JADE-S - KLANGFAKTURcan be switched into the monitor section or the channel can be flipped for full EQ on the monitor. The Auxiliary Sends Access to no less than 12 auxiliary sends

JADE-S

ICC StudiosSussex

Ollie JRoll Over Studios

Steve MacSkratch Music

The Jade Production Console, introduced in 1992, has been successfully utilised in hundreds of facilities world-wide.Some of these are....

Jade-S builds on this reputation for excellence.

Stevie V. Stephen Lipson’sThe Aquarium

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JADE-SJADE-S

The original Soundtracs Jade was, to many, the

perfect production console.

So clear was the sound, so packed with intelligent

features and so easy was it to use that many said it

could not be improved on.

Well they were wrong.

The new Jade-S represents a remarkable refinement

on a console said to be perfect.

A combination of the finest in audio specification,

leading edge DSP technology, a proven moving fader

automation system and LCRS format mixing.

Being both stunning to look at and a joy to use, the

Jade-S is a thoroughbred, dedicated to performance and

it once again sets a new standard in music production.

Of course the legendary Jade sound is left intact, a

reflection on Soundtracs’ continued design philosophies

of only using extended bandwidth electronics which

reduce distortion, input/output/bus balancing which

reduce RFI and high component grade, ultra low noise,

maximum ground plane PCBs.

Signal coherence and audio integrity is thus ensured.

But when was it ever not with a Soundtracs console?

Reliability is designed in, problems designed out and

the performance totally unsurpassed.

Available in frame-size configurations from 24

channels to 56 channels - providing a total maximum of

112 inputs in mixdown - the Jade-S is without doubt

the finest production console available.

P R O D U C T I O N C O N S O L E

JADE-SI N T R O D U C T I O N

The Channel Input StageDiscrete low noise transistors with constant current mirrors

mean that the ‘wide range’ balanced input stage delivers low

distortion and rock-solid audio stability. It features

padless gain for improved signal to noise ratio, 48volt

phantom power for capacitor microphones, phase

switch, tape trim, direct to tape routing and selection

of input channel or monitor channel metering.

The Channel EqualiserSoundtracs have an enviable world reputation for

quality equalisation. - The Jade-S not only builds on

it, it sets a new standard.

The key is the revolutionary frequency dependent

boost which combats the effects on non-linearity in

music and ear at the extremes of the audio spectrum. With

FdB Parametric Equaliser™ the 4 band parametric equaliser

gently increases its gain from 15dB to 20dB as the filter is

swept. The result is superior and more effective equalisation

at 20KHz and 20Hz.

Shelving and swept Hi and Low filters and two fully

parametric mids, (which can be switched to the monitor

section), deliver smooth and exciting EQ while the roll off

filter provides tight control of the sub bass without removing

bass presence.

- It all represents one of the finest channel equaliser

sections available on a console today.

The Monitor EqualiserBelow the channel EQ is the flexible monitor EQ -

a 2 band shelving filter.

In addition, the mid filters from the channel EQ

can be switched into the monitor section or the channel can

be flipped for full EQ on the monitor.

The Auxiliary SendsAccess to no less than 12 auxiliary sends are

provided, with a myriad of routing options available

to the user. 1-2 and 3-4 are pre or post fade stereo

sends and can be linked for simultaneous sends

from channel and monitor sections. In LCRS mode

the stereo sends allow you to position signals

anywhere in a 2-dimensional surround matrix. Aux

3-4 has access to the groups providing no less than

24 additional sends on mix-down. The 8 mono Aux

sends (5, 6, 7, 8, 9, 10, 11 and 12) are post fade sends and

can be switched in pairs into the monitor section.

The Assignable Dynamics ProcessorEach channel on the Jade-S is fitted with a digitally

controlled dynamics processor which provides ultra-fast, ultra-

accurate gating, compression, limiting, modulation and

expansion, with total recall and reset.

