, Tucson, Arizona. (2009)

2005 Equilibrium/ Equilibrio a Spain and US portfolio exchange. Curated by Hui-Chu Ying (University of Akron) for the 33rd Annual Southern Graphics Council Conference, “Power in Print” in DC. Exhibition at The Corcoran College of Art & Design, Washington, DC.

2005 Cultural Collision! Organized by Noelle Jakeman. Nathan Homestead Community Arts Centre, Manurewa, New Zealand.

2005 Wild West Side Show Adventure Organized by Melanie Yazzie for the Cultural Collision! Mangere Community Arts Outreach Gallery, Manukau, New Zealand. The Ewart Gallery, Workshop Arts Centre, Australia.

2005 Te Mata Gathering of Contemporary Indigenous Visual Artists Toimairangi School of Maori Visual Culture Te Wananga o Aotearoa, Hastings Hawke’s Bay.

2004 Colorprint USA International Symposium and exhibition Curator: Lynwood Kreneck, Texas Tech University School of Art, Lubbock, Texas.

2004 CULTURAL LANDSCAPES: an artist print exchange between Northern Ireland and North America. Curated by: David DuBose, Seacourt Print Workshop, Co. Down, Northern Ireland and John Hitchcock. First exhibited at the Relevance/Resonance Mid American Print Council Conference. University of Nebraska-Lincoln, Nebraska.

2004 MIND TRAVEL: An Artist Print Exchange Between Ireland, North America, and South Africa. Organized by: Peter Jones, Jeff Rankin and John Hitchcock.

Dublin Institute of Design, Mountjoy Square, Dublin Ireland. East London City Hall, East London, South Africa. (2005) 2004 draw_drawing_ as part of the London Biennale 2004. Gallery 32, London, England. 2003 Cross-Cultural Identities: An Artist Print Exchange Between South Africa and

North America for the 3rd IMPACT International Printmaking Conference Michaelis School of Fine Art, University of Cape Town, South Africa. Curators: Dominic Thorburn, Head of Graphic Art, Rhodes University, School of Fine Art, Grahamstown, South Africa and John Hitchcock. South African Museum, Cape Town, South Africa.

2003 Centro-Oestes: Núcleo Madison (Mid-west: Madison nucleus) Museu de Arte de Brasília, Brazil. Gallery Casa Thomas Jefferson, Brasília, Brazil.

2003-2005 Dog Head Stew An Artist Exchange Print Portfolio for the 31st Annual Southern Graphics Council Conference “Making Histories: Revolution and Representation.” Curator: Elizabeth Hanemann. Massachusetts College of Art, Boston, Massachusetts. Institute of American Indian Arts Museum, Santa Fe, New Mexico. Paul Mesaros Gallery, West Virginia University, Morgantown, West Virginia. Regis Center for the Arts, University of Minnesota, Minneapolis, Minnesota (2004) Zayed University, United Arab Emerates. (2004) Fourth Biennial Boise State University First Nations Conference, Indigenous Visions: Honoring Traditions, Creating Futures Boise State University Liberal Arts Building Gallery, Boise, Idaho. (2004)

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Crow's Shadow Institute of the Arts on the Umatilla Reservation. Pendleton, Oregon. (2004-2005)

2003 4th Kyoto International Woodprint Association Exhibition Kyoto City Museum Annex, Kyoto, Japan.

2002-2004 Global Matrix International Print Exhibition Jurors: Kathryn Reeves and Craig Martin. Stewart Center Gallery, Purdue University, West Lafayette, Indiana. (2002) Wright State University Art Galleries, Dayton, Ohio. (2003) The Clara M. Eagle Gallery, Murray State University, Murray, Kentucky (2004) The Northern Illinois University Art Museum, Chicago, Illinois (2004)

2002 Majority Rules Free Gallery, Glasgow, Scotland. 2002 IV International Biennial of Photography XLI Gaudí Medal, Premis Ciutat de Reus de

Fotografia 2002, Reus Catalonia, Spain. 2002 Videomarathon The Center for Contemporary Art, Chisinau, Moldova. 2001 100 Universes: An International Accordion Book of Prints Contemporary Crafts

Gallery, Portland, Oregon in conjunction with the Crossing Boundaries East-West Symposium in Print Art.

2000 Crosses of the Earth Museum of Contemporary Art, Santiago de Chile. 2000-2002 HomeoStatic: An Exchange Portfolio of Contemporary Artists Digital Printmaking.

Curator: Bradly Shanks. Pablo de la Torriente Brau Cultural Centre, V International Conference: Culture and New Technologies, Majadahonda Room, Havana, Cuba. Washington State University, Pullman, Washington. (2001) University of South Florida, Tampa, Florida. (2001) University of Minnesota, Morris. (2001) Boston University, Boston, Massachusetts. LeVall Gallery, Novosibi, Russia. University of Louisiana, Lafayette, Louisiana. Iowa State University, Ames, Iowa. University of Wisconsin, LaCrosse, Wisconsin. Southern Graphics Council Conference in Miami, Florida.

1997 The Ulster-Texas Print Exchange, Curator: Lynwood Kreneck. Seacourt Print Workshop, Bangor, Co. Down, Northern Ireland.

GROUP EXHIBITIONS (NATIONAL) 2011 (upcoming) NIU Print Triennial. Jack Olson Gallery, Northern Illinois University Museum of Art,

DeKalb, Illinois. 2010 NewWorld/Old World Invitational Mid America Print Council Conference Katherine

Nash Gallery, University of Minnesota, Minneapolis, Minnesota. 2010 The Visual History of the George W. Bush Presidency, Mid America Print Council

Conference New World/Old World, University of Minnesota, Minneapolis, Minnesota. 2010 Tower of Babel, Mid America Print Council Conference New World/Old World,

University of Minnesota, Minneapolis, Minnesota. 2010 I Ain't No Goddamn Son Of A Bitch, Mid America Print Council Conference New

World/Old World, University of Minnesota, Minneapolis, Minnesota. 2010 Flash Drive: benefit for Flash Bell and Anderson Ranch Art Center's student

scholarships. The Studio for Arts + Works (SAW). Carbondale, Colorado. 2010 Philagrafika, Drive By Press Tower of Babble The Print Center, Philadelphia,

Pennsylvania. 2010 SGC Mark/Remarque Conference, Printstallation: Dirty Printmakers of America,

Tattoo Mom’s, Philadelphia, Pennsylvania. 2010 Hidden Agendas/Embedded Signatures 2010 SGC Mark/Remarque conference, Co-

curators: Deborah Cornell and Barbara Putnam. Crane Arts Building, Philadelphia, Pennsylvania.

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Alfred University John Wood Studio Gallery, Alfred, New York. 2010 Concurrence 2010 SGC Mark/Remarque conference, Curator: William Contino,

University of the Arts, Philadelphia, Pennsylvania. 2010 Sleep Walking 2010 SGC conference Mark/Remarque, Co-curators: Elisabeth Klimek

and Andy Kozlowski, Tyler School of Art, Philadelphia, Pennsylvania. 2010 Lincoln Print Exchange: 23 artists to commemorate Abraham Lincoln’s 200th

Birthday. Curated by Valerie Wallace. Splendorporium, Portland Oregon. 2009 Gimme Baby Robots! Traveling artist collaborative founded in 2005 in Madison, WI

Organized by David Teng Olsen and Mike Rea. Spacecraft headquarters, Seattle, Washington. (2009) Empty Bottle, Chicago, Illinois. (2009) VINI, Memphis, Tennessee. (2009) White Whale Collective, Milwaukee, Wisconsin. (2008) Co-Prosperity Sphere (CPS), Chicago Illinois. (2008) Five In One Gallery, Memphis, Tennessee. (2008) IGLOO Gallery, Portland Oregon. (2008)

EVO, Seattle, Washington. (2008) APT Space, Madison, Wisconsin. (2007) Sweet Baby Meat ONETEN Gallery, Madison, Wisconsin. (2006) ONETEN Gallery, Madison, Wisconsin. (2005) 2009 Secret Drawing Society, Drawings from around the world! Curated by the Amazing

Hancock Brothers. Croft Gallery, Waco Texas. 2009 Multiple x Multiple Ewing Gallery of Art and Architecture, The University of

Tennessee, Knoxville. 2009 MATRIX/Printmaking 2009 Museum of Fine Arts, Florida State University. Curated

by: Joe Sanders. Tallahassee, Florida. Invitational. October. 2009 Rebellious Integration Curated by Megan Sterling and Katarzyna Cepek.

Chicago Printmakers Collaborative, Chicago, Illinois. 2009 Vox Pop Exchange Portfolio and exhibtion Organizer by Elizabeth Klimek for the

2009 Southern Graphics Council Printmaking Conference “Global Implications” at College Library, Chicago, Illinois.

2009 White Elephant Invitational portfolio organizered by Sandra Murchison for the 2009 Southern Graphics Council Printmaking Conference “Global Implications” at Columbia College, Chicago, Illinois. Alfred University New York, Alfred , New York. University of Wisconsin at Madison, Wisconsin. University of Louisiana at Lafayette, Louisiana. Millsaps College, Jackson, Mississippi.

2009 Bennington College Print Exchange portfolio Organized by Thorsten Dennerline. Bennington College USDAN Gallery, Bennington Vermont.

2008 New Prints 2007/08: A Benefit Exhibition & Silent Auction International Print Center New York, New York.

2008 14th ANNUAL ARTWALK NY a Tribute Robert Rauschenberg Metropolitan Pavilion, New York City, New York.

2008 The Conscience of A Nation 2008, Sid Chafetz Leads the Way Curated by: Helen Frederick. George Mason University, Gallery 123, Fairfax, Virginia.

2008 Speak Out: Art, Design & Politics Curated by: Abby Goldstein. 516 ARTS, Albuquerque, New Mexico.

2008 Flipping the Bird, A Defiant Convergence Portfolio exchange curated by Margaret Craig, exhibited at Mid-America Print Council conference, Fargo, North Dakota.

2008 A Map of the World—An International & Multicultural Portfolio Exchange organized by Waverly Lu. Mid-America Print Council conference, Fargo, North Dakota. Lewis Art Gallery, Millsaps College, Jackson, Mississippi.

2008 Chromatic Experience Baltimore Book Festival, Mini-Curated Micro-Book PINK FACTORY-CHOPSHOP 2 by Derrick Busich, Mount Vernon Place, Baltimore,

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Maryland. 2008 POWER AND CURRENCY Curated by: Natalie Kates. Factory Fresh Gallery,

Brooklyn, New York. 2008 Perfect with Pixel Curated by: Shaurya Kumar. Bowling Green State University,

Dorothy Uber Bryan Gallery, Bowling Green, Ohio. 2008 You are Here print exchange Portfolio. Organized by Jill Fitterer. Boise State University, Student Union Gallery, Boise, Idaho. 2008 Out of Lubbock: 40th Anniversary Invitational Studio Art Alumni Exhibition

Landmark Gallery, School of Art, Texas Tech University, Lubbock, Texas. 2008 Second Annual Mayday Political Print & Poster Art Show A Benefit to Save the

Sanctuary for Independent Media, Kismet Gallery, Troy, New York. 2008 Made in the USA portfolio exchange Organized by Jon Goebel for the 36th Southern

Graphics Conference Commandprint. Virginia Commonwealth University, Richmond, Virginia. University of South Carolina Beaufort, Beaufort, South Carolina.

2008 Faculty Exhibit: Past and Present University of Minnesota, Morris Humanities Fine Arts Gallery, Morris , Minnesota.

2007 Pyramid & Prints: An Evening on the Potomac Presentation by Mary Bartow of Sotheby’s, NY Old Potomac Boathouse, Georgetown, Washington DC

2007 Habitual Ritual Albertine Monroe-Brown Gallery at the Richmond Center for the Visual Arts at Western Michigan University, Kalamazoo, Michigan.

Visual Arts Gallery, Governors State University, University Park, Illinois (2007) Fine Arts Center Gallery, Northeastern Illinois University, Chicago, Illinois (2008)

Waubonsee Community College, Sugar Grove, Illinois. (2009) 2007 MAGAZINE STAND Baltimore Book Festival, Mini-Curated Micro-Book CHOPSHOP

#1 by Derrick Busich, Mount Vernon Place, Baltimore, Maryland. 2007 Wicked and Wise: 2007 Mid America Print Council Members Exhibition Jurors:

Michael Krueger and Richard J. Krueger. Eagle Gallery, Murray State University, Murray, Kentucky.

2007-2008 FOUR ACES: Large Format Print Invitational. Organized By Kimberly Arp, Tim High, Carmen Colangelo, and John Hitchcock. Louisiana State University - Baton Rouge. (2007) University of Louisiana at Lafayette, LA. (2007) University of Texas Austin. (2008) Washington University, St Louis, Missouri. (2008) Bruno Gallery, St Louis, Missouri (2008) University of Wisconsin - Madison, Wisconsin. (2008)

2007 New Prints 2007/Summer–Silkscreen International Print Center New York, Chelsea, New York. Selections Committee: Richard Anderman, collector; Donald Baechler, artist; Venetia Kapernekas, gallerist; Jean-Yves Noblet, master printer; Nadine Orenstein, Curator, Department of Drawings and Prints, Metropolitan Museum of Art; Yasha Wallin, Co-Director, Freight + Volume.

2007 FROM FLAT TO PHAT: New Dimensions in Printmaking Print event organized by Kjellgren Alkire & Melissa McGurgan for the 35th Southern Graphics Conference Points, Plots and Ploys.

The Incubator, Kansas City, Missouri. Gallery 100, Arizona State University, Tempe, Arizona. 2007 You Are Here? …And Other Random Coordinates? Organized by Jill Fitterer for the

35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. (2007)

2007 INTERMEDIA Multiples: Three-dimensional object exchange portfolio Organized by Candace Nichol for the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. (2007)

2007 Satan's Hook Organized by Meg Rahaim & Kaitlin Redborg for the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. (2007)

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2006 Colorprint USA 2006 Curated by Lynwood Kreneck. Landmark Arts, The Galleries of Texas Tech School of Art, Lubbock, Texas.

2006 The Zodiac Print Portfolio Organizers: Jon Swindler and Dan Rule for the Mid-America Printmakers' Council Conference, University of Ohio in Athens, Ohio.

2006 3.21 Mid-America Printmakers' Council Conference, University of Ohio in Athens, Stuart Opera House in Nelsonville, Ohio.

2006 Frogman’s Print and Paper Workshop Faculty Exhibition College of Fine Art Main Gallery, University of South Dakota, Vermillion, South Dakota.

2006 25th Anniversary Frogman’s Print and Paper Exchange Portfolio W.H. Over Museum of Art, University of South Dakota, Vermillion, South Dakota. Curated by: Lloyd Menard

2006 Semographics One Traveling exhibition of prints organized by Tim High for the 2006 Genetic Imprint Southern Graphics Council Conference at the University of Wisconsin-Madison. Concordia University, St. Paul, Minnesota. (2007) Arkansas State University, Jonesboro, Arkansas. (2006) University of Texas-Austin 2006, Austin. (2006) Texas State University, San Marcos, Texas. (2006)

2006 !Evah/Have! Hendrix College, Conway, Arkansas. 2005-2006 Secondo Piatto Saltgrass Printmakers Gallery, Salt Lake City, Utah 2005-2008 Changing Hands: Art Without Reservation, Part 2, Contemporary Native North

American Art from the Prairie, Plains, Plateau and Pacific Curated by Ellen Taubman and David Revere McFadden. Museum of Arts & Design, New York City (2005-2006) Institute of American Indian Arts Museum, Santa Fe, New Mexico (2006) Eiteljorg Museum of American Indians & Western Art, Indianapolis, Indiana (2006) Naples Museum of Art, Naples, Florida (2006 –2007) Philbrook Museum of Art, Tulsa, Oklahoma (2007) Anchorage Museum of History & Art, Anchorage, Alaska (2007) Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota (2007) The Tucson Museum of Art, Tucson, Arizona (2008)

2005 Into the Light New additions to the permanent collection. Erie Art Museum, Erie, Pennsylvania.

2005 Relief Print Invitational Exhibition Tuska Gallery, University of Kentucky, Lexington, Kentucky.

2005 Comanche History for the Future: The Changing Matrix of Comanche Identity curator Fred Nahwooksy. Jacobson House Center for Native Arts, Norman, Oklahoma.

