(206) 450-5235 jennuwine1@gmail.com 4325 W Emerson St, Seattle, WA 98199

PROFESSIONAL EXPERIENCE Milepost 31 Alaskan Way Viaduct Replacement Program

ACADEMIC EXERCISES

Celebration Senior Living Center

Innen School of Interior Design

The Art Institute of Seattle North Campus Remodel

Domayne U.S. Debut Store

Design|Savvy Interior Design Firm

Rammed Earth House Morris Residence

TECHNICAL SKILLS

Presentation Hand Drafting Exterior and Interior Pencil Drawings

| PORTFOLIO

COMMERCIAL DESIGN

Information Center for the Alaskan Way Viaduct Replacement Program

Client: Washington State Department of Transportation

INSPIRATION

Milepost 31 was going to reside in Seattle’s oldest neighborhood, Pioneer Square. Known for its antique charm and inviting feel, it was important to not only the client but the surrounding businesses that this information center fit well into its surroundings.

Malmo, Sweden constructed a new railway connection through town called CityTunnel, which opened in December of 2010. During construction, the developers created an information center that was both creative and informative. Upon discovering this center, the client requested that I do something similar for the SR99 tunnel information center.

Sleek lines and a contemporary feel were an appropriate direction for Milepost 31, which was intended to be a public point of reference for the future of transportation in Seattle.

CONCEPT

The information center is broken down into 4 sections:

• “You Are Here”: an overview introduction to Pioneer Square and how it developed into its present day form.• “Moving Land”: the history of the dynamic Seattle landscape as it was formed by glaciers, earthquakes, and volcanoes.• “Moving People”: the history of transportation in Seattle both on land and in the water.• “Moving Forward”: the future of Seattle transportation as we dig the largest diameter bored tunnel in the world right here under a two-mile span of our city.

Originally named “Center Square” for its neighborhood location, we wanted the space to feel anything but square, and I began to play around with curved walls and pathways. The physical form of this concept began to take shape…

VISITOR EXPERIENCE

• Visitors first walk into an inviting Pioneer Square-esque section with trees, park benches, and lamp posts. Here they find an introduction to the center and a history of Pioneer Square’sdevelopment. (“You Are Here”) There is also a reception desk where at least one staff member is on-hand at all times to answer questions and assist visitors as needed. The journey really begins when they walk through a faux “tunnel entrance” that gives the impression of entering into the start of a bored tunnel.

• They start the exhibit with “Moving Land” where they can learn about Seattle’s landscape through a variety of media: written displays, maps, large scale soil cylinders demonstrating the layers of soil beneath us, and TV animations of how the landscape has changed over time.

• They move into the history of Seattle transportation in “Moving People”. Here they find historical images, artifacts found in our own excavations to-date, and even a custom canoe paddle carved for our project.

• Now they have reached the back of the information center and find themselves standing in front of a life-sized computer image of what one of the car decks will look like inside the future tunnel.

• They enter “Moving Forward” where they find an aerial photo of Seattle on the floor with thetunnel alignment highlighted, balsa wood models of the north and south portals, and some “fun fact”-type exhibits like a soil spinner that demonstrates the textures of different types of soil.

• They move into the second section of “Moving Forward” where they really get to learn aboutthe tunnel boring machine itself through TV animations and a functioning TBM model. They also learn about related projects to our tunnel, like the seawall that is going to be replaced along the Seattle waterfront and the waterfront promenade that will be developed once the viaduct has been removed.

• Finally they return to the front Pioneer Square section of the center where they can find outabout current happenings in the neighborhood and with construction in their area.

LAYOUT

As the floorplan neared its final layout, wall elevations also needed to be produced in short order to indicate exact placement of wall displays and artifacts. The wall elevations served a dual purpose - aiding our team in determining whether we had too much or too little content, and ultimately directing the contractor in how to hang all of the necessary pieces.

SCHEDULING

It was an agressive schedule to design and build a project information center from scratch including content, logo/graphics, and physical build-out in 5 months, but our team was able to pull it off. Once the initial concept had been nailed down and the visitor experience refined, it was time to obtain permitting and get a contractor started so he could complete the build-out in 5 weeks.

Even after construction started, content was still being fine-tuned and displays designed, adding an extra level of complication to giving the contractor the details he needed and still remaining on-schedule. Creativity was also required with my procurement of equipment, furnishings, and supplies in some cases in order to keep under budget.

I maintained the project schedules for the team throughout the 5-month process and was solely responsible for making sure the contractor stayed on-track with our final goal, despite innumerable last-minute changes. I was also tasked with creating a permit set of drawings to obtain a Subject-To-Field-Inspection permit from the City of Seattle.

