John Edwards

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EDUCATIONUniversity of CincinnatiMaster of Architecture, 2016

University of Illinois at Urbana-ChampaignBachelor of Science in Architectural Studies, 2013• Dean’s List (Spring 2010)• Design Studio project selected for 2014 NAAB accreditation visit (Fall 2012, Spring 2013)

WORK EXPERIENCEAssociation for Preservation Technology InternationalIntern, Springfield, IL• Scanned an average of 10 historic architectural catalogs daily• Uploaded catalogs onto the Building Technology Heritage Library and organized them into CSI MasterFormat Divisions

CR Architecture + DesignArchitectural Intern, Cincinnati, OH• Prepared design development drawing sets for Dolce RBM Hotel Cincinnati• Assisted hospitality team in drawing details to meet building codes

BHDP ArchitectureArchitectural Intern, Cincinnati, OH• Prepared design development drawing sets for international and domestic Claire’s and Icing retail stores• Assisted in 3D modeling and renderings of Claire’s 2015 prototype plan and storefront design

Environmetrics, Inc.Architectural Intern, Cincinnati, OH• Prepared as-built drawings for residential remodeling projects and building permits• Conducted on-site observations and performed demolition work to begin construction

August 2013 - April 2016

August 2009 - May 2013

May 2013 - January 2016

M a y - A u g u s t 2 0 15

August - December 2014

J a n u a r y - M a y 2 014

John Edwa rdsemail: johnedwards1991@gmail.comphone: (217) 652-2823

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SHIFTING MODULES

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ILLINOIS STATE ARMORY ADAPTIVE REUSE

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PAINTINGS AND DRAWINGS

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MUSEUM OF ANCIENT LIFE

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RESEARCH ON THE INCLINE

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COLUMBUS DESIGN CENTER

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ACADEMIC WORK PROFESSIONAL WORK

ARTWORK

Cover Illustration:Observed Detail of Taft House Window, Urbana, ILGraphite on Illustration Board 14x20 inches

MOUNTAIN WITHIN

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URBAN FRAGMENTS: A CULTURAL CENTER FOR CHICAGO

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BREAKFAST AT LOCK 37

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BHDP ARCHITECTURE

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ENVIRONMETRICS

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FULLERTON RESIDENCE

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ACADEMIC WORK

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BREAKFAST AT LOCK 37:DESIGNING FOR THE WORLD HERITAGE TRAVELER IN THE SCIOTO VALLEY

Site: Canal Warehouse, Chillicothe, OHDuration: August 2015 - April 2016Master of Architecture Thesis Project

Hopewell Interaction SphereDelphi of North America

Southern Ohio counties are not adequately prepared for understanding the nature of the tourism audience that will be coming after the UNESCO World Heritage Inscription of the regions Hopewell Ceremonial Earthworks, expected in 2018. Heritage travelers seek places, artifacts, and activities that authentically represent the stories and people of the past. The Canal Warehouse in downtown Chillicothe is a survivor of the Ohio and Erie Canal era (1831-1907) and offers a historic accommodation for the traveler’s stay.

2Second Floor Inn Corridor

L AY E R I N G S Y S T E M - I N S E R T I O N S C O M P O S I T I O N A L F R AG M E N T S

The design for the adaptive reuse of the Canal Warehouse is developed around three primary themes - layering, system-insertions, and compositional fragments. It works with all the LAYERS of significance from Hopewell Cosmic Monumentality, Historic Urban Building Fabric from the Canal Era, and Contemporary Heritage Tourism. The new architectural SYSTEMS are present as FRAGMENTS and LAYERED within the existing fabric to draw upon the concept of critical continuation found in the built environment in the Scioto Valley.