2005-09 PAPER POLITICS An Exhibition of Politically & Socially Engaged Printmaking Curated by Josh MacPhee. Phinney Center Gallery, Seattle, Washington. 5+5 Gallery, Brooklyn, New York. (2006) Portland State University in Portland, Oregon. (2006) Art + Anarchy Montreal 2007, Exhibit of Politically Engaged Visual Art, Esplanade Loft Project Gallery, Montréal, Québec, Canada (2007) Walker Point Center For The Arts, Milwaukee, Wisconsin (2007) The Crossman Gallery, University of Wisconsin-Whitewater, Wisconsin. (2007) K Space Contemporary, Corpus Christi, Texas. (2008) State University of New York College at Cortland, Dowd Fine Arts Center, Cortland, New York (2008) Redhouse Arts Center, Joan Lukas Rothenberg Gallery, Syracuse, New York. (2008) Ghost Print Gallery in Richmond, Virginia. (2009)

2005 Red, White and Blue Curated by Hui-Chu Ying (University of Akron) for the 33rd Annual Southern Graphics Council Conference, “Power in Print” in DC. Exhibition at The Corcoran College of Art & Design, Washington, DC.

2005 Pretty and Smells Good Organized by Lenore D. Thomas (Minneapolis College of Art and Design) and John Hitchcock for the 33rd Annual Southern Graphics Council

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Conference, “Power in Print” in DC. Exhibition at The Corcoran College of Art & Design, Washington, DC.

2005 Thieves, Thugs, and Liars Organized by Lloyd Patterson Jr (MFA candidate Texas Tech University) for the 33rd Annual Southern Graphics Council Conference, “Power in Print” in DC. The Corcoran College of Art & Design, Washington, DC. Texas Tech University, Landmark Arts Gallery, Lubbock, Texas.

2005 Capital: An exchange portfolio between the University of Minnesota-Minneapolis and the University of Wisconsin-Madison. Organized by Kathleen O'Connell (MFA candidate UW) and Rosemary Kimball (MFA candidate UM) for the 33rd Annual Southern Graphics Council Conference, “Power in Print” in DC. First exhibited at The Corcoran College of Art & Design, Washington, DC.

2005 Imprinted: Contemporary Printmaking, International print exhibition. Jurors: Larry Ogan Director of El Museo Cultural de Santa Fe and Maria Martinez, Program Director. El Museo Cultural de Santa Fe. Santa Fe, New Mexico.

2004-07 Contemporary American Serigraphy Invitational Curator: Timothy High. Elder Gallery, Nebraska Wesleyan University, Lincoln, Nebraska. VAM Gallery - FEFC, Austin, Texas. (2005) The Fain Art Center Gallery, Midwestern State University, Wichita Falls, Texas. (2005) The Southern Graphic Council Annual Conference hosted by the University of Wisconsin at Madison campus in the Pyle Center , Madison, Wisconsin. (2006) Emily Davis Gallery, Myers School of Art, University of Akron, Ohio. (2006) San Francisco State University, San Francisco, California. (2007)

2004 Outside the Frame: Installation Works for the Relevance/Resonance Mid American Print Council Conference. Curator: Karen Kunc. University of Nebraska-Lincoln, Nebraska.

2004 Mugshots organized by Joseph Velasquez and Paul Rodin for the Dirty Printmakers of America! Debuted at the Frogman’s Print & Paper Workshop, University of South Dakota, Vermillion, South Dakota.

2004 Print Language as Content Curated by Robert Glasgow, Professor, School of Art and Art History, University of Iowa, Iowa City, Iowa. Exhibition at the 32nd Southern Graphics Council Conference, Diversity, Discourse, Dimension the Mason Gross School of Art, Rutgers University, New Brunswick, New Jersey.

2004 Changing Minds/Reading Minds: Printing on Alternative Surfaces and Pushing Boundaries for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Curated by Melanie Yazzie, University of Arizona; Joe Fedderson, Evergreen University; Margaret Craig, Southwest School of Art and Craft; Phyllis McGibbon, Wellesley College; and John Hitchcock. Southwest School of Art & Craft, San Antonio, Texas (2004) Wellesley College, Jewett Art Center, Wellesley, Massachusetts. (2004)

2004 Wild West Show for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Curated by John S. Hancock, Professor, Mary Hardin Baylor University, Texas. W. H. Over Museum, University of South Dakota, Vermillion, South Dakota. Mary Hardin Baylor University, Waco, Texas. (2004)

2004 BLUEPRINT a print exchange exhibition organized for the 32nd Annual Southern Graphics Council Conference, Diversity, Discourse, Dimension at Mason Gross School of Art, Rutgers University. Co-Curated by: Janet Marcavage and Tom Hughes. The G. Gibson Gallery, Seattle, Washington (concurrent with the CAA Conference 2004) University of Wisconsin 724 Gallery, Wisconsin (2004)

2004 Robots and Monsters organized by Joseph Velasquez for the Dirty Printmakers! Debuted at the Southern Graphics Council Conference Diversity, Discourse, Dimension portfolio showcase at Mason Gross School of Art, Rutgers University.

2004 Mid-American Print Council National Members Exhibition Curators: Kristin Powers Nowlin and Joe A. Thomas.

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University Gallery of Clarion University of Pennsylvania. 2003 Three Aces Organized by kimberly Arp, Michael Connors, and Tim High.

University of Texas, Austin, Texas. Louisiana State University, Baton Rouge, Louisiana. University of Wisconsin-Madison.

2003 Modern Iconography: Symbols Public & Private Curator: Jennifer Reis. Claypool-Young Art Gallery, Morehead State University, Morehead, Kentucky.

2003-2005 Shock and Awe Xerography folio in response to the War in Iraq. Organized by: Tim Dooley. Mt. Mercy College Art Department, Cedar Rapids, Iowa. (2005) North Dakota State University, Fargo, North Dakota. (2004) Janet Wallace Fine Arts complex, Macalester College, St. Paul, Minnesota. Blindspot Galleries, St. Louis, Missouri. State Street, Madison, Wisconsin.

2003-2004 Girls with Guns An Artist Exchange Print Portfolio for the 31st Annual Southern Graphics Council Conference “Making Histories: Revolution and Representation.” Curator: Jenny Schmid. Massachusetts College of Art, Boston, Massachusetts. Kelly Rae Theiss Gallery, Minneapolis, Minnesota. The Rochester Art Center, Rochester, Minnesota. (2004) Edinboro University, Edinboro, Pennsylvania. (2004)

2003-2004 Multiple Perspectives: Critical Dialogue in North America for the 31st Annual Southern Graphics Council Conference “Making Histories: Revolution and Representation” Boston, Massachusetts. Curator: John Hitchcock. Massachusetts College of Art, Boston, Massachusetts. Jewett Arts Center at Wellesley College, Wellesley, Massachusetts. University of Wisconsin-Madison, Seventh Floor Gallery, Madison, Wisconsin. Purdue University Department of Visual and Performing Arts, West Lafayette, Indiana. (2004) Macalester College Art Gallery, St Paul, Minnesota. (2004)

2003 Through Our Lenses: Personal and Political Views of 18 Photographers Curators: Cheryl Younger. Nathan Cummings Foundation, New York, New York.

2003 The Big Square Portfolio Exhibition Curator: Joel Peck. Cornell University, Tjaden Gallery, Ithaca NY.

2003-2004 Slop Art Super market www.slopart.com and catalog. Jurors: Adriane Herman and Brian Reeves. The catalog and many works depicted therein went on tour in the form of Slop Brand Showroom Franchise installed at these locations: University of Northern Iowa, UNI Gallery of Art, Cedar Falls, Iowa. (2004) Arts Fest Beverly, Main St., Beverly, Massachusetts. (2004) Center of Contemporary Arts, Anheuser Busch Gallery, St. Louis, Missouri. (2003) Plymouth State College, Karl Drerup Gallery, Plymouth, New Hampshire. (2003) St. Mary’s College, Moreau Art Galleries, South Bend, Indiana. (2003)

2002 September 11th Memorial Portfolio organized by the American Print Alliance, Carol Pulin, Director. Cape Cod Community College, West Barnstable, Massachusetts. Thomas Hospital, Fairhope, Alabama. (2002) Cape Cod Community College, West Barnstable, Massachusetts. (2002) Christus Schumpert Medical Center, Shreveport, Louisiana. (2003) Thomasville Medical Center, Thomasville, North Carolina. (2003) Kennesaw State University, Kennesaw, Georgia. (2003) Print Arts Northwest, Portland, Oregon. (2003) Seattle Center, Seattle, Washington. (2003) Vancouver School of Arts and Academics, Vancouver, Washington. (2003-04) Quincy Art Center, Quincy, Illinois. (2004) Santa Fe Community College, Gainesville, Florida. (2004)

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University of West Georgia, Carrollton, Georgia. (2004) College of Eastern Utah, Price, Utah. (2005) Dadian Gallery, Wesley Theological Seminary, Washington, D.C. (2005) VanDeb Editons Gallery, New York City, New York. (2006)

2002 Color Print U.S.A. Curator: Lynwood Kreneck. Texas Tech University. Buddy Holly Center, Lubbock, Texas.

2002 Convergence: Printmaking Exchange between the University of Kansas and the University of Wisconsin-Madison. Print Jumble, University of Kansas, Lawrence, Kansas. Swap: An exhibition of Exchange Portfolios, University of Wisconsin-Madison. Mid-American Print Council Conference, Laramie, Wyoming.

2002 Common Culture An Artist Exchange Portfolio for the 30th Annual Southern Graphics Council Conference “Print Gumbo” New Orleans, Louisiana. Curators: Kristen Powers Knowlin and Tracy Molly. New Orleans, Louisiana. The Spruill Art Center, Atlanta, Georgia.

2002 Love and Lust The Print Center, Philadelphia, Pennsylvania. 2002 Impromptu An Exchange Portfolio Between the University of Wisconsin-Madison and

Arizona State University for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana. Organized by: Amanda Yopp and Kate Clapper.

2002 Members Show Center for Exploratory and Perceptual Art (CEPA) Buffalo, New York. 2002 Reactions Exit Art, New York City, New York.

The Art Center College of Design, Pasadena, California. 2002 Frogman’s Print and Paper Workshop Faculty Exhibition College of Fine Art Main

Gallery, University of South Dakota, Vermillion, South Dakota. 2001 In Remembrance Anton Gallery, Washington, DC. 2001 Here & Now The D.U.M.B.O. General Store, Brooklyn, New York.

Silicon Gallery Fine Art prints. www.digitaldumbo.com. 2001 Celebracion, The Day of The Dead The Buddy Holly Center, Lubbock, Texas. 2001 Beatnik Bash The Print Center, Philadelphia, Pennsylvania. 2001 Frogman’s In the New Millennium: 20th Anniversary Portfolio University of South

Dakota, Vermillion, South Dakota. 2001 American Photography Institute Fellows ArtLink Inc. on www.Sothebys.com

Art Club Tribeca, New York, New York. 2001 Plains Art Museum Banner Project Plains Art Museum, Fargo, North Dakota. 2000-01 North Dakota Museum of Art Autumn Art Auction Curator: Laurel Reuter.

North Dakota Museum of Art, Grand Forks, North Dakota. 2000-01 Oklahoma Centerfold Juror: Richard Ash III and Elizabeth A. Yarosz.

Leslie Powell Foundation, Lawton, Oklahoma. University of Science and Arts Oklahoma, Chickasha, Oklahoma.

2000 Florida Printmakers 11th National Print Exhibition Juror: Carmon Colangelo. New World School of the Arts, Miami, Florida. Dunedin Fine Arts Center, Dunedin, Florida.

2000 Hannaher's, Inc. Print Studio Print Sale Plains Art Museum, Fargo, North Dakota. 2000 El Dia de Los Muertos The Print Center, Philadelphia, Pennsylvania. 2000 Celebracion, The Day of The Dead The Buddy Holly Center, Lubbock, Texas. 2000 American Photography Institute New York University, Tish School of Art, New York. 2000 Gostmachine Southern Graphics Council Printmaking Conference, Miami, Florida. 2000 What Is The American Icon? Artwell, Inc. Torrington, Connecticut. 2000 Sonic Circuits VII, "International Festival of Electronic Music and Art" American

Composers Forum. (Video: Distortion/Comanche Story) Leeds International Film Festival, UK. Institute of Contemporary Art, Boston, Massachusetts. Mississippi State University-Starkville, Mississippi. University of Akron, Akron, Ohio. Mount Union College, Ohio. Georgia State University Atlanta, Georgia.

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Los Angeles Harbor College, Wilmington, California. Future Perfect 8. Landmark Center, St. Paul, Minnesota. 1999 Clark University, Worcester, Maine. 1999 Stetson University, Florida. 1999

1999 Heart and Soul of the Great Plains, Leslie Powell Foundation and Gallery & Museum of the Great Plains, Lawton, Oklahoma.

1999 Celebracion, Day of the Dead Fine Arts Center, Lubbock, Texas. 1999 Don’t Go to the Mall Curator: Julie Rico. Julie Rico Gallery Inc.,

Santa Monica, California. 1999 Frogman’s Workshop Exchange Portfolio University of South Dakota, Vermillion,

South Dakota. 1998 Days of Invention: Emerging Artists of the South Plains

Curator: Edgar Heap Of Birds. Artists: Tom Poolaw, Wendy Mahsetky-Poolaw, Steve Deo, John Hitchcock. Kansas State University, Manhattan, Kansas. (1998) Lubbock Fine Arts Center, Lubbock, Texas. (1998) American Indian Community House Gallery, New York, New York. (1997) Institute of American Indian Arts Museum, Santa Fe, New Mexico. (1997)

1998 Sofa Not Included Curator: Steven Cochran. Artists: Joseph Seemen, Barry Phillips the Younger, Robyn O'Neil, John Hitchcock, Chad Farris. Gallery Untitled, Dallas, Texas.

1998 Prints and Printmakers Facet, Fine Arts Center in Taos, Taos, New Mexico. 1998 Vignette Visual Studies Workshop, Rochester, New York. 1998 Corsicana’s 15th Annual National Juror: Katherine Liontas-Warren. Navarro Council

of The Arts, Warehouse Living Arts Center, Corsicana, Texas. 1998 The Day The Music Died Lubbock Fine Arts Center, Lubbock, Texas. 1997 New Works Art Faculty Exhibition Landmark Arts, Texas Tech University,

Lubbock, Texas. 1997 Celebracion, The Day of The Dead Lubbock Fine Arts Center, Lubbock, Texas. 1997 Institute of American Indian Arts Museum 35th Anniversary Art Show

Institute of American Indian Arts Museum, Santa Fe, New Mexico. 1997 Native American Exhibition Lightwell Gallery, University of Oklahoma, Norman,

Oklahoma. 1997 5th Annual First Nations Film and Video Festival of Chicago Coordinator, Beverly

Moeser. Truman College, Chicago, Illinois. 1997 Oklahoma Centerfold Juror: Cicil Lee.

Leslie Powell Foundation, Lawton, Oklahoma. University of Science and Arts Oklahoma, Chickasha, Oklahoma.

1997 American Photography Institute Jurors: Jolene Rickard and Linda Levinson. New York University, New York, New York.

1996 Second Annual Llano Estacado Video Festival "Let Them Eat Cake" a collaboration with Julie Zager. Texas Tech University, Lubbock, Texas.

