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swire-1213-hpad-newlogo=v10a-op.pdf 1 1/11/12 12:21 PM

3

THE MACALLAN BRAVO SERIES 孟德爾遜小提琴協奏曲

MENDELSSOHN VIOLIN CONCERTO

P. 8

P. 10

P. 12

P. 15

P. 17

請勿飲食 No eating or drinking

請勿拍照、錄音或錄影 No photography, recording or filming

請關掉手提電話及其他電子裝置 Please turn off your mobile phone and other electronic devices

演奏期間請保持安靜 Please keep noise to a minimum during the performance

請留待整首樂曲完結後才報以掌聲鼓勵 Please reserve your applause until the end of the entire work

如不欲保留場刊，請於完場後放回場地入口以便回收 If you don’t wish to take this printed programme home, please return it to the admission point for recycling

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swire-1213-hpad-newlogo=v10a-op.pdf 1 1/11/12 12:21 PM

贊助

Sponsored by

STRAUSS~15’

MENDELSSOHN~26’

SCHUMANN~28’

史特勞斯：《狄爾的惡作劇》，op. 28

Till Eulenspiegel’s Merry Pranks, op. 28

孟德爾遜：E小調小提琴協奏曲，op. 64熱情的極快板

行板

不太快的小快板─活潑的極快板

Violin Concerto in E minor, op. 64Allegro molto appassionatoAndanteAllegretto non troppo – Allegro molto vivace

中場休息 interval

舒曼：D小調第四交響曲，op. 120甚慢板─活潑地

浪漫曲：甚慢板

諧謔曲：活潑地

慢板─活潑地

Symphony no. 4 in D minor, op. 120Ziemlich langsam – LebhaftRomanze: Ziemlich langsamScherzo: LebhaftLangsam – Lebhaft

德爾弗斯，指揮Andreas Delfs, conductor

五明佳廉，小提琴Karen Gomyo, violin

”The orchestra (HK Phil) responded to van Zweden’s grip on the soul of the piece with an impressively disciplined performance.” Sam Olluver, South China Morning Post

faan6

志登

﹝梵志：清淨之志，登：達到﹞

感謝伙伴SALUTE TO OUR PARTNERS

如欲查詢有關贊助或捐款事宜，歡迎致電 2721 2030 或電郵至development@hkphil.org與我們聯絡。

For sponsorship and donation enquiries, please call 2721 2030 or email development@hkphil.org.

香港管弦樂團衷心感謝以下機構的慷慨贊助和支持：

The Hong Kong Philharmonic would like to express heartfelt thanks to the Partners below for their generous sponsorship and support:

主要贊助 Major Funding Body

首席贊助 Principal Patron

賽馬會音樂密碼教育計劃獨家贊助

The Jockey Club Keys to Music Education Programme is exclusively sponsored by

節目贊助 Programme Sponsors

以公司英文名稱序 In alphabetical order of company name

8

史特勞斯 《狄爾的惡作劇》，op. 28RICHARD STRAUSS (1864-1949) Till Eulenspiegel’s Merry Pranks, op. 28

Richard Strauss had originally intended to compose a one-act opera based around Till Eulenspiegel but somewhere along the line decided instead to write a tone poem depicting various episodes from the tales. He wrote it during 1894 and 1895 and it was premièred in Cologne on 5th November 1895. Reflecting the general playfulness and humour of the work, Strauss played something of a prank on audiences by giving it a decidedly extravagant title – Till Eulenspiegels lustige Streiche, nach alter Schelmenweise, in Rondeauform für grosses Orchester gesetzt (Till Eulenspiegel’s merry pranks, after the roguish manner, in Rondeau form for large orchestra).

After a short introduction from the violins we hear the two themes which represent Till and which crop up in various guises throughout the work. The first is a mischievous horn call – Till showing his contempt for authority – the second a jaunty whistling theme from the clarinet – representing his carefree attitude to life.

In the first adventure Till rides on horseback (a wonderfully trotting string theme) straight through the crowds of women assembled in the market place (the woodwind mimicking their gossiping), creating confusion (here the rattle makes a memorable appearance) and escaping, as the original tale put it, “off and away in seven-league boots”.

The exploits of the real life German peasant, Till Eulenspiegel, were first immortalised in print in 1515 and have been part of German folklore ever since.

10

Mendelssohn started to play the violin at the age of ten, by which time he had already shown prodigious skill as a pianist. He was, undoubtedly, one of the great prodigies in musical history, however, and it wasn’t long before his natural abilities on the violin began to attract the attention and admiration of Berlin’s cultural elite. His true musical genius, however, was as a composer and his first compositions appeared in 1820, just a year after he had started to learn the violin. Naturally enough the piano and violin featured prominently in these early works and within two years he had composed his first concertos – one each for violin and piano – while 1823 saw the composition of two double concertos, one for violin and piano and one for two pianos. Altogether he wrote a total of eight concertos – three for piano, two for two pianos, two for violin and one for violin and piano – but it is generally accepted that the Violin Concerto in E minor composed in 1844 is the finest of them all.

1844 was a very busy year for Mendelssohn. For several months he had been building up the new academy of music in Leipzig while at the same time working as conductor of the city’s Gewandhaus Orchestra. He was, however, living in Berlin where he was cathedral organist and choirmaster and co-conductor of the Berlin Symphony Concerts. If such frequent commuting between two cities almost 150km apart was not enough, between May and July, when there was something of a respite from musical activity in Germany, Mendelssohn paid his eighth visit to England where he conducted six concerts of his own music with the Royal Philharmonic Society. Exhausted by all this musical activity, as well as from so much travelling, Mendelssohn took time off once back in Germany to recuperate in the countryside near Frankfurt. It was here in September that he wrote his Violin Concerto in E minor which was to be his last orchestral work.

