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ILUMINACJA Magia Światła ILLUMINATION The Magic of Light ES-SYSTEM

ILUMINACJA Magia - ES-SYSTEM · Modern illumination is the art of forming night space in which light seems to mate-rialise architecture to at least the same extent as stone, brick

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Page 1: ILUMINACJA Magia - ES-SYSTEM · Modern illumination is the art of forming night space in which light seems to mate-rialise architecture to at least the same extent as stone, brick

ILUMINACJAMagia Światła

ILLUMINATIONThe Magic

of Light

ES-SYSTEM

Page 2: ILUMINACJA Magia - ES-SYSTEM · Modern illumination is the art of forming night space in which light seems to mate-rialise architecture to at least the same extent as stone, brick

ILUMINACJAMagia Światła

ILLUMINATIONThe Magic

of Light

Page 3: ILUMINACJA Magia - ES-SYSTEM · Modern illumination is the art of forming night space in which light seems to mate-rialise architecture to at least the same extent as stone, brick

ILUMINACJAMagia Światła

ILLUMINATIONThe Magic

of Light

Wydawca:ES-SYSTEM S.A.30-701 Kraków, ul. Przemysłowa 2

Zdjęcia:Mirosław SulmaMarcin Szczęk

Projekt graficzny:Marcin Szczęk

© Copyright by ES-SYSTEM S.A., 2008

Wszelkie prawa zastrzeżone. Reprodukcja i odtwarzanie w jakiejkolwiek formie wyłącznie za zgodą właściciela praw autorskich.

ISBN 83-923003-1-9

Tłumaczenie: Aleksander Ptak LINGUA EXPERT

Druk:Drukarnia Skleniarz30-133 Kraków, ul. Lea 118

Page 4: ILUMINACJA Magia - ES-SYSTEM · Modern illumination is the art of forming night space in which light seems to mate-rialise architecture to at least the same extent as stone, brick

Współczesna iluminacja jest sztuką formowania nocnej przestrzeni, w której światło

zdaje się materializować architekturę w stopniu nie mniejszym niż kamień, cegła czy

szkło. Oświetlanie obiektów zabytkowych jest szczególnie trudnym i odpowiedzial-

nym zadaniem. W przeszłości percepcja dzieła, jego detalu i formy, dokonywała się

w świetle dziennym. Projektant iluminacji staje przed koniecznością przekazania za-

wartych w zabytku wartości w porze nocy. Wykonanie tego zadania wymaga anali-

zy, zrozumienia i prawidłowej interpretacji historycznych i estetycznych cech obiek-

tu. Parafrazując, należy stworzyć nocną opowieść o architekturze, używając światła

jako narzędzia narracji. Zabytek istnieje w konkretnej rzeczywistości urbanistycznej

lub w naturalnym krajobrazie. Uzyskane efekty świetlne muszą umiejętnie wskazać

jego miejsce w przestrzeni oraz relacje z otoczeniem. Z zadanych elementów – archi-

tektury, mroku nocy i światła – winna powstać kreacja wyzwalająca piękno i zadumę.

Przedstawiamy realizacje, jak również efekty prób iluminacyjnych, wykonane według

projektów i w oparciu o systemy oświetleniowe firmy ES-SYSTEM S.A.

Modern illumination is the art of forming night space in which light seems to mate-

rialise architecture to at least the same extent as stone, brick or glass. Illuminating his-

torical buildings is an especially difficult and responsible task. In the past, architectural

monuments, their details and their form were perceived in daylight. An illumination

designer faces the necessity to present the values of a given historical monument

at night time. Performing this task requires an analysis, the understanding and the

correct interpretation of historical and aesthetic features of a facility. In other words:

he has to create a night story of architecture using light as the means for narration.

A historical monument exists within a particular urban reality or natural landscape.

The achieved light effects have to skilfully indicate the building’s setting as well

as its relation with the surrounding. A formation liberating beauty and a moment

of reflection should be created from the means at hand – architecture, the darkness

of night and light.

We present to you the final realisations as well as the effects of illumination rehearsals

performed in accordance with the designs and with the application of ES-SYSTEM S.A.

lighting systems.