1996 Verities and Fictions Center For Contemporary Arts, Abilene, Texas. 1996 Musing On Mona Gallery 303, Georgia Southern University, Statesboro, Georgia. 1996 Lubbock Arts Festival Civic Center, Lubbock, Texas. 1996 Salon of the Included Buddy Holly Ave. Lubbock, Texas. 1995 Celebracion, Day of the Dead Fine Arts Center, Lubbock, Texas. 1995 Oklahoma Centerfold Juror: Kristy Deetz. Leslie Powell Foundation,

Lawton, Oklahoma. 1995 Show of Hands The Regional Hand Center of Texas Tech University, Lubbock, Texas. 1994 Native American Exhibition Cameron University Library, Lawton, Oklahoma. 1994 Ticket - Travel Project Studio 8, San Francisco Arts Institute, San Francisco, California. 1994 Salon of the Ignored. Lubbock Artists Festival Ave I Space, Lubbock, Texas. 1993 Individual Artists of Oklahoma: Mixed Media Competition IAO Gallery, Oklahoma City, Oklahoma. 1993 Individual Artists of Oklahoma: Biting the Apple Exhibition IAO Gallery, Oklahoma

City, Oklahoma. [Purchase award.]

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1992 Six Person Exhibition Miliam Gallery, Dallas, Texas. GROUP EXHIBITIONS (REGIONAL) 2010 Alphabet Project, Madison Children's Museum, Madison, Wisconsin. 2010 Home Sweet Home & Let Me Introduce Myself The Jackie Macaulay Gallery, Social

Justice Center, Madison, Wisconsin. 2009-2010 Group Exhibition Art Galleries at Sundance Cinemas, Madison, Wisconsin. 2009 From One, Many: Contemporary Wisconsin Prints Museum of Wisconsin Art, Main

Gallery, West Bend, Wisconsin. 2008 Art Of Democracy: Screenprint Action and Art Surge II Social Justice Center,

Madison Wisconsin. 2008 Art Surge: Artists Against War Common Wealth Gallery, Madison, Wisconsin. 2008 Work Books Organized by Derrick Buisch for the Special Collections Gallery, Memorial

Library, University of Wisconsin-Madison. Traveled to the Katherine Nash Gallery, Art Department of the University of Minnesota, Minneapolis, Minnesota.

2008 University of Wisconsin-Madison Art faculty Exhibition Chazen Museum, Madison, Wisconsin.

2006 Group/Group Organized by Derrick Buisch The show celebrated and examined Artist’s collectives. Commonwealth Gallery, Madison, Wisconsin.

2006 Shot in the Arm Recent Additions to the Permanent Collection from Visiting Printmakers, Northern Illinois University Art Museum North Gallery, Dekalb, Illinois. 2006 Ideas, Dialogue, Conscience: Current Work from UW Madison Print Faculty

Watrous Gallery, Wisconsin Academy of Arts, letters and Science, Overture Center, Madison, Wisconsin.

2006 Contemporary American Serigraphs 2004-2006 Organized by Tim High for the 35th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Pyle Center.

2006 Dressed to the Nines Slingshot Gallery, Madison, Wisconsin. 2006 Scar Tissue: Fast Pain, Slow Healing Commonwealth Gallery, Madison, Wisconsin. 2006 Under the Microscope Organized by: Lloyd Patterson Jr., Chameleon Arts and Youth

Development (www.chameleon-ayd.org) for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building. “Bacon fat”

2006 Say Hello to My Little Friend! Organized by: Dusty Herbig, visiting artist at Bowling Green State University, Bowling Green, Ohio for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building.

2006 Who Owns You? Organized by: Brandon Gardner currently lives in Evansville, Indiana where he teaching printmaking at the University of Southern Indiana for the 34th Annual Southern Graphics Council Conference, “Genetic Imprint” at the University of Wisconsin-Madison, Exhibition at Humanities Building.

2006 Eye Gouge Slingshot Gallery, Madison, Wisconsin. 2005 GUN SHOW Curated by Michael Andrews. ONETEN Gallery, Madison, Wisconsin. 2005 Project Beauty Give-Away Western Michigan University, South Gallery, Sangren Hall,

Kalamazoo, Michigan. An Installation of video images and small digital prints developed by art students during a one-week collaboration with visiting artist John Hitchcock.

2004 FOTO FUTURE: The New Terrain of the Photographic Art Curator: Ginger Owen. Art Center of Battle Creek Battle Creek, Michigan.

2004 The Writes of Passage Curator: Pemela Ayres. Bradley University Heuser Art Center, Peoria, Illinois.

2004 Against Tradition: Trends in Contemporary Printmaking Curator: Kaz McCue. University Art Gallery, Indiana State University, Terre Haute, Indiana.

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2004 Snake in the Grass organized by Joseph Velasquez for the Dirty Printmakers of America! ONETEN Gallery, Madison, Wisconsin.

2004 A Decade of Art Wisconsin Academy of Arts, Letters, and Science, Overture Center, Madison, Wisconsin.

2003 University of Wisconsin-Madison Art faculty Exhibition Elvehjem Museum, Madison, Wisconsin.

2002-04 Brittingham Art Invitational Jurors: Christie Charbonneau Wells and Laurie Dies. Brittingham House, University of Wisconsin System, Madison, Wisconsin.

2002 Many Voices in conjunction with the Many Wisdoms educational conference. Kingsfoot Gallery, Madison, Wisconsin.

2002 Iowa Mini Print International Juror: Joel Peck. Hardly-Peppercorn Gallery, University of Iowa Museum of Art, Iowa City, Iowa.

2002 Click Midwest Print Invitational Digital Focus Jurors: Christine Style and Stephen Perkins. Lawton Gallery, University of Wisconsin-Green Bay, Wisconsin. Guenzel Gallery at the Peninsula Art School Fish Creek, Wisconsin.

2001-2002 The North Park Printmakers Madison, Wisconsin printmaking organization traveling exhibition. Organized by Dusty Herbig. Hays Arts Council, Hays, Kansas. 2001 University of Illinois-Carbondale, Surplus gallery, Carbondale, Illinois. (2002) Totino’s Art Center, Northwestern University, Minneapolis, Minnesota. (2002)

2001 Transitions Printmaking Exchange Portfolio. Minneapolis College of Art and Design, Minneapolis, Minnesota.

2001 Unidentified Curator: Colleen Mullins. College of Visual Arts, St Paul, Minnesota. Orbit Gallery, St Paul, Minnesota.

2000 All Systems Go University of Minnesota Art Faculty Exhibition, Tweed Museum of Art, University of Minnesota Duluth, Duluth, Minnesota.

2000 Minnesota Printmakers Exhibition Curator: Barbara Madsen. Mid America Print Council Conference “Art in the Community” St Cloud State University, St Cloud, Minnesota.

2000 Annual Fergus Falls Community College Area Art Show, Waage Art Center, Fergus Falls, Minnesota.

1999 Annual Fergus Falls Community College Area Art Show, Waage Art Center, Fergus Falls, Minnesota.

1999 320 Gallery Grand Opening 320 Gallery, Waterloo, Iowa. PUBLIC MUSIC, SOUND PERFORMANCES, AND RECORDINGS (SELECTED) 2008-09 Thundersnow Musicians: Drew Iwaniw/guitar, John Hitchcock/guitar, Joe

leroux/drums. Recording: mixed down by Lance Owens at Lancebug Studios. Performances at Columbia College, Chicago, Illinois (2009); Project Lodge, Madison, Wisconsin (January 08); Gallery 5, Richmond, Virginia (March 08); Commonwealth Gallery, Madison, Wisconsin (May 08).

2006 3RD/Swimteam Musicians: Derrick Buisch/bass/screenprint, John Hitchcock/guitar/screenprint, Aaron Steffes/guitar, Tony Sellers/drums Recording: 202c.com and mixed down by Lance Owens.

2003-2004 BLUEPRINT PROJECT & JUMBOJET Musicians: Derrick Buisch/bass/screenprint, Matt Gall/guitar, John Hitchcock/drums/screenprint. Recording: 202 Space and mixed down at Science of Sound, Madison, Wisconsin.

2000-2001 Hell Outta Dodge Musicians: Michael Patterson-Pratt/guitar, Matt Dingo/guitar, John Hitchcock/guitar. Recording: Hell Outta Dodge, Maple Leaf Studios, Glenwood, Minnesota 2001.

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1995-1998 El Santo 13 Musicians: Andy Martinez/guitar, Lee Shiftlett/bass, John Hitchcock/drums. Recording: El Santo 13, One Star Artists Studio, Lubbock, Texas 1998.

PERMANENT COLLECTIONS University of Minnesota, Minneapolis, Minnesota. (2010) St. Laurence University, Canton, New York. (2010) Cork Printmakers, Wandesford Quay, Clarkes Bridge, Cork, Ireland. (2009) Proyecto´ace Print Collection, Buenos Aires, Argentina. (2009) University of Colorado Special Collection, Boulder, Colorado. (2009) Sado Woodcut Print Village Museum, Sado Island, Japan. (2009) Columbia College, Chicago, Illinois. (2009) Syracuse University School of Visual & Performing Art, Syracuse, New York. (2009) Northwest Museum of Arts and Culture, Spokane, Washington. (2008) Edinboro University Collection/Bruce Gallery, Edinboro, Pennsylvania. (2008) Western Michigan University Print Collection in Kalamazoo, Michigan (2008) Denver Art Museum's Modern & Contemporary Art Collection in Denver, Colorado. (2007) Kumu Art Museum of Estonia, Tallinn, Estonia. (2007) The Nelson Atkins Museum, Kansas City, Missouri. (2007) Toi Whakataa Press, Maori Printmakers Collective, Aotearoa, New Zealand. (2007) The Special Collections at the University of Colorado, Boulder, Colorado. (2006) The Pont Aven School of Contemporary Art Collection, Pont Aven, France (2006) The Kohler Art Library, UW-Madison, Wisconsin (2006) Muzeum Narodowe w Poznaniu, National Museum in Poznañ, Poland. (2005) Erie Art Museum, Erie, Pennsylvania. (2005) Center for the Study of Political Graphics, Los Angeles, California. (2005) Kemper Museum of Art, Kansas City, Missouri. (2005) Orfali Gallery, Amman, Jordan (2005) Henry Ford Community College, Dearborn Michigan (2005) The Corcoran College of Art & Design, Washington, DC. (2005) Workshop Arts Centre, Sydney, Australia. (2005) Buck Nin School of Arts’ Te Wananga O Aotearoa, South Auckland, New Zealand. (2005) Mason Gross School of Art, Rutgers University, New Brunswick, New Jersey. (2004) School of Art and Art History, University of Iowa, Iowa City, Iowa. (2004) University of Arizona, Tucson, Arizona. (2004) Evergreen University, Olympia, Washington. (2004) Southwest School of Art and Craft, San Antonio, Texas. (2004) Seacourt Print Workshop, Co. Down, Northern Ireland (2004) Wellesley College, Wellesley, Massachusetts. (2004) University of Mary Hardin-Baylor, in Belton Texas. (2004) University of Wisconsin-Madison , Print Program, Madison, Wisconsin. (2004) Kohler Art Library Book Arts Collection, University of Wisconsin-Madison (2004) Egress Press and Edinboro University, Pennsylvania (2004) Wagga Wagga Regional Gallery, Print Australia print archives Australia (2003) Georgia College & State University, Milledgeville, Georgia. (2003) West Virginia University, Morgantown, West Virginia. (2003) Quiet Crow Press, Bemidji, Minnesota. (2003) Bemidji State University, Bemidji, Minnesota. (2003) Rhodes University, School of Fine Art, Grahamstown, South Africa. (2003) Northern Illinois University Printmaking Department, Dekalb, Illinois. (2003) Landmarks Arts galleries, Texas Tech University, Lubbock, Texas. (2003) Southwest Collection, Texas Tech Museum of Art, Lubbock, Texas. (2003) Cornell University, Ithaca NY. (2003) University of North Dakota, Grand Forks, North Dakota. (2003) Spencer Museum, Lawrence, Kansas. (2003)

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Library of Congress in Washington, D.C. (2003) Southern Graphics Council Archives at the University of Mississippi, Oxford University, Mississippi. (2000-2005) Arizona State University, Tempe, Arizona. (2002) University of Wisconsin-Madison, Wisconsin. (2002) Frogman’s Print and Paper Gallery, Bearsford, South Dakota. (2002) University of Texas at Austin, Austin, Texas. (2001) The Plains Art Museum, Fargo, North Dakota. (2001) Minneapolis College of Art and Design, Minneapolis, Minnesota. (2001) North Dakota Museum of Art, Grand Forks, North Dakota. (2001) St Cloud State University, St Cloud, Minnesota. (2000) Sherman Alexie, artist, writer, producer. (2000) Mid America Print Council. (2000) Amity Art Foundation, Woodbridge, Connecticut. (2000, 2004) Sonic Circuits, Minneapolis, Minnesota. (1999) University of Minnesota, Morris, Minnesota. (1999) University of South Florida, Miami, Florida. (1999) University of Northern Iowa, Cedar Falls Iowa. (1999) University of South Dakota, Vermillion, South Dakota. (1999) Institute of American Indian Arts, Santa Fe, New Mexico. (1997) Lubbock Fine Arts Center, Lubbock, Texas. (1997) BOOK AND JOURNAL PUBLICATIONS 2009 Josh MacPhee, Paper Politics: Socially Engaged Printmaking Today Publisher: PM Press

(October 2009). 2009 Beauvais Lyons, Multiple x Multiple: A Survey of Contemporary Print Media Published

by The Ewing Gallery of Art & Architecture, University of Tennessee, Knoxville. (September 2009)

2009 Joe E. Sanders, MATRIX: Contemporary Printmaking Published by The Florida State University-Museum of Fine Art, Tallahassee, Florida. (September 2009).

2009 Nancy Marie Mithlo, Visiting: Curatorial Conversations in Native North American Art. American Indian Curatorial Practice 2008: State of the Field Published by The University of Wisconsin–Madison and the Ford Foundation.

2009 Alexia Tala, Installations and Experimental Printmaking Published by A&C Black, England. (March 2009).

2009 Ina-Maria Greverus; Ute Ritschel (Eds.) Aesthetics and Anthropology Performing Life – Performed Lives Publshed Published by LIT Verlag Berlin, Germany.

2006 Tim High, “Semographics: Diversity and Collaboration” Contemporary Impressions Journal, American Print Alliance, Volume 14, #2 (Fall 2006)

2006 Richard Noyce, Printmaking at the Edge Book Published by A&C Black, England. 2005 Ellen Taubman and David Revere McFadden, Changing Hands: Art Without Reservation,

Part 2, Contemporary Native North American Art from the Prairie, Plains, Plateau and Pacific” Published by the Museum of Arts & Design, New York City.

2005 Peter Quinn, “Friends and Friends of Friends, Volume One” Published by Creative Capitalism publishing division of Projector7, LLC (July 2005): http://www.creativecapitalism.net/

2004 John Hitchcock, “Interview with Elizabeth Stuck.” The Journal of the Mid American Print Council (Vol. 12 Number 1, Spring/Summer 2004): 8, 9, 10, 11.

2003 Carol Pulin, “Interview: John Hitchcock.” Contemporary Impressions (Spring 2003):18, 19, 20, 21, 22.

2000 John Hitchcock, Portfolio (Art) North Dakota Quarterly (Summer/Fall 2000):101, 102, 103, 104, 105.

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1997 John Hitchcock, Synopsis of Bill Gaskins "Good Hair Bad Hair." Analysis of Claudine Brown. American Photography Institute National Graduate Seminar Journal (Fall 1997):96, 251,252.

CATALOGS 2010 Nuno Canelas, 5th International Printmaking Biennial of Douro – 2010 Publisher:

Printmaking Museum of Douro, Alijó, Portugal. (Fall 2010). 2010 Georg Lebzelter, International Print Triennial-Vienna 2010 Publisher: Künstlerhaus,

Vienna, Austria. (Fall 2010). 2010 Ideal X Published by the The Moving Crew. (Fall 2010). 2009 6th International Triennial of Graphic Art - Bitola, Macedonia. 2009 “Num_errance Biennale internationale d’estampe contemporaine de Trois-Rivières.”