PERMITTING

CONSTRUCTION

COMPLETION

INSTITUTIONAL DESIGN

Senior Living FacilityCelebration

INSPIRATION

The United States currently has a large surplus of empty shipping containers due to a vast unbalance between exports and imports in this country. These containers are taking up valuable storage space and are difficult to dispose of. However, they are also structurally sound and lend themselves well to architectural use. As a result, architects and designers across the nation have spent the last decade experimenting with incorporating them into a variety of new structures.

Senior living facilities today are drab and uninspiring for the residents who spend their lives there. Bland colors, outdated finishes, and boxed-in floorplans leave little room for creative expression and joyful living.

Abundance of plant life, bright windows, and open spaces encourage mental, physical, and emotional well-being. The act of gardening itself has been proven to increase mental stimulation in the elderly and provide much needed physical activity in an otherwise sedentary lifestyle.

www.thenextwayefutures.wordpress.com

http://flickr.com/photos

www.countryhomeestates.org

CONCEPT

One of several buildings on a campus, Originate, has been designated as a place for social activities and entertainment. To reduce the building’s environmental footprint, recycled shipping containers were included in the construction, the entire building operated on solar power, and it contained a green roof. Healing earthy greens and browns were used throughout the space, and windows and skylights were incorporated as much as structurally possible. Sturdy, comfortable, and ergonomically-sound furnishings provided comfort and ease of passage from one activity to the next. The final component was flowing movement between the designated areas of the building – a critical part of the design to promote interaction among all of the members and visitors.

EXTERIOR

A green roof blends the Originate building into the surrounding landscape and enhances the view through the atrium glass from the interior garden below. Curving pathways and large windows make the building feel naturally approachable.

Located on a public street, this building is open to the entire community (not only the residents) and offers a small cafe and gift shop. Passersby are drawn in by the inviting awnings and large windows, while residents find easy access to the structure from every direction on the campus.

FINISHES

Restrooms

Warm sueded beige walls set the backdrop for an attractive multi-colored glass tiled counter top. An inviting neutral-toned travertine floor created a feeling of luxury while providing smooth wheelchair accessibility.

Cafe

A healing green that was common throughout the campus accented the cafe walls. Deep brown leather chairs nestled in beside a playful pattern of beige and white table cloths set a sophisticated yet casual mood. The variegated bamboo flooring was an eye-catching point of interest while providing the necessary accessibility and ease of clean-up.

Boutique

A neutral pallet was chosen here in order to allow the craft pieces that were selling to be the focal point. A simple beige wall contrasted nicely with wenge shelving and a medium-toned bamboo floor.

INTERIOR

The shipping containers form the entire border of the building, and all of the interior container walls were removed, leaving just the framing for support. The floorplan centers around the atrium, which is accessible from all other spaces within the building and gives visitors the sense of being outside while still inside. The workshop space serves as a multi-purpose room that can be converted for any type of gathering from classes to meetings to social gatherings in the evenings.

INTERIOR

In the atrium, most of the container framing had to be removed entirely in order to open up the ceiling to the vaulted atrium glass. The floor in the atrium was a compacted earth floor infused with silt in some places to add interest. Seats and benches were placed throughout, and residents were encouraged to do a bit of their own gardening, if they liked.

INSTITUTIONAL DESIGN

School of Interior DesignInnen

INSPIRATION

The Bauhaus school of design introduced a highly effective education system and living arrangement for a type of design education the world had never before seen. The focus was on getting down to the core of the learning and creative processes and moving away from superficiality. An entirely new style of simplified forms and shapes that were stripped down and yet still beautiful emerged from the Bauhaus and forever changed design as we know it. The rectilinear geometry of the Bauhaus Dessau location exemplifies this design style.

In addition to the clean lines of the building layout, Bauhaus designs utilize massive amounts of windows to create an abundance of natural light while providing a sleek contemporary look.

Bauhaus interiors strictly consist of white, black, and the primary colors: red, blue, and yellow. Minimizing decoration while maximizing efficiency and usefulness is the key to creating a successful design based on this style.

www.span.vox.com

www.commons.wikimedia.org

www.picasaweb.google.com

CONCEPT

Innen was preparing to open an interior design school that was intended to be an all-inclusive education environment. In true Bauhaus fashion, students and faculty alike would live on or near campus in order to fully immerse themselves into the curriculum and gain a true sense of community among their peers.