Second Floor Columns

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OHIO AND ERIE CANAL

PAINT STREET

WALNUT STREET

MULBERRY STREET

HICKO

RY STREET

BRIDGE STREET

MAIN STREET

SECOND STREET

FOURTH STREET

FIFTH STREET

WATER STREET

LOCK #37

LOCK #38

PORT OF CHILLICOTHE

OHIO AND ERIE CANAL ERA (1831-1907)

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SECOND STREET

MAIN STREET

WATER STREET

PAIN

T STREET

WA

LNUT STREET

MULBERRY STREET

BRIDG

E STREET

HICKO

RY STREET

HISTORIC DOWNTOWN AMENITIES

THE HISTORY STORE101 N. PAINT STREET

IVY’S HOME & GARDENJOSEPHINE AT IVY’S105 N. PAINT STREET

DARD HUNTER STUDIOS125 W. WATER STREET

CARLISLE BUILDING45 E. MAIN STREET

OLD TOWN FABRIC SHOP56 W. WATER STREET

SCHLEGEL’S COFFEE HOUSE80 N. PAINT STREET

FIRE AND STONE PIZZERIA95 N. PAINT STREET

BERNIE & MAX STAINED GLASS STUDIO65 N. PAINT STREET

BOOK WORLD16 W. WATER STREET

LLOYD’S SWEET SHOPPE22 W. WATER STREET

CHILLICOTHE ANTIQUE EMPORIUM51 E. MAIN STREET

MAJESTIC THEATRE 45 E. SECOND STREET

ABOUT COOKING93 N. PAINT STREET

OLD CANAL SMOKE HOUSE94 E. WATER STREET

DOCK AT WATER80 E. WATER STREET

CROSSKEYS TAVERN19 E. MAIN STREET

SUSIE’S GIFTS FOR ALL SEASONS59 E. MAIN STREET

BOB’S BOOTERY AND THE MEN’S SHOP100 N. AND 104 N. PAINT STREET

RIVERS BEND SPORTS CO.94 W. WATER STREET

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5

101112

13

18 19

14

159

8

17

16

67

2 3 4 5 6 7

8

9

10

11121314151617

18

19

1

SHOPPINGENTERTAINMENT FOOD

HISTORIC DOWNTOWN AMENITIES

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CHARACTER DEFINING FEATURES OF THE CANAL WAREHOUSE

Museum of Canal Architecture Gift Shop Entrance

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7

8

Attic Study Model

Display Cases and Benches in Attic Gallery

9 Signage, street trees, and outdoor seating added

10Steel awning installed over inn entrance and dormer doors glazed

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12

Master Suite Guestroom with Balcony

Hopewell Gallery in Attic

Inn Lobby Staircase

URBAN FRAGMENTS: BRINGING THE CULTURES OF CHICAGO TOGETHER THROUGH FOOD, MUSIC, AND DANCE

Site: Tribune Tower, Chicago, ILDuration: 16 weeksSpring 2015 Graduate ProjectEven though Chicago has diverse cultural communities, it is difficult to enjoy all it has to offer because they are fragmented across the city. The main concept behind the Cultural Center for Chicago is to bring all of these communities together to celebrate their rich culture through food, music, and dance. Using the metaphor of a crushed rock, the building’s form was driven to shape a public courtyard space where cultural food can be enjoyed while listening to music or watching small performances. In the larger auditorium spaces, with seating capacities of 480 and 730, Chicago organizations that celebrate cultural music and dance can host performances. The architectural language of fragmented geometry exists throughout the design in the paving, roof structure, and glazing system.

First Floor Plan

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BOX OFFICE

CULTURAL RETAIL

CULTURAL RETAIL

CULTURAL RETAIL

CULTURAL RETAIL

FOYER

LOBBY

SUSHI SAIFOYER

FOOD COURT

AUDITORIUM

ORCHESTRA PIT

STAGEWING

WING

FOOD COURT

NUEVO LEON

U.B. DOGS

PIZZERIAUNO

PIEROGIHEAVEN

CHICAGO Q

SOULVEGETARIANEAST

LAO SZE CHUAN

PAPA’SCACHE SABRASO

PADDYLONG’S

BODHITHAI

UPTOWN PHO

CROSSRHODES

CHICAGOBRAUHAUS

AU CHEVALCASBAHCAFE

JERK MODERNJAMAICAN GRILL

SABRINIHARI

DEL SEOUL

STAGE

AUDITORIUM

BACKSTAGEWING

BACKSTAGEWING

CLOAK ROOM

RESTROOMS

M.R.R.