孟德爾遜 E小調小提琴協奏曲，op. 64FELIx MENDELSSOHN (1809-1847) Violin Concerto in E minor, op. 64

Allegro molto appassionatoAndanteAllegretto non troppo – Allegro molto vivace

熱情的極快板行板不太快的小快板─ 活潑的極快板

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舒曼 D小調第四交響曲，op. 120RobeRt Schumann (1810-1856) Symphony no. 4 in D minor, op. 120

there is something approaching chaos surrounding the numbering of Schumann’s symphonies. the first two he wrote (in 1833 and 1841) were not given numbers at all so his “First” Symphony was actually the third he wrote. he wrote another in 1841, but that was not published until 1853, by which time two further symphonies had appeared in 1847 and 1851 respectively. these last two (the fifth and sixth he had composed) were published as nos 2 and 3, so the 1841 symphony, which we hear today, was published as Symphony no. 4.

Such a careless attitude to the numbering of symphonies might seem strange given that many composers after beethoven were at pains to keep a close tally on their symphonic output to avoid tempting fate by exceeding the magical number of nine. Schumann was, first and foremost, a pianist and for the first ten years of his composing career he wrote only for that instrument; out of almost 150 published works less than 20 do not involve the piano in some way or another. Schumann had designs on becoming a concert pianist but even after it became manifestly obvious that he would never achieve this ambition, he continued with his piano lessons. he was spurred on by love for his piano teacher’s daughter, clara Wieck, nine years his junior. clara’s father objected strongly to any liaison between his daughter and the young Schumann, even to the extent of taking the matter to law. nevertheless after 10 years of acrimony Schumann eventually got his way and married clara in 1840. he celebrated this with a great burst of composing activity and the production of his first music for orchestra. In the first nine months of 1841 (during which clara gave birth to the first of the couple’s eight children) Schumann completed three symphonies and the greater part of his piano concerto.

Ziemlich langsam – LebhaftRomanze: Ziemlich langsamScherzo: LebhaftLangsam – Lebhaft

甚慢板─活潑地浪漫曲：甚慢板諧謔曲：活潑地慢板─活潑地

13

It was in March 1841, hot on the heels of the huge success of the première of Symphony no. 1 that Schumann began to plan this next symphony. He intended at that stage to give it a title, Clara, and, as he told his wife, “I will portray you with flutes, oboes and harps.” Whether or not the work as it exists in its final published form portrays Clara in any way – there are certainly no harps – it did break new ground in the traditional design of a symphony. It was the first major orchestral work to have movement titles in German rather than the usual Italian, its four movements run almost without a break and it is entirely based on just a handful of themes mostly heard in the opening section. So puzzled was the audience at its Leipzig première in December 1841 that Schumann withdrew it until 1850 when, shortly after the birth of his daughter Eugenie, he revised it and submitted it for publication, most notably adding weight to the orchestration to give it a more overtly ‘romantic’ feel; he even toyed with renaming it “Symphonic Fantasy”, but it eventually appeared in print as Symphony no. 4. In this form it was premièred in Düsseldorf on 3rd March 1853.

The solemn opening is certainly weighty, with its rumbling timpani, but it soon breaks into a more light and lively – almost dance-like – character, full of nervous energy, most themes having a close relationship to each other and many derived from ideas first mooted in the solemn introduction. The plaintive idea given out by oboe and cello at the start of the Romanze is a new one, and very appealing too, and even more appealing is the gracefully descending solo violin passage which follows, although this has its origins in the very first bars of the symphony. This theme is then transformed again – effectively it’s inverted – for the Scherzo, which takes the form of a somewhat cumbersome dance with a contrasting trio section referring directly to the solo violin passage of the Romanze. A dramatic return to the very opening of the symphony heralds the final movement, a frantic romp full of athletic strings and leading to a triumphant climax, reinforced by the brass.

Dr Marc Rochester

編制

兩支長笛、兩支雙簧管、兩支單簧管、兩支巴松

管、四支圓號、兩支小號、三支長號、定音鼓及

弦樂組。

INSTRUMENTATIONTwo flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani and strings.

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15

德爾弗斯

ANDREAS DELFS 指揮 Conductor

Andreas Delfs currently holds the position of Conductor Laureate of the Milwaukee Symphony Orchestra. He has previously served as Music Director (2001-2004) and Artistic Consultant (2004-2006) with the Saint Paul Chamber Orchestra, and as General Music Director of Hannover, Germany (1995-2000), where he conducted the symphony orchestra and opera company. He has also been Music Director of the Bern Opera, Resident Conductor of the Pittsburgh Symphony (during the tenure of Lorin Maazel) and Music Director, at an early age, of the celebrated Orchestre Suisse des Jeunes.

Andreas Delfs has led numerous distinguished ensembles over the years. In Europe he has conducted the Frankfurt Radio Symphony Orchestra, Berlin Radio Symphony Orchestra, Royal Philharmonic, London Philharmonic, Leipzig Gewandhaus Orchestra, Dresden Philharmonic, Tonhalle Orchestra of Zurich, Netherlands Philharmonic and Deutsche Kammerphilharmonie, with whom he has recorded an album for Decca. In the USA he has performed with orchestras including the Philadelphia, San Francisco Symphony and Los Angeles Philharmonic.