Trois-Rivières, Quebec. 2009 “6th Novosibirsk Graphic Biennial.” Novosibirsk State Art Museum, Novosibirsk, Russia. 2009 Hui-Chu Ying and Alicia Candiani, Monumental Ideas in Miniature Books Traveling

Exhibition Published by The Myers School of Art, The University of Akron (2009). 2008 “40 Years Art & Design” Cameron University (Fall 2008) 2008 “Celebrating Exhibition of RAMSAR Conference 2008” Gyeongnam Art Museum,

Masan, Korea. Catalog. 2008 “Expansion” Proyecto’ace, International Center for Visual Arts in South America,

Políglota Gallery, Buenos Aires, Argentina. Foldout Brochure published. 2008 “University of Wisconsin-Madison Art faculty Exhibition” Chazen Museum, Madison,

Wisconsin. 2007 “Gyeongnam International Art Festival 2007.” Gyeong Nam Museum Masan, Korea. 2007 “Further...Artists from the Book 'Printmaking at the Edge.” The Museum of Photograph

Hanmi Foundation of Arts & Culture, Seoul, Korea. (2007) 2007 “The 14th International Tallinn Print Triennial, Political Poetical.” Kumu Art Museum of

Estonia, Tallinn, Estonia. 2007 FaluTriennalen 2007 Contemporary Print Art, Dalarnas Museum, Falun, Sweden. 2007 “Wicked & Wise.” Clara M. Eagle Art Gallery, Murray State University, Kentucky. 2007 John Armstrong, “Diagnosis of a knot, a lump, an Itch and Scratch a collaborative

Installation between Jennifer Angus and John Hitchcock.” Open Studio, Toronto, Ontario, Canada. (Spring 2007)

2007 “Forest Art Wisconsin: Native/Invasive” UW-Madison, Wisconsin. (Summer 2007) 2007 Kjellgren Alkire & Melissa McGurgan, “FROM FLAT TO PHAT: New Dimensions in

Printmaking.” Print event for the 35th Southern Graphics Conference Points, Plots and Ploys. (Brochure published Spring 2007)

2007 Tim High and Fran Valesco, “Contemporary American Serigraphs” San Francisco State University, San Francisco, California.

2006 Lynwood Kreneck, “Colorprint USA International.” Landmark Galleries of Texas Tech University School of Art (Fall 2006)

2006 International Print Triennial Krakow: KRAKÓW LETTRA-2006 (vernissage 11.09.200) Biblioteka Jagielloñska, Krakow. Poland.

2006 Sujin Shin, “Crossing Gene (Hybrid) -American and Korean Printmaking Exchange Exhibition” Published by Sun Contemporary Gallery, Seoul, Korea.

2005 Josh MacPhee, “PAPER POLITICS An Exhibition of Politically & Socially Engaged Printmaking.” Seattle Prints (Spring 2005)

2005 Lynwood Kreneck, “Colorprint USA International.” Landmark Galleries of Texas Tech University School of Art (Spring 2005)

2004 International Darmstadt Forest-Art-Path- “Expeditions” and Symposium Darmstadt, Germany. (Fall 2004)

2004 Kathryn J. Reeves, “Hitchcock’s Terms” University of Arizona School of Art, and Joseph Gross Gallery “John Hitchcock: Terminal” exhibition. (Fall 2004)

2003 “Vogelfrei 5 TRANSITARTEN.” Darmstadt, Germany. (Fall 2003)

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2003 “Through Our Lenses: Personal and Political Views of 18 Photographers.” Nathan Cummings Foundation, New York, New York (Spring 2003)

2003 “University of Wisconsin-Madison Department of Art Quadrennial Exhibition.” Elvehjem Museum of Art (Spring 2003)

2002 “Global Matrix: An International Print Exhibition.” Purdue University Galleries (Fall 2002)

2002 “Colorprint USA International.” the Buddy Holly Center and Landmark Galleries of Texas Tech University School of Art (Spring 2002)

2002 Adriane Herman and Brian Reeves, Slop Art Super market catalog (Fall 2002) 2002 “Iowa Miniprint International 2002.” University of Iowa Museum of Art (Spring 2002) 2002 “Brittingham Art Invitational.” University of Wisconsin System (Fall 2002) 2002 “Click: Midwest print Invitational: Digital Focus.” Lawton Gallery, University of

Wisconsin-Green Bay (Spring 2002) 2001 “Autumn Art Auction.” North Dakota Museum of Art (Fall 2001) 2001 “Unidentified.” College of Visual rts Gallery (January 2001) 2001 “Plains Art Museum: Drive Through Gallery” Plains Art Museum (Summer 2001) 2000 Hans Braumuller, Crosses of The Earth, Museo de Arte Contemporaneo, Santiago de

Chile (Fall 2000) Video Documentation and web site:http://www.crosses.net/2000 2000 “Oklahoma: Centerfold.” Leslie Powell Foundation (Fall 2000) 2000 “Autumn Art Auction.” North Dakota Museum of Art (Fall 2000) 2000 “Florida Printmakers 11th National Competition, Southern Graphics Council

Conference.” University of Miami, New World Gallery (Spring 2000) 1999 “Heart and Soul of the Great Plains.” Leslie Powell Foundation and Gallery & Museum

of the Great Plains (Fall 1999) 1999 Art In Spaces XII, “Ritual Device.” Intermedia Arts (Spring 1999) 1997 “Oklahoma: Centerfold.” Leslie Powell Foundation (Fall 1997) 1997 “Days Of Invention: Emerging Artists of The South Plains.” Institute of American

Indian Arts Museum (Spring 1997) 1995 "Oklahoma Centerfold." Leslie Powell Foundation (Fall 1995) REVIEWS, ARTICLES WRITTEN, AND IMAGES ABOUT MY ART

2010 Carinna Parraman, “Book Review of Installation and Experimental Printmaking.”

Printmaking Today (UK) Published by Cello Press (Summer Issue 2010): 42. 2009 Amanda Dovel, “Violence, war, politics…and art John Hitchcock mixes mediums to

spread his message.” CU Independent.com (October 8, 2009) hhttp://cuindependent.com/2009/10/08/violence-war-politics%E2%80%A6and-art/

2009 Claudia Rousseau, Protest art is ‘impractically political' in Silver Spring.” Maryland Community Newspapers Online Gazette.Net http://www.gazette.net/stories/09022009/entemon111338_32524.shtml (Fall 2009)

2008 Tyrell Albin, “Cameron Celebrates Centennial with School of Liberal Arts Week.” The Lawton Constitution (October 30, 2008): 5A.

2008 “Power and Currency at Factory Fresh” asupremenewyorkthing.com (August 27, 2008) 2008 “Objetivos Móviles:Transporte Cultural.” Arte al día Magazine (News Argentina Edición

#152, March 2008) 2008 Todd Drake, “Activism Greets Buenos Aires Commuters: An int’l group of printmakers

takes their message underground.” ArteVist (March 5, 2008) 2008 “Participan en Objetivos Móviles / Transporte Cultural.” Ars Omnibus Arte Para Todos

(March 5, 2008) 2008 Guido Carelli Lynch, “An urban intervention in the Urquiza railway switch on the debate

by the public art.” Ñ Magazine (Tuesday March 04, 2008) 2008 Kyle MacMillan, “Varied Voices, Sophisticated prints step out of larger works' shadow”

Denver Post (April 17, 2008) 2007 Ali Alnajjar, “Treynali Falun” Elaph Publishing Limited, ElaphWeb/Culture (November

9, 2007)

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2007 “Vermont Studio Center National & International Artists Residencies” Art In America (October 2007): 234

2007 Yasha Wallin, “SILKSCREENS New Prints 2007/Summer” International Print Center New York, New Prints Program Curatorial Essay (Summer 2007)

2006 W. Jackson Rushing III, “Of This Continent” American Indian Art Magazine (Winter 2006): 69

2006 Jennifer A. Smith, “Scientific breakthroughs Ideas, Dialogue, Conscience' combines art, technology” The Isthmus (Tuesday, May 23, 2006)

2005 Sharu Delilkan, “Once upon a time in the west, a print exhibition straightens out our ideas about America’s old west.” The Aucklander (January 19, 2005): 15.

2005 “Social Consciousness.” Cultural Corridor (January 30, 2005): culturalcorridor.org 2004 Nathan Ritchie, Review of “Against Tradition: Trends in Contemporary Printmaking”

(Indiana State University Art Gallery, Terre Haut, IN). Dialogue Magazine (May/June 2004): 51.

2004 E.J. Pettinger, “DOG HEAD STEW First Nations conference plays host to print portfolio.” Boise Weekly, Best of Boise (Oct 13, 04): http://www.boiseweekly.com/comments.php?id=4362_0_1_0_C

2004 Sarah Chuby, “Artists Zoom into Action, ‘Foto Future” displays the photography of educators.” Battle Creek Enquirer (October 8, 2004): C1.

2004 “Post Conference Impressions…Relevance/Resonance.” The Journal of the Mid American Print Council (Vol. 12 Number 2, Fall/Winter 2004): 10, 11.

2004 Kathleen Ash-Milby, “Gallery/Museum News.” The American Indian Community House Community Bulletin (Spring 2004, Vol. XX, Issue II): 22.

2004 Danaline McPhail Bryant, “Artists work pays homage to Wichitas.” The Lawton Constitution (October 24, 2004): 12A.

2004 Von Annette Kramer-Alig, “Ein U-boot schwimmt im Walde, Kunstpfad-Zum zweiten Mal werden die Spazierwege im Forstrevier Bollenfalltor zu Ausstellungsorten.” Darmstadter Echo (Friday, 27 August 2004)

2004 David DuBose, “Visiting Artists at Seacourt during Aug & Sept” Seacourt Print Workshop Bulletin, Bangor Northern Ireland (August 2004 ): 2.

2004 Kathleen Ash-Milby, “Gallery/Museum News.” The American Indian Community House Community Bulletin (Spring 2004, Vol. XX, Issue 1): 22.

2004 Susan Kepecs, “Picture This, The Wisconsin Academy Gallery envisions a bright future at the overture Center.” The Isthmus (July 30, 2004): 13.

2004 David Newman, “Prints by John Hitchcock: The Immanence of Critique, E-Motions, John Hitchcock.” AICH Gallery New York, NY (May 14-July 3, 2004).

2004 “Public Programs, Art Talk May 14.” Calendar of events, Smithsonian National Museum of the American Indian (May/June/July): 1.

2004 Jacob Stockinger, “DRAWING their WEAPON Local political artists let you know what they think.” The Capital Times (Friday, March 12, 2004): 1B, 7B.

2004 David Newman, “Prints by John Hitchcock: The Immanence of Critique.” (Curator's essay for the exhibition John Hitchcock: Frenzy Feeds Addiction). Forum Gallery, Brookhaven College (January 2004).

2003 “Dog Head Stew, Welcomes the Inquiring Spirit.” Native American Studies Program, Wes Virginia University (Fall 2003): 5.

2003 Kerry Hill, “UW printmaking program enjoys national stature.” School of Education, UW-Madison (Fall 2003): 8, 9.

2003 Melvyn Minnaar, “Printmaking Exhibition Bridges Cultures.” Tonight Western Cape (August 22, 2003): http://www.tonight.co.za

2003 Natilee Harren, Review of “Girls with Guns @ Kellie Rae Theiss Gallery.” Pulse of the Twin Cities (Wednesday 13 August, 2003): http://www.pulsetc.comWednesday

2003 Culture section, Correio Braziliense, Brasilia, Brazil (July 2003). 2003 Gunther Jockel, “Ein Garten Voller Buffel.” Darmstadter Echo (Summer 2003): 12. 2003 Rob Thomas & Kevin Lynch, “What Would John Wayne Do?” The Capital Times

(Friday 23, 2003):1B.

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2003 Emily S. Falenczykowski-Scott, “Elvehjem Museum to exhibit faculty artwork.” The Daily Cardinal (March 13, 2003)

2003 Jacob Stockinger, “Depth Lacking, Not Talent.” Wisconsin State Journal: RHYTHM (Thursday, February 20, 2003): 23.

2003 Kevin Lynch, “Installation Appreciation, UWArt Faculty Quadrennial Exhibit Opens Saturday.” The Capital Times: WEEKEND (Friday, February 7, 2003): 1B.

2002 Laura Salinger, “Unique Voices Through Mixed Media.” The Madison Times (November 8-14, 2002): 10, 11, 16.

2002 Nic Ajimine, “Centerfold Exhibit.” The Cameron University Collegian (November 4, 2002): 6.

2002 Kirsten Pupek, “Oklahoma Centerfold.” The Lawton Constitution (November 3, 2002): D.

2002 Dorreen Yellow Bird, “Native Visions.” North Dakota Grand Forks Herald (Friday, April 12, 2002): 4D, 5D.

2002 Aaron Ban, “Artist Mixes Indigenous Traditions, Popular Culture.”Carletonian, Carleton College (April 26, 2002): A2.

2002 Whitney Wyatt, “Symposium Showcases Printmaking.” The University Daily, Texas Tech University (April 19, 2002): 7.

2001 Andrew David Dahmer, “John Hitchcock, Native American History Through Art.” The Madison Times (November 30, 2001): 1, 10, 19.

2001 Alicia Ohmann, “Kiehle Shows Progress.” University Chronicle (November 12, 2001) 2001 Alicia Candiani, “Homeostatic Print Portfolio.” Papel Estampa (Paper and Prints,

Argentine magazine devoted to traditional and digital prints (April 2001)#10. 2001 “Unidentified.” Saint Paul Pioneer Press January 14, 2001): 8E. 2000 Brad Shanks, “Balancing Act: Man and technology in the Digital Age.” Contemporary

Impressions, The Journal of the American Print Alliance (Fall 2000): 12, 13, 14. 2000 “Its a Hitchcock Mystery, Progress...as promised?” Tulsa World (April 2, 2000): H3. 2000 James D. Watts Jr., “Games of Art: an installation.” Spot, Tulsa World Weekend

Entertainment Guide (March 31, 2000): 9. 2000 7+1 A Preview of the Week, “Techno Bombardment.” Urban Tulsa (April 6, 2000): 16,

17. 2000 Meg Huskey, “HFA Gallery Features Wide Array of Participation Art.”

The University Register (February 24, 2000): 11. 2000 Kirsten Pupek, “Two Views of Indian Art Set for Today.” The Lawton Constitution

(February 10, 2000) 1999 Robyn A. Richardson, “Interactive Art Exhibition in UNI’s Art Gallery.”

The Northern Iowan (October 12, 1999): 10,12. 1999 Michelle Duell, “Alumni Showing Works at CU.” The Lawton Constitution (January 22,

1999): 1B. 1999 Peter Grossardt, “Gallery Showcases Alumni in Exhibition.” The Collegian (January 22,

1999): 5. 1998 "Trying Her Hand at Art." Lubbock Avalanche Journal (August 7, 1998): 1A

(Photo of student with mural) 1998 Dirk Fillpot, "For Art's Sake, Artist pushes community projects." Lubbock Avalanche-

Journal Vista (May 26. 1998): 1B. 1998 “Local Nonprofits Collaborate for the Arts.” Caprock Sun (May, 1998): 5 1998 “Days of Invention: Emerging Artists From The South Plains.” Lubbock Magazine

(March 1998): 43. 1998 “Days of Invention: Emerging Artists... Opens at Fine Arts Center.” Caprock Sun (March

1998): 42. 1998 “Exhibit to Showcase Native American Art.” Lubbock Avalanche-Journal

(February 22, 1998): 2C. 1998 “New Fine Arts Center Exhibit Features Native American Art.” City Profile

(February 20, 1998): 6. 1997 Glen R. Brown, Review of "The Ulster-Texas Print Exchange." The Journal of Print

World (Fall 1997): 44.

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1997 Tom Collins, Review of "35th Anniversary Exhibition: Institute of American Indian Arts." Santa Fe Reporter (February 26, 1997): 31.

1996 Glen R. Brown, Review of "Polychronicle" (Solo Exhibition at The University of Oklahoma). New Art Examiner (April, 1996): 52.