W.R.R.

CULTURAL RETAIL

CULTURAL RETAIL

CULTURAL RETAIL

CULTURAL RETAIL

0’ 10’ 20’ 40’

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0’ 10’ 20’ 40’Roof PlanShadow Analysis Diagram

Fragmented Composition Diagrams

Cultural Food Court

Site Massing Strategy

Fragmented Communities

Pedestrian Paths

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17 0’ 10’ 20’ 40’

West Elevation

ACCESS CONTEMPORARY MUSIC

NEW MUSIC CHICAGO

INTERNATIONAL CONTEMPORARY ENSEMBLE

DANCEWORKS CHICAGO

AUDIENCE ARCHITECTS

AMERICAN RHYTHM CENTER

CTRL.ROOM

DANCESTUDIO UPPER

LOBBYUPPER LOBBY

OFFICES

LOWERLOBBY

SPIRAL LIFT SYSTEM

FOYER AUDITORIUM STAGE

FLYTOWER

TRAP

CULTURAL FOOD COURT

COURTYARD

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View from theater balcony

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MOUNTAIN WITHINSite: Over the Rhine, Cincinnati, OHDuration: 12 weeksPartner: Sarah KusumaSummer 2014 Graduate Project

5 minute walk

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Proposed Streetcar StationsProposed Streetcar RouteExisting Parking LotNon-Contributing (Modern) BuildingsContributing (Historic Buildings)Historic and/or Focal Buildings1730 Race Street

Over-the-Rhine Brewery District

Physical Model

Situated across from Findlay Market, above Our Daily Bread, visitors to the Boutique Hostel encounter a thick wall with openings that reveal the spaces inside. The texture and verticality of the pre-cast concrete envelope stands autonomously from the glazed curtain wall behind. The interstitial space formed by the double skin facade creates a sense of quiet tension upon entering. The entrance itself is recessed behind the concrete structure and offers direct access to the vertical circulation. The massing of the guest room floors change scale and proportion, while also varying the intensity of light. The visitor’s experience is invigorated further by natural light that enters the public spaces through a sky lit atrium. The stacked guest room design also creates a symbolic connection between the hostel and the hills of Cincinnati. Overall, the hostel experience plays on a pensive theme.

20October, 1950

1947-D, No.1

...the vertical necessity of life A mountain inside a building.Double Layer Facade: a Tadao Ando surrounding an inside out skyscraper.

Clyfford Still’s paintings inspired the design for the Boutique Hostel. Looking to his original inspiration, the mountainous regions he grew up in; and combining this with the quiet tension, the pensive, raw/refined, and morphological nature of his paintings, the Boutique Hostel began to take shape. Early inspiration was derived from pixelated hills and textured models such as BIG’s “The Mountain”, OMA’s “Helix Tower”, and Tadao Ando’s “Water Temple.”

I never wanted color to be color.I never wanted texture to be texture, or images to become shapes.I wanted them all to fuse into a living spirit.-Clyfford Still

Section Looking South Section Looking East

West Elevation North Elevation

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22North Wall Section DetailLooking East

Axonometric Wall Section Detail

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1. VERTICAL CIRCULATION

3. INSULATING GLASS

3. SANDBLASTED CHANNEL GLASS

4. STRUCTURAL STEEL FRAME

5. PRECAST CONCRETE FACADE

2. GUEST ROOMS

Building Envelope Exploded Axonometric Diagram

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C O L U M B U S D E S I G N C E N T E RSite: Columbus, INDuration: 14 weeksFall 2013 Graduate Project

Porous masses with a varying scale of openings within the Columbus Design Center are placed within each other to filter sunlight, define circulation, and serve as sculptures themselves. Glazing on the east facade maximizes daylight to enhance the overall effect of the Chihuly glass collection. A diagonally braced steel structural system supports this glazing. The overall building design is a box within a box within a box. The roofs of the boxes all serve as connecting points between the east part of the building and the parking garage.