The Monitor Input StageThe all-important monitoring section of the Jade-S gives the

kind of control over a second input channel for which

Soundtracs is famous. Control for pan, source, solo, safe and

mute are present with selectable automation of mutes and

60mm fader movement available via the built-in automation

system of the Jade-S. In addition, the mix switch simply flips the

mode from record to mix bringing the tape returns through

the channel with the monitor becoming a second

input. A group switch provides fader control of the

group output level.

The Channel ControlsRoute the signal to groups, to mix or direct to

tape. Reverse the operation of monitor and channel

faders. Solo, mute and make safe a channel. - All the

control you need with the addition of user selectable

automation of mute and 100mm channel fader.

The ConnectionsBalanced mic, line, monitor and group. Semi balanced insert

point. +4dB or -10dB tape inputs and outputs. The

Soundtracs Jade-S is blessed with all the connections you

need.


J A D E - S

A paragon of audio integrity and clear, ergonomic design,the Jade-S Input/Output module rightly contains

all the features and sonic purity you would expectfrom Soundtracs, laid out in a way

that’s easy to understand and easy to use.

INPUTOUTPUT

M O D U L E

Input StageLow noisetransistors

•Padless Gain

•48V Phantom Power

•Phase Switch

•+\- 20dB Tape Trim

Channel EQ4 band parametric

•Hi & Low shelving

mids from Q 0.5 to 5

Monitor EQ2 band

shelving filter

AssignableDynamicsVCA In/Out

Control

Aux Sends12 in total

•Aux 1-2 & 3-4

stereo•

Aux 5, 6, 7, 8, 9, 10,11 & 12 mono

•Routing to extra 24 AUX busses

Monitor SectionMonitor Pan

•Source select

•Solo, Group, Mute

•Record Monitor

faders•

VCA Bypass•

60mm linear fader

Channel ControlsPan, Solo,Safe, Mute.

•VCA or motor fader

•100mm fader

ConnectionsBalanced Mic, Line& Monitor Input

•Insert point

•Balanced Group

output

MeteringIndividual VU orPeak indicators


J A D E - S

INPUTOUTPUT

M O D U L E

INPUTOUTPUT

M O D U L E


J A D E - S

The Stereo Input ModuleThe stereo module is another example of Soundtracs clear

understanding of what’s required in a professional studio in

the 90’s.

It’s designed to accept stereo line level signals from CD

players, DAT machines, etc so that stereo program can be

processed and mixed. It has facilities to reverse left and right

signals, a 4 band fully swept FdB Parametric Equaliser™

section, access to the 12 auxiliary busses in mono or stereo,

routing to 24 track and a stereo width control.

Fader and mute automation is also present.

There’s even two assignable buttons for remote controlling

stereo machines.

The Jade-S features 4 channel surround LCRSmixing complete with two joysticks allowing theengineer to dynamically pan signals around thesoundfield for musical or picture-synced effects.

LCRS Format MixingIn keeping with today’s production needs, the Jade-S allows for mixing

in two formats - stereo (LR) and 4 channel surround (LCRS).

Switching between the two mix modes is via a simple button push.

Any channel or monitor can be positioned independently anywhere in

the LCRS soundfield using the Aux 1&2 and 3&4 levels and pan controls

in conjunction with the main LR busses and panning controls. In addition

two joysticks beneath the master module facilitate dynamic panning

control of signals in the soundfield while a divergence control is

provided allowing the mix engineer to determine the degree of

separation between L, C and R busses.

The master fader controls and automates

levels for all 4 outputs (which all appear on

the patchbay), and C and S busses can be

alternately metered using the Solo LED

metering above the master module.

STEREOINPUTM O D U L E

LCRSFORMAT

M I X I N G

The Stereo Input Module can occupyany module slot above 24.