The facility needed to have enough classrooms and computer labs for approximately 120 students, at least half of who would live in dormotories onsite. There also needed to be onsite housing for a minimum of 10 faculty and/or staff members. After determining the approximate square footages needed for all of the various spaces, I printed out a series of boxes that represented the appropriate measurements and shuffled them around until I found the right combination.

EXTERIOR

The building layout consisted of a symmetrical grid pattern, and in order to add architectural interest, the roof lines of the three main building sections sloped up at the back of the building. The exterior of the building was clad in corrugated aluminum siding and surrounded by windows.

A large metal mesh net spanned the length of the building in a rounded triangular shape. The mesh raised upward slightly at the front of the building and created a dramatic front entrance while providing shade to a portion of the numerous windows.

The back of the building reflected the symmetry of the front but showed where the mesh intersected with the curve of two of the roof lines. The mesh was not visible from the interior of the building - it merely appears that way from the outside.

FINISHES

A fundamental component of Bauhaus design is the use of a primary color palette. Neutral stained concrete floors were used in all public areas and incorporated red area rugs to add interest and buffer the noise level. Most walls were a soft white and accompanied by accent walls here and there that were a primary yellow, blue, or red.

The student commons, as seen from the main entrance, is pictured below. The accent walls were used to draw attention to the food areas, while the rest of the space was set in high contrast black and white.

INTERIOR

This floorplan represents the first floor of the building and consists of classrooms, offices, and faculty living quarters along the top portion, and dorms all along the bottom portion. The central building housed the main entrance reception area and student commons - a space meant to double as a portfolio display space.

Variations of the color palette were used to designate the different areas of the building. For example, this red palette was used in the boys dormitories (blue for the girls), and the yellow was used in the classroom wing.

INTERIOR

The upper floor of the building followed the same area designations as the first floor with the exception of a library and two cafes sitting atop of the first floor office area, and a bookstore and mezzanine dining area above the student commons.

A view from the mezzanine in the student commons is pictured here. The abundance of light and views to the outside made the building comfortable and inviting for the students and faculty who spent so much of their time there.

INSTITUTIONAL DESIGN

North Campus First Floor

INSPIRATION

Curved hallways like these provide wide comfortable passage through high traffic areas and create a sense of natural flow.

University computer labs most commonly have computer desks that all face toward the front of the room. This allows the students to watch the large screen up front and easily compare the display with their own screens. It is also important to consider the glare from windows, such as these, and how they will affect the visibility of the computers screens in the later afternoon.

The most inviting student lounges are playful with vibrant colors, various types of seating, and well-planned accessibility. A focal point adds interest in this space.

www.aspenhosital.org

http://image10.webshots.com

http://upload.wikimedia.org

CONCEPT

The Art Institute of Seattle has one floor of its North Campus that is dedicated to computer labs for the instruction of all of the various software programs that each major is required to learn. The floorplan was originally set-up with a rectilinear layout consisting of 13 small and equally-sized computer labs - a design that causes several of the students to sit with theirs backs to the instructors and does not allow for the varying numbers of students in each class.

My top considerations were to change the flow and movement of the entire floorplan and create computer labs that were far more effective in orientation and size. Secondary to these, I also experimented with fun ways to make the hallways more interesting so those long walks to class wouldn’t seem quite so monotonous.

EXISTING LAYOUT

The existing first floor plan is an extremely efficient use of space with little thought given to how well it really serves its intended purpose. Poorly designed seating arrangements within the computer labs and uninspiring hallways and entrances leave much to be desired among the creative students who are using the space.

FINISHES

Hallways

A calming blue was the wall color of choice in areas where congestion and crowding may possibly ensue. A contrasting charcoal gray carpet with black rubber baseboard would wear well and guard against stains.

Classrooms

Green was used as a nurturing and inspirational backdrop in the rooms where creativity is in high demand. A neutral marmoleum provided durability and easy maintenance, while a black rubber base created a visual relief.

Student Lounge

A red and black color palette reflected The Art Institute’s school colors while also creating a dynamic setting for recreation, student interaction, and free-form creativity. The yellow and black lounge chairs added punches of color and invited all who entered to sit and relax for a few.

INTERIOR

The new floorplan introduced an organic feel to every space. A central passageway was created to allow easier access from all sides, and a touch of playfulness was added to the hallways with vinyl murals of people walking. The classrooms now allowed for the desks to all face the instructor and came in a variety of sizes to meet the continually changing needs of the students.

INTERIOR

A dual-purpose curved wall was added to serve as both a defining entrance wall for those coming in from Alaskan Way and a point of interest in the student lounge. The lounge itself was moved closer to the front doors in order to make it an easy stopping point for students coming and going from class. The administrative offices were moved along the only wall containing windows in order to benefit the employees and also maximize the use of non-windowed space for the computer labs.