Sunlight Diagram

Box within Box within Box Diagram

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Transverse Section

Longitudinal Section

Bay Model

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Lower Level Plan First Floor Plan Second Floor Plan Third Floor Plan Fourth Floor Plan

First Iteration Second Iteration Third Iteration Fourth Iteration Fifth Iteration

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ILLINOIS STATE ARMORY: ADAPTIVE REUSESite: Springfield, ILDuration: 14 weeksSpring 2013 Senior Year Project

The Illinois State Armory, built in 1936, suffers from the lack of a permanent user for the past thirty years. Previous renovations have left it a maze with scattered departments and offices without access to natural light. Numerous deferredmaintenance issues needed to be addressed, which included antiquated MEP,accessibility Issues, and life safety Issues.

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Parti: Additive and Subtractive

Circulation to Use

Structure

Massing Circulation Axonometric

CENTRAL MANAGEMENT SERVICES

STATE APPELATE DEFENDER

BUREAU OF PERSONNEL

LEGISLATIVE RESEARCH

POLLUTION CONTROL BOARD

EDUCATION BOARD

EXECUTIVE INSPECTOR GENERAL

OFFICE OF BUDGET AND MANAGEMENT

COMMUNICATION

COMPUTER SEVICESEDUCATION BOARD

LEGISLATIVE REFERENCE

STRATEGIC SOURCING

RESTAURANT

BUREAU OF BENEFITS

CENTRAL MANAGEMENT SERVICES

Repetitive to Unique

Symmetry

Natural Light

Plan to Section

1:6 1:41:4

Geometry

Historical Axis

Proposed Major Axis

Proposed Minor Axis

Direct Light

Indirect Light

Elevator

Staircase

Major Circulation

Secondary Circulation

Grid

Square

1:4 Rectangle

1:6 Rectangle

Legend

Interior Space

New Structure

Existing Structure

Concept Diagrams

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THIRD FLOOR PLAN

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FOURTH FLOOR PLAN

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Aerial View

Existing Trusses South Elevation

Atrium

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LONGITUDINAL SECTION

CROSS SECTION

Removing the existing auditorium seating allows for more design freedom in the central void without eliminating the historic features including the brick masonry entrance walls and the proscenium wall.

Using a light structural steel frame to stack the offices, creates a smaller building environment within the Armory. One of the main goals behind the design is to bring natural light through the atrium and to the office spaces, which previously had inadequate amounts of it. Daylighting is also known to improve productivity in the workplace. The fourth floor is the top floor of the new structure and houses a restaurant. The exposed steel trusses create a unique space and shadows cast through the skylights enrich the dining experience.

The office layout allows a sense of being in one’s own professional state department while still encouraging collaboration among the employees.

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MUSEUM OF ANCIENT LIFESite: Champaign, ILDuration: 14 weeksFall 2012 Senior Capstone Project

Concept Diagram: Axes

Site PlanExterior Perspective

In order to establish the Tyrannosaurus Rex as the primary experience in the Museum of Ancient Life, it is placed at the intersection of two main axes in the open exhibition space. The north-south axis aligns the main entrance with the T-Rex and the east-west axis unites the T-Rex with the two major vertical circulation elements; the main staircase and the elevator. The classicizing ornaments on the facades connect the museum to the adjacent downtown buildings such as the Orpheum Theater, City Building, and Jefferson Building while also relating to the traditional language of natural history museums.