J A D E - S

FeaturesTwo mixing formats

available:stereo (LR)

4 channel surround(LCRS)

•Twin joystick

control for dynamicpanning

•Divergence control

for LCRS bussseparation

•All 4 LCRS channelsappear separately

on patchbay•

Master faderautomation of both

mix modes•

LCRS metering viaSolo LED

•Mix mode selection

button

FeaturesStereo width

control•

Remote startswitches

•AutomatedEqualisation

In/Out switching•

Full dynamicsprocessing

•FdB™ Equalisation

•Left & Right

signal phase &reverse

•VCA fader

& mute automation•

Access to12 auxiliaries

•100mm

long-throw fader



LCRSFORMAT

M I X I N G

LCRSFORMAT

M I X I N G

Gating and ExpansionBecause of the sensitivity of the ear to transients, any

professional gate must have an extremely fast attack time so it

can open quickly and allow the transients through.

Designers of analogue gates have strived to increase the

attack time and it is now generally accepted that a good gate

will have an attack time of under 20 microseconds.

Yet the gates in the ADP achieve an incredible attack time of

just 5 microseconds - there’s nothing faster.

This means sharper response and tighter gating.

They’re flexible too, with parameters for attack, hold, decay,

range and hysteresis and the ability to store favourite gates.

They can even be linked to other channels for full stereo

operation and keyed from another channel for triggered effects

and pre-gating.

Compression and LimitingOffering much more than conventional analogue

compressors, (variable control of threshold, attack, release,

ratio, knee and output plus stereo linking), the compressors on

the ADP offer quite possibly the best compression on the

market today.

In conjunction, the ADP also offers excellent limiting facilities

allowing the compressors to operate up to, but not beyond,

the limit threshold.

Modulation and EffectsTotal movement of signal level and pan in the audio mix is

available through the ADP - be it static or continuous.

And with such control.

Modulate the level of any channel for tremolo and pulse

effects, synchronise pan to the modulation of another channel -

the creative possibilities are endless.

The optional Soundtracs Assignable Dynamics Processorrepresents a major advance in high quality dynamicsprocessing using DSP’s to provide fully assignable and

recallable dynamics on every JADE-S channel.

FeaturesLeading-edge DSP technology

•Dedicated dynamics VCA’s(does not use fader VCA)

•Software programmable bypass

•5 micro second attack time

•Gate emulation

•Compression and Limiting

•Special FX: auto-panning,

tremolo and pulse.•

Totally assignable with recall•

Save settings to memoryand on disk with fader automation

•Independent of automation

•Stereo linking of channels

•Keying for effects and de-essing

ASSIGNABLEDYNAMICSP R O C E S S O R



ADP control panel withintegrated backlit LCD display.

The Auxiliary MastersThe most extensive control over the 12 balanced auxiliary

signals leaving a Jade-S Production Console is provided: Level,

AFL and user selectable soft mute automation for each

individual Aux master.

The Oscillator and Talkback SystemA built-in oscillator with tones of 10kHz, 1kHz and 100Hz

can be routed to the group, for slating to tape, to auxiliaries

for lining up effects, and to the direct output on the

patchbay.

A flexible 2-way talkback system allows the engineer to talk

and listen to the studio, aux busses, groups or the direct

output on the patchbay.

The Solo SystemTwo solo options are available to the user of a Jade-s

Production Console: PFL, and Inplace Solo - where all other

inputs are muted when a channel solo button is pressed.

The Studio OutputThe +4dB balanced output level feeding the headphones in

the studio area is controlled via the studio output and can be

muted to prevent headphone spill. Any combination of Aux

1-2, Aux 3-4, 2 tracks A,B,C,D, external 1 and 2 and the mix

can be sent via the patchbay as a headphone mix.

The Control Room OutputNo less than 3 speaker outputs, stereo or LCRS master

stems and headphone cues and mix can be monitored by the

impressive control room output section.

There is also a mono button for checking mono

compatibility, a mute button, solo level and headphone level

controls.

Master MeteringLarge, illuminated mechanical VU meters are provided for

the LR output in addition to a phase correlation meter.