COMMERCIAL DESIGN

DOMAYNEU.S. Debut Store

INSPIRATION

DOMAYNE is a successful housewares store in Australia who decided to expand their enterprise to the United States. The debut store was to be located inside Pacific Place in Seattle, WA with a sample of the various products they offer in combination with computer stations where consumers could do the rest of their shopping online.

Sleek, sophisticated, and ultra contemporary, DOMAYNE’s signature style uses a neutral backdrop with bright punches of color placed strategically.

In a mall setting, it is critical for a storefront to grab the attention of passersby. Interesting colors, shapes, signage, etc. all contribute to getting people in the door.

www.domayne.com.au

www.cityofsanrafael.org

www.domayne.com.au

CONCEPT

DOMAYNE’s intention was to have a small store with just a sample of the many products they carry, including furniture. The rest of the products would be available for purchase via the “envirostations” placed throughout the store. Envirostations are computer touch screen stations where a consumer can browse, search, and purchase products online.

My concept was to keep the floorplan open and fluid, even though the space was small, and make the envirostations easily accessible for every customer. The register needed to be near the front and positioned in a way that the employees could easily view the entire store while remaining available for help with the online purchases.

EXTERIOR

The curve of the storefront gave it a unique feel amongst the vast selection of rectilinear storefronts in Pacific Place. A neutral color palette was selected here so that the bright colors of DOMAYNE’s products would draw the consumers’ attention rather than the storefront itself.

DOMAYNE was located on the third floor of Pacific Place near the Nordstrom skybridge.

FINISHES

The DOMAYNE style utilizes neutral colors with splashes of bright color popping out here and there. My color palette for this project reflected this styles with dark ebony shelving, a light and unassuming wood floor and cashwrap, and pale beiges for the walls and ceiling. The red shown here was the “Domayne Red” that would show up throughout the store on signs and packaging.

This view from the front of the store shows the openness of the floorplan and how the DOMAYNE products and signage became the focal point, rather than the finishes.

INTERIOR

An open, uncluttered floorplan allowed for smooth movement from the front of the store to the back and ensured easy accessibility to the envirostations - DOMAYNE’s primary source of sales in this store. The envirostations were adjustable in height to accommodate handicapped guests. A television screen at the back of the store enticed those who were exploring the “living room” area with advertising for some of the products DOMAYNE was selling online.

INTERIOR

A key feature of this store was the large cove ceiling. This style of ceiling made the space feel bigger than it was and provided ample ambient lighting throughout. Utilizing ambient lighting caused less glare on the computer screens while still allowing enough light to clearly see any products not highlighted by the track lighting.

COMMERCIAL DESIGN

DESIGN|SAVVYInterior Design Firm

INSPIRATION

This is a painting I created to express the overall feeling I was seeking to achieve in this space: smooth transitions between finishes and rooms, highlighted with elegant splashes of color and a flowing floorplan to give the occupant the feeling of gracefulness as they move through the space.

Smooth curving reception desks provide a striking focal point in a lobby and give an inviting feeling of organic movement - a detour from the standard rectilinear shapes so predominant in architecture.

A curved glass wall stands as a clear division between spaces while also allowing those walking by to see the workspace within - a perfect option for public work areas that might be congested at times with heavy use.

www.ambiencedore.com

www.pwlimited.co.uk

CONCEPT

My vision was of an upscale New York firm with sleek lines, smooth finishes, and a sophisticated feel. Since the firm was to be divided between two floors, it was important to consider the rooms that would be used the most by the entire staff and the path of access to them from the central stairs.

I wanted the reception desk to create a dramatic entrance - located out in the middle of the floor - and it was an excellent opportunity to design a sculpted partition wall as a backdrop. A curved reception desk in front of it echoed the flowing movement and created an alluring first impression.

EXTERIOR

Located in an existing building in Seattle’s Pioneer Square, this project could only be designed from the interior. Historical landmark requirements specified that the building exterior remain untouched.

DESIGN|SAVVY was to occupy the top two floors only, and while the side of the building shown here had a fabulous view of the ferry terminal and Puget Sound, there were two sides of the building that either connected to another structure and had no windows at all or looked into a narrow alley. This was an important consideration in the layout of the floorplan.

The first floor was leased out as retail and restaurant space - a feature that made the location even more enjoyable for the employees and for visiting clients. A staircase and elevator were located just inside the main entrance to the building to allow easy access to the second floor reception area.

FINISHES

A playful veneer was used throughout the office on workstations and conference tables and stood out against the charcoal colored carpet. A salmon pink was used for punch while the stripes and shimmering silver fabrics added a touch of elegance.