Andreas Delfs is also a frequent partner to many of the world’s most renowned solo artists including Emanuel Ax, Joshua Bell, Yo-Yo Ma, Midori, Itzhak Perlman and Renée Fleming, with whom he made a collection of sacred songs with for Decca. In 2005 he led Milwaukee to become the first American orchestra to distribute live recordings through iTunes.

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五明佳廉

KAREN GOMYO 小提琴 Violin

Born in Tokyo, violinist Karen Gomyo grew up in Montreal and New York. Recipient of the prestigious Avery Fisher Career Grant in 2008, her engagements as soloist have included those with the Cleveland Orchestra, New York Philharmonic, Los Angeles Philharmonic, Philadelphia Orchestra, Minnesota Orchestra, San Francisco, Dallas, Houston, Montreal, Toronto, Vancouver and Tokyo symphonies. In Europe she has performed with the City of Birmingham Symphony Orchestra, the Royal Scottish National Orchestra, Orchestre National de Lille, Scottish Chamber Orchestra, the Royal Liverpool Philharmonic, Bergen Philharmonic, Norwegian Opera Orchestra and Den Haag Residentie Orkest.

In recital and chamber music, Gomyo has performed in festivals in the USA (Aspen, Ravinia, Caramoor, Mostly Mozart), Austria, Germany, France, Norway, Ukraine, Holland, Spain, Italy, Japan and Canada, collaborating with such artists as Heinrich Schiff, Lynn Harrell, Christian Poltéra, Donald Weilerstein, Isabelle van Keulen, Antoine Tamestit and Kathryn Stott.

Upcoming and recent highlights include performances with the Sydney Symphony, Danish National Symphony, Vienna Chamber Orchestra, Mozarteum Orchester Salzburg and Munich Bach Collegium, as well as return visits to the Norwegian Opera Orchestra, Colorado Symphony and Calgary Philharmonic. Karen Gomyo plays on a Stradivarius violin that was bought for her exclusive use by a private sponsor.

Photo: Gabrielle R

evere

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香港管弦樂團

HONG KONG PHILHARMONIC

第一小提琴

First Violins

尤瑟夫維奇/團長Igor Yuzefovich/Concertmaster

毛華Mao Hua

龍希Long xi

梁建楓/第一副團長Leung Kin-fung/First Associate Concertmaster

程立Cheng Li

梅麗芷Rachael Mellado

王思恆/第二副團長Wong Sze-hang/Second Associate Concertmaster

把文晶Ba Wenjing

許致雨Anders Hui

倪瀾Ni Lan

徐姮xu Heng

朱蓓/第三副團長Zhu Bei/Third Associate Concertmaster

桂麗Gui Li

李智勝Li Zhisheng

王亮Wang Liang

張希Zhang xi

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第二小提琴

Second Violins

中提琴

Violas

冒田中知子Tomoko Tanaka Mao

潘廷亮Martin Poon Ting-leung

方潔Fang Jie

●范丁Fan Ting

●凌顯祐Andrew Ling

崔宏偉Cui Hong-wei

王駿Wang Jun

黃嘉怡Christine Wong Kar-yee

何珈樑Gallant Ho Ka-leung

■趙瀅娜Zhao Yingna

■李博Li Bo

付水淼Fu Shuimiao

張姝影Zhang Shu-ying

劉博軒Liu Boxuan

華嘉蓮Katrina Rafferty

黎明Li Ming

林慕華Damara Lomdaridze

周騰飛Zhou Tengfei

簡宏道Russell Kan Wang-to

▲梁文瑄Leslie Ryang Moon-sun

▲熊谷佳織Kaori Wilson

洪依凡Ethan Heath

冒異國Mao Yiguo

韋鈴木美矢香Miyaka Suzuki Wilson

羅舜詩Alice Rosen

孫斌Sun Bin

● 首席 Principal

■ 聯合首席 Co-Principal

▲ 助理首席 Assistant Principal

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低音大提琴

Double Basses

長笛

Flutes

雙簧管

Oboes

短笛

Piccolo

大提琴

Cellos

●林達僑George Lomdaridze

●鮑力卓Richard Bamping

費利亞Samuel Ferrer

關統安 Anna Kwan Ton-an

●史德琳 Megan Sterling

●韋爾遜Michael Wilson

▲姜馨來Jiang xinlai

■方曉牧Fang xiaomu

林傑飛Jeffrey Lehmberg

陳屹洲Chan Ngat Chau

▲盧韋歐Olivier Nowak

■布若芙Ruth Bull

張沛姮Chang Pei-heng

▲林穎Dora Lam

鮑爾菲Philip Powell

張明遠Cheung Ming-yuen

李銘蘆Li Ming-lu

施家蓮Linda Stuckey

馮榕Feng Rong

陳怡君Chen Yi-chun

范戴克Jonathan Van Dyke

霍添Timothy Frank

宋亞林Yalin Song

單簧管

Clarinets低音單簧管

Bass Clarinet

●史安祖Andrew Simon

▲史家翰John Schertle

簡博文Michael Campbell

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定音鼓

Timpani

豎琴

Harp

敲擊樂器

Percussion

鍵盤

Keyboard

●龐樂思James Boznos

●史基道Christopher Sidenius

胡淑徽Sophia Woo Shuk-fai

梁偉華Raymond LeungWai-wa

●白亞斯Aziz D. Barnard Luce

●葉幸沾Shirley Ip

巴松管

Bassoons

圓號

Horns

低音巴松管

Contra Bassoon

大號

Tuba

低音長號

Bass Trombone

小號

Trumpets

長號

Trombones

●莫班文Benjamin Moermond

▲周智仲Chow Chi-chung

▲李浩山Vance Lee

●麥浩威Joshua MacCluer

●韋雅樂Jarod Vermette

高志賢Marc Gelfo

▲莫思卓 Christopher Moyse

韋力奇Maciek Walicki

崔祖斯Adam Treverton Jones

李妲妮Natalie Lewis

李少霖Homer Lee Siu-lam

華達德Douglas Waterston

●雷科斯Paul Luxenberg

■柏如瑟Russell Bonifede

●江藺Jiang Lin

韋彼得Pieter Wyckoff

特約樂手 FREELANCE PLAYERS中提琴：關統洋 • Viola: Otto Kwan長笛：莊雪華 • Flute: Ivy Chuang雙簧管：關尚峰、張天懿 • Oboes: Kwan Sheung Fung, Tinny Cheung單簧管：區淑儀 • Clarinet: Rita Au巴松管：陳劭桐 • Bassoon: Toby Chan