Auxiliary Masters12 level controls with AFL

and soft mute on each

Oscillator10KHz, 1KHz and 100Hz tones

•Routed to Group, Aux and Direct

Talkback SystemTalk to studio, aux busses,

groups and Direct•

Listen Mic facility

Solo SystemPFL and In-place solo

Studio OutputCombination feed to headphones

•Level and Mute

Control Room Output3 switchable speaker outputs

•Mute, Dim, Solo and Headphone level

MeteringVU and phase correlation meters

AES/EBUDigital I/O

With the Jade-S Master Moduleyou have complete and effortless management of

the Aux masters, an on-board oscillator,a talkback system, a solo system,studio and control room outputs.

MASTERM O D U L E

MASTERM O D U L E

MASTERM O D U L E

Completely re-designed master module.


Moving Fader & VCA AutomationThe Jade-S console incorporates moving fader

automation for all channels, VCA fader automation for

monitor faders and the master fader, and also

automates all mutes. Derived from the proven

Solitaire automation system, it provides frame

accuracy for faders, quarter frame accuracy for mutes

and 12 bit sampling of fader levels (4,096 steps). VCA

automation is also available. All data is stored internally

in non-volatile RAM, and can be archived to MIDI

devices or on a PC. The system synchronises and

generates MTC in all framerates, and is capable of

MIDI machine control using the dual MIDI port sets

(IN, OUT and THRU x 2). Fader positions can even

be converted into MIDI continuous controllers to

remote control the parameters of other studio

equipment. A high visibility head-up timecode display

is built-in to the meterbridge.

Four Modes of OperationThe REC and PLY buttons allow one of four modes to be

selected and the LED's show which mode is current -

RECORD, PLAY, TRIM or ISOLATE. They also flash to show

the nulling direction. The motorised faders utilise a touch-

sensor circuit to allow autotakeover and Snatch modes.

Global fader and mute modes can also be selected from the

menu driven, master control panel with LCD display. Nulling is

possible either manually or automatically (with a variable

computer controlled null time), or the system can operate in

Crash record. A Safe mode is provided to protect automation

on individual channels.

Completely Self ContainedThe entire system is self contained and operates from the

on-board controller - no external computer system is required.

However, for additional fader display, archiving and extensive

graphical off-line editing requirements, Soundtracs has

developed an advanced GUI software package running on a PC

platform. This software is included with the Jade-S and allows

users to cut, copy and paste together mixes faster than

realtime. A trackerball in the master section

facilitates this.

VCA Mixing GroupsMixing can be further simplified by assigning input faders to

be controlled by one of the 8 dedicated VCA faders. A single

VCA master can fade a stereo balance of inputs,

preserving their relative levels even if faded to off

and then restored. (note an external PC is

required for this feature).

Quite simply the most flexible, feature-packed and usableautomation available on a production console.

MOVINGFADER

A U T O M A T I O N

Jade-S Automation system control centre completewith large function keys and parameter wheel.

All fader and mute automation, along with timecodesynchronisation readouts can be displayed via a PC.


J A D E - S

FeaturesMute automation on all channels,

monitors and auxiliary masteroutputs

•Fader automation on up to 113faders - including all monitors,channels and master outputs

•Simultaneous display of all fader

movements•

A rolling time-line style advanceview of the entire mix

•RECORD, PLAY, TRIM, ISOLATE

and SAFE fader modes•

RECORD, PLAY, UPDATE,ISOLATE and SAFE mute modes

•Crash record for scene changes

•Auto or manual nulling options

•Auto null time from 1 frame to 60

seconds•

Takeover and Snatch modes fortouch sensitive motor faders

•Off line mix editing - includingInsert, Move, Copy, Duplicate,

Ramp and Autofade•

Off line mute editing - includingInsert, Move, Copy, Nudge

•Frame accuracy for faders, 1/4

frame accuracy for mutes•

MTC reader and generator•

12 bit fader sampling resolution(4,096 steps)

•VCA bypass

MOVINGFADER

A U T O M A T I O N

MOVINGFADER

A U T O M A T I O N

Balancing TransformersBalancing transformer options are available factory fitted to

provide isolation of mic inputs, master outputs plus tape

sends and returns.