The lobby, pictured here, utilized these finishes to provide a welcoming place to relax while waiting. The lively colors and flowing lines put clients at ease and also peaked their interest in what was to come from their hired designers.

INTERIOR - FIRST FLOOR

The first floor included the lobby and reception areas along with shared workrooms for research, model making, and collaborating. One of the three departments within the firm was located on this floor, and its members were placed near as many windows as possible. The main copy room was located centrally and close to the stairs for easy access from either floor.

INTERIOR - SECOND FLOOR

The upper floor housed two out of the three departments within the firm and offered a large lunchroom and research library - both located near the central stairs. The library was enclosed with a curved glass wall and sliding barn door to prevent congestion as employees flowed in and out. The conference rooms along the backside of the floor were lit with skylights in lieu of windows.

RESIDENTIAL DESIGN

Morris ResidenceRammed Earth House

INSPIRATION

Original House

This image is a portion of the original house located on 5 acres in Kansas - a property that was left to one of the owners in her grandfather’s will. The house was to be leveled and replaced with a larger residence that incorporated rammed earth into the construction and blended into the grassy hillside.

Sunol Art Piece

This aluminum sculpture by Alvar Sunol was sitting in a gallery window when the owner spotted it and was overwhelmed by the piece’s handmade character and simple craftsmanship He suddenly realized his deep need to get out of Chicago and into the country.

Rammed Earth

Rammed earth can be used to create staggeringly beautiful sculpted walls while providing a highly effective passive heating system and utilizing the backfill soil from the building site that would otherwise have to be transported somewhere else.

http://heatkit.com

CONCEPT

Ben and Kristine had lived in Chicago for years as successful executives and belonged to the fast-paced world of “keeping up with the Joneses”. Upon Ben’s discovery of the Sunol piece, however, the two realized how overwhelmed and exhausted they had become. It was time to use Kristine’s inherited land and reconnect with the natural world around them.

The goal of this project was to be as resourceful and earth-conscious as possible. The house was built into the side of a hill and given a sod roof to provide efficient insulation, as well as blend the home into the landscape. The materials from the original demolished house on the site were reused whenever feasible, and the new home operated on solar power and a passive heating system.

EXTERIOR

A sod roof using native grass seed gives the home the appearance of “growing” out of the side of the hill. Skylights bring natural light into the back rooms where side windows are not an option.

The curve of the front wall and matching porch railing reflect the natural path of the wind so prevalent in this region of the country. It reminds the owners of their connection with their environment while providing an interesting and organic flow to their living space.

Even with the extreme temperatures of the Mid-West, it was important to the owners to have ample outdoor living space. An extension of the sod roof over the porch allowed for a much larger number of days in the year that they could comfortably spend time sitting outside and enjoying the beauty of the land.

FINISHES

An earthy color palette was used to reflect the colors of the surrounding landscape. Soft beiges, browns, and peaches represent the earth and soil, peaceful greens highlight the Kansas fields, and warm grays - both light and dark - bring an element of stone into the house. A cohesive feeling among the colors and finishes of every room in the house was paramount in creating a sense of tranquility.

The living room, pictured here, uses some of these finishes to accentuate the pass through fireplace and dramatic inset windows. The owners enjoyed the curve of the rammed earth wall and a stained earthen floor while sitting and simply taking in the stillness around them.

INTERIOR

Living in the Mid-West means the inevitable use of a basement shelter during one of the many tornados that threaten the area. Rock solid durability in a home - both above ground and below - is an absolute necessity in this part of the country.

A basement access stairway located centrally in the house was a key consideration to this design. The lower floor needed to be useful for everyday activities, like laundry, as well as provide temporary living quarters.

The basement in this home included a large storage space for food, clothing, and first aid supplies in addition to a 3/4 bathroom and complete sleeping and living area.

INTERIOR

The flow patterns throughout this floorplan reflect the curving movement of the rammed earth wall. The rounded shape of the kitchen counter and dining bar echo this movement and create a natural flow to the great room. A private master suite provides ample relaxation space for the couple, and all rooms have easy access to the central staircase.

TECHNICAL SKILLS

Presentation Hand DraftingExterior and Interior Pencil Drafts

EXTERIOR ELEVATIONS

East Elevation

Drawn with pencil for a residential design exercise.

West Elevation

Drawn with pencil for a residential design exercise.

South Elevation

Drawn with pencil for a residential design exercise.

INTERIOR FLOORPLANS

First Floor

Main living area.

Second Floor

Master suite with oversized balcony.