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香港管弦樂團

HONG KONG PHILHARMONIC

The Hong Kong Philharmonic is a vital part of Hong Kong’s cultural life, as the city’s largest and busiest musical organisation. In 2013/14 the HK Phil will celebrate its 40th professional season, but its roots are well over a century old. The HK Phil has now evolved to become an orchestral powerhouse in the region, and an acclaimed cultural centrepiece of Asia’s World City.

The HK Phil is formed on the belief that a great city deserves a great orchestra. Annually it presents over 150 concerts for 200,000 music lovers. Featuring an enviable roster of international conductors and soloists, the HK Phil performs a broad variety of music, with many concerts presented free, among them the annual Swire Symphony Under The Stars. Through its acclaimed education programme, over 40,000 young people learned about orchestral music last year.

Photo: Keith H

iro

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“The players sounded on fire at times and were at one with the podium technically and conceptually. More, please, maestro.”

Sam Olluver, South China Morning Post

The Swire Group Charitable Trust has been the Principal Patron of the HK Phil for six years. Swire’s enlightened support, the most generous in the orchestra’s history, continues to enable the orchestra to reach towards high artistic goals.

The HK Phil’s members come from every corner of the globe, joining its strong core of Hong Kong musicians. In September 2012, Jaap van Zweden became the orchestra’s Music Director. Future years will see an ambitious series of new projects, with major international tours, renewed local partnerships, and large-scale concert events. The HK Phil has recently commenced a multi-CD recording project for Naxos, featuring works by Chinese composers.

The Hong Kong Philharmonic is financially supported by the Government of the Hong Kong Special Administrative Region

SWIRE is the Principal Patron of the Hong Kong Philharmonic

The Hong Kong Philharmonic is a Venue Partner of the Hong Kong Cultural Centre

「在梵志登棒下港樂更上層樓⋯⋯發出一把像歐洲一級樂團那豐富溫純之聲。」

周光蓁《亞洲週刊》

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2929

大師會

MAESTRO CIRCLE

大師會特別為熱愛交響樂的企業及

人士而設，旨在推動香港管弦樂團

的長遠發展及豐富市民的文化生

活。港樂謹此向下列各大師會會員

致謝：

MAESTRO CIRCLE is established for the business community and individuals who are fond of symphonic music. It aims to support the long-term development of the Hong Kong Philharmonic and to enrich cultural life. We are grateful to the following Maestro Circle members:

白金會員 Platinum Members

鑽石會員 Diamond Members

綠寶石 Emerald Members

珍珠會員 Pearl Members

David M. Webbwebb-site.com

Peter Siembab

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多謝支持

THANK YOU FOR YOUR SUPPORT

香港管弦樂團在此向以下商業機構及熱心人士

表達由衷謝意：

The Hong Kong Philharmonic is grateful to the following corporations and individuals for their generous support:

HK$100,000 or above 或以上Kerry Holdings Limited • 嘉里控股有限公司Hsin Chong International Holdings Ltd • 新昌集團國際有限公司Mr & Mrs S H Wong Foundation Ltd • 黃少軒江文璣基金有限公司

常年經費 ANNUAL FUND

HK$5,000 – HK$9,999Anonymous (2) • 無名氏 (2)Mr Wai Kar Man ClementMr & Mrs Matthew Wong & Rachel Lloyd-Wong • 王威遠先生及王羅愛欣女士 Mr Poon Chiu Kim Raymond • 潘昭劍先生Mr & Mrs Michael & Angela GrimsdickDr William Ho • 何兆煒醫生Dr Edmond Chan • 陳振漢醫生Mr Chen Chien Hua • 陳健華先生Mr Cheng Kwan MingMr Cheung Tak Lung • 張德龍先生Mr Jan Leung & Ms Emily Chow • 梁贊先生及周嘉平女士Dr Josie CloseMr Bradley D FresiaDr Affandy Hariman Ms Teresa Hung • 熊芝華老師Mr & Mrs Jack LeungMs Li Shuen Pui AgnesMr & Mrs Dominic & Candice LiangLok Yu Kim Ching Memorial Fund • 駱余劍清紀念基金Mr & Mrs Ivan Ting • 丁天立伉儷Mr Tso Shiu ToMr Augustine Lee Tit SunMrs Evelyn ChoiMs Poon Yee Ling Eligina

HK$50,000 – HK$99,999Mr & Mrs E ChanMrs K L Chan • 陳錦靈夫人Mr & Mrs Lowell & Phyllis Chang • 張爾惠伉儷Mr & Mrs Leung Lit On • 梁烈安伉儷Mr & Mrs Alec P Tracy