1996 "Pictogram & Polygraph.” Lubbock Magazine (July 1996): 12, 13. 1995 "Polychronicle." Caprock Sun (September 1995): 28. REPRODUCTIONS OF ART WORK IN PUBLICATIONS 2004 “Wanted.” The American Indian Community House Community Bulletin

(Spring 2004, Vol. XX, Issue 1): Front Cover 2003 “Crusade/Wanted.” Contemporary Impressions (Spring 2003): Back Cover 2003 “Consumption” Inside the Academy, Newsletter of the Wisconsin Academy of

Sciences, Arts and Letters (May 2003 volume 30, number 1): 6. 2002 “Honor” September 11, 2001 Memorial Portfolio, American Print Alliance

(Spring 2002): 4. 2002 “Honor.” Montana Kaimin (November 22, 2002): 9. 2000 “Progress.” Tulsa World (April 2, 2000): H3. 2000 “Playing at Art, Can History be Constant?” Spot, Tulsa World Weekend Entertainment

Guide (March 31, 2000): 3. 1999 Chronicle Alternative, University of Minnesota, Morris (Winter 1999) 1998 “Sources, American Indian Community House.” Indian Artist (Spring 1998): 21.

(Photo of Installation) INTERVIEWS (all radio, Podcasts and TV interviews were given on my artwork) 2009 Working Proof Discussions about printmaking. Podcast interview by Ben

Moreau. http://workingproof.libsyn.com/ 2008 Cameron recognizes art department founder Jack Bryan, Cannel 7 News, Lawton,

Oklahoma. 2004 Waldkunstpfad Expeditionen, Symposium, Darmstadt, Germany, 58 minute

documentation film in English and Deutsch by Hans Sachsse. DVD document published. 2004 National Museum of the American Indian, New York, New York, 30-minute interview

broadcasted in New York City cable networking. Video document published by AICH Gallery.

2002 Local Public Radio Station WORT, Elvehjem Museum, Madison, Wisconsin, UW Art faculty Exhibition, 5-minute interview broadcasted on National Public Radio.

2002 North Dakota Museum of Art, Grand Forks, North Dakota, 30-minute interview broadcasted in the North Dakota Museum during exhibition. Video and DVD document published.

2001 Art Department Faculty, University of Wisconsin-Madison, 5-minute interview. Video and DVD document published.

PRINT AND PORTFOLIO PUBLICATIONS 2009 Print titled: “The Collective” An edition of 30 Lithographs published by University of

Colorado, Boulder. 2009 Print titled: “Eternal” An edition of 30 Screenprints published by Hybrid Press

Wisconsin for the Alex Pena portfolio.

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2009 Print titled: “IN-TERR-OR-TORY” An edition of 30 Screenprints published by Hybrid Press Wisconsin for Are you looking at me? An International Exchange Portfolio exhibition at the IMPACT 6 International Print Conference, Bristol School of Creative Arts, Bristol, England (UK).

2009 Print titled: “They Will Rise (Warbirds)” An edition of 30 Screenprints published by Frans Masereel Centrum, Kasterlee, Belgium.

2009 Print titled: “Interrorgate!” An edition of 30 Relief published by Frans Masereel Centrum, Kasterlee, Belgium.

2008 titled: “The Lovely Escape” An edition of 60 screenprints published by Cameron University, Lawton, Oklahoma.

2008 Print titled: “The Protector” An edition of 30 screenprints published by Hybrid Press Wisconsin for the Animal Connections Print Portfolio.

2008 Print titled: “20 Eyes” A collaborative edition of 60 screenprints between Derrick Busich and I published by 202c and Hybrid Press Wisconsin for AngelFuck Exchange Portfolio project.

2008 Print titled: “Descendants” An edition of 25 screenprints published by Hybrid Press Wisconsin for the Another New Zealand/Another United States Print Portfolio.

2008 Print titled: “Where’s The Buffalo?” An edition of 30 screenprints published by Hybrid Press Wisconsin for the Home Sweet Home Print Portfolio.

2008 Print titled: “Untitled” A collaborative edition of 40 inkjet prints between Alicia Candiani and I published by Hybrid Press Wisconsin for the A map of the world—an international & multicultural portfolio exchange.

2008 Print titled: “Little Chicken” An edition of 22 screenprints published by Hybrid Press Wisconsin for the Flipping the Bird: Defiant Convergence print portfolio.

2007 Print titled: “Hell Hammer” An edition of 40 lithograph/screenprints published by Vicious Dog Press Metro State College, Denver, Colorado.

2007 Print titled: “Horror Train” An edition of 23 screenprints published by Vicious Dog Press Metro State College, Denver, Colorado for the ADD: Analog Digital Disorder portfolio IMPACT 5 International Print Conference, Tallinn, Estonia.

2007 Print titled: “Mouth Breather” An edition of 16 relief prints published by Hybrid Press Wisconsin for the Time Machine an international print exchange for exhibition at The IMPACT 5 International Print Conference, Tallinn, Estonia.

2007 Print titled: “Time 1” An edition of 22 relief prints published by Hybrid Press Wisconsin for the Plot Influential: An International Print portfolio.

2007 Print titled: “The Conversation” An edition of 50 screenprints published by Hybrid Press Wisconsin for the print portfolio Tracing Distant Shorelines between University of Wisconsin-Madison and the China Academy of Art.

2007 Print titled: “Every Demon from Hell Could Not Save Him” An edition of 40 screenprints published by Hybrid Press Wisconsin for the You Are Here? …And Other Random Coordinates? portfolio exhibited at the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri.

2007 Print titled: “Hypocrisy 655000” An edition of 12 unique dimensional screenprints published by Hybrid Press Wisconsin for the for the INTERMEDIA Multiples: Three-dimensional object portfolio exhibited at the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri.

2007 Print titled: “Devil Dogz” An edition of 40 screenpints published by Hybrid Press Wisconsin with Drew Iwaniw/Assistant Printer for the Satan's Hook portfolio exhibited at the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri.

2007 Print titled: “Camo II” An edition of 40 screenpints published by Hybrid Press Wisconsin with Drew Iwaniw/Assistant Printer for the Habitual Ritual portfolio.

2007 Print titled: “Camo” An edition of 40 screenprints published by Hybrid Press Wisconsin with Drew Iwaniw/Assistant Printer for the Varied Voices: A Collection of Prints by Known American Printmakers to be exhibited in France, New Zealand and the USA.

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2007 Print titled: “655,000 Thousand” An edition of 40 screenprints published by Hybrid Press Wisconsin with Drew Iwaniw/Assistant Printer for Further...Artists from the Book 'Printmaking at the Edge portfolio.

2006 Print and music CD titled: “3RD Swimteam” A collaborative edition of 25 screenprints/CD’s between Derrick Busich and I published by 202c for The Cold, Dark, Damp & Quiet Portfolio project.

2006 Print titled: “Dreaming of ....(frybread)”An edition of 40 digital prints published by Hybrid Press Wisconsin for the Intimate Transmission: an artist print exchange between Artists from Cape Town, South Africa and Madison, Wisconsin, USA.

2006 Print titled: “Dreaming of ....(haircut)”An edition of 40 screennprints published by Hybrid Press Wisconsin with Drew Iwaniw/Assistant Printer for the Cross Polynations: Weaving/Raranga an international print exchange for exhibition in the USA and New Zealand

2006 Print titled: “Militia” An edition of 20 screenprints published by Hybrid Press Wisconsin for the Looking at Nature in Our Changing World: artists from the United States, Australia and New Zealand.

2006 Print titled: “Bacon fat” An edition of 22 digital prints published by Hybrid Press Wisconsin for the Under the Microscope exchange portfolio.

2006 Print titled: “Democracy”An edition of 40 screenprints published by Hybrid Press Wisconsin for Say Hello to My Little Friend!

2006 Print titled: “Terror Safe Zone” An edition of 60 screenprints published by The University of Tennessee, Knoxville. A selection of the edition was used for the exchange portfolio Who Owns You?

2005 Print titled: “Transition” An edition of 30 prints published by Hybrid Press Wisconsin for the graduating American Indian Studies Program students.

2005 Print titled: “Dreaming of….” An edition of 35 digital prints published by Hybrid Press Wisconsin for Re-Interpreting the Middle East portfolio.

2005 Print titled: “=” Produced an edition of 20 relief prints published by Hybrid Press Wisconsin for Equilibrium/Equilibrio a Spain and US portfolio exchange.

2005 Print titled: “100% Speedqueen” A collaborative edition of 25 screenprints/CD’s between Derrick Busich and I published by Hybrid Press Wisconsin for Pretty and Smells Good portfolio.

2005 Print titled: “100% Frozen Ground America” An edition of 35 digital prints published by Hybrid Press Wisconsin for Thieves, Thugs, and Liars portfolio.

2005 Print titled: “Equivalence” An edition of 25 relief prints published by Hybrid Press Wisconsin with Megan Page/Assistant Printer for Capital: An exchange portfolio between the University of Minnesota-Minneapolis and the University of Wisconsin-Madison.

2004 Print titled: “Equilibrium ” An edition of 35 screenprints created for MIND TRAVEL: An Artist Print Exchange Between Ireland, North America, and South Africa. Organized by: Peter Jones, Senior Lecturer in Printmaking, DIT School of Art and Design, Portland Row, Dublin, Ireland; Jeff Rankin, Artist and Senior lecturer in the School of Applied Art at Border Technikon, East London, South Africa; and John Hitchcock.

2004 Print titled: “Honor II” An edition of 20 relief prints published by Hybrid Press Wisconsin with Amanda Mathania/Assistant Printer for the American Indian Studies Program graduating students.

2004 Print titled: “100% Frozen Ground Fear” Produced an edition of 35 three dimensional screenprints and a Lux edition of 30 published by Hybrid Press Wisconsin for Changing Minds Reading Minds: Prints on Alternative Surfaces and Pushing Boundaries portfolio.

2004 Visiting artist and print Published by Egress Press and Research, Edinboro University, Pennsylvania. With the assistance of John Lysak-Master Printer and Courtney Lang-Printer/Assistant Director, We produced three editions of prints: “Cash Cow” 4 color Screenprint/letterpress/gold dust (edition of 38); “Broken legs” 5 color Photo Lithograph (edition of 30); and “Peacemaker” 5 color screenprint (edition of 21). This series of

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prints were featured at Egress Press publishers showcase at the Southern Graphics Council Print Conference at Rutgers University, New Jersey, March 18th. “Cash Cow” was included in the Wild West Show portfolio. “Broken legs” was included in CULTURAL LANDSCAPES: an artist print exchange between Northern Ireland and North America.

2003 Print titled: “Net Weight” Produced an edition of 24 screenprints published at West Virginia University for the Visiting Artist Print Collection. Assistant printers: Professor Elizabeth Hanamann, Professor Sergio Sauve, and Praire Sundance. “Net Weight” was included in the portfolio Print Language as Content Curated by Robert Glasgow, School of Art and Art History, University of Iowa, Iowa City, Iowa.

2003 Print titled: “Boilermaker” Published by Quiet Crow Press. Produced an edition of 30 lithographs/relief prints as a visiting artist at Bemidji State University, Minnesota. Master Printer: Professor, Johnnet Skinner Assistant student printers: Alicia Kiewatt and Victoria Roberts. “Boilermaker” was included in Red, White and Blue portfolio.

2003 Print titled: “Administration” Published by Hybrid Press Wisconsin at Northern Illinois University, Dekalb. Produced an edition of 20 screenprints for Cross-Cultural Identities: An Artist Print Exchange Between South Africa and North America. A second edition of 20 screenprints were produced for the Northern Illinois University Print Blitz! Portfolio.

2003 Recall A Print Exchange Between Minneapolis College of Art and the University of Wisconsin-Madison. Co-Organized portfolio. (Fall Serigraphy class exchange)

2003 Print titled: “WWGWD?” Published by Hybrid Press Wisconsin for SIN: A Print Exchange Between Northern Illinois University, Texas Tech University and the University of Wisconsin-Madison. Organized portfolio.

2003 Gods and Monsters: A Print Exchange Between the University of Tulsa and the University of Wisconsin -Madison. Organized portfolio. (Spring Advanced Serigraphy and Relief class exchange)

2003 Shock and Awe Xerography folio in response to the War in Iraq. Organized by: Tim Dooley.

2003 Print titled: “Chicken, Pork Beef” Produced an edition of 25 “22x30” screenprints published by Hybrid Press Wisconsin for Impressions from the Llano Estacado: In Honor of West Texas Printmaker Lynwood Kreneck.

2003 Print titled: “Resistance” Produced an edition of 24 screenprints. Published by Hybrid Press Wisconsin for Multiple Perspectives: Critical Dialogue in North America portfolio.

2003 Print titled: “Frenzy” Produced an edition of 24 screenprints. Published by Hybrid Press Wisconsin for Girls With Guns portfolio.

2003 Print titled: “Pork” Produced an edition of 30 screenprints. Published by Hybrid Press Wisconsin for Dog Head Stew for the 31st Annual Southern Graphics Council Conference. Massachusetts College of Art, Boston, Massachusetts. Curator: Elizabeth Hanemann.

2003 The Big Square Portfolio Exhibition Curator: Joel Peck. Cornell University, Tjaden Gallery in Olive Tjaden Hall, Ithaca NY.

2002 Tears an exchange between the University of Wisconsin-Madison and the University of North Dakota. Organized by: John Hitchcock and Kim Fink. (Fall)

2002 Frogman’s Print and Paper Portfolio for the University of South Dakota Vermillion, South Dakota. Curated by: Lloyd Menard

2002 Convergence An exchange between the University of Wisconsin-Madison and the University of Kansas. Organized by: John Hitchcock and Michael Krueger.

2002 Honor A collaborative digital print between Truman Lowe and myself for the Graduating American Indian Students Ceremony. UW-Madison.

2002 Print titled: “Strength” Produced an edition of 35 lithograph/screenprints published by the University of North Dakota Visiting Artist Print Collection Program. Master Printer: Kim Fink, Assistant printers: Richard Dawavendewa and Josh Tangen.

2002 Open Print Exchange between the University of Minnesota, Morris and University of Wisconsin-Madison. Organized by: Tracy Ottin and John Hitchcock.

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2002 Print titled: “Crusade” Published by Hybrid Press Wisconsin for Common Culture An Exchange Portfolio for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana.

2002 Print titled: “Terminal” Published by Hybrid Press Wisconsin for Impromptu An Exchange Portfolio Between the University of Wisconsin-Madison and Arizona State University for the 30th Annual Southern Graphics Council Conference. New Orleans, Louisiana.

2002 Print titled: “Crusade” Published by Hybrid Press Wisconsin for Print Australia Exchange J: Digital Print An Exchange Portfolio organized by Print Australia.

2001 Print titled: “Pollo” Published by Hybrid Press Wisconsin for Frogman’s In the New Millennium: 20th Anniversary Portfolio University of South Dakota, Vermillion, South Dakota.

2001 Southern Graphics Council Annual Conference Exchange Portfolio University of Texas at Austin, Austin, Texas.

2000 Transitions An exchange portfolio between Minneapolis College of Art and Design and the University of Minnesota, Morris. Organized by: Jody Reeb-Myers and John Hitchcock.

2000 Print titled: “Kids Mask” Published by Hybrid Press for Mid America Print Council Conference Exchange Portfolio St Cloud State University, St Cloud, Minnesota.