AES/EBU InterfaceA fully professional digital stereo master output

supplements the analogue LR balanced outputs, allowing

direct to DAT or hard disk mastering. A 2-track return signal

can be monitored via the input to this circuit. 18 bit A/D and

20 bit D/A conversion ensures an S/N in excess of 105dB.


J A D E - S

The Jade-S patchbaycan be configured with amaximum of 320 tielines.

Jade-S PatchbayThe Jade-S Production Console can be fitted with a

comprehensive TT patchbay for immediate access to all inputs

and outputs.

Two types are available: Standard or metal Mosses & Mitchell

for more demanding applications.

The Jade-S patchbay comes pre-wired for up to 48 tracks

and 96 tie lines, expandable to 320 tie lines, and has auxiliary

normalling for easy wiring.

Jade-S MeteringEvery input/output channel has a 30 segment bargraph meter

which displays recording levels to and from multitrack tape or

switched to view channel input levels. These meters are peak

or VU reading and calibrated for an accurate visual

representation. In addition, two large VU meters monitor the

master L and R output levels.

Internal Jumper LinksInternal jumper links are provided to select +4dB or -10dB

levels on group outputs and tape returns. Pre or post fade on

input channel auxiliaries 5 to 12 are internally selectable, as is

+48v on the listen mic input.

Master Rear Connector PanelThe master rear connector panel gives access to all inputs

and outputs including the master outputs, auxiliary outputs, 2

track sends and returns and tape I/O.

The PSU connector, listen mic, digital control lines and earth

are also located on the master rear connector panel.

Jade-S metering is clear, concise andcomprehensive with LED’s & twin VU’s.

Easy access to the inputs and outputs of a console pluscomprehensive metering are of paramount importance

and here, the Jade-S yet again delivers.

JADE-SC O N N E C T I O N S


Patchbay OptionQuality TT sockets

•Pre-wired and ready for use

for up to 48 tracks•

96 tie lines - expandableto 320

•Auxiliary normalling

Metering30 segment bargraph meter for

each input/output channel•

Accurately calibrated•

2 large illuminated VU metersfor master L & R

•Power supply indicators

Master RearConnector Panel

Master outputs, auxiliary outputs,2 track sends and returns.

•Multi-way connectors

•9-pin high speed

PC serial interface•

PSU connector•

MIDI IN, OUT, THRU•

Digital AES/EBU input and outputTrackerball connection

J A D E - S




J A D E - S

INPUT/OUTPUT MODULE 1 OF 24/32/40/48/56

Mic

Line

Line in

Line+48V

Transformer option

ChannelGain

+0 +70 Mic-10 +20 Line

Tape ReturnTape

ReturnMon in Tape

Gain

-20 +20 Tape

Tape

Group

Mix HPF PhaseChannel HF & LF EQ

EQ on

SendReturn

Mid Band EQ‘Mon’ switches Mid Bandbetween monitor andchannel paths

VCAGate On

ActiveTo DSP

From DSP

SafeMute

Solo

Status

PFL Bus

IPS Line

Rev

VCAVCA on

Monitor Fader

VCA

VCA on

Channel fader

AU

X B

us 1

-12

Gro

up B

us 1

-24

Left

Bus

Righ

t Bus

PFL

Bus

Left Bus

Right Bus

Left Bus

Right Bus

Channel L-R

Monitor L-R

Channel

PAN

PAN

Monitor

Mute

PFL Bus

Solo

Status

SafeIPS Line

Peak

EQ on

Monitor Path HF and LF EQGroup

Tape sendTape send

GroupDirect

30 SegVU/PKMeter

Meter

24T

AUX 1 BusAUX 2 BusAUX 3 BusAUX 4 Bus

24 Bus

24 Bus

Groups 1, 3, 5, 7, 9, 11

Groups 2, 4, 6, 8, 10, 12

AUX 5 Bus

AUX 9 Bus

AUX 6 Bus

AUX 10 Bus

AUX 7 Bus

AUX 11 Bus

AUX 12 Bus

AUX 8 BusAUX 8/12

AUX 7/11

AUX 6/10

Pre/Post

Mon

Pre/Post

Mon

8/12

7/11

6/10

5/9

Post

Post

Mon

Mon

AUX 1/2

AUX 3/4

PAN

PAN

Automation CPU

Signal Flow (Analogue Path)