HK$25,000 – HK$49,999Anonymous • 無名氏 Mr Jackson Kung Ming Foo • 龔鳴夫先生 Ms Tse Chiu Ming • 謝超明女士Dr Allen and Sindy Fung • 馮玉麟博士伉儷 Ms Doreen Lee • 李玉芳女士Mr & Mrs Cheuk-Yan and Rotina Leung • 梁卓恩先生夫人Mrs Anna Marie PeyerMr Stephen Tan • 陳智文先生

樂團席位贊助基金 CHAIR ENDOWMENT FUND趙瀅娜﹝聯合首席第二小提琴﹞的樂師席位由以下機構贊助：The Musician’s Chair for Zhao Yingna (Co-PrincipalSecond Violin) is endowed by the following organisation:

邱啟楨紀念基金 • C. C. Chiu Memorial Fund

史德琳﹝首席長笛﹞的樂師席位由以下人士贊助：The Musician’s Chair for Megan Sterling (Principal Flute) is endowed by the following donors:

蔡博川先生夫人 • Mr & Mrs Alex & Alice Cai

30

HK$10,000 – HK$24,999Dr Mak Lai Wo • 麥禮和醫生 Dr Lilian Leong • 梁馮令儀醫生Dr & Mrs Paul LuDr John Malpas Mrs Ruby M MasterDr Joseph PangDr & Mrs Pang Wing Fuk • 彭永福醫生及夫人Dr Tsao Yen Chow • 曹延洲醫生 The Wang Family Foundation • 汪徵祥慈善基金

HK$10,000 – HK$24,999Anonymous • 無名氏 Mrs Yu Hu Miao FlorenceMr Barry John ButtifantMr Cheung Ngai SingMr and Mrs Edward BagnallMr & Mrs Ko Ying • 高膺伉儷 Ms Cecilia Aw • 柯明儀女士Mr Edwin Choy • 蔡維邦先生 Dr & Mrs Carl FungMr & Mrs Kenneth H C Fung • 馮慶鏘伉儷 Mr & Mrs Fung Shiu Lam • 馮兆林先生夫人 Mr & Mrs Charles & Keiko LamDr Lee Kin Hung • 李健鴻醫生Dr Leung Tze Ching Vincent • 梁子正醫生

3131

HK$5,000 – HK$9,999

Anonymous (5) • 無名氏 (5)Mr Iain BruceOxford Success (Overseas) Ltd Mr & Mrs James To • 涂謹申伉儷Ms Tsang Kwai FongMr Wong Kai KitProfessor David Clarke • 祈大衛教授Mr Ian D BoyceMr Chen Chien Hua • 陳健華先生Mr Chu Ming LeongMr & Mrs Kenneth H C Fung • 馮慶鏘伉儷Lok Yu Kim Ching Memorial Fund • 駱余劍清紀念基金Ms Charlotte Lai羅紫媚及Joe JoeDr Lee Shu Wing Ernest • 李樹榮博士Mr & Mrs Henry & Angelina LeeMr Leung Kam Fai & Ms Lui Chi Yan • 梁錦暉先生及呂智殷女士

Mr Richard Li • 李景行先生

Marcus Musical WorkshopMustard Seed Foundation • 芥籽園基金Mr & Mrs John & Coralie OtoshiMr Paul ShiehMr Tony Tsoi • 蔡東豪先生Mr Wan Chung On JohnMr Wong Kong ChiuMrs Yu Hu Miao FlorenceMr Augustine Lee Tit SunMr and Mrs Edward BagnallMrs Evelyn ChoiMs Poon Yee Ling Eligina

多謝支持

THANK YOU FOR YOUR SUPPORT

學生票資助基金 STUDENT TICKET FUND

HK$100,000 or above 或以上

Zhilan Foundation • 芝蘭基金會

HK$50,000 – HK$99,999Kerry Holdings Limited • 嘉里控股有限公司Mrs K L Chan • 陳錦靈夫人Shun Hing Education and Charity Fund • 信興教育及慈善基金Wing Hang Bank • 永亨銀行

HK$10,000 – HK$24,999Anonymous • 無名氏Mr Lawrence Mak • 麥耀明先生Mr Cheung Ngai SingLong Hin Creative International Ltd • 朗軒創意國際有限公司Mr & Mrs Ko Ying • 高膺伉儷Mr Chan Ching KitMr David ChiuMr Geoffrey Ko • 高惠充先生Mr & Mrs Fung Shiu Lam • 馮兆林先生夫人Mr Stephen LukDr & Mrs Kwan Ka Hung • 關家雄醫生及夫人Mr & Mrs Cheuk-Yan and Rotina Leung • 梁卓恩先生夫人Dr Thomas W T Leung • 梁惠棠醫生Lo Kar Foon Foundation • 羅家驩慈善基金Dr Lo xinaMr & Mrs Bernard Man • 文本立先生夫人Mrs Ruby M MasterTin Ka Ping Foundation • 田家炳基金會Mr Thomas Wong Kin On • 黃建安先生Mr David Yam Yee Kwan • 任懿君先生Dr M T Geoffrey Yeh • 葉謀遵博士

32

多謝支持

THANK YOU FOR YOUR SUPPORT

春躍音韻─香港管弦樂團籌款音樂會 SPRING TOGETHER – HONG KONG PHILHARMONIC FUNDRAISING CONCERT

32

HK$100,000 and above 以上Anthony BoltonMrs & Mr Jenny & Brandon ChauMs Winnie ChiuDr Jonathan Choi, BBS, JP & Mrs Janice Choi, MHMr & Mrs Tenniel ChuMs Ho Tsz WanY. S. Liu FoundationThe Octavian Society LtdMr David Tang & FriendsMs Cynthia Wang