2000-2001 Annual UMM Exchange Portfolio University of Minnesota, Morris. 1999 Interior/Exterior/Inside/Out portfolio, University of Minnesota, Morris. 1999 Print titled: “Progress” Published by Hybrid Press for HomeoStatic An Exchange

Portfolio of Contemporary Artists. Miami, Florida. 1999 Frogman’s Print and Paper Portfolio for the University of South Dakota, Vermillion,

South Dakota. Curated by: Lloyd Menard. ELECTRONIC PUBLICATIONS (SELECTED) 2009 The Onion, Decider Now Hanging: SuperBug, Decider roams Madison's galleries

looking for stimulation http://madison.decider.com/articles/now-hanging-superbug,23020/

2008 Proyecto ´ace, Buenos Aires, Argentina, Expansión solo exhibition http://www.proyectoace.com.ar/en_expoexpansionjh.htm

2008 Objetivos Moviles/Moving Targets http://www.proyectoace.com.ar/en_objetivosmoviles.htm

2008 Natalie Kates Art Gallery http://www.nataliekates.com/ 2008 Power and Currency at Factory Fresh asupremenewyorkthing.com 2007 International Print Center New York New Prints Program, SILKSCREENS/New

Prints 2007 http://www.ipcny.org/exhib/exhib_np/edit_np_su07/edit_np_su07.htm 2007 Forest Art Wisconsin Native/Invasive http://www.waldkunst.com/2007/ 2006 The Cold, Dark, Damp & Quiet Portfolio project www.25flat.com/webforms 2006 Semographics for Southern Graphics Council Conference at Madison, Wisconsin.

https://mywebspace.wisc.edu/jhitchcock/web/semographics/semographics06.htm 2005 Cultural Transport/Moving Target

http://web.stcloudstate.edu/kchristensen/current/targets/targets_index.html 2005 Overlays Project http://website.education.wisc.edu/dbuisch/Overlay.html 2004 Internationaler Waldkunstpfad, Forest Art Path Darmstadt, Germany.

http://www.waldkunst.com/de/artists/Hitchcock.html 2004 Against Tradition: Trends in Contemporary Printmaking

http://isu.indstate.edu/kaz/againsttraditionshow.htm 2004 Shock&Awe&? http://www.fimp.net/shock19.html 2003 Evolving Traditions An online curatorial project by Raquel Chapa, Abraham

Lubelski, and Daniel Rothbart for NY Arts Magazine, New York City. http://nyartsmagazine.com/evolving/hitchcock.htm

2003 The Photography Institute Colombia University, New York City.

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Responses to War. http://www.thephotographyinstitute.org 2003 KQ Fine Arts Print Publisher, Minneapolis, Minnesota.

http://www.kqfineart.com/featured/index%202.htm 2002 Brittingham Art Invitational University of Wisconsin Systems.

http://www.uwsa.edu/presidnt/britting2/artists/hitchcock.htm 2002 North Dakota Museum of Art Grand Forks, North Dakota.

http://www.ndmoa.com/template.cfm?page=crossgenerational 2001 Anton Gallery Washington, DC

http://www.antongallery.com/exhibit91101/pages/hitchcock.htm 2001 Beatnik Bash The Print Center, Philadelphia, Pennsylvania.

http://www.inliquid.com/features/printauct2/artworkf-l.html 2001 Here & Now The D.U.M.B.O. General Store, Silicon Gallery Fine Art prints, Brooklyn,

New York. www.digitaldumbo.com 2001 New Space New Audience College Arts Association. http://acweb.colum.edu/caa2001 2001 Homeostatic Portfolio http://www.worldprintmakers.com/homeo/hitchcoc.htm INVITED VISITING ARTIST LECTURES & CONFERENCES PANEL PRESENTATIONS 2010 Royal Ontario Museum Panel participant Print in the Public Sphere at the Printopolis

printmaking symposium, Toronto, Canada. 2010 Texas Woman’s University Visiting artist, created an on site installation with students,

critique of students’ art, and Artist gallery talk. 2009 University of Colorado, Boulder Visiting artist, created an edition of prints with

students, critique of students’ art, video documentation, lead graduate seminar, and Artist lecture. Boulder, Colorado.

2008 Cameron University Visiting artist, created an edition of prints with students, critique of students’ art, and two Artist lectures. Lawton, Oklahoma.

2008 Boise State University Visiting artist, created an on site installation with students, critique of students’ art, and Artist talk. Boise, Idaho.

2008 Virginia Commonwealth University panel participant, Sample This: Appropriate Appropriations in Print Media at the 36th Southern Graphics Conference Command Print, Richmond, Virginia. Panel Chair: Jenny Schmid, The University of Minnesota. Panelists: Ruthann Godollei, Macalester College; John Hitchcock, University of Wisconsin; Michael Krueger, University of Kansas.

2008 Proyecto’ace, International Center for Visual Arts in South America. Visiting artist, created an on site installation and Artist talk. Buenos Aires, Argentina.

2008 Centro de Producción y Edición Gráfica de Buenos Aires (Litho Workshop in Saénz Peña) Visiting artist workshop and artist talk. Buenos Aires, Argentina.

2007 University of Maryland Visiting artist, created an edition of prints with students, critique of graduate students’ art, and Artist talk. College Park, Maryland.

2007 Oklahoma Arts Institute Artist talk and monoprint worshop. Quartz Mountain, Oklahoma.

2007 Kumu Art Museum of Estonia IMPACT Fifth International Printmaking Conference “Slice of Time, Tallinn, Estonia. Conference panel discussion participant and presentation of paper: "Convergence Print Media" at the Palace of Peter I in Kadriorg park, Tallinn (Museum of European art). Panel session: LOCAL CULTURES. Chair: Stephen Mumberson (UK). Panel Participants: Kavita Shah (India), Rahman Mohamed (Malaysia), Abdul Hakim Onitolo (UK), John Hitchcock (USA), Jean-Loup Rousselot (Germany).

2007 Beloit College Artist talk and panel discussion with Marie Watt, Tom Jones. Beloit, Wisconsin.

2007 The Metropolitan State College of Denver Visiting artist, created an edition of prints with students, critique of students’ art, and Artist talk. Denver, Colorado.

2007 Vermont Studio Center Residency Fellow presentation, Johnson, Vermont.

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2007 Syracuse University Visiting artist, installation workshop with students, critique of graduate students’ art, and Artist talk. Syracuse, New York.

2007 Kansas City Art Institute panel participant, Intercultural Ploys: Plotting Diversity and Difference at the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. Panel Chair: Alicia Candani. Panelists: John Hitchcock, Walter Jule, Eve Kask, Ute Ritschel, Breda Skrjanec.

2007 Kansas City Art Institute panel participant, Pocahontas Meets Hello Kitty: A Select Group of Artists looking at the Past and Present of Native Women's History at the 35th Southern Graphics Conference Points, Plots and Ploys, Kansas City, Missouri. Panel Chair: Melanie Yazzie Panelists: Arthur Douglass, Candy Nartonis, John Hitchcock, Tom Jones.

2006 Mid America Print Council Conference, Forging Connections Panel participant Matchmaking: Students Finding Grad Schools, Schools Finding Grads, Ohio University in Athens, Ohio. Panel Organizer: Justin Quinn, Assistant Professor, St. Cloud State University, St. Cloud, Minnesota. Panelists: Catherine Chauvin, Assistant Professor, University of Denver, Colorado; Maritza Davila, Professor, Memphis College of Art; John Hitchcock, Assistant Professor, University of Wisconsin-Madison; Sarojini Johnson, Professor and Associate Chairperson, Ball State University, Muncie, IN; Jerald Krepps, Associate Professor, University of Minnesota-Minneapolis.

2006 Mid America Print Council Conference, Forging Connections Panel participant Welding Cultural Identity into Printmaking, Ohio University in Athens, Ohio. Panel Organizer: Dr. Ilgim Veryeri Alaca, Bilikent University, Bilikent, Ankara, Turkey. Panelists: Eriko Fujita, MFA candidate, University of Nebraska-Lincoln; John Hitchcock, Associate Professor, University of Wisconsin-Madison; Mirka Hokkanen, Artist, Hinesville, Georgia; Tanja Softic, Associate Professor, University of Richmond, Virginia Steven Wirth, Artist, Chicago, Illinois; Alisa Fox, Associate Professor and Program Chair, Ivy Tech Community College, Indianapolis.

2006 University of South Dakota, Frogman’s Print and Paper Workshop, Artist slide lecture and printmaking workshop, Vermillion, South Dakota.

2006 Hendrix College Visiting artist, installation workshop with students and Artist talk. Conway, Arkansas.

2006 University of Tennessee, Knoxville Visiting artist, critique of graduate students’ art, and Artist talk. Knoxville, Tennessee.

2005 University of Utah, Salt Lake City Visiting artist, critique of graduate students’ art, and Artist talk. Salt Lake City, Utah.

2005 University of New Mexico-Albuquerque Visiting artist, critique of graduate students’ art, and Artist talk. Albuquerque, New Mexico

2005 University of New Mexico-Gallup Visiting artist, critique of students’ art, and Artist talk. Gallup, New Mexico.

2005 Beloit College Visiting Artist talk. Beloit, Wisconsin. 2005 Western Michigan University Visiting artist, critique of students art, and Artist

talk. Kalamazoo, Michigan. 2005 The University of Alabama Department of Art Visiting artist, critique of

students art, and Artist talk. Tuscaloosa, Alabama. 2005 College Art Association International Conference, panel discussion participant,

Politics in/as Visual Culture, VISUAL CULTURE CAUCUS, Atlanta, Georgia. Chairs: Laurie-Beth Clark, University of Wisconsin-Madison; Nicholas Mirzoeff, New York University Participants: Darby English, University of Chicago; W. J. T. Mitchell, University of Chicago; Rayford Guins, University of West England; Geoffrey Batchen, CUNY Graduate Center; Coco Fusco, Columbia University; and John Hitchcock, University of Wisconsin-Madison.

2005 ‘Te Kura Toi O Buck Nin – Buck Nin School of Arts’ Te Wananga O Aotearoa Arts talk at Cultural Collision! U.S. – N.Z. Manukau Campus, Mangere, South Auckland, New Zealand.

2004 Keene State College Visiting artist, critique of students art, and Artist talk. Keene, New Hampshire.

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2004 Colorprint USA International Symposium Panel participant and critique of graduate students art. Texas Tech University School of Art, Lubbock, Texas.

2004 Macalester College Art Gallery Visiting Artist talk. St Paul, Minnesota. 2004 The University of Arizona School of Art Visiting Artist talk and critique of graduate

students art. Tucson, Arizona. 2004 Mid America Print Council Conference, Relevance/Resonance Panel participant Out

of the Frame: Innovative Installations. moderator: Hugh Merrill, Kansas City Art Institute, Lisa Bulawsky, Béatrice Coron, Tim Dooley, Bob Erickson, John Hitchcock.

2004 International Darmstadt Waldkunstpfad (Forest-Art-Path) Artist talk in the forest. Darmstadt, Germany.

2004 Seacourt Print Workshop Visiting artist and lecture. Bangor, Co Down, Northern Ireland.

2004 National Museum of the American Indian, George Gustav Heye Center Visiting Artist talk. New York, New York.

2004 The American Indian Community House Gallery/Museum Visiting Artist talk. New York, New York.

2004 Rutgers University, Masson Gross School of Art 32nd Southern Graphics Council Printmaking Conference New Brunswick, New Jersey. Invited Panelist, Making Marks in History Stealing Back Time. Chair: Melanie Yazzie, University of Arizona, Elizabeth Hanemann, Corwin Clairmont.

2004 University of Washington Visiting Artist slide lecture. Seattle, Washington. 2004 College Art Association National Conference panel discussion participant,

Multiplicity: Printmaking and the Use of Multiples in Native American Cultures. Seattle, Washington. Chair: Melanie Yazzie, University of Arizona, Elizabeth Hanemann, Joe Fedderson, Larry McNeil, Annie Ross.

2004 University of Wisconsin, Oshkosh Artist talk at Reeve Union. Oshkosh, Wisconsin. 2004 University of North Texas Visiting Artist talk and Installation. Denton, Texas. 2004 Brookhaven College Visiting artist and Artist talk. Dallas Texas. 2003 Georgia College & State University Department of Art, Milledgeville, Georgia. 2003 West Virginia University, Morgantown visiting artist, critique of students’ art, and

Artist slide lecture. Morgantown, West Virginia. 2003 Bemidji State University Visiting artist, critique of students art, and Artist talk. Bemidji,

Minnesota. 2003 Xavier University, Department of Art Artist talk in Cohen Center Art Gallery,

Cincinnati, Ohio. 2003 TransitARTen - Vogelfrei 5 Kunstentdeckungen in Privatgärten Artist talk in

Garden. Darmstadt, Germany. 2003 Michaelis School of Fine Art, University of Cape Town Artist talk about my current

art work. Cape Town, South Africa. 2003 CAP: Community Arts Project Visiting Artist slide lecture and meeting with

learners/students. Cape Town, South Africa. 2003 University of Northern Illinois created a series of prints, critique

graduate/undergraduate students art works, and public slide lecture about current art. Dekalb, Illinois.

2003 Boston University 31st Southern Graphics Council Printmaking Conference. Chair of panel: Cross-Cultural Identities: the Politics of Collaboration, Community, and History. Boston, Massachusetts.

2003 Wellesley College Artist slide lecture and individual critiques with undergraduate students. Wellesley, Massachusetts.

2003 College Art Association National Conference panel discussion participant and presentation of paper: Manufactured Culture, New York, New York. Cophony and the Matrices of Political Sublimation CHAIR: Barbara Madsen, Mason Gross School of Art, Susan C. Doheny, Dartmouth University, John Hitchcock, University of Wisconsin- Madison, Kathryn Reeves, Purdue University, Eric Avery, University of Texas Medical Branch.

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2003 Elvehjem Museum of Art University of Wisconsin-Madison Art faculty Exhibition, artist lecture. Madison, Wisconsin.

2003 Southwest School of Art and Craft An artist lecture and workshop on large relief printmaking. San Antonio, Texas.

2003 University of Wisconsin, Marshfield Artist slide lecture and printmaking workshop, Marshfield, Wisconsin.

2002 Cameron University Artist slide lecture and individual critiques with undergraduate students. Lawton, Oklahoma.

2002 Wank Sheek American Indian Association, Union, University of Wisconsin-Madison. 2002 Kings Foot Gallery Artist talk, Madison, Wisconsin. 2002 University of South Dakota, Frogman’s Print and Paper Workshop, Artist slide

lecture and printmaking workshop, Vermillion, South Dakota. 2002 Carleton College Artist slide lecture and individual critiques with undergraduate

students. Northfield, Minnesota. 2002 Color Print U.S.A. Symposium Texas Tech University and Buddy Holly Center, Artist

slide lecture and individual critiques with graduate and undergraduate students. Lubbock, Texas.

2002 North Dakota Museum of Art Artist talk, Grand Forks, North Dakota. 2002 University of North Dakota presentation of print portfolio, Grand Forks, North Dakota. 2002 Laredo Community College Artist slide lecture. Laredo, Texas. 2001 St. Cloud State University Kiehle Gallery, Artist talk. St. Cloud, Minnesota. 2001 Elvehjem Museum of Art University of Wisconsin-Madison Fall Colloquium, artist

slide lecture. Madison, Wisconsin. 2001 University of Kansas, Lawrence School of Fine Arts, Artist slide lecture and individual

critiques with graduate and undergraduate students. Lawrence, Kansas. 2001 University of Wisconsin-Madison Department of Art, Artist slide lecture and individual

critiques with graduate and undergraduate students. Madison, Wisconsin. 2001 College of Visual Arts Artist talk. St Paul, Minnesota. 2000 State University of New York, Albany School of Fine Arts, Artist slide lecture and

individual critiques with graduate and undergraduate students. Albany, New York. 2000 Mid America Print Council Conference, Art in the Community, St Cloud State

University, St Cloud, Minnesota. Panel Discussion Participant: Public Art. 2000 American Photography Institute National Graduate Seminar, Tisch School of Art, New

York University, New York, New York. Panel Discussion Participant. 2000 University of Tulsa Department of Art, Artist slide presentation, Tulsa, Oklahoma. 2000 Living Arts of Tulsa Artist talk, Tulsa, Oklahoma. 2000 University of Minnesota, Morris Faculty Seminar lecture series. Morris, Minnesota. 1999 University of Northern Iowa Department of Art, Artist talk, Cedar Falls, Iowa. 1999 Intermedia Arts Artist talk. Minneapolis, Minnesota. 1999 Cameron University Panel discussion and artist talk. Lawton, Oklahoma. 1998 Kansas State University Department of Art, Artist Talk. Manhattan, Kansas. 1998 University of Minnesota, Morris Artist slide Lecture. Morris, Minnesota. 1998 Texas Tech University Art Department Days of Invention: Emerging Artists of the

South Plains panel discussion. Participant. Lubbock, Texas. 1998 Lubbock Fine Arts Center Days of Invention. A weeklong educational seminar with

Lubbock Independent Schools and TTU Graduate Students dealing with indigenous issues. Lubbock, Texas.