Site Model

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Coordinator Office110

Staff Office111

Staff Restrooms112

Closet100

Reception

Gift Shop101

Receiving/Storage102

Work Room103

Mechanical104

Equipment105

Janitorial106

Men’s Restroom

107

Women’s Restroom

108

Elevator Equipment

109

10’ 20’5’

Accounting200

Secretary’s Area

AssistantDirector

201

Kitchenette203 Orientation Room

204 Orientation Storage205

Women’s Restroom

206

Men’s Restroom

207

Library208

MechanicalShaft

10’ 20’5’

Interior Perspective: First Floor

Interior Perspective: Second Floor

First Floor Plan

Second Floor Plan

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1’ 2’ 4’ 8’ 16’

North Elevation

Section A-A

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1’ 2’ 4’ 8’

Pediment Detail

Exposed Structure

West Elevation

Section B-B

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concrete slab on grade

limestone masonry panels

2” air space

3” rigid insulation

CMU backup wall

Ground Floor

flashing

flashing

double glazed low-e window

Bottom of Window

Top of Window

2nd Floor

Bottom of Window

Top of Window

Roof Level

Elevation: 1’0”

Elevation: 4’0”

Elevation: 10’ 0”

Elevation: 15’-0”

Elevation: 18’-0”

Elevation: 24’-0”

Elevation: 29’-0”

steel beam

vapor barrier

1/2” drywall

steel studs at 12” o.c.

metal decking

concrete floor slab

double glazed low-e window

steel beam

copper gutter

metal roofing panels

4” rigid insulation

metal decking

vapor barrier

1/2” drywall

limestone window pediment

concrete sidewalk

steel truss member

CMU bond beam

CMU bond beam

limestone window pediment

travertine tile floor

1’ 2’ 4’0’

travertine tile floor

main return duct

main supply duct

supply diffuser

return diffuser

fresh air supply

exhaust air

Egress Stairs

Elevator CorePitched Howe Steel Truss Spans 65 ft

Egress Stairs

W 10x19 Steel Column

W 10x69 Steel Girder

W 10x22 Steel Beem

Concrete Slab with Foundation Wall and Footing

Structural Axonometric Diagram

Second Floor

First Floor

HVAC Distribution DiagramsSystem Type: Single-Duct VAV

Wall Section Detail

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Sectional Model

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S H I F T I N G M O D U L E SSite: Dr. Martin Luther King Jr. Drive, Chicago, ILDuration: 4 weeksSpring 2012 Junior Year Project

-brushing-washing

1

-sitting-relaxing

-cooking-eating

-reading-writing-studying

-sleeping-reading-relaxing

Walking up the staircase into her newly acquired space, the interior design student finds a new project on her hands. The interior architectural modules in the house provide a solution for determining the function for the spaces within. She finds the spatial arrangement to be disorganized and only the existing features allow for any transformation into her own style.

2 3

4 5

Spatial Catalogue

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Third Floor Plan

Second Floor Plan

First Floor Plan

Transverse Section

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5

2

3

3

21

West Elevation

RESEARCH ON THE INCLINESite: Kickapoo State Park, ILDuration: 4 WeeksFall 2011 Junior Year Project

Situated on a steep slope in Kickapoo State Park, the research facility serves as a retreat for visiting researchers. The ground slope is identical to the staircase slope, offering a smooth transition from the upper floor to the lower floor. As visitors enter the facility, the enclosed hallway opens up to the work room which is illuminated by skylights to maximize productivity. The outer shell is composed of wooden louvers, forming a canopy for the inner box and connecting the building to the landscape.