EDAC Connectors

Output Patchbay Socket

Normalised Input Patchbay Socket

Electronically Balanced Output Amplifier

JOYSTICK

JOYSTICK 1

LCRS

JOTSTICK 2

JOTSTICK 2

GROUP

AUX

STUDIO

OCR

‘ON’TALKBACK

LEVEL TALKBACK MIC

DAC

DAC

TB DIR

OSC DIR DIR

AUX

GROUP OSCILLATORLEVEL‘ON’

TO ‘DIM’ CIRCUIT

STUDIO LFEED

STUDIO L

STUDIO RFEED

STUDIO R

STUDIO OUTPUT

L

R

L

R

CONTROL ROOM B CONTROL ROOM A

L

R

LCRS

ALT LEVEL‘C’

L

R

CONTROL ROOM C

ALTLCRS

MUTE

STUDIOMUTE

STUDIOLEVEL

OSCILLATOR

100, 1K, 10K

D-A A-D

LEFT MIX

RIGHT MIXADC 2T-D 2T-C 2T-B

2 Track Sends2T-A

ADC 2T-D 2T-C 2T-B 2T-A

SURROUND MIX

CENTRE MIX

AUX 1-2

AUX 3-4

PHASEMETER

L-R

SOURCED AS PERCONTROL ROOM

2TA

2TB

2TC

2TD

EXT 1

EXT 2

SOLOLOGIC

TO SOLO BUS

CONTROLROOM MUTE

QUAD

CONTROL ROOMLEVEL CONTROL

MUTE

L R

HEADPHONE LEVEL

FROM TALKBACK SWITCH

L

C

R

S

L

C

R

S

MONO

MONO

DIM

LCRSCENTRE/SURROUND

DAC MONITOR

CENTRE MIX

L R

SURROUND MIX

LEFT MIX

RIGHT MIX

AUX OUTAUX NORMAL

AUX OUT 12 X AUX MASTERS

AU

X 4

AU

X 3

AU

X 2

AU

X 1

SOLO

AFL

LEVEL

MASTER FADER

VCA

LCRS

STEREO / QUAD

CONTROL ROOMROUTING

LCRS

LISTEN

MUTE

SOLO SWITCHERQUAD20DBDIM

SOLO CONTROL LOGIC

SOLOLEVEL

IPS

IPS

STATUS

GAIN

LISTEN MICROPHONE

+48V OPTION

EXT 2

EXT 1

2TD

2TC

2TB

2TA

S-C

L-R

AUX 3-4

AUX 1-2

RETURNSEND

SEND

SEND

RETURN

RETURN

CENTRE

SURROUND

SENDRETURN LEFT

RIGHT

MUTE

AUX SUMMING AMP

AU

X 4

AU

X 3

AU

X 2

AU

X 1

AUX 1-12

AU

X B

US

1-12

GRO

UP

BUS

1-24

LEFT

BU

S

RIG

HT

BUS

SOLO

BU

S

IPS/

STAT

US

BUS

AUX 3-4 MERGE

AUX 2AUX 1

ALL AUXALL GROUPS

2TAL

2TAR

2TBL

2TBR

2TCL

2TDL

2TDR

EXT1L

EXR1R

EXT2L

EXR2R

SOLO METER

SOLO

PEAK

SELECT

JADE-SF L O W C H A R T

INPUT/OUTPUT MODULE

MASTER SECTION

Input Impedance All electronically balanced

Microphone input 2k ohms

Line/monitor/tape/insert inputs >10k ohms

Output Impedance

All outputs except inject sends, osc, & TB electronically balanced

Impedance <75 ohms

Maximum output levels

All balanced outputs (to balanced inputs) >+24dBu

Maximum Gain

Microphone (channel input to mix output) 80dB

Line (channel input to mix output) 30dB

Equaliser Frequencies Channel Parametric FdB Equaliser™

HF 1.5k-15kHz ± 15 to 20dB

MF1 700-14kHz ± 15dB Q = 0.5 - 5

MF2 50-1kHz ± 15dB Q = 0.5 - 5

LF 50-500 Hz ± 20dB to 15dB

Monitor Equaliser

HF 10kHz ± 15dB

LF 100Hz ± 15dB

Mix noise (VCA out)

24 channels routed -83dBr





Distortion (channel input through to mix)

Line (no VCA) <0.006%

Channel or monitor (VCA in) <0.015%