1997 Isle Elementary School Nu-muh-nu/Comanche. A guest lecture and workshop in conjunction with the “Day of the Dead” Exhibition. Lubbock, Texas.

1997 American Indian Community House Gallery Artist Talk. New York, New York. 1997 American Photography Institute, National Graduate Seminar A lecture about my

work. New York, New York. 1997 Institute of American Indian Arts Individual critiques with students. Santa Fe, New

Mexico. 1996 University of Oklahoma School of Art, A guest lecture about the exhibition

Polychronicle. Norman, Oklahoma.

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1996 S.M.A.R.T. Art In The Park. Assisted with mural projects in Lubbock City Parks. Guest Artist.

JUROR OF EXHIBITIONS 2006 Hendrix College Conway, Arkansas. Juror of Student Exhibition. 2005 University of Wisconsin-Parkside Kenosha, Wisconsin. Juror of Student Exhibition. 2005 Western Michigan University, Kalamazoo Juror of Student Exhibition. 2004 University of Wisconsin-Stevens Point Student Exhibition Stevens Point, Wisconsin. 2003 Beloit and Vicinity Exhibition Beloit, Wisconsin. Juror of Exhibition. 2003 Beloit College All Student Exhibition Beloit, Wisconsin. Juror of Exhibition. 2002 Oklahoma Centerfold Leslie Powell Foundation, Lawton, Oklahoma. Juror. 2000 12 Annual United Tribes Indian Art Expo Bismarck, North Dakota. Juror. 1998 Chronicle Alternative University of Minnesota, Morris. Juror of student art works.

CURATOR OF EXHIBITIONS 2009 SATISFACTION TOWN Group exhibition and live music event for the 2009 Southern

Graphics Council Printmaking Conference “Global Implications” at Columbia College, Conaway, Center, Chicago, Illinois.

2008 Objetivos Moviles/Moving Targets a print exhibition of invited international artists exhibited on the Metrovias train system in Buenos Aires, Argentina, Proyecto’ace Studios; Centro de Producción y Edición Gráfica de Buenos Aires; and Gallery 5, Richmond, Virginia. Co-organized by Alicia Candiani, Director of Proyecto Ace.

2005-2007 Cultural Transport/Moving Targets a print exhibition of invited international artists presented at the Universität der Künste Berlin, Academy of Fine Art, Poznan and on the train from Berlin, Germany to Poznan, Poland as part of the IMPACT 4 – KONTAKT International Print Conference. Co-Curated and Organized by John Hitchcock and Keith Christensen.

2004 CULTURAL LANDSCAPES: an artist print exchange between Northern Ireland and North America. Curated by: David DuBose, Seacourt Print Workshop, Co. Down, Northern Ireland and John Hitchcock, exhibited at the University of Nebraska, Lincoln.

2003 Cross-Cultural Identities: An Artist Print Exchange Between South Africa and North America for the 3rd IMPACT International Printmaking Conference Michaelis School of Fine Art, University of Cape Town, South Africa. Curators: Dominic Thorburn, Head of Graphic Art, Rhodes University, School of Fine Art, Grahamstown, South Africa and John Hitchcock, exhibited at The South African Museum, Cape Town, South Africa.

2003 Multiple Perspectives: Critical Dialogue in North America for the 31st Annual Southern Graphics Council Conference. Boston, Massachusetts, exhibited at The Massachusetts College of Art, Boston, Massachusetts and the Jewett Arts Center at Wellesley College, Wellesley, Massachusetts.

2002 Cross Generational: Rosalie Flavell, John Hitchcock, Edgar Heap of Birds, and Patricia Marroquin. North Dakota Museum of Art, Grand Forks, North Dakota. Artist Curator.

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CHRONOLOGY OF TEACHING UNIVERSITY OF WISCONSIN – MADISON (FALL 2001-PRESENT) Academic Year 2010-11 Semester 1 Advanced Research-Graphics 996

Independent Study 699/999 Graduate Chair Semester II Advanced Research-Graphics 996

Independent Study 699/999 Graduate Chair

Academic Year 2009-10 Semester 1 Advanced Research-Graphics 996

Independent Study 699/999 Graduate Chair Semester II Advanced Research-Graphics 996

Independent Study 699/999 Graduate Chair

Summer Serigraphy 336-536

Advanced Research-Graphics 996 Independent Study 699/999

Academic Year 2008-09 Semester 1 Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Summer Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Academic Year 2007-08 Semester I Relief Printmaking 306-506

Advanced Research-Graphics 996 Independent Study 699/999

Graphics Area Chair Semester II Sabbatical Summer Relief Printmaking 306-506

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Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 999

Academic Year 2006-07 Semester I Serigraphy 336-536 Seminar 908 1st Year Graduate Seminar

Advanced Research-Graphics 996 Independent Study 699/999

Semester II Serigraphy 336-536

Advanced Research-Graphics 996 Independent Study 699/999

Graphics Area Chair Summer Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 999

Academic Year 2005-06 Semester I Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Summer Relief Printmaking 306-506

Independent Study 999 Academic Year 2004-05 Semester I Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Seminar 908 Convergence Media in Print Topics: 448 Convergence Media in Print Advanced Research-Graphics 996 Independent Study 699/999

Summer Relief Printmaking 306-506

Independent Study 699/999

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Academic Year 2003-04 Semester I Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Summer Independent Study 999 Academic Year 2002-03 Semester I Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Seminar 908 Convergence Media Advanced Research-Graphics 996 Independent Study 699/999

Summer Independent Study 999 Academic Year 2001-02 Semester I Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

Semester II Relief Printmaking 306-506

Serigraphy 336-536 Advanced Research-Graphics 996 Independent Study 699/999

UNIVERSITY OF MINNESOTA, MORRIS (1998-2001) Academic Year 2000-01 Semester I Beginning Printmaking Advanced Printmaking Basic Studio Drawing Basic Studio 2-D Design Basic Studio Discussion Semester II Beginning Printmaking Advanced Printmaking Second-Year Drawing Third Year Drawing

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Directed Studies, 1 student in advanced printmaking (relief, collagraph) Directed Studies, 2 students in advanced printmaking (lithography, screenprint, intaglio) Directed Studies, 1 student in advanced printmaking (relief, screenprint, monoprint)

Summer Directed Studies, 1 student in printmaking (relief, lithography) Academic Year 1999-00 Semester I Beginning Printmaking Advanced Printmaking Basic Studio Drawing Basic Studio Discussion Basic Studio 2-D Design Semester II Beginning Printmaking Advanced Printmaking Basic Studio Drawing Basic Studio Discussion Topics in Studio Art: Public Space, Installation Art, and New Media

Directed Studies, 1 student in new media/installation (video and performance) Summer Directed Studies, 1 student in printmaking (screenprint, intaglio, monotype) Academic Year 1998-99 Semester I Beginning Printmaking (Fall) Advanced Printmaking First-Year Drawing (2 sections) Semester II Beginning Printmaking (Winter) Advanced Printmaking First-Year Drawing Basic Studio Discussion

Basic Studio 2-D Design Semester III Beginning Printmaking (Spring) Advanced Printmaking First-Year Drawing Second-Year Drawing Third Year Drawing Summer Beginning Drawing Directed Studies, 1 student in printmaking (screenprint) TEXAS TECH UNIVERSITY (1997-1998) Semester I Instructor, Advanced Life Drawing Instructor, Drawing I Beginning Drawing Semester II Instructor, Advanced Life Drawing Instructor, Drawing I Beginning Drawing

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MA/MFA THESIS COMMITTEES SERVED AT UW-MADISON Academic Year 2010-11 Chinn Wang MA/MFA (Chair) Justin Maes MA/MFA Sue Medaris MA/MFA Andrea Miller MA/MFA Dyani Reynolds-White Hawk MFA Academic Year 2009-10 Andrea Brdek MFA Tyanna Buie MA/MFA Lindsey Clark-Ryan MA/MFA Sarah Noreen Hurtt MFA Miguel Pena MFA (Chair) Kathryn Petke MFA José Rodríguez MFA Yijin Kim MA/MFA Mike Konopacki MA/MFA Joseph Leroux MA/MFA Matt Martin MA/MFA Maggie Sasso MA/MFA Morgan Sims MA/MFA Academic Year 2008-09 Matt Bindert MA/MFA (Chair) Nahyun Kim MA/MFA Marisa Martino MA/MFA Noah Massey-Reiser MA/MFA Anna Moisiadis MA/MFA David Raine MA/MFA (Chair) Robin Russo MA/MFA Erin O’Connor MA/MFA (Chair) Alex Peña MA/MFA Sarah E. Plummer MA/MFA Paul Prindle MA/MFA Heather White MA/MFA Academic Year 2007-08 Toni Damkoehler MA/MFA Stacey Heim MA/MFA Drew Iwaniw MA/MFA Katherine Petke MA Julia Taylor MA/MFA Ariestya Tjhin MFA Bill Teschner MA/MFA Kate Troyer MA/MFA (School of Human Ecology) Academic Year 2006-07 Michael Andrews MA/MFA Cassie Assman MA/MFA (Chair)

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Paul Conen MA/MFA (Chair) Stephen Funk MA/MFA Bret Grunig MA/MFA Nikki Hogan MA/MFA (Chair) Melanie Kehoss MA/MFA (Chair) Mike McMann MA/MFA Greg Nanny MA/MFA (Chair) Tanisha Redict MA/MFA Jenny San Martin MA/MFA Tim Speaker MA/MFA Megan Sterling MA/MFA (Chair) Joseph Velasquez MA/MFA (Chair) Josh Wilchowski MA/MFA Ben Wooten MA/MFA Academic Year 2005-06 Drew Malcolm MA Xia Gao MA/MFA (school of Human Ecology) Seung Eun Kook MA/MFA Kathy O’Connell MA/MFA David Olsen MA/MFA Megan Page MA/MFA Miel Paredes MA/MFA Seishiro Jay Tomioka MA/MFA Carey Watters MA/MFA Academic Year 2004-05 Amanda Downer MA/MFA Deb Gerling MFA Tom Hughes MA/MFA Travis Krupka MFA Cedar Marie MA/MFA Amanda Mathania MA/MFA Christine Murray MA Ryan Myers MFA Sabrina Ogle MA/MFA (Chair) Brody Rose MFA Dale Steele MA/MFA Academic Year 2003-04 Rachel Coggor MA/MFA Ryan Day MFA Alex Grande MFA Ju-Wen Hsiao MFA Joseph Kirkman MFA Janet Marcavage MFA Richard Martin MFA Paula Marty MA/MFA Rachel Mellis MFA Merideth Setser MFA Karl Sternberg MFA John Swartwout MFA Ya-Ling Tsi MFA

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Academic Year 2002-2003 Jonas Angelet MFA Kate Clapper MFA Peter Fronk MFA Travis Graves MFA Maria Huebner MFA Davey Mayer MFA Karl Nelson MFA Heather Page MFA Carol Parker MFA Adelle Roberts MFA Heather Salomon MFA Justin Strom MFA Amy Yopp MFA Peter Zylstra MFA Academic Year 2001-2002 Pamela Creamer MFA Dusty Herbig MFA Talicia Lerfald MFA Ryan Varly MFA COMMUNITY TEACHING EXPERIENCE, EDUCATIONAL WORKSHOPS PRESENTED 2010 Printmaking Monoprint/Screenprint Workshop at Anderson Ranch, Snowmass

Village, Colorado. 2010 Printmaking Monoprint/Screenprint Workshop at the Frogman’s Print and Paper

Workshop, University of South Dakota, Vermillion, South Dakota. 2007 Printmaking Monoprint/Screenprint Workshop at Oklahoma Arts Institute, Quartz

Mountain, Oklahoma. 2007 Printmaking Monoprint/Screenprint Workshop at Brookhaven College, Dallas,

Texas. 2007 Convergence Print Media: Relief, Screenprint, and Unique Prints Workshop at

Pyramid Atlantic, Silver Spring, Maryland. 2006 Digital Printmaking and Screenprint Workshop at the Frogman’s Print and Paper

Workshop, University of South Dakota, Vermillion, South Dakota. 2006 Digital Printmaking and Screenprint Workshop at Hendrix College, Conway,

Arkansas. 2005 Digital Printmaking Workshop for University of Utah, Salt Lake City. 2005 Farmworks@The Farm, Screenprint workshop sponsored by Doug Rosenberg,

Fitchburg, Wisconsin. 2005 Digital Printmaking Workshop for Western Michigan University, Kalamazoo. 2004 Relief Print workshop for the printmaking area at the University of Arizona, Tucson. 2003 Relief Print workshop for the printmaking area at West Virginia University,

Morgantown, West Virginia. 2003 Waterbased Screenprint workshop for the Art Department at Georgia College & State

University, Department of Art, Milledgeville, Georgia. 2003 Waterbased Screenprint workshop for the printmaking area at Xavier University,

Department of Art, Cincinnati, Ohio. 2003 A Big Relief at the Southwest School of Art and Craft. An artist lecture and workshop on

large relief printmaking. San Antonio, Texas. 2002 Digital Printmaking Workshop at the Frogman’s Print and Paper Workshop, University

of South Dakota, Vermillion, South Dakota.

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2000 Bringing Images to the Surface a workshop for undergraduate, graduate students, and the general public dealing with installation art. University of Tulsa, Tulsa, Oklahoma.

1999-01 University of Minnesota, Morris. Henjum Institute for Creative Study Institute. Non- toxic printmaking for middle and high school students. Morris, Minnesota.

1994-98 Lubbock Fine Arts Center, Summer Mission Art Reaching Texas (S.M.A.R.T.) program, is a community outreach program designed to encourage learning and improve self-esteem in youth participating in the project. Demonstration of printmaking, painting, and drawing techniques to grade school, middle school, and high school students. Lubbock, Texas.

1997 ArtCorps, Lubbock Fine Arts Center. Lead artist for the International Cultural Project. Supervised three high school students on a collaborative mural project or the Heritage Days on Fourth.

1997 Garden Arts Center Instructor, Lubbock, Texas, Printmaking/Painting/Drawing 1994-98 Lubbock Fine Arts Center Instructor, Community Teaching Experience, Lubbock.

Texas. Printmaking/Painting/Drawing

SERVICE UNIVERSITY OF WISCONSIN-MADISON (2001-Present) UNIVERSITY 2003-Present Member of Visual Culture Faculty. 2002-Present Affiliated Faculty, American Indian Studies Program. 2002-2008 Participant, Mentors/Friends for Chancellor’s Scholars, Office of the Provost. 2008 Participant, American Indian Curatorial Practice Symposium. 2007 Review committee for degree in Visual Culture. 2006 Research Service Grant review committee, Provost office. 2005 Panel participant, break-out session for the Wisconsin Union Directorate Art Committee

Arts Opportunities Fair. 2005 Attended, Creating Community: Plan 2008 Diversity Campus Forum, Office of Human

Resource Development. 2005 Participant, Place and Memory, Colloquium, University of Wisconsin-Madison Visual

Culture Studies. 2004 Juror, UW-Madison Multi-Cultural Student Coalition Art Gallery. 2004 Slide lecture for the UW-Madison Dance Program/IATECH Friday Forum in the

Margaret H'Doubler Performance Space, Lathrop Hall, University of Wisconsin- Madison.

2003 Participant in meeting with Division of Information Technology for innovative conversation about transforming teaching and learning.

2003 American Indian Studies Program. Artist slide lecture. (Fall) 2003 Organized the arrangements with the Art Department and the American Indian

Studies Program for visiting Artist Richard Ray Whitman. Arranged graduate students to assist the artist with printing. The prints created at the UW were exhibited at the National Museum of the American Indian, New York City. (Spring)

2003 Participant, The People Program, UW-Madison, taught screenprint course to middle and high school students. (Summer 2003)

2002 Member of Memorial Resolution Committee. Department of Art, University of Wisconsin-Madison.

2002 Participated in the Wisconsin Idea Seminar (Spring) 2002 Collaborative print “Honor” with Truman Lowe for the UW American Indian Studies

Program, graduating American Indian students. (Spring) 2002 Organized the arrangements with the Art Department and the American Indian Studies Program for visiting Artist Edgar Heap-of-Birds (Spring)

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2001 Attended, Strategies for Success in Research and Graduate Education, Office of Human Resource Development.