HK$50,000 – HK$99,999Anonymous (2)Mr & Mrs Danny & Wendy Hegglin

KinderU Suzuki Music Academy & the parents of the performing students

Mr Michael K. H. LeungMajestic Alley LimitedMr Edward Ng

School Board of Rightmind International Nursery & Kindergarten & parents of the performing students

Mr Nicholas R. Sallnow-Smith

The Swire Group Charitable Trust 太古集團慈善信託基金

Mr Leo Zhang

HK$10,000 – HK$49,999Ms Joanne Chan • Mr Thomas Chan Tin Chi • Chan’s Creative School 啟基學校 • Mr & Mrs Edmund & Shirley Cheung • Po Leung Kuk Choi Kai Yau School 保良局蔡繼有學校 • Mr & Mrs Kelvin Chu • Staff of Cosmopolitan Hotel • Dynamic Network Alliances Ltd • Deloitte Touche Tohmatsu • Staff of Dorsett Kwun Tong • EF Foundation Limited • Emperor Watch Jewellery • Ms Andrea Fessler • Dr Patrick Fung • Goldman Sachs Gives on behalf of Mr John Storey • Ms Jean Ho • Mr & Mrs Richard & Rachel Hui • Mr Gary Kwok • LGT Bank AG, Hong Kong Branch • Ms Juliana Lam • Mr & Mrs Wyman Li • Michelle Liu & David Tang & family • Mr Juan Manuel Mendoza • Oregon Scientific Ltd • Ms Gigi Pang • Mr & Mrs Stephen & Yana Peel • Prince Jewellery • Mr Benedict Sin • Mr William H. Strong • Credit Suisse AG Hong Kong Branch • Mr & Mrs Kenneth Ting and Mr & Mrs Ivan Ting • Mrs Harriet Tung • Mrs & Mr Cissy & Shin Watari • Mr John Woo • Ms Jini Yip

HK$5,000 – HK$9,999Bank of East Asia 東亞銀行 • Mr & Mrs Winston Chan • Mr Chong Li En • Mr & Mrs Lawrence & Natalie Chu • Ms Olivia Ho • Miss Jennifer Hodgson • Mrs Shanyan Koder • Mr & Mrs Lawrence Lau • Mr Raymond Lee • Mr & Mrs Kendrew Leung • Ms Kawina Lee • Mr & Mrs Adrian & Bonnie Li • Ng Sau Kei Wilfred • Ms Candy Ngan • Mr & Mrs Laurence & Brenda Scofield • Staff of Silka West Kowloon Hotel • Mr Paul Tam • Tom Lee Music Co. Ltd • Mr Edward Tsui • Mr and Mrs Ivan & Elaine Yeh • The Young Men's Christian Association of Hong Kong

33

多謝支持

THANK YOU FOR YOUR SUPPORT

33

贊助基金 ENDOWMENT TRUST FUND

贊助基金於一九八三年由以下機構贊助得以成立。

香港賽馬會慈善信託基金 The Hong Kong Jockey Club Charities Trust

置地有限公司 The Hongkong Land Group

怡和有限公司 Jardine, Matheson & Company Ltd

商藝匯萃 PAGANINI PROJECT

此計劃由「商藝匯萃」發起及組織。

汪穗中先生 捐贈艾曼．謝曼明 (1907) 小提琴．由冒田中知子小姐使用

張爾惠先生 捐贈洛治．希爾 (c.1800) 小提琴．由王亮先生使用

鍾普洋先生 捐贈多尼．哈達 (1991) 大提琴．由張明遠先生使用

史葛．羅蘭士先生 捐贈安素度．普基 (1910) 小提琴．由張希小姐使用

The Endowment Trust Fund was set up in 1983 with these initial sponsors.

�豐銀行慈善基金 The Hongkong Bank Foundation

花旗銀行 Citibank, NA

香港董氏慈善基金會 The Tung Foundation

This project is initiated and organised by Business for Art Foundation.

Donated by Mr Patrick WangEmile Germain (1907) Violin, played by Ms Tomoko Tanaka Mao

Donated by Mr Lowell ChangLockey Hill (c.1800) Violin, played by Mr Wang Liang

Donated by Mr Po ChungEDawne Haddad (1991) Violoncello, played by Mr Cheung Ming-yuen

Donated by Mr Laurence Scofield Ansaldo Poggi (1910) Violin, played by Ms Zhang xi

Donated by The Ladies Committee of the Hong Kong Philharmonic Society Rare instruments donated• Enrico Rocca (1902) Violin, played by Mr Cheng Li• Jean-Baptiste Vuillaume (1866) Violin, played by Ms Bei Zhu, Third Associate Concertmaster• Joseph Gagliano (1788) Violin, played by Mr Igor Yuzefovich, Concertmaster • Carlo Antonio Testore (1736) Violin, played by Mr Ni Lan

Other instruments donated in support of the “Instrument Upgrade and Enhancement Project”