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Muzeum Narodowe Wrocław

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Mały RynekKraków

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Zapora Porąbka

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Belweder – pałacWarszawa

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Belweder – ogrodyWarszawa

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Rezydencja Prezydenta RP – Zamek Wisła

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Zamek Królewski Dobczyce

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Pałac Arcybiskupi Wrocław

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Akademia Górniczo – Hutnicza im. Stanisława StaszicaKraków

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Park im. Henryka Jordana Kraków

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Uniwersytet Jagielloński,

ekspozycja odlewów gipsowychKraków

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Kościół św. Leonarda Lipnica Murowana

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Planty KrakowskieKraków

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Most Uniwersytecki Wrocław

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Zamek Królewski na WaweluKraków

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Zespół klasztorny Święty Krzyż

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Plac Wszystkich ŚwiętychKraków

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Pawilon WyspiańskiegoKraków

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Browar w Żywcu

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Sanktuarium św. Stanisława BMSzczepanów

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Kościół Wniebowzięcia NMPWola Radziszowska

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Kościół oo. Bernardynów Kalwaria Zebrzydowska

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Klasztor na Karczówce Kielce

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Muzeum Powstania WarszawskiegoWarszawa

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Katedra Wniebowzięcia NMP i św. AndrzejaFrombork

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Park dworski okolice Krakowa

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Wieża ciśnień „Na Grobli”Wrocław

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Katedra Wniebowzięcia NMP Kielce

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Opactwo Cystersów w Mogile Kraków

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Kopalnia Soli w Wieliczce

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Zabytkowa kopalnia soli w Wieliczce należy do najstarszych ośrodków górniczych

w Europie. Udostępniona do zwiedzania, dokumentuje historię polskiego górni-

ctwa solnego oraz świadczy o dużym znaczeniu Żup Krakowskich w dziejach pań-

stwa polskiego. Ten znakomity zespół wpisany został na Pierwszą Listę Światowego

Dziedzictwa Kulturowego i Przyrodniczego UNESCO. Obecnie podziwiać można

ukształtowane pracami górniczymi chodniki i komory, wykute w soli kaplice a także

ekspozycje dawnych urządzeń kopalnianych. Zarówno potężne konstrukcje drew-

nianych kieratów jak i proste narzędzia kopackie, wywołują podziw dla trudu i daw-

nej myśli inżynierskiej górników. W tej szczególnej przestrzeni iluminacja odgrywa

ważną rolę poznawczą i estetyczną. Wydobyte z mroku podziemia przemawiają do

nas językiem scenografii, w którym umiar i niedopowiedzenie mają szczególną war-

tość. Światło rozprasza ciemności, oprowadza nas po tajemniczym świecie kopalni,

akcentując surowe piękno solnych ociosów.

Przedstawiamy iluminację zabytkowej Kopalni Soli „Wieliczka” oraz Muzeum Żup Kra-

kowskich, zrealizowaną według projektów oraz w oparciu o systemy oświetleniowe

firmy ES-SYSTEM S.A.

The historical salt mine in Wieliczka belongs to the oldest mining facilities in Europe.

Opened to visitors, it documents the history of Polish salt mining and gives evidence

of the great significance of Krakow Saltworks in the history of the Polish state.

This outstanding complex was inscribed on the first UNESCO List of World Cultural

and Natural Heritage. Today, tourists can admire the underground galleries and

chambers formed by mining works, chapels carved in salt as well as the exposition

of historical mine equipment. Both the enormous structures of wooden hauling

machines as well as the simple digging tools evoke admiration for the toil and

the technical skills of ancient miners. In this extraordinary space illumination plays

an important cognitive and aesthetic role. The undergrounds brought forth to light

speak with the language of stage design in which moderation and allusion are

of unique value. Light disperses darkness, guides us through the mysterious world

of the mine, emphasising the raw beauty of the saline underground.

We give to you the illumination of the historical “Wieliczka” Salt Mine and the Krakow Saltworks Museum, performed in accordance with the designs and with the application of ES-SYSTEM S.A. lighting systems.

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Komora Jana Haluszki

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Komora Maria Teresa II

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Komora Modena

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Komora Erazma Barącza

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Komora Kraj

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Komora Mikołaja Kopernika

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Komora Pieskowa Skała

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Komora Stanisława Staszica

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Komora Drozdowice

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Illustrations

6-9. National Museum, Wrocław.

10-13. Little Market Square, Krakow.

14-17. Porąbka Dam.

18-19. Belweder Palace, Warsaw.

20-21. Belweder Garden, Warsaw.

22-25. The Polish President’s Residence – Castle, Wisła.

26-27. Royal Castle, Dobczyce.

28-33. Bishops’ Palace, Wrocław.

34-37. AGH University of Science and Technology, Krakow.

38-41. H. Jordan Park, Krakow.

42-45. Jagiellonian University, an exposition of gypsum casts, Krakow.

46-51. The Church of St. Leonard, Lipnica Murowana.

52-55. The Planty in Krakow.

56-57. University Bridge, Wrocław.

58-67. The Royal Castle on the Wawel Hill, Krakow.

68-71. The Holy Cross, monastic complex.

72-73. All Saints Square, Krakow.

74-75. The Wyspiański Pavilion, Krakow.

76-79. The brewery in Żywiec.