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44Site PlanConcept Diagrams

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Concept ModelsPrecedent Study

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Interior Perspective

Section B-B Section A-A

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Upper Floor Plan

Bedroom

Working/Meeting

Lower Floor Plan

Kitchen

Bathroom

Bedroom

Laundry

Recreation/Relaxation

South Elevation West Elevation 1’ 2’ 4’ 8’1’ 2’ 4’ 8’

Upper Floor PlanLower Floor Plan

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PROFESSIONAL WORK

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BHDP ARCHITECTURERetail TeamFall 2014 Co-Op

Storefront RenderingValley River Center MallEugene, OR Courtesy BHDP Architecture

While at BHDP Architecture, I was part of the retail design team. My primary responsibilities included creating design development sets for Claire’s and Icing retail stores both in North America and internationally. I also assisted in the 15L prototype storefront design and fixture plan layout. Courtesy BHDP Architecture

Icing 14S Storefront Design

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WC-1WD-16WC-1

3'-10 1/4"

CLAIRE'S NEW FIXTURES

AVERAGE OR HIGH

SUNGLASS

TOWER

EAR RING TREE(ERT)

3 WAY

RBJ

STOCK AREA

SALES AREA

NOTE:T.G.C. TO CREATESMOOTH, FLUSHTRANSITION BETWEENSALES FLOOR ANDSTOCKROOM TILE

MATERIAL FINISHES & COLOR SCHEDULE

CODE MANUFACTURER DESCRIPTION FINISH REMARKS

B-1 VENDOR 4" WOOD BASE TO MATCH PT-3 SALES AREA BASE

B-2 IMOLA MAGMA G4" X 12"PORCELAINTILE

TO MATCH FC-1SALES AREA BASE; MATCH ALLGROUT LINES W/ SALES AREATILE

B-3 ARMSTRONG 4" VINYL BASE #73 - PARCHMENT ALL NON-SALES AREA, U.N.O.

FC-1 IMOLA MAGMA G GRAY

FC-2 ARMSTRONG 12"x12" V.C.T.STANDARD EXCELONIMPERIAL TEXTURE#51911 CLASSIC WHITE

ALL NON-SALES AREA, U.N.O.

FC-3 MALL TILE PER MALL CRITERIACOORDINATE WITH MALLOPERATIONS MANAGER

MT-1 VENDORSTOREFRONTMETAL

TIGER DRYLAC #RAL-9016WHITE

PL-1 VENDORF.R.P. WALLPANELS

P100 WHITEFOR USE IN RESTROOM,DRINKING FOUNTAIN & MOPSINK AREAS

PT-1 BENJAMIN MOORE PAINT PM1- SUPER WHITEEGGSHELL FINISH, GYP. BD.CEILINGS, SOFFITS,STOCKROOM/TOILET ROOM

PT-2 BENJAMIN MOORE PAINT2071-40 CROCUS PETALPURPLE

PT-3BENJAMIN MOORENO EXCEPTIONS

PAINT SILVER MATTE

BASE PAINT: BMCN3192B004QT N3192B REGAL EG INTFORMULA: OY 0 X 3.0000, BK 0X 18.0000

PT-4BENJAMIN MOORENO EXCEPTIONS

PAINT CUSTOM PURPLE

PT-5 BENJAMIN MOORESPRAYAPPLIED PAIN

BM OC 58- SATIN FINISH

SW-1 SLATWALL WIND MILL - WHITE

WC-1VINYLCOVERING

PATTERN- HIGH GLOSSPMS 7671 CMYKTINT 100%

WD-1 MDF PANELSPANTONE 7671, SATINFINISH

NOTE:PAINT FINISH AT DOORS TO BE SEMI-GLOSS. PAINT FINISHES AT WALLS TO BE EGGSHELL. PAINTFINISH AT ALL GYP BD SOFFITS, CEILINGS, LIGHT COVE & STOREFRONT TO BE FLAT.

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3 WAY

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STOCK AREA

SALES AREA

NOTE:T.G.C. TO CREATESMOOTH, FLUSHTRANSITION BETWEENSALES FLOOR ANDSTOCKROOM TILE

MATERIAL FINISHES & COLOR SCHEDULE

CODE MANUFACTURER DESCRIPTION FINISH REMARKS

B-1 VENDOR 4" WOOD BASE TO MATCH PT-3 SALES AREA BASE

B-2 IMOLA MAGMA G4" X 12"PORCELAINTILE

TO MATCH FC-1SALES AREA BASE; MATCH ALLGROUT LINES W/ SALES AREATILE

B-3 ARMSTRONG 4" VINYL BASE #73 - PARCHMENT ALL NON-SALES AREA, U.N.O.