• Two German Rotary Trumpets• A set of Wagner Tubas• A Flugelhorn

樂器捐贈 INSTRUMENT DONATION

香港管弦協會婦女會 捐贈

所捐贈之罕有樂器 • 安域高．洛卡 (1902) 小提琴．由程立先生使用 • 桑．巴蒂斯．維爾翁 (1866) 小提琴． 由第三副團長朱蓓小姐使用

• 約瑟．加里亞奴 (1788) 小提琴． 由團長尤瑟夫維奇先生使用

• 卡洛．安東尼奧．狄斯多尼 (1736) 小提琴．由倪瀾先生使用

為支持「提升樂團樂器素質計劃」而捐贈之其他樂器 • 德國轉閥式小號兩支 • 德國華格納大號乙套 • 翼號乙支

34

香港管弦協會有限公司

THE HONG KONG PHILHARMONIC SOCIETY LIMITED

名譽贊助人

行政長官

梁振英先生

董事局

劉元生先生

主席

蘇澤光先生

副主席

陳祖泳女士

邱詠筠女士

蔡關穎琴律師

蔡寬量教授

馮鈺斌博士

喬浩華先生

林煥光先生

梁卓偉教授

劉靖之教授

羅志力先生

伍日照先生, 司庫

蘇兆明先生

冼雅恩先生

威廉．思眾先生

董溫子華女士

贊助基金委員會

伍日照先生

主席

劉元生先生

羅志力先生

冼雅恩先生

Honorary Patron

The Chief Executive The Hon C Y Leung, GBM, GBS, JP

Board of Governors

Mr Y. S. LiuChairman

Mr Jack C. K. So, GBS, OBE, JPVice-Chairman

Ms Joanne ChanMs Winnie ChiuMrs Janice Choi, MHProf. Daniel ChuaDr Patrick Fung Yuk-bun, JPMr Peter KilgourMr Lam Woon-kwong, GBS, JPProf. Gabriel Leung, GBSProf. Liu Ching-chih Mr Peter Lo Chi-likMr Daniel Ng Yat-chiu, TreasurerMr Nicholas Sallnow-SmithMr Benedict Sin Nga-yanMr William H. StrongMrs Harriet Tung

Endowment Trust Fund Board of Trustees

Mr Daniel Ng Yat-chiuChair

Mr Y. S. LiuMr Peter Lo Chi-likMr Benedict Sin Nga-yan

執行委員會

劉元生先生主席

蔡關穎琴律師蔡寬量教授伍日照先生冼雅恩先生蘇澤光先生

財務委員會

冼雅恩先生主席

喬浩華先生劉元生先生伍日照先生

籌款委員會

蔡關穎琴律師主席

邱詠筠女士蘇澤光先生副主席

雲晞蓮女士伍日照先生吳君孟先生董溫子華女士應琦泓先生

聽眾拓廣委員會

蔡寬量教授主席

龐樂思先生陳祖泳女士邱詠筠女士蔡關穎琴律師紀大衛教授李偉安先生梁卓偉教授羅志力先生

Executive Committee

Mr Y. S. LiuChair

Mrs Janice Choi, MHProf. Daniel ChuaMr Daniel Ng Yat-chiuMr Benedict Sin Nga-yanMr Jack C. K. So, GBS, OBE, JP

Finance Committee

Mr Benedict Sin Nga-yanChair

Mr Peter KilgourMr Y. S. LiuMr Daniel Ng Yat-chiu

Fundraising Committee

Mrs Janice Choi, MH Chair

Ms Winnie ChiuMr Jack C. K. So, GBS, OBE, JPVice-Chairs

Mrs Wendy HegglinMr Daniel Ng Yat-chiuMr Edward NgMrs Harriet TungMr Steven Ying

Audience Development Committee

Prof. Daniel ChuaChair

Mr James BoznosMs Joanne ChanMs Winnie ChiuMrs Janice Choi, MHProf. David Gwilt, MBEMr Warren LeeProf. Gabriel Leung, GBSMr Peter Lo Chi-lik

35

行政人員

麥高德行政總裁

行政及財務部

何黎敏怡行政及財務總監

李康銘財務經理

李家榮資訊科技及項目經理

吳慧妍人力資源經理

郭文健行政及財務助理經理

陳碧瑜行政秘書

蘇碧華行政及財務高級主任

關芷瑩資訊科技及行政主任

陳麗嫻接待員

梁錦龍辦公室助理

藝術策劃部

韋雲暉藝術策劃總監

趙桂燕教育及外展經理

王嘉瑩藝術策劃經理

葉掌珠教育及外展助理經理

林奕榮藝術策劃主任

連家駿教育及外展主任

Management

Michael MacLeodChief Executive

Administration and Finance

Vennie HoDirector of Administration and Finance

Homer LeeFinance Manager

Andrew LiIT and Project Manager

Annie NgHuman Resources Manager

Alex KwokAssistant Administration and Finance Manager

Rida ChanExecutive Secretary

Vonee SoSenior Administration and Finance Officer

Ophelia KwanIT and Administrative Officer

Pamela ChanReceptionist

Sammy LeungOffice Assistant

Artistic Planning

Raff WilsonDirector of Artistic Planning

Charlotte ChiuEducation and Outreach Manager

Michelle WongArtistic Planning Manager

Jennifer IpAssistant Education and Outreach Manager

Lam Yik WingArtistic Planning Officer

Lin Ka ChunEducation and Outreach Officer

發展部

邵睦熙發展總監

譚穎敏發展經理

張慧芝發展助理經理

莫毅愉發展助理經理

黃烙欣發展助理經理

市場推廣部

陳幗欣市場推廣總監

陳剛濤市場推廣經理

陳嘉惠編輯

趙綺鈴市場推廣助理經理

陸可兒企業傳訊助理經理

黃穎詩巿場及傳訊主任

樂團事務部

魏雪穎樂團事務總監

楊劍騰樂團人事經理

陳國義舞台經理

何思敏樂譜管理

丁美雲樂團事務助理經理

黎樂婷樂團事務主任

蘇近邦運輸及舞台主任

Development

Murray ShawDirector of Development

Myra TamDevelopment Manager

Anna CheungAssistant Development Manager

Mimi MokAssistant Development Manager

Rity WongAssistant Development Manager

Marketing

Doris Chan Kwok YanDirector of Marketing

Nick Chan Marketing Manager

Chan Ka WaiPublications Editor

Chiu Yee LingAssistant Marketing Manager

Alice LukAssistant Corporate Communications Manager

Natalie WongMarketing Communications Officer

Orchestral Operations

Serena EvansDirector of Orchestral Operations

Ambrose YeungOrchestra Personnel Manager

Steven ChanStage Manager

Betty HoLibrarian

Natalie TingAssistant Orchestral Operations Manager

Erica LaiOrchestral Operations Officer

So Kan PongTransportation and Stage Officer

Executive Committee

Mr Y. S. LiuChair

Mrs Janice Choi, MHProf. Daniel ChuaMr Daniel Ng Yat-chiuMr Benedict Sin Nga-yanMr Jack C. K. So, GBS, OBE, JP