2001 2002 Wank Sheek American Indian Association. Artist slide lecture. Union, University of Wisconsin-Madison. (Fall 2002)

DEPARTMENT OF ART & SCHOOL OF EDUCATION LEVEL 2009-present Graduate Chair, Art University of Wisconsin-Madison. 2009-present Member of Steering Committee. 2009-present Chair of Graduate Studies Committee. 2009-present ED-GRS Program Advisory Committee. 2009-present Student Grievance Advisor. 2009-present Member of tenure review committee for Steven Hixson. 2008-present Member of Equity and Diversity Committee, University of Wisconsin-Madison. 2006-present Faculty mentor for Assistant Professor of Photography, Tom Jones. 2004-Present Faculty Advisor, Print Club/Fresh Hot Press, Graduate student printmaking organization. 2008-2009 Salary and Promotions Committee. 2009 Art Department Gallery and Performance Lab Committee. 2009 Member of Teaching Assistant Interview Committee for 108/208. (Spring) 2008 Co-hosted visiting artist Merrill Shatzman printmaking workshop with students. (Fall). 2008 Presented to Leslie Nelsons Seminar Class. (Fall) 2008 Participant, Panel on Professional Practice for Graduate Students with Gail Simpson and

Derrick Buisch. (Fall) 2007 Chair of Graphics Area. (Spring 2007 and Fall 2007) 2006-07 Chair of Graphic Design Search Committee. 2006-2008 Member of tenure review committee for Tom Jones, Photography. 2003-07 Member of Equity and Diversity Committee, University of Wisconsin -Madison. 2005-07 The Loft Relocation Planning Committee. 2007 Member of Steering Committee. 2007 Member of Graduate Studies Committee. 2004-2006 Member of the Scholarship Committee. (Spring) 2007 Hosted visiting artist Jay Ryan, lecture and critiques with graduate students. (Fall 2007) 2007 Hosted visiting artist Adriane Herman, lecture, print demonstration, and critiques with

graduate students. (Spring 2007) 2007 Hosted visiting artist Dennis McNett, lecture, print demonstration, and critiques with

graduate students. (Spring 2007) 2007 Critique of Third Year Graduate Students Exhibition with Michael J. McClure. (Spring) 2006 Hosted visiting artist Yuji Hiratsuka, lecture, print demonstration, and critiques with

graduate students. (Fall 2006) 2005 Member of Metal Search Committee University of Wisconsin-Madison. 2005 Member of Teaching Assistant Interview Committee for 108/208 Discussion Sections.

(Spring) 2003-2006 Member of Visiting Artists Committee. (Fall, Spring) 2006 University of Wisconsin-Madison Fall Colloquium, artist slide lecture with Derrick

Buisch. (Spring) 2005 Hosted visiting artist Jenny Schmid, lecture, print demonstration, and critiques with

graduate students. (Fall) 2005 Hosted visiting artist Thembinkosi Goniwe (South African Artist), lecture and critiques

with graduate students. (Spring) 2005 Hosted visiting artist Julie McGee and Vuyile Voyiya (South African Artist), lecture and

critiques with graduate students. (Spring) 2005 Hosted visiting artist Adam Davis, lecture and critiques with graduate students. (Spring) 2004 Hosted visiting artist Michael Barnes, lecture, print demonstration, and critiques with

graduate students. (Fall)

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2004 Co-Hosted visiting artist Robbie Conal, lecture, print demonstration, and critiques with graduate students. (Fall)

2004 Co-Hosted visiting artist Sue Coe, lecture, print demonstration, and critiques with graduate students. (Spring)

2004 Meeting with Prof. Aris Georgiades 3D capstone class (Spring) 2003 University of Wisconsin-Madison Fall Colloquium, artist slide lecture. (Fall) 2003 Member of Teaching Assistant Interview Committee for 2/D and 3/D Foundations.

(Spring) 2003 Collaborative paper/textile art project with Jennifer Angus, Assistant Professor at the

School of Human Ecology. Students’ in Jennifer’s Print and Dye Class and my Serigraphy students’ participated in a cross-discipline screenprinted exchange project. (Spring)

2003 Lunchtime talk at the Elvehjem Museum, concurrent with Faculty exhibition (Spring) 2003-Present Attendance, Faculty retreat (Fall, Spring) 2003 Hosted visiting artist Tim High, lecture, print demonstration, graduate student and

critiques. (Spring) 2002-2006 Member of Planning Committee for the Southern Graphics Council Conference 2006 at

the University of Wisconsin-Madison. 2002-2003 Participant, Art Department Graduate Studies Studio Days (Fall) 2002-2003 Critique of First Year Graduate Students Exhibition. (Spring) 2002-2003 Critique of Second Year Graduate Students Exhibition. (Spring) 2002 Critique of Third Year Graduate Students Exhibition. (Spring) 2001-2003 Attended all Department Committee meetings in the Fall and Spring semesters. 2002 Participant, Panel on Artists Residencies for Graduate Students. (Fall) 2002 Sponsored visiting artist from the UW Systems Grant recipient, Kitty Kingston

(Summer) 2002 Presented to Leslie Nelsons Seminar Class. (Spring) 2002 Organized a print portfolio exchange between the University of Kansas and the

University of Wisconsin – Madison of selected Graduate students. (Spring-Summer) 2002 Member of Teaching Assistant Interview Committee for 108/208 Discussion Sections.

(Spring) 2002 Invited Guest Teaching Assistant Weekly meeting with Prof. Gail Simpson, to TA

Graduate Students Seminar. (Spring) 2002 Collaborative installation/site specific art project with Jenny Angus, Assistant Professor

at the School of Human Ecology. Students’ in Jenny’s Print and Dye Class and my Serigraphy students’ participated in a cross-discipline screenprinted installation project on Bascom Hill. (Spring)

2002 Met with Graduate Independent Study Students as a group 1 hour each week for six weeks in the fall and spring semester.

2002 Collaborative screenprint with Tracy Hann, Silver Buckle Press for visiting artist Sam Coronado. Sponsored by School of Education Minority Scholars lecture series. (Fall)

2001-2002 Faculty Advisor, The North Park Printmakers, Graduate student printmaking organization.

2001 Art Department Faculty Video. 2001 Department of Art Fall Colloquium, artist slide lecture at the Elvehjem Museum. PROFESSIONAL LEVEL PROFESSIONAL MEETINGS ATTENDED 2010 Printopolis Contemporary Printmaking Symposium presented by Open studio

held in Toronto, Canada. 2010 Mid American Print Council Conference, University of Minnesota, Minneapolis. 2010 College Art Association National Conference, Chicago, Illinois.

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2009 Southern Graphics Printmaking Council Conference, Columbia College, Chicago, Illinois.

2008 Southern Graphics Printmaking Council Conference, Virginia Commonwealth University, Richmond, Virginia.

2007 IMPACT International Print Conference, Tallinn, Estonia. 2007 Southern Graphics Printmaking Council Conference, Kansas City, Missouri. 2007 College Art Association Conference, New York City. 2007 Native Invasive Conference-University of Wisconsin Arboretum in Madison. 2006 TRANS-Visual Culture Conference, University of Wisconsin-Madison. 2006 Mid American Print Council Conference, University of Ohio, Athens, Ohio. 2006 Southern Graphics Printmaking Council Conference, University of Wisconsin, Madison. 2006 College Art Association National Conference, Boston, Massachusetts. 2005 IMPACT International Print Conference, Berlin, Germany and Poznañ, Poland. 2005 Voting member of the Board, Southern Graphics Council. Attended the Southern

Graphics Council Printmaking Council Conference, Washington, DC. 2005 College Art Association National Conference, Atlanta, Georgia. 2004 Mid American Print Council Conference, University of Nebraska, Lincoln. 2004 Southern Graphics Printmaking Council Conference, New Brunswick, New Jersey. 2004 Color Print USA Printmaking Symposium, Texas Tech University, Lubbock, Texas. 2004 College Art Association National Conference, Seattle, Washington. 2003 IMPACT International Print Conference, Cape Town, South Africa. 2003 Southern Graphics Printmaking Council Conference, Boston, Massachusetts. 2003 College Art Association National Conference, New York, New York. 2002 Color Print USA Printmaking Symposium, Texas Tech University, Lubbock, Texas. 2002 Southern Graphics Printmaking Council Conference, New Orleans, Louisiana. 2002 Click-Digital Print: Issues & Ideas Conference, University of Wisconsin-Green Bay. 2001 Southern Graphics Printmaking Council Conference, Austin, Texas. 2001 College Art Association National Conference, Chicago, Illinois. 2000 Mid America Print Council Conference, Art in the Community, St Cloud State

University, St Cloud, Minnesota. 2000 American Photography Institute National Graduate Seminar, Tisch School of Art, New

York University, New York, New York. 2000 College Art Association National Conference, New York, New York. 1999 Frogman’s Paper & Printmaking Workshop, University of South Dakota, Vermillion,

South Dakota. 1999 College Art Association National Conference, Los Angeles, California. 1997 College Art Association National Conference, New York, New York. 1995 Color Print USA Printmaking Symposium, Texas Tech University, Lubbock, Texas. PUBLIC SERVICE 2010 Review for tenure and promotion, University of North Florida, Jacksonville, Florida. 2009 Review for tenure and promotion, Carnegie Mellon University, Pittsburgh, Pennsylvania. 2009 Review for tenure and promotion, University of Minnesota, Minneapolis, Minnesota 2009 Review for tenure and promotion, Ohio University, Athens, Ohio. 2008-09 Wisconsin Arts Board, Percent for the Arts Committee to select artwork for the

University of Wisconsin –Madison School of Education Building Renovation and Addition, project #06D2P.

2008 Review for tenure and promotion, University of Michigan School of Art & Design, Ann Arbor, MI

2008 Review for tenure and promotion, Miami University, Hamilton Campus, Ohio. 2008 Review for tenure and promotion, College of Arts and Sciences, Zayed University, Abu

Dhabi and Dubai, United Arab Emirates. 2008 Review for promotion, University of Mary Hardin-Baylor, Texas. 2008 Review for promotion, Department of Art, Metro State College, Boulder, Colorado.

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2007 Donated Artwork, 9th Annual Art For Women’s Sake Auction, benefit for International Breast Cancer Foundation.

2006-2008 Member at Large, Mid American Print Council organization. 2006 The Department of Justice State Crime Lab Percent for Arts committee, Wisconsin Arts

Board. 2006 Participant, Art for Change: A Peace Campaign November 12 at the at Winnebago

Studios, Madison, Wisconsin. Organized by Catherine Martin and Jane Simon. All proceeds will benefit orphanages run by RAWA, the Revolutionary Association of the Women of Afghanistan, and Women for Women International, an organization supporting women's projects in war-torn areas.

2006 Participant, Arts Exchange Portfolio Session coordinated by Beauvais Lyons for the College Art Association International Conference, Boston, Massachusetts. (Spring 2006)

2005 Participant, Saltgrass Printmakers Second Annual Print Exchange Fundraiser "Secondo Piatto" Organized by Stefanie Dykes, Saltgrass Printmakers, Salt Lake City, Utah.

2005 Participant, Turn the Tide Silent Art Auction on September 23, 2005 at the Winnebago Studios, Madison, Wisconsin. Organized by Amy Newell. All proceeds from the auction will go to the American Red Cross Hurricane 2005 Relief Fund.

2005 Participant, Open Portfolio session at the Zamek Cultural Center, Poznañ, Poland. Coordinated by Beauvais Lyons and Krzysztof Molenda.

2005 Participant, Arts Exchange Portfolio Session coordinated by Beauvais Lyons at Hilton Hotel, Galleria Hall, College Art Association International Conference, Atlanta, Georgia.

2005-06 Member at Large, Southern Graphics Council organization. 2004 Donated Artwork, 6th Annual Art For Women’s Sake Auction, benefit for International

Breast Cancer Foundation. 2002 Participant, Many Wisdoms in Higher Education: Communicating Our Changing

Cultures, Communities, and Challenges. American Indian Symposium, American Indian Studies Program.

2003 Donated Artwork to benefit the Southwest School of Art and Craft, San Antonio, Texas. 2001 Donated Artwork for Annual Auction, North Dakota Museum, Grand Forks. 2001-2006 International Photography Institute, National Graduate Seminar.

Group Representative for the 1997 IPI Fellows. (Fall 2001) 2000 Donated Artwork for Annual Auction, North Dakota Museum, Grand Forks. 2000 Design consultant to World Touch Cultural Heritage Week, Minority Student Programs,

University of Minnesota, Morris. 2000 Welcoming at the Circle of Nations Peace Run, University of Minnesota, Morris. 2000 American Photography Institute, National Graduate Seminar. Participant in “A new

Curriculum for the Millennium” Tish School of Art, New York University, New York. 2000 attended workshop, Instructional Technology Institute 2000, University of Minnesota,

Morris. 1999-00 Breaking the Barriers Workshop, Minority Student Programs, University of Minnesota,

Morris. 1999 Design consultant to World Touch Cultural Heritage Week, Minority Student Programs,

University of Minnesota, Morris. 1999 Faculty Adviser and design consultant to Ambassadors for Cultural Exchange, University

of Minnesota, Morris. 1999 Co-coordinator of Diversity Jam art exhibition, University of Minnesota, Morris. 1998 Program Assistant, Tisch School of Art, New York University, New York, American

Photography Institute, National Graduate Seminar. 1997-98 One Star Artists Studio, Part owner of a collaborative printmaking studio and Gallery.

Lubbock, Texas.

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UNIVERSITY OF MINNESOTA, MORRIS (1998-2001) DIVISION OF HUMANITIES/STUDIO ART DISCIPLINE SERVICE 2001 Chair of Division of Humanities Studio Art search committee for printmaking position.

University of Minnesota, Morris. 2001 Humanities Fine Art III Project planning committee, University of Minnesota, Morris. 2000-01 Humanities Division Advisory Committee, University of Minnesota, Morris. 2000-2001 Division Coordinator of Studio Arts. 2000-2001 Associate Member of the Graduate Faculty in the Field of Liberal Studies. 2000-2001 Faculty facilitator for Sr. Art Exhibition. 2000 Technical Assistant Committee, Public Art Project: Science and Math Addition,

University of Minnesota, Morris. 1999-2000 Member of Division of Humanities Studio Art search committee for drawing/digital

imaging position. University of Minnesota, Morris. 1999-2000 Vision Committee for Multicultural Student Leadership Retreat, University of Minnesota,

Morris and design consultant. 1999-2000 American Indian Salt Springs Awards Committee, University of Minnesota, Morris.

1999-2001 Faculty Co-facilitator for All Student Art Exhibition. 1999-2001 Faculty Adviser to University of Minnesota, Morris Art Club 1999 Interdisciplinary Production. Encouraged Art Club members to participate in scene and

backdrop illustrations for the Theater Disciplines production of Cabaret. 1999 Interdisciplinary Production. Directed printmaking students in the production of 200

propaganda prints and 10 digital posters for the German Disciplines performance of “Fear and Misery of the Third Reich” by Bertolt Brecht. Prints were placed in programs and posters used for props.

1998-2001 Attended all Jr. and Sr. Studio Art reviews. ADVISING AT UNIVERSITY OF MINNESOTA, MORRIS 2001 15 studio art advisees 2000 19 studio art advisees 1999 8 studio art advisees 1999-2001 Faculty Advisor to UMM Art Club 1998- 1999 Faculty Co-Adviser to University of Minnesota, Morris Art Club. 1999-2001 Faculty Advisor to Morris All Student Art Exhibition 1999-2001 Faculty Advisor for UMM Annual Senior Art Exhibition