FC-1 IMOLA MAGMA G GRAY

FC-2 ARMSTRONG 12"x12" V.C.T.STANDARD EXCELONIMPERIAL TEXTURE#51911 CLASSIC WHITE

ALL NON-SALES AREA, U.N.O.

FC-3 MALL TILE PER MALL CRITERIACOORDINATE WITH MALLOPERATIONS MANAGER

MT-1 VENDORSTOREFRONTMETAL

TIGER DRYLAC #RAL-9016WHITE

PL-1 VENDORF.R.P. WALLPANELS

P100 WHITEFOR USE IN RESTROOM,DRINKING FOUNTAIN & MOPSINK AREAS

PT-1 BENJAMIN MOORE PAINT PM1- SUPER WHITEEGGSHELL FINISH, GYP. BD.CEILINGS, SOFFITS,STOCKROOM/TOILET ROOM

PT-2 BENJAMIN MOORE PAINT2071-40 CROCUS PETALPURPLE

PT-3BENJAMIN MOORENO EXCEPTIONS

PAINT SILVER MATTE

BASE PAINT: BMCN3192B004QT N3192B REGAL EG INTFORMULA: OY 0 X 3.0000, BK 0X 18.0000

PT-4BENJAMIN MOORENO EXCEPTIONS

PAINT CUSTOM PURPLE

PT-5 BENJAMIN MOORESPRAYAPPLIED PAIN

BM OC 58- SATIN FINISH

SW-1 SLATWALL WIND MILL - WHITE

WC-1VINYLCOVERING

PATTERN- HIGH GLOSSPMS 7671 CMYKTINT 100%

WD-1 MDF PANELSPANTONE 7671, SATINFINISH

NOTE:PAINT FINISH AT DOORS TO BE SEMI-GLOSS. PAINT FINISHES AT WALLS TO BE EGGSHELL. PAINTFINISH AT ALL GYP BD SOFFITS, CEILINGS, LIGHT COVE & STOREFRONT TO BE FLAT.

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MALL FLOORINGTENANT FLOORING

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ENVIRONMETRICS, INC.Spring 2014 Co-Op

At Environmetrics, I was able to work on ten residential projects ranging from remodels to additions. In the office, I was responsible for as-built drawings and proposals to obtain permits. I also performed demolition work on several residences alongside the sub-contractors before construction work began.

Dust-Miltner ResidenceMt. Adams, Cincinnati, OH

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PHI DELTA THETA HOUSEUniversity of CincinnatiOctober 2015

This project was for a design brochure I completed for the Phi Delta Theta fraternity house at UC. Thomas Arnold, the president of Environmetrics, asked for an exterior rendering of his new design for the house which I did post processing on in Photoshop.

3D SketchUp model courtesy:Chip Brown, ArchitectEnvironmetrics, Inc.

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FULLERTON RESIDENCESite: Mayne Island, British ColumbiaArchitect: Bob Irving, AIBC, LEED, PrincipalIrving Pitcher Architects

For this project, I was responsible for building the scale model of the schematic design of a private residence located on Mayne Island, BC. The model was completed June 2013 and the built house was finished December 2015.

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ARTWORK

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Porch in New OrleansWatercolor 11x15 inches

PA I N T I N G S A N D D R AW I N G S

The Ripening of a Banana Acrylic on Canvas 24x48 inches

Kitchen PerspectiveGraphite on Bond Paper 14x20 inches

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SailboatWhite Charcoal on Black Paper 18x24 inches

CollageGraphite 8x10 inches

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In a Galaxy BeyondSpray Paint on Poster Board 11x14 inches

Interplanetary MoonsSpray Paint on Poster Board 11x14 inches

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Amidst Interstellar CloudsDigital Painting1550x870 pixels