Finance Committee

Mr Benedict Sin Nga-yanChair

Mr Peter KilgourMr Y. S. LiuMr Daniel Ng Yat-chiu

Fundraising Committee

Mrs Janice Choi, MH Chair

Ms Winnie ChiuMr Jack C. K. So, GBS, OBE, JPVice-Chairs

Mrs Wendy HegglinMr Daniel Ng Yat-chiuMr Edward NgMrs Harriet TungMr Steven Ying

Audience Development Committee

Prof. Daniel ChuaChair

Mr James BoznosMs Joanne ChanMs Winnie ChiuMrs Janice Choi, MHProf. David Gwilt, MBEMr Warren LeeProf. Gabriel Leung, GBSMr Peter Lo Chi-lik

36

依瑟利斯的德伏扎克ISSERLIS PLAYS DVORáK

26 & 27-4-2013 Fri & Sat 8pm • Hong Kong Cultural Centre Concert Hall$360 $280 $200 $140林望傑 Jahja Ling/conductor

史密塔納 《被出賣的新娘》：三首舞曲

德伏扎克 A大調大提琴協奏曲，B10布拉姆斯 第二交響曲

SMETANA The Bartered Bride: Three dancesDVORáK Cello Concerto in A, B10BRAHMS Symphony no. 2

譚盾．香港管弦樂團TAN DUN • HONG KONG PHILHARMONIC 贊助 SPONSORED BY AIA

譚盾 Tan Dun/composer & conductor

《三個音的交響詩》﹝2012﹞ 《管弦劇場》﹝1990﹞樂隊協奏曲 ﹝2012﹞

Symphonic Poem on Three Notes (2012)Orchestral Theatre (1990)Concerto for Orchestra (2012)

“...it gives us a chance to experience the splendid Hong Kong Philharmonic at its most assured. [...] This is a vivid demonstration of true orchestral virtuosity, with Tan Dun’s experimental effects superbly realised...” Gramophone March 2013

查詢 ENqUIRY 2721 2030

購票 TICKETS 2111 5999 www.urbtix.hk意見 COMMENTS comments@hkphil.org網頁 WEBSITE hkphil.org

追蹤港樂 FOLLOW THE HK PHIL ON

Steven Isserlis/cello

CD Out Now

TAN DUNConcerto for Orchestra

Symphonic Poem on Three Notes • Orchestral Theatre

Hong Kong Philharmonic OrchestraTan Dun

8.570608 4

Tan Dun

The conceptual and multifacetedcomposer/conductor Tan Dun hasmade an indelible mark on the world’smusic scene with a creative repertoirethat spans the boundaries of classicalmusic, multimedia performance, andEastern and Western traditions. He isa recipient of today’s most prestigioushonours including the GRAMMY®Award, Academy Award, Grawemeyer

Award for classical composition, Musical America’s Composer of The Year, Shostakovich Award and the Bach Prize ofHamburg, and his music has been played throughout the world by leading orchestras, opera houses, internationalfestivals, and on radio and television. As a conductor, Tan Dun has led the world’s most renowned orchestras, includingthe Royal Concertgebouw Orchestra, London Symphony Orchestra, Berliner Philharmoniker, Philadelphia Orchestra,Orchestre National de France, BBC Symphony Orchestra, Filarmonica della Scala and the Münchner Philharmoniker,among others. In 2010, he served as Cultural Ambassador to the World for World EXPO 2010 Shanghai.

Tan Dun’s individual voice has been heard widely by diverse audiences. His Internet Symphony, which wascommissioned by Google/YouTube, has reached over fifteen million people online. Paper Concerto was premièred withthe Los Angeles Philharmonic at the opening of the Walt Disney Hall. His multimedia concerto, The Map, firstperformed by Yo Yo Ma and the Boston Symphony Orchestra, has been included in the Carnegie Hall ComposersGallery. Important recent premières include Four Secret Roads of Marco Polo for the Berlin Philharmonic and PianoConcerto ‘The Fire’ for Lang Lang and the New York Philharmonic.

Tan Dun’s inspiration culminates in his operatic creations: Marco Polo, commissioned by the Edinburgh Festival,has had multiple productions including with De Nederlandse Opera, directed by Pierre Audi; The First Emperor withPlácido Domingo, commissioned by the Metropolitan Opera; Tea: A Mirror of Soul, first performed at Japan’s SuntoryHall; and Peony Pavilion, directed by Peter Sellars which has had over fifty performances at major festivals.

Tan Dun’s recordings have won many accolades, including a GRAMMY® Award (Crouching Tiger, Hidden Dragon)and nominations (The First Emperor; Marco Polo; Pipa Concerto), Japan’s Recording Academy Awards for BestContemporary Music CD (Water Passion after St Matthew) and the BBC’s Best Orchestral Album (Death and Fire).

Title Sponsor

This recording was made possible with the generous support of AIA.

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