Dynamics VCA <0.05%

Frequency Response

Microphone (Gain 55dB) 20Hz-20kHz +0 -0.5dB

Group Noise


Aux Noise


Signal Crosstalk

Channel mute -100dB @ 1kHz. -90dB @ 10kHz

Channel fader -100dB @ 1kHz. -95dB @ 10kHz

Monitor mute -98dB @ 1kHz. -90dB @ 10kHz

Monitor fader -95dB @ 1kHz. -93dB @ 10kHz

Adjacent channel -93dB @ 1kHz. -90dB @ 10kHz

Input Noise

Mic Input Equivalent (150 ohms) <-129dBu

Line Input Equivalent (50 ohms) <-95dBu

Digital Interface

A/D converter 18-bits

D/A converter 20-bits

Input Dynamic Range >94dB

Output Dynamic Range >105dB

0dB FS +18dBu

Frequency of Sampling 32kHz - 56kHz (slave)

44.1kHz or 48kHz (master)

Weights and Dimensions

Products offered for sale may differ from those described or illustrated in this brochure due to later production changes in specifications, components or place of manufacture. The contents of this brochure are therefore not to be treated as representations asto the current availability of products as described, or as to products actually offered for sale. Soundtracs Plc reserves the right to make changes at any time, without notice, in prices, colours, materials, specifications and models, and also to discontinue models.

© S

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JADE-SS P E C I F I C A T I O N

Console Un-crated Crated Size in mm

24 input (32u) 160kg ±10% 270kg ±10% 1135(d) x 1007(h) x 1382mm(w)

24 PB (40u) 188kg ±10% 298kg ±10% 1135(d) x 1007(h) x 1686mm(w)


32 PB (48u) 217kg ±10% 339kg ±10% 1135(d) x 1007(h) x 1991mm(w)


40 PB (56u) 246kg ±10% 267kg ±10% 1135(d) x 1007(h) x 2296mm(w)


48 PB (64u) 275kg ±10% 396kg ±10% 1135(d) x 1007(h) x 2601mm(w)

56 PB (72u) 275kg ±10% 396kg ±10% 1135(d) x 1007(h) x 2906mm(w)

Soundtracs PLC . Unit 21-D . Blenheim Road . Longmead Industrial Estate . Epsom . Surrey KT19 9XN . EnglandTelephone: (+44) (0)181 388 5000 . Fax (+44) (0)181 388 5050 . email: [email protected]

Soundtracs USA . 316 South Service Road, Melville, NY11747-3201Telephone: (+1) 516 333 8737 . Fax: (+1) 516 333 9108

Soundtracs PLC . Unit 21-D . Blenheim Road . Longmead Industrial Estate . Epsom . Surrey KT19 9XN . EnglandTelephone: (+44) (0)181 388 5000 . Fax (+44) (0)181 388 5050 . email: [email protected]

Soundtracs USA . 316 South Service Road, Melville, NY11747-3201Telephone: (+1) 516 333 8737 . Fax: (+1) 516 333 9108

Distributor Dealer

Documents

JADE-S - KLANGFAKTURcan be switched into the monitor section or the channel can be flipped for full EQ on the monitor. The Auxiliary Sends Access to no less than 12 auxiliary sends