80-83. The Sanctuary of St. Stanislaus, Bishop and Martyr, Szczepanów.

84-87. The Church of the Assumption of the Blessed Virgin Mary, Wola Radziszowska.

88-91. The Church of the Bernardine Brothers, Kalwaria Zebrzydowska.

92-95. The Monastery at Karczówka Hill, Kielce.

96-99. The Warsaw Rising Museum, Warsaw.

100-103. The Cathedral of the Assumption of the Blessed Virgin Mary and St. Andrew, Frombork.

104-105. A court garden in the vicinity of Krakow.

106-109. The water-tower “Na Grobli”, Wrocław.

110-113. The Church of the Assumption of the Blessed Virgin Mary, Kielce.

114-115. The Cistercian Abbey in Mogiła, Krakow.

116-117. The Crystal Grotto, salt mine in Wieliczka.

118-119. The Stanisław Staszic Chamber, salt mine in Wieliczka.

120-123. The Jan Haluszka Chamber, salt mine in Wieliczka.

124-125. Scenes from the salt mine in Wieliczka.

126-129. The Maria Teresa II Chamber, salt mine in Wieliczka.

130-131. Scenes from the salt mine in Wieliczka.

132-135. The Modena Chamber, salt mine in Wieliczka.

136-137. The Erazm Barącz Chamber, salt mine in Wieliczka.

138-141. The Kraj Chamber, salt mine in Wieliczka.

142-143. The Nicholas Copernicus Chamber, salt mine in Wieliczka.

144-147. The Pieskowa Skała Chamber, salt mine in Wieliczka.

148-149. Scenes from the salt mine in Wieliczka.

150-153. The Stanisław Staszic Chamber, salt mine in Wieliczka.

154-157. The Drozdowice Chamber, salt mine in Wieliczka.

6-9. Muzeum Narodowe, Wrocław.

10-13. Mały Rynek, Kraków.

14-17. Zapora Porąbka.

18-19. Belweder – pałac, Warszawa.

20-21. Belweder – ogrody, Warszawa.

22-25. Rezydencja Prezydenta RP – Zamek, Wisła.

26-27. Zamek Królewski, Dobczyce.

28-33. Pałac Arcybiskupi, Wrocław.

34-37. Akademia Górniczo – Hutnicza im. Stanisława Staszica, Kraków.

38-41. Park im. Henryka Jordana, Kraków.

42-45. Uniwersytet Jagielloński, ekspozycja odlewów gipsowych, Kraków.

46-51. Kościół św. Leonarda, Lipnica Murowana.

52-55. Planty Krakowskie, Kraków.

56-57. Most Uniwersytecki, Wrocław.

58-67. Zamek Królewski na Wawelu, Kraków.

68-71. Zespół klasztorny, Święty Krzyż.

72-73. Plac Wszystkich Świętych, Kraków.

74-75. Pawilon Wyspiańskiego, Kraków.

76-79. Browar w Żywcu.

80-83. Sanktuarium św. Stanisława BM, Szczepanów.

84-87. Kościół Wniebowzięcia NMP, Wola Radziszowska.

88-91. Kościół oo. Bernardynów, Kalwaria Zebrzydowska.

92-95. Klasztor na Karczówce, Kielce.

96-99. Muzeum Powstania Warszawskiego, Warszawa.

100-103. Katedra Wniebowzięcia NMP i św. Andrzeja, Frombork.

104-105. Park dworski w okolicy Krakowa.

106-109. Wieża ciśnień „Na Grobli”, Wrocław.

110-113. Katedra Wniebowzięcia NMP, Kielce.

114-115. Opactwo Cystersów w Mogile, Kraków.

116-117. Grota Kryształowa, kopalnia soli w Wieliczce.

118-119. Komora Stanisława Staszica, kopalnia soli w Wieliczce.

120-123. Komora Jana Haluszki, kopalnia soli w Wieliczce.

124-125. Sceny z kopalni soli w Wieliczce.

126-129. Komora Maria Teresa II, kopalnia soli w Wieliczce.

130-131. Sceny z kopalni soli w Wieliczce.

132-135. Komora Modena, kopalnia soli w Wieliczce.

136-137. Komora Erazma Barącza, kopalnia soli w Wieliczce.

138-141. Komora Kraj, kopalnia soli w Wieliczce.

142-143. Komora Mikołaja Kopernika, kopalnia soli w Wieliczce.

144-147. Komora Pieskowa Skała, kopalnia soli w Wieliczce.

148-149. Sceny z kopalni soli w Wieliczce.

150-153. Komora Stanisława Staszica, kopalnia soli w Wieliczce.

154-157. Komora Drozdowice, kopalnia soli w Wieliczce.

Ilustracje

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